REVIEW: 9

CAST (VOICES)

Elijah Wood (Lord of The Rings)
Christopher Plummer (The Sound of Music)
Martin Landau (Ed Wood)
John C. Reilly (Step Brothers)
Crispin Glover (Alice In Wonderland)
Jennifer Connelly (Hulk)
Fred Tatasciore (Hulk Vs)
Alan Oppenheimer (He-Man)
Tom Kane (Star Wars: The Clone Wars)

Elijah Wood in 9 (2009)In Germany, 1930, a Scientist (Alan Oppenheimer) is ordered by his dictator, Chancellor Ferdinand (Tom Kane), to create a robot in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N, a highly intelligent robot without a soul. Upon completion however, the dictator quickly seizes it and turns it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator’s enemies. Lacking a soul, the Fabrication Machine decides to exterminate all of Earth’s population. The Fabrication Machine reprograms the other war machines to attack humanity, wiping out all plant, animal and microbial life with toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as “Stitchpunks,” giving them portions of his own soul via a talisman he created. He dies upon completion of the final doll.Martin Landau in 9 (2009)Some time later, the final Stitchpunk, 9 (Elijah Wood), awakens in the Scientist’s workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2 (Martin Landau), a frail inventor who gives him a working voice box and is surprised to see the talisman. The last active machine, the Cat-Beast, attacks the pair and abducts both 2 and the talisman. 9 collapses, but awakens in Sanctuary, the tower of an empty cathedral that is home to other Stitchpunks – the dogmatic leader 1 (Christopher Plummer), his large bodyguard 8 (Fred Tatasciore), the cycloptic engineer 5 (John C. Reilly), and the mentally unstable oracle 6 (Crispin Glover). 1 immediately declares 2 as dead, but 9, having seen the condemned factory where the Cat-Beast took him, decides to rescue him. 9 and 5 venture to the factory where they find 2. The Cat-Beast attacks the trio, but are saved by 7 (Jennifer Connelly), the only female of the Stitchpunks. 9, drawn by curiosity, connects the talisman to the derelict Fabrication Machine, reviving it, and it subsequently kills 2 by sucking out his soul. 9, 5, and 7 manage to escape the factory.Elijah Wood and Martin Landau in 9 (2009)7 takes 9 and 5 to an abandoned library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine’s origins. 5 realizes the talisman’s symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 intervenes and reprimands them for disobeying his orders. Meanwhile, the Fabrication Machine assembles new robotic creatures; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between it and the Stitchpunks. 7 joins the fight, but is injured. The Stitchpunks win, defeating the Winged Beast, however, they lose their safe-house, as a fire had started during the fight.John C. Reilly and Elijah Wood in 9 (2009)As the group retreats to the library, 6, 3, and 4 cryptically explain the talisman’s origins, but 1 reveals to the group that he sent 2 out of Sanctuary on a scouting trip to die (declaring that, “sometimes, one must be sacrificed for the good of many”). 7, shocked by this, attacks 1, but flees when 9 intervenes. Meanwhile, the Fabrication Machine retrieves 2’s corpse and uses it as a hypnotic lure for another one of its robot creatures, known as The Seamstress. The Seamstress attacks the library and captures both 7 and 8, but 2’s body is recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes in alone, kills the Seamstress, and rescues 7, but not before 8’s soul is absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.9 (2009)The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly emerges from the ruins of the factory and absorbs 5’s soul. The Fabrication Machine attacks the group as they run away, and finally captures 6, who is absorbed but has told 9 to go to the Scientist’s workshop to find answers. 9 follows 6’s instructions, finding a holographic recorded message from the Scientist, explaining B.R.A.I.N.’s origins and that the Stitchpunks have his soul, making them the only hope for humanity. Following this revelation, 9 returns to his friends. 9 reunites with the other Stitchpunks and decides to sacrifice himself so the others can retrieve the talisman. Having had a change of heart, 1 redeems himself by saving 9, pushing him out of the way and allowing himself to be absorbed while 9 removes the talisman. 9 activates the talisman and reabsorbs the souls taken by the Machine, resulting in its final destruction. Afterwards, 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman as they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back into the world.9 (2009)The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren’t just “Ohhh, pretty!” anymore, they had greater symbolism, and depth. This movie reveals new surprises every time you watch it. If you have seen it once already, and didn’t think it was that great, I strongly suggest giving this movie a second chance. You may be surprised how much your opinion changes.

