REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

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REVIEW: RUN…IF YOU CAN

CAST

Martin Landau (Ed Wood)
Yvette Nipar (Robocop: The Series)
Jerry Van Dyke (The Middle)
Morgan Douglas (Chopping Mall)
Sandy Berumen  (Jade)

teenage-mutant-ninja-turtles-2017-season-5-episode-16-the-frankenstein-experimentKim Page is a college student whose house sitting for one of her parent’s friends, and this house is a wealthy looking villa. Watching TV one-night the picture changes to a couple having sex. Then suddenly the man suffocates the lady and wraps her up in a plastic bag. Then it goes back to old movie she was watching. Thinking nothing much of it at first, this changes when it seems to happen every night with a different lady being killed. Kim starts to believe she’s going crazy, because no one else seems to get the signal. However at the same time there is a killer within the area who is disposing of his victims the same way.MV5BMTY2Mjk1MzgyOF5BMl5BanBnXkFtZTgwMjUyMzQzMTE@__V1_SY1000_CR0,0,1428,1000_AL_This low-budget late 80s psychotic serial killer feature is an unfairly forgotten staple as the concept driving it is an innovative, offbeat one and the lead actress Yvette Nipar chips in with a strong, capable performance. It’s on the cheap and that shows up quite noticeably, in somewhat of a made for TV feel. It’s a real slow build-up, constructing the situation (bringing in characters), setting the tone and finally making it a real dangerous predicament. At times repetitive, but only within the last half-hour does the story really become threatening and suspenseful when the killer targets our heroine.Run if you Can wasn’t what I was expecting, but it turned out to be interesting little low-rent b-grade straight-to-video thrill

REVIEW: THE ELEVATOR

CAST

Richard Lewis (Drunks)
Martin Landau (Ed Wood)
Richard Moll (Scary Movie 2)
Phil Fondacaro (Sabrina: TAS)
Martin Sheen (The Amazing Spider-Man)
Bokeem Woodbine (Total Recall)
Gabriel Bologna (Rocker)
Gretchen Becker (The Doors)

bhrNPMMb851EJd7R3eKs8iaZBcsBig-time Hollywood producer (Martin Landau) on his way to receive a humanitarian award, gets stuck on an elevator with a quirky, naively idealistic neophyte (the film’s author, Gabriel Bologna) who has a head full of dreams and a backpack full of short scripts. Nothing is as it first appears, however, even the depiction of the first segment, an off-the-wall indie student’s grade-C exercise that features Richard Moll, Phil Fondacaro and Richard Lewis. As Bologna reads his shorts to a surly and reluctant Landau, the stories get better and more realistic, leading up to a totally unexpected finale. The shoestring production values show, and the credits may elicit a few knowing snickers, (Bologna co-starring and writing, and Athena Stensland, who stars in the third story with Arye Gross a co-producer.)martin-landau-and-gabe-in-hbo-movie_the-elevatorYet I applaud them both as well as the rest of the filmmakers, for not only managing to get their work made and seen, but for creating something compelling enough to attract this kind of a cast. BEING JOHN MALKOVICH it’s not, but it does mark Bologna as a writer/actor to watch.

REVIEW: EDtv

CAST

Matthew McConaughey (Interstellar)
Jenna Elfman (Dharma & Greg)
Woody Harrelson (the Hunger Games)
Ellen DeGeneres (Finding Dory)
Sally Kirkland (JFK)
Martin Landau (Ed Wood)
Rob Reiner (This Is Spinal Tap)
Dennis Hopper (Speed)
Elizabeth Hurley (Bedazzled)
Viveka Davis (Cast Away)
Chris Hogan (3rd Rock From The Sun)
Geoffrey Blake (Contact)
Merrin Dungey (Conviction)
Rusty Schwimmer (Highlander II)
Adam Goldberg (Deja Vu)
Clint Howard (Apollo 13)
Harry Shearer (The Simpsons)
Azura Skye (28 Days)
Christian Kane (Angel)
T.J. Thyne (Bones)

EDtv starts off with the television channel True TV commencing interviews for a TV show that shows a normal person’s life 24/7. This idea was thought up by a TV producer named Cynthia (Ellen DeGeneres). They interview Ed Pekurny (Matthew McConaughey) and his brother, Ray (Woody Harrelson). When the producers see the interview Cynthia decides to use Ed and interviews only Ed. The show hits the airwaves under the title “Ed TV.” It is a total failure at first, as only boring things happen and the producers want to pull the plug, except for Cynthia.

