REVIEW: A NIGHTMARE ON ELM STREET (2010)

 CAST

Jackie Earle Haley (Watchmen)
Kyle Gallner (Smallville)
Rooney Mara (The Social Network)
Katie Cassidy (Arrow)
Thomas Dekker (Terminator: TSCC)
Kellan Lutz (The Legend of Hercules)
Clancy Brown (Highlander)
Connie britton (Nashville)
Judith Hoag (Armageddon)

I grew up as a kid watching all the Freddy movies. As the series went along, Freddy became less scary. He wasn’t scary like he was in the first two movies. He went from being a very scary, very mean guy to just being a scary clown, with more emphasis on the clown aspect. Then he was scary again in New Nightmare. And then he was somewhere in between in Freddy vs. Jason. Either way, Englund was in top form in every single incarnation. So of course, the first thing on everyone’s mind is how in the hell will Jackie Earle Haley top what Englund has created.  After watching this, and liking Jackie, I came to the conclusion that nobody, no matter how good of an actor, will ever top Robert Englund.  In a sense, the role of Freddy is like the Joker; it goes from simply trying to top an actor to just giving up and realizing that the original actor can’t be topped, in which case, you simply have to make it different and make it your own. Which is probably what Haley did. It’s like if someone were to try and top Ledger’s Joker: It wouldn’t be possible, so they just do the next best thing: Make the character their own and give their own awesome take on it; it might not live up to the original, but it can still be a good performance. Simply put, Robert Englund is Freddy, and the only thing another actor can do is simply give a different interpretation and make it a good alternative.

I really liked Haley’s take on Freddy Krueger, and in all, I really liked this take on Elm Street in general. In comparison to the other movies, this one seems to have more weight, it seems much meatier. It makes you think about things a lot more than the old movies did. They do this by giving Freddy a human side, a back story. Nothing about the character is really changed, he’s just explored more than he was in other movies.

This remake was really interesting to me because they made Freddy a really ambiguous character. Throughout the movie, you’re left wondering whether or not he’s actually guilty of harming the children. During the first half, it seems very likely that he was wrongly accused, and during that same half, you’re left thinking that all of his killing might just be because he’s legitimately angry and getting revenge on the kids that got him killed. Even though he’s an awful person already, you’re still left thinking that maybe he was a good guy. He certainly seemed like a really good guy in the flashbacks. This ambiguity added an extra dynamic to the movie that the original didn’t have.Now when you finally realize that Freddy was really bad man, that he really is sick enough to hurt children and then wanna kill them because they simply told the truth about him, it makes the movie, and Freddy himself, much more interesting and a little creepier. When you’re watching the flashbacks, you’re left thinking that he might’ve been a good guy, but when you realize that he never was, you’re forced to realize that this seemingly good hearted guy was a very mean, very awful and evil psychopath underneath it all. When you realize that he’s relishing and enjoying killing all these kids (now grownup) just because they told on him, it makes him a lot creepier and just completely different in comparison to the old movies.

All the actors were really good. Kyle Gallner is pretty cool and he’s pretty awesome in most of the movies he’s in. Thomas Dekker was pretty good, I liked Rooney Mara as Nancy and Clancy Brown is always awesome in anything he’s in Overall, I really liked the movie. It could have easily turned out terrible. It’s much better than the nightmare sequels, and it’s a new take on Freddy, and I really liked it. It doesn’t tarnish the original, it doesn’t try to imply that the original was crap, it’s just a new take.

