REVIEW: FRIDAY THE 13TH – PART 8: JASON TAKES MANHATTAN

 

CAST

Jensen Daggett (Project: Alf)
Kane Hodder (Seven)
Todd Caldecott (Fear)
Tiffany Paulsen (Love 101)
Kelly Hu (Arrow)
Peter Mark Richman (Swamp Thing: The Series)
Martin Cummins (Bates Motel)

One year after the previous film, two graduating high school students are aboard on a houseboat. Jim tells his girlfriend Suzy the legend of Jason Voorhees, before playing a prank on her with a hockey mask and a fake knife. The boat sails over some underwater cables, which electrocute Jason’s corpse and cause his resurrection. He sneaks on board and stabs Jim with a harpoon barb before impaling Suzy, who tries to hide from him.

The next morning, the SS Lazarus is ready to set sail for New York City with a graduating senior class from Lakeview High School and chaperoned by biology teacher Charles McCulloch and English teacher Colleen Van Deusen. Van Deusen brings McCulloch’s niece Rennie along for the trip despite her aquaphobia much to his chagrin. Jason sneaks on board and kills rock star wannabe J.J. with her guitar before hiding in the bowels of the ship. That night, after a boxing match, a young boxer who lost to champion Julius Gaw is killed when Jason slams a sauna rock into his abdomen while Rennie, searching for her dog Toby, discovers prom queen Tamara and Eva doing drugs. McCulloch nearly catches them moments later and Tamara pushes Rennie overboard, suspecting she told on them. She then uses video student Wayne to record McCulloch in a compromising situation with her, but rejects Wayne’s advances afterward. Tamara is killed by Jason when she goes to take a shower.Rennie begins seeing visions of a young Jason throughout the ship, but the others ignore the deckhand’s warnings that Jason is aboard. Jason kills Captain Robertson and his first mate. Rennie’s boyfriend, Sean discovers them and tells the others before calling for an emergency stop. Eva is strangled as she tries to flee from Jason. The students agree to search for Jason while McCulloch decides that the deckhand is responsible; however, the deckhand is discovered with an axe in his back. One of the students, Miles, is killed by Jason and Julius is knocked overboard. Wayne discovers Jason in the hold of the ship and is thrown into an electrical box; his corpse catches fire and begins a chain of events that causes the ship to sink. With the other students dead, McCulloch, Van Deusen, Rennie and Sean escape aboard a life raft, and discover Toby and Julius are alive as well.

They row to New York where Jason stalks them through the streets. Rennie is kidnapped by a pair of junkies and the group splits up to find help. Julius tries to fight Jason with his boxing skills but is decapitated by a single punch. Rennie escapes from Jason when he kills the punks that kidnapped her. She runs into Sean and they reunite with the teachers and the police before Jason kills the officer who is helping them. Rennie crashes a car after a vision of Jason distracts her. Van Deusen is incinerated in the car when it explodes, and it is revealed that McCulloch is responsible for Rennie’s fear of water, having pushed her into the lake as a child. They leave him behind and Jason kills him by drowning him in a barrel of waste. Jason chases Rennie and Sean into the subway where Sean incapacitates him by knocking him onto the electrical third rail. He is revived again and chases them through Times Square where they try to escape through a diner. They flee into the sewers and encounter a sewer worker. He warns them that the sewers will be flooded with toxic waste at midnight before Jason appears and kills him. Sean is injured and Rennie draws Jason off, wounding him with a splash of acidic waste. She and Sean climb the ladder as the sewers flood, Rennie sees a child-form of Jason as the two of them escape to the street. Rennie and Sean reunite with Toby who had run away earlier, and walk off into the city.

I thought this was a pretty neat movie. They went for something different and it worked While it offers a different setting, it’s still the good old Jason formula we’ve all come to love.

 

Advertisements

REVIEW: HIGHLANDER: THE SERIES – SEASON 1-6

Image result for highlander the series logo

MAIN CAST

Adrian Paul (Eyeborgs)
Alexander Vandernoot (Pret-A-Porter)
Stan Kirsch (Shallow Ground)
Amanda Wyss (A Nightmare On Elm Street)
Elizabeth Gracen (Death of The Incredible Hulk)
Jim Byrnes (Sanctuary)
Philip Akin (Robocop 2014)
Michel Modo (My Father’s Glory)
Lisa Howard (Earth: Final Conflict)
Peter Wingfield (Caprica)

RECURRRING / NOTABLE GUEST CAST

Christopher Lambert (Fortress)
Richard Moll (Scary Movie 2)
Wendell Wright (Power Rangers Wild Force)
Peter Deluise (21 Jump Street)
Matthew Walker (Andromeda)
Soon-Tek Oh (Mulan)
Vincent Schiavelli (Buffy)
John Novak (Wishmaster 3 & 4)
Garry Chalk (Dark Angel)
Joan Jett (The Sweet Life)
Gary Jones (Stargate SG.1)
Wes Studi (Mystery Men)
Marc Singer (V)
Brent Stait (Andromeda)
Joe Pantoliano (The Matrix)
Stephen Macht (Galaxina)
Scott McNeil (Beast Wars)
Vanity (52 Pick-Up)
J.G. Hertzler (Star Trek: DS9)
Tom Butler (Freddy vs Jason)
Werner Stocker (The White Rose)
Peter Howitt (Defying Gravity)
Roland Gift (Brakes)
Dee Dee Bridgewater (Another Life)
Jason Isaacs (Peter Pan)
Nigel Terry (Troy)
Anthoyn Head (Buffy)
Marion Cotillard (Contagion)
Peter Guinness (Alien 3)
Roger Daltrey (Tommy)
Peter Hudson (Hitman)
Michael Shanks (Stargate SG.1)
Cameron Bancroft (Legends of Tomorrow)
Douglas Arthurs (Stargate SG.1)
J.H. Wyman (Sirens)
Geraint Wyn Davies (Cube 2)
Traci Lords (Zack & Miri Make a Porno)
Andrew Jackson (Earth: Final Conflict)
Kendall Cross (Caprica)
Sheena Easton (Young Blades)
Don S. Davis (Stargate SG.1)
Robert Wisden (Watchmen)
Mitchell Kosterman (Smallville)
Dan Castellaneta (The Simpsons)
Robert Ito (Quincy M.E.)
Dustin Nguyen (21 Jump Street)
Bruce A. Young (Jurassic PArk III)
Andrea Roth (Ringer)
Roddy Piper (They Live)
Bill Dow (Stargate Atlantis)
Gabrielle Miller (Down River)
Bruce Weitz (Hill Street Blues)
Nicholas Lea (V)
Lochlyn Munro (Little Man)
Jonathan Banks (The Lizzie Borden Chronicles)
Ed Lauter (The Number 23)
Roark Critchlow (V)
Jeremy Brudenell (Wish Me Luck)
Peter Firth (Victoria)
Angeline Ball (My Girl 2)
Nia Peeples (Pretty Little Liars)
James Faulkner (X-Men: First Class)
Nadia Cameron-Blakey (Batman Begins)
Emile Abossolo M’bo (Hitman)
Martin Cummins (Bates Motel)
Stephen McHattie (300)
Tamlyn Tomita (Heroes)
Hiro Kanagawa (Heroes Reborn)
Randall Cobb (Liar Liar)
Chandra West (White Noise)
Brion James (Blade Runner)
Jason Gray-Stanford (Bones)
Alan Scarfe (Andromeda)
John Pyper-Ferguson (Caprica)
Myles Ferguson (Little Criminals)
Jesse Moss (Ginger Snaps)
Sherry Miller (Bitten)
Laura Harris (Dead Like me)
Garwin Sanford (Stargate SG.1)
Anthony De Longis (Masters of The Universe)
Vincent Gale (Van Helsing)
Tamara Gorski (Hercules: TLJ)
Stella Stevens (General Hospital)
Barry Pepper (The Green Mile)
Vivan Wu (Teenage Mutant Ninja Turtles III)
Richard Lynch (Puppet Master III)
Eugene Lipinski (Arrow)
David Robb (Downtown Abbey)
Lynda Boyd (Sanctuary)
Kim Johnston Ulrich (3rd Rock From The Sun)
Ben Pullen (Elizabeth I)
Paudge Behan (Veronica Guerin)
Carsten Norgaard (Alien vs Predator)
Anna Hagen (The Messengers)
Laurie Holden (the Walking Dead)
Gerard Plunkett (Sucker Punch)
Kristin Minter (Home Alone)
Wolfgang Bodison (A Few Good Men)
Pruitt Taylor Vince (Heroes Reborn)
Callum Keith Rennie (Flashforward)
Louis Ferreira (Stargate Universe)
Travis MacDonald (Warcraft)
Venus Terzo (Arrow)
Rachel Hayward (Jingle All The Way 2)
Nicholas Campbell (Da Vinci’s Inquest)
Peter Outerbridge (Beauty and the Beast)
Jill Teed (Battlestar Galactica)
Molly Parker (Deadwood)
Emmanuelle Vaugier (Two and a Half men )
Ann Turkel (The Fear)
Ron Halder (Stargate Sg.1)
Ocean Hellman (Voyage of The Unicorn)
Rae Dawn Chong (Commando)
Carl Chase (Batman)
Michael J. Jackson (Coronation Street)
Ricco Ross (Wishmaster)
Peta Wilson (La Femme Nikita)
Jamie Harris (Agents of Shield)
Crispin Bonham-Carter (Basil)
Stephen Tremblay (Unnatural Pursuits)
Jesse Joe Walsh (JCVD)
Tracy Scoggins (Lois & Clark)
Real Andrews (Born on The 4th of July)
Eric McCormack (Will & Grace)
Ian Tracey (Bates Motel)
Michael Kopsa (Dark Angel)
Alastair Duncan (The Batman)
Sandra Bernhard (2 Broke Girls)
April Telek (Walking Tall)
Andrew Divoff (Wishmaster)
Steve Bacic (Andromeda)
Kira Clavell (Ninja Turtles: Next Mutation)
Ron Perlman (Hellboy)
Peter Hanlon (Scary Movie)
Musetta Vander (Stargate SG.1)
Valetnine Pelka (8mm 2)
Sonja Codhant (Navarro)
Jonathan Firth (Withering Heights)
Danny Dyer (Severance)
Rachel Shelley (The L Word)
Alexis Denisof (Angel)
Anita Dobson (Eastenders)
Jasper Britton (The New World)
Alice Evans (The Originals)
Andrew Bricknell (Victoria)
Justina Vail (Seven Days)
Sandra Hess (Encino Man)
Claudia Christian (Babylon 5)
Jack Ellis (Bad Girls)
Paris Jefferson (Xena)_
Martin McDougall (Batman Begins)

