REVIEW: SMALLVILLE – THIRST

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MAIN CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Allison Mack (The Ant Bully)
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GUEST

Carrie Fisher (Star Wars)
James Marsters (Buffy)
Brooke Nevin (Infestation)

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Chloe is at the Daily Planet headquarters in Metropolis interviewing for a job with the new editor-in-chief, Pauline Kahn. Ms. Kahn is unimpressed with the column Chloe wrote in high school and tells her that Lionel’s arm-twisting is the only reason she ever got the opportunity. She dismisses Chloe, but Chloe tells her that she doesn’t expect special treatment and is willing to work her way up to the top. Pauline Kahn tells her that she will consider hiring her if she produces a good story. Switch to Chloe’s narration as she continues to work on her report on the Tri-Psi sorority. At their sorority house, a pizza boy arrives and the girls invite him into the hot tub. During the make-out session, the girls suddenly start biting him, he begins to scream and the water turns blood red.
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Clark goes to visit Lana at her theater and then steps into her apartment to find her packing. She tells him that she’s applied for late acceptance to Met U, but there is no longer any housing available, so she is considering a sorority. Clark is disappointed and suggests her go to CKU with him, but she assures him that nothing will change between them. Clark is in Professor Milton Fine’s history course. After the lecture, Professor Fine is approached by Lex Luthor. Lex accuses him of researching certain LuthorCorp projects that have yet to gain public knowledge. He asks him if Clark Kent is providing the information, but Fine denies Clark’s involvement. Lex reminds Fine that he has great influence in the CKU review board.
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The Tri-Psi sorority head, Buffy Sanders introduces her group as the prettiest and most exclusive sorority. Lana is one of the pledges and is surprised to find out that she is the only one that has been picked to join. They tell her that there is one more initiation ritual, and it is revealed that the entire sorority are vampires. They bite Lana and she becomes part of the sisterhood. Fine goes to the Mansion and tells Lex that he doesn’t have to investigate his past, because he will provide him with anything he wants to know. He gives Lex a file on himself and tells Lex that he knows he is using funding from the University to conduct LuthorCorp experiments. Lex seems to back off, but when Fine leaves, Lex sends a guard to follow him.
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Chloe’s roommate Karen is dismantling her mini version of the Wall of Weird when she arrives home. She is angry about the wall, and even angrier that Lana Lang is asleep in Chloe’s bed. Karen storms away and Chloe tries to revive Lana. She is groggy and lethargic, and Chloe thinks she is hungover from the pledge party. Clark arrives and Chloe leaves her in his care. He asks if she’s feeling ok and she says she’s fine and starts making out with him. Clark is surprised and confused by her aggressive advances and she gets annoyed by his reluctance and leaves. The guard finds Professor Fine at Warehouse 15. When he approaches and says he shouldn’t be touching what isn’t his, but Fine claims otherwise. He extends a metal projectile from his hand, kills the guard, and goes back to examining the Black Ship.
