31 DAYS OF HALLOWEEN REVIEW: WHEN A STRANGER CALLS (2006)

CAST

Camilla Belle (Push)
Tommy Flanagan (Sin City)
Katie Cassidy (Arrow0
Tessa Thompson (Veronica Mars)
Brian Geraghty (Flight)
Clark Gregg (Agents of SHIELD)
Derek de Lint (Deep Impact)
Karina Logue (Scream: The Series)
Lance Henriksen (The Terminator)

This remake is an exemplary piece of suspense. The opening credits gives you a three-minute preview of what to expect in the movie and the movie delivers. We then move to bright scene of a high school gym where we are introduced to our star, Camilla Belle, as Jill Johnson. She is a teenager that gets the perfect babysitting job. A rich family, a very large beautiful 1970’s style house built in glass and wood, a full fridge, and best of all, the children are already asleep. And what could be safer, the house is gated and has a security system.

But as the sun starts to set, the shadows start to make the large house look un-inviting and remote. She hears noises and creaks and we wonder what it is; is it someone, a pet, the children or our imagination. Then the phone call start to come and our baby sitter starts to grew less and less confident as she starts to realize perhaps danger is nearby. She does everything a baby sitter should do when scared; she calls her father, the parents of the children and the police. But at this time there is no reason for anyone to ask. After all it is just phone calls with no threats and she is in no danger. Then she gets the call that asks her, “Have you checked the children?” Once again our panicky babysitter phones the police who take her serious this time. They trace the call and find out they are coming from within the house. So of course she goes up to check on the children again and this quiet night of babysitting turns into her worst nightmare.

This movie is a classic thriller that is frightening. If you love Hitchcock’s films, you will appreciate this. If you are looking for just gore and horror, do not watch this film. This film requires you to take the journey with the babysitter and actually use your imagination as you hear or see things to try and figure out what is transpiring. It is the type of film we use to call a nerve-shattering thriller or suspense film. Since this could really happen anywhere you will experience the suspense. And Camilla has to convey the enter range of motions without dialogue. It is the things you do not see that scare you the most in real life. The film has three stars, Camilla Belle, the House itself and the phone. If you like to be frightened and have an imagination, this film is for you.

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REVIEW: HANNIBAL – SEASON 1

MAIN CAST

Hugh Dancy (Our Idiot Brother)
Mads Mikkelsen (Rogue One)
Caroline Dhavernas (Devil)
Lauence Fishburne (Batman V Superman)
Hettienne Park (Bride Wars)

RECURRING / NOTABLE GUEST CAST

Gillian Anderson (The X-Files)
Scott Thompson (American Gods)
Aaron Abrams (Resident Evil: Apocalypse)
Raúl Esparza (Pushing Daisies)
Dan Fogler (Fanboys)
Kacey Rohl (Arrow)
Vladimir Jon Cubrt (Prisoner X)
Lara Jean Chorostecki (Designated Survivor)
Aidan Devine (Suicide Squad)
Richard Chevolleau (Earth: Final Conflict)
Chelan Simmons (Final Destination)
Mark Rendall (30 Days of Night)
Molly Shannon (Never Been Kissed)
Gina Torres (Firefly)
Cynthia Preston (Carrie)
Eddie Izzard (Ocean’s Thirteen)
Anna Chlumsky (My Girl)
Ellen Greene (Little Shop of Horrors)
Demore Barnes (The Flash)
Lance Henriksen (Mom and Dad)
Torianna Lee (Pompeii)
John Benjamin Hickey (Flags of Our Fathers)
Ellen Muth (Dead Like Me)

