REVIEW: CAPRICA – PART 1

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)Eric Stoltz and Paula Malcomson in Caprica (2009)

Recurring / Notable Guest Cast

William B. Davis (The X-FIles)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Izombie)
Genevieve Buechner (The Final Cut)
Anna Galvin (Unspeakable)
Karen Elizabeth Austin (The Eye)
Scott Porter (Speed Racer)
Avan Jogia (Shaft)
Françoise Yip (The Predator)
Anita Torrance (Smallville)
James Pizzinato (Godzilla)
Michael Eklund (Bates Motel)
Patton Oswalt (Veronica Mars)
Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Helix)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Panou (Flash Gordon)
Eve Harlow (Bitten)
James Marsters (Buffy: TVS)
John Pyper-Ferguson (The Last Ship)
Leah Gibson (Jessica Jones)
Richard Harmon (The 100)
Patrick Sabongui (The Flash)
Jill Teed (Battlestar Galactica)
Zak Santiago (Shooter)
Ryan Robbins (Sanctuary)
Kacey Rohl (Hannibal)

 

Paula Malcomson in Caprica (2009)Creators Ronald Moore and David Eick relied on three key components for their hit SyFy series, Battlestar Galactica, to stay fresh and compelling for as long as it did: complex ideas behind evolved sentient lifeforms, religious parables, and the fondness for the characters’ home worlds — especially that of Caprica. The characters all look back at their previous lives almost as ghosts; Admiral Bill Adama painfully drudges up memories of his ex-wife and lawyer father, while Kara “Starbuck” Thrace carries memories of her small, ramshackle apartment and Samuel Anders yearns for the thrill of a sports stadium. Seems like such a rich mythos created just to be the ruminants of a past life, doesn’t it? The Moore-Eick team also sees this potential, now capitalizing on the gap left by Battlestar Galactica’s end to create the appropriately-titled Caprica. Though it moves slowly at first while constructing an involved narrative framework in its predecessor’s shadow, this mythos-rich offshoot eventually finds the footing needed to fall in-line with the original series’ current of storytelling.Patton Oswalt in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Hiro Kanagawa in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Alessandra Torresani in Caprica (2009)Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.Eric Stoltz and Esai Morales in Caprica (2009)Upon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Esai Morales and Sasha Roiz in Caprica (2009)Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Polly Walker and Magda Apanowicz in Caprica (2009)Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.

 

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 3

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Nicki Clyne (Saved!)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Alessandro Juliani (Smallville)

Callum Keith Rennie and Katee Sackhoff in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Donnelly Rhodes (Legends of Tomorrow)
Rekha Sharma (V)
Lucy Lawless (Ash vs Evil Dead)
Michael Trucco (Sabrina: TTW)
Callum Keith Rennie (Impulse)
Kate Vernon (Heores)
Matthew Bennett (Stargate SG.1)
Dean Stockwell (Quantum Leap)
Luciana Carro (Helix)
Leah Cairns (Interstellar)
Dominic Zamprogna (Stargate Universe)
Colin Lawrence (Watchmen)
Richard Hatch (InAlienable)
Rick Worthy (The Vampire Diaries)
Amanda Plummer (The Hunger Games)
Eileen Pedde (Juno)
Ty Olsson (War of TPOTA)
Ryan Robbins (Sanctuary)
Jen Halley (Red Riding Hood)
Erica Cerra (Power Rangers)
Emilie Ullerup (Sanctuary)
Bodie Olmos (Walkout)
Alisen Down (Smallville)
Sebastian Spence (First Wave)
Tiffany Lyndall-Knight (I, Robot)
Rachel Hayward (12 Rounds 2)
Carl Lumbly (Supergirl)
Aleks Paunovic (Van Helsing)
Don Thompson (Slither)
G. Patrick Currie (Stargate SG.1)
Bruce Davison (X-Men)
Gabrielle Rose (Dark Angel)
Lucinda Jenney (Rain Man)
Samantha Ferris (Shattered)
Jerry Wasserman (Watchmen)
Bryce Hodgson (X-Men)
Georgia Craig (Catch and Release)
Mark Sheppard (Doom Patrol)
Chelah Horsdal (You Me Her)
Keegan Connor Tracy (Bates Motel)

 