Ed TV gets interesting suddenly on Day 3 when Ed visits Ray. Ed (along with the cameramen) discovers that Ray is cheating on his girlfriend Shari (Jenna Elfman). Ed then visits Shari to apologize to her for Ray’s actions. Shari is very drunk and starts insulting Ray, by talking to the camera. She makes everyone laugh and gasp by saying “Ray was a bad lay.” Ed tries to comfort Shari, and he reveals he has feelings for her. She then reveals she has feelings for Ed as well. They slowly move their faces closer and finally kiss each other. Ed then locks out the camera crew and proceeds to passionately kiss Shari for a while. Ed TV thus becomes extremely popular. At Cynthia’s insistence Ed starts a relationship with Shari which is short lived, as Ed grows more interested in staying on TV and Shari is abused by viewers who find her unappealing.1

Ed then goes on The Tonight Show with Jay Leno and meets beautiful model/actress Jill (Elizabeth Hurley) who takes a liking to Ed. Ed then visits Shari and she tells Ed that she does not want to be with him until “Ed TV” stops airing. She then leaves town. Ed goes to the park with Ray and some friends to play football when Jill comes to talk to him, because Cynthia brought her in to earn more ratings. She invites Ed to dinner at her house. When he arrives at Jill’s house, there is a massive crowd. They have a small talk, and then they kiss on top of a table. They are about to have sex, but then Ed falls off the table and squishes Jill’s cat. Ed never sees Jill again.

Ed’s father (Dennis Hopper), who abandoned his family when Ed was 13, unexpectedly visits Ed and informs him that he left because Ed’s mother was having an affair with Ed’s current stepfather, Al (Martin Landau). Ed is furious with his mother and argues with her. Next, Ed gets a phone call telling him to come to the hospital. The doctor says that his father is dead and that he died making love to his wife. Ed thinks this means Al, but it actually is his real father and that Ed’s mother was cheating on Al. After the funeral, Ed becomes disheartened by the fact that the producers want him to stay on longer and that he cannot do anything to change their minds or he would be in breach of his contract. Ed is depressed until he catches a glimpse of Shari (in disguise wearing a wig and sunglasses). He chases her for a long time until she stops in the women’s bathroom in a movie theater. She says she is staying with her brother as it is his birthday and she just wanted to see Ed. Ed vows to find a way to end the show to be with Shari. When Ed exits, one camera man stays with Shari saying that it is the producers’ new idea. The main camera man tells him that all his family are being filmed, but they show the most interesting person.

Ed gets an idea on how to stop the main producer from showing the show: he says that he will give $10,000 to the person who can give him the best amount of “dirt” on the producers and that he will announce it live, with the desired result being they stop airing the show before he can make the announcement. As Cynthia feels sorry for Ed, she tells him a secret of the main producer. Ed announces the secret (that the man has to pump a liquid into his penis to get an erection) but before he can announce who it is they stop airing the show. After the camera crew finally leaves Ed’s apartment, he and Shari renew their relationship and celebrate the fact that TV news panelists predict Ed will be forgotten in a short period of time.2Through consistent one liners and also physical humorous actions by the characters EDTV will win over many audiences as it adds chucklesome humour but drives itself on emotional driven situations to, given a perfectly balance aspect of real life.

REVIEW: CITY OF EMBER

 

CAST

Saoirse Ronan (The Host)
Harry Treadaway (Honeymoon)
Bill Murray (Zombieland)
Toby Jones (The Hunger Games)
Martin Landau (Ed Wood)
Tim Robbins (Antitrust)
Marianne Jean-Baptiste (The Cell)
Liz Smith (The Tunnel)
Mary Kay Place (Sweet Home Alabama)
Mackenzie Crook (Pirates of the Caribbean)

In the midst of an unspecified catastrophe, an underground city is constructed to shelter a large group of survivors, with secret instructions to future generations in a small box timed to open 200 years later. This box is entrusted to the mayor of the City of Ember. Each mayor, in turn, passes the box on to his or her successor. Over time, the significance of the box is forgotten, and the succession is broken when the seventh mayor dies before revealing the importance of the box. The box opens at the allotted time, but goes unnoticed. 41 years after the box opens, Ember’s electric generator begins to fail, and the reserves of canned goods and light bulbs are depleted.

