REVIEW: 3RD ROCK FROM THE SUN – SEASON 3

MAIN CAST

John Lithgow (Rise of the Planet of The Apes)
Kristen Johnston (ugly Betty)
French Stewart (Mom)
Joseph Gordon-Levitt (The Dark Knight Rises)
Jane Curtin (The Heat)
Elmarie Wendel (Rumpelstiltskin)
Simbi Khali (Plump Fiction)
Wayne Knight (Jurassic Park)

RECURRING / NOTABLE GUEST CAST

Ian Lithgow (Rice Girl)
David DeLuise (Stargate SG.1)
Chris Hogan (Grounded For Life)
Danielle Nicolet (The Flash 2014)
Roseanne Barr (Roseanne)
Ileen Getz (That 70s Show)
Elaine Stritch (Monster-In-Law)
George Grizzard (Wonder Boys)
Richard McGonagle (500 Days of Summer)
Emile Hirsch (Alpha Dog)
Julia Sweeney  (Pulp Fiction)
Jason Carter (Babylon 5)
Peter Krause (Parenthood)
Sam Lloyd  (Galaxy Quest)
Jan Hooks (The Simpsons)
Shireen Crutchfield (Love and a Bullet)
Beverly Johnson (Lois & Clark)
Angie Everhart (Take Me Home Tonight)
Cindy Crawford (Fair Game)
Irina Pantaeva  (Zoolander)
Bill Irwin (Legion)
Shay Astar (The Lost)
Marguerite Moreau (Easy)
Peter Deluise (21 Jump Street)
Dom Deluise (Spaceballs)
Michael DeLuise  (Wayne’s World)
Jim Beaver (Deadwood)
Wayne Pére (Galaxy Quest)
Jeff Doucette (Bedazzled)
John Cleese (A Fish Called Wanda)
Phil Hartman (Small Soldiers)