Mads Mikkelsen in Hannibal (2013)There was a lot of wariness of Hannibal initially. While the original source material were Thomas Harris’ books, the movies loomed so huge in the public’s mind. And going the prequel route? Not only has that not turned out so well in Hollywood in general, it’s already given us a disappointing prequel in this very franchise with Hannibal Rising.Hugh Dancy in Hannibal (2013)But lo and behold, not only was Hannibal good, it was great. There was always a major reason for optimism, amongst all the naysayers, and that was Bryan Fuller. An amazingly imaginative and distinct voice in TV, Fuller’s previous shows like Wonderfalls and Pushing Daisies had proven he was someone whose work was always worth a look. And it became clear that he had a true passion for the story he was telling with Hannibal.Hugh Dancy, Mads Mikkelsen, and Lara Jean Chorostecki in Hannibal (2013)It’s now a very daunting task for any actor to play Hannibal Lecter, thanks to how beloved and memorable Anthony Hopkins was in the role. But Mads Mikkelsen proved to be an excellent Lecter, giving the character an ever-cool, ever observational demeanor that conveyed both his intelligence and his danger while not behaving in such an arch manner that he would come off as too obvious a villain to those he interacted with.Hannibal (2013)As the true protagonist of the series, Hugh Dancy is also perfect as Will Graham, who goes far beyond the usual “eccentric but skilled” archetype of crime series heroes to portray someone with some genuinely traumatic issues – which only escalated through the season. Dancy managed the difficult task of portraying Will’s amazing skill set and his innate “goodness” while also showing that this guy has severe problems that would make him genuinely seem like he could be someone to keep an eye out for. If Hannibal was going to convince the world at large and possibly even Will himself that he was a killer, we had to see how that could sell, and Dancy’s performance did that perfectly.Caroline Dhavernas, Mads Mikkelsen, and Raúl Esparza in Hannibal (2013)When Hannibal was first announced, it sounded like the show would be about Hannibal and Will consulting together on killer-of-the-week cases, with Hannibal managing to keep the truth about who he was from Will for several seasons. All of which is to say, it sounded like it could be tedious. But Fuller quickly proved he wasn’t playing into our assumptions at all. Yes, Will’s job had him working several different cases this season, but it was hardly a bunch of one-off, unimportant stories. In fact, several of these cases would have repercussions in later episodes, or even the killers themselves (such as Gideon and Georgia) returning. The events in Hannibal were never self-contained. Will killing Hobbs in the premiere was a huge event that would haunt and shape Will through the entire season. The totem pole on the beach may have had no connection to the main story, but it would continue to resonate with Will as he began to hallucinate. The entire season felt like a well-constructed story where the majority of the cases Will worked contributed to the tapestry being completed.Mads Mikkelsen in Hannibal (2013)While Will and Hannibal’s relationship is the one at the core of this series, Jack Crawford – an integral character in Harris’ books – was hardly shortchanged. Laurence Fishburne, looking far more engaged than during his short time on CSI, was great as Crawford who had his own interplay with Hannibal occurring all season, while dealing with some huge issues at home. The story of Jack’s ill-fated attempt to use FBI trainee Miriam Lass (Anna Chlumsky) to help find the Chesapeake Ripper also was used to truly shape who Jack was and what was motivating him, rather than a bit of backstory thrown in and then barely touched upon.Overall though, the supporting characters were strong. Caroline Dhavernas had a tricky role she pulled off well as a protégé to Hannibal and a colleague of Will’s whose close ties to both men made it all the more difficult to suspect either was up to no good. Tabloid reporter Freddie Lounds (Lara Jean Chorostecki) was equal parts vexing and amusing as she weaved in and out of the story – eventually seeing some truly depraved events occur while in the company of Dr. Gideon (Eddie Izzard). Despite only appearing a couple of times, Gina Torres brought a lot of power to Bella Crawford’s plight and rift with her husband. And it was a delight to see Gillian Anderson as Dr. Bedelia Du Maurier, Hannibal’s own psychiatrist, as we tried to figure out exactly what she and Hannibal knew about one another.Laurence Fishburne and Mads Mikkelsen in Hannibal (2013)Best of all was Abigail Hobbs (Kacey Rohl), the daughter of serial killer Garett Jacob Hobbs. On a lesser procedural crime series Abigail would have been a one and done character; the damsel in distress Will saved. But here, the psychological damage her father had put her through long before his death, not to mention the horrific day he died (and killed her mother) cast a big shadow on the entire season. Abigail’s own secrets and her growing bond with both Hannibal and Will made for a compelling through line, as so many possibilities lay before her with two surrogate fathers who could help shape her into someone who stops murders or causes them.Mads Mikkelsen in Hannibal (2013)Regardless though, Hannibal has plenty to fuel its stories going forward. As I noted above, Fuller didn’t play into audience expectations at all – who would have guessed that Will would have figured out the truth about Hannibal by the end of the first season? But by having it occur in the manner it did, with Will disgraced, imprisoned and looking guilty of multiple murders, while Hannibal walks free, the entire dynamic has been upended in a very exciting way.