Few television series’ that are based on movies live up to the original version, either because they simply don’t have right qualities that made the movie great or they the people making the show just don’t give a damn. “Highlander: The Series”, however, is one of those rare exceptions.

Image result for highlander the seriesBased off of the original 1986 fan favorite and produced by same the executive producers William Panzer and Peter Davis, it continued the saga of the immortals, a race of beings destined to fight one another in sword fights in a centuries long event called the game and who can only be killed by decapitation, with the opponent taking their head and their power. In particular, the show centers around one such immortal named Duncan Macleod (Adrian Paul in his best role) of the Clan Macleod, a descendant of Connor Macleod (Christopher Lambert who reprises his role for the pilot) from the first film.Image result for highlander the seriesBorn in the highlands of Scotland in 1592, Duncan has roamed the world for 400 years, seen many different events, and has fought in many different wars and many battles with other immortals. And that last part is one of the things that made the show great. You could count on almost every episode to feature a spectacular sword fight with the villain of the week, a battle of life and death, with Duncan Macleod emerging victorious from yet another trying ordeal and even more spectacular quickening.

Image result for highlander the seriesBased on that, you might expect a show centering on such a plot to become boring or same old, same old, and the show might very well have become so. But, the truth is the show managed to constantly entertain and thrill for most of its run in large part because of the talent the show had. Adrian Paul was more than capable of carrying a show, bringing not only charm and charisma to the role of Duncan but also a strong sense of honor and chivalry, thus making Duncan Macleod one of the great television heroes.Image result for highlander the seriesBut it wasn’t just Adrian’s acting that made the show great; it was also due to the well blending of strong supporting actors, guest stars and villains, writers, and set designers and directors. You had Richie Ryan (Stan Kirsch), a young man who becomes a part of Duncan’s world in a way he never imagined. Joe Dawson (Jim Byrnes) a member of a secret society of mortals called the Watchers who dedicate themselves to watching and recording the deeds and actions of the immortals; the always enjoyable Methos (the wonderfully charismatic Peter Wingfield), a 5,000 year old immortal and the oldest living of his kind; Amanda (Elizabeth Grace), an immortal who’s had an on again, off again relationship with Duncan throughout the ages and who’s not put off by an occasional high-value heist or two to make a living, and a slew of guest stars, villains and other supporting actors that added to the show every week.Image result for highlander the seriesPlus, one must also give credit to behind the scenes people, who not only managed to make things interesting in the present, but the past as well. Every episode featured dazzling historical flashbacks, flashbacks that were so good there isn’t one where you didn’t believe the characters weren’t where the show said they were, be it World War I France or British Colonial India (these flashbacks are even more remarkable when you consider the fact that the show, because it was syndicated, had a much smaller budget than shows tied directly to a network). It was also a show that, like the original film, caused the viewer to wonder what would it be like to live indefinitely and witness the changing of the times? What kind of person would you become if you witnessed your time, your religion, possibly even your entire culture disappear into the mists of time?Image result for highlander the seriesAll this must be credited to the writers, led by creative consultant David Abramowitz, who had a lot to do with the magic of the show. Not to say, of course, that weren’t imperfections; some episodes dragged, and one or two of them were pretty bad (the episode “The Zone” is a good example of this), not to mention the fact that the show badly lost steam in the last season, a thing that tends to happen to most shows in the end. However, that being said, the show did far more for the Highlander franchise than any of the sequels ever did. For that reason, it’s a show that all fans of action and fantasy should check out.

REVIEW: TRAPPED (2001)

CAST

William McNamara (Ringmaster)
Parker Stevenson (Stroker Ace)
Callum Keith Rennie (Flashforward)
Suki Kaiser (The Virgin Suicides)
Stefanie von Pfetten (Cracked)
Natassia Malthe (Elektra)
Katie Stuart (The 100)
Gabrielle Rose (Dark Angel)
Ian Tracey (Bates Motel)
Roger Cross (Arrow)
Martin Cummins (Poltergeist: The Legacy)
Jodelle Ferland (Kingdom Hospital)
Sarah Carter (Smallville)
Trapped Television Series

This movie provided a bit of entertainment, but was fairly predictable. I found it fascinating that every time a scene was shown from the ground level, you’d hear sirens and air horns from the rigs en-route. Seems to me that at a certain point, all the necessary equipment would be there, and you’d not have any more en-route. Also, the effects and explosions were ok – some appeared to have no rhyme or reason as to why an explosion occurred. For example, glass is broken in a window you can see thru. There is no fire behind the window, however suddenly the window shatters, and the room explodes. No ignition source was shown, and although spontaneous combustion is a possibility, I’ve only seen a similar situation with an already pre-existing flame. The smoke effects were nice, but if you really wanted to go for realism, the smoke shouldn’t be gray or white, it should be black and thick. Outside shots of the hotel showed black smoke, inside shots showed gray and white smoke. Outside shots of the hotel also showed smoke rising straight up, when in fact, the story claimed 50mph winds.

1

I also found it interesting that although you had a major incident at a high-rise hotel in Las Vegas, I didn’t see many, if any, police officers. Crowd control was non-existent, which allowed the reporters to trample thru the fireground, and somehow, ordinary citizens were allowed into the incident commander’s area, to hear everything that was going on. This was obviously done for dramatic effect, and would never happen in real life.A few notes about the firefighters as well. The main shots of the firefighters in action were showing them running around on stairs with a charged line. I do find it hard to believe that they took a single charged line up 30 floors… hoses just aren’t that long. If in fact they were using the standpipes to connect to, they would have a length of hose to connect up to the standpipe, and be bringing with them an uncharged line. Most of the firefighting it seemed was being done with CO2 extinguishers. Also, it seemed like most of the time, they were running past a free burning fire, stopping once in a while to spray a little water. For as much water that was supposively coming off the building onto the press reporter, I didn’t see any firefighting happening. Overall, the movie was ok… the effects were pretty, if not well placed, and the factual items of the firefighting were a little scarce on the details. I’d say watch it if nothing else is on.

