REVIEW: GOTHAM – SEASON 3

 

MAIN CAST

Ben McKenzie (Batman: Year One)
Donal Logue (Ghost Rider)
David Mazouz (New Girl)
Morena Baccarin (Homeland)
Sean Pertwee (Dog Soldiers)
Robin Lord Taylor (Cold Comes The Night)
Erin Richards (The Quiet Ones)
Camren Bicondova (Girl House)
Cory Michael Smith (Wonderstruck)
Jessica Lucas (Cloverfield)
Chris Chalk (12 Years A Slave)
Drew Powell (Straw Dogs)
Maggie Geha (Ted 2)
Benedict Samuel (The Walk)
Michael Chiklis (Fantastic Four)

RECURRING / NOTABLE GUEST CAST

Leslie Hendrix (Arthur)
James Carpinello (Gangster Squad)
Jamie Chung (The Gifted)
John Doman (Blue Valentine)
Jada Pinkett Smith (Magic Mike XXL)
B.D. Wong (Jurassic World)
Chelsea Spack (Blue Bloods)
Raymond J. Barry (Training Day)
Richard Kind (Stargate)
Naian Gonzalez Norvind (The Devil You Know)
Anthony Carrigan (The Flash)
Ivana Milicevic (Vanilla Sky)
Cameron Monaghan (Amityville: The Awakening)
James Remar (Black Lightning)
Nathan Darrow (Preacher)
Camila Perez (Star)
Tonya Pinkins (The Book of Henry)
Paul Reubens (Batman Returns)
Alexander Siddig (Game of Thrones)
Clare Foley (Sinister)

Maggie Geha in Gotham (2014)Gotham is the crime drama series based on DC Comics’ Batman universe. Having premiered on Fox in the autumn of 2014, the show initially focused on young versions of James Gordon (Ben McKenzie) and Bruce Wayne (David Mazouz). Over time, though, the series introduced younger iterations of well-known villains in the Batman franchise, as well as lesser-known characters to provide a wider representation of the Dark Knight’s universe. Additionally, with Season Two, the episodes were grouped into “Rise of the Villains” (Episodes 1-11) and “Wraith of the Villains” (Episode 12-22), and that concept was continued in Season Three, with Episodes 1-14 grouped into “Mad Love” and Episodes 15-22, under the subtitle of “Heroes Rise.”Benedict Samuel in Gotham (2014)Concepts deriving from the overarching themes were weaved throughout the various storylines. Betrayal is often associated with love, and this theme was well represented throughout the season. Between lovers, siblings, work colleagues, and enemies, betrayal was a symptom of the deterioration of Gotham. Gordon tried to take the high road with his ex-fiancé Lee (Morena Baccarin) who moved on to a relationship with Dr. Mario Falcone (James Carpinello) and fell into an uneasy sexual relationship with Valerie Vale (Jamie Chung) that included a number of lies and betrayals due to their goals arising from their respective jobs – bounty hunter and reporter. But, the downfall between Gordon and Vale came when he is forced by Jervis Tetch (Benedict Samuel) to choose between Vale or Lee in “Follow the White Rabbit” (Episode 6). Although he chooses Vale, all parties easily infer that Gordon is still in love with Lee. Later in the season, Bruce commits a deadly betrayal against Alfred (Sean Pertwee) in “Destiny Calling” (Episode 21) after being kidnapped by the Court of Owls to spend time with The Shaman (Raymond J. Barry) and meeting Ra’s al Ghul (Alexander Siddig). Surprisingly, one ray of light occurred between Fish Mooney (Jada Pinkett Smith) and Penguin (Robin Lord Taylor). Desperate to know why she didn’t kill him, Penguin was surprised and humbled that Fish saw in him her greatest creation (“Burn the Witch” Episode 2).Robin Lord Taylor and Cory Michael Smith in Gotham (2014)

As often that a character was turning on another individual, sometimes the betrayal came from within. Edward Nygma (Cory Michael Smith) seemed to be one of the most conflicted characters through the season, trying to answer the question, “Who am I?” His identity, publicly as Penguin’s Chief of Staff, and privately as Penguin’s mastermind, resulted in a vacuum of questions after Nygma shot Penguin, believing he had killed his best friend who overshadowed and defined him. As a result, Nygma tested a number of the city’s intelligent people for assistance in determining his own identity separate from Penguin. The Tetch virus enhanced and brought out certain traits of characters and finding themselves at odds with themselves. Captain Nathaniel Barnes (Michael Chiklis) received a drop of blood from Alice Tetch (Naian Gonzalez Norvind) which heightened his commitment to the concept of justice, becoming judge, jury, and executioner as well as embodying the law (“New Day Rising” Episode 4). Marios jealousy was amplified, and Lee became a bad girl looking for the bad boy in Gordon, who was forced to self-infect the virus on himself in “Pretty Hate Machine” (Episode 20). As one of the heroes, Gordon was the only one who could control his magnified emotional state.