REVIEW: MOM AND DAD

CAST

Nicolas Cage (Ghost Rider)
Selma Blair (Hellboy)
Anne Winters (13 Reasons Why)
Zackary Arthur (The 5th Wave)
Robert T. Cunningham (Knives and Dad)
Olivia Crocicchia (At The Devil’s Door)
Brionne Davis (Embrace The Serpent)
Samantha Lemole (Saw VI)
Lance Henriksen (Aliens)
Bokeem Woodbine (Total Recall)
Rachel Melvin (Sleepy Hollow)

104671_d1477bThe film begins with a mother putting on soothing music for her child as she sets her car on railroad tracks and leaves said child in the car to die. The Ryans are a family of four with a strained relationship. Brent, the father, does not approve of his daughter Carly’s new boyfriend; Carly is angry with her father, as well as her mother, Kendall, whom she considers out of touch. Carly also fights with her much younger brother, Josh, who annoys her. Carly is forced to cancel plans with her boyfriend, Damon, for dinner with her visiting grandparents.MV5BMTIxNTA2MzIyOF5BMl5BanBnXkFtZTYwNTYwNDY2._V1_As Carly is at school, an unexplained static starts transmitting through TV screens and radios. The effect is seen as the Ryans’ housekeeper murders her own daughter with a meat tenderizer in front of a terrified Josh and a mob of parents rushes Carly’s school in an effort to kill their children by any means they can (with Carly seeing one preteen classmate, Evan, being stabbed with a set of keys by his own mother after he scales a fence to reach her). Carly escapes the school with her friend Riley and hides out at her house, where Riley’s mom attacks and strangles Riley to death. Carly runs home in terror, running into Damon — who has killed his own father in self-defense — as she does. Damon tells Carly that the parents only want to kill their own kids, and accompanies her home to get Josh somewhere safe.213228-5429-clp-950After an exercise class, Kendall goes to the hospital to be present for her sister Jeannie’s baby, but the static transmits just after Jeannie gives birth, causing her to attempt to kill her baby daughter as Kendall protects her niece. Kendall escapes the hospital, seeing reports of the mass hysteria on television—the static gives parents a compulsion to slaughter their children. In an effort to protect her own children, Kendall heads home. Brent heads home as well, as he is bored at work.105315_d01086bHaving discovered her brother cowering under his bed Carly leads him downstairs after dismissing the house keeper because she had just killed her daughter, Lisa. Upon seeing Carly with Damon at home, the hysteria fully overtakes Brent, and he knocks Damon out and attacks Carly. Kendall joins him upon getting home; Carly and Josh escape them and lock themselves in the basement. After failing to coax them out, Brent and Kendall start using a power saw to get through the lock, Josh pulls out Brent’s gun from a backpack and fires continuously through the door, wounding his mother, with Kendall complaining to Brent about secretly getting a firearm with such an obvious lock combination (Josh’s birthday) while bandaging her injury. Kendall and Brent bond over their shared desire to kill their children, and run a hose from their oven’s gas pump to the basement in an effort to poison the kids. When Carly sees the gas, she rigs up a trap with matches at the basement door and hides with Josh in the house ventilation system. Brent cuts the door’s lock off and opens the door, igniting the gas and triggering an explosion that knocks Kendall and Brent out and wakes Damon up.105242_wb_0071bDamon helps Carly and Josh evade their parents, but Kendall wakes up, stabs him in the cheek with a wire hanger and pushes him over a stair railing, knocking him out again. The parents close in on the kids, but are interrupted by the doorbell; Brent’s parents have arrived for dinner. When he opens the door, his mother pepper sprays him and his father stabs him, revealing that the hysteria affects grandparents as well (with Josh begging his grandfather not to kill his dad, making him pause, allowing Brent to briefly disarm his father). Everyone chases each other through the house. Josh evades Brent, who attempts to hide from his father in his car in the garage. Kendall chases Carly outside and hits her on the head, but Brent’s mother attacks her. Brent starts the car, drives it out of the garage, and crashes it, killing both his parents and knocking himself out again. Kendall prepares to finish Carly off, but Damon knocks her out with a shovel to the head.MV5BZmE2YWRkNDktN2RjZC00YTE0LTgxMWUtZjVjZmVlNTk2MzBiXkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_SX1777_CR0,0,1777,743_AL_Kendall and Brent wake up to find themselves restrained in the basement with Carly, Josh, and Damon watching them. They continue to exhibit symptoms of the hysteria, and the kids refuse to let them go. Kendall tearfully tells the children she loves them, and Brent continues, “But sometimes, we just want to—”. The film ends before he can finish his sentence.MV5BNjI1OTdmNDEtNDc4My00MWQ4LTk1MGUtMjljMTFmODhhN2JkXkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_SX1777_CR0,0,1777,746_AL_Wonderful pitchblack comedy where Nic Cage shines once again. Brilliantly edited with a thumping score that meshes perfectly with the violence, this film gets your blood going and isn’t afraid to cross all boundaries. The flashbacks are a little grating, and serve to break the films pacing more than anything else, instead of serving the – perhaps not fully implemented – metaphor that everybody has a breaking point and hates the people they’re supposed to love from time to time. But apart from that, a great, roaring action-comedy-thriller-horror.

