REVIEW: SMALLVILLE – SEASON 5

 

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Allison Mack (Wilfred)
Erica Durance (The Butterfly Effect 2)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

James Marsters (Runaways)
Terence Stamp (Superman II)
Alana De La Garza (Law & Order)
Leonard Roberts (Mom)
Kenny Johnson (Bates Motel)
Camille Mitchell (Izombie)
Johnny Lewis (Aliens vs Predator: Requiem)
Nathaniel DeVeaux (The Core)
Rekha Sharma (Dark Angel)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Brooke Nevin (The Comebacks)
Erica Cerra (Power Rangers)
Angelika Libera (Stealing Sinatra)
Luciana Carro (Two For The Money)
Tom Wopat (Django Unchained)
Jill Teed (Charlie St. Cloud)
Woody Jeffreys (Pathfinder)
Noah Danby (Bitten)
Alisen Down (12 Monkeys)
Adrian Holmes (Arrow)
Jerry Wasserman (I Robot)
Chelah Horsdal (Hell on Wheels)
Annie Burgstede (The Young and The Restless)
David Richmond-Peck (V)
Sarah Lind (Severed)
Denise Quiñones (Incognita)
Douglas O’Keeffe (Sanctuary)
Leela Savasta (Stargate Atlantis)
Lee Thompson Young (The Hills Have Eyes II)
Christie Laing (Arrow)
Mackenzie Gray (Man of Steel)
Nichole Hiltz (Bones)
G. Patrick Currie (Stargate SG.1)
Emily Hirst (Blade: The Series)
Callum Keith Rennie (Jessica Jones)
Anne Marie DeLuise (Love Happens)
Ian Tracey (Sanctuary)
Alex Scarlis (Ameircan Heiress)
Jody Thompson (The 400)
Panou (Flash Gordon)

Michael Rosenbaum in Smallville (2001)In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.Erica Durance and Alan Ritchson in Smallville (2001)In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.Michael Rosenbaum in Smallville (2001)Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac. James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show.John Schneider in Smallville (2001)The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

REVIEW: SMALLVILLE – SEASON 2

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Sam Jones III (Glory Road)
Allison Mack (Wilfred)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Kristin Kreuk and Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

Tom O’Brien (The Accused)
Rekha Sharma (Star Trek: Discovery)
Julian Christopher (Elysium)
Jerry Wasserman (Watchmen)
Krista Allen (Feast)
Mitchell Kosterman (Stargate SG.1)
Sarah-Jane Redmond (Disturbing Behaviour)
Joe Morton (God Friended Me)
Andrew Jackson (Earth: Final Conflict)
Michael Kopsa (Fantastic Four)
Sara Downing (Roswell)
Garwin Sanford (Arrow)
Sean Faris (Never Back Down)
Gwynyth Walsh (Star Trek: Generations)
Richard Moll (Batman: TAS)
Maggie Lawson (Santa Clarita Diet)
George Coe (The Stepford Wives)
Jesse Hutch (Arrow)
Fulvio Cecere (Valentine)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Blair Brown (Space Cowboys)
Ryan Kelley (Teen Wolf)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Mark Gibbon (The 6th Day)
Jonathan Taylor Thomas (Home Improvement)
Emmanuelle Vaugier (Two and a Half Men)
Robert Wisden (Highlander: The Series)
David Richmond-Peck (V)
Amara Zaragoza (Perfect Stranger)
Gordon Tootoosis (Lone Star)
Eric Johnson (Flash Gordon)
Lizzy Caplan (Cloverfield)
Byron Mann (Arrow)
Colin Cunningham (Elektra)
Jill Teed (Godzilla)
Eileen Pedde (Juno)
Jason Connery (Wishmaster 3)
Eric Keenleyside (Dreamcatcher)
Barclay Hope (Paycheck)
Rob LaBelle (Jack Frost)
Shaun Sipos (Texas Chainsaw)
Haig Sutherland (The Flash)
Luciana Carro (White Chicks)
Paul Wesley (The Vampire Diaries)
Craig Veroni (Dark Angel)
Christopher Reeve (Superman)
Anson Mount (Inhumans)
Michael Adamthwaite (Horns)
Camille Mitchell (Izombie)
Zachery Ty Bryan (Fast and Furious: Tokyo Drift)
Neil Flynn (Scrubs)
Jodelle Ferland (Case 39)
Ingrid Torrance (Scooby Doo 2)
David Lewis (Man of Steel)
Terence Stamp (Superman II)

 