Mary McDonnell, Edward James Olmos, Jamie Bamber, James Callis, Michael Hogan, Grace Park, Tahmoh Penikett, and Tricia Helfer in Battlestar Galactica (2004)When we left Adama and crew in the second season things had turned upside down to say the least. “One Year Later” took on a whole new meaning as the survivors of the Cylon attack settled down on a humble world that came to be known as New Caprica. The election of Baltar as President of the Colonies proved to be a rather large mistake as it was his own ineptitude that brought about the appearance of the Cylon fleet. The second season ended with the Cylons imprisoning mankind and the Adamas jumping away with both Battlestars. To say that the outlook was bleak would be an understatement and through much of the third season the show explores what life was like under Cylon rule.Jamie Bamber in Battlestar Galactica (2004)When season three begins it’s quite evident that this was a very different Battlestar Galactica. For one thing Admiral Adama had a killer moustache, Apollo got chunky presumably from eating too many Twinkies, and just about everyone else we cared about was stuck on the planet (aside from Helo and Dee, though we really don’t care about Dee). I didn’t think it was really possible considering the human race has been on the run from extinction but if the tone of Galactica could have gotten any more somber; New Caprica did the trick.Edward James Olmos, Grace Park, and Tahmoh Penikett in Battlestar Galactica (2004)Starbuck, Tigh, Anders, Tyrol, Cally, Roslin, Gaeta, and yes, even Baltar were all stuck on the surface with the rest of the colonies. They became an encampment under Cylon supervision though they were still allowed to congregate and kind of, sort of live out a normal life. At least as normal as possible with an artificially intelligent gun pointed at your head. For some strange reason the Cylons chose to use their resources to keep humanity alive. Their goal was never truly made clear but it certainly seemed that they’d rather have humanity under their metallic boots than erased out of the food chain.Mary McDonnell and Richard Hatch in Battlestar Galactica (2004)As the New Caprica storyline progresses there are some revelations that have resounding effects throughout the rest of the season. One of the biggest things to come about from all of this involves Gaius Baltar. As president of the colonies he has been forced into servitude by the Cylons and does all manner of unscrupulous things during his administration. The people loath him and they want him dead but little do they know that he did most of his devious acts at the wrong end of a pistol. He becomes a pariah before long and has found himself reluctantly siding with the Cylons.Grace Park and Eileen Pedde in Battlestar Galactica (2004)To be quite honest, so much happens on New Caprica that it would be difficult to discuss everything here. I will say that as interesting, and I suppose necessary, as this aspect was it did change the dynamic of the show. It was no longer the show that people had come to expect thanks to it being landlocked. Sure the characters were still the same and it allowed a lot of room for development but there’s no getting around the fact that it felt different, even if it only lasted for a couple of episodes. I guess it was designed that way so that the inevitable rescue of the colonies in “Exodus” was as climactic as it was. Trust me on this one, if you haven’t seen it this was one of the best moments EVER in Galactica.Edward James Olmos, Michael Hogan, and Grace Park in Battlestar Galactica (2004)From there the show returns to some form of normalcy. The people are trying to fit into their old roles from over a year ago and they struggle on many personal levels to accept what happened. The characters are scarred from the past and it’s enjoyable to watch as Galactica delves into that pain as the show moves forward. One episode that explores that is “Unfinished Business” which pits the crew of Galactica against each other in a boxing ring. This is essentially Battlestar’s version of Fight Club but it works on so many levels. Likewise towards the end of the season the two-part “Crossroads” takes a look at Baltar and the crimes he orchestrated against humanity. Without giving away details I will say that this episode features one of the greatest monologues ever delivered in a science fiction series. I got goosebumps watching this particular scene the first time and every time after it was just as satisfying.Mary McDonnell, Edward James Olmos, James Callis, Michael Hogan, and Tricia Helfer in Battlestar Galactica (2004)In between “Exodus” and “Crossroads” there are plenty of other episodes that stand out and explore interesting components of daily life aboard the colonies. “Hero” brings a figure from the past to light and delivers some interesting tidbits regarding Adama’s actions prior to the Cylon attack. “The Eye of Jupiter” is fascinating as it delves deeper into the prophetic writings of the founding colony. “Dirty Hands” examines societal issues and class structure among the survivors in a very interesting way. And finally “Maelstrom” was definitely a great look at the character of Kara Thrace. Now, as with the previous season of Galactica there are many storylines that run through these individual episodes. The aforementioned New Caprica angle is probably the most prominent but others that play a role include Sharon and Helo’s child Hera, Roslin’s struggle with cancer (again), and the ever frustrating Lee and Starbuck relationship.James Callis and Tricia Helfer in Battlestar Galactica (2004)As much as I didn’t like Lee and Dee getting together, I must admit that the way Galactica played Lee and Starbuck got obnoxious after a while. Due to Kara’s personal issues she closes up and becomes standoffish at all of the wrong moments. I suppose it’s a testament to the writing that you’ll feel the anger and frustrating that Lee does when this happens, but it’s annoying just the same. “Unfinished Business” was definitely a nice way for these two to work out their issues and resolve some feelings. I particularly liked the way Anders responded to their fight as it basically mirrored what I was thinking at the time.Edward James Olmos in Battlestar Galactica (2004)After the escape from New Caprica, the colonies and Cylons kind of go their separate ways. They are both still clamoring for Earth and seeking out clues of its existence and location but they spend a great deal of time away from each other. This kind of dulls the senses a bit and takes some of the core out of the series though some episodes towards the middle of the season and the end reunite these enemies gloriously. So much of the Cylon existence is called into question and you’ll be left scratching your head trying to unravel the mystery. It stands as a testament to the writing of Battlestar Galactica that this clue searching never gets old. That being said not every episode in this season stands out unfortunately. Some of the standalone tales such as “The Passage” and “A Day in the Life” falter at times and fail to delivery the familiar payoff we’re used to with this show. “Woman King” also comes across as somewhat weaker than the others but it does give Helo’s character a chance to shine. As with any show it’s necessary at times to flesh out the secondary characters and though it slows the series down somewhat, these moments still hold some merit.Lucy Lawless and James Callis in Battlestar Galactica (2004)Right up until the end, the third season is one that will keep you guessing and that’s a good thing. This is a series that makes you think and draws emotion out of you. There are many powerful moments scattered throughout these twenty episodes and to be quite honest when compared to the previous seasons, I feel that the third is the strongest. This is one of the finest science fiction productions ever to grace television and I applaud Ron Moore, David Eick, and the rest of the team for their creative vision.

