REVIEW: DAMAGE

CAST

Steve Austin (The Condemned)
Walton Goggins (Django Unchained)
Laura Vandervoort (Bitten)
Donnelly Rhodes (Battlestar Galactica)
Lynda Boyd (sanctuary)
Scott McNeil (Beast Wars)
Adrian Holmes (Arrow)

Released on parole after serving four of seven years in prison for second degree manslaughter, John Brickner (Steve Austin) moves to Seattle, where he gets a job as a construction worker during the day and a bouncer at a bar at night. One day, after work, he meets up with Veronica Reynolds (Lynda Boyd), the widow of the man he killed in self-defense. It is revealed that she petitioned to have John released on parole following numerous apology letters he had written to her over the years. She also tells him that her eight-year-old daughter Sarah (Katelyn Mager) is in need of a heart transplant, and he should be the one to cover the US$250,000 operation.With the help of bar waitress Frankie (Laura Vandervoort), John locates fight promoter Reno Paulsaint (Walton Goggins), whom he had initially rejected a job offer. When he realizes that the job is in the world of underground fighting, he once again declines the offer, despite Reno telling him he can score six figure earnings in the business. The next day, he is fired from his construction work, but he saves his boss from a heart attack. Later that night, he decides to enter the fighting tournament, defeating his first opponent. John continues to fight for Reno and Frankie and rise up in the ranks and earning thousands. It turns out, however, that Reno owes a syndicate over US$150,000 and must pay them within a week, or they will hurt Frankie whom he had covered for the debt.After winning a gruelling fight, John rushes Veronica to the hospital after discovering her unconscious in her apartment, having slit her wrists after receiving a notice that an organ donor supplier has denied her request for a donor heart. During a fight, he defeats his opponent, but forfeits the match when he realizes that it is to the death. This results in Reno losing his wager and being roughed up by the syndicate. The next day, John is picked up by a tycoon named Veltz (William B. Davis), who turns out to be the owner of his former job. As a token of gratitude for saving his son-in-law’s life from a heart attack, Veltz offers to cover John’s US$150,000 wager for the main event or to clear Reno’s debt. John chooses to clear Reno’s debt.The next night, John faces and defeats the defending champion Wendell Timmons (Tony Bailey). It is revealed that the Deacon (Donnelly Rhodes), a friend of Reno, covered his stake in the fight. In the end, John covers the payment for Sarah’s heart transplant while Reno offers him another deal. This is a half decent movie let down by fight choreography that lacks realism, and editing which tries to disguise these failings with fast cuts away from the action. The story and script is okay, nothing especially original but sometimes it’s best to stick with what works when it comes to the fight genre; but in fairness it does have a stab at creating a serious plot to give reason to the violence and this does come through as the film progresses. The fights are made interesting by a number of unconventional backdrops including a ring of savage dogs! Steve Austen is quite sincere in his role, creating a character the viewer roots for. This is much better than most direct to dvd action movies.

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REVIEW: TED

CAST

Seth MacFarlane (Family Guy)
Mark Wahlberg (The Other Guys)
Mila Kunis (Black Swan)
Joel McHale (Spider-Man 2)
Giovanni Ribisi (Avatar)
Aedin Mincks (New Girl)
Patrick Warburton (Get Smart)
Laura Vandervoort (Bitten)
Matt Walsh (Semi-Pro)
Jessica Barth (Next)
Bill Smitrovich (The Phantom)
Alex Borstein (Family Guy)
Ralph Garman (Yoga Hosers)
Jessica Stroup (Prom Night)
Sam J. Jones (Flash Gordon)
Ryan Reynolds (Buried)
Norah Jones (My Blueberry Nights)
Tom Skerritt (Alien)
Mike Henry (The Cleveland Show)
Robert Wu (Hot Tub Time Machine)
Ted Danson (The Good Place)
Patrick Stewart (American Dad)

