REVIEW: SUBURBAN GIRL

CAST

Sarah Michelle Gellar (The Grudge)
Alec Baldwin (Beetlejuice)
Maggie Grace (The Fog)
James Naughton (Cat’s Eye)
Chris Carmack (The Butterfly Effect 3)
Vanessa Branch (Road Hard)
Peter Scolari (Gotham)
Nate Corddry (St. Vincent)
Jason Antoon (Two Weeks Notice)

I-Know-That-VoiceSarah Michelle Gellar stars as Brett Eisenberg, an ambitious yet unconfident middle aged woman New York City assistant book editor living in the literary hotbed of Manhattan’s Upper East Side. Struggling to become a full-fledged editor, a task made harder after her mentor and boss is fired and replaced by Faye Falkner (Vanessa Branch), Brett meets the notorious and much older publishing playboy Archie Knox (Alec Baldwin). After spending time with him she realises how unhappy she is with her immature boyfriend Jed (Chris Carmack) and breaks off their relationship in order to pursue one with Archie.Kevin_ConroyArchie is revealed to have several issues such as being an alcoholic, although he is almost three years sober; suffering from diabetes; and having an estranged daughter. The age-gap between Brett and him is made clear through their different lifestyles, such as his lack of understanding how to use a Blackberry and Brett taking him to a candy shop. Although this does not affect their relationship in the beginning—Brett appreciates the advice and confidence he gives her to stand up to her boss—she soon begins to resent his patronizing attitude. He eventually begins drinking again and sleeps with another woman in order to break off their relationship. At the same time, Brett is shown to be incredibly close to her father; she is seen constantly explaining her situation and asking for his advice. untitledWhile visiting her family home she is shocked to discover that he has cancer and that she was the last to know behind her brother Ethan (Ebon Moss-Bachrach), because her father felt she could not handle the news. Feeling depressed and unwell, Brett makes an awful impression on a celebrity client until Archie appears and rescues the situation. They decide to give their relationship another try and Brett introduces him to her family, who are uneasy with the age difference; her father especially after learning that Archie is an alcoholic when he is admitted to hospital. Brett’s father tells her that she shouldn’t have to spend her life taking care of Archie. Later, it is revealed that her father has died and Brett realizes she must finally deal with her problems without his support. Following this, Archie proposes using the Blackberry Brett bought him but she turns him down, telling him that they see each other as teacher and student and not as equals. She says she needs time to be happy and grow up on her own. The end of the film finds Brett finally confident in herself as she finally wears a pair of leather pants she was previously too scared to wear, and editing her work in a decisive way by using a pen instead of a pencil, as is seen throughout the film.suburban-girlOverall I would recommend this movie. It’s nothing mind blowing but it’s a cute movie

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REVIEW: THE FOG (2005)

CAST

Tom Welling (Smallville)
Maggie Grace (Lost)
Selma Blair (Hellboy)
DeRay Davis (Scary Movie 4)
Kenneth Welsh (Twin Peaks)
Rade Šerbedžija (X-Men: First Class)
Adrian Hough (Underworld: Evolution)
Jonathan Young (Sanctuary)