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: SANCTUARY – SEASON 1-4

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)

RECURRING / NOTABLE GUEST CAST

Ryan Robbins (Arrow)
Kavan Smith (Stargate: Atlantis)
Kandyse McClure (Battlestar Galactica)
Peter Shinkoda (Masked Rider)
Chuck Campbell (Jason X)
Michael Adathwaite (Tru Calling)
Ellie Harvie (The New Addams Family)
Panou (Flash Gordon 2007)
Leah Cairns (Interstellar)
Laura Mennell (Thirteen Ghosts)
Peter Bryant (Dark Angel)
Peter Outerbridge (Earth: Final Conflict)
Alex Zahara (The Stickup)
Mackenzie Gray (The Net: The Series)
Matthew Walker (Highlander: The Series)
Sarah Strange (White Noise)
David Nykl (Arrow)
Kirsten Robek (Cats & Dogs)
Katharine Isabelle (Hannibal)
Jonathon Young (Antitrust)
Gabrielle Rose (Jennifer’s Body)
Jim Byrnes (Highlander: The Series)
Lynda Boyd (Power Rangers In Space)
Rekha Sharma (The Core)
Peter Wingfield (Caprica)
Christine Chatelain (40 Days and 40 Nights)
Alex Diakun (Androemda)

Being a big fan of Stargate SG-1 in general and Amanda Tapping in particular, I was quite excited to hear that the actress had signed up to play the lead in (and was executive producer of) a web-based series entitled Sanctuary.  I had meant to download the 8 15-minute webisodes but with one thing and another, never got around to it.  Based on the strength of those shorts, the series was picked up by the horribly named cable network Syfy, had a successful first season, and was renewed for a second (that is scheduled to begin in October.)  E1 Entertainment has now released Sanctuary Season One on DVD in a nice four disc set that fans of SF should consider picking up, especially if you gave up on the series while it was airing after a few episodes.

Dr. Will Zimmerman (Robin Dunne) is a profiler for a local police force in an unnamed metropolitan city.  Being very observant in a Monk-like way, he puts together clues that others often miss and follows them to their logical conclusions, even if those conclusions sound crazy.  He was kicked out of the FBI for his hair-brained hypotheses, and is pretty much shunned by the policemen he works with for the same reason.

While investigating the dead of a civilian and two police officers Zimmerman crosses paths with Dr. Helen Magnus (Amanda Tapping).  She runs the Sanctuary, a privately funded large gothic building in the middle of town that is host to, Will eventually discovers, a wide assortment of bizarre creatures called ‘abnormals’.  Basically all of Zimmerman’s theories have been correct, there are odd being roaming the world in secret and Magnus’ group helps those that they can and hunts down the ones that are dangerous to humanity.Will signs up and joins the Sanctuary team that includes Magnus, who turns out to be much, much older than she looks, Helen’s kick-ass daughter Ashley (Emilie Ullerup), tech geek Henry Foss (Ryan Robbins) and butler and extra muscle when needed Bigfoot (Christopher Heyerdahl).  Searching the globe for abnormals the group discovers mermaids, ancient witches, a human-like race that can compact their bodies to squeeze through the smallest spaces, a vampire, people who can shoot heat rays from their eyes, and even the basis for Sherlock Holmes and the real Jack the Ripper (who just happens to be Magnus’ ex-lover.) Every great team needs a suitable enemy too, and Sanctuary has one in the form of the Cabal, a super-secret, well funded, organization that also investigates abnormal sightings, but they have sinister motive behind what they’re doing and consider the Sanctuary their sworn enemies.
In the second half we’re introduced to Nikola Tesla  who used to be a friend of Magnus’ way back when and who is a vampire.  An intriguing character and easily my favorite in the show, viewers are never sure if he’s lying or telling the truth and whose side he’s really on.  The show picks up for there, no longer being a ‘monster of the week’ program; it starts telling a larger story and is more careful how the plots unravel.  The faux witty banter is toned down considerably and small incidental details actually make sense at this point.  They also go back and correct some of their earlier mistakes such as Magnus’ education.  In the first episode they stated that she attended Oxford in the mid 1800’s, a time when women weren’t allowed to enroll, but in episode 12 a character reveals that she only audited classes at that time, something that makes much more sense. The acting in the program is generally good with Amanda Tapping stealing the show.  She’s playing a character similar to Dr. Samantha Carter, the person she portrayed on Stargate SG-1, but Tapping went out of her way to create a totally different personality for this new character.  Physically she dyed her hair and she also sports a British accent (that sounds pretty good actually.  She was born in England, I guess that helps more than a bit.)  Magnus is also more careful than Dr. Carter and has a totally different demeanor.  I was always enamored of Tapping’s role in SG-1 (she reminded a lot of my wife,) but while watching her here I never thought of her as “that gal from SG-1,” a testament to how well she did in crafting a new individual.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Jonathon Young (Antitrust)
Christine Chatelain (Riese)
Lynda Boyd (Final Destination 2)
Hiro Kanagawa (Heroes Reborn)
Jason Schombing (Mutant X)
Chuck Campbell (Jason X)
Chris Gauthier (Watchmen)
Robert Lawrenson (Underworld: Awakening)
Nicole Munoz (Pathfinder)
Anne Marie Deluise (Highlander: The Raven)
Colin Cunningham (Elektra)
Erica Cerra (Blade: Trinity)
Colin Lawrence (X-Men 2)
Michael Shanks (Stargate SG.1)
Aleks Paunovic (I Spy)
Jason Bryden (Marmaduke)
Ryan Kennedy (Poison Ivy 4)
Chad Rock (The Flash)
Meghan Ory (Once Upon A Time)
Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)

Season 2 carried on from where season 1 left off. Dr Helen Magnus and team Sanctuary are trying to discover what happened to Ashley Magnus (Emilie Ullerup) and why she would betray her family and friends and join the Cabal, all while trying to save and protect “abnormals” from those who would do them harm. The main cast of Amanda Tapping (Dr Helen Magnus), Dr Will Zimmerman (Robin Dunne), John Druitt (Christopher Heyerdahl), Henry Foss (Ryan Robbins) and Bigfoot (Christopher Heyerdahl, again) all return for the second season.

There is also new girl Kate Freelander (Agam Darshi).  Who was created to replace Ashley (who is killed in the opening two epiosdes), Although Ashley was a popular characterKate does grow on you more and more with each episode, by seasons end shes is more rounded out character.


I Enjoyed this season even more than season 1 . In this case the stories seem much stronger and have more depth to them than those in the first season. Instead of a season long battle with the Cabal, that story line gets wrapped up in two episodes. Which lets season two create new stories that enrich the characters more.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)
Robert Lawrenson (Underworld: Awakening)
Jim Byrnes (Highlander: The Seroes)
Chasty Ballesteros (Final Destination 5)
Raquel Riskin (Killer Bash)
Gary Jones (Stargate SG.1)
Peter Flemming (Replicant)
Jonathon Young (Antitrust)
Michael Rogers (Duets)
Jorge Vargas (Power Rangers Ninja Storm)
Martin Christopher (Stargate: Atlantis)
Chris Gauthier (Watchmen)
Pauline Egan (Elysium)
Allison Hossack (Kingdom Hospital)
Adrian Hough (Underworld: Evolution)
Ian Tracey (Bates Motel)
Peter Wingfield (Highlander: The Series)
Vincet Gale (Big Eyes)
Pascale Hutton (Ginger Snaps 2)
Polly Walker (Caprica)
Jody Thompson (Flash Gordon 2007)
Francoise Yip (Andromeda)
Tinsel Korey (The Lookout)
Peter Deluise (21 Jump Street)
Aliyah O’Brien (Smallville)
Sean Rogerson (Bitten)
Douglas O’Keeffe (Dark Angel)
Richard De Klerk (Reign)
Jordana Largy (Flashpoint)
Barclay Hope (Final Destination 5)
Adam Copeland (Highlander: Endgame)
Tom McBeath (Stargate SG.1)
Greyston Holt (Bitten)
David Milchard (The Eye)

