REVIEW: LIMITLESS: THE SERIES

MAIN CAST

Jake McDorman (American Sniper)
Jennifer Carpenter (The Exorcism of Emily Rose)
Hill Harper (The Skulls)
Mary Elizabeth Mastrantonio (The Abyss)

RECURRING / NOTABLE GUEST CAST

Bradley Coooper (The Hangover)
Ron Rifkin (Alias)
Blair Brown (Dogville)
Megan Guinan (Gossip Girl)
Tom Degnan (As The World Turns)
Michael James Shaw (Constantine)
Colin Salmon (Arrow)
Desmond Harrington (Wrong Turn)
Georgina Haig (Crawl)
Daniel Eric Gold (Ugly Betty)
Sam Robards (A.I.)
Patch Darragh (The Path)
Mark Noonan (The Deuce)
Analeigh Tipton (Lucy)
James McDaniel (Sleepoy Hollow)
Michelle Veintimilla (Gotham)
Michael Devine (Inside Man)
Wolé Parks (The Vampire Diaries)
Marc Blucas (Buffy: The Vampire Slayer)
Simone Bailly (The L Word)
Tate Donovan (Shooter)
Julie Lauren (Rabbit Hole)
Jacob Pitts (The Pacific)
Christina Vidal (Freaky Friday)

Brian Finch (McDorman), a 28-year-old burnout and struggling musician, is introduced to NZT-48, a miracle drug that gives him access to every neuron in his brain. For twelve hours after taking the pill, he becomes the smartest person in the world, able to perfectly recall every detail of his life and capable of prodigious leaps of intuition and reasoning. With the mysterious US Senator Eddie Morra (Cooper) providing him with an immunity shot to counteract NZT’s deadly side effects, Brian uses his enhanced abilities to help F.B.I. agent Rebecca Harris (Carpenter). The FBI doesn’t know about the shot and Brian has to keep both worlds separate.Limitless was fleshed into an exciting new TV series after the launch of the successful film with the same title. The film starred Bradley Cooper who also features in this TV series and follows on from events of the film.Limitless had a very interesting premise, very promising storyline and as far as creativity goes it gets top marks in that field. It was great to see a regular Joe stumble upon the powerful drug that enhances every brain cell. This made for great viewing and a character we could relate to. The story arc with Bradley Cooper and his agenda that tied into Brian’s existence was its strongest story lever.Despite its promise and potential Limitless certainly had its issues. After viewers were swept away with Brian’s abilities we saw him employed with the FBI and then episodes took on an all too familiar routine almost like Criminal Minds or CSI even. Perhaps what hurt the show most was the lack of seriousness and blurred lines. Brian should have had a tough and no nonsense relationship with the FBI rather than be too familiar. Bradley Cooper’s story should have featured with more intensity and appeared more rather than routine cases. Still this show was great considering its flaws and I enjoyed watching this show. It was a great shame it was cancelled after 1 season and I wish another network had picked it up.

 

 

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REVIEW: I CAPTURE THE CASTLE

 

CAST

Romola Garai (Atonement)
Bill Nighy (Hot Fuzz)
Rose Byrne (Bad Neighbours)
Helena Little (Hidden City)
Tara Fitzgerald (Legend)
Henry Cavill (man of Steel)
Marc Blucas (Red State)
James Faulkner (X-Men: First Class)
Henry Thomas (ET)

The Mortmain family is genteel, poor, and eccentric. Cassandra’s father is a writer suffering from writer’s block who has not published anything since his first book, Jacob Wrestling (a reference to Jacob wrestling with the angel), an innovative and “difficult” novel that sold well and made his name, including in the United States. Ten years before the novel begins he took out a forty-year lease on a dilapidated but beautiful castle, hoping to find either inspiration or isolation there. Now his family is selling off the furniture to buy food.Image result for i capture the castle castThe widowed Mortmain’s second wife, Topaz, is a beautiful artist’s model who enjoys communing with nature, sometimes wearing nothing but hip boots. Rose, Mortmain’s elder daughter, is a classic English beauty pining away in the lonely castle, longing for a chance to meet eligible and preferably rich young men. She tells her sister Cassandra that she wants to live in a Jane Austen novel. Cassandra, the younger daughter and the first-person narrator of the novel, has literary ambitions and spends a lot of time developing her writing talent by “capturing” everything around her in her journal. Stephen, the handsome, loyal, live-in son of the Mortmain’s late maid, and Thomas, the youngest Mortmain child, round out the cast of household characters. Stephen, a “noble soul,” is in love with Cassandra, which she finds touching but a bit awkward. Thomas, a schoolboy, is, like Cassandra, considered “tolerably bright”.Image result for i capture the castle castThings begin to happen when the Cottons, a wealthy American family, inherit nearby Scoatney Hall and become the Mortmains’ new landlords. Cassandra and Rose soon become intrigued by the unmarried brothers Simon and Neil Cotton. Neil, who was raised in California by their English father, is a carefree young man who wants to become a rancher in the United States. Simon, who grew up in New England with his mother, is scholarly and serious, and loves the English countryside. Simon is the elder brother and therefore the heir, and is already much wealthier than Neil, so, although Rose is not attracted to him, she decides to marry him if she can, declaring that she would marry the Devil himself to escape poverty.Image result for i capture the castle castAt their first meeting the Cottons are amused and interested by the Mortmains. When they pay a call the very next day, however, the inexperienced Rose flirts openly with Simon and makes herself look ridiculous. Both brothers are repelled by this display and, as they walk away, Cassandra overhears them resolving to drop all acquaintance with the Mortmains. After an amusing episode involving a fur coat, however, all is forgiven and the two families become good friends. Rose decides that she really is taken with Simon, and Cassandra and Topaz scheme to get Simon to propose to her. Simon falls in love with Rose and proposes to her.Image result for i capture the castle castRose and Topaz go to London with Mrs Cotton to purchase Rose’s wedding trousseau. While everyone else is away Cassandra and Simon spend the evening together, which leads to their kissing. Cassandra becomes obsessed with Simon, but suffers feelings of guilt since he is Rose’s fiancé. Cassandra concludes that she must tactfully deflect Stephen’s offer of love, and encourage him in his emerging career as a model and a film actor; join forces with Thomas to help their father overcome his writer’s block by the drastic expedient of imprisoning him in a medieval tower; cope with her own increasing attraction to Simon; and record everything in her journal.Image result for i capture the castle castMeanwhile, unnoticed by anyone but Stephen, Rose and Neil have been falling in love. To conceal their budding romance they pretend to hate each other. When they eventually elope together Simon is left heartbroken, but Cassandra becomes hopeful. Before Simon leaves to go back to the United States he comes to see Cassandra. In spite of her feelings for him Cassandra deflects the conversation at a moment when she thinks he may be about to propose to her, in the belief that he is still in love with Rose. The book closes on an ambiguous note, with Cassandra reminding herself that Simon has promised to return and closing her journal for good by reasserting her love for him.Image result for i capture the castle castThis was a charming little film that I really liked. While not totally accurate to the book it comes very close and even if your a loyal fan of the book the movie may be a pleasant surprise.

REVIEW: KNIGHT AND DAY

CAST

Tom Cruise (Legend)
Cameron Diaz (Bad Teacher)
Peter Sarsgaard (Orphan)
Jordi Molla (Bad Boys 2)
Viola Davis (Suicide Squad)
Paul Dano (Looper)
Falk Hentschel (Legends of Tomorrow)
Marc Blucas (Red State)
Maggie Grace (Lost)
Gal Gadot (Batman V Superman)

After colliding with Roy Miller (Tom Cruise) twice in the airport departure terminal on the way home from Wichita to pick up car parts, June Havens (Cameron Diaz) is told she has been bumped to a later flight. C.I.A. Agent John Fitzgerald (Peter Sarsgaard), believing Havens is working with Miller, puts her back on the plane. Completely taken with Miller, Havens goes to the restroom to prep herself up. Meanwhile, Miller fights and kills everyone else on the plane, even the pilots, who were all agents sent by Fitzgerald. After Havens reemerges and gives him a kiss, Miller crash-lands the plane in a cornfield. He drugs a shocked and confused Havens, warning her about the agents who will come after her and that she is not safe with them.