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 2

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Nicki Clyne (Saved!)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Paul Campbell (Knight Rider)
Alessandro Juliani (Smallville)

Tahmoh Penikett and Katee Sackhoff in Battlestar Galactica (2004)Recurring / Notable Guest Cast

Samuel Witwer (Smallville)
Donnelly Rhodes (Legends of Tomorrow)
Rekha Sharma (V)
Callum Keith Rennie (Impulse)
Lucy Lawless (Ash vs Evil Dead)
Matthew Bennett (Stargate SG.1)
Dean Stockwell (Quantum Leap)
Rick Worthy (The Vampire Diaries)
Richard Hatch (InAlienable)
Lorena Gale (The Exorcism of Emily Rose)
Michael Trucco (Sabrina: TTW)
Michelle Forbes (Powers)
Graham Beckel (The Loft)
Leah Cairns (Interstellar)
Bodie Olmos (Walkout)
Luciana Carro (Helix)
Kate Vernon (Heores)
Alonso Oyarzun (Reindeer Games)
Jen Halley (Red Riding Hood)
Ty Olsson (War of TPOTA)
Aleks Paunovic (Van Helsing)
Malcolm Stewart (Jumanji)
Dominic Zamprogna (Stargate Universe)
James Remar (BLack Lightning)
Patricia Idlette (Ginger Snaps 2)
Benjamin Ayres (The Vampire Diaries)
Don Thompson (Watchmen)
Fulvio Cecere (Valentine)
John Pyper-Ferguson (Caprica)
Sebastian Spence (First Waves)
Mike Dopud (Arrow)
Vincent Gale (Bates Motel)
Colm Feore (Thor)
David Richmond-Peck (Sanctuary)
Claudette Mink (Paycheck)
Bill Duke (Black Lightning)
Christopher Jacot (Slasher)
John Heard (Home Alone)
Kavan Smith (Staragte Atlantis)
Stefanie von Pfetten (Cracked)
Erica Cerra (Power Rangers)
Alisen Down (Smallville)
David Kaye (Beast Wars)
Colin Lawrence (Watchmen)

Some cynical individual, at some time, blurted out that “there’s always room for improvement” about an accomplishment or achievement that was fine in its own right. In the spectrum of film and television, it’s true that all material can be tightened, focused, and made even more compelling with practice; but oftentimes creative teams fall back into comfort zones and neglect to spit-shine where improvement is needed. Ronald Moore and David Eick, the creators of the reimagined Battlestar Galactica series, understand this concept. They accomplished something intriguing, thrilling, and dramatically magnetic with their initial 2003 miniseries and, later, a full subsequent season that grappled the structure of the three-hour introduction — characters, mythos, and stunning production merits through striking photography and convincing computer effects — and ran with it. However, there’s always room for improvement, and Battlestar Galactica’s second season finds a deeper focus and more thrill-inducing pace that fully ratchets the series into the stratosphere of superb science-fiction creations.Nicki Clyne and Aaron Douglas in Battlestar Galactica (2004)The first season constructs a “reboot” of the highest accord, taking the original content from the 1978 television series and shaping it into an edgy and modern production in the vein of “West Wing … in space”. Grecian mythology, military-heavy hierarchal bickering, and the relationships between people on the space ship Galactica — both tender and volatile — are all sparked into action when the Cylons, humanity’s slave-like machines evolved into enlightened yet vengeful beings, attack their creators after 40 years of recoiled hibernation. These attacks, which left around 50,000 humans alive, wiped out sixteen of the individuals in-line for the presidency over the “colonies”, which left Secretary of Education Laura Roslin (Mary McDonnell, Dances With Wolves) as the next in line. Somehow, this all gyrates around the weasel-like scheming of Dr. Gaius Baltar (James Callis, Bridget Jones’ Diary), who inadvertently fell for the whims of a blonde-haired Cylon (Tricia Helfer) and revealed humanity’s defense secrets — and, now, follows orders from the sultry “machine” in the confines of his own mind, with her as little more than an illusion reminding him of his “importance” as one of God’s pawns. Monotheistic God, not polytheistic, but that’ll become important later on.After its thrilling two-part miniseries and a handful of tense cat-and-mouse episodes at the start, the first season (which should be viewed before continuing this review, as the context here relies on the fact that you’ve seen the first season) coasts along a stream of dynamic back-and-forths between Galactica’s Commander Bill Adama (Edward James Olmos, Blade Runner) and President Roslin — leading to a point where Adama is stretched out on the ship’s command center deck, bleeding from gunshot wounds incurred by an assassination attempt. Season Two picks up directly after the shooting, showing how the military hierarchy moves its pieces around Adama’s incapacitation. His XO (second in command) Saul Tigh (Michael Hogan) wrestles with his alcohol addiction as he tries to juggle an unwanted leadership position, shrug off his wife Ellen’s (Kate Vernon) passenger-seat manipulation of the Galactica’s workings, and make the colonies understand why President Roslin has been arrested for subordination. On top of that, we’re also watching the way Adama’s ailment affects his son, Captain Lee Adama (Jamie Bamber), as his allegiance to the Colonial fleet sways between loyalty to his father and his belief in what the theologically-focused President Roslin is trying to accomplish.Richard Hatch and Michael Hogan in Battlestar Galactica (2004)But, as Battlestar Galactica veterans know, that core quarrel really only scoops up the top layer of the conflicts that lie underneath the Colonial fleet’s hunt for a safe, habitable planet — whether it be the fabled planet Earth, the newly-discovered planet of Kobol, or beyond. Season Two also finds a deeper focus on Kara Thrace (Katee Sackhoff, “Nip/Tuck”), aka Starbuck, as more than a novel imitation of the classic series’ character, concentrating on the depth of her belief in the gods, her bull-headedness giving way to a need for deeper connections with others, and a particular point where she’s, dare I say it, made hopelessly vulnerable in the episode “The Farm”. This happens on Cylon-occupied Caprica, the colonies’ once-thriving central metropolis, where she and Lieutenant ‘Helo’ Agathon (Tahmoh Penikett, “Dollhouse”) are attempting to locate a way off the planet and back to Galactica with the “Arrow of Apollo” in their possession. There, they interact with a second version of the “Sharon” model of Cylon (Grace Park), pregnant with Helo’s child and rebellious against her kind. Along those same lines, we also see how the cluster of Colonial soldiers stranded on Kobol — deck chief Galen Tyrol (Aaron Douglas) and his “knuckledragger” subordinates, as well as Vice President Baltar — find a way to survive until they’re able to make an escape attempt.Mary McDonnell and Katee Sackhoff in Battlestar Galactica (2004)Though the introductory season of Battlestar Galactica triumphs for establishing the storyline’s intricacies, a broad spectrum of characters, and suspenseful density, Ron Moore and David Eick still had a handful of creaks in the series’ bow that needed repair — such as tighter concentration on the political banter and more focused balancing between space warfare and non-CIC dramatics. Though intriguing to some, including myself, those elements also tended to bog down the pacing to a degree that could deter some from its deliberate concentration on policy. It’s important, and necessary, for a lengthy story to grow beyond its limitations, and the Moore / Eick team hone the introductory season’s successes into a poised, pulsating blend of drama and thrills that bolsters its initial successes forward two-fold. Everything that underscores the series’ quality — superb, straight-faced acting, slickly detailed cinematography ranging from cold and dark to acidic and overblown, and some of the best music on television, period — persists into the second season, now attached to a sense of obvious plot refinement.Jamie Bamber and Katee Sackhoff in Battlestar Galactica (2004)

