REVIEW: X-MEN 2

 

CAST

Patrick Stewart (American Dad)
Hugh Jackman (Swordfish)
Ian McKellen (The Hobbit)
Halle Berry (Catwoman)
Famke Janssen (The Faculty)
James Marsden (Westworld)
Bruce Davison (High Crimes)
Rebecca Romijn (Ugly Betty)
Anna Paquin (true Blood)
Shawn Ashmore (Earthsea)
Brian Cox (Troy)
Alan Cumming (Tin Man)
Aaron Stanford (The Hills Have Eyes)
Kelly Hu (Arrow)
Daniel Cudmore (Twilight: New Moon)
Peter Wingfield (Highlander: The Series)
Steve Bacic (Androemda)
Bryce Hodgson (Izombie)
Roger Cross (Arrow)
Kea Wong (Snow Day)

At the White House, brainwashed teleporting mutant Nightcrawler attempts to assassinate the President of the United States but fails and escapes. Meanwhile, Wolverine explores an abandoned military installation at Alkali Lake in Alberta for clues to his past, but finds nothing. He returns to Professor Xavier’s school for mutants, and Xavier tracks Nightcrawler using Cerebro. Xavier and Cyclops go to question the imprisoned Magneto about the attack, while X-Men Storm and Jean Grey retrieve Nightcrawler. Meanwhile, military scientist Colonel William Stryker approaches the president and receives approval to investigate Xavier’s mansion for their ties to mutants. Stryker’s forces invade the school and abduct some of the students. Colossus leads the remaining students to safety while Wolverine, Rogue, Iceman, and Pyro escape, and Stryker’s assistant Yuriko Oyama captures Cyclops and Xavier. During the attack Wolverine confronts Stryker, who knows him by name.untitledThe shape-shifting Mystique gains information about Magneto’s prison and helps him escape while also discovering schematics for a second Cerebro. Wolverine, Rogue, Iceman, and Pyro visit Iceman’s parents in Boston and meet up with Storm, Jean, and Nightcrawler. The X-Jet is attacked by fighter jets en route back to the mansion and is shot down, but Magneto saves them from crashing. Magneto explains to the group that Stryker has built the second Cerebro to use it, and Xavier, to telepathically kill every mutant on the planet. Stryker’s son, Jason, is a mutant with mind-controlling powers, which Stryker will use to force Xavier to do this. Stryker had also previously used Jason’s powers to orchestrate Nightcrawler’s attack as a pretense to gain approval to invade Xavier’s mansion. Magneto also tells Wolverine that Stryker was the man who grafted his adamantium skeleton onto his bones. Jean reads Nightcrawler’s mind and determines that Stryker’s base is underground in a dam at Alkali Lake.vlcsnap-2011-10-19-18h17m54s214The mutants infiltrate Stryker’s base and Magneto and Mystique go to disable Cerebro before the brainwashed Xavier can activate it. Storm and Nightcrawler rescue the captured students, and Jean fights a mind-controlled Cyclops; their battle frees Cyclops but damages the dam, which begins to rupture. Wolverine finds Stryker in an adamantium smelting lab and remembers it as where he received his adamantium skeleton. Wolverine fights and kills Yuriko, then chases Stryker to a helicopter pad and chains him to the helicopter’s wheel. Magneto stops Cerebro and, using Mystique impersonating Stryker to command Jason, has Xavier redirect its powers on normal humans. The two subsequently use Stryker’s helicopter to escape, accompanied by Pyro who has been swayed to Magneto’s views. Nightcrawler teleports Storm inside Cerebro, where she creates a snowstorm to break Jason’s concentration and free Xavier from his control.jjojoljljmThe X-Men flee the dam as water engulfs it, but the damaged X-Jet struggles to take flight. Stryker is killed in the deluge and Jean sacrifices herself to hold back the flood of water while getting the jet into the air, and is then consumed by the flood and presumed dead. The X-Men give the president Stryker’s files, and Xavier warns him that humans and mutants must work together to build peace. Back at the school, Xavier, Cyclops, and Wolverine remember Jean, and Xavier begins to hold a class. The film ends with a voice-over narration from Jean accompanied by the flooded Alkali Lake, a fiery Phoenix-like shape rising from the water.X Men 2 was very much as good, if not better, as the first. Bryan Singer seemed much more comfortable with the original characters who’s background were developed in the first film and the addition of Nightcrawler was a particular hit who allied with the good guys made a formidable team.

