REVIEW: TERMINATOR: THE SARAH CONNOR CHRONICLES – SEASON 1 & 2

SarahConnorChronicles

MAIN CAST

Lena Headey (Game of Thrones)
Thomas Dekker (Heroes)
Summer Glau (Arrow)
Richard T. Jones (Godzilla)
Brian Austin Green (Anger Management)
Leven Rambin (The Hunger Games)
Garret Dillahunt (Winter’s Bone)
Shirley Manson (Knife Fight)
RECURRING / NOTABLE GUEST CAST

Owain Yeoman (Supergirl)
Sonya Walger (Flashforward)
Nick Wechsler (Roswell)
Dean Winters (Brooklyn Nine-Nine)
Charlayne Woodard (The Crucible)
Tony Amendola (Annabelle)
Sasha Roiz (Caprica)
Jonathan Sadowski (Friday the 13th)
Brendan Hines (Lie To Me)
Catherine Dent (Taken)
Alessandra Torresani (The Big Bang Theory)
Tiya Sircar (The Vampire Diaries)
Andy Umberger (Angel)
Lee Thompson Young (Smallville)
Neil Hopkins (Lost)
Peter Mensah (Spartacus)
Bruce Davison (High Crimes)
Karina Logue (Scream: The Series)
Craig Fairbrass (Cliffhanger)
Dean Norris (Breaking Bad)
Zack Ward (Transformers)
Busy Philipps (The Smokers)
Leah Pipes (The Originals)
Jon Huertas (Sabrina: TTW)
Mackenzie Brooke Smith (Supergirl)
Dorian Harewood (Earth: Final Concflict)
Stephanie Jacobsen (Alex Cross)
Adam Busch (Buffy)
Richard Schiff (The Cape)
Eric Steinberg (Stargate SG.1)
Todd Stashwick (The Originals)
Rebecca Creskoff (Bates Motel)
Carlos Jacott (Firefly)
Samantha Krutzfeldt (A Mann’s World)
Connor Trinneer (Stargate: Atlantis)
Chad Lindberg (The Fast and The Furious)
Chad L. Coleman (Arrow)

When we first heard that FOX was making a Terminator series, we mostly groaned and rolled our eyes. It just sounded like a bad idea and a cynical ploy to capitalize on a flagging movie property. What’s more, when you think of Terminator, you think of big movies with huge effects and action sequences that set new standards. You don’t think of “Terminators of the Week” battling on smaller screens with tighter budgets.

