REVIEW: THE DUKES OF HAZZARD (2005)

CAST

Johnny Knoxville (Movie 43)
Seann William Scott (American Pie)
Jessica Simpson (Employee of The Month)
Burt Reynolds (Boogie Nights)
David Koechner (Anchorman)
Willie Nelson (Angels Sing)
Lynda Carter (Wonder Woman)
Alice Greczyn (Sex Drive)
Steve Lemme (Super Troopers)
Michael Weston (Garden State)
M.C. Gainey (Lost)
Andrew Prine (V)
Barry Corbin (Anger Management)

Cousin Bo (Seann William Scott), Luke (Johnny Knoxville), and Daisy Duke (Jessica Simpson) run a moonshine business for their Uncle Jesse (Willie Nelson) in the fictional Hazzard County, Georgia. The cousins’ primary mode of transportation is an orange 1969 Dodge Charger that the boys affectionately refer to as the “General Lee”. Along the way, the family is tormented by corrupt Hazzard County Commissioner Jefferson Davis Hogg, widely known as “Boss Hogg” (Burt Reynolds), and his willing but dimwitted henchman, Sheriff Rosco P. Coltrane (M. C. Gainey).After Rosco has the General Lee wrecked during Bo’s attempt at winning his fifth consecutive local road rally, Billy Prickett (James Roday), a famous stock-car driver, enters Hazzard to participate in the rally. Meanwhile, Rosco plants a fake moonshine still (“’cause he’s too dumb to find the real one”) in Uncle Jesse’s barn and seizes the Duke property in the interest of eminent domain for Boss Hogg, forcing the family to temporarily reside with neighbor and Uncle Jesse’s love-interest, Pauline (Lynda Carter). Pauline informs the Dukes that Rosco seized another farm on charges so Bo and Luke investigate a local construction site and find geologic core samples with the help of bait-shop owner Sheev (Kevin Heffernan). Meanwhile, Coltrane makes arrangements to seize the General Lee as “evidence” from the local auto body shop run by the Dukes’ friend Cooter Davenport (David Koechner), who instead turns the car into a hot-rod and applies a new paint job and horn, in return for finally getting payment for all the work he has done (“…’cause that’s how this works…”) for the boys in the past.After retrieving the General Lee before Rosco can, the Dukes go to Atlanta to visit a local university geology lab, meeting up with Katie-Lynn Johnson (Nikki Griffin), a Hazzard county girl and the Dukes’ love interest, and her Australian roommate Annette (Jacqui Maxwell). At the lab, they discover Boss Hogg’s intentions of turning the county into a strip coalmine. They are later arrested by Atlanta Police after running from campus police. Back in Hazzard, Daisy learns, with the help of Sheriff Deputy Enos Strate (Michael Weston), that Billy Prickett has been hired by Boss Hogg to participate in the Rally as a ringer. Boss Hogg then heads to Atlanta where he informs the Duke boys, in lock-up, that they are too late to stop him and reveals that the vote on Hogg’s proposition is at the same time as the rally, explaining Billy Prickett’s involvement. During a transfer from detainment, Daisy helps the boys escape from the patrol car and they speed home to try to inform the townsfolk, escaping Atlanta Police, and the Georgia State Patrol after Bo out-maneuvers the city cops.Upon returning home, the Dukes discover that Rosco has taken Uncle Jesse and Pauline hostage, an obvious trap for the boys, and that Billy is in on the scheme because he’s ashamed of the town’s low status. The two race to the farmhouse to cause a distraction to the waiting Hazzard County Sheriff’s Deputies and Georgia State Troopers while Daisy and Cooter rescue Jesse and Pauline. Meanwhile, the college girls head to the rally with Sheev to inform the townsfolk about the vote on the strip-mining ordinance. Because of Sheev’s armadillo hat and lack of pants, no one listens, so Bo leaves for the rally while Luke and Jesse team up to foil the county and state police who are chasing Bo, interfering with the race. Upon crossing the finish line first, before Billy, the two continue racing back and forth all the way into town, leading the townsfolk to the courthouse just in time to vote against Boss Hogg’s proposed ordinance. At the courthouse, Daisy takes advantage of the governor of Georgia’s presence and TV cameras to convince him into pardoning the boys, so Uncle Jesse takes the opportunity to knock out Boss Hogg and gets a pardon for assaulting a county commissioner at the same time.The final scene shows a cook-out at the Dukes’ house where Pauline convinces Uncle Jesse, who could not be found because he was “using the meat smoker”, to get up and play the television series’ main theme. Bo and Luke are romantically involved with the girls in the General Lee when they are caught by Luke’s other love-interest Laurie Pullman (Alice Greczyn) from the intro of the film, who proceeds to chase them with a shotgun as they drive away.It’s reasonably faithful to the original, at least on the Duke side. The car is very, very good. And, if you can get over the simplistic plot and awkward attempts to bring it up to date, it’s a fairly fun evening’s viewing.

 

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REVIEW: SUPER TROOPERS

CAST

Jay Chandrasekhar (The Dukes of Hazzard)
Paul Soter (Club Dread)
Steve Lemme (Beerfest)
Erik Stolhanske (News Movie)
Kevin Heffernan (The Babymakers)
Brian Cox (The Bourne Identity)
Daniel Von Bargen (Robocop 3)
Marisa Coughlan (Bones)
Lynda Carter (Wonder Woman)
Jim Gaffigan (17 Again)

The film takes place in the fictional town of Spurbury, Vermont, near the Canada–US border. The plot centers on five Vermont state troopers who seem to have more of a knack for pranks than actual police work. Most of their time is spent devising new ways of messing with the heads of the people they pull over and hazing “Rabbit,” a new recruit. They also find time to torment their easily infuriated radio dispatcher, Rodney Farva, who has been exiled from patrol work because he was involved in a fight with several students during a questionable traffic stop of a school bus, which is later revealed during the credits. Their days of pranking and slacking off are cut short when the troopers suddenly find themselves attempting to solve a murder, bust a drug-smuggling ring, and avoid having their post eliminated by the state’s impending budget cut — resulting in their transfer, or quitting and opening up a roller disco.