3rd Rock From the Sun is one of the richest and hilarious television comedies to air. The series first aired in 1996 and lasted for a total of six seasons. The show molds science fiction into a sitcom and the results are a blast. A team of aliens from Mars take on human form in Rutherford, Ohio and integrate themselves into the local populace. Their goal is to learn everything they can about humans in a couple of days. Of course, it turns out humans are much more complex than expected and the team of aliens decide to stay a while longer. The strongest aspect of this show is its cast. They are remarkable together. Within minutes of any episode, it is apparent how well they interact and play off of each other. The show’s writing is also top notch and delivers one great joke after another. In the two-part finale of season two, our favourite aliens experienced dreaming for the first time. Not quite understanding the commonplace of dreams, the Solomons were under the impression they were defective and needed to return to their home planet for repairs. Dick decided to stay on Earth because of his undying love of Mary. In the last minutes of season two Dick proposed to Mary and said goodbye to Sally, Harry, and Tommy, only to find out dreaming was a normal human thing. However by this time Sally, Harry, and Tommy had already departed.Season three picks up with Dick engaged to Mary and lonely without his family. Dick’s agony disappears and turns into fear when his family returns with the Big Giant Head’s niece Janet (Roseanne Barr). Janet was sent to be his wife, and when Mary finds out about Janet it ruins their relationship. Sad for Dick, good for you. The end result is a comical mishap and a hilarious performance from Barr. At first she acts like the perfect housewife (funny because it seems completely out of character for her) and when she realizes she doesn’t have to be Dick’s wife, she turns into the Roseanne we know and love.For the rest of the season, Dick tries hard to win back Mary’s heart. This produces several funny side jokes with Dick making an utter ass of himself, as he never really seems to understand the importance of the situation. One specific episode in the earlier portion of the season is “Dick-In-Law” where Dick and Mary spend the weekend with Mary’s parents and pretend everything is business as usual. Mary is afraid to tell her parents about her latest failed relationship. Dick gets this crazy notion that if he impresses Mary’s parents, she’ll have to take him back. Of course, things do not turn out as planned. “Moby Dick” is a fun episode, where Dick finds his clothes no longer fit. The loss of Mary makes him want to eat junk food. In “Tom, Dick And Mary” Dick finds out Mary is seeing another man named Tom. Oddly enough, Tom turns out to be Tommy. The season continues with plenty more fun with Dick and Mary working out the “kinks” in their relationship.There are many more fun episodes dispersed throughout the season. “A Friend in Dick” is an awesome episode where Dick tries desperately to find a friend to join him for a night at the theater. There is this one scene where Dick inspires a group of strangers to tap dance. It’s funny as hell. “Jailhouse Dick” is another episode worth a few laughs. In it, Dick bails a criminal from jail and takes him home in an effort to rehabilitate him. And as usual, Dick blows the situation way out of proportion.One of the greatest episodes of this season is the two-part Super Bowl episode “36! 24! 36! Dick”. In this episode aliens from Venus come to Earth with the intent to rob Earth of all material possessions. The aliens are beautiful women. Among the beautiful faces are Cindy Crawford and Angie Everhart. It is a truly hilarious and goofy episode. In “Pickles And Ice Cream” Sally visits the gynaecologist and pretends she is pregnant for the attention from other women. The funny part about this episode is how Don, Mary, and Nina react. Also Harry’s pet Pickles comes to Earth to visit. “Portrait Of Tommy As An Old Man” is another strong episode, where Tommy retires from the mission and finds himself living with people his age, senior citizens in a retirement home. How he easily he fits into their routine is simply comical.In “Just Your Average Dick” and “Dick And The Other Guy”, John Cleese guest stars as the great Dr. Liam Neesam, a visiting professor who is better than Dick at everything. Cleese gives a riveting performance as a nut who is even more bizarre than Dick. In the season finale “Eat, Drink, Dick, Mary” guest stars Phil Hartman in one of his last roles as Randy Vicki Dubcek’s jealous ex-boyfriend. They end the season with Randy kidnapping Harry.Overall season three of 3rd Rock From the Sun continues the fun tempo set in the first two seasons. The characters continue to give great performances together and they are funny as ever. The way they deliver dialogue and utilize physical comedy will leave you laughing over and over again.I love this show, Season three of 3rd Rock From the Sun continues to deliver great comedy with several comical characters. While there isn’t anything really new about this season over past seasons, it is still a lot of fun. If you enjoyed season one and/or two, then season three should be at the top of your list. .

 

Advertisements

REVIEW: WET HOT AMERICAN SUMMER: 10 YEARS LATER

CAST

Elizabeth Banks (Power Rangers)
H. Jon Benjamin (22 Jump Street)
Michael Ian Black (Wedding Daze)
Janeane Garofalo (Dogma)
Joe Lo Truglio (Superbad)
Ken Marino (Agent Carter)
Christopher Meloni (Man of Steel)
A. D. Miles (Role Models)
Marguerite Moreau (Easy)
David Hyde Pierce (Hellboy)
Amy Poehler (Free Birds)
Paul Rudd (Ant-Man)
Marisa Ryan (Cold Hearts)
Molly Shannon (Bad Teacher)
Michael Showalter (The Ten)
Adam Scott (Krmapus)

RECURRING / NOTABLE GUEST CAST

Samm Levine (Inglourious Basterds)
David Wain (Wanderlust)
Lake Bell (No Strings Attached)
Paul Scheer (Piranha)
Josh Charles (The Ex)
Kristen Wiig (Ghostbusters)
Rich Sommer (Grilfriend’s Day)
Eric Nenninger (Jeepers Creepers II)
John Early (Bad Neighbors 2)
Chris Pine (star Trek)
Jason Schwartzman (Scott Pilgrim vs The World)
Mark Feuerstein (Once and Again)
Sarah Burns (Married)
Alyssa Milano (Charmed)
Melanie Lynskey (Two and a Half Men)
Jai Courtney (Divergent)
Skyler Gisondo (Santa Clarita Diet)
Joey Bragg (Fred 3)
Anne-Marie Johnson (Suicide Dolls)
Chris Redd (empire)
Joshua Malina (The Big Bang Theory)
Maya Erskine (Betas)
Marlo Thomas (LOL)
Dax Shepard (Hit and Run)