Sam Jones III and Tom Welling in Smallville (2001)The first season of Smallville got off to a bit of a rocky start, as the program didn’t really find its footing until midway through the season. The show suffered from what fans called “Freak of the Week” syndrome, in which a new Kryptonite-mutated supervillain would emerge in every episode with some pretty weak storylines. The “Bug Boy” and “Coach Firestarter” episodes come to mind pretty quickly, and it makes me shudder just thinking about them. However, the show gradually shifted into telling more stories that advanced Clark Kent’s overall storyline, with multipart episodes that focused on slowly revealing Clark’s origin as Kal-El and his “immigration” to Earth, as well as the ongoing storylines of the supporting cast. Not to say that the show still doesn’t have an occasional “Freak of the Week”, but when they do they are either (1) fewer in frequency or (2) somehow related to the overall show’s story arc.Sam Jones III and Tom Welling in Smallville (2001)With that out of the way, let’s talk about the cast. Tom Welling is pitch-perfect as the teenage Clark Kent. With his tall stature and ripped physique, he certainly looks the part, but he also captures the insecurity and awkwardness of youth while portraying an inner nobility and morality for which his character will eventually become renown. As Lana Lang, Clark’s childhood crush and current on-again, off-again love interest, Kristin Kreuk is about as superhumanly lovely as one could imagine. She’s the “girl next door” multiplied by about three million, not only because of her phenomenal physical beauty but also due to her bright-eyed, compassionate, down-to-earth demeanor. It doesn’t take a rocket scientist to see why Clark loves her, or why it rips him apart when he has to push her away in order to keep his powers a secret and keep her from being harmed (people who tend to learn about Clark’s powers generally end up dead or insane.)Kristin Kreuk and Tom Welling in Smallville (2001)Michael Rosenbaum brings young Lex Luthor to life in what has become my favorite character of the show. Making Lex Luthor and Clark Kent childhood friends is a novel (and daring) conceit by the show’s creators, and it pays off handsomely. Lex adds a darker, more cynical dynamic to Clark’s teenage development that was missing in previous iterations of the character. Rosenbaum, who rather ironically provides the voice for the DC superhero “The Flash” on the Justice League animated series, makes Luthor a dark, sympathetic, and conflicted figure. He’s charismatic enough to make one want to like him, Machiavellian enough to make one worry if they can trust him, and – since we know his eventual fate – an overall tragic figure. We know he’s going to “go bad”; his slow transition from Clark’s trusted friend to worst enemy makes for some truly compelling material.Annette O'Toole and John Schneider in Smallville (2001)The cast is rounded out by John Schneider as Jonathan Kent, Academy Award-nominated songwriter Annette O’Toole (and a former Lana Lang herself from Superman III) as Martha Kent, John Glover as Lionel Luthor, Sam Jones III as Clark’s childhood friend Pete Ross, and Allison Mack as Chloe Sullivan, whose unrequited love for Clark has emerged as a critical subplot in the development of the series. The group makes for an attractive ensemble, and there’s not a bad apple in the bunch. My only real complaint about the cast could be the little screen time Pete Ross gets (which gets worse in Season Three). As Clark’s best friend since childhood, his relationship with Clark gets laid by the wayside in favor of the Clark/Lex dynamic. Every now and then he turns up to provide some expository dialogue, and while he is featured prominently in a few episodes (especially “Duplicity”), his role in the show has slowly diminished over time.John Glover and John Schneider in Smallville (2001)Smallville: The Complete Second Season picks up from the cliffhanger ending that ended Season One, and slowly grows into a stronger and more self-assured show. Over the course of the season we get introduced to heat vision, red Kryptonite, a trip to Metropolis (with a cameo by The Daily Planet), and, in the episode “Rosetta”, an appearance by the former Man of Steel Christopher Reeve which stands out as one of the series’ best episodes. When I heard bits of John Williams’s amazing film orchestrations woven into the show’s score, I had goose bumps everywhere.Tom Welling and Amara Zaragoza in Smallville (2001)While still a little bumpy at times, Smallville’s second season is a huge step above the first, and remains one of the most entertaining shows on television.

 

REVIEW: CAPRICA

MAIN CAST

Eric Stoltz (The Butterfly Effect)
Esai Morales (Fast Food Nation)
Paula Malcolmson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (The Bionic Woman)
Sasha Roiz (Grimm)
Brian Markinson (Izombie)
Polly Walker (Clash of The Titans)

Recurring / Notable Guest Cast

Avan Jogia (Tut)
William B. Davis (The Dead Zone)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Heroes Reborn)
Genevieve Buechner (Jennifer’s Body)
Anna Galvin (Tin Man)
Jorge Montesi (The Romeo Section)
Veena Sood (Timecop)
Scott Porter (Prom Night)
Karen Elizabeth Austin (The Eye)
Anita Torrance (Smallville)
Michael Eklund (Arrow)
Patton Oswalt (Young Adult)
Kendall Cross (Snakes on a Plane)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Falling Skies)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Françoise Yip (The Order)
Panou (Flash Gordon)
Camille Mitchell (Legion)
Richard Harmon (The 100)
A.C. Peterson (Shooter)
Eve Harlow (Bitten)
John Pyper-Ferguson (Suits)
James Marsters (Runaways)
Leah Gibson (Watchmen)
Jill Teed (Godzilla)
James Pizzinato (Rise of The POTA)
Zak Santiago (Ghost Wars)
Meg Tilly (Bomb Girls)
Ryan Robbins (Sanctuary)
Kacey Rohl (Arrow)
Andrew Airlie (Fifty Shades of Grey)
Bridget Hoffman (Hercules: TLJ)
Ben Cotton (Staragte: Atlantis)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Tom McBeath (Stargate SG.1)
Calum Worthy (American Vandal)
James Kirk (X-Men 2)
Aleks Paunovic (War For The POTA)
Elisabeth Rosen (Cult of Chucky)
Carmen Moore (Arrow)
Mike Dopud (Stargate Universe)

The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.imagesUpon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.The Second half of season 1 Caprica would be the end as Syfy decided to cancel it. Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break, leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. It establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica.None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). Really, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists.Starting with “False Labor”, Caprica begins to see an awakening, In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration.Eric Stoltz and Paula Malcomson in Caprica (2009)With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming. With a Coda at the end of the season you do get a conclusion that answers the questions of where the show would of gone had it been around for 5 years.

