REVIEW: LOST – SEASON 6

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Evangeline Lilly (Ant-Man and The Wasp)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Emilie de Ravin (Roswell)
Jeff Fahey (Texas Rising)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

Josh Holloway and Elizabeth Mitchell in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Brad William Henke (Bright)
Kimberly Joseph (Hercules: TLJ)
Fredric Lehne (Amityville 4)
Elizabeth Mitchell (V)
Dominic Monaghan (Flashforward)
Mark Pellegrino (13 Reasons Why)
Daniel Roebuck (Final Destination)
Ian Somerhalder (The Vampire Diaries)
Sean Whalen (Twister)
Greg Grunberg (Alias)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heores)
Hiroyuki Sanada (Westworld)
William Mapother (Anotehr Earth)
Jeff Kober (New Girl)
Katey Sagal (Futurama)
Veronica Hamel (Cannonball)
Dylan Minnette (13 Reasons Why)
Andrea Gabriel (2 Broke Girls)
Kevin Durand (Swamp Thing)
Anthony Azizi (Eagle Eye)
William Atherton (Ghostbusters)
Alan Dale (Ugly Betty)
Jon Gries(Taken)
Tania Raymonde (Texas Chainsaw)
Neil Hopkins (The Net 2.0)
Rebecca Mader (Iron Man 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Titus Welliver (The Town)
Andrew Divoff (Wishmaster)
Chad Donella (Smallville)
Jeremy Davies (Hannibal)
Fionnula Flanagan (The Others)
Sonya Walger (Flashforward)
Fisher Stevens (Hackers)
Harold Perrineau (Constantine)
Cynthia Watros (Titus)
François Chau (The Tick)
Kevin Tighe (My Bloody Valentine)
Allison Janney (Mom)
Mira Furlan (Babylon 5)
Michelle Rodriguez (The Fast and The Furious)
Maggie Grace (The Fog)
John Terry (Full Metal Jacket)
John Pyper-Ferguson (Caprica)

Nestor Carbonell and Terry O'Quinn in Lost (2004)Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners DamonLindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective.Josh Holloway in Lost (2004)The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.Jeff Fahey, Michael Emerson, Yunjin Kim, and Zuleikha Robinson in Lost (2004)Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.Josh Holloway and Elizabeth Mitchell in Lost (2004)“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale.Matthew Fox and Jorge Garcia in Lost (2004)He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale.Terry O'Quinn in Lost (2004)Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.Josh Holloway in Lost (2004)The Man in Black tests the survivors like never before. Offering them freedom, survival and even answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season. )Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series.Naveen Andrews and Hiroyuki Sanada in Lost (2004)All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: LOST – SEASON 5

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Elizabeth Mitchell (V)
Evangeline Lilly (Ant-Man and The Wasp)
Jeremy Davies (Hannibal)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Rebecca Mader (Iron Man 3)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)

Naveen Andrews in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Alan Dale (Ugly Betty)
William Mapother (The Mentalist)
Sonya Walger (Termiantor: TSCC)
Sean Whalen (Twister)
François Chau (The Tick)
Michelle Rodriguez (The Fast and The Furious)
Jeff Fahey (Texas Rising)
Cheech Marin (Machete)
Fionnula Flanagan (The Others)
Nestor Carbonell (Bates Motel)
Alexandra Krosney (Last Man Standing)
John Terry (Full Metal Jacket)
Raymond J. Barry (The Gifted)
Zuleikha Robinson (Homeland)
Saïd Taghmaoui (Wonder Woman)
Malcolm David Kelley (You Got Served)
Lance Reddick (Bosch)
Reiko Aylesworth (24)
Patrick Fischler (Happy!)
Doug Hutchison (Punisher: War Zone)
Sterling Beaumon (THe Killing)
Brad William Henke (Bright)
Eric Lange (Narcos)
Jon Gries (Taken)
Tania Raymonde (Texas Chainsaw)
William Sanderson (Blade Runner)
Kim Dickens (Hollow Man)
Dean Norris (Breaking Bad)
Marsha Thomason (The Haunted Mansion)
Alice Evans (The Vampire Diaries)
Andrea Gabriel (2 Broke Girls)
Mark Pellegrino (13 Reasons Why)
Titus Welliver (Argo)

Jeremy Davies and Nestor Carbonell in Lost (2004)Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.The first half of the season is comprised of two very distinct storylines.Jeremy Davies, Ken Leung, and Rebecca Mader in Lost (2004)One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island.Terry O'Quinn and Rebecca Mader in Lost (2004)The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character.Daniel Dae Kim and Melissa Farman in Lost (2004)Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season. On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition,Matthew Fox in Lost (2004)but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