In 1871, William Blake arranges to purchase half of Antonio Island, off the coast of Oregon, to establish a leper colony for his afflicted people. However, island residents Patrick Malone, Norman Castle, Richard Wayne and David Williams double-cross Blake. During a foggy night, they loot his clipper ship the Elizabeth Dane and set it on fire, killing all aboard. 134 years later, the residents of Antonio Island prepare to honor their founding fathers—the same men who burned the Elizabeth Dane—and a statue of them is to be unveiled on the town’s anniversary.
During a boating trip, Nick Castle and his friend Spooner unwittingly disturb a bag containing a pocket-watch and a hairbrush from the Elizabeth Dane lying on the seabed. That night, Nick meets his former girlfriend, Elizabeth Williams, who has returned after six months away. Elizabeth is shown the antique pocket-watch by Machen, an old man who found it washed up on the beach. He warns her ominously “if you touch it, things will change.” The watch begins ticking as Elizabeth holds it. She sees a hallmark on it, which includes a set of scales. Supernatural occurrences then begin to plague the town. Objects move by themselves, power outages occur, and the windows in Nick’s truck inexplicably shatter. Nick and Elizabeth then encounter drunken priest Father Malone, who is ranting about murderers and retribution. Meanwhile, at the local radio station, host Stevie Wayne gets a phone call from weatherman Dan about a large fog bank off the coast. Out at sea on Nick’s boat, Spooner and Nick’s cousin Sean are partying with two young women, Mandi and Jennifer. As the fog reaches them, the boat’s engine stops and the instruments break. An old clipper ship appears in the fog next to them. Seemingly possessed, Jennifer draws a set of scales on a misted window inside the boat. Unseen forces then kill Mandi, Jennifer and Sean. At Nick’s beach house, Elizabeth has been dreaming about the Elizabeth Dane. She searches the Internet for information about the hallmark symbol she saw earlier, but her computer malfunctions and the word “Dane” appears on the screen. She hears a knock at the front door, goes outside but finds nothing. Walking down to the beach, the fog begins moving in but Nick brings her back inside.
The next day, Nick’s Uncle Hank telephones him about the disappearance of his boat. Nick and Elizabeth sail out and find the vessel and the three corpses. Elizabeth goes into the hold and finds Spooner alive in a freezer. They return to the island where Mayor Tom Malone—Father Malone’s father—suspects Spooner of the murders. In the morgue, Sean’s corpse briefly rises up and accosts Elizabeth. At the library, Elizabeth researches the scales symbol seen on the watch’s hallmark. It represented an old trading colony north of Antonio Island, which was afflicted with leprosy. At the docks, Elizabeth finds the buried journal of Patrick Malone from 1871. She and Nick learn the story of the Elizabeth Dane and realize the founders built the town with the fortune they had stolen from the ship, but kept this secret from their families and the townsfolk.
The ghosts of the Elizabeth Dane seek revenge against Antonio Island’s residents for the past crimes of its founding fathers. After killing Dan at the weather station, they pursue Stevie’s son Andy and his Aunt Connie at home. Connie is killed but Nick and Elizabeth rescue Andy. In her car, Stevie is also attacked but escapes. They all make their way to the Town Hall where the founders’ murderous secrets are exposed. The spirits kill Hank Castle, Kathy Williams and the Malones. The ghost of Blake then seeks Elizabeth. Despite being a descendant of David Williams, Elizabeth is the reincarnation of Blake’s wife and was one of her ancestor’s victims; hence, her mysterious dreams about the Elizabeth Dane. Blake kisses Elizabeth and she transforms into a spirit and disappears as Nick watches helplessly. The next day, the survivors try to cope with their traumatic experiences and the truth about their ancestors. As Stevie reflects on the night’s events with her listeners, Nick throws Patrick Malone’s journal into the sea.This version attempts to address the perceived flaws in the original and dives straight in with the undead playing a far more active role and explains the backstory much earlier and clearer. It’s also not afraid to throw in plenty of fiery deaths and has a lot more gore than the original, Not as good as the original but a decent Horror film.

REVIEW: KNIGHT AND DAY

CAST

Tom Cruise (Legend)
Cameron Diaz (Bad Teacher)
Peter Sarsgaard (Orphan)
Jordi Molla (Bad Boys 2)
Viola Davis (Suicide Squad)
Paul Dano (Looper)
Falk Hentschel (Legends of Tomorrow)
Marc Blucas (Red State)
Maggie Grace (Lost)
Gal Gadot (Batman V Superman)

After colliding with Roy Miller (Tom Cruise) twice in the airport departure terminal on the way home from Wichita to pick up car parts, June Havens (Cameron Diaz) is told she has been bumped to a later flight. C.I.A. Agent John Fitzgerald (Peter Sarsgaard), believing Havens is working with Miller, puts her back on the plane. Completely taken with Miller, Havens goes to the restroom to prep herself up. Meanwhile, Miller fights and kills everyone else on the plane, even the pilots, who were all agents sent by Fitzgerald. After Havens reemerges and gives him a kiss, Miller crash-lands the plane in a cornfield. He drugs a shocked and confused Havens, warning her about the agents who will come after her and that she is not safe with them.