Waking up at home, Havens struggles through a day fitting a bridesmaid’s dress for her sister’s wedding, and is shocked to learn her sister would like to sell their father’s 1966 Pontiac GTO tri-power, which Havens had planned on finishing as a wedding present. Havens is then picked up by a group of intelligence agents, led by Fitzgerald. Miller arrives and, through a long gunfight on the highway, kills several agents and reclaims Havens. She flees at the first opportunity and contacts Rodney (Marc Blucas), a firefighter and former boyfriend. Believing Havens is merely stressed and is playing out a fantasy, Rodney takes her out and she tells him everything that has happened to her, though he still does not understand. Miller then arrives and pretends to take Havens hostage while holding everyone else at gunpoint, fleeing with her.

Miller explains that Havens is safer with him and she agrees to follow him as they go to pick up Simon Feck (Paul Dano), a genius inventor who has created a perpetual energy battery called the Zephyr. Traveling to Brooklyn, Miller and Havens discover that Feck has fled from the warehouse he was hiding in, leaving a clue for Miller about his location. They are then attacked by henchmen sent by Spanish arms dealer, Antonio Quintana (Jordi Mollà). After again being drugged, Havens drifts in and out of consciousness between their capture and escape from Quintana’s men, and Miller brings her to an island that is off-the-grid, which Miller uses as a safe house. Accepting a call from her sister after leaving in frustration, Havens accidentally leads Quintana’s men straight to the hideaway. They try to kill Miller and Havens with an unmanned aerial vehicle. Before they escape by helicopter, Havens is knocked-out by Miller since she is afraid of flying.

Miller reunites with Feck and they, with Havens, get on a train heading for Austria. Havens is attacked by Bernard (Falk Hentschel), an assassin sent by Quintana to retrieve the Zephyr and Feck, and kill Miller. But Miller and Havens fight him and he is killed by another train. Arriving at Salzburg, the three check into a hotel. Miller later leaves to meet with Naomi (Gal Gadot), Quintana’s henchwoman, to make a deal. Havens follows him and listens to Miller’s conversation, mistaking that he doesn’t care for her. She is then picked up by Fitzgerald and C.I.A. Director Isabel George (Viola Davis), who reveal that Miller was using her at the airport to smuggle in the Zephyr when they bumped into each other and convince her that he doesn’t love her. They also tell her that Miller is the traitor and plans to trade the battery with Quintana. Heartbroken, Havens allows the C.I.A. to find Miller back at the hotel. Miller escapes with the battery, but is seemingly shot on the rooftop and falls to his death in the river. Feck is taken into custody afterwards to Schwedelbach, Germany, though it is later revealed that Fitzgerald has been the real traitor all along and he captures Feck.

Returning home, Havens heads to an address she remembered from Miller’s iPhone, where she finds his parents and learns that his real name is Matthew Knight. They believe their son, a former Army sergeant and Eagle Scout, is dead; but they are fabulously wealthy from winning lotteries and sweepstakes they don’t remember entering. Leaving a message on her own answering machine that she has the Zephyr, she is captured by Quintana’s men and taken to Sevilla, Spain. She is drugged with truth serum before being rescued by Miller, who was tracking Fitzgerald, who was delivering Feck to Quintana.

Chaos erupts throughout the streets and Quintana is killed by a bull stampede. At the docks, Miller saves Feck from a bullet wound after handing over the Zephyr in a small pouch. Feck later reveals that the battery is unstable and it explodes, killing Fitzgerald. Miller collapses from the gunshot and is hospitalized in Washington D.C.. George apologizes to Miller about him and Fitzgerald, but tells him to let go of Havens and return to the C.I.A. Miller is later drugged by a nurse, who turns out to be Havens. After Havens breaks Miller out of the hospital, he wakes up in the rebuilt GTO that belonged to her father. After Miller asks what day it is, Havens kisses him and says it’s someday. This is a reference from the start of the movie that they both have things they want to do someday, and Havens begins to drive towards Cape Horn. As the credits begin to roll, Miller’s parents unwittingly receive tickets to Cape Horn in the mail and accept to go.This isn’t a masterpiece, or an Oscar winner, or anything like that. It’s light entertainment you can let yourself relax and enjoy and not have to engage your brain at all. Perfect if you want a funny, action pact film to pass some time.

REVIEW: JAY AND SILENT BOB STRIKE BACK

 

CAST

Jason Mewes (Bottoms Up)
Kevin Smith (Daredevil)
Ben Affleck (Batman v Superman)
Jeff Anderson (Now You Know)
Brian O’Halloran (Vulgar)
Shannon Elizabeth (Scary Movie)
Eliza Dushku (Tru Calling)
Ali Larter (Heroes)
Jennifer Schwalbach Smith (Jersey Girl)
Will Ferrell (Elf)
Jason Lee (My Name Is earl)
Judd Nelson (Steel)
George Carlin (Dogma)
Carrie Fisher (Fanboys)
Seann William Scott (Welcome To The Jungle)
Jon Stewart (The Faculty)
Tracy Morgan (Cop Out)
Chris Rock (Madagascar)
Jamie Kennedy (Son of The Mask)
Wes Craven (Sceam)
Shannen Doherty (Mallrats)
Mark Hamill (The Flash)
Marc Blucas (Bufy: The Vampire Slayer)
Harley Quinn Smith (Yoga Hossers)

Jay-and-Silent-Bob-Strike-Back-Main-ReviewAfter getting a restraining order from Randal Graves (Clerks) for selling drugs outside the Quick Stop, Jay and Silent Bob find out from Brodie Bruce (Mallrats) that Bluntman and Chronic, the comic book based on their likenesses, has been adapted into a film in production by Miramax Films. In response, the two see Holden McNeil (Chasing Amy), the co-writer of Bluntman and Chronic for the royalties of the film. However, Holden tells Jay and Silent Bob that he sold his part of the creative and publishing rights of the comic over to his former friend Banky Edwards. Upon learning of the film, as well as the negative reaction it has received so far on the Internet,[3] the two set out on a quest to Hollywood, to prevent the film from being made and tainting their image, or at the very least receive the money from the royalties owed to them.
On the way, they befriend an animal liberation group, consisting of four women: Justice, Sissy, Missy, and Chrissy; and one man, Brent, who they had picked up for the cause. It is revealed that the organization is a front; Brent is a patsy, intended as a diversion by freeing an animal from a testing laboratory while the girls rob a diamond depository nearby. Jay tricks Brent and throws him out of the van in order to get closer to Justice, with whom he is smitten. Justice, who becomes close to Jay and Silent Bob (particularly the former), reluctantly accepts the two as the new patsies.
While the girls are robbing the diamond depository they accidentally set off the alarm, prompting them to break the glass and steal the diamonds. While this is going on Jay and Silent Bob free the animals and take an orangutan named Suzanne with them. They escape outside to see the police arriving and the van exploding, which they believe has killed the girls.
Jay then takes the orangutan with him as a memorial to Justice. Quickly afterwards, Federal Wildlife Marshal Willenholly (whose name is taken from the three characters in the TV show Land of the Lost: Marshal, Will and Holly) shows up at the scene. Blinded to the diamond heist, he claims to have jurisdiction because of the large number of animals that escaped. He learns that all the animals have been recovered except for the orangutan. The officers then find and watch footage of a video Sissy recorded of Jay making remarks about “the clit”, claiming to be “the Clit commander.” The literature accompanying the tape says that “Clit” is an acronym for Coalition for the Liberation of Itinerant Tree-Dwellers. Willenholly blindly finds this as an act of terrorism and calls for police support to hunt down what he considered “the two most dangerous men on the planet.”
When the officers later have the trio cornered inside a diner and threaten to open fire, Jay and Silent Bob dress the orangutan as a child and walk out, claiming that they want to get their “son” out of the danger zone. Willenholly, thinking about the political repercussions of arresting a gay couple, decides to let them leave, but he quickly realizes his mistake and resumes the chase. When they jump into a sewer system, only Willenholly himself follows them while the other police officers, led by the Sheriff, leave him, and he is soon tricked into jumping off of a dam.