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REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

REVIEW: RUN…IF YOU CAN

CAST

Martin Landau (Ed Wood)
Yvette Nipar (Robocop: The Series)
Jerry Van Dyke (The Middle)
Morgan Douglas (Chopping Mall)
Sandy Berumen  (Jade)

teenage-mutant-ninja-turtles-2017-season-5-episode-16-the-frankenstein-experimentKim Page is a college student whose house sitting for one of her parent’s friends, and this house is a wealthy looking villa. Watching TV one-night the picture changes to a couple having sex. Then suddenly the man suffocates the lady and wraps her up in a plastic bag. Then it goes back to old movie she was watching. Thinking nothing much of it at first, this changes when it seems to happen every night with a different lady being killed. Kim starts to believe she’s going crazy, because no one else seems to get the signal. However at the same time there is a killer within the area who is disposing of his victims the same way.MV5BMTY2Mjk1MzgyOF5BMl5BanBnXkFtZTgwMjUyMzQzMTE@__V1_SY1000_CR0,0,1428,1000_AL_This low-budget late 80s psychotic serial killer feature is an unfairly forgotten staple as the concept driving it is an innovative, offbeat one and the lead actress Yvette Nipar chips in with a strong, capable performance. It’s on the cheap and that shows up quite noticeably, in somewhat of a made for TV feel. It’s a real slow build-up, constructing the situation (bringing in characters), setting the tone and finally making it a real dangerous predicament. At times repetitive, but only within the last half-hour does the story really become threatening and suspenseful when the killer targets our heroine.Run if you Can wasn’t what I was expecting, but it turned out to be interesting little low-rent b-grade straight-to-video thrill

REVIEW: THE ELEVATOR

CAST

Richard Lewis (Drunks)
Martin Landau (Ed Wood)
Richard Moll (Scary Movie 2)
Phil Fondacaro (Sabrina: TAS)
Martin Sheen (The Amazing Spider-Man)
Bokeem Woodbine (Total Recall)
Gabriel Bologna (Rocker)
Gretchen Becker (The Doors)

bhrNPMMb851EJd7R3eKs8iaZBcsBig-time Hollywood producer (Martin Landau) on his way to receive a humanitarian award, gets stuck on an elevator with a quirky, naively idealistic neophyte (the film’s author, Gabriel Bologna) who has a head full of dreams and a backpack full of short scripts. Nothing is as it first appears, however, even the depiction of the first segment, an off-the-wall indie student’s grade-C exercise that features Richard Moll, Phil Fondacaro and Richard Lewis. As Bologna reads his shorts to a surly and reluctant Landau, the stories get better and more realistic, leading up to a totally unexpected finale. The shoestring production values show, and the credits may elicit a few knowing snickers, (Bologna co-starring and writing, and Athena Stensland, who stars in the third story with Arye Gross a co-producer.)martin-landau-and-gabe-in-hbo-movie_the-elevatorYet I applaud them both as well as the rest of the filmmakers, for not only managing to get their work made and seen, but for creating something compelling enough to attract this kind of a cast. BEING JOHN MALKOVICH it’s not, but it does mark Bologna as a writer/actor to watch.

REVIEW: EDtv

CAST

Matthew McConaughey (Interstellar)
Jenna Elfman (Dharma & Greg)
Woody Harrelson (the Hunger Games)
Ellen DeGeneres (Finding Dory)
Sally Kirkland (JFK)
Martin Landau (Ed Wood)
Rob Reiner (This Is Spinal Tap)
Dennis Hopper (Speed)
Elizabeth Hurley (Bedazzled)
Viveka Davis (Cast Away)
Chris Hogan (3rd Rock From The Sun)
Geoffrey Blake (Contact)
Merrin Dungey (Conviction)
Rusty Schwimmer (Highlander II)
Adam Goldberg (Deja Vu)
Clint Howard (Apollo 13)
Harry Shearer (The Simpsons)
Azura Skye (28 Days)
Christian Kane (Angel)
T.J. Thyne (Bones)