The troopers have an ongoing rivalry with the Spurbury Police Department, Spurbury’s local police. They repeatedly enter conflicts with them (“highway cops versus the local cops”); one such dispute breaks out into an all-out fistfight, further increasing the station’s chances of being shut down. The rivalry eventually results in the governor’s (Lynda Carter) praise for the efforts of the Spurbury PD, who had managed to keep one step ahead of the state police by making their department appear responsible for the confiscation of the smuggled drugs. Defeated, the defrocked troopers unexpectedly stumble upon the scheme in which the local police are running protection for the aforementioned drug smugglers. The film’s epilogue finds the highway post still eliminated due to the budget cuts; however, the troopers become the new officers of the Spurbury PD replacing their incarcerated corrupt predecessors and thus free to continue their shenanigans in and around their jurisdiction.super-troopers_wide-6a85e236927ebc3740b8aa5f27c614ef73d6a1d9-s900-c85It’s a film that  People either love it or hate it- the majority seem to hate it but I personally love it. It really appeals to my sense of humour and I find myself laughing out loud at it. The characters are brilliant and believable. Witha sequel coming out it will be interesting what comes next.

REVIEW: WONDER WOMAN – SEASON 1-3

CAST

Lynda Carter (Supegirl)
Lyle Waggoner (Love me Deadly)
Beatrice Colon (Happy Days)
Richard Eastham (Toast of The Town)
Norman Burton (Valley of The Dolls)
Saundra Sharp (The Learning Tree)

RECURRING / NOTABLE GUEST CAST

Red Buttons (The Longest Day)
Stella Stevens (The Poseidon Adventure)
Cloris Leachman (American Gods)
Christine Belford (Outlaws)
Lynda Day George (Chisum)
Anne Francis (Forbidfden Planet)
Dick Van Patten (Spaceballs)
Linda Carpenter (Apoclaypse Now)
John Saxon (A Nightmare on Elm Street)
Carolyn Jones (The Addams Family 1964)
Debra Winger (Tears of Endearment)
Pamela Susan Shoop (Halloween 2)
Robert Loggia (Scarface)
Robert Reed (The Brady Bunch)
Tim O’ Connor (The Naked Gun 2 1/2)
Robert Hays (Airplane)
Harris Yulin (Ghostbusters 2)
Charles Cyphers (Halloween)
Fritz Weaver (Creepshow)
Bettye Ackerman (Rascal)
Jessica Walter (Arrested Development)
Brooke Bundy (A Nightmare on Elm Street 3/4)
Barry Dennen (The Shining)
James Hong (Agents of Shield)
Beatrice Straight (Poltergeist)
Bob Hastings (Batman: TAS)
Eve Plumb (Fudge)
Denny Miller (Wagon Train)
John Colicos (The Changeling)
Celeste Holm (High Society)
Roddy McDowall (Planet of The Apes)
Dick Rambo (Another World)
Earl Boen (The Terminator)
Anne Ramsey (The Goonies)
Frank Gorshin (Batman 60s)
John Rubenstein (Angel)
Ed Begley Jr. (Veronica Mars)
Hal Englund (Power Rangers Lightspeed Rescue)
Leif Garrett (The Outsides)
Martin Mull (Sabrina: TTW)
Lance LeGault (Mortal Kombat: Annihilation)
Craig T. Nelson (My Name Is Earl)
Mako (Conan The Barbarian)
Rene Auberjonois (Star Trek: DS9)
George Cheung (Rambo: First Blood)
Sheryl Lee Ralph (Moesha)
Judge Reinhold (Beverly Hills Cop)
Donnelly Rhodes (Tron Legacy)
Marc Alaimo (Total Recall)
Joan Van Ark (Knotts Landing)

Wonder Woman is a somewhat forgotten show, it’s not on syndication much, but it’s gotten a boost from a successful release on DVD. The first season takes place in the 1940s with Wonder Woman constantly fighting to dismantle the Nazi’s schemes. The following two seasons take place in the 1970s, and they will be released on DVD soon.

The show is always bordering on the level of high camp, but like most every show from the 1970s, it tells its’ story in a very plain straightforward fashion. Wonder Woman comes to the aid of Steve Trevor, who can never seem to help himself (the male in distress). Someone they know turns out to be an undercover Nazi spy, who is trying to steal valuable information or hurt many Americans.

Lynda Carter, first of all was amazing. She seemed to hit her stride in the part as the series continued and she is often so charming and innocent that you can’t help but like her. Her values and strength of character are idealistic, but they’re also missing in today’s female heroes, who are so dark sometimes, they lose their charm. In many ways, watching Lynda as Wonder Woman is a breath of fresh air and of course, there still doesn’t seem to be a woman other than her who could wear that outfit and pull it off. When Wonder Woman first walks on the city streets in the pilot, you don’t know what to think, but Lynda plays her so innocently she’s fantastic.