Amongst chaos, the heroes rise; however, the idea of heroes is a double-edged sword, so the viewer’s traditional definition of hero will be challenged in Season Three. Executive Producer John Stephens said, “Everyone goes through a major character metamorphosis throughout the course of the yea,r” in an interview with Comicbook.com. What is the most dramatic event that a character could go through? Well, it seemed that death (or near-death) and rebirth was a common event for most of the characters. For instance, Ivy Pepper (Maggie Geha) was touched by one of Dr. Strange’s (B. E. Wong) monsters and not only did she age about 10 or so years, but it was the belief of Selina (Camren Bicondova) that Ivy had died. Fish Mooney, Victor Fries (Nathan Darrow), who became Mr. Freeze, and Bridgit Pike (Camila Perez), who became Firefly, actually died and were reborn. It should be noted that while some characters died, they did not embody their familiar mantle: Ivy isn’t known as Poison Ivy, Selena hasn’t become Catwoman, and Jerome Valeska (Cameron Monaghan) may have the iconic creepy wide smile, but nary a whisper of “Joker” has been heard – yet.David Mazouz and Camren Bicondova in Gotham (2014)The parallels amongst pairs of characters did deliver intriguing comparisons. For example, viewers witness the very public destruction of Penguin, each layer of his personae being taken away from him. The betrayal is deliberate, a conscious effort on the part of Nygma, Barbara Keen (Erin Richards), Tabitha Galavan (Jessica Lucas), and Butch Gilzean (Drew Powell). Eventually, even Penguin’s life is taken from him; however, there is also a private betrayal occurring in Lee. She has internalized her loss and although she argues for justice and grabs for the preverbal straws, she finally realizes that she is the root cause of her own betrayal. She hits rock bottom and as a result, injects herself with the Tetch virus, embracing her ruin.Robin Lord Taylor in Gotham (2014)Due to the large ensemble cast of regular cast members, plus the recurring and special guests through the 22 episodes, one of the inherent issues is affording enough screen time to each character so that their origin story is fully explored, resulting in a well-developed character. While Gordon and Wayne/514A (David Mazouz, in a dual role) are central characters and will typically appear in each episode, some of the other regular characters, such as Selina Kyle, Lucius Fox (Chris Chalk), or Butch, seem to disappear from the storyline. For example, in the closing minutes of “How the Riddler Got His Name” (Episode 15), Edward Nygma/The Riddler reveals to Lucius that he is struggling with defining his identity separate and outside of the shadow of Penguin. After announcing to Lucius that he is the Riddler, Nygma knocks Lucius out in his car. Viewers next see Lucius in “Light the Wick” (Episode 18). Fish Mooney is another character that is missing for most of the season after appearing in the season’s opening episode, “Better to Reign in Hell…” Their disappearances do cause some gaps, such as where was Lucius for two episodes, 16 and 17 – one would assume that someone from the GCPD would notice Lucius sleeping off Nygma’s attack in the front seat of his car, parked across the street from the precinct.Drew Powell, Jessica Lucas, and Cory Michael Smith in Gotham (2014)The third season of Gotham provides intriguing complexities to the overarching denigration of the city into chaos and the telling of individual character origin stories. While the origin stories are fascinating, the fact that there is foreknowledge that most of the characters cannot die because they will one day face Bruce Wayne as Batman does cause a wrinkle with the audience’s engagement with the storylines. To compensate, spending more time on character development would alleviate some of the indifference inherent to the nature of prequel narratives. That said, Gotham is a binge-worthy show. The city is visually stunning, and the Steampunk feel captivating. Audiences unfamiliar with the origin stories will likely enjoy the show just as much or more so than those that come to the show with familiarity from reading the comics.

 

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REVIEW: BATMAN: RETURN OF THE CAPED CRUSADERS

CAST (VOICES)

Adam West (Family Guy)
Burt Ward (Return To The Batcave)
Julie Newmar (Star Trek)
Jeff Bergman (Gremlins 2)
Wally Wingert (American Dad)
William Salyers (Judging Amy)
Steven Weber (2 Broke Girls)
Jim Ward (Ben 10)
Thomas Lennon (balls of Fury)

The official plot synopsis reads as follows, “It’s back to the 1960s as Batman and Robin spring into action when Gotham City is threatened by a quartet of Batman’s most fiendish foes – Penguin, The Joker, Riddler and Catwoman. This time, the four super-villains have combined their wicked talents to hatch a plot so nefarious that the Dynamic Duo will need to go to outer space (and back) to foil their arch enemies and restore order in Gotham City.

What a dose of Nostalgia. The opening credits incorporated many classic comic book covers with some fantastic animation. I could not stop watching. Fascinating, funny, festive, friendly, and very alliterative, the actors, writers, and animators knocked this out of the park.

I was thoroughly amused throughout. None of the dozens of punchlines are particularly surprising, but they are all fun, and many of them require the set-up, animation, and acting to be meaningful.

The movie does get a bit dark. In one particular scene, Robin is horrified by a punch that doesn’t follow Marquess of Queensberry rules. Robin’s reaction to that punch and subsequent actions keep the movie grounded and friendly. I have to give special acclaim for Burt Ward, here — his exuberance and delivery hasn’t changed an iota.

Does the movie get some things wrong? Like the Joker’s hidden mustache? Yes and perhaps. There are dozens of things that are not quite like the 60’s show, and hundreds of things that are spot-on perfect. I don’t recall hearing the Riddler’s music cue, but the Batman theme is incorporated well in many places. The producers have already mention that some of the “mistakes” are intentional, such as the colors of Robin’s logo being flipped in a throwaway shot, an homage to mistakes in previous animations. I will be watching this many times.

The sequel has already been announced, with William Shatner as Two- Face.This is the most enjoyable movie I’ve seen in years. Highly recommended.

REVIEW: BATMAN: THE COMPLETE 60’S SERIES

CAST

Adam West (Family Guy)
Burt Ward (Legends of The Super Heroes)
Alan Napier (Marnie)
Neil Hamilton (Tarzan The Ape Man)
Stafford Repp (Plunder Road)
Madge Blake (The Long, Long Trailer)
Yvonne Craig (Olivia)