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REVIEW: APPALOOSA

CAST

Ed Harris (Westworld)
Viggo Mortensen (Lord of The Rings)
Renée Zellweger (Jerry Maguire)
Jeremy Irons (Justice League)
Lance Henriksen (Aliens)
Adam Nelson (The Abyss)
Timothy Spall (Harry Potter)
Ariadna Gil (Talk of Angels)
James Gammon (Urban Cowboy)
Tom Bower (Out of The Furnace)
Rex Linn (Young Sheldon)

Ed Harris, Jeremy Irons, and Viggo Mortensen in Appaloosa (2008)In 1882, the small town of Appaloosa, New Mexico, is being terrorized by local rancher Randall Bragg (Jeremy Irons), who killed the town’s marshal, Jack Bell, and two deputies when they came to Bragg’s ranch to arrest two men. The town hires lawman and peacekeeper Virgil Cole (Ed Harris) and his deputy Everett Hitch (Viggo Mortensen) to protect and regain control of the town. The pair agrees on one condition: that the town follow Cole’s law and essentially cede control to him. The lawmen begin by confronting four of Bragg’s men who are causing a disturbance in the saloon. Three men refuse to allow themselves to be arrested, forcing Cole and Hitch to kill them. The fourth man surrenders and leaves the saloon. Bragg has a meeting with Cole and Hitch, initiating a standoff.Viggo Mortensen in Appaloosa (2008)Hitch sees a woman, Allie French (Renée Zellweger), who just came to the town and immediately takes an interest in her. He follows her to the diner where Cole is having a breakfast. They make acquaintance with her and observing Cole and Allie are getting together well, Hitch keeps his silence. Soon, Cole and Allie begin a romantic relationship and buy a house together. However, Allie attempts to seduce Hitch when they are alone but Hitch refuses her advances out of his loyalty to Cole.Ed Harris in Appaloosa (2008)When one of Bragg’s men tells Cole and Hitch that he will testify against Bragg on the triple murder case, they arrest Bragg and keep him locked up until the trial in spite of the attempts of Bragg’s gang to free him. The trial finds him guilty and sentences him to death. Cole, Hitch and several deputies transport Bragg via train to the prison where he was to be hanged but when they stop for refueling over a bridge, hired guns Ring and Mackie Shelton (Lance Henriksen and Adam Nelson), old acquaintances of Cole, appear with Allie at gunpoint, forcing Cole to release Bragg to them.Ed Harris and Jeremy Irons in Appaloosa (2008)Cole and Hitch catch up with the outlaws and see Allie and Ring Shelton frolicking naked together in a stream. When the outlaws are attacked by Chiricahua Apache, Cole and Hitch force the Indians away. Hitch tells Cole that Allie’s promiscuity is the result of her insecurity and she really likes Cole. They then turn Bragg over to the sheriff of Beauville; unbeknownst to Cole, the sheriff is a cousin of the Shelton brothers. Knowing that Cole is determined to bring Bragg to the gallows, the Sheltons and the sheriff free Bragg and engage Cole and Hitch in a gunfight. Cole and Hitch are wounded but manage to kill Ring, Mackie and the sheriff. Bragg escapes on horseback and Cole and Hitch return to Appaloosa with Allie.Renée Zellweger and Ed Harris in Appaloosa (2008)After some time, Bragg is granted a full pardon by President Chester Arthur (whom he previously claimed to have known) and returns to Appaloosa in an attempt to publicly reform himself. He buys the hotel and ingratiates himself with the locals. Privately he brags before Cole and Hitch to infuriate them over their failure to hang him. Cole tells Hitch that he still wants to be with Allie, despite her fickleness. Hitch decides to leave the town to make some money and resigns as deputy. Later he discovers that Allie is having a relationship with Bragg and challenges Bragg to a duel. Cole attempts to stop him, but Hitch remains steadfast and asks Cole to permit the gunfight to occur. Hitch manages to fire first just before Bragg fires but Bragg’s shot misses, and Hitch hits Bragg in the throat, killing him. Hitch leaves town, seeing that Allie and Cole are together; his parting thoughts express his hope that Cole can find happiness with Allie and for him, he gladly walks into uncertainty in hope of finding adventure and fortune.Renée Zellweger, Ed Harris, Jeremy Irons, and Viggo Mortensen in Appaloosa (2008)Appaloosa is a subtle film, both in story and as a technical production. Beal’s score is unobtrusive, while Semler’s photography manages to deliver that old fashioned feel that Harris was after (the low lighting for the interiors is particularly on the money) . Harris’ direction is smooth and unhurried in pace, with the odd inspired bit thrown in for good measure (check out the up-tilt camera work during a train on a bridge sequence). While the production design can’t be faulted. All that and you got the likes of Henriksen and Timothy Spall in the support cast too. A lovely film that is as tight as the friendship at its core.