 It was the first regular episode after the pilot that I feel the show really came into its own. That’s when the tone of the series was established, the more deliberate and introspective pace. Summer Glau’s performance as Cameron changed a bit.
 It’s the mark of a good show when, one by one, all of your issues are accounted for. In the episode Heavy Metal John does what he has to do despite Sarah’s overprotection. He’s becoming the leader he needs to become, and when Sarah says it’s too soon, Cameron says something to the effect of “Is it? The world ends in 4 years…” At the same time, Sarah came to value Cameron’s strategic value. She might not trust her (and should she?), but she no longer denies her the tactical advantage they have when using her.
As for the missing Terminator parts, the show picked up the ball there and ran with it. Agent Ellison finds the missing hand, and destroying the Terminator Cameron disabled becomes a great scene and establishes the use of thermite. When a show proves to you that it’s got the bases covered, and that it isn’t being sloppy with its storytelling – it gains your confidence and makes tuning in each week that much more satisfying. Terminator pulled this off in just nine episodes – which is remarkable considering they had only so much time and never planned on having such a short season because of the writers strike. There were a number of stylistic flourishes throughout the show that demonstrated how the series was different from the movies, and that this wasn’t going to be a show that was afraid to strike out on its own. Sarah’s dream where she assassinates the creators of the atomic bomb was particularly inspired. Bruce Davison (as Dr. Silberman) describing in awed rapture the events from T2 was a terrific bridge between this series and one of the most famous sequences of the entire franchise. The series ended on a high note, with Johnny Cash’s “The Man Comes Around” playing while a Terminator does what Terminators do. Only this time it’s done in a stylistically original way. It’s another scene that serves as an example of how the show stepped out on its own. It shows a level of creative maturity not usually found in franchised properties.
Then there’s the introduction of Brian Austin Green as Derek Reese. This was a decision that had us – and other fans – concerned that the show was making a big mistake. Why Green? It seems there could have been dozens, if not hundreds of other actors to take on this role. Actors who didn’t play the keyboard wielding dweeb on Beverly Hills 90210. Yet, again, the show proved worthy of our confidence and trust. Green did an excellent job, and played Reese not as your standard badass, but instead a man of emotional depth who had been turned into a soldier because the world around him fell apart.
Green’s best moments came in the finale. First, he uses a little girl to creatively settle a hostage situation. Then, he takes John to the park to celebrate his birthday. Without getting specific, there’s a touching moment, playing on the time travel device. “Happy Birthday,” Derek says, and leaves it at that. It’s an emotional note that was never quite achieved in the movies – and proof that the episodic format allows for greater complexity and character development than we’ve seen in the franchise. It’s also encouraging that the characters had become so resonant in these early episodes – and bodes well for the future.
No one likes to see a good show go under, especially just as it’s approaching new heights, and the recent cancellation of Terminator: The Sarah Connor Chronicles (2008-2009) proved almost equally disheartening. At least the latter had a fighting chance, though: the mid-season replacement pulled down great numbers at first, but its popularity rapidly declined during the initial nine-episode run. Higher production costs didn’t help matters, either…yet Chronicles was renewed for a full-sized second season, where it expanded the series’ mythology and tossed in a few stand-alone episodes. Featuring plenty of terrific characters, tense action and special effects on par with Hollywood blockbusters, there was plenty to like…but roughly a month after the season finale aired, it was confirmed that the series wouldn’t return.
Nonetheless, this second and final season stands as one of the better stretches of television in recent memory. In an accompanying behind-the-scenes featurette, creator Josh Friedman admits that the cast and crew had no idea that Season 1 would end where it did—but you’d never know from watching, since the series stops and re-starts so seamlessly. Opening adventure “Samson and Delilah” kicks things off in a major way, punctuated by a gripping slow-motion sequence set to a musical cover by Shirley Manson of Garbage fame. Speaking of Manson, she’s front and center this season as Catherine Weaver, the mysterious leader of ZeiraCorp, a growing corporation with an interest in advanced technology. She’s eventually joined by former FBI agent James Ellison (Richard T. Jones); Ellison acts as her head of security and a mentor to ZeiraCorp’s experimental computer, who’s known as “John Henry”. Though more intelligent and efficient than the world’s greatest minds put together, this powerful entity is still a child learning about the the world and the humans in it.
Naturally, such a vague company—especially one with its hands in high-tech gadgetry—soon ends up on the radar of Sarah Connor (Lena Headey), who continues to forge onward with her son John (Thomas Dekkar), John’s uncle Derek Reese (Brian Austin Green) and Cameron, a Terminator sent from the future to aid them. New to the crowd are Jesse Flores (Stephanie Jacobsen) and Riley Dawson (Leven Rambin); both serve as love interests to Derek and John respectively…but like Catherine Weaver, they seem to have somewhat questionable pasts. Far more than the typical good-versus-evil formula that typically dominates modern sci-fi, The Sarah Connor Chronicles takes a decidedly different approach: it focuses on human existence and emotion as much as firefights and chase sequences. The formula works amazingly well during this season of 22 episodes.
 After the blistering “Samson and Delilah”, things don’t let up for a while. “Automatic for the People” introduces Riley and takes our heroes inside a nuclear power plant—but a major clue is unearthed, as Sarah discovers a list of events, places and other clues about Skynet, the company that Sarah believes will bring about Judgment Day. “Mousetrap” is a standout episode for a number of reasons: not only does it push the story further onward, but it’s one of the more suspenseful and exciting episodes in the bunch. “Allison from Palmdale” stands tall as a solid origin story for Cameron, while the extended “Goodbye to All That” sends John and Derek on a field trip with a Terminator model 888 in hot pursuit. These episodes—and several others, of course—show how much Season 2 has expanded the story’s scope. Well over half the episodes are shot on location in various parts of California and beyond—and with the vague threat of ZeiraCorp looming overhead, tension remains high throughout the first half of the season.
As the season’s second half approaches, things start to get a little cloudy…both for the narrative itself and the show’s ratings, which gradually slid as the season progressed. “Self-Made Man” and “Alpine Fields” are two stand-alone episodes designed to draw in new fans, as the creative team felt that a continuous thrust forward would hurt the series’ chances of survival. Unfortunately, these two episodes are some of the least impressive: while decent enough on their own terms, they feel completely out of context and arrive at the wrong time. These may have added a few viewers, but I imagine they probably confused and frustrated those expecting the series to continue its steady pace forward. Nonetheless, “Earthlings Welcome Here” gets things back on track…but within the context of the series’ original broadcast dates, it may have come too late. This would be the last episode before the holiday break, with Chronicles returning two months later in the dreaded Friday night timeslot…which television fans refer to as “the kiss of death”.
It’s sad, really, because The Sarah Connor Chronicles really got back on its feet from that point onward. “The Good Wound” was much better suited to draw in new fans than a stand-alone episode: taking several cues from Terminator 2, this Sarah-centered adventure re-acquaints us with an important figure from her past. The next several episodes flesh out story elements introduced earlier in the season, as Sarah, John, Derek and Cameron set out to solve a mysterious factory explosion in the desert. After “Some Must Watch While Some Must Sleep”, Chronicles sprints to the finish line: Jesse and Riley’s pasts begin to unravel, John Henry and ZeiraCorp’s true intentions are revealed, Sarah and company head off into unfamiliar territory and several major characters meet their doom. It all culminates with “Born to Run”, which ends the series on a high note, tying up several loose ends but leaving others to the imagination. Poignant, clever and almost hopeful, it’s a fitting farewell to a series that was killed off too early.