She is the driving force, but the innocent quality of the show (good vs. bad) is unique from today’s perspective. The comic book captions at the leads of scenes give it a tie to the comics. The guest stars are often interesting and have good roles and Lyle Waggoner is consistent in a rather thankless role as Steve Trevor.  It may not hold up perfectly today, but it’s a nice time capsule series and Lynda Carter does hold up well in a role she was born to play. And along with the Hulk, this was the best of the slew of comic book hero shows from the 1970s-early 80s.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: SKY HIGH

CAST
Kurst Russell (Death Proof)
Danielle Panabaker (The Flash)
Michael Angarano (Almost Famous)
Kelly Preston (Twins)
Nicholas Braun (Red State)
Mary Elizabeth Winstead (Final Destination 3)
Lynda Carter (Wonder woman)
Bruce Campbell (Evil Dead)
Cloris Leachman (Scary Movie 4)
Jim Rash (Community)
Kevin McDonald (Galaxy Quest)
Patrick Warburton (Family Guy)
Will Stronghold (Michael Angarano) is beginning ninth grade at Sky High, a high school that teaches super powered children. Will’s parents are The Commander (Kurt Russell) and Jetstream (Kelly Preston), the world’s most famous superheroes. Will’s best friend is Layla (Danielle Panabaker), who has the power to manipulate plant life.
Will is anxious about attending Sky High, located on a floating campus reached by flying school bus, because, unbeknownst to his parents, he has not developed any super powers. The first day he and the other grade nines are harassed by a trio of bullies: the super fast Speed (Will Harris), Lash (Jake Sandvig) who can extend his body, and cheerleader Penny (Khadijah Haqq and Malika Haqq) who can create duplicates of herself. Because of his lack of powers, Will is slated to enter a curriculum for “Hero Support” and become a sidekick. His classmates include Ethan (Dee Jay Daniels) who can melt into a fluid, Zach (Nicholas Braun) who glows in the dark, Magenta (Kelly Vitz) who becomes a guinea pig, and Layla who joins the class in protest against the two track nature of the school’s education. The class is taught by The Commander’s former sidekick “All American Boy” (Dave Foley).
The Commander, unaware that his son has been relegated to Hero Support, shows Will his hidden trophy room. He is particularly proud of the mysterious weapon “The Pacifier” which he took from his science themed nemesis Royal Pain years ago. Unknown to either of them, Royal Pain, who had been presumed dead, watches the exchange from a hidden camera in one of the other trophies. As Will settles in to Sky High and makes friends with the other sidekicks he comes into conflict with fire wielding student Warren Peace (Steven Strait), whose supervillain father had been imprisoned by The Commander. During a fight between the two, Will demonstrates super strength, impressing Gwen Grayson (Mary Elizabeth Winstead), a beautiful and popular “technopath” who controls machines with her mind. Will begins spending more time with Gwen and her popular friends, ignoring the sidekicks and Layla, who reveals to Warren that she has loved Will for a long time.
On the day before the dance, Gwen tricks Will into throwing a party at his house, and she uses Speed to steal the Pacifier when she seduces Will into showing her the Secret Sanctum. After Gwen lies to Layla, who shows up to investigate the noise and believes the lie, Will breaks up with Gwen refusing to attend the dance even though his parents are going as honored guests. Later, he looks through his father’s old yearbooks and sees a student who resembles Gwen. Believing that the student is Royal Pain and that Gwen is her daughter he rushes to the dance.
At the dance party, Gwen reveals that she is in fact Royal Pain. During her previous confrontation with the Commander, the Pacifier, which is meant to turn its target into an infant, had malfunctioned, turning her into a baby instead thus faking her suspected death. She has since waited sixteen years for revenge. With the help of Speed, Lash, and Penny, she takes over the school and uses the Pacifier to turn the faculty and students into infants. When Will arrives at school, he apologizes to Layla and teams up with Warren and the sidekicks to try to save the day. The sidekicks demonstrate their heroism after Royal Pain sabotages the school’s anti-gravity drive and their powers come in handy restarting it. Will, meanwhile, discovers that he also has his mother’s powers of flight when he is thrown off the edge of the school grounds and must prevent the campus from falling. Gwen and her henchmen are defeated and arrested and the faculty and students are returned to their proper ages. Will and Layla kiss, and a voiceover at the end reveals that they become a couple, he and Warren became best friends, and Ron Wilson gained superhuman powers after falling into a vat of toxic waste, and became a superhero.
This is a film that everyone should enjoy. Kids will love the exciting story and spectacular special effects, and there is plenty of humor that will appeal to adults.

12 DAYS OF CHRISTMAS REVIEW: WONDER WOMAN – THE CHRISTMAS EPISODES

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CAST
Lynda Carter (Sky High)
Lyle Waggoner (Return To The Batcave)
THE DEADLY TOYS
Frank Gorshin (Batman 60s)
James A. Watson Jr. (Airplane 2)
John Rubinstein (Angel)

 Three world renowned scientists,  Dr. Tobias, Dr. Prescott and Dr. Lazaar and members of the military are seated around a conference table listening to Dr. Tobias discuss Project XYZ. He angrily tells them that when he and his colleagues realized they were developing the most devastating weapon that would escalate the arms race. Each of them was responsible for one part of its development. To prevent it from falling into the wrong hands they have burned every page of notes, every equation and every trace of their work. The military men look uncomfortable, except for  Major John Dexter [JOHN RUBINSTEIN]. As Dr. Tobias continues, a strange high-pitched buzzing sound is heard and it continues to grow louder.  Soon Dr. Tobias eyes are blinking in a mechanical, rhythmical manner. As the high-pitched sound becomes piercing, Dr. Tobias slowly begins to melt. While the people around the table look on with horror, Dr. Tobias melts to a blob of slightly smoking liquid plastic and formless clothing, hair and wiring.  The next day, Dexter, an old college friend of Steve’s, explains to Diana Prince  and Steve Trevor, Jr. That the real doctor was replaced by an android. Since all three scientists are involved in Project XYZ, there is the possibility that the other two, who are still flesh and blood, may also be replaced by an android. Steve and Diana decide that they must place both remaining scientists under tight security and Steve leaves to arrange this.