Image result for smallville thirst.Chloe’s investigation continues and she reports that Lana and her new friends have fun throwing each other off the house’s balcony and getting drunk. Clark is worried about Lana’s strange behavior and Chloe tells him that she’s been investigating the sorority and has uncovered some strange details. None of the sisters ever leave the sorority, and it is the most exclusive one on campus. She makes a plan to infiltrate their Halloween party and brings Clark along. They split up to locate Lana. Clark ducks into a bedroom where Buffy catches him rummaging. She orders him to leave, but she is distracted by someone at her door. When she turns back to Clark, he is gone. Chloe finds Lana dancing and making out with other boys and pulls her to the side. She asks her about how she’s been acting and Lana bites her. Chloe calls Clark for help and he uses his super-hearing to find her. He arrives to catch Chloe just as she passes out, astonished to see Lana standing over her with a mouth full of bloody, pointed teeth. Clark takes Chloe to the hospital where the doctor reports that she has a rare strain of the rabies virus which is preventing her red blood cells from regenerating. They can treat her but they don’t know the cure. Professor Fine arrives at the hospital, claiming to be visiting a sick colleague. He asks about Chloe’s condition and Clark admits that he thinks she was attacked by a vampire. Fine looks at Chloe’s chart and tells him to ask Lex about Project 1138.
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Back at the Tri-Psi sorority, the other girls are mad at Lana for leaving a victim alive. They tell her that Clark was snooping around and she has to clean up her mess by bringing him back so they can finish him off, or Lana will be the one they feed off instead. Clark goes to the Luthor Mansion and demands that Lex tell him about the Project. Lex leads Clark into the library carrying a metal briefcase. He explains that six years ago, Buffy Sanders was trapped outside Smallville in a cave but was rescued by LuthorCorp. The cave was found to contain meteor rock-infected stalactites that had mutated the vampire bats living there. A LuthorCorp worker was also bitten and developed vampire-like symptoms like strength, fangs, and light sensitivity, but they were able to cure him. He opens the case to reveal vials of the serum, kept active by a large fragment of meteor rock. Clark starts to feel ill and backs away just as an overhead window breaks. Lana appears and jumps to the floor. She knocks Lex out and attacks Clark. Clark is weakened by the kryptonite and Lana bites him. After sucking his blood, she is able to shoot heat from her eyes. Clark is able to grab one of the syringes with the antidote in it before Lana takes him back to the sorority house.
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The girls lay him on the hearth of the fireplace and prepare to feed on him. Lana doesn’t want to kill him and suggests they just turn him into a vampire as well. The girls explain there is no room for him in a sorority. Buffy doesn’t care what Lana wants and when Lana stands in her way, she knocks her to the floor. Buffy then tries to kill Lana, but she uses her heat vision to vaporize Buffy and the other vampires run away in fear. Lana prepares to turn Clark into a vampire but he is able to stab her heart with the antidote and restore her to normal. Clark and Lana are walking along campus when he tentatively asks how much she remembered. She admits that it’s all a little fuzzy, but she remembers biting him and says she felt his love for her and his strength. She says she misses being with him. Clark goes to the Luthor Mansion to thank Lex for saving the girls’ lives. Lex gets Clark to admit that Professor Fine is the one who told him about Project 1138 and tells him that Fine is obtaining highly classified documents. He warns Clark to stay away from Fine.
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Chloe’s report concludes with the knowledge that all the girls were cured, including herself. Her roommate transferred, so Lana was able to move in with her. She gives the article to Pauline Kahn, but Kahn claims that they don’t print tabloid stories. Chloe counters with the research she did for the article including interviews, CDC reports, and eyewitness accounts. Kahn changes her mind, says that Chloe has potential, and agrees to hire her. Chloe is thrilled to start her dream career in the basement of the Daily Planet.Image result for smallville thirst