In 1985, 8-year-old John Bennett is a lonely child living in Norwood, Massachusetts, a suburb of Boston, who wished for his new Christmas gift—a jumbo teddy bear named Ted—to come to life and become his friend. The wish coincides with a shooting star and comes true; word spread and Ted was briefly a celebrity.27 years later, John (now 35) and Ted are still living in Boston, and are still staunch companions enjoying a hedonistic life. John is dating Lori Collins, who is from Philadelphia. As their anniversary approaches, Lori hopes to marry John but feels he could not move forward with Ted around. John is hesitant about making Ted leave, but he is persuaded to act when they find Ted at home with four prostitutes.John finds Ted his own apartment and a job at a grocery store, where Ted begins dating his coworker Tami-Lynn. Lori learns that John has been skipping work—using her as an excuse—to continue to spend most of his time with Ted. John and Lori are invited to a party put on by Lori’s womanizing manager Rex, but Ted lures John away to a party at his apartment with the offer to meet Sam J. Jones, the star of their favorite film, Flash Gordon. John intends to stay only a few minutes but gets caught up in the occasion. Lori finds John there and breaks up with him. John blames Ted for ruining his life and tells him to stay away.John and Ted confront each other about their ruined friendship and they fight but manage to reconcile. To repair John’s relationship with Lori, Ted arranges for an old lover, singer Norah Jones, to help by having John express his love for Lori with a song during her concert. He does an off-key rendition of All Time High by Rita Coolidge and is booed offstage. Lori is touched by the attempt and returns to her apartment where Ted confesses about his role in John’s relapse and offers to leave them alone forever if she talks to John.Lori is persuaded, but Ted is kidnapped by Donny, an obsessive stalker who idolized Ted as a child. Donny plans to make Ted his brutish son Robert’s toy. Ted manages to reach a phone to contact John but is immediately recaptured. Realizing Ted is in danger, John and Lori locate Donny’s residence and track him to rescue Ted. The chase leads to Fenway Park, where John punches Robert, but during the chase, Ted is damaged and falls onto the field ripped entirely in half. A police car arrives, forcing Donny to flee. John and Lori gather Ted’s stuffing and Ted relays his wish that John be happy with Lori before dying from his injuries.Unable to accept Ted’s death, a distraught John and Lori attempt to repair Ted, which proves useless. Feeling guilty about the incident, Lori makes a wish on a shooting star. The next morning, John hangs his head while looking over Ted’s dead body. Fortunately, Ted is magically restored and reconciles with John and Lori, encouraging them to resume their relationship. John and Lori are married (with Sam Jones as the presiding minister), and Ted comfortably accepts having a life of his own as he and Tami-Lynn continued their love affair. Sam Jones attempts to restart his career and moves into a studio apartment with Brandon Routh. Rex gives up his pursuit of Lori, goes into a deep depression, and dies of Lou Gehrig’s disease. Donny gets arrested by the Boston Police Department for kidnapping a plush toy, but charges are dropped. Robert hires a personal trainer, loses a significant amount of weight, and goes on to become Taylor Lautner.Comedies are hit and miss, or run out of steam towards the end. Ted, however, is not one of these and this is why it is probably one of the best and most original comedies I have ever seen. Perhaps the plot is fairly standard, but with the creator of Family Guy at the helm, things don’t always go the way you expect.

REVIEW: SUPERGIRL – SEASON 1

Untitled

 

MAIN CAST

Melissa Benoist (Whiplash)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Brake)
Jeremy Jordan (Smash)
David Harewood (Blood Diamond)
Calista Flockhart (The Last Shot)

RECURRING / NOTABLE GUEST STARS

Laura Benanti (Take The Lead)
Dean Cain (Lois & Clark)
Helen Slater (Supergirl 80s)
Owain Yeoman (Troy)
Faran Tahir (Iron Man)
Robert Gant (Popular)
Briana Venskus (Agents of S.H.I.E.L.D.)
Chris Vaance (Prison Break)
Peter Facinelli (Twilight)
Jenna Dewan Tatum (Witches of East End)
Chris Browning (Cowboys & Aliens)
Brit Morgan (True Blood)
Scott Michael Campbell (Push)
Tristin Mays (The Vampire Diaries)
Charles Halford (Constantine TV)
Eric Steinberg (Stargate SG.1)
Hope Lauren (Agent Carter)
Emma Caulfield (Buffy)
Tawny Cypress (Heroes)
Italia Ricci (American Pie: Beta House)
Laura Vandervoort (Smallville)
Sara Gilbert (The Big Bang Theory)
Eddie McClintock (Bones)
Glenn Morshower (Transformers 3)