REVIEW: LOST – SEASON 4

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Elizabeth Mitchell (V)
Evangeline Lilly (Ant-Man and The Wasp)
Jeremy Davies (Hannibal)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Michael Emerson (Arrow)
Rebecca Mader (Iron Man 3)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Harold Perrineau (Sabotage)

Jorge Garcia and Dominic Monaghan in Lost (2004)

Recurring / Notable Guest Cast

Dominic Monaghan (Flashforward)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Michael Cudlitz (The Walking Dead)
Mira Furlan (Babylon 5)
Tania Raymonde (Texas Chainsaw)
Lance Reddick (John Wick)
Fisher Stevens (Hackers)
John Terry (Full Metal Jacket)
Marsha Thomason (White Collar)
Zoë Bell (The Hateful Eight)
Jeff Fahey (Texas Rising)
Thekla Reuten (Highlander 5)
Beth Broderick (Sabrina: TTW)
Shawn Doyle (Impulse)
Anthony Azizi (Eagle Eye)
Alan Dale (Ugly Betty)
Kevin Durand (Swamp Thing)
Sonya Walger (Flashforward)
Graham McTavish (The Hobbit)
Andrea Roth (Cloak & Dagger)
M.C. Gainey (Breakdown)
Grant Bowler (Harrow)
George Cheung (Rush Hour)
Cynthia Watros (Titus)
Galyn Görg (Robocop 2)
Malcolm David Kelley (Detroit)
Faran Tahir (Iron Man)
Andrea Gabriel (2 Broke Girls)
April Parker Jones (Supergirl)
Nestor Carbonell (Bates Motel)
Doug Hutchison (Punisher: War Zone)
Amanda Carlin (Friends)
Michelle Forbes (True Blood)
Veronica Hamel (Cannonball)
Cheech Marin (Coco)

Jeff Fahey in Lost (2004)After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.Mira Furlan, Michael Emerson, Josh Holloway, Terry O'Quinn, and Rebecca Mader in Lost (2004)The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings.Michael Emerson in Lost (2004)Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.Michael Emerson in Lost (2004)Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Henry Ian Cusick in Lost (2004)Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.Elizabeth Mitchell in Lost (2004)Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

 

REVIEW: LOST – SEASON 3

Starring

Evangeline Lilly (Ant-Man and The Wasp)
Matthew Fox (Alex Cross)
Josh Holloway (Colony)
Elizabeth Mitchell (V)
Henry Ian Cusick (Hitman)
Dominic Monaghan (Flashforward)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Jorge Garcia (How I Met Your Mother)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Terry O’Quinn (The Rocketeer)
Emilie de Ravin (Operation: Endgame)
Rodrigo Santoro (300)
Kiele Sanchez (A Perfect Getaway)
Adewale Akinnuoye-Agbaje (Suicide Squad)

Josh Holloway in Lost (2004)

Recurring / Notable Guest Cast

Julie Adams (Code Red)
Brett Cullen (Ghost Rider)
M.C. Gainey (Breakdown)
William Mapother (The Mentalist)
Julie Bowen (Modern Family)
John Terry (Full Metal Jacket)
Michael Bowen (Kill Bill)
Tania Raymonde (Texas Chainsaw)
Paula Malcomson (The Hunger Games)
Ian Somerhalder (The Vampire Diaries)
Chris Mulkey (Whiplash)
Justin Chatwin (War of The Worlds)
Kim Dickens (Gone Girl)
Bill Duke (Black Lightning)
Adetokumboh M’Cormack (Gods & Heroes)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
François Chau (The Tick)
Nathan Fillion (Firefly)
Fredric Lehne (Men In BLack)
Zeljko Ivanek (Heores)
Nestor Carbonell (Bates Motel)
Robin Weigert (Jessica Jones)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)
Shishir Kurup (Coneheads)
Fionnula Flanagan (The Others)
Bai Ling (The Crow)
Diana Scarwid (Wonderland)
Cheech Marin (Coco)
Kimberley Joseph (Hercules: TLJ)
Sung Hi Lee (The Girl Next Door)
April Grace (A.I.)
Shaun Toub (Iron Man)
Gabrielle Fitzpatrick (MMPR: The Movie)
Kevin Tighe (My Bloody Valentine)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Andrew Connolly (Heroes)
Marsha Thomason (White Collar)
Jon Gries (Welcome To The Jungle)
Doug Hutchison (Punisher: War Zone)
Samantha Mathis (American Psycho)
Carrie Preston (True Blood)
Sterling Beaumon (The Killing)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Andrea Gabriel (2 Broke Girls)
Neil Hopkins (The Net 2.0)
Tracy Middendorf (Scream: The Series)
Lana Parrilla (Once Upon A Time)
Malcolm David Kelley (Detroit)
James Lesure (Las Vegas)
Fisher Stevens (Hackers)
Mira Furlan (Babylon 5)