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 3

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotirce (Game of Thrones)
Jay Acovone (Stargate SG.1)
Stephen McHattie (300)
Edward Albert (Power Rangers Time Force)
Jo Anderson (Roswell)

2

RECURRING / NOTABLE GUEST CAST

Mitchell Laurance (Cop Rock)
Kenneth Kimmins (Lois & Clark)
Richard Roundtree (Shaft)
Bill Calvert (Spider-Man)
David Greenlee (Fame)
Stanley Kamel (Domino)
Patrick St. Esprit (Green Zone)
Lance Henriksen (The Terminator)
Armin Shimerman (Buffy: TVS)
Suzie Plakson (Disclosure)
Tony Plana (Ugly Betty)
Miguel Sandoval (Medium)
Fionnula Flanagan (Lost)
Jeff Corey (Little Big man)
John Pleshette (Rocky II)

26aefdfe75e396171a91adf55d86b177The 3rd season of Beauty and the Beast definitely takes the series in a very different direction. As the new opening reveals, once Vincent gets past Catherine’s murder he will dedicate his life to avenging injustice – in other words, he has been recast here as a sort of beastly Batman, searching the skies for the Beast Signal which will let him know that his services are needed. Much of the first five or six episodes are focused more on the gritty world Above than on Vincent’s world in the tunnels – the photography is very different, with a sharper, darker overcast (much of the warmth associated with the tunnel worlds is lost). Additionally, character inconsistencies (especially with Roy Dotrice’s “Father”) undermine the overall fabric of the story for those of us who followed it closely the first two seasons. This is a much more violent show now, and it’s much more “black and white.” The new villain, Gabriel, who dominates many of the episodes, is simply evil personified – there is no development of his character, no understanding of his motivations. He is simply evil, and Vincent becomes the force of good which will win in the end. Gabriel is Paracelsus without the poetry, without the history that made his demonic persona work. There was always a hint with Paracelsus that what he really wanted was to be part of the tunnel community again, but he just couldn’t figure out a way to do it. The only thing we know about Gabriel is that he’s a monster.screen-shot-2011-12-30-at-7-38-41-pm.pngCatherine’s death itself is not what changed this series – actually, Diana’s character could very easily have become a new “Beauty” for Vincent, had the relationship been given a chance to develop. The problem is the new tone, the darker perspective, the shift away from the tunnel community that had dominated the second season, and the fans’ resistance to anything that even suggested that Vincent could move beyond his bond with Catherine and love another woman. The message of the first two seasons is clearly the power of love to conquer hate and fear; this would imply that Catherine’s love for Vincent should enable him to love again – after all, that’s what he always told her about the nature of love. Here, in Season Three, Vincent’s grief is palpable, and Ron Perlman does an amazing job demonstrating what it is to feel loss. But there are subtle moments between him and Diana that are hopeful and beautiful – and I, as a fan of the series, find solace in such hope.1202175761_1While watching the first episode (Though Lovers be Lost) is not easy, know that there are things beyond it of great value. Elliot Burch’s character, especially, is given both a chance to redeem himself and chance to give Catherine a beautiful gift. Diana becomes a fascinating and original character whose own connection to Vincent is believable and real – she is not Catherine, but rather an independent and introspective woman who may have much more in common with Vincent spiritually than Catherine ever did. It would be so easy to see Diana becoming a part of Vincent’s world. So, suffer through the difficult death and grieving scenes, be prepared for the shift in focus, but enjoy the new stories being told here about Vincent and the two worlds in which he lives. Yes, it’s flawed – but there is still enough beauty to justify a return visit.