At a rite of passage for all graduating students, Mayor Cole (Bill Murray) stands before the students as they choose their occupations by lottery. Protagonist Lina (Saoirse Ronan), who dreams of becoming a messenger, is assigned to be a “Pipeworks Laborer” under the technician Sul (Martin Landau), and her classmate Doon (Harry Treadaway), the son of Loris ‘Barrow’ Harrow (Tim Robbins), is assigned “Messenger”; whereupon the two secretly exchange assignments. At home, Lina finds the timed box, and enlists Doon’s help to decipher its contents. Gradually, they learn that the document is a set of instructions toward an exit from the city; and later, discover that Mayor Cole has been hoarding canned food in a secret vault. When they report the theft, they are arrested and the mayor attempts to take the box from Lina; but a blackout allows Lina to escape. Now fugitives from the mayor’s police, the pair obtain Poppy (Amy Quinn and Catherine Quinn), Lina’s 4 year old sister, and escape with the help of Sul, along a subterranean river. Meanwhile, the Mayor turns against his accomplice Looper, and locks himself in his vault, only to be devoured by a gigantic mole. Lina, Doon, and Poppy reach the surface, where they witness the sunrise; and later tie a message of their discovery to a rock and drop it into the city, where it is found by Loris.

Saoirse Ronan and Harry Treadaway give convincing performances in their lead positions and very rarely give attention to their ages. Sure enough, their roles aren’t the most demanding of jobs, but despite their characters’ underwritten nature both fulfil the requirements of leads nicely and with enough conviction to consistently carry the film forward. Of course, it’s always good to have a familiar face around, and Bill Murray, playing the obnoxious and gluttonous slob Mayor Cole, is the one to provide such a role. Murray, although arguably underused as far as his talents go, does well to establish a character that nobody is necessarily going to warm to, and uses whatever screen time he has adequately to further the movie on and to back up his lead performers. In the end however, all these elements simply come together to create one thing; an adventure. As just that, City of Ember is a very strong and convincing effort from director Gil Kenan who makes his live-action debut here.