Regardless, Warner Bros. has given The Sarah Connor Chronicles a strong send-off on DVD, as this second season arrives in a fully-loaded six-disc collection. The series’ crisp cinematography and ambitious sound mix—both of which feel more like big-screen efforts than typical TV fare—are supported by a solid technical presentation, while fans can also look forward to a collection of entertaining and informative bonus features. Though Friedman’s excellent series now joins the gone-too-early ranks

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31 DAYS OF HORROR REVIEW: THE HILLS HAVE EYES 2 (2007)

CAST

Flex Alexander (Snakes on A Plane)
Daniella Alonso (Wrong Turn 2)
Lee Thompson Young (Smallville)
Jessica Stroup (Ted)
Archie kao (Power Rangers Lost Galaxy)
Jeff Kober (New Girl)
Derek Mears (Friday the 13th 2009)

A captive woman—forced to breed mutant children—gives birth to a stillborn. She is then killed by mutant leader Papa Hades (Michael Bailey Smith) for being unable to provide healthy offspring. Later, scientists working in the New Mexico desert are attacked by Letch. A group of National Guardsmen in training are sent into the desert to resupply the scientists, who were working for the United States Department of Defense on installing a surveillance system (implied to be a result of the events in the first film). The soldiers arrive to find the camp apparently abandoned, and outside radio contact impossible due to the topography. When the radio operator, Spitter (Eric Edelstein), picks up a faint distress call, the sergeant (Flex Alexander) organizes a search and rescue mission, leaving behind Napoleon (Michael McMillian) and Amber (Jessica Stroup).