Diana leaves to check Tobias’ laboratory for clues. Somebody is already there when she arrives and he pulls out a gun and tells Diana not to move as he makes his escape. Diana sets off after him and spins into Wonder Woman. She captures the man with her lasso and asks him what he was doing in Tobias’ laboratory.   Meanwhile Steve, accompanied by Dexter, has just placed Prescott in a secure location and is returning to his car just as the phone rings. It is Diana who tells Steve that she wasn’t the only one at Tobias’ laboratory.  A short while later a package is delivered to Dr. Prescott -a set of toy soldiers, which he seems to have been expecting. As he places the soldiers into their positions a miniature cannon fires a needle into Prescott’s arm. He gasps, he eyes glaze over and he appears frozen, stupefied, mouth slack and eyes staring. The phone rings and a voice instructs him to do exactly as it says. He leaves the apartment, walking by the guard who suffered the same fate by a toy, and walks to the back stairway. Another Prescott appears and the real Prescott disappears.  It is the Christmas season and a toy maker,  Orlich Hoffman , is busy putting the finishing touches on a toy drummer when a buzzer sounds. He walks to the back of the toy shop and two men enter carrying a long coffin-like box. Inside the crate is the real Dr. Prescott, sound asleep.

Meanwhile, the android Prescott is being visited by Diana. He insists that she has a cup of tea. While questioning him about Project XYZ, she notices that one of his hands is on a hot burner with the coils glowing red, she pulls it off the coil. He quickly jerks his hand away but knowing he’s been caught with no chance of reprieve. He starts to speak and his eyes begin to blink rhythmically too, Diana releases that Prescott has also been replaced by an android. Diana rushes to Dr. Lazaar’s apartment and has a doctor verify that he is still human, warning him that he is the only one that hasn’t been replaced with an android. She tells him that he will have to be moved again so that he will be safe. She notices a set of toy soldiers and questions him as to where he purchased them, then leaves immediately for the toy shop. Diana arrives at the toy shop and meets the owner Hoffman, who grows suspicious when she asks to purchase toy soldiers. He invents many excuses and send her to another toy shop. He hands her a little Santa Claus to put on her dashboard, to make up for his rudeness. It is really a tracking device for a toy plane that will follow and kill Diana. As Diana drives away she notices the plane above her car. It swoops low and drops explosive devices. She stops the car and runs to take cover as more devices are fired toward her. She spins into Wonder Woman and uses her bracelets to deflect two further shots then leaps up and catches the plane. She carries it over to the car and realizes that the Santa Claus was a tracking device.  Later that night, Hoffman applies the finishing touches one of his most recent creations -another android identical in form, figure and costume to Wonder Woman.

Back at Steve’s office Diana tells Steve about the plane and is just telling him that she has had Lazaar moved when Dexter arrives. He seems very agitated and becomes more so when Diana refuses to tell either of them where she has moved Lazaar too. Diana has grown suspicious of Major Dexter. She checks him out with the computer console, IRAC. As IRAC flashes out the information she requests, she now knows that her suspicions were correct. Dexter and the toy maker are working together. While she is gathering her information, Dexter and Hoffman are together in the toy shop. They are making plans to capture Diana as she is the only one who knows where Dr. Lazaar is. Through a phony telephone call, using Steve Trevor’s voice to convince her, they lure her to a park in the middle of the night and to her surprise the android Wonder Woman is waiting for her. She tells her that the two missing scientists are in the basement of the toy shop. Diana follows warily.  She is greeted by Dexter, who points a gun at her and demands that she tells him where Lazaar is. She tells him that she knows he is behind the switches and that she won’t tell him Lazaar’s location. Hoffman opens the lid of a box near Diana and releases some toy butterflies. One lands on Diana’s hand. It clamps on and a needle appears where its mouth should be. As it bites her, she immediately staggers and falls to the ground, out cold. When she comes round Dexter is sitting beside her. The butterfly contained a truth serum and she tells Dexter that Lazaar is at her apartment. He leaves to get him and Wonder Woman is left to guard Diana. She slowly regains consciousness and sees Hoffman and ‘Wonder Woman” loading Prescott and Tobias onto a truck. She realizes she talked in her sleep and Dexter is on his way to get Lazaar in the hiding place. She gets up and whirls into the real Wonder Woman. The two Wonder Women battle and one crumples to the floor. Hoffman has no idea if it’s his android or not. The two continue loading the van and pick up Dexter. When they explain to him their reason for being late, he becomes suspicious He fires at Wonder Woman and she’s forced to deflect the bullet. He knows it is the real Wonder Woman. Hoffman runs but is knocked off his feet by Wonder Woman’s tiara. She stops Dexter from getting away by holding onto the back of the van.

Diana and Steve watch from a distance and they see Dexter and Hoffman drive off in the truck thinking that their precious cargo are the three scientists. Since the lasso makes people forget things that have happened, they are not aware that Steve and Diana have substituted three androids for the real scientists. Steve and Diana take great pleasure in realizing that Hoffman and Dexter will get what they deserve when the people who paid them for three live scientists will be getting three androids. Diana tells Steve she has something she needs to do.  Wonder Woman stands outside Hoffman’s toyshop, she sprays  “Merry Christmas W.W.” onto the window, turns around and smiles.