EDtv starts off with the television channel True TV commencing interviews for a TV show that shows a normal person’s life 24/7. This idea was thought up by a TV producer named Cynthia (Ellen DeGeneres). They interview Ed Pekurny (Matthew McConaughey) and his brother, Ray (Woody Harrelson). When the producers see the interview Cynthia decides to use Ed and interviews only Ed. The show hits the airwaves under the title “Ed TV.” It is a total failure at first, as only boring things happen and the producers want to pull the plug, except for Cynthia.

Ed TV gets interesting suddenly on Day 3 when Ed visits Ray. Ed (along with the cameramen) discovers that Ray is cheating on his girlfriend Shari (Jenna Elfman). Ed then visits Shari to apologize to her for Ray’s actions. Shari is very drunk and starts insulting Ray, by talking to the camera. She makes everyone laugh and gasp by saying “Ray was a bad lay.” Ed tries to comfort Shari, and he reveals he has feelings for her. She then reveals she has feelings for Ed as well. They slowly move their faces closer and finally kiss each other. Ed then locks out the camera crew and proceeds to passionately kiss Shari for a while. Ed TV thus becomes extremely popular. At Cynthia’s insistence Ed starts a relationship with Shari which is short lived, as Ed grows more interested in staying on TV and Shari is abused by viewers who find her unappealing.1

Ed then goes on The Tonight Show with Jay Leno and meets beautiful model/actress Jill (Elizabeth Hurley) who takes a liking to Ed. Ed then visits Shari and she tells Ed that she does not want to be with him until “Ed TV” stops airing. She then leaves town. Ed goes to the park with Ray and some friends to play football when Jill comes to talk to him, because Cynthia brought her in to earn more ratings. She invites Ed to dinner at her house. When he arrives at Jill’s house, there is a massive crowd. They have a small talk, and then they kiss on top of a table. They are about to have sex, but then Ed falls off the table and squishes Jill’s cat. Ed never sees Jill again.

Ed’s father (Dennis Hopper), who abandoned his family when Ed was 13, unexpectedly visits Ed and informs him that he left because Ed’s mother was having an affair with Ed’s current stepfather, Al (Martin Landau). Ed is furious with his mother and argues with her. Next, Ed gets a phone call telling him to come to the hospital. The doctor says that his father is dead and that he died making love to his wife. Ed thinks this means Al, but it actually is his real father and that Ed’s mother was cheating on Al. After the funeral, Ed becomes disheartened by the fact that the producers want him to stay on longer and that he cannot do anything to change their minds or he would be in breach of his contract. Ed is depressed until he catches a glimpse of Shari (in disguise wearing a wig and sunglasses). He chases her for a long time until she stops in the women’s bathroom in a movie theater. She says she is staying with her brother as it is his birthday and she just wanted to see Ed. Ed vows to find a way to end the show to be with Shari. When Ed exits, one camera man stays with Shari saying that it is the producers’ new idea. The main camera man tells him that all his family are being filmed, but they show the most interesting person.

Ed gets an idea on how to stop the main producer from showing the show: he says that he will give $10,000 to the person who can give him the best amount of “dirt” on the producers and that he will announce it live, with the desired result being they stop airing the show before he can make the announcement. As Cynthia feels sorry for Ed, she tells him a secret of the main producer. Ed announces the secret (that the man has to pump a liquid into his penis to get an erection) but before he can announce who it is they stop airing the show. After the camera crew finally leaves Ed’s apartment, he and Shari renew their relationship and celebrate the fact that TV news panelists predict Ed will be forgotten in a short period of time.2Through consistent one liners and also physical humorous actions by the characters EDTV will win over many audiences as it adds chucklesome humour but drives itself on emotional driven situations to, given a perfectly balance aspect of real life.