Warner Bros have had a rocky road when it comes to their superhero characters and although the Christopher Nolan Batman franchise epitomized this character, their other attempts at films like Green Lantern and Batman v Superman: Dawn of Justice met with criticism. Sometimes ‘dark’ does not always work, particularly when it comes to superheroes and if you want an example at this, check out the Marvel Universe of superheroes. However for their TV series (Arrow, Flash, Legends of Tomorrow), they’ve successfully captured the spirit of these characters and the comic universe where they came from and thankfully Superman’s cousin Kara Zor-El (aka Kara Davers) is also part of this success thanks to the excellent TV series Supergirl that stars Melissa Benoist as this intelligent and beautiful Kryptonian. Given that, the entire casting for Supergirl is perfect!

The series is also created by Ali Adler, Greg Berlanti and Andrew Kreisberg who are no strangers to the world of superheroes and compared to the entire DC Comics TV line-up, Supergirl is easily one of my favorite as it doesn’t try to be too dark but rather, uplifting and enjoyable.

Also joining Benoist as Supergirl is Mechad Brooks (Jimmy Olsen), David Harewood (Hank Henshaw or the ‘Martian Manhunter’ known as J’onn J’onzz), Chyler Leigh (Kara’s adopted sister Alex Danvers), Jeremy Jordan (Kara’s sidekick) and also Calista Flockhart who plays Cat Grant, the owner of CatCo Worldwide Media (think a modern version of the Daily Planet). Sure, some of the actors camp it up for the TV series but this campiness actually works well with the characters and the story and once again, continue with the light-hearted nature of the series.

Given that, there are some darker moments in the series but overall and compared to The Flash, Arrow, Legends of Tommorrow, Supergirl is a much more colorful and hopeful story. The series even boasts Helen Slater (who played the original Supergirl in the 1984 movie) as Eliza Danvers as Kara’s adoptive mother plus Dean Cain as her father who played Superman in the classic 1993 TV series, Lois & Clark. This is also what I enjoy about Supergirl is all the cameos and whether that’s from film or the world of DC Comics itself, the creators really cram in quite a few people into the series, many as Easter Eggs.

Although each episode has a ‘villain’, the overarching villain is Laura Benanti as Alura Zor-El who plays the evil twin sister of Kara’s mother. Having additional Kryptonians in the show does increase the jeopardy for our heroine and some of these episodes are considerably darker. Then you have billionaire Maxwell Lord (Peter Facinelli) who is not evil perse but wants the best for the world which of course causes conflict. Once again, some great villains for Supergirl. Kara’s supporting cast include an African American Jimmy Olsen who also provides a love interest for Supergirl plus their geeky tech-head sidekick Winn Schott who together attempt to protect the fictitious National City. Then you have Kara’s sister Alex who works for the DEO (Department of Extra-Normal Operations) that is run by Hank Henshaw, an alien known as J’onn J’onzz disguised as a human in order to protect the world from alien threats. The character of Henshaw also has a great history.

Interestingly, Superman is mentioned in the series and does appear off screen. He will  actually makes a full appearance in Season 2 of Supergirl but the coolest crossover in any TV series was when Grant Gustin from The Flash starred in one episode which had fanboys and fangirls gushing from the coolness factor. With 20 episodes in this collection, Supergirl does end with a cliffhanger and with a second season confirmed (moving to CW) things are looking up for the Girl of Steel.

Supergirl on Blu-ray boasts some exceptional video and audio quality that really highlights the colourful costumes, villains and heroes of this universe. For special features, we get a handful of deleted scenes plus a couple of fun documentaries about J’onn J’onzz and Supergirl. All in all, it’s a great release from Roadshow Warner.

Supergirl is a proof that superheroes don’t need to be dark and moody and this TV series captures the spirit and core of this character that thanks to its creators successfully transforms the comic into a very enjoyable, clichéd and action packed live-action series with lots of world building and character development!. An Excellent series and a must see for all DC fans.