RECURRING / NOTABLE GUEST STARS

Frank Gorshin (Star Trek)
Jill St. John (Diamonds Are Forever)
Burgess Meredith (Rocky)
David Lewis (The Apartment0
Leslie Parrish (Sex and The Single Girl)
Cesar Romero (The Thin Man)
Nancy Kovack (Marooned)
George Sanders (All About Eve)
Anne Baxter (I Confess)
Susan Silo (James Bond JR)
David Wayne (The Andromeda Strain)
Malachi Throne (Catch Me If You Can)
Myma Fahey (House of Usher)
Julie Newmar (Mckenna’s Gold)
Ziva Rodann (Forty Guns)
Victor Buono (Beneath The Planet of The Apes)
Olan Soule (The Toweing Inferno)
Francine York (The Family Man)
Roddy McDowall (Planet of The Apes)
Sherry Jackson (Brenda Starr, Reporter)
Julie Gregg (The Godfather)
Barbara Nichols (Where the Boys Are)
Art Carney (Last Action Hero)
Van Johnson (The Caine Mutiny)
Phyllis Diller (A Bug’s Life)
Sid Haig (The Devil’s Rejects)
Michael Pataki (Rocky 4)
Bruce Lee (Enter The Dragon)
Van Williams (Surfside 6)
Shelley Winters (Alfie)
Walter Slezak (Lifeboat)
Vincent Price (Edward Scissorhands)
Liberace (Another World)
Woodrow Parfrey (Dirty Harry)
Otto Preminger (Anatomy of Murder)
Carolyn Jones (The Addams Family)
Cliff Robertson (Spider-Man)
Ted Cassidy (Genesis II)
Maurice Evans (Rosemary’s Baby)
Michael Rennie (The Day The Earth Stood Still)
James Brolin (Hotel)
Lesley Gore (The Pied Piper of Astroworld)
Bob Hastings (batman: TAS)
Roger C. Carmel (Star Trek)
Alex Rocco (The Simpsons)
Seymour Cassel (Rushmore)
Lee Meriwether (Barnaby Jones)
Grace Lee Whitney (Star Trek)
Tallulah Bankhead (A Royal Scandal)
Eli Wallach (The Holiday)
Elisha Cook Jr. (Rosemary’s Baby)
Joan Collins (Dynasty)
Ethel Merman (Call Me Madam)
Gary Owens (That 70s Show)
Milton Berle (Hey, Abbott!)
Glynis Johns (Mary Poppins)
Rudy Vallee (Sunburst)
Eartha Kitt (Holes)
Barbara Rush (When Worlds Collide)
Dina Merrill (Caddyshack II)
Linda Harrison (Planet of The Apes)
Ida Lupino (High Sierra)
Howard Duff (Kramer vs Kramer)
Zsa Zsa Gabor (Jack of Diamonds)

This is the show that set the tone for the Batman franchise for decades, good and bad, as its indelible mark is hard to erase. The power of the show is in how iconic it was, with every element so vibrant that it’s impossible to forget. Yes, it had the advantage of being the first modern-era mass-media representation of the character, and it also basically had the stage to itself forever, but there was so many memorable ingredients that made it the definitive Batman for generations. First among those were the performances of Adam West as Batman and Burt Ward as Robin. Playing it completely straight–West with thoughtful gravitas, Ward with youthful enthusiasm–these actors kept the show from descending into parody. The world may be crazy, but our heroes remain vigilant defenders and detectives. The contrast makes their square-jawed heroics comedic, and the effect is enhanced when things get unusual like seeing Batman dance or surf, or when the Dynamic Duo are chilling out in the Batmobile eating burgers.
The structure of the series, which leans heavily on the style of the old serials and a well-defined formula, was also a big reason for the show’s success and long-lasting legacy. During the first two seasons, stories were split over two half-hour episodes, shown twice a week. The first episode would always end with Batman and Robin on the edge of destruction in some sort of insane death-dealing set-up, with the now classic refrain “same Bat-time, same Bat-channel” reminding viewers to come back to see the story’s weekly conclusion. These cliffhangers, along with the emphatic narration, the atmospheric music, the wonderfully detailed sets and costumes and the choreographed fight scenes, which feature the show’s famous “Pow!” and “Bam” visual sound effects, all serve to create a larger-than-life adventure series that’s great fun to watch.
Though West doesn’t appreciate the show being described as campy, it’s hard to think of a word that fits the series better. The thing is, you have to separate the ideas of bad and camp. Camp doesn’t have to be bad. It just has to be absurdly silly. So much of the show is obviously aiming for comedy, be it the way Batman solves impossible clues impossibly quick, the goofy names of the bad guys’ labeled henchmen, the villains’ strange obsession with personal branding, the overly literal signs seen all over the place, or the strangely specific gadgets Batman always has at the ready. I mean, really…an empty alphabet soup bat-container? Then there are the overtly humorous parts, like the cameos when Batman and Robin climb up the sides of buildings, which feature celebrity cameos from Sammy Davis Jr., Don Ho, Santa Claus and Lurch from The Addams Family. Elements like this earn plenty of chuckles throughout the series, but they don’t take away from the fun of the action or the crime-fighting plots. They also serve to make for what might be the most accessible Batman ever; enjoyable for young and old alike.
The show burned brightly, but only for three seasons, crashing hard considering the show’s immense popularity. Perhaps it was overexposure due to the twice-a-week schedule, with 58 episodes in season two, but the show was definitely showing signs of slowing down in the final season before cancellation, including mostly eliminating the cliffhanger, instead linking episodes via a coda at the end. Whether it was an artistic choice or otherwise, the weird way the show started to use “suggested sets,” in which parts of a set were placed in an otherwise black room to create the idea of the setting, made it seem like something had changed for the worse. Another major change in the third season also stood out somewhat negatively, as Yvonne Craig’s Batgirl (the crime-fighting alter-ego of police commissioner Gordon’s daughter Barbara) was added to the show as a regular. She didn’t bring a great deal to the party though, outside of a great costume design, as she often needed saving as much as she helped the team.
The other issue with Batgirl was she was further evidence of the show being a product of its time, as, in addition to the clothes, sets and language all being heavily dated to the ‘60s (especially in the third run), sexism is rampant throughout the series, whether display via the eye-candy molls of the villains or the drooling narration for the new distaff member of the Bat-team. The portrayal of women is pretty much entirely negative in the show, with flippant remarks about the vanity of women or their value, while one villain, Nora Clavicle, is actually a women’s rights activist, who replaces the police force with women, who are only interested in coupons and recipes. The rampant misogyny is odd considering the show was progressive enough to have an interracial flirtation between West’s Batman and Kitt’s Catwoman.
Though the Caped Crusader and the Boy Wonder are obviously the stars of the show, the villains are what defines the series, as has always been the case with Batman. In addition to his traditional rogues gallery, including Joker, Riddler, Penguin and Catwoman, this series introduced a number of freshly-minted felons, some of which eventually were incorporated into the comic books, like Victor Buono’s over-acted King Tut. The oft-ridiculous nature of these baddies, which were often created to give big celebrities of the day a chance to play, like Zsa Zsa Gabor’s Minerva, Milton Berle’s Louie the Lilac or Liberace’s Fingers, was a big part of why the show was viewed as campy.
As goofy as the new creation were, the originals were wonderfully evil, especially Cesar Romero’s Joker, Frank Gorshin’s Riddler and Julie Newmar’s Catwoman (though that shouldn’t take anything away from Eartha Kitt’s purr-fect turn in the cat suit in the show’s third season.) These three each brought something special to the show, be it Romero’s manic glee, Gorshin’s dark intensity or Newmar’s unrestrained sensuality. The problem with having the villains be such a focal point of the show is it makes the series uneven, as a weak villain, like Van Johnson’s Minstrel or Maurice Evans’ Puzzler, usually makes for a weak episode. The exception to that rule would have to the two-part “A Piece of the Action”/”Batman’s Satisfaction”, which had a terrible nemesis in the stamp-forging Colonel Gumm, but which is great fun because of a crossover with The Green Hornet, which meant Van Williams and Bruce Lee were on hand for twice the crime-fighting action. Just seeing Lee on Batman was great, but having two masked heroes and their rich alter-egos interacting without each other knowing made for a fun twist on the heroes.