Having escaped the law, Jay and Silent Bob once again return to their quest to reach Hollywood, only to have Suzanne taken by a Hollywood animal acting agency car. Now on a quest to get their ape back and to clear their names, the two once again embark to Hollywood.

On their arrival in Hollywood, the two find themselves in the background of an E! News newscast (ironically about their threat against Miramax on the Internet) that Justice is watching. While Justice takes the diamonds and goes to Hollywood to set things right, Marshal Willenholly learns of their mission to reach Hollywood and leaves to find them.
jaysilentbob4png.pngAfter a long chase with studio security and reclaiming Suzanne from a fictional Scream 4 in production, Jay and Silent Bob end up in Jason Biggs and James Van Der Beek’s dressing room, where they quickly realize that these are the actors that will play the roles of Bluntman and Chronic. Suzanne beats both of them up effortlessly and Jay and Silent Bob assume the roles of their characters. Production staff throw them on stage with racist director Chaka Luther King, and they must engage in a duel with Mark Hamill playing a comic book supervillain called Cocknocker. Eventually Willenholly arrives to capture Jay and Silent Bob, but Justice arrives to save them. Justice admits that the CLIT organization was not real and that the two were used as a diversion while she, Missy, Sissy and Chrissy, were stealing jewels. As the rest of jewel thieves arrive, a climactic final battle ensues, after which Jay and Silent Bob get their royalties to the film from Banky, and Justice turns herself and her former team in to Willenholly in exchange for a shorter sentence and letting Jay and Silent Bob go.  The film ends with Jay and Silent Bob spending their royalty to locate everyone who expressed negative opinions on the internet about the movie and characters, ranging from kids to clergy, and traveling to their towns to beat them up. The scene then cuts to everyone leaving a movie theater, having just watched the Bluntman and Chronic movie and expressing negative reception: Hooper X calls the film a “one 90-minute-long gay joke.” Jay and Silent Bob, with Justice and Willenholly, then go across the street to enjoy a performance from Morris Day and The Time. After the credits, God closes the View Askewniverse book.I love Jay and Silent Bob,Kevin Smith is an amazing director/writer and since arriving on the scene with Clerks the adventures on the king of stoners Jay and Bob have got better and better. This film is just laugh out loud gags from start to finish with so many massive stars putting in cameos including Chris Rock who is brilliant in his small role in the film It also features Will Ferrell as a wildlife marshall with half a brain. A must have for Kevin Smith fans and comedy fans alike

REVIEW: BUFFY: THE VAMPIRE SLAYER – THE HALLOWEEN EPISODES

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MAIN CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brandon (Children of The Corn 3)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
David Boreanaz (Bones)
Anthony Stewart Head (Ghost Rider 2)
Seth Green (Family Guy)
James Marster (Smallville)
Marc Blucas (Red State)
Emma Caulfield (Darkness Falls)
Michelle Tractenberg (Black Xmas)
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GUEST CAST

Robin Sachs (Jurassic Park 2)
Juliet Landau (Ed Wood)
Armin Shimerman (Star Trek DS9)
Larry Bagby (Hocus Pocus)
Kristine Sutherland (Legal Eagles)
Adam Kaufman (Taken)
Lindsay Crouse (Alias)
Walter Jones (Mighty Morphin Power Rangers)
Amber Benson (Ringer)
Amber Tamblyn (Two and a Half Men)

HALLOWEEN

Buffy and Angel finally agree to a date, but Buffy is delayed at Pop’s Pumpkin Patch by a vampire. Another vampire films the fight from hiding. As Angel waits at The Bronze, Cordelia shows up and starts flirting with him. When Buffy finally arrives, she is turned away by Cordelia’s sharp tongue. Cordelia continues to hit on Angel, unaware of his history.The next day, Principal Snyder forces Buffy and her friends to chaperone small children while they trick-or-treat. Buffy would rather take a break during the only slow night for vampires. Later, Larry, the school bully, threatens Xander while asking him about Buffy, who smashes Larry into a soda machine. Xander is angered by the damage that does to his reputation. After Xander leaves, Buffy and Willow’s conversation eventually turns to speculation about Angel’s past. The two decide to sneak into Giles’ office and borrow the passed-down Watchers’ Diary. From this, they hope to learn more about what type of women Angel used to be attracted to as a human. Buffy is slightly mopey after her date with Angel didn’t fly, and is eager for information on how to win him over.  The gang has to dress up for Halloween. They head to Ethan’s Costume Shoppe, where Willow gets a ghost costume and Xander buys a toy gun to go with his army fatigues from home. Buffy and Xander make up, but then she spies the most beautiful pink 18th-century gown—one that matches what she has spied from Giles’ Watcher files on Angel. Ethan Rayne, the proprietor, appears and gives it to Buffy.Spike is reviewing Buffy’s fight. Drusilla comes to tell him that someone will make Buffy weak on Halloween night. Meanwhile, Ethan is chanting to a statue of Janus in the back room of his shop. On Halloween night, Buffy persuades Willow to wear a black miniskirt and a long-sleeved crop top, but Willow’s shyness returns; when Buffy goes to answer the doorbell, she covers up with her ghost costume. Later that night, Ethan’s spell takes effect and everyone wearing a costume from his store turns into the respective persona. Willow becomes a real ghost, able to walk through walls; Xander a soldier; and Buffy an 18th-century noble woman.With Buffy incapable of leading and fighting the threats around them, and Xander armed and skilled in combat because of the spell, Willow is forced to take the lead. She persuades Xander not to shoot the monsters now roaming the streets (as most of them are the trick-or-treaters), and to obey her. They find Buffy disoriented, frightened, and confused by the modern world. Willow rushes them to Buffy’s house, where her mother is conveniently not home. Outside, Cordelia screams and Xander rushes out to save her. They find that Cordelia has not changed into what she is wearing—a cat—because she bought her costume from another store. Willow goes to Giles for help. While Cordelia searches the house, Angel shows up and takes Buffy into the kitchen. As Angel tries to kill a vampire that has sneaked into the house, he reveals his vampire face. Buffy is horrified and runs from the house. Arriving at the library by walking through walls, Willow, after scaring Giles by just showing up where there isn’t a door, tells him about Ethan’s costumes. They head to the shop, where Giles reveals that he knows Ethan. He orders Willow to leave and forces Ethan to tell him how to reverse the spell.Spike is looking for Buffy, who enters an alley and meets Larry, now a pirate. Xander arrives to beat up Larry while Willow shows up to warn them of Spike. The gang tries to barricade themselves inside a warehouse, but Spike’s gang breaks in. Spike is trying to kill Buffy; Willow orders Xander to shoot the vampires with his now-real M16, but just then, Ethan reveals the secret to ending the spell and Giles smashes the statue, breaking the spell. Buffy recovers to defeat Spike and he flees. After being corporeal again, Willow, despite the ordeals, also feels confident, discarding her ghost costume and heading home. Oz sees Willow around town again, asking himself “Who is that girl?” Buffy admits to Angel that she was trying to impress him. He tells her that he hated those people back then. The women were dull; he wanted someone exciting. They kiss. The next day, Giles returns to the store to find a note. Ethan has promised to return soon.Halloween was a superb episode of Buffy The Vampire Slayer’s Second Season. This episode introduced us to a new villian from Giles’s past, and I have a feeling we will be seeing him in the future as well. Chaos was the order of the night, on All Hallows Eve in Sunnydale as people started turning into their costumes. It was fun to watch this episode seeing what people were and how they changed. It was also interesting to note that Oz keeps seeing Willow in different aspects, which is a neat way to build their story line. I think that this was another Classic Episode of Buffy Image result for buffy the vampire slayer fear, itself