REVIEW: THIS MEANS WAR

CAST

Reese WItherspoon (Walk The Line)
Chris Pine (Star Trek)
Tom Hardy (Mad Max: Fury Road)
Til Schweiger (King Arthur)
Chelsea Handler (Fun Size)
John Paul Ruttan (Robocop 2014)
Abigail Spencr (Oz The Great and Powerful)
Angela Bassett (Green Lantern)
Rosemary Harris (Spider-Man)
Goegre Touliatos (Cosmopolis)
Leela Savasta (Black Xmas)
Natassia Malthe (Bloodrayne 2 & 3)
Laura Vandervoort (Bitten)
Patrick Sabongui (The Flash)
Emilie Ullerup (Sanctuary)

This Means War images Movie Stills HD wallpaper and background photos

CIA agents and best friends Franklin “FDR” Foster (Chris Pine) and Tuck Hansen (Tom Hardy) are deployed to Hong Kong to prevent international criminal Karl Heinrich (Til Schweiger) from acquiring a weapon of mass destruction, but the mission goes awry, resulting in the death of Heinrich’s brother, Jonas. Heinrich swears vengeance against them. Upon returning to America, their boss, Collins (Angela Bassett) assigns them to desk duty for their protection. FDR is a womanizer, whose cover is a cruise ship captain, while Tuck, who presents himself as a travel agent, has an ex-wife, Katie (Abigail Spencer) and a young son, Joe (John Paul Ruttan), who believes his dad is a weakling.

Tuck goes to Joe’s karate lesson where Joe loses his match, Tuck tries to give Joe advice but Joe rolls his eyes and asks how he would know since he is just a travel agent. Tuck walks Joe to the car where he attempts to rekindle his connection to his famIly, but Katie makes excuses as to why they can’t go out for supper together. After being rebuffed by Katie he sees a commercial for online dating. Tuck decides to sign himself up and is paired with Lauren Scott (Reese Witherspoon), a product-testing executive who is dealing with the recent engagement of her ex-boyfriend. Her best friend, Trish (Chelsea Handler) enrolled her in the same online dating website. FDR insists on being Tuck’s backup for the date and hides nearby, but Tuck and Lauren hit it off right away. Shortly thereafter, FDR runs into Lauren at a video store and tries to flirt with her, not knowing she’s Tuck’s date. She surmises that he’s a ladies’ man and ignores him. Intrigued, FDR crashes into one of Lauren’s test groups and persuades her to go on a date with him. FDR and Tuck soon discover that they are seeing the same woman and decide not to tell her that they know each other, not to interfere with each other’s dates and not to have sex with her, letting her instead come to a decision between them.  Tuck takes Lauren on a date to a circus (after hours) where they swing on the trapeze and have a really great date.
Hottie vs. Hottie!
The date with FDR does not go well at the start, with Lauren storming out of the club FDR takes her to. After arguing in the street, FDR walks away from Lauren but seconds later, Lauren sees her ex-boyfriend and his fiancée approaching. Desperate, Lauren grabs FDR and kisses him and lies to her ex that she and FDR are together, as FDR plays along with the ruse. Her ex and his fiancée both seem jealous at the passion displayed, and later move along. FDR demands that Lauren explain what just happened and suggests they grab some dinner at a nearby pizza parlor, where they talk seriously and hit it off. Later, after dating both men a few times Lauren feels guilty about dating them at the same time, but is persuaded by Trish to make the best of the situation. By this time both men have bugged Lauren’s home and cell phone so they can spy on her when she is on dates with the other one, they over hear her tell Trish that she is going to need to have sex with them both to decide which one is the right one. This leads to both men taking steps to ensure she does not sleep with the other one.  After a few more dates Lauren and Trisha discuss the pros & cons of dating more than one guy, especially since Tuck has told Lauren he loves her, Trish tells Lauren “don’t pick the right guy, pick the guy that’ll turn you into a better girl”. After a while, Lauren invites Tuck to lunch, while FDR discovers that Heinrich has arrived in town to exact his revenge. He interrupts Lauren’s date to warn Tuck but Tuck doesn’t believe him. They engage in an extended fight, after which Lauren discovers that they are in fact best friends and, feeling made a fool of, leaves with Trish. At that moment, the women are kidnapped by Heinrich and his men, who are pursued by FDR and Tuck.