Waking up at home, Havens struggles through a day fitting a bridesmaid’s dress for her sister’s wedding, and is shocked to learn her sister would like to sell their father’s 1966 Pontiac GTO tri-power, which Havens had planned on finishing as a wedding present. Havens is then picked up by a group of intelligence agents, led by Fitzgerald. Miller arrives and, through a long gunfight on the highway, kills several agents and reclaims Havens. She flees at the first opportunity and contacts Rodney (Marc Blucas), a firefighter and former boyfriend. Believing Havens is merely stressed and is playing out a fantasy, Rodney takes her out and she tells him everything that has happened to her, though he still does not understand. Miller then arrives and pretends to take Havens hostage while holding everyone else at gunpoint, fleeing with her.

Miller explains that Havens is safer with him and she agrees to follow him as they go to pick up Simon Feck (Paul Dano), a genius inventor who has created a perpetual energy battery called the Zephyr. Traveling to Brooklyn, Miller and Havens discover that Feck has fled from the warehouse he was hiding in, leaving a clue for Miller about his location. They are then attacked by henchmen sent by Spanish arms dealer, Antonio Quintana (Jordi Mollà). After again being drugged, Havens drifts in and out of consciousness between their capture and escape from Quintana’s men, and Miller brings her to an island that is off-the-grid, which Miller uses as a safe house. Accepting a call from her sister after leaving in frustration, Havens accidentally leads Quintana’s men straight to the hideaway. They try to kill Miller and Havens with an unmanned aerial vehicle. Before they escape by helicopter, Havens is knocked-out by Miller since she is afraid of flying.

Miller reunites with Feck and they, with Havens, get on a train heading for Austria. Havens is attacked by Bernard (Falk Hentschel), an assassin sent by Quintana to retrieve the Zephyr and Feck, and kill Miller. But Miller and Havens fight him and he is killed by another train. Arriving at Salzburg, the three check into a hotel. Miller later leaves to meet with Naomi (Gal Gadot), Quintana’s henchwoman, to make a deal. Havens follows him and listens to Miller’s conversation, mistaking that he doesn’t care for her. She is then picked up by Fitzgerald and C.I.A. Director Isabel George (Viola Davis), who reveal that Miller was using her at the airport to smuggle in the Zephyr when they bumped into each other and convince her that he doesn’t love her. They also tell her that Miller is the traitor and plans to trade the battery with Quintana. Heartbroken, Havens allows the C.I.A. to find Miller back at the hotel. Miller escapes with the battery, but is seemingly shot on the rooftop and falls to his death in the river. Feck is taken into custody afterwards to Schwedelbach, Germany, though it is later revealed that Fitzgerald has been the real traitor all along and he captures Feck.

Returning home, Havens heads to an address she remembered from Miller’s iPhone, where she finds his parents and learns that his real name is Matthew Knight. They believe their son, a former Army sergeant and Eagle Scout, is dead; but they are fabulously wealthy from winning lotteries and sweepstakes they don’t remember entering. Leaving a message on her own answering machine that she has the Zephyr, she is captured by Quintana’s men and taken to Sevilla, Spain. She is drugged with truth serum before being rescued by Miller, who was tracking Fitzgerald, who was delivering Feck to Quintana.

Chaos erupts throughout the streets and Quintana is killed by a bull stampede. At the docks, Miller saves Feck from a bullet wound after handing over the Zephyr in a small pouch. Feck later reveals that the battery is unstable and it explodes, killing Fitzgerald. Miller collapses from the gunshot and is hospitalized in Washington D.C.. George apologizes to Miller about him and Fitzgerald, but tells him to let go of Havens and return to the C.I.A. Miller is later drugged by a nurse, who turns out to be Havens. After Havens breaks Miller out of the hospital, he wakes up in the rebuilt GTO that belonged to her father. After Miller asks what day it is, Havens kisses him and says it’s someday. This is a reference from the start of the movie that they both have things they want to do someday, and Havens begins to drive towards Cape Horn. As the credits begin to roll, Miller’s parents unwittingly receive tickets to Cape Horn in the mail and accept to go.This isn’t a masterpiece, or an Oscar winner, or anything like that. It’s light entertainment you can let yourself relax and enjoy and not have to engage your brain at all. Perfect if you want a funny, action pact film to pass some time.