REVIEW: HOLLYWOOD HOMICIDE

CAST
Harrison Ford (Indiana Jones)
Josh Hartnett (Lucky Number Sleven)
Lena Olin (Alias)
Bruce Greenwood (Star Trek)
Isaiah Washington (Bionic Woman 2007)
Lolita Davidovich (Santa Fe)
Keith David (The Cape)
Lou Diamond Phillips (Stargate Universe)
Alan Dale (Lost)
Martin Landau (Ed Wood)
Eric Idle (Shrek The Third)
Robert Wagner (Austin Powers)
Anthony Mackie (The Hurt Locker)
Valerie Rae Miller (Dark Angel)
Meredith Scot Lynn (Legally Blonde)
Christopher Wiehl (Cold Hearts)
Jimmy Jean-Louis (Heroes)
Sergeant Joe Gavilan (Harrison Ford) is a financially strapped Hollywood homicide detective who began moonlighting as a real estate broker seven years ago. His partner is K. C. Calden (Josh Hartnett), a much younger officer who teaches yoga on the side and wants to be an actor. The duo are assigned to investigate the murders of four men, members of a rap group called H2OClick who were gunned down in a nightclub by two unidentified assailants. While investigating the murders, the detectives discover there had been a witness in the nightclub who later escaped unnoticed, and work together to track him down. In the midst of it all, Gavilan has to deal with a looming real estate deal that may be the key to getting out of debt, while Calden further pursues his dreams of acting by trying to be scouted by talent agents.
Unknown to the two detectives, Antoine Sartain (Isaiah Washington), the manager and producer of H2OClick, has his head of security eliminate the two hitmen they had hired to carry out the murders of the group, and also reveals to have hired them to kill Klepto, a rapper whom he’d also managed and produced, whose murder case is still open. Initially, Gavilan and Calden had believed the murders were gang-related, but Calden later sees the bodies of the hitmen at the morgue and puts two-and-two together to conclude that the murders were being calculated by someone else. The detectives also notice some eerie similarities between the H2OClick and Klepto homicides and figure that the two cases are connected. Gavilan learns from an undercover officer posing as a prostitute that the songwriter for H2OClick, a man named K-Roc, had suddenly gone missing, and Gavilan believes he is the murder witness they had been tracking. However, it proves difficult to track down K-Roc when they cannot determine his real name, but it is later discovered that K-Roc is Oliver Robideaux, the son of Olivia Robideaux (Gladys Knight), a former Motown singer.
Meanwhile, the arrival of Lieutenant Bernard “Bennie” Macko (Bruce Greenwood) at headquarters unnerves Gavilan—both have had a bad history with one another ever since Gavilan proved him wrong on a case years ago. It also turns out that Gavilan’s love interest, a psychic named Ruby (Lena Olin), used to date him. Macko is intent on taking away Gavilan’s badge, going so far as to try to frame him and place both detectives in interrogation. After they are released, Gavilan and Calden seem to have formed a closer bond, and Gavilan offers to help the latter when he reveals that his father Danny Calden who had also been a cop had been mysteriously gunned down during a sting operation gone wrong. His partner at the time, Leroy Wasley, was implicated in the murder, but later released on lack of evidence.
Gavilan and Calden continue the investigation—they track down K-Roc to his home, where Olivia Robideaux professes her son’s innocence and that Antoine Sartain, the manager of the group, was the real culprit. Sartain had been embezzling money from both Klepto and the members of H2OClick for years, and when they later found out, they threatened to hire lawyers to nullify their contracts. Enraged, Sartain had ordered the murders that were later carried out by the hitmen as a “lesson” to all the other members under his record label. It also turns out that Sartain’s head of security is none other than Leroy Wasley, and that Macko is also in league with him as well.
They prepare to arrest Sartain and Wasley, but can’t seem to find their location. Desperate, Gavilan enlists the help of Ruby, who, after a brief meditating session, leads the two detectives to a clothing store. Just then, Sartain and Wasley happened to drive by the store, and Gavilan and Calden follow suit in a wild car chase that leads them through the streets of Los Angeles, that later separates and pits them against Sartain and Wasley, respectively. While struggling against Sartain, Gavilan manages to overthrow him, and Sartain winds up falling from the top of a building to his death in a dumpster. Meanwhile, Wasley has a gun drawn on Calden and admits to killing his father. But Calden utilizes his acting skills to distract Wasley just as he is about the pull the trigger, incapacitates him, and overcoming his desire to kill the man who murdered his father, arrests him. Gavilan and Calden reunite as LAPD officers swarm the scene in the background, but Macko appears and calls for the arrests of the two officers. However, Macko winds up being the one led away in handcuffs for his affiliations with Sartain and Wasley.
 The next scene shows Gavilan and Ruby (wearing the dress she bought at the clothing store) attending a production of A Streetcar Named Desire, in which Calden was playing a lead role. It is implied that Gavilan successfully brokered the real estate deal, and Calden is giving his all in the pursuit of his acting dream. However, both of them receive calls from police headquarters and leave in the middle of the play. In the end, Gavilan is heard ordering a cheeseburger, saying it would be “a long night”.
The movie succeeds at what it intends to be, a buddy-cop comedy where the cops actually feel like buddies and not hot-headed partners always at each other’s throats over trivial matters. Such an approach may be what you’re expecting, but believe me, the movie feels much fresher the way it is and is all the more enjoyable for that reason

31 DAYS OF HORROR REVIEW: SLEEPY HOLLOW (1999)

CAST

Johnny Depp (From Hell)
Christina Ricci (Monster)
Miranda Richardson (The Hours)
Michael Gambon (Harry Potter)
Casper Van Dien (Starship Troopers)
Jeffrey Jones (Howard The Duck)
Richard Griffiths (Venus)
Ian McDiarmid (Star wars)
Michael Gough (Batman)
Christopher Walken (The Prophecy)
Lisa Marie (Ed Wood)
Christopher Lee (The Hobbit)
Peter Guinness (Alien 3)
Martin Landau (9)

In 1799, New York City police constable Ichabod Crane (Johnny Depp) is facing imprisonment for going against traditional methods and favoring forensic investigation techniques, such as autopsies, considered unorthodox and unimportant at the time. Ichabod submits to deployment with his bag of tools to the Westchester County hamlet of Sleepy Hollow, New York, which has been plagued by a series of brutal slayings in which the victims have been found decapitated: Peter Van Garrett (Martin Landau), a wealthy farmer and landowner; his son Dirk; and the widow Emily Winship. Arriving in Sleepy Hollow, Crane is informed by the town’s elders that the killer is not of flesh and blood, but rather an undead headless Hessian mercenary from the American Revolutionary War who rides at night on a massive black steed in search of his missing head.