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REVIEW: AMERICAN SNIPER

CAST

Bradley Cooper (Joy)
Sienna Miller (Foxcatcher)
Luke Grimes (All The Boys Love Mandy Lane)
Jake McDorman (Limitless TV)
Cory Hardrict (Crazy/Beautiful)
Navid Negahban (Charlie Wilson’s War)
Keir O’Donnell (Wedding Crashers)
Kyle Gallner (Veronica Mars)
Sam Jaeger (Hart’s War)
Sammy Sheik (Nikita)
Mido Hamada (Homeland)
Eric Close (Dark Skies)
Brian Hallisay (The Client List)
Leonard Roberts (Buffy)
Marnette Patterson (Starship Troopers 3)
Max Charles (The Neighbors)

Growing up in Texas, Chris Kyle is taught by his father how to shoot a rifle and hunt deer. Years later, Kyle has become a ranch hand and rodeo cowboy, and returns home early, to find his girlfriend in bed with another man. After telling her to leave, he is mulling it over with his brother when he sees news coverage of the 1998 U.S. embassy bombings and decides to enlist in the Navy. He qualifies for special training and becomes a U.S. Navy SEALs sniper.Kyle meets Taya Studebaker at a bar, and the two soon marry. He is sent to Iraq after the September 11 attacks. His first kills are a woman and boy who attacked U.S. Marines with a Russian made RKG-3 anti-tank grenade. Kyle is visibly upset by the experience but later earns the nickname “Legend” for his many kills. Assigned to hunt for the al-Qaeda leader, Abu Musab al-Zarqawi, Kyle interrogates a family whose father offers to lead the SEALs to “The Butcher”, al-Zarqawi’s second-in-command. The plan goes awry when The Butcher captures the father and his son, killing them while Kyle is pinned down by a sniper using a Romanian PSL sniper rifle. This sniper goes by the name Mustafa and is an Olympic Games medalist from Syria. Meanwhile, the insurgents issue a bounty on Kyle.Kyle returns home to his wife and the birth of his son. He is distracted by memories of his war experiences and by Taya’s concern for them as a couple – she wishes he would focus on his home and family.Kyle leaves for a second tour and is promoted to Chief Petty Officer. Involved in a shootout with The Butcher, he helps in killing him. When he returns home to a newborn daughter, Kyle becomes increasingly distant from his family. On Kyle’s third tour, Mustafa seriously injures a unit member, Ryan “Biggles” Job, and the unit is evacuated back to base. When they decide to return to the field and continue the mission, another SEAL, Marc Lee, is killed by gunfire.Guilt compels Kyle to undertake a fourth tour, and Taya tells him that she may not be there when he returns. Back in Iraq, Kyle is assigned to kill Mustafa, who has been sniping U.S. Army combat engineers building a barricade. Kyle’s sniper team is placed on a rooftop inside enemy territory. Kyle spots Mustafa and takes him out with a risky long distance shot at 2,100 yards (1,920 m), but this exposes his team’s position to numerous armed insurgents. In the midst of the firefight, and low on ammunition, Kyle tearfully calls Taya and tells her he is ready to come home. A sandstorm provides cover for a chaotic escape in which Kyle is injured and almost left behind.After Kyle gets back, on edge and unable to adjust fully to civilian life, he is asked by a Veterans Affairs psychiatrist if he is haunted by all the things he did in war. When he replies that it is “all the guys he couldn’t save” that haunt him, the psychiatrist encourages him to help severely wounded veterans in the VA hospital. After that Kyle gradually begins to adjust to home life. Years later, on February 2, 2013, Kyle says goodbye to his wife and family as he leaves in good spirits to spend time with a veteran at a shooting range. An on-screen subtitle reveals: “Chris Kyle was killed that day by a veteran he was trying to help”, followed by archive footage of crowds standing along the highway for his funeral procession. More are shown attending his memorial service.This film, contrary to some reviews, does not glorify war nor killing. It doesn’t hide the horrors of war, and certainly doesn’t romanticize it, nor the toll it takes on the man and his life, his relationship with the civil world. It is brutal and ugly, because that’s what war is. Something one forgets about, the reality of it, the real men who fight for everyone’s safety and liberty. Bradley Cooper is remarkable in his portray of Chris Kyle, especially the way he holds his jaws, mouth and lips.