REVIEW: LOCKOUT

CAST

Guy Pearce (Prometheus)
Maggie Grace (LosT)
Vincent Regan (300)
Joseph Gilgun (This Is England)
Lennie James (The Walking Dead)
Peter Stormare (22 Jump Street)
Peter Hudson (Highlander: The Series)

In 2079, CIA agent Snow is arrested for murdering undercover agent Frank Armstrong, who had uncovered evidence of another agent selling secrets about the space program. Secret Service director Scott Langral, on advice from the President, has Snow convicted of murder and espionage. Snow is sentenced to thirty years on the maximum security space penitentiary MS One, where prisoners are kept in stasis for the length of their sentence. Snow’s friend and fellow agent Harry Shaw tries to locate Snow’s contact Mace, who knows where Frank’s briefcase containing the stolen secrets is hidden.

Meanwhile, the President’s daughter Emilie arrives on MS One to investigate claims that keeping prisoners in stasis can cause them to develop mental instability. The warden allows her to interview Hydell, a deranged prisoner. He manages to escape and releases all of the prisoners, starting a riot led by his brother Alex. Emilie is shot, and is captured along with others. Shaw convinces Langral and the President to send Snow to rescue Emilie, rather than risk her life in a siege. Snow is initially reluctant to go, but agrees after Shaw tells him that Mace is on MS One and could help Snow prove his innocence. Langral initially attempts to trick Alex into releasing Emilie, but it goes bad and Snow is forced to infiltrate MS One. Alex realizes that Emilie is the President’s daughter and secures her, but she escapes with her bodyguard Hock and they hide in a secure room. A problem with the oxygen supply brings Hock to sacrifice his life by suicide in order to stop himself from using up oxygen so as to buy Emilie more time.

Snow breaks into the secure room and rescues Emilie. Snow changes Emilie’s hair to conceal her gender, allowing them to walk through the prison population without being noticed. They find Mace, but the stasis has given him dementia and made him incoherent. Snow and Emilie bring Mace with them and attempt to reach the escape pod. With no one at the helm, the prison falls out of orbit and crashes into the International Space Station. The collision causes a hull breach, killing Mace. Snow brings Emilie to the escape pod, but discovers it has only one seat. Realizing that he has been sent there to die, he sends Emilie on her way, but she allows the pod to launch without her because she believes the remaining hostages will be killed. Hydell contacts Emilie and threatens the hostages unless she reveals her location; after she does, however, he kills them anyway.

Snow and Emilie discover evidence that the prisoners were being illegally used as test subjects. Alex finds and captures Emilie; he also shoots Snow, leaving him for dead. Alex learns that Hydell has killed all of the hostages; he contacts the President, threatening to let Hydell and the prisoners rape Emilie if they are not released. The President refuses to allow a siege and risk Emilie, causing Langral to temporarily relieve him of his command. Langral orders the destruction of MS One. Hydell tries to rape Emilie as promised, but is stopped by Alex. Hydell and Alex fight, resulting in Alex’s death. Hydell then tries to stab Emilie, but Snow arrives and knocks him out. Snow and Emilie flee from Hydell and the remaining prisoners. Meanwhile, Langral’s men plant a bomb on the prison. Snow and Emilie use space suits and jump from MS One as it detonates. Using their suits, Snow and Emilie re-enter Earth’s atmosphere and land safely in New York City, where Snow is arrested.

Emilie later realizes that Mace’s incoherent rambling was actually a code revealing the location of Frank’s briefcase. Snow gives the briefcase to Shaw, who unlocks it but is shocked to find it empty. Snow notes that he had not given Shaw the unlocking code, and Shaw is revealed to be the mole and arrested. Snow is released and his possessions returned, including a lighter given to him by Frank before his death. Examining the lighter, Snow finds a memory card containing the real secret information hidden inside. Emilie meets Snow and teases him after discovering his first name is Marion; the pair walk away together.