FEAR, ITSELF
While carving jack-o’-lanterns in Xander’s basement, the gang discusses plans for Halloween; Buffy continues to mope over her situation with Parker. They decide to go to the Alpha-Delta house for a party. The next day at school, Buffy and Oz both express their concerns for Willow and her use of magic. Buffy spots Parker and immediately runs away. Willow follows her, explaining that she should get over it and have fun at the party that night, but Buffy thinks that Giles will want her to patrol. When Buffy goes to visit Giles, she’s surprised to find him embracing the Halloween spirit. He discourages her from patrolling and encourages her to go party. At the Alpha-Delta house, the members are getting ready for the party. One finds a symbol in an old book to paint on the floor. Anya goes to see Xander, wanting to know where their relationship is heading. He agrees that they’re somewhat dating, inviting her to the party. Buffy, who skipped her psych class, visits the professor and asks for her assignment, but she receives a cold response. Riley, however, gives her the assignment, telling her to have fun on Halloween. Oz and Xander carry a sound system to the Alpha-Delta house, and Oz installs it while one guy paints the symbol from the book. Oz cuts his hand, spilling drops of his blood, which activates the ritual to summon Gachnar. Joyce alters one of Buffy’s old costumes, Little Red Riding Hood, and talks with her about how things used to be. Buffy waits outside the house for her friends, and Xander shows up dressed as James Bond. They run into Willow, dressed as Joan of Arc, and Oz, going as God. Everything at the party starts to go awry as fears begin to become real, and the fake scary objects like plastic spiders and skeletons, become alive. The gang enters the house, but they encounter several obstacles. Later, Anya arrives at the party, dressed as a bunny, but she is unable to get inside because the entrances to the house have become sealed up. She sees a girl screaming at a window, and the window then disappears from the house. Inside, Buffy tells the gang to find a way out and get help. A skeleton attacks her from behind, but after she attacks, it becomes fake again. Buffy and Willow fight over Buffy rejecting help from her friends and pushing them away, as well as Buffy and Oz arguing with Willow about her use of witchcraft. Willow insists she can safely do a guidance spell. Meanwhile, Anya goes to Giles for help.
Xander tries to talk to the gang but finds that he’s become invisible to them. Willow and Oz find a staircase and head up. As they’re walking, Oz begins to change into a werewolf and scratches Willow before running away from her. Xander approaches a mirror, and a head on the table behind him says that he can see him. Oz sits in a bathtub, chanting to himself that he isn’t going to change. Willow conjures her spell. However, it quickly spins out of control, and she screams for help as it attacks her. Buffy, hearing Willow’s cries, tries to get to her, but she falls into the basement where bodies come up from the ground and grab at her. Giles and Anya are unable to find a way inside, so Giles cuts a door using a chainsaw. While fleeing through the house, the gang ends up in the room where the mystical symbol is painted. Giles and Anya break into the room. They determine the sign on the floor to be the Mark of Gachnar, and Buffy and Giles express fear about how scary the demon looks in the illustration. Buffy destroys the symbol before Giles can tell her that destroying the symbol will bring Gachnar forth. But when the demon has manifested, it turns out to be merely a few inches in height. After a laugh at absurdity of giving in to one’s fears, Buffy squashes Gachnar with her shoe. At Giles’ place, the gang eats candy while Giles makes a discovery: the arcane footnote below the illustration of Gachnar in his book reads “Actual Size” .
This is one of the best of season 4. We get a thoroughly entertaining plot, the usual wittiness, useful character insight, and a whole lot of fun. This is a modern version of “Nightmares” (1×10), and the fear demon plot works because the characters have changed and new ground is being covered.  Much of what happens here is further setup for the internal conflicts of the season: Willow’s use of magic and growing power, Oz’s beast coming out and having serious repercussions, Xander feeling that he’s not important in the group, Giles’ aimlessness, and Buffy’s relationship issues.

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ALL THE WAY

It is Halloween and Anya has set the gang to work in the magic shop. She sends Buffy to the basement, where she runs into Spike. At his suggestion, Buffy attempts to leave to go patrol with Spike, but Giles points out that Halloween is an inactive day for most evil creatures, and engages Buffy in helping with bagging products.
An elderly man, Kaltenbach, is seen walking down the street humming “Pop Goes the Weasel” while carrying a bag of what appears to be groceries. He enters his home, peers out of a window at the children in costumes walking by, and says he’s going to give them something “special” this year. He then pulls a large knife out of his kitchen drawer.
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The Magic Box has enjoyed its busiest day ever, to Anya’s delight. Xander decides that the time is right to announce his engagement to Anya, and the group makes its way back to Buffy’s house to celebrate. Back at the Summers home, Willow conjures up decorations for the party, but Tara now shares Giles’s concerns about Willow’s frivolous use of magic. Willow brushes off these concerns. Dawn tells Buffy that she is going to her friend Janice Penshaw’s house, but really meets Janice and two older boys: Justin and Zack. Dawn becomes attracted to Justin. When the foursome stops in front of “old man” Kaltenbach’s house, Dawn, on a dare, walks up to the porch to smash a pumpkin. She is caught by Kaltenbach, who warns her not to mess with them, then laughs and invites them all inside for a “special treat”. Inside, Justin volunteers to help Kaltenbach with his preparations in the kitchen. The old man is about to cut into a baked dish when Justin, now revealed as a vampire, bites and drains him. Justin then returns to the others and announces that they need to flee because he stole the man’s wallet.
Meanwhile, at the Summers home, Xander, who was already nervous in response to Giles’s serious talk with him about his and Anya’s future plans, becomes even more nervous when Anya chatters with Giles, Buffy and Xander about the wedding and plans for children. On patrol, Buffy runs across an accident scene with a corpse that was left behind by Zack while he was stealing a car. While she is tracking the culprit, she encounters Spike, who passes on a message from Giles: Dawn has misled the adults regarding her plans for the night. Now the whole gang is on the case. At The Bronze, Willow wants to use an extremely risky spell to locate Dawn, but Tara stops her, and an angry argument ensues. In the stolen car, Justin drives Dawn and the others out into the forest and stops. Zack and Janice depart, leaving Justin and Dawn alone in the car. Justin kisses Dawn – her first kiss – and then reveals his vampire face. Dawn attempts to escape from Justin, but he catches her. Giles is quickly on the scene to help, but vampires emerge from several cars, ready to fight. As they close in, Spike and Buffy show up to assist. Dawn runs away from the fight, but Justin finds her. He attempts to change her, but as he is leaning in to bite her neck, Dawn stakes him with a crossbow bolt, fired earlier in the melee.
The gang returns home, where Buffy is quick to leave the job of chastising Dawn to Giles, who is unhappy about how Buffy is relying on him so much. Meanwhile, Willow casts a spell on Tara to make her forget their quarrel.