Looking at the set as a whole, it’s easy to wonder why the first 12 discs are extras-free. There’s not a commentary to be found. Considering how long the wait has been, and how influential and popular the show is, you’d think there would be plenty of people that would want to sit down and talk about this show. It’s bad enough that the lengthy delays have resulted in many of the cast and creators passing before its release, but to not have any contemporary perspectives is just doubling down on this problem.
There’s also the fact that two separate releases of bonus content that have been released in the past, “Holy Batmania!,” which offered four documentaries on the series, and “Adam West Naked,” a collection of recollections produced by West himself. Some of this contest should have been included on the third disc of season three, which has just two 30 minute episodes. What’s worse is Warner Brothers is offering “Adam West Naked” as part of an odd package online that includes the first 64 episodes, the Batman ‘60s movie and some ephemera.
Thankfully the 13th disc fills in a lot of the gaps holding all of the set’s bonus content, most of which is courtesy of master extra maker Alexander Gray, who has produced and directed this kind of material for loads of DC-related DVDs. It all starts with “Hanging with Batman” (29:56), which focuses on West, looking at his life, from his childhood to his acting career, with plenty of time on his experiences as Batman and the legacy of that performance. The piece, which is loaded with archival photos and video, isn’t fluffy in any way, touching on some of the darker moments of West’s life, including controversy that surrounded him at his peak as a star and his personal and professional struggles in the wake of the show’s cancellation and the character’s rebirth with the Tim Burton movies. An excellent profile of a charismatic man with an interesting life.
“Holy Memorabilia, Batman!” (29:59) looks at the fans, a few in particular, and the collecting that sprung up around the show, including the key pieces and the process of acquiring them. With Toy Hunter’s Jordan Hembrough providing expert (and some personal) perspective, the featurette checks out the collections of actor Ralph Garman (Family Guy, the Hollywood Babble-On podcast) and Guinness record-holder Kevin Silva, as well as the work of Mark Racop, who builds replica Batmobiles. The Garman segments also feature a visit by West to check out (and even try on) the goods, and the result is an excellent look at a side product of the series.
An odd inclusion is “Na Na Na Batman” (12:15) which features a huge roster of producers and directors from Warner Brothers-produced series talking about the Batman series, including their memories of watching the show (if they are old enough) along with the costumes and villains. The connection to the show for most of these participants, which include Kevin Bacon, James Purefoy, Mike O’Malley, Stephen Amell, Jared Padalecki, Misha Collins and Jensen Ackles, is beyond tangential, which coats the whole piece with a sheen of promotion, but if you’re a fan of shows like Supernatural, Arrow, The Following and The Mentalist, perhaps you’ll enjoy these worlds crashing together. Wedged in here with all these people is West and Burt Ward, bringing things back to center a bit.
The point of “Batmania Born!” (29:41) isn’t entirely clear, as it can get a bit scattered in terms of the subject matter, but it seems to mainly talk about the look of the series, and mainly features the voices of people from the world of comic books and related TV series, though some production design and costuming people sneak in as well to discuss the visuals of Batman, including the influences of the comic books, the animated opening, the tights and, most interestingly, the negative effect the show had on comic books in the larger world of entertainment. Among those sitting down to chat are Jim Lee, Bruce Timm and Julie Newmar, long with archival clips of Cesar Romero and Frank Gorshin, making this catnip for comics fans.
Lee and Garman return in “Bats of the Round Table” (45:08), joining Batman superfan Kevin Smith and actor Phil Morris (Smallville), as they sit down for a meal with West. Unsurprisingly, the chat is dominated by Smith–a natural conversationalist–but they all chime in at some point, peppering West with questions and actually getting some interesting answers, including talk about dealing with a difficult Otto Preminger, who West’s favorite guest star and favorite Catwoman was, life on the set and a fun story about Ward and Bruce Lee. One wonders how the mostly unconnected Morris got in on this group (though he does have a Batman story of his own to share), but they all interact well in a smooth-flowing get-together. The ending may be slightly cheesy, but it’s a satisfying featurette.
Though there are no commentaries in this set, there are two pseudo-commentaries, in the form of the two-part “Inventing Batman: In the Words of Adam West.” These pieces, which run a total of 59:08, feature West, in occasional picture-in-picture appearances, reading excerpts from his shooting scripts for “Hi Diddle Riddle” and “Stuck in the Middle” while the episodes play. There’s a tremendous amount of dead air (probably more than half the episodes are just the original audio), which may explain the lack of commentaries, but it’s great when West shares the notes he made on the script during the production process and his thought process for the character.
The bonuses wrap up with a quartet of rarities, which are mostly great to check out. First up is the 7:54 pilot for Batgirl. This never-aired “episode” was intended to show the character could work, in advance of her introduction in Batman’s third season. This compact adventure, which features Batgirl fighting Killer Moth and his gang alongside the Dynamic Duo in a library, feels just like the Batman series, complete with the “Pow!”s, but with a lot more sexism, courtesy of the narrator and Batman himself. Today, it’s really kind of creepy.
Also included are a pair of screen tests for the show, which are truly fascinating. First up is West and Ward (6:16), in a proto-Wayne Manor and the Batcave, doing a pair of scenes, following by a brief tumbling and karate demonstration by Ward and some silent footage of the pair in the ‘Cave. The performances were so fully formed right off the bat (no pun intended) that it’s hard to imagine anyone else in the roles. That’s solidified when you see Lyle Waggoner and Peter Deyell try out for the parts (4:23), doing the same roles on the same sets, with the same sketchy costumes. Robin is more childish in Deyell’s performance, while Waggoner doesn’t bring the same measured intensity as West. Watching it though, allows you to picture an entirely different history for Batman.
The final entry is a James Blakely Tribute (2:24). The title is a bit misleading, as it’s just a clip of Blakely, post-production supervisor on the show, discussing the story of the series’ development and the idea of editing in the show’s iconic sound-effects graphics. It’s not really a tribute in the traditional manner.
 It’s only natural that waiting so long for these episodes to arrive on home video has made expectations unmeetable, but between the wonderfully silly show, the quality of the presentation and the excellent extras that actually have been included, this set is one all Batman fans will want to own.