REVIEW: THE HAUNTING IN CONNECTICUT

CAST

Virginia Madsen (Sideways)
Martin Donovan (Ant-Man)
Elias Koteas (Crash)
Kyle Gallner (Smallville)
Amanda Crew (Sex Drive)
Spohpi Knight (Rookie Blue)

In 1987, Sara Campbell (Virginia Madsen) is driving her son Matthew (Kyle Gallner) home from the hospital where he has been undergoing cancer treatments. Sara and her husband Peter (Martin Donovan), a recovering alcoholic, discuss finding a rental house closer to the hospital. On another hospital visit, Sara finds a man putting up a “For Rent” sign in front of a large house. The man is frustrated and offers her the first month free if she will rent it immediately. The following day, Peter arrives with Matt’s brother Billy (Ty Wood) and cousins Wendy (Amanda Crew) and Mary, and they choose rooms. Matt chooses the basement, where there is a mysterious door. After moving in, Matt suffers a series of visions involving an old, bearded man and corpses with symbols carved into their skin. The next day, Peter learns that the house was supposedly a funeral home; the room behind the mysterious door is a mortuary.Matt tells another patient, Reverend Nicholas Popescu (Elias Koteas), about the visions. Nicholas advises him to find out what the spirit wants. Later, Matt finds a burned figure in his room who begins to move toward him. When the family comes home, they find a shirtless Matt with his fingers blood-covered from scratching at the wall.The family begins to crack under the stress of Matt’s illness and bizarre behavior. The children find a box of photographs, which show Jonah, a young man from Matt’s visions, at a séance, emitting ectoplasm. Wendy and Matt find out that the funeral home was run by a man named Ramsey Aickman. Aickman also conducted psychic research and would host séances with Jonah as the medium. At one séance, all those attending, including Aickman, were found dead and Jonah disappeared.Nicholas theorizes that Aickman was practicing necromancy in an attempt to control the dead and bind them to the house. That night, Nicholas finds human remains in the house and removes them. Matt awakens to find Aickman’s symbols carved into his flesh. He is taken to the hospital, where he encounters Jonah. Nicholas and Matt begin to have simultaneous visions. Everyone in the séance is burnt, after a flash of bright light. The barely alive Aickman told Jonah to get out of the house, concerned that the demonic presence will get him next. Jonah uses a dumbwaiter to escape, calling for help. Entering an unknown chamber, Jonah realizes that he has entered the crematory. The spirit traps Jonah in the crematory, and cremates him alive.Peter and Sara learn that Matt’s cancer treatments have had no effect. They then discover that Matt has escaped the hospital. Back at the house, Nicholas leaves a message telling the family to get out of the house immediately – Jonah’s spirit was actually protecting them from the spirits. Matt breaks through the walls in the front room with an axe, revealing the dusty corpses Aickman hid in the walls. He forces Wendy and the children to get out, barricading himself inside and tearing down the other walls, as corpses begin to tumble into the room. The view switches from Matt to Jonah, who seems to be occupying Matt’s body. Matt lights the bodies and the room on fire.As the fire department arrives, Sara and Peter frantically try to get in to save Matt. The spirits, finally freed, disappear. Outside, everyone watches tearfully as the emergency crew attempts to resuscitate a dying Matt. As Matt slips away, he has a vision of himself standing in the graveyard where he sees Jonah, no longer appearing burnt. He seems about to follow Jonah when he hears his mother’s voice.He returns to his body and Jonah’s spirit leaves him. Matt’s cancer disappears, and the house was rebuilt and resold with no further reported incidents of haunting.While there are some questions that may not be answered, the story itself was more than satisfying. Special effects were kept to a minimum but used effectively and when needed. Acting was not Oscar worthy but good enough to make it all seem real. Fun when you want it and scary when you need it.