All The Way was a great episode of Buffy the Vampire Slayer. This was a great Halloween episode. Zander finally announces that he and Anya are going to get married, much to every ones surprise! I thought Dawns little adventure was fun, and had some mystery and suspense. This episode definitely had the Classic Buffy feel to it. I think there was some character development here for a few characters like Dawn, Willow, and Tara. Willow has been using magic for every little thing and Tara is getting worried.

REVIEW: BUFFY: THE VAMPIRE SLAYER – SEASON 1-7

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CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brendon (Children of The Corn III)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
Anthony Stewart Head (The Iron Lady)
Davis Boreanaz (Bones)
Seth Green (Austin Powers)
James Marsters (Caprica)
Marc Blucas (Red State)
Emma Caulfield (Supergirl)
Michelle Tractenberg (17 Again)
Amber Benson (The Killing Jar)

RECURRING / NOTABLE GUEST STARS

Mark Metcalf (Drive me Crazy)
Brian Thompson (Hired To Kill)
Ken Lerner (The Running Man)
Kristine Sutherland (One Life To Live)
Julie Benz (No Ordinary Family)
Eric Balfour (Skylive)
Persia White (The Vampire Diaries)
Mercedes McNab (The Addams Family)
Elizabeth Anne Allen (Bull)
Robin Riker (The Bold and The Beautiful)
Musetta Vander (Stargate SG.1)
Christopher Wiehl (Cold Hearts)
Geoff Meed (Little Miss Sunshine)
Andrew J. Ferchland (The Last Leprechaun)
Jennifer Sky (Cleopatra 2525)
Chad Lindberg (The Fast and The Furious)
Armin Shimerman (Star Trek: DS9)
Dean Butler (Little House on The Prairie)
Clea DuVall (The Lizzie Borden Chronicles)
Robia LaMorte (Spawn)
Michael Bacall (Django Unchained)
Juliet Landau (Ed Wood)
Ara Celi (American Beauty)
Clayne Crawford (Roswell)
Danny Strong (The Prophecy II)
Kavan Smith (Stargate SG.1)
Robin Sachs (Jurassic Park 2)
Larry Bagby (Walk The Line)
Jason Behr (Roswell)
Will Rothhaar (Kingpin)
Julia Lee (A Man Apart)
Bianca Lawson (The Vampire Diaries)
Saverio Guerra (Becker)
John Ritter (8 Simple Rules)
Jeremy Ratchford (Cold Case)
James Parks (Kill Bill)
Vincent Schiavelli (Batman Returns)
Jack Conley (Fast & Furious)
Willie Garson (Stargate SG.1)
Christopher Gorham (Ugly Betty)
John Hawkes (Winter’s Bone)
Meredith Salenger (Lake Placid)
Charles Cyphers (Halloween)
Wentworth Miller (Legends of Tomorrow)
Shane West (Nikita)
Max Perlich (Blow)
Richard Riehle (Office Space)
Carlos Jacott (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
Jason Hall (American Sniper)
K. todd Freeman (The Dark Knight)
Fab Filippo (Guidestones)
Jeremy Roberts (The Mask)
Eliza Dushku (Tru Calling)
Ian Abercrombie (Army of Darkness)
Harry Groener (About Schmidt)
Jack Plotnick (Rubber)
Nicole Bilderback (Dark Angel)
Jeff Kober (New Girl)
Harris Yulin (Training Day)
Dominic Keating (Star Trek: Enterprise)
Michael Cudlitz (The Walking Dead)
Alexis Denisof (Dollhouse)
Christian Clemenson (Lois & Clark)
Ron Rogge (Power Rangers Lightspeed Rescue)
Ethan Erickson (Jawbreaker)
Andy Umberger (Deja Vu)
Katharine Towne (Evolution)
Lindsay Crouse (The Insider)
Phina Oruche (The Forsaken)
Adam Kaufman (Taken)
Walter Jones (Mighty Morphin Power Rangers)
Kal Penn (Van Wilder)
Bailey Chase (Longmire)
Leonard Roberts (Heroes)
Andy Hallett (Chance)
Doug Jones (Hellboy)
George Hertzberg (Too Much Magic)
Alastair Duncan (The Batman)
Rob Benedict (Birds of Prey)
Erica Luttrell (Lost Girl)
Kathryn Joosten (desperate Housewives)
Connor O’Farrell (Lie To Me)
Rudolf Martin (Swordfish)
Tom Lenk (The Cabin In The Woods)
Charlie Weber (Gacy)
Clare Kramer (Bring it On)
Ravil Isyanov (Alias)
Amy Adams (Man of Steel)
Brian Tee (Jurassic World)
Kali Rocha (Buried)
Kevin Weisman (Alias)
Abraham Benrubi (Open Range)
Cynthia LaMontagne (That 70s Show)
Oliver Muirhead (The Social Network)
Shonda Farr (Crossroads)
Adam Busch (Sugar & Spice)
Joel Grey (Cabaret)
Karim Prince (Mighty Morphin Alien Rangers)
Wade Williams (Gangster Squad)
Todd Stashwick (The Originals)
Amber Tamblyn (Two and a Half Men)
Jordan Belfi (Surrogates)
Mageina Tovah (Spider-Man 2 & 3)
Ivana Milicevic (Casino Royale)
Lee Garlington (Flashforward)
Jan Hoag (Scream Queens)
Nicole hiltz (Smallville)
Alexandra Breckenridge (The Walking Dead)
D.B. Woodside (24)
Zachery Ty Bryan (The Fast and the Furious 3)
Sarah Hagan (Freaks and Geeks)
Jonathan M. Woodward (Firefly)
Stacey Scowley (The Brotherhood 2)
Felicia Day (The Guild)
Megalyn Echikunwoke (Arrow)
Ashanti (Resident Evil: Extinction)
Indigo (Broken City)
Nathan Fillion (Firefly)
Dania Ramirez (Heroes)
Julia Ling (Chuck)

Buffy The Vampire Slayer is one of the wittiest, most well developed, and consistent cult fantasy shows on television. Unlike other shows in the genre, it has been able to showcase a wide balance between fantastic character development, humor, topical plotlines, heart wrenching drama, science fiction, and horror- a horn a plenty of styles all in one 44 min episode. While entertaining, everyone probably can’t relate to the technobabble machinations of a Star Trek episode, or the convoluted paranoia of and X-Files episode, but we all went through high school and whether you were average, popular, or an outcast, we know, we remember, all too well, the emotional highs and lows of growing up. Its something everyone can relate to, and its the central fire that keeps Buffy grounded.


But, Buffy began as a humble mid season replacement on a non entity network, and its early days when it was gaining its footing, starting its mythology, seeing how far they could tweek the drama and the horror with a minuscule budget… well, its not nearly the powerhouse it would quickly become in its second season. There are of course, subtle signs of the drama and humor to come, little hints that it was more than a teen show with vampires. And, honestly, if you were going to try and impress someone who had never seen The X-Flies, you certainly wouldn’t show them the first season without saying, “It gets much better.”

KEY EPISODES ARE –


Episode 1: Welcome to the Hellmouth- Buffy Summers, a high school sophomore, transfers to Sunnydale High. There she meets her “Watcher” and learns she cannot escape her true destiny.— Like most pilots, its all about introductions- Buffy the reluctant Slayer, her pals and soon to be Scoobies, spazz with a heart of gold Xander, shy brain Willow, her stuffy Watcher Giles, the mysterious Angel, and the snobbish beauty queen Cordelia. Also, of course, establishes the first main villain, The Master, and the Hellmouth, the demonic portal that would provide the show with its main mythological device keeping the town of Sunnydale infested with all manner of creatures for Buffy to slay

Episode 2: The Harvest:- A Stranger named Angel tells Buffy that if she does not stop the Harvest, the Hellmouth will open and the Master roam free.— Whereas the first episode was focused on introducing the characters and didn’t have much room for tension or action, The Harvest provides a look at Buffy having to accept her role as Slayer as she realizes the deadly consequences if she abandons her destiny.