FDR and Tuck rescue Lauren and Trish after a car chase, in which they reveal that they are not who they say they are. On Lauren’s advice, they shoot out the headlights on Heinrich’s SUV, deploying the airbags and sending the car rolling out of control towards them all. With Lauren standing directly in the path of the approaching SUV, FDR and Tuck, on different sides of the road, urge her to come to their side and she is saved as she ultimately chooses FDR’s side, while Heinrich dies when his car rolls off the elevated freeway and crashes below. Lauren has decided to be with FDR and Tuck makes amends with him, as they declare their brotherly love for one another, and FDR says they’re “family, and forever.” Lauren and FDR kiss. The car chase is picked up by the news, Katie and Joe see it, Joe tells his Mom that his Dad is not a travel agent. Later Joe is at his karate lesson with Tuck, Katie comes to pick Joe up, Tuck and Katie reintroduce themselves to each other and she invites him out for supper as a family.

Shortly thereafter, FDR and Tuck go on a mission. They are about to parachute out of a Chinook helicopter when FDR reveals that he will marry Lauren, and asks Tuck to be his best man. He reveals that he had sex with Katie before she met Tuck, but no longer feels guilty about it because Tuck had sex with Lauren. Tuck, however, reveals that they did not go all the way and angrily tackles FDR out of the helicopter.

This Means War on paper at least sounded like a complete disaster but manages to be  a completely ridiculous very silly but very funny action comedy. If not intended to be taken seriously then it is a lot of fun with good action scenes.

REVIEW: GOOSEBUMPS: THE COMPLETE COLLECTION

 

 

 

 

 

NOTABLE CAST MEMBERS

R.L. Stine
Kathryn Long (Crossing The Line)
Colin Fox (Scanners III)
Anne Marie Deluise (Smallville)
John White (American Pie: Beta House)
Kristine Boone (Mean Girls)
Eugene Lipinski (Arrow)
Chris Benson (Resident Evil: Apocalypse)
Michèle Duquet (The Virgin Suicides)
Boyd Banks (Dawn of The Dead)
Erica Luttrell (Stargate: Atlantis)
Daniel DeSanto (Totally Spies)
Maggie Castle (The Time Traveller’s Wife)
Blake McGrath (Chicago)
Barclay Hope (Stargate SG.1)
Suzanne Cyr (Cake)
Katharine Isabelle (American Mary)
Amanda Tapping (Sanctuary)
Ryan Gosling (Young Hercules)
Scott Speedman (Underworld)
Corey Sevier (Immortals)
Brendan Fletcher (Bloodrayne 3)
Don Francks (La Femme Nikita)
Maria Ricossa (American Pie: The NAked Mile)
Melody Johnson (Jason X)
Maurice Godin (Boat Trip)
Adam West (Batman 60S)
Tabitha Lupien (Ready or Not)
Charlotte Sullivan (Rookie Blue)
Kevin Zegers (Wrong Turn)
Michael Copeman (The Fly)
Kris Lemche (Final Destination 3)
Kyle Labine (Freddy vs Jason)
Joy Tanner (Mutant X)
Lori Alter (House at The End of The Street)
Desmond Campbell (The Bone COllector)
Amy Stewart (Ice Princess)
A.J. Cook (Ripper)
Hayden Christensen (Star Wars – Episode 2 & 3)
Jordan Prentice (Mirror, Mirror)
Brooke Nevin (I’ll Always Know What You Did Last Summer)
Anthony De Longis (Masters of The Universe)
Lauara Vandervoort (Bitten)
Shawn Roberts (X-Men)
Victor A. Young (Earth: Final Conflict)
Terra Vnesa (Wrong Turn 4)
Janet-Laine Green (Cowboys Don’t Cry)
Caterina Scorsone (Alice)
Philip Akin (Highlander: The Series)
Nicole Underhay (Saving Hope)
Fiona Highet (Saint Ralph)
Yani Gellman (Izombie)