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REVIEW: X-MEN: THE ANIMATED SERIES – SEASON 1-5

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CAST

Cedric Smith (Mutant X)
Norm Spencer (Rescue Heroes)
Catherine Disher (The Good Witch)
Cathal J. Dodd (Goosebumps)
Iona Morris (Robotech)
Alison Sealy-Smith (This Is Wonderland)
Chris Potter (The Waiting Game)
Tony Daniels (Yin Yang Yo!)
Alyson Court (Elvis Meets Nixon)

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RECURRING / NOTABLE GUEST STARS

John Colicos (Battlestar Galactica)
Jeremy Ratchford (Cold Case)
Lawrence Bayne (Highlander: TAS)
Barry Flatman (Odyssey 5)
Richard Epcar (Power Rangers)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
Frank Welker (The Simpsons)
Len Carlson (Swamp Thing: TAS)
Susan Roman (The Racoons)
Dennis Akiyama (Pxiels)
Nigel Bennett (Andromeda)
Maurice Dean Wint (Robocop: Prime Directives)
Philip Akin (Highlander: The Series)

 

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I recently watched through the entire 90’s x-men Animated Series for the first time. So does the show hold up for someone who didn’t watch it when it first aired? Is it still a good show? Overall, the show is really good. It was also revolutionary as it was one of the first animated TV shows to have a continuing storyline throughout the first few seasons.

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Rather than creating exclusively new story lines, the show based most of its episodes on well known events from the comics. Stuff like the ultra-famous dark phoenix saga all the way to a modified version of Days of Future Past that included the time traveling mutant Bishop. Most of the episodes changed details here and there to keep thing simple, but the basic premise remains the same.

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The animation is a mixed bag. On the one hand, still shots look very good for a 90s cartoon. Both characters and environments are finely detailed and even facial expressions are usually well done. On the other hand, it doesn’t look too good in motion. The frame-rate is often choppy and at times characters in the background are just standing still. There are occasional continuity errors as well, like characters swapping outfits between shots (the episode titled “Nightcrawler” comes to mind).

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Characters are generally portrayed well in the TV show. The main team consists of Professor X, Cyclops, Jean Grey, Wolverine, Beast, Storm, Gambit, Rogue, and Jubilee. Professor X, Wolverine, Cyclops, Jean Grey, Beast and Gambit are all portrayed well in the show. I found some of their voice actors were a little off-putting at first, but as I watched they grew on me. Rogue probably has the best voice acting of the bunch.

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I wasn’t quite as fond with the portrayal of Storm or Jubilee however. Storm was alright, but having her constantly talk about what she was commanding the weather to do is annoying at times. Does she have to verbally command the wind every time she blasts enemies with it? I get that she’s a bit of a showoff and that’s part of her charm, but still.

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The show has a great spotlight of different villains as well. It features everyone from mega villains like Magneto, Mr. Sinister, and Apocalypse to smaller villains like Vertigo, the Juggernaut, and even the Brood. The show even mentions the Juggernaut’s relationship to Xavier (they’re step brothers). Mr. Sinister in particular is very well portrayed in the series, and we even get an origins episode in season five (heavily modified of course).

If you have any interest in the X-men and want to try out the comics, this is a decent show for finding out some of the franchises back-story. It’s rarely as good as the original stories it’s based on, but it’s easier to find and for the most part, it’s an easy watch.

REVIEW: HULK VS

 

CAST (VOICES)

Fred Tatasciore (9)
Matthew Wolf (The Fault of Our Stars)
Graham McTavish (The Hobbit)
Grey Griffin (The Replacements)
Kari Wahlgren (Rick and Morty)
Bryce Johnson (The SKulls 3)
Steve Blum (Wolverine and The X-Men)