Wonder Woman is a classic show and the first Christmas episode was a classic and is one I watch every Christmas and will continue. Biggest highlight of course is Wonder Woman vs Wonder Woman.
POT OF GOLD
GUEST CAST
Dick O’ Neill (The Jerk)
Brian Davies (All My Children)
Steve Allie Collura (Perfect Gentleman)

Diana Prince  is on a stake-out in London. She picks up the car phone and reports to the Inspector that she is outside Thackery’s office and is waiting for someone to come out. Inside Thackery’s office, he is giving instructions to a courier  who is on a very important assignment to him. He is to deliver three elements required to produce hundred dollar bills. Counterfeit of course. Accompanying the courier will be a killer dog, Rasputin. The courier leaves the office for the airport with Diana following him. The dog is led to a room behind the counter and the courier leaves the counter and notices Diana behind him. He runs onto the field. Diana whirls into Wonder Woman and runs after him -leaping over planes -catches him. When she asks him where the counterfeit plates are, he informs her that they are on the dog. She looks up and sees that the plane has just taken off for America.

While this was happening in London, Pat O’Hanlon  a man in his fifties who talks with a thick Irish brogue and a cobbler by trade, is just closing his small store which is located on a quiet street in Washington, D.C. He leaves his store and is attacked by two men, Rancher  and Maxwell  who demand he turn his gold over to them. They put him in the back of their van and moments later, they turn to check on him and he is gone. He disappeared into thin air… They report this to their boss, Bonelli who is very angry. He needs the old shoemaker’s gold to buy the counterfeit plates. He promised Thackery the money and he wouldn’t dare not come through. In the meantime, Diana has contacted Steve  to clue him in about Rasputin. He drives to the airport and watches the animal crates being lowered. Unbeknown to Steve, a truck pulls up, stops and the driver gets out. As soon as the latch to the dog crate is opened, the driver blows a whistle and the dog reacts to the silent whistle by running across the airfield, jumps into the truck and the truck races out of sight. Steve stands there and watches it.   A few days later Thackery arrives in Washington. Bonelli toes not have the gold to pay him for the counterfeit plates. Thackery tells him that the dollar has gotten stronger against the pound and he is upping the price by $50,000. Bonelli must do something fast. He and his two henchmen pay Pat another visit. This time Pat takes them to the basement of hls shop and in the center of the floor, Pat sweeps away the dirt from a heavy lid. He raises the lid and there is a large receptacle filled to the top with gold coins. They take the gold and leave Pat locked in the basement. Through a secret trapdoor, Pat escapes and follows them to their hideout. He overhears them discussing that they must steal more gold. He hides in back of an armored truck. They leave for the next job; which is to steal a small shipment of gold. What they to not know is that is a set-up arranged by Steve and the IADC. So much gold has been stolen lately that the IADC was called in to help catch the thieves.
3696d4affd4b2e847380b40b0444a5deDiana is dressed as a security guard. Just as she is ready to catch Maxwell and Ranchers Pat flings open the back of the armored truck and ruins Diana’s chances. Pat is thrown to the ground as the truck quickly speeds off. Diana whirls into Wonder Woman, leaps into the air and lands on top of the truck. Pat is now up on his feet and tries to block the gateway. Rancher and Maxwell are about to run him over when Wonder Woman leaps from the top of the truck and saves Pat’s life. The two thugs get away.  Bonelli now makes plans to meet Thackery and get the counterfeit plates. Pat, who now knows where Bonelli’s hideout is, hears the plans. But, once again, he is caught and tied up. What Pat doesn’t know is that Diana has been following him, and when the thugs to meet Bonelli, she whirls into Wonder Woman and saves Pat. Once inside the hideout, they find an address and know that is where Bonelli is to meet Thackery. She instructs Pat to call Steve. Bonelli and Thackery meet at the appointed place. An exchange of the gold for the counterfeit plates is to take place when Thackery tells Bonelli that the plates are on the dog. As Bonelli reaches for the dog, Rasputin growls and snaps. Bonelli .now realizes that it is a double cross. Steve now moves in and captures Bonelli and his two henchmen. But, Thackery grabs Pat and uses him as a shield as he runs to a waiting helicopter. Diana whirls into Wonder Woman and comes running up behind the helicopter. The helicopter takes off and Thackery pushes Pat out the door. Wonder Woman easily catches him. She then unties her lasso, throws it and it wraps itself around one of the struts on the chopper. She begins pulling the chopper to earth by drawing on the
lasso and within minutes the chopper is on the ground. Thackery is taken away. Wonder Woman promises Pat he will get his gold back. He smiles so kindly that Rasputin turns into a playful little puppy dog…
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Thou not as memorable as The Deadly Toys, this episode Pot of Gold is still a nice episode it has a cuteness too it, thou a Christmas episode the Christmas theme is mostly just in the background so its one that can be watched anytime.