Amazing sci-fi action movie with a retro feel!! The story is sweet and simple and probably predictable but that matters not as you will have so much fun with this movie

REVIEW: THE TWILIGHT SAGA: BREAKING DAWN – PART 2

CAST
Kristin Stewart (Snow White & The Huntsman)
Robert Pattinson (Sword Xanten)
Taylor Lautner (Tracers)
Peter Facinelli (Supergirl)
Elizabeth Reaser (The Ex List)
Ashley Greene (Burying The Ex)
Jackson Rathbone (S.Darko)
Kellan Lutz (The Legend of Hercules)
Nikki Reed (Sleepy Hollow)
Billy Burke (Red Riding Hood)
Maggie Grace (Lost)
Jamie Campbell Bower (Sweeney Todd)
Christopher Heyerdahl (Sanctuary)
Michael Sheen (Underworld)
Daniel Cudmore (X-Men 2)
Dakota Fanning (Taken)
Cameron Bright (The Butterfly Effect)
Mia Maestro (Alias)
Judith Shekoni (Heroes Reborn)
Lee Pace (The Hobbit)
 
Bella awakens from her transformation from human to vampire, aware of her new abilities, but unaware of changes within the coven, such as Jacob having imprinted on her child, Renesmee. It also appears that Bella’s father, Charlie, has been attempting to contact the Cullens for updates on Bella’s illness. They intend to tell him she didn’t survive, which requires that they move away from Forks, Washington to protect their identities. Jacob, desperate not to lose Renesmee, tells Charlie that Bella is in fact alive and well, and explains that Bella had to change in order to survive. He morphs into a wolf, revealing his tribe’s shape-shifting power, but does not tell Charlie about vampires.
 
Several months pass with Carlisle monitoring Renesmee’s rapid growth. On an outing in the woods, a bitter Irina sees Renesmee from a distance and believes her to be an immortal child. Immortal children were vampires who were changed in childhood, and because they could not be trained nor restrained, they destroyed entire villages. They were eventually executed, as were the parents who created them, and the creation of such children outlawed. Irina goes to the Volturi to report what she has seen. Alice sees the Volturi and Irina coming to kill the Cullens and instructs the others to gather as many witnesses as they can to testify that Renesmee is not an immortal. The Cullens begin to summon witnesses, such as the Denali family. One of the Denali, Eleazar, later discovers that Bella has a special ability: a powerful mental shield which had protected her from Edward’s mind reading even when she was human, and which she can now extend to protect others from mental attacks.
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As some of their potential witnesses are attacked and prevented from supporting the Cullens, Carlisle and Edward realize they may have to fight the Volturi. Their witnesses ultimately agree to stand with them in battle, having realized the Volturi increase the Guard by falsely accusing covens of crimes, destroy them and then recruit vampires with gifts. The Volturi arrive prepared for battle, led by Aro, who is eager to obtain the gifted members of the Cullen coven as part of his guard. Aro is allowed to touch Renesmee, and is convinced that she is not an immortal child. Irina is brought forth and takes full responsibility for her mistake, leading to her immediate death. Aro still insists that Renesmee may pose a risk in the future, validating his claim that battle is necessary. Before any violence, Alice shares with Aro her vision of the battle that is to come, during which both sides sustain heavy casualties, including Aro who would also die. Aro believes her, giving Alice and Jasper an opportunity to reveal their witness (a half mortal half vampire just like Renesmee). The witness proves that he is not a threat, supporting the notion that Renesmee is not a threat. The Volturi unhappily leave without a fight.
Back at the Cullen home, Alice glimpses the future, seeing Edward and Bella together with Jacob and a fully matured Renesmee also together. Edward reads Alice’s mind and feels relieved that Renesmee has Jacob to protect her. Alone in the meadow, Bella pushes her mental shield away and finally allows Edward a peek into her mind, showing him every precious moment she and Edward shared together and the two share a kiss after Bella telling Edward, “No one has ever loved anyone as much as I love you”, and both Edward and Bella saying they’ll love and be together forever. The end credits present the cast members from all five films.
I enjoyed seeing the characters develop, especially  Stewart who steals the show. She has grown into a respectable actress and she has turned a wooden and unlikable character (in the novel) into someone you root for in the film.