A strange episode for Smallville, it is probably the weakest episode out of all 10 seasons, but it is still intriguing. Carrie Fisher is the highlight of the episode , thou many believe she should of got a bigger part. James Marsters shines as he all does in the part of Brainiac. Kristin Kreuk sexing it up as vampire was fun to see. all in all an okay episode and worth watching over Halloween.

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REVIEW: SMALLVILLE – SPELL

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MAIN CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Jensen Ackles (Supernatural)
Allison Mack (The Ant Bully)
Annette O’ Toole (Superman 3)
John Schneider (Nip/Tuck)
Erica Durance (The Butterfly Effect 2)

Image result for SMALLVILLE SPELLIn France in 1604, three women, Countess Margaret Isobel Thoreaux, Madelyn Hibbins, and Brianna Withridge, are about to be burned at the stake, after having been convicted of practicing witchcraft. The leader, Isobel, is approached by Magistrate Wilkins, and she asks him if he has come to enjoy his handiwork. He then strikes her across the face and tells her she may yet escape the pyre’s flames if she tells him of the three stones of power. When she asks for her spellbook, she spits blood onto the marked page, directly onto an illustration that is identical to the tattoo on Lana Lang’s back. She casts a Latin spell and a tattoo identical to Lana’s appears on her back. As the three witches are burned, Isobel curses the crowd and vows to rise again, stating that the stones and vengeance will be hers.
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In Smallville, Lana and Jason are sitting by the fire in her Talon apartment. She shows him a spellbook belonging to the Countess Thoreaux, saying she maxed out her credit card to buy it on eBay. When Lana touches the page stained with Isobel’s blood, the fire roars up and her eyes shine violet as Isobel possesses her body. When Jason asks if Lana is all right, she says she’s never been better. Lois pulls up outside the Kent barn carrying boxes of party decorations. She informs Clark that the barn is the new venue for Chloe’s upcoming surprise birthday party the next day. Clark objects, saying his parents are out of town and he has a representative from Princeton University coming to visit. Lois doesn’t care and begins to unload the party goods.
Image result for SMALLVILLE SPELLLois and Chloe show up at Lana’s apartment, where they find her doing a strange chemistry experiment, making some sort of potion. Lois notices Lana’s behavior and reminds her that it’s her job to keep Chloe busy until the party. Lana/Isobel, preoccupied with her ingredient list, waves Lois off. The next ingredient on the list is “hair of two virgins.” She takes a hair out of her own head, then one from Lois. Lois’ turns out to be unacceptable, so when they leave, Lana heads out to find another virginal hair. She walks into the Kent home to find Clark wrapping a large present. She offers to help him with it, then proceeds to try and kiss Clark. Confused, he backs away. Lana sidles up to him and, using the gift-wrapping shears, tries to cut a lock of his hair off. The scissors break and Clark asks what she’s doing. She sputters that she needs a lock of his hair for a scrapbook she’s making. Annoyed, Clark gives her some of his hair and she promptly leaves to get the next ingredient on her list.
Image result for SMALLVILLE SPELLAt the Luthor mansion, Lana/Isobel observes Lex practicing his piano-playing. She asks Lex if he has any vintage wine, “for the party”. Lex produces a bottle, but then Isobel notices the manuscript displayed in Lex’s study. Angry, she casts a spell that makes it disappear, then freezes Lex in place. Explaining that the map wasn’t meant for Lex, she releases him and casts a spell, bewitching Lex to play the piano forever. Chloe and Lois find Lana/Isobel in the woods assembling her potion. Isobel convinces them to drink a toast. When they do, they are possessed by Isobel’s fellow witches, Madelyn (Chloe) and Brianna (Lois). She explains that they will continue their quest to find the Stones of Power, but Madelyn and Brianna point out that this is the quest that got them killed in the first place. They convince Isobel to let them attend Chloe’s party first. At the Kent barn, a worried Clark tries to keep the wild party under control. When the three witches show up, they decide to liven up the party. They cast a spell and all the party goers, including Clark, are suddenly dancing in various states of undress. As scheduled, the Princeton representative comes to interview Clark and Clark makes a “great” first impression.  The day after, Clark awakens in the barn to the aftermath of the wild party. He realizes he blew his interview and goes to talk to Lex for help. He finds Lex, his fingers bloody, still playing the piano.
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He breaks the spell by physically removing him from it. Lex tells him that Lana is the one who cast the spell, so Clark leaves to try and stop the three. He finds Lana/Isobel at her apartment, where he arrives just in time to catch Jason, whom Isobel has thrown out the window after he attempted to burn her spellbook upon realizing that she was now in possession of Lana’s body. Isobel leaves Clark a message to meet him at the barn. He meets the three witches, but at first had no clue that they were in fact witches. Mistaking Clark as being like everyone else despite his speed, Brianna strikes Clark with a large wheel using magical telekinesis; but quickly realized that his invulnerability made it so it had no effect on him. Isobel, surprised, but not frightened, notes that Clark is more than just quick. Using her own magical telekinesis, Madelyn tossed several tools at Clark, but he destroyed them with his heat vision. The witches then become disgruntled; now seeing Clark as a threat to their plans (though they see him as a sorcerer rather than an alien). Isobel tries to kill Clark with a death-based spell, but only succeeding in seriously wounding and stunning him. To ensure that he stays out of their way, the witches remove Clark’s shirt and drain his abilities.
Image result for SMALLVILLE SPELLThe three chain Clark to a post in the barn and try to pry more information of the stones out of him after realizing that he is connected to them and knows where one is hidden. After magically seducing the answer out of him, Isobel and her cohorts leave Clark chained up and depart for the Kawatche Caves. Jason finds and helps Clark escape and he goes after them. In the caves, Isobel tries to obtain the relic, but it glows and burns her hand. Clark shows up and catches the relic before it hits the ground, restoring his powers. Before the witches can take his powers away once again, Clark burns the spellbook with his heat vision and all four teens are knocked unconscious from the explosion. Upon waking, everybody has been restored to normal. Lana, Chloe, and Lois are confused, but alright.  Clark has to explain the raucous barn party to his parents. He also remarks that magic is real and can truly hurt him. Lex goes to see Lana at her apartment at the Talon and explains to Lana that he was the one to get Jason fired, not Clark, saying he had only her best interest in mind. Lana comes to apologize to Clark as he is cleaning up the barn. She tells him the whole story of the Countess and shows him the tattoo. She asks Clark what it means and he lies that he doesn’t know. In the caves, Lex studies the cave drawing identical to Lana’s tattoo.4x08-Spell-137An intresting episode of Smallville showing the ladies of Smallville in different light, the episode is an important one as it shows that magic can harm the future man of steel.

