REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

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REVIEW: THE INCREDIBLE HULK (1996)

CAST
Lou Ferrigno (Scorpion King 4)
Neal McDonough (Arrow0
Genie Francis (Roswell)
John Vernon (Batman: TAS)
Luke Perry (The Fifth Element)

RECURRING / NOTABLE GUEST CAST
Matt Frewer (Taken)
Mark Hamill (Star wars)
Thom Barry (Cold Case)
Doran Harewood (Earth: Final Conflict)
Clancy Brown (Highlander)
John Rhys-Davies (Lord of The Rings)
Michael Horse (Roswell)
Cree Summer (Inspector Gadget)
Lisa Zane (Freddy’s Dead)
Richard Moll (Scary Movie 2)
Simon Templeman (The Neighbors)
Dawnn Lewis (Futurama)

The 1996 Hulk cartoon started off great, the stories remained focused on the green savage Hulk, the army chasing the hulk, and Banner’s relationship with Betty Ross. The art style is pretty good but the animation is jerky which means it has a low frame rate. The 1982 Hulk cartoon had better art and animation. The second season introduced the Grey Hulk and She-Hulk which quickly turned this cartoon to garbage. I never liked the grey Hulk in the comics and I stop buying Hulk comics in the late 1980s because of it. The grey hulk wasn’t savage and talked way too much. The Hulk is supposed to be a brute savage, the extreme opposite of Banner’s personality and to hear the Hulk talk like he has a college education just doesn’t work.

The She-Hulk should have only appeared in one episode. The writers somehow got the impression that the Hulk couldn’t carry a show by himself (even though he carried a comic series by himself for thirty years). So they rename the show “The Hulk and She-Hulk”… big mistake. She-Hulk has the same problem the grey Hulk has, she talks way too much and gets too much screen time. A better idea (maybe) would have been to have a spin off cartoon for She-Hulk. Anyway watch the first season episodes and forget the rest.

 

REVIEW: IRON MAN (1994)

CAST (VOICES)

Robert Hays (Airplane)
James Avery (The Fresh Prince of Bel-Air)
Ed Gilbert (Transformers)
Robert Ito (Batman: TAS)
Dorian Harewood (Sparkle)

RECURRING / NOTABLE GUEST STARS

Sarah Douglas (Superman 1 & 2)
Matt Frewer (Taken)
Neal McDonough (Arrow)
Ron Perlman (Hellboy)
Efrem Zimbalist Jr. (Batman: TAS)
David Warner (Teenage Mutant Ninja Turtles II)
Lisa Zane (Monkeybone)

Although only lasting two seasons, Iron Man was the subject of a major overhaul between seasons when its production studio was changed. The result was a massively changed premise, tone, and general approach, which left the disparate seasons scarcely recognizable as being two halves of the same series.

The first season of Iron Man featured little more than a Masters of the Universe-style battle of “good against evil”, as billionaire industrialist Tony Stark battled the evil forces of the world-conquering Mandarin as the armored superhero, Iron Man. In his evil endeavors to steal Stark’s technology and Iron Man’s armor, the Mandarin led a group of villains consisting of Dreadknight, Blizzard, Blacklash, Grey Gargoyle (when it comes to fighting Iron Man and his team, he has a tendency to accidentally turn his fellow villains to stone), Hypnotia (Dreadknight and Blacklash were rivals for the affections of Hypnotia), Whirlwind, Living Laser, MODOK, Fin Fang Foom and Justin Hammer. To combat these villains, Iron Man had the help of his own team (based on Force Works, a then-current comic book team which has since faded into obscurity), including Century, War Machine, Scarlet Witch, Hawkeye (replacing U.S. Agent from the comics) and Spider Woman.

The season consisted mostly of single-episode open-and-shut-case adventures, with two two-part stories late towards the end. Unlike many other Marvel animated series, despite featuring over-the-top titles that paid homage to the early Stan Lee written Marvel comics of the 1960s (for example, “The Grim Reaper Wears a Teflon Coat”, and “Rejoice, I am Ultimo, Thy Deliverer”), almost none of the episodes were adaptations of comic book stories, consisting instead of original stories penned by Ron Friedman, occasionally collaborated on by Stan Lee himself. The closest the season came to adapting a comic book tale was in the two-part “The Origin of Iron Man”, which recounted a (modified and modernized) version of the character’s comic book origin  just before the season concluded.