Episode 5 : Never Kill a Boy on the First Date:

While awaiting the arrival of a warrior vampire called the Anointed One, Buffy’s big date at the Bronze ends with an assault on a funeral home. — Once again, showing Buffy’s attempts to balance a normal life with her secret life as the Slayer. While a little weak and cornball, it also manages to show the villain thread well, how most main Buffy villains will have some sort of evolution, twists and turns to keep the viewer guessing.

Episode 7: Angel: A moment of passion turns to terror as Buffy discovers Angel’s true identity and learns about the Gypsy curse that has haunted him for almost 100 years.— Probably the most weak, ill-defined character early on, this episode finally showcased more about Angel and gave his character some considerable fleshing out. Taking into account the large part his character would play in the Buffyverse, and the leaps and bounds of change he would undergo, his affect on all the characters, particularly Buffy, in one way or another, it makes this one of the seasons better episodes.

Episode 11: Out of Mind, Out of Sight: As Cordelia prepares for Sunnydale High’s May Queen competition, an invisible force starts attacking her closest friends.— Another of the seasons better episodes, and a clever look an always pertinent issue, showing yet another sympathetic foe, those fringe kids who are always ignored, sometimes until it is too late.

Episode 12: Prophecy Girl:

As the Spring Fling dance approaches, Giles discovers an ancient book foretelling the Slayers death at the hands of The Master.— While a tad abrupt, this finale serves up everything one wants, tension, conflict, and turns you don’t quite see coming. Pivotal in the series for all players, but mainly Buffy, showing that she isn’t just an invulnerable buttkicker able to save the day alone, but through banding together her and the Scoobies will take on many a Big Bad to come.

Season 2 of Buffy the Vampire Slayer is quite possibly the best season of the bunch. Season 2 is by definition, where things get darker and more complex, this was the season that really made Buffy an unpredictably smart series.

The season opens with ‘When She Was Bad’ which deals with the fallout of Buffy’s momentary death in the previous year one finale; this episode is appropriately handled and sees Buffy acting rather out of character after returning from her summer away from Sunnydale. The preceding episodes are a fun affair and help the viewer to settle back into the rhythm of the series with various episodes focusing upon certain characters.

The ‘Big Bads’ of the season appear early on and come in the form of Drusilla and Spike, the former being a rather off-her-rocker vampire and the latter a bleached, leather wearing, cocky undead Englishman! As villains they are a lot of fun and help to shape season 2 as something unique and well constructed. However, come the end of the year things are considerably shaken up in terms of ‘the Big Bads’, with the appearance of Angelus.

Willow, Xander and Giles all find themselves venturing into new territory: dating! Cordelia continues to redeem herself and becomes a fully fledged scoobygang member, whilst Buffy and Angel undergo many changes to their relationship which is mostly the driving force of the season. By the middle of the season the episodes gradually become darker and a more coherent storyarc begins to emerge, starting with the events of ‘Surprise (Part 1)’ which culminate in the emotional and incredibly shocking ‘Innocence’ (Part 2). Said episodes are some of the best in the history of the series and set in motion events that help to lead to the end of the season. The circumstances surrounding this two parter does literally change everything once established between Buffy and Angel; and brings into question their future. The continuity, witty one liners, oblique use of language does continue into this season and helps to boost the chemistry between the actors as they discuss, for example the oddness of some TV movies and sore thumbs. These subtle touches give the season a vibrancy and kooky edge; what makes Buffy such an enjoyable show is the warmth and heart it retains, mostly provided by the actors but also by the wonderfully consistent writing.

The two part finale ‘Becoming’ is well set up as a consequence of the episode ‘I Only Have Eyes For You’, which happens to be beautifully moving and tragic respectively. The complexity of the Angelus arc presented here really sets up and supports the actions that lead to the occurrences of the finale. ‘Becoming’ part 1 & 2 with all it’s flashback goodness brings about tumultuous change and throws one through the emotional wringer all the while its still surprising, sad and gut wrenching upon each rewatch. The issues dealt with this season are far more adult and dark than is the usual, and in turn it delivers a wonderfully realized arc which never fails to amaze.


This third season of Buffy the Vampire Slayer contains some of my favourite episodes from the entire run of the show and also has the fewest offbeat episodes. This year Buffy and the gang are in their final year of high school but living on the Hellmouth is never easy and in addition to the usual demons and vampires they must deal with the schemes of the Watchers Council, a new slayer and a politician after even more power.

Buffy has really found its feet with this season and I would say that it is this year that the show reaches its peak. All the regular cast members give their usual brilliant performances but the season is really stolen by the new cast members, specifically Eliza Dushku as Faith the new Slayer and Harry Groener as the eccentrically evil Mayor Wilkins, who is probably my favourite of all the Buffy villains.

It is difficult to choose favorite episodes from this season as it includes so many great ones. `Bad Candy’, `Amends’, `Earshot’ and the two part season finally `Graduation’ are all excellent episodes being both funny and enthralling but my favorite episode has to be `Lover’s Walk’ where a lovesick Spike returns to Sunnydale after breaking up with Drusilla in order to find a way to get her back. James Marsters is truly excellent in this episode and livens up the series brilliantly. Another couple of episodes of note are `The Wish’ and `Doppelgangland’ both of which involve a parallel universe where vampires have taken over and feature a vamped up Willow, brilliantly portrayed by Alyson Hannigan who seems to enjoy the role immensely. Although none of the episodes could truly be considered awful, `Gingerbread’ and `The Zeppo’ are the weakest episodes of this season and are slightly painful to watch in places.

Overall this season is truly great, with brilliant writing and a plot that never ceases to be in turns exciting, funny and touching.

With the loss of David Boreanaz and Charisma Carpenter to the spin-off show, “Angel”, there were voids to be filled in this, the first season out of high school, and Marc Blucas and Emma Caulfield suitably obliged. The fragmentation of the Scooby Gang was for many the core reason why Season Four didn’t match the heights of the previous three: nobody seemed to care enough about each other any more. With Giles out of work, Xander flitting from one deadbeat job to another, and Buffy and Willow settling in to life on campus, there was concern that the old gang would never get back together.


A big risk was taken in introducing a more sci-fi element with the arrival of a secret government demon-hunting operation. But there’s a big difference from other genre shows: the Initiative was never in control of its actions. And that’s the gist of the season: that Buffy and her traditional methods will always be superior, and that it’s through her skills and her friends that evil is defeated, not bureaucracy. Which is why there’s no big finish in episode 22 (the grand climax happens in episode 21), because the most important storyline is about the reaffirmation of friendships, demonstrated in the most bizarre way imaginable in an episode composed almost entirely of dream sequences.


There are some classics (the Emmy-nominated “Hush” was possibly the boldest piece of television attempted before “The Body” the following year). And in the final scene of the season, we get a great setting-up of what’s to come, without knowing any specific details. All in all, a season that left a few minor gripes, but which in the overall scheme of things, has continued the journey of life into adulthood. Now they’re all supposed to be grown up, but the future still holds a great deal of uncertainty, and that can only be good for the show.

Although Season 5  still has comedic moments, it also has many more serious moments. Not to spoil it for those who have not seen the series yet, two major deaths rock the Sunnydale Slayage Crew. These are excellently handled, and in no way seem like they are tying off loose ends.

The episodes are excellent. From fighting Dracula, to multiple Xanders. From a new sister, to an old foe swapping sides. This season is excellent. the first disc houses such gems as the introduction of Dawn, without any back story or any clues into why she is there. These facts are revealed slowly through the next disc, with amusing storylines for Spike, clearly an excellent addition to the principal cast. Anya also comes into her own, and becomes revels in the joys of capitalism.