REVIEW: BATMAN UNLIMITED: MECHS VS MUTANTS

CAST (VOICES)

Roger Craig Smith (Avengers Assemble)
Chris Diamantopoulos (About A Boy TV)
Will Friedle (Batman Beyond)
Charlie Schlatter (Diagnosis Murder)
Dana Snyder (Open Season 3)
John DiMaggio (Futurama)
Richard Epcar (Power Rangers)
Oded Fehr (V)
Phil LaMarr (Free Enterprise)
Dave B. Mitchell (The Lorax)
Troy Baker (Marvel Anime)

Image result for batman unlimited mechs vs mutantsBatman Unlimited: Mechs vs. Mutants is half Batman and Batfamily adventure. This time around for Batman, Robin (Damian Wayne), Flash, and Green Arrow vs. Penguin, Bane, Chemo, Mr. Freeze and Clayface. This is the third in the Batman Unlimited direct to video animated films.The latest in the toy-centric Batman Unlimited storyline transforms from a commercial to current Dynamic Duo adventure in a frozen Gotham City. Roger Craig Smith (Batman: Arkham Origins) returns as Batman and introducing Boy Wonder Damian Wayne voiced by Lucien Dodge (Fate/Zero). The Damian/Batman relationship is explored a bit here, in a surprising move that wholly embraces the current DC Rebirth status quo.Image result for batman unlimited mechs vs mutantsThere is no mention of Batman being Damian’s father, but it is hinted that he is the grandchild of Ra’s al Ghul when Robin awakens from a bad dream screaming, “Grandfather, NO!”. Pennyworth encourages Robin not to stay up too late studying to become Robin, as The Dark Knight has enrolled him into a “Robin Training Program”.Image result for batman unlimited mechs vs mutantsWill Friedle (Batman Beyond) appears as Nightwing and a simpatico brother to young Master Wayne. When faced with the threats lobbied by a team-up of the exiled Penguin (Dana Snyder) and Mr. Freeze (Oded Fehr) who recruits Killer Croc, Chemo, Clayface and Bane, Batman and Robin enlist the aide of Leaguesters Flash (Charlie Schlatter) and Green Arrow (Chris Diamantopoulos). Good guys round out their team with Commissioner Gordon and Dr. Kirk Langstrom.Genius scientist Victor Fries comes up with a formula to mix the compositional makeup of Bane, Chemo and Clayface to develop monsters capable of crushing cars and stomping through Gotham. Croc is the first to get juiced up, growing ten times his size and making the citizens of Gotham run for their lives. Of course, this is the Godzilla movie part, that frankly works pretty well.Image result for batman unlimited mech vs. mutantsWhat makes this Godzilla-type movie trope work really well is the cartooning and archetypes of these villains filling the Kaiju role. Batman has no choice but  to fight size with size. Batman and Green Arrow are able to pilot their own Mech suits to punish the bad guys before they have a chance to destroy Gotham’s Police Department and the rest of the city. Green Arrow is even conscious of which buildings to destroy in the process (by asking the computer which ones he owns). By placing a seed of doubt in Damian’s character early in the movie, he is able to redeem himself by playing detective himself and helping Batman problem solve. Green Arrow/Ollie Queen serves as a good uncle figure to Robin, who uses his years of experience dealing with Batman to assure Robin that he is important to the Batcave operations. Flash fulfills his normal role as comedian and lab scientist.Image result for batman unlimited mechs vs mutantsWhile not the grim and gritty, this Batman Unlimited release turns out a decent story. Of course, the allied bad guys find a way to stop getting along all together when the heroes’ strength lies in unity. While I was at first skeptical of the gigantic yellow Batsymbol on Bruce’s chest, it is growing on me, ever so slowly. Batman Unlimited: Mechs vs. Mutants is fun for most ages, riding the fine line between serving the fans and serving the general audience, and selling toys.