This late-run recounting of the title character’s origin is symptomatic of what is generally thought of as the season’s greatest weakness – despite (or perhaps because of) having such a large cast of characters, very few of the show’s heroes and villains were actually developed in any way, leaving viewers unaware of their personal stories and powers. The show is generally held to have been at its best when filling in these origin blanks (MODOK in “Enemy Without, Enemy Within,” Iron Man and the Mandarin in their self-titled “The Origin of…” episodes), but these were rare occasions, with virtually every other plot simply consisting of the Mandarin attempting to steal Stark’s newest invention and being bested, often through very strange and illogical means (with the nadir perhaps being Iron Man somehow using the energy of a small tape-player to restore his armor to full power in “Silence My Companion, Death My Destination”).

A small sub-plot in the first season revolves around Mandarin secretly spying on Force Works. It culminates in “The Wedding of Iron Man” when Stark realizes they have been spied on by reviewing events from previous episodes (and explaining how Mandarin’s forces always knew where they would be), realising that Mandarin has acquired enough information to potentially deduce the true identity of Iron Man. The entire episode’s plot is dedicated to resolving the problem, culminating in Iron Man and his team setting up an elaborate deception where Mandarin sees Iron Man and Tony Stark in the same place with the intention being to convince him that the two men are not the same person (The ‘Tony’ in the situation was an android).

In 1995, Marvel switched The Marvel Action Hour to a new animation studio (as previously mentioned, the animation in Season 1 was provided by the Rainbow Animation Group, while the animation in Season 2 was provided by Koko Enterprises), and with it came new writers (Ron Friedman was replaced by Tom Tataranowicz for Season 2) and new music for each sequence, coupled with a new direction for the series. The first season’s subtle keyboard theme music for Iron Man (composed by progressive rock artist Keith Emerson) was replaced by an intense electric guitar theme featuring the repeated refrain of “I am Iron Man!”, while showing Tony Stark beating red-hot iron plates into shape with a blacksmith’s hammer (possibly to mimic the Black Sabbath song “Iron Man”). Tony Stark’s longer hair style in the second season was based upon the artist Mark Bright’s depiction of Stark from the late 1980s, which is where most of the episodes from Season 2 were based upon.

The new story lines spanned multiple episodes and were no longer “open and shut” cases. They formed a linking narrative, featuring themes of duplicity, consequence, and phobias. Also, the stories were no longer centered on the Mandarin, whose rings had been scattered and whose power had been depleted. While the Mandarin did appear in these episodes, his appearances were reduced to cameos in the cliffhangers at the end of the story, as he tried to retrieve each ring.

Another change was that Force Works was mostly written out of the series, parting ways with Stark after he deceives them in order to work in secret with the Mandarin when Fin Fang Foom and his fellow Dragons were plotting to eliminate Earth. When Stark’s counter plan against Justin Hammer, which includes faking his death without the knowledge of his teammates, leads to a disbanding of Force Works, Julia Carpenter and James Rhodes are the only ones who continue to work with Stark. This split would be revisited with Stark’s ensuing conflicts with Hawkeye over the course of several episodes.

Also, War Machine develops a phobia of being trapped inside his armor (also based on a then-current comic storyline), but this is resolved before the final episode. While Rhodes was active as War Machine in Season 1, he remained out of armor for the majority of Season 2 due to reliving a tragic drowning experience while being trapped underwater in the War Machine armor in the Season 2 episode “Fire And Rain”. Rhodes eventually overcomes his fear and dons the War Machine armor once again in the episode “Distant Boundaries”.

Prior to finding his last two rings, the Mandarin claims his eighth ring from MODOK in the episode “Empowered”. “Empowered” was the clip show of the season, the purpose being that the Mandarin wanted to learn of Iron Man’s recent activities. In the finale,[9][10] the Mandarin, having regained all of his rings, unleashes a mist using the Heart of Darkness to render everything technological useless. Iron Man reunites with Force Works in order to stop him. The Mandarin unmasks Iron Man before their final showdown ends in his death. More specifically, Iron Man manages to reflect the power of Mandarin’s rings, destroying them, and ultimately leaving the Mandarin with amnesia and helpless before a band of desert bandits who likely killed him, or at least cut off his hand/fingers for the rings. After Mandarin was killed, MODOK and the rest of Mandarin’s henchmen were sent to jail. After disappointing ratings, the series was canceled.