 

REVIEW: CHUCK – SEASON 3

CAST
Zachary Levi (Heroes Reborn)
Yvonne Strahovski (Batman: Bad Blood)
Adam Baldwin (Firefly)
Joshua Gomez (Invasion)
Sarah Lancaster (Saved By The Bell: The New Class)
Ryan McPartlin (J. Edgar)
Mark Christopher Lawrence (Halloween II)
Scott Krinsky (Transformers 3)
Vik Sahay (eXistenZ)
RECURRING / NOTABLE GUEST STARS
Bonita Friedericy (Veronica Mars)
Brandon Routh (Legends of Tomorrow)
Scott Holroyd (That 70s Show)
Kristin Kreuk (Smallville)
Scott Bakula (Star Trek: Enterprise)
Mekenna Melvin (Lie To Me)
Mark Sheppard (Supernatural)
Mini Andén (The Proposal)
Julia Ling (Undoing)
Tony Hale (Yoga Hosers)
Vinnie Jones (Arrow)
Armand Assante (NCIS)
Andrew Connolly (Heroes)
Angie Harmon (Law & Order)
Josie Davis (Dirty Teacher)
Steve Austin (The Expendables)
Leslie-Anne Duff (The Vampire Diaries)
Henri Lubatti (Angel)
Jim Piddock (The Prestige)
Johnny Messner (Running Scared)
Louis Lombardi (The Usual Suspects)
Diedrich Bader (Bones)
Robert Patrick (Terminator 2)
Clare Carey (Hercules: TLJ)
Roger R. Cross (First Wave)
Fred Willard (Anchorman)
Udo Kier (Blade)
The third season actually picks up a few months after the conclusion of season two. Chuck Bartowski (Zachary Levi) has just returned to Burbank after some training that will help him use the enhanced features he got by downloading the intersect 2.0 into his brain. Now, instead of just flashing on information, he can also flash on skills needed like hand to hand fighting or laser avoiding. However, his emotions make these new upgrades glitchy, so his skills can come and go at the most inopportune times.

Meanwhile, his CIA handler Sarah Walker (Yvonne Strahovski) is back in town to rejoin the team despite the fact that Chuck broke her heart. NSA handler John Casey (Adam Baldwin) is thrilled that with each new mission, Chuck seems to be becoming a better spy. Sarah, on the other hand, is watching the man she fell in love with slip away behind the new spy Chuck.

And on the home front? Chuck’s best friend Morgan (Joshua Gomez) and Chuck become roommates. Chuck’s sister Ellie (Sarah Lancaster) gets a fellowship she wants while Ellie’s husband Devon, aka Captain Awesome, (Ryan McPartlin) tries to figure out a way to get Ellie out of the dangerous world that Chuck inhabits. The gang at the Buy More is still there to provide some comedy. And we finally learn something that Captain Awesome isn’t awesome at.

Underneath all this is a new group out to get the Intersect and steal all the secrets locked away in Chuck’s mind. Can the group bring them down while keeping Chuck’s true identity a secret?

This show finds the right balance between comedy and drama. The show takes itself seriously enough that we care for the characters and are concerned when they are in danger. But the characters are just as likely to get out of danger by some crazy coincidence as they are by some great bit of action. It’s that unpredictability and humor that keep me loving every minute.
This is such an amazing season well worth watching, if you haven’t seen the first two seasons then I strongly recommend watching them first.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: EUROTRIP