REVIEW: CITY OF EMBER

 

CAST

Saoirse Ronan (The Host)
Harry Treadaway (Honeymoon)
Bill Murray (Zombieland)
Toby Jones (The Hunger Games)
Martin Landau (Ed Wood)
Tim Robbins (Antitrust)
Marianne Jean-Baptiste (The Cell)
Liz Smith (The Tunnel)
Mary Kay Place (Sweet Home Alabama)
Mackenzie Crook (Pirates of the Caribbean)

In the midst of an unspecified catastrophe, an underground city is constructed to shelter a large group of survivors, with secret instructions to future generations in a small box timed to open 200 years later. This box is entrusted to the mayor of the City of Ember. Each mayor, in turn, passes the box on to his or her successor. Over time, the significance of the box is forgotten, and the succession is broken when the seventh mayor dies before revealing the importance of the box. The box opens at the allotted time, but goes unnoticed. 41 years after the box opens, Ember’s electric generator begins to fail, and the reserves of canned goods and light bulbs are depleted.

At a rite of passage for all graduating students, Mayor Cole (Bill Murray) stands before the students as they choose their occupations by lottery. Protagonist Lina (Saoirse Ronan), who dreams of becoming a messenger, is assigned to be a “Pipeworks Laborer” under the technician Sul (Martin Landau), and her classmate Doon (Harry Treadaway), the son of Loris ‘Barrow’ Harrow (Tim Robbins), is assigned “Messenger”; whereupon the two secretly exchange assignments. At home, Lina finds the timed box, and enlists Doon’s help to decipher its contents. Gradually, they learn that the document is a set of instructions toward an exit from the city; and later, discover that Mayor Cole has been hoarding canned food in a secret vault. When they report the theft, they are arrested and the mayor attempts to take the box from Lina; but a blackout allows Lina to escape. Now fugitives from the mayor’s police, the pair obtain Poppy (Amy Quinn and Catherine Quinn), Lina’s 4 year old sister, and escape with the help of Sul, along a subterranean river. Meanwhile, the Mayor turns against his accomplice Looper, and locks himself in his vault, only to be devoured by a gigantic mole. Lina, Doon, and Poppy reach the surface, where they witness the sunrise; and later tie a message of their discovery to a rock and drop it into the city, where it is found by Loris.

Saoirse Ronan and Harry Treadaway give convincing performances in their lead positions and very rarely give attention to their ages. Sure enough, their roles aren’t the most demanding of jobs, but despite their characters’ underwritten nature both fulfil the requirements of leads nicely and with enough conviction to consistently carry the film forward. Of course, it’s always good to have a familiar face around, and Bill Murray, playing the obnoxious and gluttonous slob Mayor Cole, is the one to provide such a role. Murray, although arguably underused as far as his talents go, does well to establish a character that nobody is necessarily going to warm to, and uses whatever screen time he has adequately to further the movie on and to back up his lead performers. In the end however, all these elements simply come together to create one thing; an adventure. As just that, City of Ember is a very strong and convincing effort from director Gil Kenan who makes his live-action debut here.