wet-hot-american-summer-ten-years-later-paul-rudd-marguerite-moreau“Andy, you are 26 years old. What is wrong with you! When are you going to grow up? We can’t be teenagers forever.” That above quote is said to Paul Rudd’s Andy Fleckner as a simple gag. It pokes fun at the actual age of the actors that are playing these characters, but therein also lies the central “flaw” of Wet Hot American Summer: Ten Years Later. As fun as all of these camp shenanigans may be, these people can’t just continue doing this forever. However, this is at least something that the series is well aware of and embraces wholeheartedly. It’s bonkers that Ten Years Later even happened at all. One prequel season was a surprising gift in itself. This is the extra marshmallow in the s’more. If last season was the unexpected reunion tour, then this is the sloppy, drunken after party that follows. Sure, it’s less polished, but it’s all dessert anyway.wet-hot-american-summer-ten-years-later-episode-4-lunch-knife-renata-alyssa-milano-michael-ian-black-review-guide-listMuch like First Day of Camp, this season takes this eclectic group of campers and puts them back into Camp Firewood, only now it’s ten years later as opposed to the beginning of their adventure. First Day of Camp does some glorious dot connecting to David Wain’s 2001 cult classic film, while also pulling off deep inside baseball jokes, like the introduction of Jim Stansel or seeing the birth of the anthem, “Higher and Higher.” Obviously with this new season taking place after everything, there’s little to few dots that need to be connected now, which as a result does lead to the trivial feeling that’s sometimes present through this season. Make no mistake, this is all undeniably a great time, but there’s not the same sort of satisfaction to be derived from the material this time around.ajh6scyuze0gpcrgcjueWhile the last installment was about building connections, this one is very much about breaking them to pieces and starting anew, which is only fitting considering this season revolves around Camp Firewood being literally torn down. The fun is in seeing the radical places that everyone has ended up rather than marveling at their clever origin stories. In that sense, the first episode spends the majority of its time simply introducing everyone and catching up the audience.untitledIn an eight-episode season this might feel like a bit of a waste, but with dozens of characters, what are they supposed to do here? The only real answer it to have a longer season, but with First Day of Camp also being a mere eight episodes, that seems to be the pattern that these guys are following. The season certainly could have used a few more episodes this time though. Similarly, this season—more than last season—really feels like it should be watched in one sitting like a long movie. Doing so would even help some of the material flow a little better, too. None of the many storylines feel rushed and everything is given enough time to breathe. It’s a real delicate balancing act that never shows its hand. The characters deal with the insecurity over who they’ve turned into through the years, however everyone is going through this same problem. At their core, they’re still those ridiculous teenagers from summer camp, and so are these actors, no matter how old they are. That’s sort of the point here.wethotmamericansummer-10yearslater-adamscottTen Years Later also gleefully wallows in glorious ‘90s jokes to make sure that the audience never forgets exactly when this season is taking place. It’s also probably the only place you’re going to hear Laura San Giacomo get brought up any time soon. First Day of Camp had this same sort of fun with the ‘80s, but this season is much more meta than the material’s ever been before. There’s also supernatural weirdness afoot too because of course there is. Elements like hidden nuclear fallout shelters entering the mix are so crazy, yet oddly fitting. This universe slowly stretching its boundaries has allowed for insane developments to seem plausible.1498150156458Wet Hot American Summer: Ten Years Later might spend a little too much time roasting on the campfire, but it’s still an immensely enjoyable endeavor that showcases a bunch of exemplary comedians who have now been laughing together for decades.