does it differ? Well, this season knows when and how to play its cards, where the initial season struggles in knowing exactly what to do with the substantially impressive content that it’s generating. The thematic density that it crams into this season is staggering; the complications of martial law (military control of the government), delicateness around following an idealist (dying) leader with religion as their driving force, technology’s advancement and control over our everyday activity, the necessity of black market trade, and, eventually, the power of government-mandated control over population control. All of these elements are timely and meaningful, even allegorical to conflicts present in modern society, and they’re handled with a specific panache in this second season that remains vigilant throughout. But they’re not overtly heavy-handed; sly incorporation allows us to view these elements merely on the surface for service of the story or as deeper insights — whichever suits the viewer.James Remar and Jamie Bamber in Battlestar Galactica (2004)On top of that, Moore and Eick have set sights on how to tie these heady elements in with the bustling activity of operatic space battles, and they’ve succeeded in a way that maintains the series’ accessibility. The hyper-elaborate technobabble prevalent in other series — such as bits and pieces about a ship that “made the Kessel Run in less than twelve parsecs” and about “trionic initiators in the warp coil” — gets tossed aside to allow for a direct focus on human interactions, such as ebbs and flows between father and son in authoritative positions, the fear and fatigue within a crew that’s never given much of a chance to relax, and an affinity with Laura Roslin as she succumbs to terminal breast cancer. Emotion-heavy episodes, such as the excellent “Flight of the Phoenix” where Chief Tyrol finds distraction and a sense of hope in building a new fighter ship from scraps, are there solely for that purpose. They even work in cliché taglines like, “They can run, but they can’t hide”, and hokey plot points like a bona-fide love triangle to convincing degrees — well, with their own spins on the material. In that, the creators rope us into the emotional fabric as if we’re members of the crew, sharing their plights. We’re not forced to try and comprehend scientific jargon, aside from a few scattered discussions about firewalls, viruses, and FTL drives, but instead asked to unswervingly, and powerlessly, hold our focus on the shifts in power aboard the Galactica.Mary McDonnell, Edward James Olmos, Jamie Bamber, and Katee Sackhoff in Battlestar Galactica (2004)Then, with a flick of the writers’ wrists, they change the way that we perceive just about everything in the series with the episode “Pegasus”. Out of nowhere, another one of the colonial fighter bases, the Battlestar Pegasus, arrives unexpectedly within the proximity of Galactica’s location. Once both have confirmed that they’re friendly ships, we’re introduced to Admiral Helena Cain (Michelle Forbes) — a strong, bloodthirsty woman with a very tight, dictatorial grip on her ship. Unlike the Galactica, the Pegasus is competitive, hardened, chauvinistic and far more stringent on policy, which creates a world of conflict once the two commanders begin comparing notes on Galactica’s personnel issues, power rankings, and the lenience in handling a Cylon prisoner. More importantly, Admiral Cain is Adama’s superior officer, and her iron-fist reclaim of power decidedly tears the fleet apart. In a matter of forty-some-odd minutes, the entire power structure of Battlestar Galactica is rearranged and tossed into volatile disarray, left for our characters to plot around and sort out. And it makes for thoroughly gut-swelling television because of it, stretching over an impressive three-episode arc (“Pegasus”, “Resurrection Ship” Parts One and Two).Lucy Lawless and Patrick Harrison in Battlestar Galactica (2004)It’s at this point, once the dust clears from the Pegasus incidents, that Battlestar Galactica begins to really claim a place in the annals of science-fiction as one of its finest creations — even with a few stumbling blocks that it still fights against. Ellen Tigh’s manipulation of Saul while he’s in command of the Galactica borders on the unbelievable, though one can certainly understand the swaying power of a significant other. A few character moments feel shoehorned into the mix, such as Lee’s character history revelations in “Black Market”, where the desire to beef up each and every character overreaches their bounds. And, quite simply, one or two of the episodes still fall a tad flat, whether they’re because of an unattractive character coming into focus, such as the hot-rod stem junkie pilot Kat in the ho-hum filler ep “Scar”, or the show simply attempting to do things that it can’t pull off, like the meandering MTV reality show style footage in “Final Cut”. Each of these faults are minor blemishes on otherwise successful, and thought-provoking, installments into the story arc, proving that even weak Battlestar Galactica episodes can be compelling to a middling degree.James Callis and Tricia Helfer in Battlestar Galactica (2004)With its continual and newly-sprung ideas bubbling at the cusp, Moore and Eick reach a conclusion to the second season, the masterful two-parter “Lay Down Your Burdens”, that focuses on the much-anticipated presidential race alluded to in the first season. Restoration of complete democracy and humanization become the weighty element at play, as the candidates — surprises aplenty — duke it out with the fleet’s concerns of safe planetary habitat and population boom as key driving forces. The interplay between all of the individuals is brilliant; however, it’s the outcome, and the legitimately shocking twist at the end of the finale, that’ll likely send one on a contemplative tailspin. With no less than three cliffhanger episodes in this season, it’s only expected that the finale in itself would be a weighty one, and Syfy’s heavy-hitting series doesn’t disappoint in that regard. It’s a brilliant way to swirl the entire season together, even if everything is turned upside down once again. That’s part of Ron Moore and David Eick’s game, a sci-fi neo-political chessgame that’s well worth playing.