Season three sees Sanctuary taking a big step forward,and for the most part being very successful. instead of the previous two seasons 13 episode runs,this has 20 episodes,something which allows the writers to expand storylines and explore things further,bringing more depth to this seasons story arc. As always the acting from the entire cast is first rate .There is also plenty of Jonathan Young as Nikola Tesla,whos presence always lifts any episode he appears in,and guarantees some sharp dialogue.This series looks better as well,and steps out of,whenever possible,the confines of a cgi generated world,something which I always believed limited it far too much.Season three sees Sanctuary setting itself up as a major league player,and staking a claim as a show to be taken seriously,and it does it very well.Giving you more than it has before,while leaving you with the impression that there is much more to come,and the desire to find out what.The Sanctuary team deal with the aftermath of the gigantic tidal wave released by Big Bertha while Will’s life remains in balance but soon the errand comes to an end once Will leads one final plea to “Kali” A.K.A. Big Bertha in his near death experience to stop the destruction. Following Will’s return to life two abnormals appear to him to rekindle his memory and in doing so Will remembers an important message that Gregory sent for Helen to find an underground city with great technology and secrets.Later Nikola sends an SOS call and after his rescue continues to help Helen in discovering the secrets of the city which eventually leads them to a Hollow Earth atlas. Soon Adam Worth, a former acquaintance, tricks Helen and causes radiation poisoning (that should kill both Helen and Adam in a few weeks) so that she may show Adam the Hollow Earth. Upon Adam’s interference Helen, Will, Henry and Kate enter the city to save Gregory and find a cure for the poisoning but only to be executed immediately when caught while Adam imprisons John, leaving Tesla and Big-Guy alone in the mysteries. Magnus is then revived by Ranna for answering and Magnus finds out that she needs her to help an abnormal from the events of ‘KALI’, thereby Magnus and the gang is revived and she given the cure and is reunited with her father, together Gregory and Helen save the abnormal and reach the surface back again while John kills Adam. The show returned to its original format, featuring a new short story for every episode until Tesla and Magnus discover a Praxian Stronghold. This is revealed to have been taken by Vampires and as such was a Vampire Stronghold where a whole army of Vampires and their queen were buried to be awakened someday. Magnus views this as a threat and destroys the stronghold, but not before restoring Tesla to a Vampire again.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)

RECURRING / NOTABLE GUEST CAST

Agam Darshi (Bates Motel)
Peter Wingfield (Highlander: The Series)
Ian Tracey (Man of Steel)
Pascale Hutton (Flash Gordon 2007)
Francoise Yip (Robocop: Prime Directives)
Tom McBeath (Stargate SG.1)
Robert Lawrenson (Human Target)
David Milchard (The Eye)
Greyston Holt (Bitten)
Adam Copeland (Highlander: Endgame)
Pauline Egan (Ambrosia)
Brian Markinson (Izombie)
Lara Gilchrist (Battlestar Galactica)
Mig Macario (Once Upon A Time)
Sandrine Holt (Terminator Genisys)
Carlo Rota (Stargate Universe)
John Novak (Wishmaster 3 & 4)
Martin Cummins (Dark Angel)
Tora Hylands (Primeval: New World)
Charlie Carrrick (Reign)
Jonathon Young (Antitrust)
Zak Santiago (Caprica)
Adam Greydon Reid (Cult)
Caroline Cave (Saw VI)
Al Sapienza (Margin Call)
Brent Stait (Blade: The Series)
Jodi Balfour (Final Destination 5)
Jim Byrnes (Highlander: The Series)
Kurt Evans (Watchnmen)
Brenda Campbell (Orphan)
Gil Bellows (Flashforward)
Gerard Plunkett (Andromeda)

At the end of the last season things were getting pretty hairy on a couple of different fronts. The subterranean abnormals who live inside the Earth have decided that they want their chance in the sun and three armies march out of caves in different parts of the planet. If that wasn’t bad enough, Magnus is battling an old companion, Adam Worth, who manages to open up a hole in time and slip back to the 1800’s with the aim of curing his terminally ill daughter. This will change the time stream irrevocably, so Magnus follows him on his one-way journey into the past in order to stop him.

This season opens with Magnus in 19th Century London, following Worth. He manages to wound her and escape, so she turns to one person she knows she can trust, he husband at the time, James Watson  Together they have to stop Worth, but even if they do, how will Magnus manage to return to the 21stCentury? She does manage it, but it takes a very long time. Meanwhile Will has been put in charge of the New York Sanctuary by the Sanctuary Network, that mysterious body that runs the various abnormal shelters around the world. He’s having a rough time, as the US military wants to actually  attack the invading army, especially after there’s a revolt in the refugee compound that’s housing several Hollow Earth abnormals in which the subterranean creatures take hostages and threaten to kill them. No one in authority will take Will’s calls, and with Magnus MIA he’s clearly out of his depth.

After that crisis, and Magnus’ return, things are different. The government is very leery of abnormals and they create a department, SCUI, to hunt down the Hollow Earth creatures that are still on the surface. Either imprisoning the abnormals that they capture or using them for experiments it’s a race between the bad military and the saintly Sanctuary to see who can locate and capture the renegade abnormals first.There are some very good episodes in this season. Monsoon, where Magnus is held hostage by some abnormal crooks while in an airport in Africa was a high point. Seeing the unarmed Magnus take out a group of ex-military super-humans was delightful.

The series does wrap up (though there is room for more adventures)  It was nice that the show did get a coda. All in al lSanctuary was an excellent show that lasted four seasons and left room for more stories to be told shold Syfy every decide to bring it back.

REVIEW: ANDROMEDA – SEASON 1-5

Image result for ANDROMEDA TV SERIES LOGO

MAIN CAST

Kevin Sorbo (Hercules: TLJ)
Lisa Ryder (Jason X)
Keith Hamilton Cobb (Noah’s Arc)
Laura Bertram (50/50)
Brent Stait (Blade: The Series)
Gordon MIchael Woolvett (Bride of Chucky)
Lexa Doig (Continuum)
Steve Bacic (Flash Gordon 2007)
Brandy Ledford (Baywatch)

Image result for ANDROMEDA TV SERIES LOGO
RECURRING / NOTABLE GUEST CAST

John Tench (Shooter)
Emy Aneke (Star Trek Beyond)
Elizabeth THai (Saved)
Amber Rothwell (Battlestar Galactica)
Paul Johansson (Highlander:The Raven)
Dylan Bierk (Beastmaster)
Marion Eisman (Hit ‘n Strum)
Cameron Daddo (Packed To The Rafters)
Brian George (The Big Bang Theory)
Sam Sorbo (Hercules: TLJ)
Claudette Mink (Children of The Corn 7)
Kimberley Warnat (Freddy vs Jason)
Malcolm Stewart (Jumanji)
John de Lancie (Star Trek: TNG)
Ty Olsson (Izombie)
Monika Schnarre (Dead Fire)
Douglas O’Keeffe (Sanctuary)
Nathaniel DeVeaux (Antitrust)
Noel Fisher (Teenage Mutant Ninja Turtles)
Ralf Moeller (Conan The Adventurer)
Mackenzie Gray (Man of Steel)
Chapelle Jaffe (The Dead Zone)
Rachel Hayward (Jingle All The Way 2)
David Palffy (Stargate SG.1)
Kimberly Huie (G-Spot)
Michael Shanks (Stargate SG.1)
Gerard Plunkett (Sucker Punch)
Anthony Lemke (Robocop: Primce Directives)
William B. Davis (The X-Files)
Anna Marie Deluise (Smallville)
Enuka Okuma (House of The Dead)
Roger Cross (Arrow)
Kendall Cross (Caprica)
Francois Yip (Smallville)
James Marsters (Buffy)
Jud Tyler (That 70s Show)
Steven Grayhm (White Chicks)
Timothy Webber (Cypher)
Kevin McNulty (Elektra)
Mark Hildreth (V)
Kristin Lehman (Hemoglobin)
Costas Mandylor (Saw V)
Heather Hanson (The Hosue Next Door)
Dean Wray (Horns)
Ingrid Torrance (Flight 93)
Brendan Beiser (The X-FIles)
Cynthia Preston (Carrie 2013)
Meredith McGeachie (Punch)
Sonya Salomaa (Watchmen)
Michael Hurst (Hercules: TLJ)
Andee Frizzell (Stargate Atlantis)
Christopher Judge (Stargate SG.1)
Ellie Harvie (The New Addams Family)
Winston Rekert (The Blue Man)
Lawrence Bayne (Dog Pound)
Krista Rae (Dawn Anna)
Kristen Robek (Cats & Dogs)
Tony Todd (The Flash)
Venus Terzo (Arrow)
Sara Deakins (Tru Calling)
Michael Hogan (Battlestar Galactica)
William Katt (Carrie)
Geordie Johnson (Reign)
leila Johnson (School of Life)
Jayne Heitmeyer (Earth: Final Conflict)
Peter Shinkoda (Daredevil)
Adam Harrington (The Secret Circle)
Peter Bryant (Dark Angel)
Chris Potter (Heartland)
Jody Thompson (Flash Gordon 2007)
Helene Joy (Desolation Sound)
Aleks Paunovic (Mortal Kombat Legacy)
Christopher Heyerdahl (Sanctuary)
Krista Allen (Mutant X)
Michael Ironside (Total Recall)
JR Bourne (Stargate SG.1)
Sarah-Jane Redmond (V)
Nigel Bennett (Cypher)
John Reardon (Tru Calling)
Maury Chaykin (Entrapment)
Chelah Horsdal (Hell on Wheels)
Carmen Moore (Artic Air)
Michelle Harrison (The Flash)
Nicholas Lea (Arrow)
Colin cunningham (Elektra)
Andrew Jackson (Earth: FInal Conflict)
Ona Grauer (V)
Ivar Brogger (Bones)
Sebastian Spence (First Wave)
Grace Park (Battlestar Galactica)
Martin Cummins (Bates Motel)
Jim Byrnes (Highlander: The Series)
Christina Cox (Arrow)
Apollonia Vanova (Watchmen)
Nia Peeples (Half Past Dead)
Peter Wingfield (Caprica)
Kandyse McClure (Battlestar Galactica)
Gary Jones (Stargate SG.1)
Emily Holmes (Dark Angel)
Peter Delusie (21 Jump Street)
Erica Durance (Smallville)
Aaron Douglas (Battlestar Galactica)
Missy Peregrym (Heroes)
Marjorie Monaghan (Babylon 5)
Blu Mankuma (Tin Man)
Alan Scarfe (Seven Days)
Kyle Cassie (Deadpool)
Ken Tremblett (Caitlin’s Way)
Don S. Davis (Stargate SG.1)
Natassia Malthe (DOA)
Matthew Bennett (Battlestar Galactica)
Lochlyn Munro (Scary Movie)
Kevin Durand (Dark Angel)
Hiro Kanagawa (Heroes Reborn)
Francoise Yip (Smallville)
Emmanuelle Vaugier (Two and a Half Men)
Cobie Smulders (How I Met Your Mother)