REVIEW: RUNAWAY JURY

CAST

John Cusack (2012)
Gene Hackman (Superman)
Dustin Hoffman (Hook)
Rachel Weisz (The Bourne Legacy)
Jeremy Piven (Mr. Selfridge)
Bruce Davison (X-Men)
Bruce McGill (Timecop)
Marguerite Moreau (Wet Hot American Summer)
Nick Searcy (The Dead Girl)
Leland Orser (Taken)
Lori Heuring (8mm 2)
Joanna Going (Nixon)
Dylan McDermott (Texas Rangers)
Stanley Anderson (Red Dragon)
Celia Weston (Hulk)
Bill Nunn (Money Train)
Cliff Curtis (Blow)
Nora Dunn (Bruce Almighty)
Rusty Schwimmer (The Perfect Storm)
Jennifer Beals (The Prophecy II)
Guy Torry (American History X)
Orlando Jones (Sleepy Hollow)
Gary Grubbs (Angel)
Luis Guzmán (Traffic)

In New Orleans, a failed day trader at a stock brokerage firm shows up at the office and opens fire on his former colleagues, then kills himself. Among the dead is Jacob Wood. Two years later, with attorney Wendell Rohr, Jacob’s widow Celeste takes Vicksburg Firearms to court on the grounds that the company’s gross negligence led to her husband’s death. During jury selection, jury consultant Rankin Fitch and his team communicate background information on each of the jurors to lead defense attorney Durwood Cable in the courtroom through electronic surveillance. In the jury pool, Nick Easter tries to get himself excused from jury duty. Judge Frederick Harkin decides to give Nick a lesson in civic duty and Fitch tells Cable that the judge has now given them no choice, and that he must select Nick as a juror. Nick’s congenial manner wins him acceptance from his fellow jurors, but Frank Herrera, a Marine veteran, takes an instant dislike to him.A woman named Marlee makes an offer to Fitch and Rohr: she will deliver the verdict to the first bidder. Rohr dismisses the offer, assuming it to be a tactic by Fitch to obtain a mistrial. Fitch asks for proof that she can deliver, though, which Nick provides. Fitch orders Nick’s apartment searched, but finds nothing. Marlee retaliates by getting one of Fitch’s jurors bounced. Nick shows the judge surveillance footage of his apartment being searched, and the judge orders the jury sequestered. Fitch then goes after three jurors with blackmail, leading one, Rikki Coleman, to attempt suicide. Rohr loses a key witness due to harassment, and after confronting Fitch, decides that he cannot win the case. He asks his firm’s partners for $10 million. Fitch sends an operative, Janovich, to kidnap Marlee, but she fights him off and raises Fitch’s price to $15 million. On principle, Rohr changes his mind and refuses to pay. Fitch agrees to pay Marlee to be certain of the verdict.Fitch’s subordinate Doyle travels to Gardner, Indiana, where he discovers that Nick is really Jeff Kerr, a law school drop-out, and that Marlee’s real name is Gabby Brandt. Gabby’s sister died in a school shooting. The town sued the gun manufacturer and Fitch helped the defense win the case. Doyle concludes that Nick and Marlee’s offer is a set-up, and he calls Fitch, but it is too late. Nick receives confirmation of receipt of payment and he steers the jury in favor of the plaintiff, much to the chagrin of Herrera, who launches into a rant against the plaintiff, which undermines his support. The gun manufacturer is found liable, with the jury awarding $110 million in general damages to Celeste Wood. After the trial, Nick and Marlee confront Fitch with a receipt for the $15 million bribe and demand that he retire. They inform him that the $15 million will benefit the shooting victims in Gardner.This was a movie that wasn’t over-hyped, filled with talented actors and kept you watching all the way through.  Hackman was flawless as usual as an actor and once again maintained his great screen presence. Hoffman really portrayed the idealistic lawyer character well. Weisz played the female lead with the right mix of the strong and vulnerable.  The plot twists were not overdone but did offer some slight surprises which were hinted at along the way if you payed attention. Overall I’d recommend this movie to anyone, especially those who take their movies seriously

REVIEW: FIRESTARTER 2: REKINDLED

CAST

Marguerite Moreau (Easy)
Malcolm McDowell (Halloween)
Dennis Hopper (Speed)
Danny Nucci (Eraser)
Skye McCole Bartusiak (Boogeyman)
John Dennis Johnston (48 hrs)
Darnell Williams (All My Children)
Ron Perkins (House)
Deborah Van Valkenburgh (Free Enterprise)
Dan Byrd (Heroes)

Vincent Sforza (Danny Nucci) works for a large, influential research firm, and he has been put in charge of locating several people who were part of an old experiment from the 1970s—an experiment in which a group of college students were given a dose of a chemical called LOT-6. Apparently, the victims of the experiment have won a class action lawsuit and need to be found so that a check can be issued. Included on the list is Charlene “Charlie” McGee (Marguerite Moreau), the offspring of two of the participants in the experiment.