 

REVIEW: BEAUTIFUL CREATURES

 

 

CAST

Alden Ehrenreich (Hail, Caesar!)
Alice Englert (New Worlds)
Jeremy Irons (Batman V Superman)
Emmy Rossum (Mystic River)
Thomas Mann (Fun Size)
Emma Thompson (Love Actually)
Margo Martindale (Mike & Molly)
Eileen Atkins (Vanity Fair)
Zoey Deutch (Vampire Academy)
Tiffany Boone (The Following)
Kyle Gallner (Veronica Mars)
Rachel Brosnahan (The Unborn)
Pruitt Taylor Vince (Heroes Reborn)

In Gatlin, South Carolina, Ethan Wate awakens from a recurring dream of a girl he does not know. In voice-over narration, he describes his enjoyment of reading banned books, his despair of his small-town existence, and his dreams of leaving for college. Arriving for his first day of junior year, Ethan notices newcomer Lena Duchannes, who resembles the girl he has been dreaming about. The other students do not take kindly to her and spread gossip regarding Lena’s reclusive uncle, Macon Ravenwood, and suggest that her family includes devil worshippers. Overhearing these whispers, Lena tenses, and the classroom windows shatter, amplifying the fears and suspicions of the class and the townspeople at large that she is a witch.

On a drive home, Ethan nearly runs over Lena, whose car has broken down. He gives her a ride home, and the two bond over their shared love of poetry and having both lost their mothers. Ethan drops Lena off but later finds a locket and returns to the mansion to give it to her as a present. Touching the locket triggers a shared flashback to the American Civil War, after which Ethan awakens at his home. Macon disapproves of their love and fondness of each other, and conspires with Ethan’s family friend, Amma, to keep the two separated. However, Ethan continues to pursue Lena until she confesses that she and her family are “casters” capable of performing magical spells that change the weather or create illusions. On her sixteenth birthday, Lena’s true nature will steer her towards either the light or the dark; Lena fears the latter, as it entails being consumed by evil and hurting those she loves. Ethan and her family insists she is responsible for her own choices and reassures her that she is a good person.

Matters are complicated by the arrival of two immensely powerful dark casters who aim to push Lena to the dark: Ridley, Lena’s provocative cousin/childhood friend, and Sarafine, Lena’s mother, who has possessed Mrs. Lincoln, the mother of Ethan’s friend Link. Sarafine foresees that Lena will become an even more powerful caster and intends for Lena to use her newfound power to purge the Earth of humans, leaving casters to rule in their wake. Lena and Ethan use the locket to re-experience the whole flashback, which reveals their ancestors, caster Genevieve Duchannes and mortal Confederate soldier Ethan Carter Wate were in love. Ethan Carter was shot in battle, and Genevieve revived him using a forbidden spell that caused her to go dark and curse all the Duchannes family’s women. They consult with Amma, who is in a seer/keeper of a caster library beneath the town library. The most ancient of these books, the Book of Moons, reveals the secret to undoing the curse: someone Lena loves has to die. Unwilling to take Ethan’s life, Lena has a final moment together with Ethan in which Lena makes it snow and then erases all his memories of their time together.

Ridley seduces Link and gives him a bullet to use in an upcoming Civil War reenactment of the Battle of Honey Hill which will take place on Lena’s birthday. During the reenactment, Link and Ethan agree to “kill” each other so they can ditch the reenactment. While at the ceremony for her 16th birthday, Lena feels the shock of the curse being broken and runs off to Ethan, clutching his dying body as Ridley and Sarafine encourage her to surrender to grief and accept the dark. Lena lashes out in anger, sending lightning strikes through the crowd of reenactors until Ethan transforms into Macon, who had previously disguised himself as Ethan to become the needed sacrifice. His dying words encourage Lena to “claim yourself”; she then causes the moon to disappear, so it cannot claim her for the dark. Lena allows Ridley to flee and pulls Sarafine from Mrs. Lincoln’s body, using her power to seal Sarafine’s spirit away.