 

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 1

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Paul Campbell (Knight Rider)
Alessandro Juliani (Smallville)
Samuel Witwer (Smallville)

Mary McDonnell, Edward James Olmos, Jamie Bamber, James Callis, Aaron Douglas, Michael Hogan, Grace Park, Katee Sackhoff, and Tricia Helfer in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Nicki Clyne (Saved!)
Donnelly Rhodes (Legends of Tomorrow)
Callum Keith Rennie (Impulse)
Matthew Bennett (Stargate SG.1)
Richard Hatch (InAlienable)
Kate Vernon (Heores)
Lorena Gale (The Exorcism of Emily Rose)
Leah Cairns (Interstellar)
Bodie Olmos (Walkout)
Luciana Carro (Helix)
Alonso Oyarzun (Reindeer Games)
Connor Widdows (X-Men 2)
Brent Stait (Blade: The Series)
Jill Teed (Godzilla)
Tobias Mehler (Disturbing Behavior)
Terry Chen (Jessica Jones)
Dominic Zamprogna (Stargate Universe)
Eric Breker (Stargate SG.1)
Camille Sullivan (Unspeakable)
Robert Wisden (Highlander: The Series)
David Kaye (Beast Wars)
Alex Zahara (Horns)
Patrick Gallagher (Glee)
Malcolm Stewart (Jumanji)
Jen Halley (Red Riding Hood)