Goosebumps Complete Collection is a box-set that contains all four seasons of the old 1990’s television show, Goosebumps. Goosebumps is a family horror show that tells tales in an episodic format much like the shows The Twilight Zone (1959 – 1964) and Tales From the Crypt (1989 – 1996). The episodes themselves are all based on the Goosebumps books and some episodes are even hosted by the author of the books, R.L. Stine. Some of the tales of terror you can expect in this show includes: A girls unfortunate experience with a haunted Halloween mask.  An evil dummy trying to get people in trouble.  A story of an evil comic book villain coming to life.  A young boy’s adventure in the jungle with a shrunken head.  Several episodes about werewolves.  A bunch of ghost tales.  Plus way too many more to even mention as it’s the complete collection.
I really enjoyed watching this again after so many years. I remember watching it on  Fox Kids way back in the day and was very excited when I heard it was finally getting a DVD release. for the first season Each episode has a different story about different characters, except for the 2 parters, and it’s always a whole lot of fun to watch. It’s sometimes scary and sometimes funny and all around really nostalgic and awesome.
The writing improves greatly in season two onwards and it becomes a much more entertaining show with stories that you can really get into.  The characters become more interesting, the acting becomes much better, and the show becomes more scary.  There will still be a bad plot twist here and there and they are just as painful to watch.  Season three is a season that I have some weird feelings towards as it likes to use references to prior episodes.  Some references I have no problem with but there are a lot that feel grossly out of place to where it feels very weird and awkward.

Season four is the smallest of all of the seasons as it only ran for eight episodes but that doesn’t mean that it is lacking everywhere else.  The last season is made up of four two-part episodes and the writing was really good as the two-part format really helped to make the stories more fleshed out and more in-depth.  The season four episodes are also much tighter and also push the boundaries a bit more to where it looked like that they were aiming it towards teenagers.  Season four was very entertaining and you will be drawn into it.  Season four was so well done, it became my favorite season out of the lot and is really worth checking out.
8 ways Goosebumps will stay with you forever
Classic episodes include “Welcome to Dead House”, it is about a family that moves into a house in a town that is ran by ghouls.  This episode is much more scary than what I make it out to be, the reason why was because the atmosphere is brilliant and the way the story progresses will leave you on the edge of your seat.  There are two other episodes that still spooks people out but not as spooky as the episode that I mentioned before.  Those two episodes are, “The Werewolf of Fever Swamp” and “Ghost Beach” and I am very surprised that all the episodes I mentioned above got away with what they did as those episodes certainly push the boundaries to what kids shows can get away with.  Those episodes are probably the reason why this show is now released with an M15+ rating, opposed to the G and PG rating it got back in the day.

The standard episodes and movie length episodes do have a difference in looks to them.  The standard episodes look like that they were made on the cheap, while the movie length episodes were made on a much higher budget and have a better look to them.  Actually, that’s not fully true as all of the season four episodes look much nicer in budget than seasons one – three, but not as good quality as the movie length episodes.  This show doesn’t simply cover horror as there are some episodes that cover other genres like: Science-fiction (“Say Cheese and Die”, “Say Cheese and Die… Again”), adventure (“How I Got My Shrunken Head”), drama (“The Ghost Next Door”), and even comic book styled action (“Attack of the Mutant”).  I must admit that it is weird seeing other genres other than horror in this show but it was all done well and adds variety and freshness to the show.

The green screen and computer effects have aged poorly to where you can’t take them seriously and will laugh every time you see them.  Some of them are too painful to even witness but most of them are just so bad that it is fun to watch.  The prop effects look so much better and those are things you will mostly take seriously.  The props are mostly very spooky looking and will send chills down your spine but there is also a good chunk where the props aren’t very frightening at all and just end up looking stupid, not as stupid as the green screen and computer effects though.  The music in this series has a lot of tracks that sounded terrible and goofy but they all go with the show very well and help build up an atmosphere.  The most classic tune of them all just has to be the Goosebumps theme as it puts you in the mood and is also very memorable.Overall, this show has aged (as you’d expect) but it is still full of some really good stuff that is worth watching all these years later.  Classic show.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: MUTANT X – SEASON 1-3