The first season begins with a two-part story “Under the Night” and “An Affirming Flame” about the formation of Dylan and his new crew. Gerentex, a nightsider, hires the crew of the Eureka Maru: Beka, Harper, Trance, and Rev. Gerentex wants them to do a salvage operation and find the fabled Andromeda Ascendant. The ship is worth a lot of money. After a long effort by the crew, they find the Andromeda and tow it from the black hole singularity.When Beka, Harper, Trace, and Rev board the ship, they find Dylan on board. Gerentex sends a secret assault team, led by Tyr, to kill Dylan. Suddenly, the mission changes and Beka’s crew have a change of heart. They want to leave the ship to Dylan, because it is his ship after all. Gerentex does not react happy to the news and he only leaves the ship when it is sucked back into the singularity. Of course, he leaves Beka’s crew and the assault team to perish. Dylan inspires the crew to work together to get out of the situation. He saves them, and later reveals to them his desire to rebuild the Commonwealth. Reluctantly, everyone joins him. Not because they believe in his cause, but because it is better than smuggling.The two-part story is a pretty exciting introduction to the series. Some of the characters’ performances are a bit over-the-top and their ability to instantaneously adapt to using the Andromeda’s advanced computer systems and having security codes to launch the massive nova bombs (think nukes in space) is little on the unreasonable side. But, if you do not take the show too seriously, the introductory two-part story is quite fun. Another part I enjoyed about it was the mysterious hints about Trance. She was shot and killed, but miraculously recovered without any medical attention. While she seems like an innocent character with a small part, the writers have some big plans for her as the series progresses.

The  grander plot happening with the Andromeda crew tends to be a lot better than the standalone episodes. There are episodes that tie in a super duper bad guy called the Abyss. In “Harper 2.0”, the Abyss sends an assassin into the known world to erase its existence. In the season finale “It’s Hour Come ‘Round at Last”, the crew run into a huge ship filled with millions of Magogs. It becomes a very interesting story.

There are also some interesting stories with detailed background into the characters like “Angel Dark, Demon Bright”, where the Andromeda accidentally travels back in time to a major turning point in the battle against the Commonwealth and Nietzscheans. Dylan is in a position to change the future forever, but decides against toying with fate. Then there is “The Banks of the Lethe”, which puts Dylan back his fiance Sara (Sam Jenkins). Episodes like theses offer insight to the characters, their backgrounds and personalities, and the relationships they have with each other. These developments become a fairly intriguing part of season one . For instance, Tyr is a Nietzschean and cares more about his wellbeing than those he serves with. In several instances, his loyalty and duty to the crew is questionable. Like in the episode “Double Helix”.

Overall, the first season of Andromeda offers viewers a decent science-fiction series filled with action, some corny dialogue, over-the-top performances, decent stories, and a cast of likeable characters.

In season two, Dylan’s quest becomes more of a reality. The Renewed Systems Commonwealth represents more than just the unity and peace Dylan envisions; it is, as Dylan hunt says, a necessity. In the season one finale “It’s Hour Come ‘Round at Last”, Harper took a look around inside Andromeda’s code and found a backup copy of Andromeda’s core. He accidentally restored the backup. Andromeda went out of control and took the crew on a top secret mission. To make matters worse, the mission takes the crew deep into Magog territory, where the Andromeda runs into a Magog Worldship. The Worldship is a transportable solar system, with multiple planets and an artificial sun. The Worldship houses trillions of Magog and gives them the power to destroy stars. The Magog are traveling towards the known worlds with plans of conquest and destruction. In the close of the episode, the Magog have overrun the Andromeda and the crew’s fate is desperate: Trance, Beka, and Dylan are unconscious and near death, Tyr and Harper are being held by the Magog, Rommie had a pike shoved in her stomach, Rev Bem is being converted to the Magog cause, and the Andromeda Ascendant is in critical condition.

The second season premiere episode “The Widening Gyre” continues where season one left off. Despite the direness of the situation, they overcome their individual situations and manage to free themselves of capture. The real excitement introduced in this story is the notion of the Magog and the Worldship. The Spirit of the Abyss, a being that acts as the Magog’s God, is leading the Magog on a quest of utter destruction. This threat becomes a staple for the Andromeda crew to fight off. A Renewed Systems Commonwealth is a necessity. Fortunately for the crew, they have some time until the Worldship reaches space of the known world–two or three years. In the fourth and fifth seasons, the Spirit of the Abyss and the Magog are a major port of the season story arcs. The Magog still are at the front of the stories and a key reason for the new Commonwealth. And Dylan works feverishly to recruit planets to his cause. In the episode “Home Fires”, Dylan receives a message from his long dead fiance. After the initial fall of the Commonwealth, a group sought refuge on a planet called Tarazed and for three hundred years, they have survived as the last remnants of the old way of life. Dylan learns that the people of Tarazed and goes to the planet to get them to join the new Commonwealth. They, however, do not. When he arrives at the planet, he finds a familiar face, that of his former first officer Gaheris. But it is a genetic clone named Telemachus Rhade. Dylan and Rhade are hesitant to trust each other. The story takes an interesting turn in the development of the relationship Dylan had with Gaheris, as well as introduces Rhade, who joins the cast in season four.

The episodes “Into the Labyrinth”, “Bunker Hill”, and “The Prince” are more episodes focused on the restoration of the Commonwealth with the cast in diplomatic missions, facing with spies, political corruption, and other such things. “Into the Labyrinth” sees a Nietzschean clan Saber-Jaguar joining the Commonwealth. In “Bunker Hill” the Saber-Jaguar clan invokes the Mutual Defense Pact, which requires the Andromeda join their side in combat against the Dragan clan. At the same time, Dylan sends Harper and Rommie to Earth to join the resistance movement to free human slaves under Dragan control. In “The Prince”, the crew travel to Ne’Holland to save what is left the royal family from being slaughtered. Dylan wants the planet to join the Commonwealth because it is in a key position to defend against the upcoming Magog onslaught. However, in order to get them to join, he has to save its leaders from its own people. But what Dylan did not know was that the royal family’s actions have not always been just.“Ouroboros” is a major episode in the series. It is the first major cast and crew changes. Rev Bem leaves the series as a regular cast member. He apparently went away to find himself. Stait, who plays Rev Bem, talks about the reason he left in his interview featurette. Another change deals with Trance. Harper builds a machine he hopes will help rid him of the Magog larvae that was implanted in him in the season premiere. The machine works, but it also does a little more and bends space and time. The crew is able to glimpse into future versions of themselves. Trance, in particular, meets her future self, who proclaims the future unfolded very badly. The present and future Trance’s switch places in hope future Trance can set the timeline in the right direction. The new Trance is physically different, without a tail and has golden skin. The other major change is in the crew. Robert Hewitt Wolfe was released because the direction he envisioned for the series was much different than wanted. In “Knight, Death, and the Devil”, the crew are on the verge of completing the first stage in restoring the Commonwealth. Beka and Harper negotiate with the fiftieth planetary world to join the cause. Dylan, Tyr, and Rommie also find a decommissioned high guard ship. When they interact with the ship’s AI Ryan (Michael Hurst), they find out there is a solar system with over fifty other relic ships in hiding. Dylan goes to the solar to convince the ships to rejoin the Commonwealth (remember some AI’s have emotions and they were abandoned long ago). Christopher Judge guest stars as one of the AI’s.