REVIEW: THE TWILIGHT SAGA: BREAKING DAWN – PART 1

 

CAST
Kristin Stewart (Snow White & The Huntsman)
Robert Pattinson (Sword Xanten)
Taylor Lautner (Tracers)
Billy Burke (Red Riding Hood)
Sarah Clarke (Thirteen)
Ashley Greene (Burying The Ex)
Jackson Rathbone (S.Darko)
Peter Facinelli (Supergirl)
Elizabeth Reaser (The Ex List)
Kellan Lutz (The Legend of Hercules)
Nikki Reed (Sleepy Hollow)
Anna Kenderick (The Voices)
Christian Serratos (Flight 7500)
Michael Welch (All The Boys Love Mandy Lane)
Michael Sheen (Underworld)
Christopher Heyerdahl (Sanctuary)
Jamie Campbell Bower (Sweeney Todd)
Mia Maestro (Alias)
Maggie Grace (Lost)
Daniel Cudmore (X-Men 2)

Bella Swan is getting ready for her wedding. During the reception, her best friend, Jacob Black the werewolf returns after hearing about Bella and Edward’s engagement. While dancing with him in the woods, away from everyone else, Bella admits that she and Edward plan to consummate their marriage on their honeymoon while she’s still human. Jacob becomes furious, knowing that Edward could easily kill Bella. The other wolves restrain him and leave.
The couple spends their honeymoon on Isle Esme and they make love for the first time. The next morning, Edward realizes that Bella has numerous bruises and is mad at himself for hurting her, though Bella insists she enjoyed the experience. Edward swears not to make love again until she becomes a vampire. Two weeks into their honeymoon, Bella realizes that she is pregnant with a half mortal half immortal child. Edward is terrified by the news, knowing that she may not survive the delivery. He says that Carlisle will remove the monster. She refuses, as she wants to keep the baby and convinces Edward’s sister, Rosalie, who has always wanted a child, to help protect her baby. They fly back home to Forks, Washington. She has only been pregnant for two weeks, but the baby is growing very fast.
Jacob rushes over to the Cullen’s mansion and finds Bella already heavily pregnant. He is angry, saying that they should remove it as soon as possible. Bella says that it is her choice. Jacob is disgusted by this. As Bella gets bigger, the quality of her health declines then rapidly improves as she starts drinking human blood to satisfy the baby’s vampiric thirst. Edward comes to love the baby as much as Bella does as he reads its thoughts, learning that his child loves Bella in return and doesn’t want to hurt her.
Soon after, Bella drops a cup of blood and as she bends down to pick it up, the baby breaks her back. She almost dies giving birth. To save her life, Edward injects Bella’s heart with his venom to transform her into a vampire, but nothing seems to happen and Bella is thought to be dead. Greatly distraught, Jacob attempts to kill the baby, but stops when he realises he has imprinted on the baby. When the werewolves hear of Bella’s death, they attack the Cullens’ house in an attempt to kill the baby as they fear it would become a threat. Edward, Alice and Jasper defend their home and their family, and are later helped by Carlisle, Esme, and Emmett. Jacob then runs outside to stop the battle and shape-shifts. Edward reads Jacob’s mind and announces that Jacob has imprinted on Renesmee and since it is the wolves’ law not to harm anyone who has been imprinted on they are forced to leave. After Bella is cleaned and dressed, her cuts from her difficult labour heal as the venom spreads through her body. The last scene shows Bella open her now blood red eyes as a newborn vampire.
What I loved most about this movie were the emotional extremes. Where the past three Twilight movies are subtle and reserved, this one goes all out, portraying everything from euphoria to unthinkable agony. The blissful scenes at the beginning are such a stark contrast to the agonizing scenes at the end.