Edward James Olmos and Michael Hogan in Battlestar Galactica (2004)When you try to reinvent a popular TV icon one of two things can happen. It will fly, or crash and burn. Back in 2003 the SciFi Channel took a huge gamble and aired a mini-series that took the original Battlestar Galactica concept and turned it on its head. It was a risky undertaking considering how revered the 1978 version is by science fiction fans. Would they accept it? Would this new show find a following? The answer was yes.Jamie Bamber and Richard Hatch in Battlestar Galactica (2004)SciFi’s gamble paid off big time and the new Battlestar Galactica has provided the best ratings numbers that the network has ever seen. It has become an icon for science fiction yet again and the new series stands shoulder to shoulder with other giants in the genre. When it originally aired cult followers of the franchise were critical about the differences between the two (of which there are many), but to the untrained eye there was little to gripe about. The basic concept of the original show, Cylons and Humans fighting against each other in a never ending war, is still intact. You still have the same 12 colonies, same major characters, same Battlestar. Everything else has been overhauled to the nth degree.Edward James Olmos and Jamie Bamber in Battlestar Galactica (2004)In a far distant quadrant of space, the war between Cylons and humans has been over for forty years. Every year, humans send an ambassador to a remote space station to meet with the Cylons and sign a peace treaty, but nobody ever shows up. Then one year they finally appear and begin the eradication of the human species. The twelve colonial home worlds are nuked into oblivion and all that is left of mankind are those that were lucky enough to be somewhere else on a ship. All together, less than 50,000 people.Grace Park and Tahmoh Penikett in Battlestar Galactica (2004)Fortunately for those remaining, the Battlestar Galactica is still functioning and even though it’s archaic, it is up to the task of protecting those who escaped. Led by Commander William Adama (Edward James Olmos) the military takes control of the fleet and begins the necessary steps to ensure the survival of our race. He can’t lead the people alone though so he reluctantly teams up with the new President, Laura Roslin (Mary McDonnell). The two characters are at odds almost immediately and while Adama wants to storm into battle with guns blazing, Roslin, who before her battlefield promotion was the Secretary of Education, would prefer to make a run for it and start having babies.Katee Sackhoff in Battlestar Galactica (2004)The future of mankind is also put in the hands of Galactica’s officers such as the alcoholic Colonel Saul Tigh (Michael Hogan), the tomboyish Lt. Kara Thrace “Starbuck” (Katee Sackhoff) and Commander Adama’s son Lee (Jamie Bamber) who goes by the call sign Apollo. Every character adds something to this show even the treacherous Dr. Gaius Baltar (James Callis) who sees visions of a human/Cylon model Number 6. Fans of the original will also be pleased to know that Richard Hatch (the original Apollo) makes an appearance on the show as a political terrorist known as Tom Zarek.Edward James Olmos and Jamie Bamber in Battlestar Galactica (2004)This ragtag group of survivors teeters on the brink of annihilation throughout the entire season. As if dangers like running out of fuel, death by dehydration, or suicide bombers aren’t enough, the Cylons are never far behind. But throughout the course of this season we do see characters grow closer together and we learn more about their previous lives. There are so many personal conflicts that put everything on the line and you can almost cut the tension with a knife at times. The biggest change in the new Galactica is that the Cylons have “evolved” themselves and now appear completely human. The old “toaster” models are still kicking around (with a slick CGI upgrade) but the human models are the ones pulling all of the strings and carrying out the orders of God. This little change adds huge elements of distrust and paranoia to a show that is already weighed down by overwhelming obstacles.James Callis in Battlestar Galactica (2004)Several minor details in the show have also been tweaked including the forty years of peace to updated weaponry and vehicles. Several character changes have come about as well in SciFi’s new creation. The character of Adama is more militaristic and his relationship with his son Apollo is more than a little rocky. Starbuck and Boomer have gone through sex changes and are now female characters in this new version. Overall many personality traits are true to the original characters but there are quite a few disparities.After undergoing such radical changes, it’s understandable how fans of the original may have been skeptical when the show first started airing. However, it is quite clear this show was careful constructed to appeal to both die hard fans of the original and those looking for a new spin on an old concept. It is important to keep in mind that this version is a reinvention of the classic instead of a continuation. That means that a new audience can get into it without being lost in the mythology. In fact, the only way you will get lost in this new Battlestar Galactica is if you miss an episode or the introductory miniseries. Those of you who have already purchased the miniseries when it was released (like I did) may be a little irritated with the double-dip here, but it’s essential in order to understand what’s going on in the show.James Callis and Tricia Helfer in Battlestar Galactica (2004)It’s very rare in a show that every actor clicks with the material but that is defiantly the case here. The team that was responsible for casting deserves a big pat on the back because they nailed every character perfectly. Of course the real heart and soul of a show comes from the script. That’s another area that Battlestar Galactica has covered thanks to a team of veteran writers. The developer of the show, Ronald Moore (of Trek fame), was responsible for penning the mini-series as well as some of the tenser episodes of the first season. His scripting talent sets up the beginning of the season and closes it on such a high note that it will leave you dying for more.Grace Park and Tahmoh Penikett in Battlestar Galactica (2004)In the case of this show, the visual aspect has a big impact on the overall mood. Everything is cast with stark contrast between light and shadow which keeps the dark tone front and center. Another interesting look comes from the filming technique since the camera is constantly in motion. Angles are slightly skewed and there is a sense of urgency to the picture even during the simplest of conversations. This is undoubtedly one of the more unique looking sci-fi shows around and trust me when I say that’s a good thing.Everything about Battlestar Galactica proves that it is the anti-Star Trek. There is no exploration, first contact or light hearted comedy episodes. Daily problems on board Galactica include finding food, finding power sources, and constantly running from an enemy that outnumbers and out guns them at every turn. Even on Star Trek’s worst day they never had it as bad as the team on Galactica. This is easily one of the darkest science fiction tales I have encountered as nothing seems to go right for our heroes. They are dogged at every turn by the Cylons, are forced to make difficult decisions for the good of their race and treachery threatens to tear the fabric of their very existence. But make no mistake, this is quality television that fans of the original or science fiction in general should definitely not miss out on.

 

REVIEW: SMALLVILLE – SEASON 5

 

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Allison Mack (Wilfred)
Erica Durance (The Butterfly Effect 2)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

James Marsters (Runaways)
Terence Stamp (Superman II)
Alana De La Garza (Law & Order)
Leonard Roberts (Mom)
Kenny Johnson (Bates Motel)
Camille Mitchell (Izombie)
Johnny Lewis (Aliens vs Predator: Requiem)
Nathaniel DeVeaux (The Core)
Rekha Sharma (Dark Angel)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Brooke Nevin (The Comebacks)
Erica Cerra (Power Rangers)
Angelika Libera (Stealing Sinatra)
Luciana Carro (Two For The Money)
Tom Wopat (Django Unchained)
Jill Teed (Charlie St. Cloud)
Woody Jeffreys (Pathfinder)
Noah Danby (Bitten)
Alisen Down (12 Monkeys)
Adrian Holmes (Arrow)
Jerry Wasserman (I Robot)
Chelah Horsdal (Hell on Wheels)
Annie Burgstede (The Young and The Restless)
David Richmond-Peck (V)
Sarah Lind (Severed)
Denise Quiñones (Incognita)
Douglas O’Keeffe (Sanctuary)
Leela Savasta (Stargate Atlantis)
Lee Thompson Young (The Hills Have Eyes II)
Christie Laing (Arrow)
Mackenzie Gray (Man of Steel)
Nichole Hiltz (Bones)
G. Patrick Currie (Stargate SG.1)
Emily Hirst (Blade: The Series)
Callum Keith Rennie (Jessica Jones)
Anne Marie DeLuise (Love Happens)
Ian Tracey (Sanctuary)
Alex Scarlis (Ameircan Heiress)
Jody Thompson (The 400)
Panou (Flash Gordon)