REVIEW: THE ADVENTURES OF BATMAN

 

CAST

Olan Soule (Scooby Doo)
Casey Kasem (Transformers)
Jane Webb (Archie’s Funhouse)
Larry Srorch (Groovie Goolies)
Ted Knight (Psycho)

 

I am so very glad that series is at last out on DVD. Just as the Adam West show ended Filmation animation gained the rights for Batman. they already had a long history of superhero’s. First with Superman later with Aquaman and others. so for the first time Batman came to the screens in animation form. I am a big fan of the 90s animated series, but I accept all versions. I love this early beginning of Batman animation. Here Olan Soule and Cassy Casum (Shaggy on Scooby Doo) voice Batman and Robin. (they later go on to voice them in the Superfriends Hanna Barbara cartoon.Ted Knight would narrate and voice many characters. so for this DVD it has the complete late 60s Filmation Batman animated series. I feel that not only does it have the spirit of the West show but it also has the feel of Silver Age comics. Your not gonna get dark gritty stories here. its all light fun and adventure. but its good for the whole family.
Batman and Robin come up against many of their most well known foes. the Joker is there, The Penquin, Catwoman, there is  Mr. Freeze (who just gained popularity with the West show, which took the one shot villain Mr Zero, renamed him and made him famous). there is the Riddler, who would go on to Superfriends but do to rights issues not the 77 Filmation toon. There are many other foes all who make their first animated appearance. Scarecrow and Mad Hatter make single appearances. there are new villains. Simon the Pieman, the Judge. Dollman. Batgirl (who just won new found fame) shows up a few times to help out.
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on the whole this is just a fun series with lots of cool adventures. the first time Batman made his mark on the animated world.

 

 

REVIEW: SUPERMAN: THE ANIMATED SERIES – VOLUME 1-3

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MAIN CAST

Tim Daly (Wings)
Dana Delaney (Hand of God)
David Kaufman (Justice League: Doom)
Clancy Brown (Highlander)
Corey Burton (Critters)
Michael Ironside (Total Recall)
Joseph Bologna (The Nanny)
George Dzundza (Species II)
Lisa Edelstein (House)
Lauren Tom (Futurama)
Mike Farrell (MASH)
Shelley Fabares (Coach)
Joely Fisher (Til Death)
Victor Brandt (T.J. Hooker)
Joanna Cassidy (Blade Runner)

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RECURRING / NOTABLE GUEST CAST

Christopher McDonald (Fanboys)
Finola Hughes (General Hospital)
Tony Jay (Lois & Clark)
Malcolm McDowell (Heroes)
Tress MacNeille (Futurama)
Jason Marsden (Full House)
Dorian Harewood (Earth: Final ConflicT)
Brad Garrett (Finding Nemo)
Bruce Weitz (Hill Street Blues)
Kevin Michael Richardson (The Cleveland Show)
Robert Patrick (Terminator 2)
Brion James (Blade Runner)
Sherman Howard (Superboy)
Richard Moll (Scary Movie 2)
Frank Welker (The Simpsons)
Larry Drake (Firefly)
Michael York (Logans Run)
Ron Perlman (Hellboy)
Ron Glass (Firefly)
Miguel Ferrer (Robocop)
Carl Lumbly (Alias)
Marion Ross (That 70s Show)
Cam Clarke (Teenage Mutant Ninja Turtles 80s)
Robert Hays (Airplane)
Gilbert Gottfried (Aladdin)
Sandra Bernmhard (2 Broke Girls)
Ernie Hudson (Ghostbusters)
Lori Petty (Tank Girl)
Mae Whitman (Boogeyman 2)
Michael Dorn (Star Trek: TNG)
Arleen Sorkin (Duet)
Mark Hamill (Star Wars)
Bob Hastings (McHale’s Navy)
Robert Costanzo (Total Recall)
Kevin Conroy (Batman: The Killing Joke)
Efrem Zimbalist Jr. (77 Sunset Strip)
Ted Levine (The Silence of The Lambs)
Jennifer Lien (Star Trek: Voyager)
Cree Summer (Batman Beyond)
Xander Berkeley (Kick-Ass)
Carolyn Seymour (Congo)
Edward Asner (Elf)
Dennis Haysbert (24)
Peter Gallagher (American Beauty)
Roddy McDowall (Planet of The Apes)
Paul Williams(The Muppet Movie)
John Glover (Smallville)
Henry Silva (Above The Law)
Melissa Joan Hart (Sabrina: TTW)
Jason Priestly (Tru Calling)
Chad Lowe (Unfaithful)
Sarah Douglas (Superman 2)
Billy West (Futurama)
Peri Gilpin (Frasier)
Miguel Sandoval (Medium)
Nicholle Tom (Gotham)
Olivia Hussey (IT)
David Warner (Tron)
Charles Napier (The Silence of The Lambs)

I think people can generally divided into two categories: Batman people or Superman people. Either you are into the dark, gloomy and atmospheric or the optimistic and all-American. I’ve always considered myself a Batman guy. As such, I was estatic when “Batman: The Animated Series” hit the airwaves. An excellent portrayal of the Caped Crusader, it set a new standard for cartoons, not on in terms of the look, but also the stories. Cartoons didn’t have to be made for children, but could aim higher.

So after the success of “Batman: TAS,” it was only natural for Superman to get a new chance at the small screen. The creative minds behind the Dark Knight’s cartoon renaissance took on Big Blue, and took him to heights not seen since the early Fleischer cartoons made him the original animated superhero standard bearer. By sticking to the character’s roots, but not allowing themselves to be restricted by a slavish attention to the comic books or movies, the creators created a cartoon Superman that fans could embrace, but those without a comic-book education would enjoy as well.

The majority of the episodes follow something of a pattern, as Supes faces a challenge from a villain, is overcome and figures out how to overcome that challenge just in time to get the bad guy before 22 minutes are over (unless it’s a multi-episode story arc.) When the show shakes free those format shackles is the moment when the series shines. Episodes like the series-opening three-show “The Last Son of Krypton,” “Speed Demons,” which co-stars The Flash and “My Girl,” which introduces the all-grown-up Lana Lang, are among some of the most enjoyable in this volume. That’s not to say that the straightforward adventures aren’t fun, as “Two’s a Crowd” and “Fun and Games” show.