Crane begins his investigation, remaining highly skeptical about the supernatural elements in the case until he actually encounters the Headless Horseman himself, who kills the town magistrate, Samuel Phillipse (Richard Griffiths), on sight. Boarding in a room at the home of the town’s richest family and the Van Garretts’ next of kin, the Van Tassels, Crane develops an attraction to their daughter Katrina (Christina Ricci), while he is plagued by nightmares of his mother’s horrific torture when he was a child. This attraction is deeply resented by Brom van Brunt (Casper Van Dien), a suitor to Katrina, who scares Crane in a prank by posing as the Headless Horseman. Riding into the Western Woods with the orphaned Young Masbath, son of the Horseman’s fifth victim Johnathan Masbath(before Magistrate Phillipse), Crane and Young Masbath come across the cave dwelling of a reclusive sorceress. She reveals the location of the gnarled Tree of the Dead, which marks the Horseman’s grave, as well as his portal into the natural world from the supernatural.

Crane discovers that the ground is freshly disturbed and, digging through, discovers the Horseman’s skeleton and that the skull is missing. He realizes that whoever dug up and stole the skull is the person controlling the Horseman. Just then, the Horseman’s ghost bursts out of the tree and gallops towards Sleepy Hollow. Crane attempts to follow but winds up lost. The Killian family are taken by the Horseman and Brom is killed — cut in half — when trying to stop the Horseman.

Crane starts to believe that a conspiracy links all the deaths together, so he goes to the town notary James Hardenbrook (Michael Gough) to look into Van Garrett’s Last Will. Hardenbrook confesses Van Garrett had made a new will just before he died, leaving all his possessions to his new bride, Emily Winship, who Crane had learned from the late Magistrate Phillipse was pregnant at the time of her death (and thought that initially the father of the child might have killed Emily to keep the secret hidden). Crane deduces that all who knew about the new will were the victims of Horseman and that Katrina’s father Baltus Van Tassel (Michael Gambon), who would have inherited the fortune, is the person holding the skull. Katrina, finding out that Crane suspects her father, burns the evidence that Crane has accumulated and tells him that she doesn’t love him anymore.
In fear of the Horseman, Hardenbrook hangs himself and a town council is held in the town church. The Horseman seemingly kills Katrina’s stepmother, Lady Van Tassel, and heads off to the church to get Baltus, with the townspeople filing in just as the he arrives. With the men firing muskets as he circles the church, Crane realizes the Horseman can’t enter the church grounds due to it being consecrated and therefore holy. A massive fight breaks out in the church when Dr. Thomas Lancaster (Ian McDiarmid) suggests confessing for forgiveness, and is killed by Reverend Steenwyck (Jeffrey Jones), who is in turn shot by a frightened Baltus. The chaos ends only when the Horseman harpoons Baltus through a church window using a pointed church fence post attached to a rope, dragging him out and acquiring his head. The next day, Crane believes Katrina to be one who controls the Headless Horsemen and left while she was still unconscious.
As Crane is leaving Sleepy Hollow, he becomes suspicious when the hand of the corpse of Lady Van Tassel has a wound which shows signs of having been caused post-mortem. His suspicions are confirmed to be right when the real Lady Van Tassel (Miranda Richardson) emerges, alive, from the dark and shocks her step-daughter Katrina into a faint. Katrina awakens and eventually uncovers a plot revolving around revenge on the Van Garretts and land rights with the Horseman controlled by Lady Van Tassel, who sends the supernatural killer after Katrina now to solidify her hold on what she considers her property, a piece of land unjustly claimed by Baltus. She explains that the body believed to be her corpse actually belonged to the family’s servant, Sarah, whom she had murdered. She also reveals that she had just murdered the mysterious witch in the Western Woods, her own sister, for her role in helping Crane and Young Masbath.

Following a fight in the local windmill and a stagecoach chase through the woods, Crane eventually thwarts Lady Van Tassel by throwing the skull to the Horseman, breaking the curse. The Horseman, no longer under Lady Van Tassel’s control, simultaneously kisses and bites her, and he hoists her up on his horse, then rides to Hell taking her with him, fulfilling her end of the deal with the Devil. With the Headless Horseman menace eradicated, Crane returns home to New York with Katrina and Young Masbath, just in time for the new century.A triumph of design; sets that are spooky down to the last detail, and a cast of well-written characters to populate this creepy little town. There’s a few little things about “Sleepy Hollow” that didn’t work, but for the most part, I found this to be a great film