Through the next disc a departure of a relatively new character, Riley, hurts Buffy tremendously, whilst the appearance of a troll lightens the mood considerably. The fourth disc includes the fun episode where the Watcher’s Council return to Sunnydale, and reveal a shocking secret about the main enemy of this series. Spike also has a choice to make, whether to fall back into the arms of his old flame, Drusilla, or to move on and persue his newest conquest, a source of exasperation for Buffy.

The fifth disc is a solemn affair, with the death of a principal cast member, who had been with Buffy from the beginning. As Buffy and her ‘Scoobies’ attempt to cope, the attacks on them by the villain of the series grow more violent and frequent, leaving a dissuaded Buffy sure that she cannot beat the villain. When his new enemy learns of an importance in the Scooby gang, and this member of the gang get captured, Buffy goes into meltdown. With the help of Willow, Buffy recovers and faces the most terrifying villain ever in the history of Buffy The Vampire Slayer, with a conclusion that is heart wrenching.


“The Gift”, the season five finale, ended with Buffy dead and buried after battling deranged fallen goddess Glory. Dying is kind of old hat for Buffy, and I don’t think I’m giving too much away by revealing that the show’s title character quickly gets over the whole death thing. Although the ensuing gang of biker demons is corny, I thought her return from the grave in the feature-length “Bargaining” hit all the right notes. Her reappearance is heartbreaking and almost horrifying, and it avoids undermining the events that concluded the previous season.

Rather than just toss her back in this mortal coil as if she’d never left, Buffy is distant and depressed, not quite the elated response her friends were expecting to see. The opening of the season offers an evenhanded blend of humor and drama, particularly the early escapades of the Troika. The all-nerd supersquad — robotics whiz Warren (Adam Busch), clumsy sorceror-lite Jonathan (Danny Strong), and summoner Andrew (Tom Lenk). They added a well-needed dose of geeky comedy to the season, which made the bitter pill of the agony Buffy and friends endure later on easier to swallow.

The darker spin the three of them eventually take also resonates more having seen several episodes worth of their giddiness at being supervillains. I also thought the aftermath of Buffy’s return, seen in “After Life”, “Flooded”, and “Life Serial”, worked well as she tried to find her place in the world (and her friend’s worlds) after being plucked from the afterlife. These episodes also manage to strike that perfect balance between humor and drama.

Another early highlight is “Tabula Rasa”, where a spell gone awry robs the Scoobies of their memories.  Of special mention from this chunk of the season, of course, is the musical episode “Once More with Feeling”. The version presented here is the original broadcast, a few minutes lengthier than your average Buffy installment. Although the concept of characters in an established drama singing and dancing for an hour screams ‘gimmick’, it’s not a standalone episode, tying in heavily to the previous episodes of the season and setting up some of what would soon follow. The songs are surprisingly good, particularly impressive considering that they were written by someone without much of a musical background.Image result for buffy once more with feeling

The season closes out with a series of strong episodes. “Hell’s Bells” features the chaos of a wedding between a human raised in a dysfunctional family and his millennia-old former vengeance demon fiancee, the aftermath of which is explored in “Entropy”.

One of the season’s best is “Normal Again”, which questions the reality of what we’ve seen for the past six seasons, and Buffy’s assault on her possibly-delusional friends and family is as chilling as anything seen up to that point on the series. The darkness pervasive throughout much of the season culminates in “Seeing Red”, which has two monstrous turning points. Its fatal closing events lead into the three-episode arc that rounds out the season. Similar to Angelus’ appearances on both Buffy and Angel, the immeasurably powerful antagonist in these final episodes tear down the main characters.

In its final season, Buffy the Vampire Slayer issued a mission statement you might not expect from a series that’s been on the air for seven years: go back to the beginning. After a foray at college and a year spent toiling away in the working world, Buffy’s going back to high school. Several years after its destruction at the hands…or giant coiled tail, whatever…of the ascended Mayor Wilkins, Sunnydale High has been rebuilt from the ground up. The Hellmouth beneath the school happens to lurk directly below the office of Principal Robin Wood (D.B. Woodside), who’s harboring some sort of dark secret that may or may not work to Buffy’s favor. Anyway, Wood continually stumbles upon Buffy as she spirits Dawn off to her first day of school as a freshman and ensuring both Summers girls make the most of the lovingly-crafted Sunnydale High set, Wood offers Buffy a job as a part-time counselor. Holed up in the bowels of Sunnydale High is Spike, who’s been driven mad by a combination of his newly-acquired soul and an entity that’s been haunting him, one that’s soon going to expand its grasp to the rest of the Scooby Gang and the world at large.

These early episodes really do capture the feel of the first few seasons of the series, a very welcome change after the grim year that came before it. This is one of the stronger opening salvos of Buffy. “Him” is played pretty much for laughs, revolving around a football player whose letter jacket makes him irresistible to the fairer sex, compelling Dawn, Buffy, Willow, and Anya to take drastic and wholly over-the-top measures to win his complete adoration.

 

Three of the season’s best episodes run back-to-back. “Same Time, Same Place” follows Willow’s return to the group, still reeling from the near-apocalyptic events of the previous year and further disheartened when she’s apparently abandoned by her friends. Buffy and company really are there for Willow, but the problem is that there are kind of two separate and distinct “there”s. The cannibalistic Gnarl is one of the most effectively creepy creatures of the show’s entire run, and his confrontation with Willow is unsettling and horrifying…and I mean that in the best possible way. “Help” quickly follows, chronicling Buffy’s quest to save the life of an awkward, introverted poet who foretells her own death.

Although I really like all of the first batch of episodes, this season has two particularly strong stand-outs. Following the excellent “Same Time, Same Place” and “Help” is “Selfless”, which features Anya returning to form as a mass-murdering vengeance demon, a decision that awes her demonic coworkers and conflicts her former friends as Buffy must make a difficult decision. The episode makes use of flashbacks from several vastly different time periods and juggles drastically different tones. We see what led young Aud to become the vengeful Anyanka in a hysterical glimpse back at her life with her wench-drenched, troll-hating brute of a husband, Olaf. There’s also a flashback to “Once More, With Feeling”, complete with a new musical number, followed by a brutal, brilliant cut to the present.

The other standout is “Conversations with Dead People”, an inventively structured episode penned by four different writers. The title is a decent enough synopsis, as a number of characters communicate in varying forms with the dearly departed. Buffy allows herself to be psychoanalyzed by a recently-risen Psych major, Dawn is haunted by a poltergeist that takes on a shockingly familiar image, Willow is delivered a message from a lost love one, Spike goes out on the town, and the remnants of last year’s nerdy Troika return to Sunnydale.

In general, season seven feels like Joss Whedon and company had a clear beginning and a clear ending. The Finale does give the show a nice ending, but is left open should the show ever return in any format.