After twenty six episodes, Iron Man the animated series remains a very mixed bag. Blame for this shows disappointing quality can be attributed to constrictions placed upon the writers to feature as many Iron Man suits as possible in each episode as free publicity for the toys. On the bright side, it got better, allowing the audience at least 13 episodes of decent animated entertainment.

REVIEW: THE INCREDIBLE HULK (1982)

CAST (VOICES)

Michael Bell (Tangled)
Susdan Blu (Transformers)
William Callaway (Annie Hall)
Hamilton Camp (The Little Mermaid)
Victoria Carroll (In Wax)

6jzYThe Incredible Hulk is an animated television series based on the Marvel Comics character of the same name. The series ran for 13 episodes on NBC in 1982, part of a combined hour with Spider-Man and His Amazing Friends (as The Incredible Hulk and the Amazing Spider-Man).1280x720-6ImUnlike the previous live-action The Incredible Hulk television series from Universal in the 1970s, this series was based upon the Hulk comic books and was able to portray the more fantastical elements of the comics as sticking to his true name and origin as well as featuring the return of the original characters in his life, all of which the live-action series refused to show. It featured stories faithful to the source material from Marvel. In addition, new recurring characters were created for the series including the Hispanic family of father Rio and his youthful daughter Rita.hqdefaultThe series focused on Dr Bruce Banner’s attempts to cure himself of his transformations into the Hulk, and the Hulk defeating various monsters and villains whilst fending off the army’s attempts to subdue and capture him. This was the second Hulk animated series: in 1966, the Hulk appeared in 39 seven-minute segments as part of TV’s The Marvel Super Heroes. The 1982 Incredible Hulk series featured accompanying narration by Hulk co-creator Stan Lee. Some of the same background music tracks were used for Dungeons & Dragons. Boyd Kirkland, who became a writer/director for Batman: The Animated Series and X-Men: Evolution, was one of the layout artists for The Incredible Hulk.nick-furyOut of all the Hulk series ever to hit television, this is the best one. This series usually followed up Spider-Man and his Amazing Friends on Saturday mornings, making for a fantastic viewing hour. It had quality animation, great music.  It was faithful to the comic this series did a great job of showcasing the Hulk.

REVIEW: THE INCREDIBLE HULK (1966)

CAST (VOICES)

Max Ferguson (Spider-Man 60s)
Paul Soles (The Score)
Peg Dixon (Strange Paradise)
John Vernon (Dirty Harry)
Bernard Cowan (20,000 Leagues Under The Sea)
Paul Kligman (Spider-Man 60s)