Superman aficionados will enjoy appearances by Toyman, Bibbo, Metallo, Brainiac, Darkseid and a raucous two-episode appearance by the Main Man, Lobo. There’s also plenty of celebrity voices to listen for, including Lori Petty, Tim Daly, Dana Delaney, Ron Pearlman, Leslie Easterbrook, Lauren Tom, Brad Garrett, Mike Farrell, Shelley Fabares, Christopher McDonald, Malcolm McDowell, Bud Cort, Joe Bologna, Michael York and Joely Fisher. If you don’t know which characters they play, I won’t ruin it. It adds another layer of enjoyment to watching the show.

these shows are great, with great writing and animation in every episode. Highlights from this second volume include the episodes “Identitiy Crisis” which introduces Bizarro and “Heavy Metal” which introduces fellow superhero Steel, who teams up with Superman to battle Metallo.

“World’s Finest” is a three-part episode that teams Superman with Batman for the first time as they both take on their respective arch-nemesis, Lex Luthor and the Joker.

Other episodes feature appearances by a variety of villains and guest heroes – Dr. Fate shows up in “The Hand of Fate” – but the best episode of the collection has no guest appearance by a crime fighter or a super villain. “The Late Mr. Kent” is perhaps the most complex and best written of the 18 episodes in this volume – and perhaps the entire series. The story revolves around Clark Kent’s attempts to clear a man on death row before he is executed. For his troubles, someone tries to kill the intrepid reporter, and most people believe he is dead, leaving Superman alone, without his alter ego to rely upon. For a show that clocks in at less than thirty minutes, it offers some complex insights into the relationship between mild-mannered Clark Kent and his crime-fighting counterpart Superman.

The main arc of this season borrows from the comic book universe and brings Darkseid and his homeworld to the forefront. Hinted at earlier in the show, it’s in this third volume that the Lord of Apokolips finally gets his payoff – and his payback. In a trio of two-parters, Apokolips… Now!, Little Girl Lost, and Legacy, Superman fights one of his most ruthless foes in a series of episodes that offer some excellent action, drama, and science fiction fun.

While these episodes are very faithful to the mythos, we’ve also got a great selection of original stories that go to prove that with a character like Superman, there is no limit to the stories that you can tell. One of my favorites is Knight Time. When Batman goes missing, Superman pays a visit to Gotham City and tries to find out where his friend has gone. Supes inadvertently ends up masquerading as Batman – dressing up in the Dark Knight’s costume and everything! – and teams up with Robin to solve the mystery of the missing Bruce Wayne. Not only is the episode entertaining, but it’s also got a great sense of humor. Seeing Superman do his best impersonation of Batman is wonderful – Clark doesn’t know which utility pockets contain what, and his attempts at being grim (nodding his head instead of speaking) are great.

Watching these shows you get the feeling that it was during this final stretch of episodes that the show’s producers were finding new ways of playing with the formula that they had designed, and perfected, with both Batman: The Animated Series and Superman: The Animated Series. Not only do these Superman episodes have a lot of two-parters, but we’ve also got some great guest-stars; it seems that this show is the precursor to Justice League.

We’ve got heroes, Kyle Rayner from In Brightest Day, and villains, Ra’s Al Ghul in The Demon Reborn, and everyone in between – everyone’s favorite master of the sea, Aquaman in Fish Story. We also get an expansion of the Superman supporting cast when Supergirl makes a welcome appearance in the Little Girl Lost two-parter.

In one of the episodes found in this collection, Superman pays his final respects to a recently departed friend. In the graveyard, Superman comes to realize something very important: “In the end, the world didn’t really need a Super man. Just a brave one.” This show gives us a character who is both brave and super. It gives us a real hero. It gives us Superman… as good as he’s ever been.

REVIEW: BATMAN: THE BRAVE AND THE BOLD – SEASON 1-3

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MAIN CAST

Diedrich Bader (Vampires Suck)

RECURRING / NOTABLE GUEST STARS

Dee Bradley Baker (American Dad)
Will Friedle (Batman Beyond)
Jason Marsden (Full House)
James Arnold Taylor (Star Wars: The Clone Wars)
Marc Worden (Ultimate Avengers)
Grey DeLisle (The Replacements)
John Dimaggio (Futurama)
Tom Kenny (Super hero Squad)
Kevin Michael Richardson (The Cleveland Show)
Corey Burton (Critters)
R. Lee Ermey (Full Metal Jacket)
Scott Menville (Teen Titans)
Vyvan Pham (Generator Rex)
Bumper Robinson (Sabrina: TTW)
Mikey Kelley (TMNT)
Michael Rosenbaum (Smallville)
Will Wheaton (Powers)
Xander Berkeley (Kick-Ass)
Loren Lester (Batman: TAS)
Phil Morris (Smallville)
Jeff Bennett (James Bond Jr.)
Oded Fehr (The Mummy)
Ellen Greene (Pushing Daisies)
Armin Shimmerman (Star Trek: DS9)
Tara Strong (Batman: The Killing Joke)
Tom Everett Scott (Scream: The Series)
Billy West (Futurama)
Jeffrey Tambor (The Hangover)
Paul Reubens (Gotham)
Diane Delano (Jeepers Creepers II)
Peter Woodward (Crusade)
Neil Patrick Harris (How I Met Your Mother)
James Remar (Flashforward)
Jeffrey Combs (Gothman)
Ioan Grufford (Ringer)
J.K. Simmons (Whiplash)
William Katt (Carrie)
Clancy Brown (Highlander)
Tress MacNeille (Futurama)
Hynden Walch (The Batman)
Kevin Conroy (Batman: TAS)
Mark Hamill (Batman: The Killing Joke)
Adam West (BAtman 60s)
Julie Newmar (Batman 60s)
Dana Delany (Body of Proof)
Tony Todd (Chuck)
Peter Scolari (Gotham)
Cree Summer (Batman Beyond)
Steve Blum (Wolverine and Thje X-Men)
John Wesley Shipp (The Flash)
Alan Tudyk (Firefly)
Olivia D’Abo (Conan The Destroyer)
Mae Whitman (Independence Day)
Fred Tatasciore (Hulk Vs)
Vanessa Marshall (Star Wars: Revels)
John Michael Higgins (Still Waiting)
Michael Jai White (Arrow)
Morena Baccarin (Gotham)
Tippi Hedren (The Birds)
Gary Owens (That 70s Show)
Ted McGinley (Highlander 2)
Henry Winkler (Happy Days)