REVIEW: TWO AND A HALF MEN – SEASON 9-12

 

MAIN CAST

Ashton Kutcher (That 70s Show)
Jon Cryer (Superman 4)
Angus T. Jones (Bringing Down The House)
Marin Hinkle (I Am Sam)
Holland Taylor (D.E.B.S.)
Conchata Ferrell (Krampus)
Amber Tamblyn (Django Unchained)
Edan Alexander (Emily & Tim)

RECURRING / NOTABLE GUEST CAST

Jenna Elfman (EdTV)
Thomas Gibson (Criminal Minds)
John Stamos (Full House)
Tricia Helfer (Battlestar Galactica)
Katherine LaNasa (Lie To Me)
Jenny McCarthy (Scary Movie 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Missi Pyle (Dodgeball)
Jeri Ryan (Star Trek: Voyager)
Jennifer Taylor (Rumor Has It…)
Liz Vassey (tru Calling)
Emmanuelle Vaugier (Human Target)
Melanie Lynskey (Up In The Air)
Ryan Stiles (Hot Shots)
Joel Murray (Mad Men)
Martin Mull (Sabrina: TTW)
Stephanie Jacobsen (Terminator: TSCC)
Judy Greer (Jurassic World)
Nicholas Gonzalez (Sleepy Hollow)
Courtney Thorne-Smith (Melrose Place)
Jane Lynch (Glee)
Joe Manganiello (How I Met Your Mother)
Macey Cruthird (Deeply Irresponsible)
Taylor Cole (Heroes)
Rebecca McFarland (Faking It)
Gary Busey (Predator 2)
Vernee Watson (The Big Bang Theory)
Sophie Winkleman (The Chronicles of Narnia)
Jonathan Banks (The Lizzie Borden Chronicles)
Jim Piddock (The Man)
Mimi Rogers (Ash Vs Evil Dead)
Jane Carr (The Five-Year Engagement)
Travis Van Winkle (Meet The Spartans)
Matthew Marsden (Rambo)
Talyan Wright (The Secret Life of Me)
Patton Oswalt (Caprica)
Georgia Engel (Grown Ups 2)
Kathy Bates (Tammy)
Graham Patrick Martin (MAjor Crimes)
Michael Bolton (Glee)
Brit Morgan (Supergirl)
Miley Cyrus (Big Fish)
Lindsay Price (Club Dread)
Steven Krueger (The Originals)
Brooke D’Orsay (The Skulls 3)
Rebecca Marshall (Raze)
Willie Garson (Stargate SG.1)
Jaime Pressly (Mom)
Elaine Hendrix (Anger Management)
Mikaela Hoover (Super)
Emily Osment (Mom)
Jessica Lundy (Single White Female)
Amanda Detmer (Final Destination)
George Coe (Smallville)
Marilu Henner (The Crazy Ones)
Hilary Duff (Agent Cody Banks)
April Bowlby (Mom)
Jason Alexander (Shallow Hal)
Carl Reiner (The Cleveland Show)
Shanti Lowry (The Game)
D.B. Sweeney (Mountain men)
Lynda Carter (Woman Woman)
Spencer Locke (Monster House)
Paula Marshall (Veronica Mars)
Kate Miner (Fifty Shades of Black)
Diane Farr (Roswell)
Aly Michalka (Izombie)
Odette Annable (The Unborn)
Clarke Duke (Kick-Ass)
Brooke Lyons (2 Broke Girls)
Marion Ross (Happy Days)
Garry Marshall (Pretty Woman)
Kimberly Williams-Paisley (Father of The Bride)
Mila Kunis (Ted)
Diedrich Bader (Bones)
Maggie Lawson (Pleasantville)
Alessandra Torresani (Caprica)
Gwendoline Yeo (The Batman)
Bill Smitrovich (Ted)
Arnold Schwarzenegger (Total Recall)
Christian Slater (True Romance)

 

This season focus on Alan (Jon Cryer) and his son Jake (Angus T. Jones) moving on with their lives after Charlie Harper (Charlie Sheen) unexpectedly dies off-screen due to a subway train while in Paris with Rose with the help of their new housemate, internet billionaire Walden Schmidt (Ashton Kutcher), who buys the Malibu Beach House which was put up for sale by Alan and Jake Harper. Walden, who is a dot-com billionaire, is in the process of being divorced by his wife.

Alan temporarily moved in with his and Charlie’s mother Evelyn after Charlie’s beach house was sold to Walden. Alan and Jake were invited to move back into Charlie’s beach house by Walden after Alan with the help of Walden’s ex-wife Bridget saved him from a con-artist. Walden, Alan and Jake eventually bond and formed a surrogate family unit. Walden starts to date Zoey, a British woman he met at The Malibu Grocery Store. Charlie pays Alan a visit from the afterlife, as a ghost trapped in a woman’s body (Kathy Bates) but his intentions for coming back are rather suspicious. Jake approaches adulthood fast pending his graduation from high school. Jake joins the army after graduation and leaves Malibu at the end of the season.

Although season 9 takes some getting use to without Charlie Sheen, I think Ashton Kutcher adds a freshness to the show, with his child like nature and blossoming friendship with Alan makes this season worth while. Waldans relationship with Zoey is just adorable and its nice to see her in several episodes

Walden is still dating Zoey and plans a big surprise for her Birthday dinner. Walden takes her out to eat where he has Michael Balton perform and he proposes marriage to her. Zoey refuses and breaks up with Walden revealing she has met someone else. After a night of binge drinking, Walden has some of Berta’s pot filled brownies and picks up a drunk girl. Walden brings her home to have sex, but he starts hallucinating his Zoey, his ex-wife, Bridget, his mother, Robin, and Michael Balton, and drives his date away. Meanwhile, Jake adjusts to life in the military, sporting a shaved head, and Alan is on edge because any permanent relationship between Walden and Zoey will lead to his eviction from the house and inevitable homelessness.

Walden doesn’t take his break up from Zoey pretty well and releases his anger on Alan, Robin, and his business partner Billy. After a slight intervention, Walden runs away from the beach house and returns the following day with a dog. After the dog destroys his home, he goes to Zoey’s apartment and gives her daughter, Ava, the dog as a birthday present which she names Walden.