Hulk vs. completely lives up to its title. There are no long, tedious origin stories. Neither half of this double feature is bogged down by any meandering, who-really-cares filler subplots, clunky romances, or triple-underlined moral messages. These two mini-movies chuck viewers straight into the action and never let up until the end credits roll. Marvel and Lionsgate haven’t watered it down to play to the lunchbox crowd either; these battles against Thor and Wolverine are intense and unflinchingly violent.As a nod to the comics that first introduced Wolverine to the world, he and the Hulk square off in — where else? — the desolate Canadian wilderness. The Hulk has been carving a path of destruction throughout the Great White North, and Department H drops Wolverine in to stop the beast dead in his tracks. The two are fairly evenly matched: Wolverine’s healing factor can take all of the abuse the Hulk can dish out — flinging him what looks like miles away, smashing his hairy little body into the ground over and over again with a three-ton rock — and although those adamantium claws sink deep into the jade giant’s hide, all it really seems to do is piss the Hulk off even more. Just as the tide starts to turn in this brutal, bloody brawl, the Hulk’s back is peppered with a stream of oversized tranquilizer darts. The Weapon X program sees the Hulk as the ultimate weapon in its arsenal, and as the sleeping giant is being prepped for a mindwipe, Wolverine escapes and slices through the small army of seasoned killers that stand in his way.Barely breaking the half hour mark minus credits, the core of the story is lean and uncluttered, and the whole thing is devastatingly brutal wall-to-wall action. Hulk vs. Wolverine draws deeply from imagery from the comics, from that iconic McFarlane cover of the Hulk reflected in Wolverine’s gleaming claws to entire pages of Barry Windsor-Smith’s Weapon X origin translated verbatim. The movie doesn’t take any undue liberties with its characters or their powers; I really do get the sense that this was written, directed, and animated by lifelong comic fans making the sort of movie they’d want to watch instead of just trying to cast a wide net and disinterestedly hit the studio’s numbers. A movie about Wolverine recaptured by Weapon X can’t be saddled with a PG rating, and this is so hyperviolent and sopping with blood that I’m really not sure how it managed to just score a PG-13. I’m not exaggerating when I say it’s more brutal and unflinchingly graphic than a lot of slasher flicks I’ve seen. I love the skewed, stylized character designs, and from Wolverine’s half-growled dialogue to the Hulk’s thunderous roar, the voice acting is absolutely perfect. I don’t want to spoil the reveal of who all is part of Weapon X’s superpowered black ops team — the surprise is a huge part of the fun — but I have to give

The title Hulk vs. Thor doesn’t really convey the scale of the second half of this double feature. The Hulk isn’t just pitted against the Norse god of thunder; he singlehandedly takes on the entirety of Asgard: the Warriors 3, legions of valkyries, frost giants, Odin’s ravens, Hel itself, and virtually every last iconic character from the pages of the comics. The movie is set in the waning hours of the Odinsleep: the annual slumber of Asgard’s greatest protector that leaves the realm most exposed to assault from its enemies. Every plot, scheme, and army to have ever been unleashed during the Odinsleep has been handily defeated over the years, but the warriors of Asgard have never been pitted against a force as unstoppable — the embodiment of rage — as the Hulk. An embittered Enchantress uses her dark sorcery to bring the Hulk under Loki’s thrall, and the god of mischief pulls the beast’s strings to effortlessly pummel his brother Thor to within inches of death: no small feat for an immortal god. The Hulk’s thundering rage proves too difficult for Loki to control for long, though, and with his ferocity fully unleashed as never before, he’s not going to stop until the entirety of Asgard lays in ruin.It’s as if the writers behind Hulk vs. Thor couldn’t figure out what Asgardian lore to mine from the hundreds of issues of the comic, so they opted to throw in everything. Virtually every recognizable character and iconic image from the greatest of the Nine Worlds is featured here at some point. Its story is more involved than Hulk vs. Wolverine and is given a few extra minutes to breathe, but the action never lets up here either. Dark magicks rend Bruce Banner from the Hulk, removing the lone spark of humanity keeping the beast’s colossal rage in check, and his path of destruction is unreal, even threatening to topple Hel itself. The imagery isn’t nearly as graphic as Hulk vs. Wolverine, but there’s still an enormous amount of carnage, and the sight of Thor’s arm being shattered or the god of thunder laying limp and lifeless after being punched clean through a mountain is still remarkably intense. I have to admit to not being quite as dazzled by Hulk vs. Thor as I was with the first half of this double feature; dialogue like “You are no troll, monster!” doesn’t sound quite as effortless, the voice acting is perfectly fine but more straightforwardly proper and British, and the celebratory ending seems a little forced. Still, its ability to draw so deeply from some four hundred issues of Thor ought to astonish even casual fans of the comic, the scope of the movie is truly epic, and the torment and anguish inflicted on Bruce Banner pack about as much of a wallop as a roundhouse from the Hulk.Hulk vs. is the first of Marvel’s direct-to-DVD animation to really feel as if it’s targeted squarely at  fanboys. There’s no filler or tedious origin stories here: both halves of this double feature dive headfirst into the action.