REVIEW: LOST – SEASON 1-6

Image result for lost tv logo

MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Emilie de Ravin (Roswell)
Maggie Grace (The Fog)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Saving Grace)
Ian Sommerhalder (The Vampire Diaries)
Terry O’Quinn (Alias)
Michelle Rodriguez (The Fast and The Furious)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Rodrigo Santoro (Westworld)
Kiele Sanchez (30 Days of Night: Dark Days)
Jeremy Davies (Hannibal)
Michael Emerson (Saw)
Rebecca Mader (Iron Man 3)
Ken Leung (X-Men: The Last Stand)
Jeff Fahey (The Lawnmower Man)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

RECURRING / NOTABLE GUEST CAST

Fredric Lehne (Zero Dark Thirty)
L. Scott Caldwell (The Net)
Kimberley Joseph (Xena)
Greg Grunberg (Heroes)
Billy Ray Gallion (Castle)
John Terry (Zodiac)
Veronica Hamel (The Last Leprchaun)
Neil Hopkins (The Net 2.0)
Michael Deluise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (Powers)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Nick Jameson (24)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
Robert Patrick (Terminator 2)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (K-9)
Zack Ward  (Postal)
Julie Bowen (Modern Family)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Anson Mount (CDollhouse)
Saul Rubinek (Warehouse 13)
Katey Sagal (8 Simple Rules)
Sam Anderson (Angel)
Marguerite Moreau (Easy)
DJ Qualls (Road Trip)
Brett Cullen (Injustice)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Lindsey Ginter (Hercules: TLJ)
Francois Chau (Stargate SG.1)
Adetokumboh M’Cormack (Blood Diamond)
M.C. Gainey (Django Unchained)
Kim Dickens (Hallow Man)
Kevin Dunn (Samantha Who?)
Theo Rossi (Luke Cage)
Tania Raymonde (Texas Chainsaw 3D)
Evan Handler (Californication)
Gabrielle Fitzpatrick (MMPR: The Movie)
Michael Bowen (KIller x)
April Grace (A.I)
Alan Dale (Ugly Betty)
Paula Malcolmson (Caprica)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
Nathan Fillion (Firefly)
Fionnula Flanagan (The Others)
Diana Scarwid (Wonderfalls)
Cheech Marin (Machete)
Sung Hi Lee (Nurse Betty)
Shaun Toub (Iron Man)
Clancy Brown (Highlander)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Sonya Walger (Flashforward)
Marsha Thomason (White Collar)
Carrie Preston (True Blood)
Tracy Middendorf(Scream: The Series)
Lance Reddick (Fringe)
Fisher Stevens (Hackers)
Thekla Reuten (Highlander 5)
Anthony Azizi (Eagle Eye)
Graham McTavish (The Hobbit)
Andrea Roth (Ringer)
Grant Bowler (Ugly Betty)
George Cheung (Dark Angel)
Kevin Durand (X-Men Origins)
Faran Tahir (Supergirl)
Michelle Forbes (Powers)
Raymond J. Barry (Cold Case)
Said Taghmaoui (American Hustle)
Reiko Aylesworth (24)
Eric Lange (Cult)
Alice Evans (The Originals)
Mark Pellegrino (Chuck)
Titus Welliver (Agents of SHIELD)
Brad William Henke (Fury)
Hiroyuki Sanada (The Wolverine)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heroes)
Dylan Minnette (Goosebumps)
William Atherton (Ghostbusters)
Jodi Lyn O’Keefe (Halloween: H20)

Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.

With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything. The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.

Of course, there are a plethora of individual character stories that thrive over the course of the season. Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors and

Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it. I wouldn’t call him the villain of the show — for the first season I would say “the unknown” is the nemesis — but Locke definitely has his own agenda. Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.

As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.

As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.

Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband. Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.

Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.

I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.

Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.

The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale. He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others. T

The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s  flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).

Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season. Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.

If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine  it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.

At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke. Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.

The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings. Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.


Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.

Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.

With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.

The first half of the season is comprised of two very distinct storylines. One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.

The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island. The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.

Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character. Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season.

On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition, but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.

Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners Damon Lindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective. The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.

Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.

“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale. He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale. Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.The Man in Black tests the survivors like never before. Offering them freedom, survival and even  answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season.Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series. All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.