Alan and Lyndsey decide to progress their relationship by having a threesome. Alan likes the idea at first, but he soon learns that she wants to have two guys and one girl. Alan only agrees if they can have a threesome with two girls and one guy afterward. The first threesome involves Walden, but after he can’t go through with it and starts crying over loosing Zoey, Alan and Lyndsey move on to Alan’s version of a threesome. They pick up a woman at a bar, but before they can have the threesome, she meets Walden, and Alan and Lyndsey spend the night listening to them have sex.

Walden begins to feel his age when a family friend of his, Missi (Miley Cyrus), comes to visit. He mistakes her advances for flirtation, only to find that she really wants to set up Walden with her mother. Missi is revealed early-on to be very talkative, not giving others a chance to get a word in. Jake comes home on a weekend leave from the Army, meets Missi, and is smitten right away. They begin a short affair, but as Jake is leaving to return to base, Missi reveals to him that she has a boyfriend. This leaves Jake wondering how he can compete, but also wishing he “did it” more with her.

After a few weeks in the relationship, Walden asks Rose to move in so they can spend more time together. The next day, however, Walden gets a call from Zoey, and the two go out for coffee, where Zoey confesses that she still loves Walden and wants to give the relationship another try. Walden agrees, but does not know how to tell Rose, as she has already moved in. That night, on the deck, Walden tells Rose about Zoey and that he wants to get back together with her. Rose seemingly understands and accepts the decision, but as Walden begins to feel comfortable, Rose sends her ferrets to attack him. She later shows up at Zoey’s place and makes it look like Walden knocked her [Rose] up. Zoey confronts Walden about this and, despite Walden telling her the entire true story, ends up leaving him again after finding out that Rose moved in. Later, Alan borrows Walden’s car and is attacked by two of Rose’s ferrets that she had planted in the car.

Alan gets a visit from his hot second ex-wife, Kandi (April Bowlby), who became a famous actress in the CSI-parody Stiffs and, to the surprise of Walden (who loves the actress and finds her very attractive), wants to get back together with Alan. However, being in a committed relationship with Lyndsey, Alan tries to do the right thing by turning down Kandi and telling Lyndsey. Lyndsey is happy and tearful that Alan turned down a hot celebrity for her, and she engages in an incredibly wild night of sex with him. Lyndsey later sees paparazzi photos of Alan and Kandi looking like they were having sex, when Alan was really trying (successfully) to thwart Kandi’s seduction attempt. After Alan fails to clear up the misunderstanding with Lyndsey, Kandi goes over to her house to explain the truth. The two women for no apparent reason end up having sex, which they agree should never be revealed to Alan. Meanwhile, Walden visits Berta on her birthday with a marijuana-laced cupcake, and they get stoned beyond humanly possible. Walden surprises Berta with a new luxury sports car for her birthday, and they mirror the Kandi-Lyndsey agreement by declaring they cannot let Alan (who has a rundown vehicle) know about the gift. Lyndsey, now knowing the truth and rejuvenated from cheating on Alan with Kandi, forgives Alan, while Berta prepares to cheerfully let Alan know of her “good fortune”.

Walden has tired of dating or even meeting women who are only interested in his vast fortune; he decides to create an online persona as a poor schlub named “Sam Wilson” who is very much like Alan Harper (no job, no prospects, and no charm). When he goes shopping for discount clothing, he meets a wannabe fashion designer named Kate (Brooke D’Orsay) who is currently a salesperson at the store. She agrees to go to dinner with him, and they really hit it off. Kate later meets Alan, after “Sam” tells her that Alan owns the house he lives in. Alan immediately takes on a rich man’s persona, and acts like a jerk to both Kate and “Sam”. After two weeks of a budding relationship, Kate suggests that “Sam” get out from under Alan’s influence and move in with her until he can get on his feet, so Walden heads off and leaves a gleeful Alan at the beach house. While cuddling together, Kate asks “Sam” that they have no secrets or lies between each other. So Walden tells her he is a billionaire, but she does not believe him and laughs off his “joke”. Meanwhile, Alan ends up getting drunk and ordering people off his “private beach” while wandering around in an expensive bathrobe and no pants.

Still pretending to be the poverty-stricken “Sam Wilson”, Walden spends Christmas with Kate, who urges him to get a job. He then gets a call from his internet business partner Billy, who tells him that they have been offered $800 million for their “electronic suitcase”. Billy wants to sell, but Walden wants to hold out for a higher price. “Sam” gets a job selling Christmas trees, which he takes to immediately and enjoys. Billy stops by the Christmas tree lot multiple times with new offers, urging Walden to sell, but Walden repeatedly shoos him away, saying he will not sell for less than $1.4 billion. Just as “Sam” closes a $40 deal with a Christmas tree customer, Walden and Billy close a deal to sell their electronic suitcase for $1.2 billion. After Kate’s sewing machine breaks, Walden uses his Christmas tree commissions to buy her a new one for Christmas. Walden feels much happier with Kate in his new blue collar world. Meanwhile, Alan plans to spend Christmas Eve with Evelyn, Jake and Lyndsey, but none of them are able to come. Jake plans to spend Christmas with his girlfriend and her children, Evelyn is having plastic surgery, and Lyndsey has to go to Cleveland to help her grandmother, who broke her hip. Alan begins to feel alone and miserable, until a less-than-willing Berta comes to seemingly comfort him.

Kate falls into depression after failing to achieve her dream of becoming a fashion designer, so Walden tries to help out. He gives Alan $100,000 to invest in Kate’s fashion line, which Alan takes a disliking to, but invests anyway. Meanwhile, Walden’s stress of being himself and “Sam Wilson” begins to get to him, causing him to lose his hair, and making him unable to sleep or get an erection. Alan tries to help him with his erection problem by taking him to Charlie’s pharmacist, Russell (Martin Mull), who offers weird solutions. After Kate leaves for a fashion show in New York City, Walden decides he will abandon his “Sam” persona and reveal to her who he really is. Stressed about how he is going to do it, Walden spends the next three weeks at Kate’s apartment gorging himself with junk food, and becoming fat.