The search party discovers the mutilated body of a scientist in the hills, while Amber and Napoleon pull another dying scientist out of the portable toilet. On her way to join the group Amber is attacked by Stabber (Tyrell Kemlo), but a returning Mickey (Reshad Strik) wards him off. Just as Napoleon catches up, Mickey is pulled into a bolt-hole and killed. At the same time, the remaining troops are attacked by Letch, and the sergeant is accidentally killed by Spitter’s friendly fire. Napoleon and Amber reunite with the group, and Spitter is killed by an unseen mutant sabotaging his rappelling gear as the others attempt to lower him down the hill. With their remaining gear stolen they are forced to try to find another way down.

The remaining troops soon locate their commanding officer, who has clearly become unhinged from recent events. He warns them of the mutants’ plans to capture women for breeding and kill everyone else. He then commits suicide after telling them the only way down the hill is through the mining caves. After the group kills Stabber, Missy is captured and taken into the mining caves by Chameleon. Chameleon attempts to rape her, but Missy fights him off, only to be captured by Hades, who scares Chameleon away and savagely rapes Missy himself. The remaining troops attempt to rescue her, with the exception of Stump (Ben Crowley), who is killed by Letch while attempting to climb down the hill without ropes. After being separated from Crank (Jacob Vargas) and Delmar (Lee Thompson Young), Napoleon and Amber cross paths with Chameleon, who they kill. They later locate a non-violent mutant named Hansel (David Reynolds), while escaping Grabber (Gaspar Szabo). Grabber is killed by Crank after shooting Delmar. After reuniting with Napoleon and Amber, Delmar dies from his wounds, and Hansel leads Napoleon, Amber, and Crank to the exit. Along the way Crank is killed by a trapped crate of dynamite that he attempts to take with him, incidentally triggering an explosion. After killing Letch, Napoleon and Amber find the captive Missy, and all three fight Hades, who they manage to kill as well. The three leave the mines, but are watched by an unknown mutant using their surveillance equipment.

This film went as far as a sequal can go really, the story was pretty good, the acting was as you would expect given the situation the characters are in, the locations are great, the level of gore and gross out scenes was great, it was a fun enjoyable movie horror fans will love it!

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

31 DAYS OF HORROR REVIEW: FLASHFORWARD: SCARY, MONSTERS AND SUPER CREEPS

Image result for flashforward tv logo

MAIN CAST

Joseph Fiennes (Elizabeth)
John Cho (Star Trek)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Happy Endings)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brian F. O’Byrne (Million Dollar Baby)
Courtney B. Vance (Terminator Genisys)
Sonya Walger (Lost)
Christine Woods (Perfect Couples)

GUEST CAST

Lee Thompson Young (Smallville)
Ashley Jones (Old School)
Lennon Wynn (Jennifer’s Body)
Cynthia Addai-Robinson (Arrow)
Amy Rossoff (Elektra Luxx)
Ryan Wynott (The Cape)
Rodney Rowland (Veronica Mars)