When Charlie was a kid, Charlie’s mother Vicky (Karrie Combs) was murdered by men who worked for the now-defunct Shop, the government department that wanted to harness her pyrokinesis as a military weapon. Charlie’s father Andy (Aaron Radl) was killed by John Rainbird, a professional killer who had been hired by the shop. Ever since then, Charlie has been in hiding to protect herself. Under an assumed name, she now has a job at a university library, where she secretly does research to find a way to suppress her pyrokinetic abilities.

When Vincent finally locates Charlie, he unintentionally sets into motion a series of events with deadly consequences. It turns out that there really isn’t a class action lawsuit settlement. John Rainbird (Malcolm McDowell), who was thought to have been burned to death by Charlie, is still alive, scarred from the burns—and he’s looking for Charlie, because he’s still obsessed with her. Rainbird has been using the lie about a class action lawsuit to lure the original LOT-6 experiment’s victims out of hiding so these victims can be killed one by one in order to keep things quiet.

Charlie gets help from James Richardson (Dennis Hopper), one of the victims of the LOT-6 experiment. The experiment has given James the ability to tell the future. When Vincent discovers that he’s been duped into luring Charlie back to Rainbird, Vincent also decides to help Charlie. John’s been working on perfecting the LOT experiments, and has created 6 young boys with rather unusual abilities. One has the power of suggestion, another can sense truth and deception, two can move things with their mind, one has the destructive voice from hell, and the most dangerous one of them all is an energy sink, someone who can suck the life and energy out of anyone or anything.
Rainbird is using these children to rob a bank as a test of warfare in the new decade. With Vince and James on her side, Charlie must decide whether to keep running, or fight Rainbird to the end. Charlie chooses to fight to the end, and after Rainbird kills Vincent, Charlie kills Rainbird—right in front of his experimental boys—by taking him into a fiery embrace, and literally turning him into a pile of ashes. Then Charlie ends up in a one-on-one battle against the energy sink. Charlie uses her powers to destroy the energy sink, and the other experimental boys realize that Charlie was telling them the truth when she said that they become a little less human every time they use their abilities. Charlie, finally having no need to be in hiding, later boards a bus to Canada.This 2 part TV mini series was released on DVD as a 2 and a half hour movie and it certainly does drag in places. Story is fairly good but truth be told its only made good because of the 4 main actors. The special effects I felt could’ve been better, but its expected for a TV movie budget.

REVIEW: EASY

CAST

Marguerite Moreau (Queen of The Damned)
Brían F. O’Byrne (Flashforward)
Naveen Andrews (Lost)
Emily Deschanel (Bones)
Caroline Goodall (Hook)
D.B. Woodside (Lucifer)
Roxanne Hart (Highlander)

naveeneasy3-mAs the film opens, Jamie (Marguerite Moreau) is listening, over time, to “dumping” messages left on her answering machine by men. The romances are over, these cads tell her, for a variety of tired and true reasons, everything from returning to former girlfriends/wives to not being ready for seriousness. It is surprising, because Jamie is young, beautiful, intelligent and gifted in the bedroom. Ah, but that’s the caveat, it seems, for Jamie is, to ask her sister (Emily Deschanel) or her father (John Rothman) too easy, falling for men on the first date.naeasy3-mJamie finds relief with acupuncture treatments and in her job naming minor products, like new cleaning sprays. She also seeks refuge at her favorite book store, where she often hears the talks of famous authors. At one such event , poet John (Naveen Andrews), an incredibly handsome and smooth-speaking man, accepts Jamie’s obvious advances for a date. As he seems to say everything she wants to hear, Jamie finds herself, once again, in bed very quickly. Soon after, John goes hot and cold, giving evidence that he, too, is not ready to be part of a loving couple. In the meantime, Jamie has met a local television celebrity, Mick (Brian F. O’Byrne) at a medical office and the two become fast friends. The TV man is there to comfort her when Jamie gets grief from John. But, could it grow into something else, despite the fact that Jamie finally declares a projected celibacy of six months or more?MCDEASY EC010This is truly and excellent film on the difficult nature of relationships in the modern era.