Kate is having a fashion show in New York City. Walden, now fed up with his double-life and feeling that Kate might be “the one”, finally decides that he should throw away his “Sam Wilson” alias and confess to her who he really is. Walden decides that he and Alan must go to the show so that “Sam” can tell Kate the truth in person. Alan is relishing the trip, and hoping to convince Walden to take him to a Broadway musical. Despondent over Kate’s reaction when Walden confesses his lies, the musical comes to them (“You’re a Douche”).

After Lyndsey waits outside the beach house for an hour before Alan gets home (forcing her to urinate in the shrubs), she gets upset with Alan when he refuses to give her a key to the house. Alan reasons that he cannot give her a key because the house belongs to Walden. When Alan goes to apologize, he discovers that she is going on a date with her gynecologist, Steven Staven (Willie Garson). Meanwhile, Walden is despondent over his breakup with Kate and Billy gets dumped by Walden’s ex-wife Bridget. They also run into Herb, who reveals that Judith left him after she caught him cheating on her with his receptionist. The four, bonding over their relationships-gone-bad, go for a night out without picking up any women. While in the hot tub at Herb’s place, Walden, Billy and Herb ridicule Alan’s reason for leaving Lyndsey, and encourage him to get her back, as he is the only one of the group who has a chance. Walden has no problem with her having a key, and Alan admits he really just wanted some occasional space from Lyndsey. With help from the others, who grab Steven, Alan gives Lyndsey a key and confesses that while she can do better than him, he cannot do better than her. The two reconcile. Steven reveals to the others that it would not have worked out with him and Lyndsey anyway, and they end up running from a rottweiler, leaving Herb behind.

Jake brings home his 36-year-old girlfriend, Tammy (Jaimie Pressley), and Alan becomes concerned about her and Jake, due to her job as a tattoo artist, her kids and time in prison. Despite her appearance, Tammy is a good-hearted woman, who knows how Alan feels about her and her relationship with Jake. Meanwhile, Jake tells Walden that he plans to marry Tammy in Las Vegas right away, but tells him not to tell Alan. Unfortunately, Walden spills the beans during dinner and Alan and Jake have a falling out over Jake’s decision to get married. As they pack for Vegas, Tammy tells Jake she wants their families to be there when (and if) they do get married and tells Jake to make amends with Alan. He does so, and Alan also apologizes, saying he just wants him to be happy. He is relieved that they are not getting married right away and thanks Tammy.

These are just some of the highlights of a great season, now were use to Ashton Kutcher, the show can move forward, this would be Jakes last appearance till the final episode (in season 12). The show continues to grow and bring in new recurring characters.

The creators  decided to spice things up and give Charlie’s daughter Jennifer a prominent role in the series. Yes, apparently one time, Charlie wasn’t careful enough when he was dating a certain woman and so along came ‘Jenny’ (Amber Tamblyn). The minute she appears on the show, you can clearly see why the makers of Two and a Half Men decided to bring her along for the ride. She’s just another Charlie, but in the form of a lesbian girl. And she’s just as hilarious as her late father.

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Besides Jenny, there’s another new recurring character who’s called Barry Foster (Clark Duke). Barry is a typical geek: very naïve, not that good with the ladies and a bit socially awkward. The newcomers are a much needed fresh wind in the series and they add a lot to the creation of hilarious moments. Besides those newcomers, you’ll see a lot more from Alan and Charlie’s mother Evelyn (Holland Taylor) as she has found a new lover (not coincidentally a very old man with lots and lots of money). Although Evelyn herself isn’t such a caricature like, for example, Alan or Jenny; she always succeeds in waiting for the right moment to drop sarcastic and ironic one-liners. As her screen time is mostly quite brief, it’s fantastic to notice how much of an impression she leaves behind every single time she crosses paths with the main actors. The same can be said of the-always-napping-housekeeper Berta (Conchata Ferrel) for that matter.

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Story wise, season 11 offers a lot of variety which keeps the viewer from getting bored with the plot. Acting performances are pretty good. Especially newcomer Amber Tamblyn knows how to put down a very likeable character without getting annoying. It’s great to see how Charlie’s role has been transferred to his daughter and it really fits the show perfectly. Kutcher too does a fantastic job with his Walden personage and of course, Two and a Half Men wouldn’t be the same without Jon Cryer.

Walden has a near-death experience, which causes him to take a good, long look at his life. Realizing his life has amounted to a whole lot of nothing so far, he tells Alan that he would like to adopt a child in order to add some meaning to his life. Walden soon discovers that it is next to impossible to adopt a child as a single dad, so he proposes to his roommate and long-time friend, Alan, and the two pose as a gay couple and ultimately adopt Louis. Of course, it wouldn’t be a season of Two and a Half Men if our guys didn’t behave badly, so it’s not long before Walden and Alan are scrambling to keep their secret while figuring out how to have some manly fun with the women in their lives!

The Season story is mostly about the adoption of Louis, its a nice heartfelt story of two men trying t oraise an adoptive child, whilst trying to hide the fact they are both straight. When we get to the last few episodes we see both men in happy relationships, but the main event is obviously the last episode which features great guest stars such as Arnold Schwarzenegger, Christian Slater, and a whole host of returning cast members including, Jake. after 12 season the show still surprises and the final episode is a worth while conclusion to a show that has been on the air for 12 years.