Michael Rosenbaum in Smallville (2001)In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.Erica Durance and Alan Ritchson in Smallville (2001)In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.Michael Rosenbaum in Smallville (2001)Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac. James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show.John Schneider in Smallville (2001)The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

REVIEW: SMALLVILLE – SEASON 2

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Sam Jones III (Glory Road)
Allison Mack (Wilfred)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Kristin Kreuk and Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

Tom O’Brien (The Accused)
Rekha Sharma (Star Trek: Discovery)
Julian Christopher (Elysium)
Jerry Wasserman (Watchmen)
Krista Allen (Feast)
Mitchell Kosterman (Stargate SG.1)
Sarah-Jane Redmond (Disturbing Behaviour)
Joe Morton (God Friended Me)
Andrew Jackson (Earth: Final Conflict)
Michael Kopsa (Fantastic Four)
Sara Downing (Roswell)
Garwin Sanford (Arrow)
Sean Faris (Never Back Down)
Gwynyth Walsh (Star Trek: Generations)
Richard Moll (Batman: TAS)
Maggie Lawson (Santa Clarita Diet)
George Coe (The Stepford Wives)
Jesse Hutch (Arrow)
Fulvio Cecere (Valentine)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Blair Brown (Space Cowboys)
Ryan Kelley (Teen Wolf)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Mark Gibbon (The 6th Day)
Jonathan Taylor Thomas (Home Improvement)
Emmanuelle Vaugier (Two and a Half Men)
Robert Wisden (Highlander: The Series)
David Richmond-Peck (V)
Amara Zaragoza (Perfect Stranger)
Gordon Tootoosis (Lone Star)
Eric Johnson (Flash Gordon)
Lizzy Caplan (Cloverfield)
Byron Mann (Arrow)
Colin Cunningham (Elektra)
Jill Teed (Godzilla)
Eileen Pedde (Juno)
Jason Connery (Wishmaster 3)
Eric Keenleyside (Dreamcatcher)
Barclay Hope (Paycheck)
Rob LaBelle (Jack Frost)
Shaun Sipos (Texas Chainsaw)
Haig Sutherland (The Flash)
Luciana Carro (White Chicks)
Paul Wesley (The Vampire Diaries)
Craig Veroni (Dark Angel)
Christopher Reeve (Superman)
Anson Mount (Inhumans)
Michael Adamthwaite (Horns)
Camille Mitchell (Izombie)
Zachery Ty Bryan (Fast and Furious: Tokyo Drift)
Neil Flynn (Scrubs)
Jodelle Ferland (Case 39)
Ingrid Torrance (Scooby Doo 2)
David Lewis (Man of Steel)
Terence Stamp (Superman II)

 

Sam Jones III and Tom Welling in Smallville (2001)The first season of Smallville got off to a bit of a rocky start, as the program didn’t really find its footing until midway through the season. The show suffered from what fans called “Freak of the Week” syndrome, in which a new Kryptonite-mutated supervillain would emerge in every episode with some pretty weak storylines. The “Bug Boy” and “Coach Firestarter” episodes come to mind pretty quickly, and it makes me shudder just thinking about them. However, the show gradually shifted into telling more stories that advanced Clark Kent’s overall storyline, with multipart episodes that focused on slowly revealing Clark’s origin as Kal-El and his “immigration” to Earth, as well as the ongoing storylines of the supporting cast. Not to say that the show still doesn’t have an occasional “Freak of the Week”, but when they do they are either (1) fewer in frequency or (2) somehow related to the overall show’s story arc.Sam Jones III and Tom Welling in Smallville (2001)With that out of the way, let’s talk about the cast. Tom Welling is pitch-perfect as the teenage Clark Kent. With his tall stature and ripped physique, he certainly looks the part, but he also captures the insecurity and awkwardness of youth while portraying an inner nobility and morality for which his character will eventually become renown. As Lana Lang, Clark’s childhood crush and current on-again, off-again love interest, Kristin Kreuk is about as superhumanly lovely as one could imagine. She’s the “girl next door” multiplied by about three million, not only because of her phenomenal physical beauty but also due to her bright-eyed, compassionate, down-to-earth demeanor. It doesn’t take a rocket scientist to see why Clark loves her, or why it rips him apart when he has to push her away in order to keep his powers a secret and keep her from being harmed (people who tend to learn about Clark’s powers generally end up dead or insane.)Kristin Kreuk and Tom Welling in Smallville (2001)Michael Rosenbaum brings young Lex Luthor to life in what has become my favorite character of the show. Making Lex Luthor and Clark Kent childhood friends is a novel (and daring) conceit by the show’s creators, and it pays off handsomely. Lex adds a darker, more cynical dynamic to Clark’s teenage development that was missing in previous iterations of the character. Rosenbaum, who rather ironically provides the voice for the DC superhero “The Flash” on the Justice League animated series, makes Luthor a dark, sympathetic, and conflicted figure. He’s charismatic enough to make one want to like him, Machiavellian enough to make one worry if they can trust him, and – since we know his eventual fate – an overall tragic figure. We know he’s going to “go bad”; his slow transition from Clark’s trusted friend to worst enemy makes for some truly compelling material.Annette O'Toole and John Schneider in Smallville (2001)The cast is rounded out by John Schneider as Jonathan Kent, Academy Award-nominated songwriter Annette O’Toole (and a former Lana Lang herself from Superman III) as Martha Kent, John Glover as Lionel Luthor, Sam Jones III as Clark’s childhood friend Pete Ross, and Allison Mack as Chloe Sullivan, whose unrequited love for Clark has emerged as a critical subplot in the development of the series. The group makes for an attractive ensemble, and there’s not a bad apple in the bunch. My only real complaint about the cast could be the little screen time Pete Ross gets (which gets worse in Season Three). As Clark’s best friend since childhood, his relationship with Clark gets laid by the wayside in favor of the Clark/Lex dynamic. Every now and then he turns up to provide some expository dialogue, and while he is featured prominently in a few episodes (especially “Duplicity”), his role in the show has slowly diminished over time.John Glover and John Schneider in Smallville (2001)Smallville: The Complete Second Season picks up from the cliffhanger ending that ended Season One, and slowly grows into a stronger and more self-assured show. Over the course of the season we get introduced to heat vision, red Kryptonite, a trip to Metropolis (with a cameo by The Daily Planet), and, in the episode “Rosetta”, an appearance by the former Man of Steel Christopher Reeve which stands out as one of the series’ best episodes. When I heard bits of John Williams’s amazing film orchestrations woven into the show’s score, I had goose bumps everywhere.Tom Welling and Amara Zaragoza in Smallville (2001)While still a little bumpy at times, Smallville’s second season is a huge step above the first, and remains one of the most entertaining shows on television.