Six months later, a still-amnesiac Ethan stops by the library to visit Amma before leaving for an NYU college tour with Link. He apologizes to Lena for not having gotten to know her during their time in Gatlin. When he inquires if a “banned book” by Charles Bukowski (which she had shared with him when they first met) is any good and Lena asks him to define good (the same reply she gave the first time he asked), Lena then presents it to him as a “getting out of Gatlin present”. As Link drives away, Ethan reads a passage in the book that he had earlier associated with Lena, while Lena is revealed in the caster library to be a half light/dark caster, as one of her eyes turns a different color, just like those of her cousin. As they drive past the town line, Ethan glimpses the town’s burned welcome sign and remembers everything. The car skids to a halt, Ethan gets out of the car and yells Lena’s name. She hears him call, and is freed of her dark side before the screen fades to black.

I enjoyed this film it was entertaining enough, though I understand many fans are unhappy with the adaptation.Good supporting cast ,the acting was good as well, and Alden Ehrenreich and Alice Englert had nice chemistry as Ethan and Lena. Of course, Jeremy Irons, Emma Thompson, and Viola Davis gave great performances together. A nice little story about supernatural powers, good vs evil, love and the power of love. For those looking for a good fantasy movie with love, action, and funny moments, this is the film for you. It was good from the beginning to end.

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: WET HOT AMERICAN SUMMER

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CAST
Paul Rudd (Ant-Man)
Janeane Garafalo (Mystery Men)
David Hyde Pierce (Hellboy)
Michawl Showalter (The Ten)
Marguerite Moreau (Easy)
Michael Ian Black (This is 40)
Zak Orth (Music and Lyrics)
Bradley Cooper (Serena)
A.D. Miles (Role Models)
Christopher Meloni (Man of Steel)
Molly Shannon (Never Been Kissed)
Ken Marino (Veronica Mars)
Joe Lo Truglio (Superbad)
Amy Poehler (Mean Girls)
Marisa Ryan (Cold Hearts)
Elizabeth Banks (The Hunger Games)
Kevin Sussman (The Big bang Theory)
H. Jon Benjamin (Not Another Teen Movie)
Kyle Gallner (Smallville)
Samm Levine (Not Another Teen Movie)
Kerri Kenney (Anger Management)
In 1981, Camp Firewood, a summer camp located near Waterville, Maine, is preparing for its last day of camp. Counselors have one last chance to have a romantic encounter with another person at Camp Firewood. The summer culminates in a talent show.
Beth (Janeane Garofalo), the camp director, struggles to keep her counselors in order—and her campers alive—while falling in love with Henry (David Hyde Pierce), an astrophysics associate professor at Colby College. Henry has to devise a plan to save the camp from a piece of NASA’s Skylab, which is falling to Earth.
Coop (Michael Showalter) has a crush on Katie (Marguerite Moreau), his fellow counselor, but has to pry her away from her rebellious, obnoxious, and obviously unfaithful boyfriend, Andy (Paul Rudd). Only Gene (Christopher Meloni), the shell-shocked Vietnam war veteran and camp chef, can help Coop win Katie—with some help from a talking can of vegetables (voiced by H. Jon Benjamin). All the while, Gary (A.D. Miles), Gene’s unfortunately chosen apprentice, and J.J. (Zak Orth) attempt to figure out why McKinley (Michael Ian Black) hasn’t been with a woman, the reason being that McKinley is in love with Ben (Bradley Cooper), whom he marries in a ceremony by the lake; Victor (Ken Marino) attempts to lose his virginity with the resident loose-girl Abby (Marisa Ryan); and Susie (Amy Poehler) and Ben attempt to produce and choreograph the greatest talent show Camp Firewood has ever seen.
This has to be one of the funniest movies I have ever seen. David Hyde Pierce is great in this comedic role – and the deleted scenes are twice as funny as the film.