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others.Evangeline Lilly in Lost (2004)The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season.Terry O'Quinn in Lost (2004)Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke.Evangeline Lilly in Lost (2004)Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

REVIEW: LOST – SEASON 2

Starring

Matthew Fox (Alex Cross)
Terry O’Quinn (The Rocketeer)
Jorge Garcia (How I Met Your Mother)
Josh Holloway (Colony)
Evangeline Lilly (Ant-Man and The Wasp)
Michelle Rodriguez (The Fast and The Furious)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Naveen Andrews (The Brave One)
Dominic Monaghan (Flashforward)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Emilie de Ravin (Operation: Endgame)
Harold Perrineau (Constantine)
Maggie Grace (Taken)
Malcolm David Kelley (Deriot)

Matthew Fox in Lost (2004)

Recurring / Notable Guest Cast

Henry Ian Cusick (Hitman)
John Terry (Full Metal Jacket)
Julie Bowen (Modern Family)
Anson Mount (Star Trek: Discovery)
Tamara Taylor (Bones)
Saul Rubinek (Warehouse 13)
Kevin Tighe (My Bloody Valentine)
Katey Sagal (Futurama)
François Chau (The Tick)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Sam Anderson (Angel)
Marguerite Moreau (Wet Hot American Summer)
DJ Qualls (Road Trip)
Kimberley Joseph (Hercules: TLJ)
Brittany Perrineau (Felon)
Ian Somerhalder (The Vampire Diaries)
Brett Cullen (Ghost Rider)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Rick Overton (Willow)
Fredric Lehne (Men In Black)
Beth Broderick (Sabrina: TTW)
Lindsey Ginter (Argo)
Adetokumboh M’Cormack (Gods & Heroes)
M.C. Gainey (Breakdown)
Neil Hopkins (D-Sides)
Robin Atkin Downes (Babylon 5)
Kim Dickens (Gone Girl)
Kevin Dunn (Transformers)
Clancy Brown (Highlander)
Mira Furlan (Babylon 5)
Michael Emerson (Arrow)
Theo Rossi (Luke Cage)
William Mapother (THe Mentalist)
Tania Raymonde (Texas Chainsaw)
Andrea Gabriel (2 Broke Girls)
Evan Handler (Californication)
Bruce Davison (X-Men)
Wayne Pygram (Farscape)
Gabrielle Fitzpatrick (MMPR: The Movie)
Nick Jameson (Frozen)
Oliver Muirhead (The Social Network)
Michael Bowen (Kill Bill)
April Grace (A.I.)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)

Daniel Dae Kim, Josh Holloway, and Harold Perrineau in Lost (2004)

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.Harold Perrineau in Lost (2004)As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband.Daniel Dae Kim and Josh Holloway in Lost (2004)Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.Michelle Rodriguez and Cynthia Watros in Lost (2004)I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale.Naveen Andrews in Lost (2004)He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

REVIEW: LOST – SEASON 1

Starring

Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Maggie Grace (Taken)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Evangeline Lilly (Ant-Man and The Wasp)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Deriot)
Ian Somerhalder (The Vampire Diaries)
Terry O’Quinn (The Rocketeer)

Naveen Andrews, Daniel Dae Kim, Emilie de Ravin, Matthew Fox, Jorge Garcia, Josh Holloway, Yunjin Kim, Dominic Monaghan, Terry O'Quinn, Harold Perrineau, Ian Somerhalder, Maggie Grace, Malcolm David Kelley, and Evangeline Lilly in Lost (2004)