REVIEW: LIE TO ME – SEASON 1-3

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MAIN CAST

Tim Roth (The Incredible Hulk)
Kelli Williams (Army Wives)
Brendan Hines (Terminator: TSCC)
Monica Raymond (Chicago Fire)
Hayley McFarland (The Conjuring)
Mekhi Phifer (Divergent)

RECURRING / NOTABLE GUEST CAST

Jake Thoams (A.I.)
Tim Guinee (Iron Man)
Nolan Gerard Funk (Arrow)
David Anders (Izombie)
Rance Howard (A Beautiful Mind)
Anthony Ruivivar (Scream: The Series)
Isabella Hoffman (Legends of Tomorrow)
Sasha Roiz (Caprica)
Kristen Ariza (Startup)
Mekenna Melvin (ChucK)
Sean Patrick Thomas (Save The Last Dance)
Deidre Lovejpy (Bones)
Carlos Lacamara (Heroes Reborn)
Megan Follows (Reign)
Christine Adams (Agents of SHIELD)
Ajay Mehta (Anger Management)
Shea Whigham (Agent Carter)
Cheryl White (Major Crimes)
Virginia Williams (Fairly Legal)
Pej Vahdat (Bones)
Jennifer Beals (Flashdance)
Kevin Tighe (Lost)
Currie Graham (Stargate: The Ark of Truth)
D.B. Woodside (Buffy)
Jason Beghe (Californication)
Clea DuVall (The Faculty)
Mageina Tovah (Spider-Man 2 & 3)
Melissa Tang (Mom)
Jonathan Banks (The Lizzie Borden Chronicles)
Erika Christensen (Flightplan)
John Pyper-Ferguson (Caprica)
James Marsters (Buffy)
Gretchen Egolf (Roswell)
Marc Blucas (Red State)
David Kaufman (Superman: TAS)
Karina Logue (Bates Motel)
Sean O’Bryan (The Princess Diaries)
Garret Dillahunt (Terminator: TSCC)
Lennie James (The Walking Dead)
Alicia Coppola (Another World)
Roy Werner (Weeds)
Jason Gedrick (Beauty and The Beast)
April Grace (Lost)
Todd Stashwick (The Originals)
Ricky Jay (Flashforward)
Miguel Ferrer (Robocop)
Felicia Day (Dr. Horrible)
Jason Dohring (Veronica Mars)
Ashley Johsnon (Dollhouse)
Howard Hesseman (That 70s Show)
Mark Harelik (The Big Bang Theory)
Melissa George (Triangle)
Max Greenfield (Veronica Mars)
Bruce Weitz (General Hospital)
Enver Gjokaj (Agent Carter)
Alona Tal (Cult)
Khary Payton (Teen Titans)
Michael Beach (The Abyss)
Yara Shahidi (Ugly Betty)
Alyssa Diaz (The Vampire Diaries)
Kenneth Mitchell (Odyssey 5)
Richard Burgi (Chuck)
Conor O’Farrell (Stir of Echoes)
Catherine Dent (Termiantor: TSCC)
Kenny Johnson (Cold Case)
Erick Avari (Stargate)
Carmen Argenziano (Stargate SG.1)
Natalie Dreyfuss (The Originals)
Tiffany Hines (Bones)
Haley Ramm (X-Men 3)
Monique Gabriela Curnen (The Dark Knight)
Jennifer Marsala (Hart of Dixie)
Shawn Doyle (Reign)
Jamie Hector (Heroes)
Audrey Marie Anderson (Arrow)
Brent Sexton (Birds of Prey)
Katherine LaNasa (The Campaign)
Daniela Bobadilla (Anger Management)
Tricia Helfer (Battlestar Galactica)
Kathleen Gati (Arrow)
Noel Fisher (Teenage Mutant Ninja Turtles)
Maury Sterling (The A-Team)
Jessica Parker Kennedy (The Secret Circle)
Brandon Jones (Pretty Little Liars)
Jim Beaver (Mike & Molly)
Barry Shabaka Henley (Heroes)
John Diehl (Stargate)
Keith Robinson (Power Rangers Lightspeed Rescue)
Michael B. Jordan (Fantastic four)
Frankie Faison (The Silence of The Lambs)
Paula Malcomson (The Hunger Games)
Victoria Pratt (Mutant X)
Adam Godley (Powers)
Dylan Minnette (Goosebumps)
Annabeth Gish (Flashforward)
Alexandra Lydon (Mockingbird)
Ashton Holmes (A History of Violence)

We have all told a lie at one point in our lives. While our the lies we have told may be small, one needs to look no further than his or her local news to see that not all lies are harmless. Sometimes though lies seem like a last resort and getting the truth isn’t as simple as a lie detector. Dr. Cal Lightman (Tim Roth) would be the first to tell you a lie detector is garbage and he illustrates this point in an early episode in the series.  A lie detector establishes a baseline for truthful statements and then measures body factors like pulse rate, skin conductivity and temperature; any changes from the baseline readings indicates a lie. The problem is as Dr. Lightman shows in his trademark sardonic fashion, do something as simple as introduce an attractive woman in the room and the most honest man will instantly be a liar to the machine. His solution? Himself.


Lie to Me throws viewers into the world of human lie detector, Cal Lightman. His lie detecting skills rely on universal facial expressions and how a well-trained individual can detect a liar from reading “micro expressions.” Lightman heads up the private deception detection firm The Lightman Group and throughout the course of Lie to Me’s thirteen freshman episodes, Lightman and his associates Dr. Gillian Foster, Eli Loker, and new protégé Ria Torres will put their finely trained skills to the test as their group is hired from clients ranging from billionaires worried about potential gold diggers to law enforcement in stopping a copycat serial rapist. As absurd as the notion of Lightman being able to read facial expressions to determine whether a person is lying is, prepare to be blown away, as it’s all based on the very real and groundbreaking research of Dr. Paul Ekman.


Dr. Ekman pioneered the study of micro expressions and universal emotion and serves as a creative inspiration for Roth’s character. The creators have kept Ekman in the loop throughout the creative process and Fox allows Ekman to blog about what is factual and what is exaggerated on the show’s website, which earns this new series bonus points for giving viewers something to think about once the episode ends.

Once Roth is able to establish himself in the role of Lightman and we get bits and pieces of his human side (his relationship with Dr. Foster as well as his teenage daughter). Fortunately, the formula of the show does allow for Lightman’s other colleagues to hold their own as there is almost always a secondary case assigned to the pair not working with Lightman on the primary case. This allows for character bonds to be formed, in some cases from scratch as Monica Raymund’s character, Ria Torres, is a new addition to the team and provides some great dramatic tension from time to time as her ability is natural, which often draws the ire and jealousy of her brilliant boss.


Finally, the most unique positive aspect of Lie to Me comes from viewers being able to play along at home. As we learn little explanations of micro expressions from Lightman, in later episodes it’s fun to try and spot character motivations before they are revealed to us by one of the team.

Back for a second longer season, this show is every bit the show that I so enjoyed in the first season and even a little bit more. As with all shows, the first season suffers from a few growing pains. Actors need to settle into their roles, writers need to discover their characters’ true personalities and basically the show needs to settle. Thats why the second season is often a bit better than the first and Lie to me is no exception to that. The show was smoother, the acting more comfortable and the character relationships had chance to really blossom in a believable manner.

In this second season Cal seems to be much more lively, a great deal more fun to watch. HIs mock nervous energy, dry sense of humour and heart of gold is a more likeable. The other key element I liked in this series was the advancement of the relationships. There’s not any major romantic steps forward in this season, but Cal’s relationship with his daughter is a real high point of the show, as are his relationships with Foster and the rest of the gang. Every character seems to enjoy real chemistry with the others and that’s rare in any show, yet alone a procedural drama.

Overall this is another strong season. The show is funny when it needs to be, fast paced and action packed when thats called for, and finally it is interesting enough to more than keep your attention with every episode. Quite frankly, by the end of this season I would normally be hooked for the long hall. Shame then that there’s only one season left to watch

I was aware going in that this was going to be the final season of the show however it quickly becomes apparent that show runners weren’t similarly informed . The series really didn’t have the feel of a final season and indeed the show seemed to be picking up pace as it approached its final episode with new characters getting screen time and relationships moving forward with the usual pace of a procedural show finding its feet.

Because of this not only did the season not feel like a final season, the finale lacked any kind of closure whatsoever. It’s a shame as this show deserved more than just to fizzle out in what felt like a mid-season break rather than a complete end.

All I can say to finish is that once again a good show has been cancelled early while so many bad shows remain, which is a real shame. However, don’t let the poor ending to this show put you off.