SCARY, MONSTERS AND SUPER CREEPS
The mysterious Simon is aboard a night train to Los Angeles. In the club car, he attempts to pick up a woman by telling her that he knows what caused the GBO. She assumes he is just a drunk, but follows his advice to search the Internet for images with the keywords “quantum physicist genius.” The woman is impressed when she gets a hit of a semi-nude Simon. Simon explains about the paradox of Schrödinger’s Cat and the woman is intrigued enough to follow him to his sleeping car compartment. In the afterglow, the woman tells Simon that her Flash placed her in Times Square on April 29th where she a half-million other people were waiting for the ball to drop. Simon tells the woman that he choked the life out of a man in his flashforward and that the act felt very satisfying. He concluded by asking her if she was glad she asked. When Simon arrives in Los Angeles, he hides in the back seat of Lloyd’s car and surprises him. Lloyd is not interested in talking to Simon. As Lloyd drives off, he says, “Our experiment killed 20 million people, Simon.”
In the aftermath of simultaneous attacks on the Mosaic investigation team, Janis is rushed to the hospital where Olivia manages to stabilize her. But complications arise involving her uterus. Olivia and Bryce pull her through but the chances of her being able to have children are all but gone. The news devastates Janis despite her never wanting to have a baby.
Demetri recruits Al to search for the people who shot Janis. At the morgue, a black (ultravoilet) light reveals a blue symbol on one of Janis’ attackers. Blue hand is one of the clues from Mark’s board and it was also related to the word Baltimore. There is a Baltimore Street in Los Angeles. They see a blue hand decal on a stop sign that points them to another on a telephone pole that leads them to a seemingly unoccupied house. There are blood stains on the porch and throughout the downstairs. Blood-soaked sheets cover several bodies in the main room. One of the bodies has a blue hand.  In Al’s flashforward, he was in London working on the Rutherford case with a Scotland Yard liaison. A bird crashed into the window and died. Al was investigating the Rutherford case, which didn’t yet exist. In the present, they find a passport on one of the deceased bodies. It’s for a Scottish man named Ian Rutherford. Al’s Rutherford investigation has just begun.
Mark tells Olivia that the attacks on him and Janis must be connected because of the Mosaic investigation. Olivia wants them to stop being so obsessed with the future and start living in the now. Of course, living in the now involves taking Charlie out for Halloween. While trick or treating, Mark and Aaron do a double-take as they see a kangaroo hopping through the neighborhood. Mark sees three figures wearing masks similar to the ones worn by the assassins in his flashforward. He chases one of the figures down in a cemetery. It’s just a teen who thought he was in trouble for pulling a prank. The young man says he got the mask at a discount store. Mark then gets a call from Nicole. There’s a problem at home.
Lloyd Simcoe tells his son Dylan that he wants them to live in Lloyd’s house after Dylan gets out of the hospital. Dylan withdraws, then says “It’s my house, too.” They are interrupted by Bryce Varley, who reminds Lloyd that it is time for trick or treat in the hospital. After trick or treating, Dylan wanders outside. He gets onto a bus and recites an address: 25696 Sawyer Court. The driver, Ernesto Garcia, wants Dylan to pay a fare, but a man intervenes. When Dylan arrives at 25696 Sawyer Court, it turns out to be the Benford home.
Dylan steps inside saying, “It’s my house, too.” When Mark arrives, Dylan and Charlie high-five each other as if they are old friends. In Dylan’s flashforward, Charlie lets him know that it was okay to have a cookie because this is his house, too. Dylan reads the address from a label attached to the refrigerator. Meanwhile, Nicole had called Lloyd at the hospital, as Dylan was still wearing his ID wristband. When Lloyd sees the inside of the Benford home, he realizes it’s the one from his Flash. When Olivia comes home, Lloyd then realizes that she has to be the woman he had such strong feelings for – and who called him “Honey.” Mark notices and takes exception. Mark tells Lloyd to never come back and later accuses Olivia of hiding things, unaware that she received an anonymous text letting her know he has been hiding things from her. Mark admits that he was intoxicated in his flashforward, but steadfastly promises that he will not drink. That’s not good enough for Olivia. Mark complains that Olivia is punishing him for something he has not yet done; Olivia responds that he has been doing exactly that to her. It is not about the drinking. It’s about trust. And they don’t trust each other anymore.
We finally got a nice, nasty taste of Monaghan’s Simon in this episode. We got to see him hit on True Blood‘s Ashley Jones on a train, and then, presumably strangle her after sex. Monaghan was actually pretty good in this quieter, more sinister role. He’s actually believable in this role, which is very different from the comic relief-type performances that he’s known for. Through his mad scientist genius character we also got to find out the death toll for the black out. 20 million. Wow. And the world still works in pretty much the same fashion? That might be the most fantastical element of this series.