Recurring / Notable Guest Cast

Fredric Lehne (Men In Black)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Kimberley Joseph (Hercules: TLJ)
Michelle Arthur (Mission: Impossible III)
Greg Grunberg (Heroes)
John Terry (Full Metal Jacket)
Veronica Hamel (Cannonball)
Neil Hopkins (D-Sides)
Michael DeLuise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (THe Mentalist)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Navid Negahban (Legion)
Nick Jameson (Frozen)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
David Starzyk (Veronica Mars)
Jim Piddock (Mascots)
Robert Patrick (Termiantor 2)
Brittany Perrineau (Felon)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (My Bloody Valentine)
Zack Ward (Transformers)
Julie Bowen (Modern Family)
Mackenzie Astin (The Orville)
Beth Broderick (Sabrina: TTW)
Daniel Roebuck (Final Destination)
Skye McCole Bartusiak (Don’t Say A Word)
Michelle Rodriguez (The Fast and The Furious)
M.C. Gainey (Breakdown)

 

Dominic Monaghan and Evangeline Lilly in Lost (2004)Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.Jorge Garcia and Harold Perrineau in Lost (2004)

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything.Josh Holloway in Lost (2004)The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.Of course, there are a plethora of individual character stories that thrive over the course of the season.Naveen Andrews in Lost (2004)Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors.Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it.Yunjin Kim and Evangeline Lilly in Lost (2004)Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

REVIEW: THE CHILLING ADVENTURES OF SABRINA – PART 1

Kiernan Shipka in Chilling Adventures of Sabrina (2018)

Starring

Kiernan Shipka (Mad Men)
Ross Lynch (Muppets Most Wanted)
Lucy Davis (Wonder Woman)
Chance Perdomo (Killed By Debt)
Michelle Gomez (Bad Education)
Jaz Sinclair (Slender Man)
Tati Gabrielle (The 100)
Adeline Rudolph
Richard Coyle (5 Day of War)
Miranda Otto (Lord of The Rings)
Lachlan Watson (The Ultimate Life)

Miranda Otto, Lucy Davis, and Kiernan Shipka in Chilling Adventures of Sabrina (2018)

RECURRING / NOTABLE GUEST CAST

Bronson Pinchot (Lois & CLark)
Abigail F. Cowen (Stranger Things)
Adrian Hough (The Fog)
Gavin Leatherwood (Wicked Enigma)
Justin Dobies (Get The Girl)
Kurt Max Runte (Elektra)
Sarah-Jane Redmond (Smallville)
Ty Wood (The Haunting In Connecticut)
Darren Mann (Giant Little Ones)
Gavin Leatherwood (Wicked Enigma)
Alvina August (The Intruder)
Megan Leitch (The X-Files)
Alessandro Juliani (Man of Steel)
L. Scott Caldwell (Lost)
Michael Hogan (Battlestar Galactica)
John Rubinstein (Angel)