REVIEW: AMERICAN DAD – VOLUME 12

MAIN CAST (VOICES)

Seth MacFarlane (Family Guy)
Wendy Schaal (Small Soldiers)
Scott Grimes (Robin Hood)
Rachael MacFarlane (The Batman)
Dee Bradley Baker (Star Wars: The Clone Wars)

RECURRING NOTABLE GUEST CAST

Manu Bennett (Arrow)
Kevin Dunn (transformers)
Susie Essman (Bolt)
Edward Herrmann (The Wolf of Wall Street)
Richard Kind (Gotham)
Peter MacNicol (Ghostbusters II)
Jon Polito (Miller’s Crossing)
Matt McKenna (Igor)
Kevin Michael Richardson (The Cleveland Show)
Alan Tudyk (Firefly)
Fred Tatasciore (Hulk vs)
Curtis Armstrong (New Girl)
John Cho (Sleepy Hollow)
Jeff Fischer (Happy Feet)
Michael Landes (Final Destination 2)
Eddie Kaye Thomas (Ameircan Pie)
Daisuke Suzuki (Hibakusha)
Ashley Tisdale (High School Musical)
Norman Reedus (The Walking Dead)
Patrick Stewart (Logan)
T.E. Russell (Toy Soldiers)
Seth Green (Family Guy)
Mike Henry (The Cleveland Show)
Jason Mantzoukas (Dirty Grandpa)
June Diane Raphael (Bride Wars)
George Takei (Heroes)
Billy Bob Thornton (Bad Santa)
Eric Andre (2 Broke Girls)
David Koechner (Anchorman)
Jason Lee (My Name is Earl)
Michaela Watkins (Enough Said)
Sam Elliott (The Ranch)
Patton Oswalt (Caprica)
Craig Robisnon (Zack & Miri Make a Porno)
Tyrese Gibson (Fast & Furious 8)
Missy Elliott (Shark Tale)
Betsy Brandt (Breaking Bad)
Tom Kenny (Spongebob)
Thomas Lennon (17 Again)
Max Charles (The Strain)
Stephen Merchant (Logan)
Patricia Clarkson (Lars and The Real Girl)
Billy Van Zandt (Jaws 2)
Andy Richter (Santa Clarita Diet)
Ed Gathegi (X-Men: First Class)
Bruce Greenwood (Star Trek)
Liam James (2012)
Lance Henriksen (Millenium)

American Dad! returns for an iconic series’ 11th volume. The series centers on super-patriotic CIA agent Stan Smith and the misadventures of his unconventional family in Langley Falls, Virginia. Stan’s blissfully unaware wife Francine has an unfaltering loyalty that allows her to turn a blind eye toward Stan’s unabashed arrogance. Meanwhile, Stan constantly butts heads with his 18-year-old, left-wing activist daughter Hayley who knows just how to push her father’s buttons, whether it’s by helping the homeless, demanding women’s rights or advocating gun control. Hayley’s 14-year-old brother is the geeky-yet-confident Steve, is a kid who spends his time playing video games and obsessing about the opposite sex. The Smith cabinet is rounded out by two rather unconventional members: Roger, the sassy, sarcastic and routinely inappropriate space alien who is constantly trying on new disguises and, with them, new personalities, and Klaus, the attention-starved goldfish with the brain of a German Olympic skier who always throws in his two cents, regardless of whether anyone is listening.The Highlights on this Volume are.American-Dad-Season-13-Episode-1-2-b27e

ROOTS

Stan is in favor of a new football stadium being built in Langley Falls, until he learns its construction will destroy a sacred tree from his childhood. Meanwhile, after Steve learns that he hasn’t grown an inch in several years, he considers surgery to increase his height, and turns to a child physician named Dr. Calgary, whom Steve discovers is actually a mad surgeon from Germany.

THE LIFE AQUATIC WITH STEVE SMITH

Steve is determined to become a varsity athlete in an attempt to impress some girls. Steve immediately tries to join the water polo team, but fails to, and enlists the help of Klaus to guide his swimming by hiding in Steve’s bathing suit. Meanwhile, Stan and Roger purchase a boat at a CIA auction, but Roger’s motivations to work on the boat begin to get to him.American-dad-se11e3-hayley-smith-seal-team-six

HAYLEY SMITH, SEAL TEAM SIX

In an effort to bring back a long-lost sense of joy and innocence, Roger’s persona Dr. Penguin hypnotizes Hayley to get to the root of the problem. The plan backfires when Dr. Penguin accidentally causes her mind to regress to that of a six year old instead. As the family enjoys the happier Hayley, Jeff and Klaus set out to progress Hayley back to her original state. Meanwhile, Steve and his friends are approached by a shady, trenchcoated man who talks them into buying one of his slow-cookers.