REVIEW: FLASHFORWARD

CAST

Joseph Fiennes (Hercules)
John Cho (Sleepy Hollow)
Courtney B. Vance (Final Destination 5)
Sonya Walger (Lost)
Christine Woods (The Walking Dead)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Cherry Falls)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brían F. O’Byrne (Million Dollar Baby)

RECURRING / NOTABLE GUEST CAST

Ryan Wynott (The Cape)
Lennon Wynn (Jennifers Body)
Barry Shabaka Henley (Heroes)
Genevieve Cortese (Supernatural)
Michael Ealy (Almost Human)
Gabrielle Union (10 Things I Hate About You)
Michael Masse (The Amazing Spider-Man)
Lee Thompson Young (Smallville)
Neil Jackson (Blade: The Series)
Rachel Roberts (Simone)
Yūko Takeuchi (Ring)
James Callis (Battlestar Galacitca)
Shohreh Aghdashloo (The Exorcism of Emily Rose)
Gil Bellows (Sanctuary)
Mark Famiglietti (Terminator 3)
Annabeth Gish (Mystic Pizza)
Alex Kingston (Arrow)
Ricky Jay (Lie To Me)
Loren Lester (Batman: TAS)
Cynthia Addai-Robinson (Arrow)
Alan Ruck (Speed)
Kim Dickens (Lost)
Gina Torres (Firefly)
Keir O’ Donnell (Paul Blart: Mall Cop)
Navi Rawat (Thoughtcrimes)
Lindsay Crouse (Buffy)
Carmen Argenziano (Stargate SG.1)
Seth MacFarlane (Family Guy)
Lee Garlington (A Lot Like Love)
Callum Rennie (Legends of Tomorrow)
Peter Coyote (Sphere)
Jake Johnson (New Girl)
Thomas Kretschmann (Dracula)

In the summer of 2009 ABC realized that their ratting juggernaut, Lost, was coming to an end. When it started, Lost was the first real hit they’d had in half a decade and the network wanted to replace it with another show that would keep viewers coming back week after week for years. Their answer: Flashforward. Reportedly planned to last five seasons, the show starts out with a deep mystery that gets more complex and intricate as the show progresses. Unfortunately the show wasn’t renewed for a second season.


On October 6th, 2009 at precisely 11:00:00 PST on the dot, without warning, every person in the world blacked. This caused mayhem as planes fell out of the sky, cars plowed into crowds, and helicopters crashed into skyscrapers. Two minutes and seventeen seconds later everyone woke up, having all experienced the same thing: they saw what they would be doing on April 29, 2010, six month in the future.


People started calling this event a flashforward and it naturally affected people in different ways. To many the glimpse of what was to come was life altering, both good and bad. One man sees his daughter, who he thought was killed in Afghanistan, alive but wounded. A happily married woman sees a strange man in her bed. An alcoholic sees himself drinking. A few people don’t see anything. Does that mean that they’ll be dead in half a year?An FBI agent, Mark Benford (Joseph Fiennes), sees himself investigating who or what triggered the flashforward as armed gunmen break into the LA branch of the FBI with the purpose of killing him. Armed with what he can remember from the bulletin board covered with leads, Benford and his partner, Demetri Noh (John Cho), head up the investigation of the event. They start a web site, Mosaic, where people can publically post what they saw in their future and use the data to come up with a picture of what the world will look like in 6 months. They also discover some very interesting things that are hard to explain. Like the fact that not everyone was knocked out. Examining camera footage from a baseball stadium they discover images of a person calmly walking through the thousands of unconscious people towards an exit. He  is labeled ‘Suspect Zero’ and finding this person is the agency’s top priority. Second only to the person he was talking to on his cell phone.

When it originally aired, the program ran ten episodes and then took a three-and-a-half month break, then came back for another 12 installments. The show really hits its stride in that later half .  it was cancelled at the end of the first season. The show was conceived to run for 5 years and when this set ends, there are still a lot of plot lines that are unresolved. That’s going to be really disappointing to a lot of people who get hooked on this show