 

The season finale “Tunnel at the End of the Light” is a literally explosive episode. Representatives from fifty worlds come to the Andromeda to sign the Commonwealth charter. It is an exciting time to see the Commonwealth officially come back into power. Unfortunately, there are forces that would rather not see the chartered signed. Sabotage hits the Andromeda and the charter signing goes up in flames. It is up to the crew to make necessary sacrifices to see it through.

Overall, I was pretty happy with the second season of Andromeda. Like the first season.  In addition, the story arcs that span the episodes offer intriguing aspects with the formation of the Commonwealth, the Magog, and the Spirit of the Abyss. In the end, I think season two makes for a good watch if you enjoy science-fiction/fantasy oriented shows.

In the close of season two, the signing of the Commonwealth charter was under attack by mysterious alien forces. The disruption caused chaos and the crew had to make sacrifices to deal with the matter. In the third season premiere episode “If the Wheel is Fixed”, the story is concluded. Tyr and Beka were left trapped in another dimension. Dylan frets and considers a way to get them back. He takes the Eureka Maru to reconstruct the events that led to the crew members being sucked into the alternate dimension. He is successful and Tyr and Beka return. Unfortunately, the two are not who they seem to be. Many problems happen on the Andromeda and it eventually turns into a mysterious plot to kill them all–Tyr and Beka are being controlled by a force in the other dimension.

The unfortunate thing about this episode is the direction the story takes. In the end of season two, the story had a lot of promise with aliens from another dimension attacking. However, in the concluding half of the episode, the story gets pretty hokey. I suppose the aliens from another dimension were not the strongest approach itself, but I liked it in the first part. The subsequent episodes also fail to be as strong as they could. This is not to say they are terrible or anything, but rather that they could have been better. The story arcs that ran through the first two seasons start become less significant. The content is more episodic with the Andromeda crew out on missions that are wrapped up in an episode.

“The Unconquerable Man” is a pretty solid episode, but one you do not want to think too much about. The storyline is based on time travel and alternate realities. The episode begins with Harper moving Gaheris Rhade’s body and Dylan notices a mark on his hand he had never seen. Then the episode jumps into a point in time when a future Rhade had the opportunity to destroy the time machine Harper built in the season two episode “Ouroboros”. Trance is with Rhade and tries to convince him not to do so. Rhade reflects on his life (an alternate reality of the events thus far). In this reality, Rhade killed Dylan and survived for three hundred years in the black hole. He teamed up with Beka, Rev Bem, Trance, Harper, and Tyr to rebuild the Commonwealth. As the episode unfolds, Rhade comes to realize it is Dylan’s fate and not his. He sacrifices himself so that the original timeline is restored and Dylan is once again put in charge of the Andromeda.

“The Dark Backward” is an exciting episode because it explores Trance’s reality. There is a deadly intruder aboard the ship trying to kill the crew. The episode focuses on Trance and one her of mysterious talents. In past episodes, she has offered advice that could only be explained by foresight of some kind. She has the ability to play out situations in many different scenarios in mere seconds. Trance explores different ways to maximize the crew’s life and stopping the intruder. It is an interesting episode because it details more about how mysterious and special Trance is as a character.

Another strong episode this season is “What Happens to a Rev Deferred?”, where Rev Bem returns. While monitoring the evacuation of Empyrium, a world that is on the brink of destruction, the crew receives a communication from Rev Bem asking to be rescued. To complicate matters, a group of renegades are after Rev. Dylan and crew go to the planet’s surface to rescue Rev and witness a miracle. Rev under goes some spiritual phenomena when an unknown entity confronts Rev and he professes his sorrow for all his ill-natured acts as a savage Magog. He is given redemption and physical changed into a new being. Rev Bem has been an interesting character, with his struggles to be “civilized” over “savage”, and his ties into the Spirit of the Abyss make him an even more interesting character. It is too bad he is not investigated further. In the season finale “Shadows Cast by a Final Salute”, things take a turn for the worst for the Andromeda crew and the Commonwealth. The assistant minister of war informs Dylan that there is something afoot with the Nietzschean clans in the Commonwealth. There have been rumors going around that they are considering leaving the allied forces and forming their own united front. They are rumors no longer, but fact. Afterwards, Andromeda is put on high alert when an elite strike force of Dragans takes hostages and demands their lives for the bones of Drago Musevini. As the situation unfolds, it becomes evident Tyr’s hand had play in the situation. With his son, the genetic clone of Drago Musevini, he plans to unite his people and save the universe. At the end, Dylan and Tyr bid a final farewell to each other with no promise their next meeting will be peaceful. But the situation was more than just Dylan and Tyr, as a plot to stand against the Commonwealth became an important issue. The Nietzscheans and several other forces joined in a battle against the Commonwealth fleet, which ended with the fall of the Restored Systems Commonwealth.

Overall, I was not nearly as impressed with this season as I was with seasons one or two. The episodes were more episodic with Dylan and his crew going on this or that adventure. The overall story arc with the Commonwealth, the Spirit of the Abyss, the Magog, Trance’s past, and others were not addressed as they were in the past seasons. The focus was a lot different. While this is not an awful move, it just was not as good. The fortunate news is that the pace picks up again with the season three finale and it puts the entire universe of Andromeda in upheaval.

Life is not looking pretty for the Andromeda. In the season three finale, the Andromeda and the Commonwealth fleet were manipulated into a situation that resulted in the apparent downfall of the newly formed federation of planets. Dylan was betrayed by his friend Tyr for a cause that Tyr believes to be more righteous and important than anything else. In the season four premiere episode “Answers Given To Questions”, the story is revisited. With the destruction of the fleet, the Andromeda crew decides what to do next. While trying to figure out their situation, they take on an injured pilot who brings Dylan a communication. The message is from a man named Paroo. He tells Dylan that the Commonwealth is no more and that he is holding one of its leaders and will kill her in due time. Dylan responds by chasing after Paroo, who he finds out is the head of Commonwealth security and the real cause behind the massive battle. But Paroo has manipulated the situation so that everyone thinks Dylan is the bad guy. Dylan kills Paroo and shows he was an agent of the Abyss. He then becomes a hero. More good news follows as enough leaders survived that the Commonwealth continues on.

In the remainder of the season, the series story arc dealing with the Magog threat is revisited in full. The majority of the episodes deal with the Andromeda crew caught up in one situation or another that ties into the Magog, the Abyss, and the Nietzscheans. A new addition to the Abyss story arc in this season begins to define Dylan’s role in the overall scheme of things. Yes, he is the captain of the Andromeda and leading the cause, but there is more to it than just that. The truth about who and what Dylan is revealed and his role in stopping the Abyss is more important than any of the lives of his crew.

“Waking the Tyrant’s Device” is an episode that takes a look at the creator of the Magog Worldship. Nicholas Lea (The X-Files) guest stars as Tri-Lorn, who gives the Andromeda orders to visit a planet. When they arrive, they are attacked. Dylan questions Tri-Lorn why they were sent to such a dangerous place without being told. Tri-Lorn reveals the importance of the mission. They are to stop Kroton, a half man, half robot. Kroton is building a massive army of androids and it is up to Dylan and crew to stop him. The episode itself is not the strongest, but it is still interesting to focus on the creator of the Worldship.

“Soon the Nearing Vortex” and “The World Turns All Around Her” is the two part episode where Telemachus Rhade joins the Andromeda crew on a permanent basis. In the first part, the Andromeda comes to the aid of a Commonwealth transport ship that is under attack from Nietzchean. On the transport is Rhade, who is holding Tyr as a prisoner. The Andromeda fends off the attacking ships and save Rhade’s life, but not before Tyr escapes. When Dylan reports back to the Commonwealth headquarters, Tri-lorn demands Rhade be returned to Tarazed so he can be dealt with. Dylan decides not to take him back because he fears Tri-lorn is corrupt. The story continues with the crew facing corrupt politicians, a scheming Tyr, and the Route of Ages, a mystical slipstream that goes to the original Vedran home world.