N.S.A. (NO SNOOPS ALLOWED)

Steve goes to work with Stan to help him troubleshoot his computer — and ends up entangled with the NSA after Steve gets mad at Stan for mocking him. Meanwhile, Hayley goes on a meat-eating spree after eating Klaus’ hazelnut omelette (which has veal in it).qM4YSxW8C0b7LnE29I71uR2L3iE

STAN SMITH AS KEANU REEVES AS STANNY UTAH IN POINT BREAK

Stan finds himself stressed out on his day-off from work, due to Steve’s new friendship with a murderous derelict, Hayley and Jeff’s pregnancy scare, Francine’s shoplifting, and Roger’s attempts to get the 2016 World Cup to be held in the house. As Stan returns to work, Bullock believes that surfers may be the cause of a recent cyber attack after watching Point Break, and volunteers to go undercover as a surfer in order to relax and put his stress behind him.

KISS KISS CAM CAM

Stan begins to question his marriage with Francine when they have a terrible “Kiss Cam” experience. Meanwhile, Steve and Roger travel to Carson City in order for Roger to re-elect himself on the Nevada legislature to fulfill his promise of keeping polluted water clean.

THE DEVIL WEARS A LAPEL PIN

When Stan is chosen to put together the annual CIA pin-up calendar, he attempts to find an assistant. However, when he fires assistant after assistant, Hayley takes the assistant job in order to get revenge by destroying the calendar, after having him destroy a picture she drew as a child. Meanwhile, Roger gets a Discovery Card on his first (and only) day of college, but finds that no one takes Discovery (except for a secret section of the local mall that hasn’t been touched since the 1980s) and must fake his death when he can’t pay the bill.

STAN-DAN DELIVER

Steve is sentenced to attend a class for delinquents and ghetto teenagers after Roger eats the chocolates Steve was supposed to sell for charity. Meanwhile, Stan and Francine decide to shop for retirement homes, but when Stan decides to stay, Francine, Hayley, and Jeff attempt to free him.

American-dad-se11e11-anchorfran

ANCHORFRAN

Greg has been depressed over Terry leaving him to go on tour with the band 311, so Francine attempts to help Greg out by joining him on the newscast. However, her newfound fame on the set leads to Greg’s suffering. Meanwhile, Hayley digs up her old “Dream Phone” game, leading Roger to go on a road trip to find a character from the game.

THE TWO HUNDRED

A tattooed Stan, along with Roger and Greg, set out to find the other Smiths when an unidentified entity known as “The Two Hundred” has turned Langley Falls into an apocalyptic wasteland and all the citizens, led by Principal Lewis, turn into savages and cannibals.

THE UNINCLUDEDS

Steve and Snot set out to throw a party for the unpopular students, but when the party they throw changes their futures, they are forced to make things right. Meanwhile, Roger is upset when a waiter compliments Hayley’s order at a restaurant and not his.

THE DENTIST’S WIFE

Roger finds himself in an identity crisis after he becomes interested in a local dentist’s wife named Meredith Fields. Meanwhile, Klaus tortures Stan, Steve, Hayley, and Jeff with a party with perverted guests when they become incredibly stiff and sore from a workout session with CrossFit.

WIDOW’S PIQUE

When one of Stan’s co-workers dies on assignment, Francine prepares herself for the possibility of becoming a widow should Stan die. Meanwhile, Steve and his friends put on a wrestling show, but Principal Lewis shows up to challenge them for a championship belt.

THE NOVA CENTAURIS-BURGH BOARD OF TOURISM PRESENTS: AMERICAN DAD

When Francine becomes upset that she can’t do anything she wants to, she joins Steve in his live-action role playing game in the park. Meanwhile, Stan confiscates a shark aquarium from a drug lord and is convinced by Roger to open it as an attraction named “Oceanland”, a Seaworld knockoff.

DAESONG HEAVY INDUSTRIES

Part one of two. Stan’s faith in God is shattered when he tries to teach Steve the Bible and Steve points out all the logical errors in the stories, leading Stan on a downward spiral of hedonism and self-destruction. Under Francine’s orders, Steve restores Stan’s faith when he discovers a Korean tanker the same measurements as Noah’s Ark — and things take a turn for the worse when Stan ropes the family into going to Korea to find the fabled tanker.

DAESONG HEAVY INDUSTRIES II: RETURN TO INNOCENCE

Conclusion. The Smiths (and Jeff, but not Klaus, who was thrown off the boat at the end of the previous episode) are still stuck on the Korean tanker, which blows up after Roger’s “If They Could See Me Now”-style musical number. Now shipwrecked, Stan and Francine end up washed up on an island with no clothes and no memory of who they are and become a modern-day Adam and Eve while Jeff and Hayley are rescued by the U.S. Navy and Steve is trapped on a lifeboat with a wolf and Roger’s dangerous survival tips.