There’s a gloriously meta moment in the back half of this season of Batman: The Brave and the Bold where the show’s producers are raked over the coals at Comic-Con. One of the twentysomethings in the crowd grouses and groans about how the Caped Crusader in the cartoon isn’t his Batman, and…well, he’s not wrong. DC’s comics anymore are joylessly grim and gritty…22 monthly pages of misery and scowling and torture and dismemberment and death and high collars and way too much crosshatching. Batman: The Brave and the Bold, meanwhile, is defined by its vivid colors and clean, thick linework. It’s a series whose boundless imagination and thirst for high adventure make you feel like a six year old again, all wide-eyed and grinning ear to ear.


You know all about The Dark Knight’s war on crime, and in The Brave and the Bold , he’ll duke it out against any badnik, anywhere. He doesn’t go it alone, either, with every episode pairing Batman up with at least one other DC superhero. Heck, to keep it interesting, The Brave and the Bold shies away from the obvious choices like Superman and Wonder Woman. Instead, you get more interesting team-ups like Blue Beetle (more than one, even!), Elongated Man, Wildcat, Mister Miracle, Kamandi, and B’wana Beast.
Other animated incarnations of Batman have been rooted in something close enough to reality. Sure, you might have androids and the occasional Man-Bat, but they tried to veer away from anything too fantastic. The Brave and tbe Bold has free reign to do just about whatever it wants. One week, maybe you’ll get an adventure in the far-flung reaches of space with a bunch of blobby alien amoebas who mistake Batman for Blue Beetle’s sidekick. The next might offer up Tolkien-esque high fantasy with dragons and dark sorcery. Later on, Aquaman and The Atom could play Fantastic Voyage inside Batman’s bloodstream, all while the Caped Crusader is swimming around in a thirty-story walking pile of toxic waste. He could be in a Western or a post-apocalyptic wasteland or a capes-and-cowls musical or even investigate a series of grisly something-or-anothers alongside Sherlock Holmes in Victorian England.

Batman has markedly different relationships with every one of those masked heroes. There’s the gadget geekery with an earlier incarnation of the Blue Beetle. With the younger, greener-but-still-blue Beetle, Batman takes on more of a mentor role.

More of a stern paternal figure for Plastic Man, and a rival for Green Arrow. Sometime it might not even be the most pleasant dynamic, such as a decidedly adult Robin who doesn’t feel like he can fully step outside the long shadow that Batman casts.

There are some really unique takes on iconic (and not so iconic!) DC superheroes here, and far and away the standout is Aquaman. This barrel-chested, adventure-loving braggart is my favorite incarnation of the king of the seven seas, and if Aquaman ever scores a cartoon of his own, I hope he looks and acts a lot like this. Oh, and The Brave and the Bold does a spectacular job mining DC’s longboxes for villains too, and along with some of the familiar favorites, you get a chance to boo and hiss at the likes of Kanjar Ro, The Sportsmaster, Kite Man, Gentleman Ghost, Chemo, Calendar ManKing, Crazy Quilt, and Shrapnel. The Brave and the Bold delivers its own versions of Toyman, Vandal Savage, and Libra while it’s at it, the latter of whom has the closest thing to a season arc that the series inches towards.

Batman: The Brave and the Bold is every bit as fun and thrilling as you’d expect from a series where every episode’s title ends with an exclamation point. Each installment is fat-packed with action, and the series has a knack for piling it on in ways I never saw coming. Even with as imaginative and off-the-walls as The Brave and the Bold can get, it still sticks to its own internal logic, so the numerous twists, turns, and surprises are all very much earned.

The majority of the episodes have a cold open not related to the remainder of the episode. Despite its episodic nature, if you’re expecting a big storyline in these 26 episodes, you’re going to be pretty disappointed as the extent of an overarching story in the season is the occasional villain that appears more than once, like Starro, but that’s really the only connecting bridge between episodes.

Season 2 contains one of my favorite episodes of not only this particular season, but probably in the entire series, “Chill of the Night!”, which goes back to Batman’s origins as Bruce Wayne learns more about the man who murdered his parents, turning him into the crime-fighter he would become, it’s one of the most well known origin stories in media, ever, but it’s done so well here. Another reason I love this episode is my blinding nostalgia for the voice cast.

The original 1960’s Batman, Adam West, guest stars as Batman’s father, Thomas Wayne, while Julie Newmar, who starred opposite of West as Catwoman from the original Batman TV show, plays Batman’s mother, Martha Wayne. My favorite Batman of all time, theatrical or not, Kevin Conroy, the voice of Batman from Batman: The Animated Series and various other series/movies/games, voices the Phantom Stranger. Lastly, the baddie of the episode, The Spectre, is voiced by none other than Mark Hamill, the definitive voice of the Joker.

The Episodes in season 3 are wildly imaginative; so much so that purists will probably be put off, at least initially. They range from “Night of the Batmen”, where batman is incapacitated and it is up to Aquaman, Green Arrow, Captain Marvel, and Plastic Man to don the cowl, and keep gotham safe. As weird as that may sound, this episode is pure fun, and a joy to watch. Other stand outs are the never before seen in the states “The Mask of Matches Malone”, “Shadow of the Bat”, “Scorn of the Star Sapphire”, and “Powerless”.

Special mention has to be made of the final episode of the series however, “Mitefall”. In this meta episode, Batmite does a fantastic job breaking down why the series is ending, and the disconnect of the so-called “purists”, whose baseless, closed minded, ignorance eventually doomed this excellent series.

When all is said and done, we received three outstanding, and criminally underrated, seasons and it is a joy to see.