In the second part of the story, Dylan is ready to take on the Route of Ages. Tyr appears in a ship, with Beka in custody, demanding that Dylan give up the map for Beka’s life. Dylan comprises and allows Tyr to follow him on the journey. The Route of Ages is important because it is the key to stopping the Abyss. As the story unfolds, more intricate aspects of the plotline are uncovered, which include Trance revealing who and what she really is to Dylan, an avatar of the Vedran sun. The Abyss also makes a frightful appearance that puts the crew in a race for survival. This episode marks Tyr’s final appearance.

Other strong episodes in the season include “The Torment, the Release”, where the corrupt Tri-lorn demands Dylan hand over Rhade for prosecution, “The Warmth of an Invisible Light”, where Harper’s latest invention sends Dylan into an alternate reality, “Fear Burns Down to Ashes”, Rev Bem returns with a weapon to stop the Magog, “Lost in a Space that Isn’t There”, where Beka becomes an agent of the Abyss, and other episodes. For the most part, they all tie into the larger plot and tend to add to the excitement. The two-part season finale “The Dissonant Interval” is also an episode worthy of noting. The Andromeda goes to a space station called the Arkology when they learn the Magog Worldship is headed right for them. When the crew arrives at the station, they inform its leaders about the upcoming threat. The unfortunate part is that they are unwilling to listen. The people in the Arkology are of a peaceful nature and they believe they will be able to make peace with the Magog. But the Magog are not a peaceful people and they intend to kill everyone. The two-part story puts the crew in a battle with death-defying odds. And despite the odds, they put 110% into stopping the Magog. Unfortunately, as the episode ends, the situation is hopeless with death not far off from the horizon. Dylan is forced to abandon everyone and escape through the Route of Ages.

 

Overall, I enjoyed season four. The plotlines in the episodes tended to tie the material into a larger plot and it made for a much more intriguing watch. There were also several reoccurring characters like the devilish Nicholas Lea, the guy you love to hate, playing a questionable Commonwealth politician. The storylines touched upon the Abyss and the Magog, the Collectors, turncoat Tyr, and other exciting bad guys. Like seasons one and two, season four produces some exciting stories that are engaging and easy to get lost in.

In season five, the series takes a much different turn in events. At the end of the season four, there was some skepticism as to whether or not the show would continue into a fifth season. Well, the series was picked up for a fifth season, but with a smaller budget.The storylines lose the grandeur it once had with the epic space battles and massive story arcs. The series, stories, and character becomes more confined and lose a lot of the appeal found in previous seasons. In a nutshell, watching season five was more of a chore than fun. While there was some decent content, it does not compare to the quality of the past seasons.

In the close of season four, the Andromeda came to the space station Arkology to warn the inhabitants about their impending doom. The Magog Worldship was headed right for them and they need to get out of there. The inhabitants were a peaceful people and believed that they could make peace with the Magog. Dylan and the rest tried to tell them peace is not an option. Of course, they did not listen. When the Magog came, the Andromeda and its crew tried its best to stop the onslaught, but they failed miserably. In the close of the two-part season four finale, Dylan took the Route of Ages in a slipstream fighter and found himself transported into an alternative universe.

The two-part episode “The Weight” kicks off season five. In it, Dylan gets accustomed to his new life in the alternate universe on a planet called Seefra-1, which is one of nine barren wastelands. When Dylan tries to learn more about where he is, he finds little help. But when he meets a mysterious man named Flavin, he begins to get more clues about his situation. He is trapped in an isolated cluster of planets in another universe. Dylan explores Seefra-1 and later runs into a very disgruntled Rhade. Rhade and the others crew members (who Dylan runs into in later episodes) are unhappy with him for leaving them to die. It was through the efforts of Trance that the Andromeda (badly damaged) and her crew were brought into this alternate reality and not left to die at the hands of the Magog. They also blame him for being stuck on Seefra-1. Dylan returns to Flavin to get more information from him. Dylan learns his place is on Seefra-1; he must help the people in the coming days. Flavin also reveals the true nature of the Route of Ages.

After the not-so-exciting season premiere, “Phear Phactor Phenom” has the majority of the season four cast back together in some form or another, Dylan, Harper, Beka, Trance, and Rhade. We learn that Rommie was destroyed and Harper had been on Seefra-1 for over three years while the rest of the crew had only just recently arrived. During Harper’s time on the Seefra-1, he was able to rebuild a new android with portions of Rommie’s damaged core. The new character is Doyle, a blonde robot who was initially made to think she is human. The season five episodes proceed with the cast getting reacquainted with each other and Dylan trying to get the Andromeda up and running again. Some have changed with their new situation, most notably Trance who lost portions of her memory.

In the episode “Moonlight Becomes You”, Trance starts to remember who she is and the season starts to focus on the storyline hinted at in “The Weight”. The Seefra system is in jeopardy and the crew must work together to save the inhabitants of the nine wastelands over the next several episodes. But the story really ties into the power that is Trance. Trance is an avatar of the Vedran sun and the actual sun is approaching Seefra-1. When it arrives, the planets in the system (except for Seefra-1) will explode. The episodes “Past is Prolix”, “The Opposites of Attraction”, “Saving Light from a Black Sun”, “Quantum Tractate Delirium”, “One More Day’s Light”, and “Chaos and the Stillness of It” continue to focus on this storyline (uncovering more about Trance, the council of avatars she is a senior member of, and the crew trying to save the inhabitants), which is much more entertaining than the first portion of the season, but it still lacks the same punch the early seasons had.

In the two-part series finale “The Heart of the Journey”, the series come to a close by wrapping up the series story arc with the Abyss. While on Seefra-1, Harper receives a message transmission for Dylan. It is from Flavin, who had been killed by the Abyss, telling Dylan he is the last hope for the survival of the known worlds. The Council intends to destroy the galaxies of the known world in order to snuff out the Abyss. They, however, give Dylan and his crew the opportunity to return before their utter demise. Once back in their universe, they find only four days have passed since the Magog Worldship attacked. The Andromeda has to face the Nietzchseans and the Abyss. The situation that appeared dire ends with a happy ending and the destruction of the Abyss in a battle that is far from epic.

Overall, I really did not care for this season. The level of grandeur in the storylines was significantly diminished. The big flashy effects were part of what made the sci-fi series so much fun were gone. The show tended to have very isolated stories with limited character development. In the end, I did not see much in this season that made it worthwhile. Sure, there are some decent episodes, but they fail to compare to the past seasons. Despite my lack of enthusiasm, I give it a rent it recommendation on the pure basis that it concludes the series and there are a few decent episodes to follow.

REVIEW: BATES MOTEL – SEASON 1-3

Image result for BATES MOTEL LOGO

CAST

Vera Farmiga (The Conjuring)
Freddie Highmore (Finding Neverland)
Max Thieriot (House at The End of The Street)
Olivia Cooke (Ouija)
Nicola Peltz (Trasformers 4)
Nestor Carbonell (Lost)
Kenny Johnson (Cold Case)
Image result for BATES MOTEL
RECURRING / NOTABLE GUEST CAST

W. Earl Brown (Deadwood)
Keegan Connor Tracy (Final Destination 2)
Mike Vogel (Cloverfield)
Terry Chen (Almost Famous)
Vincent Gale (Battlestar Galactica)
Brittney Wilson (Rogue)
Peter Bryant (Dark Angel)
Ian Hart (Michael Collins)
Aliyah O’Brien (If I Stay)
Ian Tracey (Sanctuary)
Jere Burns (Justified)
Ben Cotton (Stargate: Atlantis)
Hiro Kanagawa (Heroes Reborn)
Alexander Calvert (Arrow)
Keenan Tracey (Rags)
Michael O’Neill (Sebiscuit)
Rebecca Creskoff (Quintuplets)
Michael Eklund (Watchmen)
Brendan Fletcher (Smallville)
Paloma Kwiatkowski (Perry Jackson)
Martin Cummins (Dark Angel)
Michael Vartan (Alias)
Andrew Airlie (Final Destination 2)
Agam Darshi (Sanctuary)
Kathleen Robertson (Hollywoodland)
Tracy Spiridakos (Revolution)
Kevin Rahm (Mad Men)
Ryan Hurst (Saving Private Ryan)
Joshua Leonard (The Blair Witch Project)
Peter Stebbings (Never Cry Werewolf)
Tom McBeath (Stargate SG.1)