REVIEW: JENNIFER’S BODY

CAST

Megan Fox (New Girl)
Amanda Seyfried (Ted 2)
Johnny Simmons (The Spirit)
Adam Brody (Scream 4)
Christ Pratt (Jurassic World)
Kyle Gallner (Verronica Mars)
J.K Simmons (Terminator Genisys)
Cynthia Stevenson (Dead Like Me)
Lance Henriksen (Legends of Tomorrow)

Anita “Needy” Lesnicki, once an insecure and bookish teenager living near Devil’s Kettle, Minnesota, is now a violent mental inmate who narrates the story as a flashback while in solitary confinement. She has been friends with a selfish and popular cheerleader, Jennifer Check, since childhood, despite having little in common. One night, Jennifer takes Needy to a local dive bar to attend a concert by indie rock band Low Shoulder. A suspicious fire engulfs the bar, killing several people, and Jennifer, who is in shock, agrees to leave with the band despite Needy’s protests. Later that evening, Jennifer, covered in blood, appears in Needy’s kitchen and proceeds to eat food from the refrigerator. Unable to digest the matter, she vomits a trail of black, spiny fluid and then leaves in a hurry as Needy calls after her.

The next morning at school, Jennifer appears fine and shrugs off Needy’s concerns. While the whole town is devastated by the deaths caused by the fire, Jennifer seduces the school’s football captain in the woods and then kills him; his disemboweled corpse is later found. Meanwhile, the members of Low Shoulder gain popularity due to their rumored heroism during the fire and offer to make a charity appearance at the school’s spring formal.
A month later, Jennifer is beginning to look pale, and accepts a date with school goth/emo Colin, whom she brutally kills that night. While Needy and her boyfriend, Chip, have sex, Needy senses something dreadful has happened. She leaves in a panic and almost runs over Jennifer, drenched in blood. She rushes home and finds Jennifer in her bedroom. Jennifer kisses her, initiating a brief makeout session, and soon explains what happened after the fire: Low Shoulder took her into the woods and offered her as a virgin sacrifice to Satan in exchange for fame and fortune. Although the sacrifice and greedy exchange were a success, Jennifer was in fact not a virgin, and when the lead singer Nikolai murdered her, the ritual backfired and a demonic spirit took over her body. Unbeknownst to Needy, Jennifer also encountered the Indian exchange student Ahmet after the fire and, upon hearing that no one knew he had survived, took him into the woods and ate him, rendering him her first victim. Jennifer states that she can withstand virtually any injury without pain and is rather difficult to kill.
The next day at school, as the town is stunned by Colin’s death, Needy goes to the school library’s occult section and surmises that Jennifer is a succubus; she is weakest when she is hungry, and must feed on flesh in order to sustain her life and appearance. Needy tells Chip about her discoveries and warns him not to attend the school dance. He does not believe her and she subsequently breaks up with him in order to protect him. Chip goes to the dance, hoping to meet with Needy, but is instead intercepted by Jennifer, who seduces him and takes him to an abandoned pool house. Needy arrives there and finds Jennifer feeding on Chip. Needy tries to drown Jennifer but Jennifer, hovering in the air, attacks her. She is then stabbed by Chip with a pool skimmer. Jennifer escapes while Needy watches her boyfriend die.

Needy decides she must kill Jennifer for the common good. She goes to Jennifer’s home and sees Jennifer picking out her next victims in her yearbook. Crashing through the window, Needy engages in a fight with Jennifer wielding a box cutter. Culminating with a stab to the heart, Needy finally destroys the demon and kills her. Jennifer’s mother enters and finds Needy with the box cutter on top of her daughter’s body. Soon after, Needy is brought to an asylum. Since she was bitten non-fatally by Jennifer, she has obtained some of Jennifer’s supernatural powers, such as the ability to hover in the air. Set upon revenge for what was done to Jennifer and her, she escapes the mental facility and hitchhikes a ride to the hotel where Low Shoulder are staying; there, she slaughters the members, whose killings are later discovered by local authorities.

A fun quirky film that is greatly underrated