REVIEW: BLADES OF GLORY

 

CAST

Will Ferrell (Zoolander)
Jon Heder (Napoleon Dynamite)
Will Arnett (Teenage Mutant Ninja Turtles)
Amy Poehler (Mean Girls)
Jenna Fischer (Slither)
William Fichtner (The Dark Knight)
Craig T. Nelson (The Incredibles)
Romany Malco (No Ordinary Family)
Nick Swardson (Bolt)
Luciana Carro (Falling Skies)
Andy Richter (Scary Movie 2)
Rob Corddry (Operation: Endgame)
Nick Jameson (Frozen)
Luke Wilson (That 70s Show)
Katharine Towne (Evolution)

Jon Heder in Blades of Glory (2007)

Professional figure skating is a subject so ripe for cinematic satire that it’s truly a wonder that ‘Blades of Glory’ is first big budget comedy to exploit it. The costumes, the music, the pageantry, the preening — as much as we may watch in awe as the enormously talented athletes create magic on the ice, it’s hard not to also stifle a giggle at the grandiose excess of it all.Will Ferrell and Jon Heder in Blades of Glory (2007)

Much the same way he did with formula one racing in “Talladega Nights” Will Ferrell lampoons the sport to great effect with ‘Blades of Glory.’ This fantastically silly, utterly preposterous comedy was the sleeper hit of early 2007, grossing over $100 million and for once delivering all the laughs its trailers promised.

Will Ferrell and Jon Heder in Blades of Glory (2007)

Ferrell stars as Chazz Michael Michaels, an uber-hetero world-class figure skating champion (and adult film star, but nevermind that). After a on-rink run-in with his rival, the angel-cheeked skating prodigy Jimmy MacElroy (Jon Heder, not straying too far from his classic ‘Napoleon Dynamite’ persona), both are stripped of their gold medals and permanently banned from men’s single competition. However, after a few desperate years stuck on the has-been, quasi-celebrity skating circuit, the two find a loophole that will allow them to qualify as the world’s first all-male pairs team. Here is where ‘Blades of Glory’ could have simply been another of those one-joke movies — nothing more than a series of cringe-inducing homophobic barbs about how funny men in tights are. But if ‘Blades of Glory’ isn’t exactly high-brow, Ferrell and Heder find just the right tone in satirizing not “gayness,” but instead the male discomfort with the sexual stereotypes of “effeminate” sports like figure skating. Ferrell in particular creates such a hyper-masculine alpha male in Chazz — one who’s overcompensating to a ridiculous degree, that it becomes truly inspired social commentary. ‘Blades of Glory’ is actually quite astute, even sublime, in skewering male anxieties.Will Ferrell and Jon Heder in Blades of Glory (2007)The film also doesn’t limit itself to obvious satire by having a field day with the highly-competitive nature of Olympic sports. Fulfilling the villain requirement are Stranz and Fairchild Van Waldenberg, a brother-sister team of rival German skaters who will do anything to defeat Chazz and Jimmy. As played by Will Arnett and Amy Poehler (who also happen to be married off-screen), they’re like Boris and Natasha on ice, twirling their mustaches as they hatch a series of increasingly bizarre schemes. It all leads to an extended chase sequence, as Stranz chases Chazz over ice, through a crowded shopping mall and finally onto the rink in a madcap bit of lunacy that is one of the movie’s highlight sequences.MV5BMTU3NjYxNzc1NV5BMl5BanBnXkFtZTcwMTUyMjI0Nw@@._V1_SY1000_CR0,0,1494,1000_AL_If ‘Blades of Glory’ were only spandex and slapstick, however, it probably would have been nothing more than a second-rate “SNL” sketch that quickly wore out its welcome. But typical of Ferrell’s more recent penchant for humanistic comedy over sheer satire, he sets the tone for the rest of the film by plumbing some genuine (if completely ridiculous) pathos out of these larger-than-life characters. When Chazz is forced to endure a stint inside a giant furry animal costume in the kiddie spectacular “Grumlets on Ice” (a pitch-perfect parody of those awful Icecapades shows), he somehow manages to make it simultaneously sad, touching, and hilarious. Indeed, we will come to like all of the characters in ‘Blades of Glory,’ because however over-the-top they may be, there is a kernel of recognition to even their most outlandish behavior that rings true. Of course, ‘Blades of Glory’ is ultimately impervious to critical analysis, because it aims to be nothing more than just a very funny movie. It takes a sport that just cries out to be made fun of, hits the laugh bull’s-eye more than it misses.