If Alfred Hitchcock were alive today, I’ve got a feeling he’d enjoy Bates Motel. This kinda-sorta prequel re-imagines the story of Norman Bates, his equally unbalanced mom Norma and their relationship at the business that bears their name, mixing the ordinary and the bizarre with unpredictable, broad strokes in a more modern setting. Hitchcock always intended his classic film as a pitch-black comedy…and from that perspective, Bates Motel shares a few similarities beyond its central characters and the all-too-familiar motel grounds.Filmed in British Columbia, the show’s foggy appearance and small-town backdrop will immediately remind viewers of landmark shows like Twin Peaks and The X-Files. It feels like a perfect fit, reminding us that we’re either in the midst of trouble…or it’s just around the corner. More often than not, however, Bates Motel is just as much “comedy” as it is “pitch-black”, piling on mountains of over-the-top absurdity that, for unknown reasons, feels kinda normal within the series’ unusual boundaries. As a total package, this is compulsively watchable, suspenseful, goofy, dramatic and, above all else, unpredictable television.Such unpredictability can be a massive gamble…but much like Psycho (and by extension, Robert Bloch’s original novel), Bates Motel has been designed to keep its audience perpetually off-balance. At the same time, there’s a constant cloud of guilt, paranoia and dread floating above this season, magnified by the unpredictable behavior of Norman (Freddy Highmore) and his mother Norma (Vera Farmiga) in the face of several horrifying events: one leads them to White Pines Bay, and the others happen after they arrive. The immediate and focused suspicion of watchful sheriff Alex Romero (Nestor Carbonell) makes us wonder if he’s just extremely good at what he does…or if, in fact, he’s secretly pulling the strings. As the initial story arc gradually shifts midway through this first season, lies multiply, layers of mystery keep us interested in this small town and, eventually, we realize that just about everyone’s a villain here.

This first season of Bates Motel includes ten episodes and several new characters, from Dylan Bates (Norman’s rebellious half-brother, played by Max Thieriot) to the amusingly named junior detective Emma Decody (Olivia Cooke) and popular student Bradley Martin (Nicola Peltz), who is substantially more feminine than her name implies. The casting and performances are universally excellent, especially our unpredictable leads and the countless scenes they have with each other and outsiders. Vera Farmiga is especially impressive from start to finish, consistently stealing her scenes with reckless abandon and deliciously black humor. It’s just one more reason why Bates Motel is more than the sum of its parts.

Season Two expands on these characters and, not surprisingly, adds in a few more for good measure; it makes Bates Motel feel more complex without being overcrowded. Standouts include Caleb (Kenny Johnson, The Shield), Norma’s estranged brother; Zane Morgan (Michael Eklund), the new drug kingpin whose hot-blooded personality leads to an all-out war; Jodi Wilson (Kathleen Robertson), Zane’s sister and the real mastermind of the operation; Christine Heldens (Rebecca Creskoff), an exhausting social butterfly who takes Norma under her wing; George Heldens (Michael Vartan, Alias), Christine’s brother and a potential love interest for Norma; Nick Ford (Michael O’Neill), a “friend” of the Heldens’ with deep political connections; and Cody Brennen (Paloma Kwiatkowski), a rebellious girl who helps Norman come out of his shell, for better or worse. What’s more is that, despite their shared running time with Bates Motel’s established cast, there are very few lags during this ten-episode season. Even Emma Decody, who felt like an afterthought during the first year—and Season Two’s first half, especially—is given more to do in later episodes, and she’s all the better for it.

On the whole, then, this character-driven season path gives Bates Motel even more potential for future seasons. Much like NBC’s Hannibal, this series builds on an established franchise successfully and, as a result, plays out much better than expected. Production values are high, giving Bates Motel a potent, effective atmosphere from start to finish.

Soon after the events of the second season, Norman Bates (Freddie Highmore) begins his senior year at school. He experiences hallucinations there, so his mother, Norma Louise (Vera Farmiga), decides to homeschool him. After Norma’s mother dies, her brother Caleb (Kenny Johnson) returns to town, seeking to bond with Dylan (Max Thieriot). Norman takes a liking to new guest, Annika Johnson (Tracy Spiridakos), but she later goes missing. When searching Annika’s motel room, Norma finds an invitation to a gentlemen’s club. She infiltrates the club, but Sheriff Romero (Nestor Carbonell) catches her and promises to look for Annika. Romero later asks Norma to identify a woman’s body, and she is relieved that it is not Annika.

Romero meets with Bob Paris (Kevin Rahm), who runs the gentlemen’s club, to get information about Annika. Norma meets psychology professor James Finnigan (Joshua Leonard), who offers her his assistance. Norman has a blackout and submerges himself in a bathtub, hoping to recall whether he had anything to do with Annika’s disappearance. Norma saves him from drowning, then goes to lock up the motel. Annika arrives with a gunshot wound, gives Norma a USB flash drive, and dies. Norma is determined to access the password protected flash drive, and asks Dylan to help decrypt it. Norman follows Dylan to his cabin one night, discovering Caleb. He threatens to tell their mother, but Dylan begs him not to spoil the good relationship he has been building with her. Bob ransacks the motel office in search of the USB drive. Later, a man runs Norma off the road and tells her to give Bob the flash drive. Dylan insists that Norma should give the USB to Romero. Norman becomes confused over recent events, thinking he has already told Norma about Caleb when he hasn’t. Romero meets with Bob again, who admits he wants the flash drive back but won’t reveal its contents. Dylan’s friend Gunner (Keenan Tracey) decrypts the USB, finding a financial ledger inside from the town’s illegal drug trade.Bob agrees to a motel billboard near the bypass in exchange for the USB. When Norma is told of Caleb’s return, she packs a suitcase and storms out. Arriving in Portland, she buys a new outfit, trades her car, and ends up at James’ house, where she confesses that Norman killed his father during one of his blackouts. Dylan struggles with Norman’s separation anxiety, which includes an episode where Norman assumes Norma’s personality and wears her robe. Romero is shot and hospitalized; Marcus Young (Adetomiwa Edun) visits and tells him that his time as sheriff is nearing an end. Romero follows Marcus to the parking garage and kills him. Norma realizes that she is still a mother and returns home. She honors her sons’ wishes to meet with Caleb, who breaks down and apologizes upon seeing her.

Dylan grows closer to Emma (Olivia Cooke), learning from her father that she is a lot sicker than she lets on. Romero discovers his mother’s name on the ledger and confrontations his father in jail. His father used his mother’s name in order to get drugs into the prison. After being attacked by Norman, James tells Norma that he needs help. Norma cooks a family dinner in order to get closer to Norman. She invites Caleb, whose presence angers Norman, and Dylan invites Emma. Bob abducts and tortures James to get information about Norma. He then tells Romero about Norma’s relationship with James, and that Norman killed his father. Romero ends his friendship with Norma when she maintains that her husband died in an accident.

James tells Norma that he told Bob everything, and skips town. Dylan takes a risky job in order to gain money for Emma’s lung transplant. Following a blackout, Norman discovers Bradley (Nicola Peltz) has returned to town. After finding out that her mother has quickly recovered after her “death”, Bradley initiates sex with Norman, but he envisions Norma there and leaves. Norma tells Bob she’ll give him the flash drive, but he states that she has nothing left to bargain with. Desperate, Norma ransacks Romero’s house to find the USB, only to learn from Romero that the DEA is investigating it. Their heated argument hinges on her stating the truth about her husband’s death. She ultimately says that they both know who killed him.

Before Caleb leaves town again, he tells Norma about Norman assuming her personality and attacking him. Dylan gives Emma’s father the money for her lung transplant, but later gets a call from him saying that Emma has disappeared. Dylan finds her, and she informs him of her fears about the surgery; the two then kiss. Romero calls Bob to warn him of his impending arrest. Bob goes to the marina and finds Romero there, who shoots him dead. Norman plans to leave town with Bradley and argues with his mother about his mental state. She knocks Norman unconscious and drags him to the basement. Norman escapes and runs off with Bradley. In Norma’s persona, he pulls Bradley out of the car and kills her. He then rolls the car into the bay, as he and his “mother” watch it submerge.Image result for bates motel UnconsciousI really loved all the seasons! this season is even better and more intense! Norman and Norma just keep getting better! The reunion with Norma’s brother was seriously touching! The hooker was great! Norman’s expressions get really psycho looking! Just such great, great acting! It is so much fun! It is funny, yet, disturbing and all at once!! This show is just phenomenal.