 

REVIEW: WHITE CHICKS

CAST
Marlon Wayans (Dungeons and Dragons)
Shawn Wayans (Scary Movie)
Jaime King (Sin City)
Frankie Faison (The Silence of The Lambs)
Lochlyn Munro (Freddy vs Jason)
John Heard (The Lizzie Borden Chronicles)
Busy Philipps (The Smokers)
Terry Crews (Get Smart)
Brittany Daniel (That 80S Show)
Jennifer Carpenter (Limitless tv)
Evangeline Lilly (Lost)
Jessica Cauffiel (Valentine)
Anne Dudek (House)
Steven Grayhm (Between)
David Lewis (Man of Steel)
Kristi Angus (Jason X)
Luciana Carro (Helix)
The plot begins in a convenience store where two FBI agents and brothers, Kevin Copeland and Marcus Copeland (Shawn and Marlon Wayans), try to capture members of an organization that sells drugs inside ice cream boxes, posing as dominican clerks. Unfortunately, the first arrival turns out to be a genuine ice cream delivery, and the actual drug dealers manage to get away. The situation is worsened by the fact that Kevin and Marcus have decided to resolve this bust by themselves.
The FBI supervisor, Elliott Gordon (Frankie Faison), gives the two agents a last chance to remain in the FBI by giving them the duty of protecting the mega-rich billionaire cruise line heiresses Brittany and Tiffany Wilson (Maitland Ward and Anne Dudek), who are arriving in town for a beauty competition, from a kidnapping plot (known as the socialite kidnappings). When the Wilson sisters get minor facial cuts in a car accident, they refuse to leave the hotel. Kevin and Marcus then disguise themselves as Wilson sister look-alikes in order to save their jobs.
At the Hamptons hotel, Kevin and Marcus meet Brittany and Tiffany’s three best friends, Karen, Tori and Lisa, and their rivals Megan and Heather Vandegeld. They also encounter Karen’s abusive boyfriend, Heath, a broke, out of work actor. John “where am I” Lydon shows an interest in the news reporter Brett Porter, but the affair becomes more and more complicated as the two agents must now repeatedly switch between their gender roles. Marcus’ wife Gina, whose relationship is already troubled, becomes an additional complicating factor as she gets suspicious when she hears a woman’s voice in the background during a phone conversation with Marcus. The woman is actually Kevin pretending to be female, but Gina does not know and assumes that Marcus is conducting an affair. Meanwhile, Latrell Spencer (Terry Crews) takes an interest in Marcus, thinking that he is Tiffany and white. A date with Marcus/Tiffany is then sold off to Latrell during a charity dinner. Kevin takes advantage of the situation and asks Denise out on a date, pretending that he is Latrell, as Denise has a history of dating rich men. When Marcus goes on his date with Latrell, Kevin steals the keys to his car and house. When Kevin and Denise arrive at Latrell’s house, they are confronted by Latrell’s foreign housekeeper. Because she does not speak English, Kevin pretends that he understands her and locks her out of the house claiming that she works too hard. Eventually, Kevin gets mauled by Latrell’s giant dog, generally ruining his date.
At a nightclub, Karen drinks heavily and unintentionally let’s slip that Mr. Vangergeld is penniless, and has only recently paid Karen’s own father back for loans he has lent him. The next day, the real Brittany and Tiffany see their faces on a magazine, and they realize that two people are impersonating them. They go to the hotel their ‘clones’ were seen in, and two agents, thinking that they are Kevin and Marcus after searching their room through suspicion, undress them. This leads to the chief finding out that Marcus and Kevin have been impersonating Brittany and Tiffany. Because of this, the chief fires the both of them. Later on, Kevin and Marcus find out that due to his bankruptcy Mr. Vandergeld, along with Heath, has been behind the socialiate kidnappings in order to save himself and his family from poverty. They manage to capture Mr. Vandergeld before he succeeds in his plan. Latrell takes a hit from a bullet shot by Mr. Vandergeld to protect Marcus, but he is alarmed and enraged to discover that Marcus is black (He did not seem to mind that Marcus was male). Marcus apologizes to Gina, after realizing that being a female is a hard task, and because he had been ignoring Gina for his job. Denise falls for Kevin, after Kevin saves her from a bullet. The movie ends with Tori, Lisa, Karen, Kevin and Marcus making a pact to stay together and go shopping.
Very funny film that cant fail to have you laughing aloud