MAIN CAST
Forbes March (As The World Turns)
Victoria Pratt (Cleopatea 2525)
Lauren Lee Smith (Lie With Me)
Victor Webster (Wishmaster 4)
John Shea (Lois & Clark)
Karen Cliche (Flash Gordon 2007)
RECURRING / NOTABLE GUEST CAST
Tom McCamus (Ginger Snaps Back)
Douglas o’ Keeffe (Dark Angel)
Cedric Smith (X-men: The Animated Series)
Andrew Gillies (Odyssey 5)
Michael Easton (Coldfire)
George Buza (X-men: The Animated Series)
Dylan Bierk (Andromeda)
Laura Vandervoort (Bitten)
Yannick Bisson (Beauty and the Beast 2012)
Monique Ganderton (Smallville)
Anthony Lemke (Robocop: Prime Directives)
Mark Lutz (Angel)
Greg Bryk (Reign)
Anne Openshaw (Izombie)
Guylaine St-Onge (Highwayman)
Sarah Gadon (Dracula untold)
Larissa Laskin (John Q)
Callum Keith Rennie (Memento)
Louis Ferreira (Stargate Universe)
Krista Allen (The Final Destination)
Lindy Booth (Cry Booth)
Noah Danby (Painkiller Jane)
Sandrine Holt (Underworld Awakening)
Philip Akin (Highlander: The Series)
Melinda Deines (Earth: Final Conflict)
Frank Moore (Rabid)
David Sutcliffe (Lie To Me)
Jenya Lano (Xena)
Alan C. Petersen (Stargate SG.1)
Rachel Hayward (Jingle All The Way 2)
Steve Bacic (Blade: The Series)
Gary Hudson (Cold Case)
Sebastian Spence (First Wave)
Alan Van Sprang (Reign)
Lauren Collins (Degrassi: The Next Generation)
Euegne Robert Glazer (La Femme Nikita)
Peter Stebbings (Bates Motel)
John Ralston (The Lizzie Borden Chronicles)
Sasha Roiz (Caprica)
 Mutant X was a brilliant, and totally original, syndicated series that had have genre fans tuning in faithfully week after week. Drawing from the timely topic of genetic research and engineering and experimentation on human DNA, Mutant X tells the completely original story of a group of outcasts with genetically engineered super-human powers and abilities and their attempts to evade capture or destruction by the ultra-secret, evil government agency which created them.
Mutant X  created by comics veteran Howard Chaykin (writer for Earth: Final Conflict and Viper) and Avi Arad (executive producer of X-Men, X-Men 2, and every other Marvel comic to movie adaptation in the pipeline from Daredevil  to The Fantastic Four). With a totally straight face, they insist that this new show has absolutely nothing whatsoever to do with the X-Men. Both of these guys know the comic industry and Arad obviously is familiar with  X-Men, and yet they expect us to believe that cashing in on the popularity of the X-Men wasn’t in their minds at all while developing this series. They can’t even seem to recognize the similarity.

The main difference in plot line deals with the fact that the powers that the Mutant X mutants possess were a result of human intervention through science rather than a naturally-occurring genetic mutation, as in the X-Men. Apart from this very minor difference, the sky is the limit when it comes to Mutant X – X-Men similarities.
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The leader of the Mutants is Adam, a wealthy scientist who headed up the government project that created the Children of Genomex (a.k.a. the Mutants). He has seen the error of his ways and now is engaged in a crusade to locate, protect, and train the Mutants. He doesn’t actually own a school or have mutant powers himself, but this is the Professor X of the group.371266752_640The leader of the evil, covert government agency is Mason Eckhart, played by Andy Warhol as himself. This guy, complete with white hair and chunky glasses, wants to either use the Mutants for evil purposes or see them all destroyed. He’s sort of the Magneto of Mutant X without the overwhelming desire to see the Mutants rule the earth. Eckhart doesn’t have any super powers, unless you count just plain being evil, but his right hand man has telekinetic abilities.
a great series that lasted 3 seasons and only ended because the tribune company came to and end