REVIEW: QUEEN OF THE DAMNED

 

CAST

Aaliyah (Romeo Must Die)
Stuart Townsend (Shooting Fish)
Marguerite Moreau (Easy)
Vincent Perez (Puppylove)
Paul McGann (Alien 3)
Lena Olin (Alias)
Claudia Black (The Originals)
Bruce Spence (Mad Max 2)

The vampire Lestat is awakened from decades of slumber by the sound of a heavy metal band which he proceeds to take over as the lead singer. Achieving international success and planning a massive live concert, Lestat is approached by Marius, and warned that the vampires of the world will not tolerate his flamboyant public profile.

Jesse Reeves, a researcher for the paranormal studies group Talamasca, is intrigued by Lestat’s lyrics and tells the rest of the group her theory that he really is a vampire. Her mentor, David Talbot, takes her aside and tells her they know he is and that a vampire called Marius made him. He also shows her Lestat’s journal that he recovered and is now in the Talamasca library. In a flashback to his origins, Lestat recalls how he awoke Akasha, the first vampire, with his music. Jesse tracks him down to a London vampire club where he saves and confronts her. She later goes to Los Angeles for the concert and gives him back his journal. The two spend some time together and Lestat shows her both the horrors and the perks of being a vampire. Showing him that she’s not scared of him Jesse stays with Lestat as she sees how lonely and miserable he is. She asks him to turn her as she reveals that it’s her dream to be a vampire, but he refuses as he won’t do it to her. The more time they spend together, the closer they become and soon Lestat and Jesse start to fall in love. Meanwhile, Akasha is awakened by Lestat’s new music. She arrives and torches the club, and all the vampires inside, who want Lestat dead.

At the concert in Death Valley, a mob of vampires attack Lestat and Marius. Akasha bursts through the stage and takes Lestat with her as her new King. The two vampires then proceed to have a sort of sexual intercourse in Akasha’s home where they mutually feed on one another, during which time Lestat becomes spellbound by Akasha and is forced to obey her. Empowered by Akasha’s blood, Lestat and the Queen confront the Ancient Vampires at the home of Maharet, Jesse’s aunt, who is an Ancient Vampire. The Ancient Vampires were planning to kill Akasha, to save the human world from demise. Akasha then commands Lestat to kill Jesse, as The Queen sees her both as an enemy and as food, as she is Maharet’s mortal niece; Maharet and Akasha became mortal enemies before they were turned. Queen Akasha also wanted to make an example out of Jesse because Jesse dared to stand-up to her and to put fear into the other vampires. Lestat ostensibly obeys the Queen, but afterwards he quickly comes to his senses and is released from her power. He then very angrily turns and begins to drain Akasha’s blood with the help of the Ancients. Mael and Pandora are killed by Akasha’s power. Armand is almost killed, but is saved as The Queen’s powers diminish. Maharet is the last to drink Akasha’s blood, and thereby ends up becoming a marble “statue”. Maharet then becomes the new Queen Of the Damned.
Lestat then turns and walks to where Jesse is lying lifeless, and cradling her in his arms, gives her his blood, turning her into a vampire. Jesse, now a vampire, and Lestat then return the journal to the Talamasca, and walk away, among mortals, into the night. As they exit it is shown that they are now a couple and hold hands while Marius enters the Talamasca. The film closes with a scene of David reading the journal as Marius’s voice catches his attention, cheerfully saying, “Hello, David”.All in all, whilst this Vampire film isn’t a classic, it does have all the things you’d want. Over-dressed long-haired, beautifully preserved young vampires. Plenty of blood sucking and spontaneous combustion. Tortured, mournful vampires who’ve grown very tired of their lonely existence and all this wrapped up in a stylish, musical montage. Definitely worth having in your collection… just don’t expect anything too intellectually challenging.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!