1280x720-6ImThe Incredible Hulk. Initially aired as three seven-minute segments in the (weekly) animated Marvel Superheroes hour in 1966, this two-disc box set compiles all 39 Hulk episodes into one fantastic collection and provides a fascinating window into the cartoons of old. Lifted directly from the early Marvel comics in which he first appeared, most of what we know and love about the Hulk is already here. Following the classic origin story to a tee, Dr Bruce Banner, missile expert and genius scientist, runs out onto a missile test range to rescue wayward teenager Rick Jones. But in doing so, Banner is caught in a detonation of his own making and blasted with gamma rays. Waking in the infirmary sometime later, Banner feels a change coming on and is soon busting through clothes and turning a darker shade of green.hqdefaultCreated by Stan Lee and Jack Kirby four years earlier, it’s fair to say the character was still in development at this point and, playing more into the monster myth on which the Hulk was originally based, Banner’s transformations are initially triggered more by the sun going down rather than losing control of his emotions. Nevertheless, all the other character traits we associate with the green-skinned one are here – the lack of intelligence, the uncontrollable rage, and the complete disregard for his or anyone else’s safety (with the exception of constant love interest Betty Ross). Other familiar faces play their part, General ‘Thunderbolt’ Ross, Betty’s father, continues his life-long mission to capture and control Banner’s monster, while other Marvel characters, including Iron Man, Thor, The Wasp and Captain America, also make a guest appearance as The Avengers. It’s a shame The Avengers don’t feature more heavily, although a few of them do return individually in later episodes. That being said, this is Hulk’s show and it’s only right that he takes the starring role, and that he does.nick-furyAnd it’s not just the Marvel heroes who turn up, classic villains like the Gorgon, Leader and the Metal Master also take their respective turns as enemies of the Hulk and do their best to enrage the muscle-bound giant. Each of the villain’s are brilliantly voiced, lovingly drawn and serve as suitable adversaries for the Hulk, doing their best to either thwart, capture or kill our favorite beast. Another character to feature heavily, and of some annoyance, is the already mentioned Rick Jones, the Hulk’s guilt-ridden sidekick who blames himself for Banner getting caught in the radiation blast. And while, at first, Rick seems a welcome addition to the Hulk origin story, he soon begins to grate and becomes something of a boy wonder, and proves just as annoying. That aside, the characters, friend and foe alike, really make the journey from page to screen and make these episodes all the more enjoyable for being there. And at only seven minutes long, each episode is easy to watch and doesn’t ask too much of the viewer in terms of investment and commitment, making the stories easy to follow and extremely watchable.untitledIt’s also worth mentioning that while these episodes will hold fond memories for most Marvel fans, the series has received criticism in the past for it’s almost entirely static animation, save for the movement of mouths, eyes and the occasional arm or leg. But such criticism is unfair and unwarranted, especially when you consider the limitations of the time and the quick turnaround required for the weekly episodes. It goes without saying that, when compared to the animation standards of today, that the artwork here seems crude and almost basic, but again it was fitting with the times and served as an accurate representation of what many consider to be Marvel’s Silver Age of comics. So accurate, in fact, that the artwork was directly lifted from the comic books themselves and, through a process known as xerography, printed directly onto the animation cells. This process allowed for the series to act as something of a showcase for the wonderfully nostalgic artwork of Jack Kirby, Steve Ditko and Don Heck, Marvel luminaries themselves and just as deserving of our adoration as Stan the Man himself.

 

 

REVIEW: THE AVENGERS: EARTH’S MIGHTIEST HEROES

MAIN CAST (VOICES)

Brian Bloom (Vampirella)
Chris Cox (All Star Superman)
Jennifer Hale (The Rick)
Peter Jessop (Jla Adventures)
Phil LaMarr (Free Enterprise)
Eric Loomis (Shin Chan)
James C. Mathis III (Undercover Brother)
Colleen Villard (Duel Masters)
Fred Tatasciore (Hulk Vs)
Rick D. Wasserman (Planet Hulk)
Wally Wingert (American Dad)

RECURRING / NOTABLE GUEST COICES

Gabriel Mann (Cherry Falls)
Drake Bell (The Reef 2)
Bumper Robinson (Sabrina: The Teenage Witch)
Steven Blum (Wolverine and Teh X-men)
Alex Desert (The Flash 90s)
Vanessa Marshall (Duck Dodgers)
Kari Wuhrer (Eight Legged Freaks)
Elizabeth Daily (Valley Girl)
Troy Baker (Lego Batman)
Nolan North (Teenage Mutant Ninja Turtles)
Crispin Freeman (Hellsing)
Scott Menville (Teen Titans)
Grey DeLisle (Danny Phantom)
Cam Clarke (He-Man)
Lance Reddick (Lost)
J.K. Simmons (Whiplash)
Kevin Michael Richardson (The Cleveland Show)
Nika Futterman (Hey Arnold!)
Lance Henriksen (The Terminator)
Jonathan Adams (Bones)
Jeffrey Combs (Gotham)
Graham McTavish (The Hobbit)
Dawn Olivieri (The Vampire Diaries)
Clancy Brown (Highlander)
Dwight Schultz (The A-Team)
Keith Szarabajka (The Dark Knight)
Lacey Chabert (Mean Girls)

Both Marvel and DC have to an astonishing degree started to pick up these last few years, with several well-appreciated shows that I really enjoy: Young Justice, The Spectacular Spider-Man, Iron Man: Armored Adventures, Green Lantern TAS, and now this; The Avengers: Earth’s Mightiest Heroes.