CRISS-CROSS APPLESAUCE: THE BALLAD OF BILLY JESUSWORTH

When Stan wants to play a game of basketball with Roger, he ends up being rejected by him for being too old. But when Roger ends up breaking his ankle, Stan reluctantly invites him to join his basketball league in order to deviously relent him. Meanwhile, Steve recounts his day in a send-up of R. Kelly’s Trapped in the Closet.

MINE STRUGGLE

After years of dirtying up the patio, Francine forces Stan to clean it, but when using Roger’s modified power washer, the modifications cause a huge hole to be formed in the ground, leading them to discover a salt mine. As Stan and the family immediately want to offer it to the Gordon Salt Company, Steve turns out to be the actual owner of the mine and refuses to sell it, in order to keep sacred memories of their backyard.

Garfield_and_Friends

GARFIELD AND FRIENDS

When Stan drags Hayley to James A. Garfield’s former house for a tour in celebration for Presidents’ Day, Stan decides to bring President Garfield back to life to teach her about his life and history, when Hayley proves to be bored with the tour. Meanwhile, Steve joins the school newspaper, but his work ends up coming out as erotic stories.

GIFTED ME LIBERTY

When someone forgets to bring a gift to the annual “evil Santa” CIA gift exchange, Bullock becomes deeply upset and forces Stan to discover who that person was. Meanwhile, Steve scores a date for the Harvest Dance, but he soon discovers that he is being used as a cover up for her “bad” boyfriend. At first, he is outraged, but later decides to do the same thing for several other girls when they offer to pay him.

NEXT OF PIN

Stan sets out to find an activity that he can share with Steve and eventually does when he finds out he’s good at bowling, but when an expert bowling coach suggests that he is holding Steve back, Stan tries to get back to bonding with Steve, by ending his career with a stab in his foot. Meanwhile, Klaus challenges Hayley and Roger to watching hours of a documentary when the two argue over who has the worst attention span.

STANDARD DEVIATION

Stan becomes angry when Hayley refuses to have a plan for her future life, but when he brings her on a suicide mission, she refuses to deal with his logic. Later on, Hayley discovers that Bullock is working daily as a disc jockey at a nightclub. She immediately tells Stan, but when he confronts Bullock, Bullock tells him he’ll step down, but only if he can defeat him in a DJ battle. Meanwhile, Jeff begins drinking psychedelic teas and hallucinates a musical instrumental, leading Roger to help him find it as a prank.americandad1222.pngThis has to be one of the best adult cartoons ever created. It’s hard for me to compare them with South Park. I think that in many aspects, American Dad is way better than South Park. Probably because it addresses to a much larger public, while South Park contains jokes that sometime require some background knowledge, before you can fully understand them. Even for non-Americans, this series are equally funny and enjoying. Great job! I recommend this to anyone who enjoys some good humor.

REVIEW: SCREAMERS 2: THE HUNTING

 

CAST

Lance Henriksen (The Terminator)
Gina Holden (The Butterfly Effect 2)
Jana Pallaske (Euro Trip)
Greg Bryk (Bitten)
Christopher Redman (Ginger Snaps)
Stephen Amell (Arrow)

A group of humans arrive on Sirius 6-B to investigate an SOS signal sent out from the planet, which has been supposedly deserted since the destruction of the man-made weapons known as “screamers”. Once the squad arrives, they find a group of human survivors eking out an existence in an old military outpost, but more important, they discover that the threat of the screamers has become even more insidious, now that they’re able to morph into human form.Whilst the finale of the first movie was suitably `Dick-ensian’, with the awakening of a teddy bear screamer in Peter Weller’s escape shuttle seeming very `Phillip K’ – the same cannot be said for this sequel, even if the picture is promoted as having been `inspired’ by Phillip K. Dick’s Second Variety short-story. The movie is exactly what it appears to be: a low-budget science fiction movie with high aspirations that pulls itself free of B-movie rubbish yet cannot scale the dizzy heights of a high quality release. Yet one positive that the film does achieve is the correction of the audience’s perception that these straight-to-DVD movies are put together by half-witted talentless incompetents. The bright and breezy featurette shows director Sheldon Wilson as an experienced and highly enthusiastic man working very hard on his way up the movie-making hierarchy, using the forum of a straight-to-DVD Screamer sequel as a credit on his portfolio. the picture is clearly put together with great gusto by all involved. One unique selling point is the original Screamers movie is included as a bonus disc.