REVIEW: HOLLYWOOD HOMICIDE

CAST
Harrison Ford (Indiana Jones)
Josh Hartnett (Lucky Number Sleven)
Lena Olin (Alias)
Bruce Greenwood (Star Trek)
Isaiah Washington (Bionic Woman 2007)
Lolita Davidovich (Santa Fe)
Keith David (The Cape)
Lou Diamond Phillips (Stargate Universe)
Alan Dale (Lost)
Martin Landau (Ed Wood)
Eric Idle (Shrek The Third)
Robert Wagner (Austin Powers)
Anthony Mackie (The Hurt Locker)
Valerie Rae Miller (Dark Angel)
Meredith Scot Lynn (Legally Blonde)
Christopher Wiehl (Cold Hearts)
Jimmy Jean-Louis (Heroes)
Sergeant Joe Gavilan (Harrison Ford) is a financially strapped Hollywood homicide detective who began moonlighting as a real estate broker seven years ago. His partner is K. C. Calden (Josh Hartnett), a much younger officer who teaches yoga on the side and wants to be an actor. The duo are assigned to investigate the murders of four men, members of a rap group called H2OClick who were gunned down in a nightclub by two unidentified assailants. While investigating the murders, the detectives discover there had been a witness in the nightclub who later escaped unnoticed, and work together to track him down. In the midst of it all, Gavilan has to deal with a looming real estate deal that may be the key to getting out of debt, while Calden further pursues his dreams of acting by trying to be scouted by talent agents.
Unknown to the two detectives, Antoine Sartain (Isaiah Washington), the manager and producer of H2OClick, has his head of security eliminate the two hitmen they had hired to carry out the murders of the group, and also reveals to have hired them to kill Klepto, a rapper whom he’d also managed and produced, whose murder case is still open. Initially, Gavilan and Calden had believed the murders were gang-related, but Calden later sees the bodies of the hitmen at the morgue and puts two-and-two together to conclude that the murders were being calculated by someone else. The detectives also notice some eerie similarities between the H2OClick and Klepto homicides and figure that the two cases are connected. Gavilan learns from an undercover officer posing as a prostitute that the songwriter for H2OClick, a man named K-Roc, had suddenly gone missing, and Gavilan believes he is the murder witness they had been tracking. However, it proves difficult to track down K-Roc when they cannot determine his real name, but it is later discovered that K-Roc is Oliver Robideaux, the son of Olivia Robideaux (Gladys Knight), a former Motown singer.
Meanwhile, the arrival of Lieutenant Bernard “Bennie” Macko (Bruce Greenwood) at headquarters unnerves Gavilan—both have had a bad history with one another ever since Gavilan proved him wrong on a case years ago. It also turns out that Gavilan’s love interest, a psychic named Ruby (Lena Olin), used to date him. Macko is intent on taking away Gavilan’s badge, going so far as to try to frame him and place both detectives in interrogation. After they are released, Gavilan and Calden seem to have formed a closer bond, and Gavilan offers to help the latter when he reveals that his father Danny Calden who had also been a cop had been mysteriously gunned down during a sting operation gone wrong. His partner at the time, Leroy Wasley, was implicated in the murder, but later released on lack of evidence.
Gavilan and Calden continue the investigation—they track down K-Roc to his home, where Olivia Robideaux professes her son’s innocence and that Antoine Sartain, the manager of the group, was the real culprit. Sartain had been embezzling money from both Klepto and the members of H2OClick for years, and when they later found out, they threatened to hire lawyers to nullify their contracts. Enraged, Sartain had ordered the murders that were later carried out by the hitmen as a “lesson” to all the other members under his record label. It also turns out that Sartain’s head of security is none other than Leroy Wasley, and that Macko is also in league with him as well.
They prepare to arrest Sartain and Wasley, but can’t seem to find their location. Desperate, Gavilan enlists the help of Ruby, who, after a brief meditating session, leads the two detectives to a clothing store. Just then, Sartain and Wasley happened to drive by the store, and Gavilan and Calden follow suit in a wild car chase that leads them through the streets of Los Angeles, that later separates and pits them against Sartain and Wasley, respectively. While struggling against Sartain, Gavilan manages to overthrow him, and Sartain winds up falling from the top of a building to his death in a dumpster. Meanwhile, Wasley has a gun drawn on Calden and admits to killing his father. But Calden utilizes his acting skills to distract Wasley just as he is about the pull the trigger, incapacitates him, and overcoming his desire to kill the man who murdered his father, arrests him. Gavilan and Calden reunite as LAPD officers swarm the scene in the background, but Macko appears and calls for the arrests of the two officers. However, Macko winds up being the one led away in handcuffs for his affiliations with Sartain and Wasley.
 The next scene shows Gavilan and Ruby (wearing the dress she bought at the clothing store) attending a production of A Streetcar Named Desire, in which Calden was playing a lead role. It is implied that Gavilan successfully brokered the real estate deal, and Calden is giving his all in the pursuit of his acting dream. However, both of them receive calls from police headquarters and leave in the middle of the play. In the end, Gavilan is heard ordering a cheeseburger, saying it would be “a long night”.
The movie succeeds at what it intends to be, a buddy-cop comedy where the cops actually feel like buddies and not hot-headed partners always at each other’s throats over trivial matters. Such an approach may be what you’re expecting, but believe me, the movie feels much fresher the way it is and is all the more enjoyable for that reason