It’s very rare indeed for a superhero cartoon of this magnitude to be  great from start-to-finish, but that’s what Earth’s Mightiest Heroes is, right from Episode 1 `Iron Man is Born’ to the finale `Avengers Assemble!’. There are literally no dud episodes whatsoever! The whole series is infused with tremendous intrigue, exceptional plotting and some of the tightest continuity I’ve ever seen in a TV series. The number of sub-plots and story-arcs that are juggled here is staggering, but the creative team handled it all with such precision. The coherency, intricacies and pacing is nothing short of exemplary overall. This isn’t just essential for kids; adult Marvel fans will get bags of satisfaction from watching this cartoon!

So what exactly can folk expect? Well, as I said, the choicest pieces of Marvel history (be it in comics or on film) have been successfully adapted and utilized here. From how the Avengers banded together to life-changing events like the Civil War threat and the Skrulls’ Secret Invasion (adapted beautifully here!). Iron Man, the Hulk, Captain America, Thor, Ant-Man/Yellowjacket, the Wasp and Black Panther are all superbly established before `Assembling’ for the first time, members come-and-go, characters undergo changes, Hawkeye, Ms. Marvel and the Vision join the ranks, and all-manner of superb guests join the party, such as Spider-Man, Wolverine, the Fantastic Four and even those Guardians of the Galaxy!

And on the villains-front, you can be subjected to a cracking-bunch of dastardly rogues, such as Loki, the Red Skull, Hydra, A.I.M., Baron Zemo, the Enchantress, the Masters of Evil, Kang the Conqueror, Doctor Doom and (of course!) chief arch-nemesis Ultron. And it’s not all just for window-dressing. The depictions of all these characters (hero, villain and otherwise) and their worlds is just pure gold. It’s perhaps the most faithful animated portrayal of the Marvel Universe.
Really, The Avengers: Earth’s Mightiest Heroes could (and should) have gone on for more seasons. Instead, Marvel pulled the plug in favor of the replacement show Avengers Assemble. Thus in the last batch episodes, you DO get the feel that the writers were trying to wrap things up and give the show a grand swansong to make way for the next-cartoon-in-line. Admittedly, there are a few loose ends left over, but the series is mostly wrapped-up in winning style with a very acceptable conclusion. And in an age where too many shows are cancelled prematurely/end on a sour note, it makes that final moment of `Avengers Assemble!’ all the more of a triumph, just like the entire series itself.

REVIEW: THE INCREDIBLE HULK (2008)

 

CAST

Edward Norton (The Bourne Legacy)
Liv Tyler (Super)
Tim Roth (Lie To Me)
William Hurt (A History of Violence)
Tim Blake Nelson (Fantastic Four)
Ty Burrell (Muppets Most wanted)
Peter Mesnah (Spartacus)
Lou Ferrigno (The Scorpion King 4)
Paul Soles (Spider-Man 60s)
Martin Starr (Superbad)
Genelle Williams (Bitten)
Robet Downey Jr. (Iron Man)

Hiding out peacefully in South America to keep his Gamma-induced mutation in control, Bruce Banner (Edward Norton) is looking for help to cure his affliction, trying to keep himself out of the hands of General Ross (William Hurt), who wants what’s inside Banner to create an army of super-soldiers. Heading back to America, Banner makes contact with longtime love Betty Ross (Liv Tyler), who urgently wants to help the ailing man cure himself. Hot on their tail is Emil Blonsky (Tim Roth), a brutal, unforgiving soldier who encourages the General to experiment further with Gamma poisoning by injecting him with a dose.

Director Louis Leterrier indulges his extreme visual instincts to fashion a peppier “Hulk” for the crowds who felt alienated by Lee’s experimentation. The quest is noble and “Incredible” is stuffed with enough limb-cracking attitude to give the faithful exactly what they want from a Hulk movie.

Leterrier is in a hurry to get from one action sequence to the next, and while it’s all comfortably numbing, there’s not much characterization to get excited about here. “Incredible” comes across more as a wonderful video game than a meaningful exploration of the isolated soul. Although It’s a spirited ride boosted by some nice performances, strong romantic chemistry between Norton and Tyler, and several swell tributes paid to the “Hulk” television series of the 1970s. When Hulk lets loose, there’s a horde of building-leveling mayhem to enjoy, and Leterrier is the right man for the job, infusing new momentum to the character and taking his trail of destruction to pleasing extremes.