Kiernan Shipka in Chilling Adventures of Sabrina (2018)The Chilling Adventures of Sabrina is the latest incarnation of a long-running teen archetype — the half-witch, half-human, all-American girl, fighting to grow up on her own terms and being front and center in an ever-mutating story about girldom and its discontents. Every iteration is different — the Archie comic book, the groovy Seventies cartoon, the post-Sassy Melissa Joan Hart 1990s sitcom, the macabre new Netflix thriller. Like A Star Is Born, it’s a story gets told over and over, because each generation’s Sabrina has a new tale to tell. But there’s always the premise there’s something inherently occult about being a teenage girl in a hostile world — that growing up female means living a secret life the straight world will never know.Michelle Gomez, Kiernan Shipka, Ross Lynch, Jaz Sinclair, and Lachlan Watson in Chilling Adventures of Sabrina (2018)And the superb Chilling Adventures is the first version that’s an outright horror story. Showrunner Roberto Aguirre-Sacasa takes the Archie Comics milieu and gives it a dark and edgy makeover, as he did on the CW’s fabulously lurid Riverdale. Mad Men‘s Kiernan Shipka is a truly fearsome teen, trapped in the interzone between high school and the netherworld. This time, instead of tangling with Britney or N’Sync, she’s taking on her devil-worshipping coven and its misogynistic satanic patriarch. “This is totally the Sabrina for 2018, in so many ways,” Shipka told Variety. “She’s a woke witch.”Kiernan Shipka in Chilling Adventures of Sabrina (2018)Sabrina started out as just another bit player in the Archie Comics universe. She made a brief Archie’s Madhouse appearance in in 1962, when it hard to say if America was more terrified of “teenage” or “witch.” But tellingly, she never came into her own as a Sixties character, and didn’t get her own comic book until 1971, after the show became a hit — it was TV, not the comics, where Sabrina blew up into an icon. Her story really starts with the 1970 Saturday-morning cartoon, from the era of Scooby Doo or Josie and the Pussycats. She’s just another fun-loving student at Riverdale High who keeps her witchcraft a secret, hanging with Archie, Betty, Veronica, Jughead and the gang. The occult was huge on kiddie TV at the time, from the Groovie Goolies to The Funky Phantom, but there was something about Sabrina that set her off as a star. She lives in a haunted mansion with her old-school witch aunts, bubbling cauldrons and all, though she uses her ear-tugging magic to battle the forces of evil or just flip the record on the turntable. As the theme song explains, “Her magic power can get her out of trouble!”Miranda Otto, Richard Coyle, Lucy Davis, Kiernan Shipka, Tati Gabrielle, Abigail F. Cowen, and Adeline Rudolph in Chilling Adventures of Sabrina (2018)The next Sabrina debuted in September 1996 — one of the decade’s funniest and realest teen shows. Melissa Joan Hart, already familiar from Clarissa Explains It All For You, lived her so-called life with a couple of Lilith Fair-era feminist aunties and the gayest cat in TV history, a glorious feline bitch queen named Salem. It was full of the uncoy feminism that saturated Nineties girl culture, with guests from Da Brat to Blondie to Britney Spears. Melissa and Britney teamed up for the epochal 1999 “You Drive Me Crazy” video — clearly a friendship too perfect for this world.Kiernan Shipka in Chilling Adventures of Sabrina (2018)Of all the Nineties’ teen superheroines from Buffy the Vampire Slayer to The Powerpuff Girls, the sitcom’s Sabrina had the most authentic ordinariness. It wasn’t a dark show — it was full of Nineties optimism that these young women were about to take over the world and get their due. (Broomsticks are so last century.) Like the time that Sabrina sneaks off with her friends to a Violent Femmes show — “classic Eighties rockers!” Gordon Gano serenades the girls with “Please Please Please Do Not Go,” after she dazzles him by casting a “half-hour infatuation spell.” The aunts are proud of how Sabrina behaves herself, so they let her take her first solo flight. The perfect song blasts on the soundtrack: Liz Phair’s “Supernova.” Sabrina’s face is pure joy as she surfs the astral plain on her vacuum cleaner, bopping to Liz’s guitar. In a way, this episode sums up all the best hopes and dreams of American pop culture in the Nineties, just as The X-Files‘ “Memories of a Cigarette Smoking Man” summed up what we feared about ourselves. Patriarchy was a nightmare Sabrina was waking up from, along with the rest of Gen X. We believed teen witches were our future.chilling-adventures-of-sabrina-season-1-spoiler-free-review-sabrina-harveyThe Chilling Adventures of Sabrina is a darker show, for darker times — the optimism of the 1970s or 1990s versions would look absurd now. This is Resistance Sabrina. For the first time, our heroine has male authority figures running amok in the witch culture she’s inherited. Shilpa’s supernatural adolescent has to battle jock bullies at her human high school, but she also has to battle the Dark Lord, who wants her to sign herself over to him in the Book of the Beast. She belongs to a coven called the Church of Night, who are heavily into devil worship with human sacrifices and flesh-eating. She also attends the Academy of Unseen Arts, where she’s menaced by high priest Father Blackwood (Richard Coyle) and a trio of mean girls inevitably known as the Weird Sisters (the excellent Tati Gabrielle, Adeline Rudolph and Abigail Cowen). And just as the 1990s version had Paul Feig as her high school teacher, now her principal is Bronson Pinchot, from that show’s TGIF predecessor Perfect Strangers.Screen-Shot-2018-10-03-at-10.43.00-AM-1000x570Shipka has the gravitas to make this Sabrina the toughest yet, a violent femme who comes on like Joan of Arc crashing into a mastermix of Harry Potter and The Craft. Shipka broke out of Mad Men as Sally, Don Draper’s reckless daughter. She became one of that show’s biggest revelations, the rarer-than-rare case of a child performer who grew up into a real actress, capable of pushing the drama further. (When the series began, there’s no possible way anyone could have guessed how lucky they got casting Shipka — her chops made the historic heights of Seasons Four and Five possible.) And just like Sally Draper, her Sabrina is growing up well-versed in the evil that men do. In Chilling Adventures, she’s visibly realizing she’s going to fighting this battle long after high school is over — a young woman already steeling herself to be the bad-ass senior-citizen witch she knows she’ll have to be. This Netflix I-love-you-but-I’ve-chosen-darkness YA scream is more than just a great high-school horror trip. It proudly carries on 50 years of teenage witch tradition.