CAST
Scott Mechlowicz (Mean Creek)
Jacob Pitts (The Pacific)
Michelle Tractenberg (Black Xmas)
Travis Webster (God Bless America)
Jessica Boehrs (Storm of Love)
Kristin Kreuk (Smallville)
Vinnie Jones (Arrow)
J.P. Manoux (Knocked Up)
Fred Armisen (Cop Out)
Joanna Lumley (The Cat’s Meow)
Lucy Lawless (Ash vs The Evil Dead)
Jeffrey Tambor (Hellboy 2)
Matt Damon (Interstellar)
The film begins in Hudson, Ohio, where Scott “Scotty” Thomas (Scott Mechlowicz) gets dumped by his girlfriend, Fiona (Kristin Kreuk), immediately after his high school graduation in 2004. With his best friend, Cooper Harris (Jacob Pitts), Scott attends a graduation party that evening and listens to a performance of the film’s main theme song “Scotty Doesn’t Know”, that crudely details the affair Fiona was having with the band’s singer, Donny (Matt Damon), while she was with Scott. Drunk and angry, Scott returns home and receives an e-mail reply from his German pen pal, Mieke (Jessica Boehrs), who expresses sympathy towards Scott after Fiona breaks up with him, and suggests they arrange to meet in person. However, the entire time Scott has known her he has mispronounced Mieke as “Mike”, thinking that she is male. After Cooper suggests that “Mike” may be a sexual predator, Scott angrily tells Mieke to stay away from him. Scott’s younger brother, Bert (Nial Iskhakov), informs him that “Mieke” is a common girl’s name among Germans. Realizing his mistake, and that he has feelings for Mieke, Scott tries desperately to contact her again, only to find out that Mieke has blocked his email address. Encouraged by Cooper and with him in tow, Scott decides to travel to Europe, seek out Mieke, and apologize to her face-to-face.
Scott and Cooper first travel as couriers to London, where they end up befriending the members of a Manchester United football hooligan firm, led by Mad Maynard (Vinnie Jones). After a wild night of drinking, Scott and Cooper wake up on a AEC Routemaster double-decker bus on their way to Paris for a Manchester United game. Once in Paris, they meet up with fraternal twins and fellow high school classmates, Jenny and Jamie (Michelle Trachtenberg and Travis Wester), who are also touring Europe together. Jenny and Jamie decide to accompany Scott and Cooper to find Mieke in Berlin and along the way plan to visit other parts of Europe together, since this will be the last summer the four of them will spend as a group before going off to college. The group travel by train to Amsterdam, where Jamie is robbed while engaging in oral sex with a beautiful camera salesgirl. As Jamie had everyone’s money, passports, and train tickets with him, they have no choice but to hitchhike to Berlin. Scott asks a German truck driver to take them to Berlin to find Mieke. Scott’s German is poor and even though the driver mentions Berlin in his reply numerous times, the foursome fail to realize that he is trying to tell them that he is going nowhere near Berlin. The group ultimately end up in Bratislava, where they are horrified by the desolation of Eastern Europe in the aftermath of the Cold War. Having realised that there is a great exchange rate for the U.S. dollar, they decide to have some fun and the group goes to a nightclub. Drunk on absinthe, Jenny and Jamie French-kiss and make out with each other, witnessed by Scotty and Cooper, and are horrified when they realize what they are doing. The next day, an American-obsessed Slovak man named Tibor (Rade Šerbedžija) finally drives them to Berlin. Scott and Cooper soon find out that Mieke has gone with a tour group for the summer and will likely be reachable in Rome for only a short time. In order to afford plane tickets to Rome to search for Mieke, Jamie sells his precious Leica M7 camera.
In Rome, the four friends head to the Vatican City, where Mieke is touring before leaving for her summer at sea. To gain access, they pretend to be a tour group, with Jamie acting as their guide, another group has lost their guide and joins, allowing Scott and Cooper to search for Mieke. Inside the Vatican, Scott and Cooper accidentally signal the death of the pope and the election of a new pope. Scott appears on a balcony in papal vestments, where he is taken to be the new pope and spots Mieke among the crowd below. While Scott is meeting up with Mieke, the Swiss Guards realize what is going on and detain Scott and Cooper in order to punish them for their actions. However, the Manchester United football supporters from London suddenly show up at the Vatican just in time to release Scott and Cooper. Scott later finally introduces himself, and confesses his love for Mieke in person, with Mad Maynard giving some last-minute advice. Mieke is happy to see Scott, and after having passionate sex with him in one of the confessional booths, tells him to continue writing to her. Jamie is so convincing as a tour guide he is hired by Arthur Frommer. On the flight back to Ohio, Jenny entices Cooper to have sex with her in one of the plane’s lavatories, thus finally realizing his dream of crazy European sex. The film ends when Scott moves to Oberlin College in the fall. During a phone conversation with Cooper, who is now in a relationship with Jenny, an unexpected knock on Scott’s dorm room door turns out to be Mieke, who explains that, due to another misunderstanding about her name, is now his roommate. Scott and Mieke share their passionate embrace, as Cooper’s voice continues to talk over the phone, demanding to know what is going on.
The actors are amazing in their roles and Michelle Transtenberg is simply sensational in her character as Jenny and brings a magic to the film which would probably have been disappointing without her. The film is something that you just have to watch to believe and believe me when I say you will think it’s great too.

REVIEW: SNOW WHITE: THE FAIREST OF THEM ALL

CAST
Kristin Kreuk (Beauty and The Beast)
Miranda Richardson (Sleepy Hollow)
Tom Irwin (21 Grams)
Vera Farmiga (Bates Motel)
Clancy Brown (Highlander)
Vincent Schiavelli (Batman Returns)
Jose Zuniga (Constantine)
Warwick Davis (Ewok Adventures)
Tyron Leitso (Wonderfalls)
Martin Klebba (Jurassic World)
John and Josephine deeply wish to have a child and when she is born with skin as white as snow, lips as red as blood, and hair as black as ebony, they name her Snow White. However, Josephine, Snow White’s mother, dies in childbirth, leaving John alone with their child. In the winter, John struggles to find food for his daughter, Snow White, when he sheds a tear over a frozen lake and frees a creature known as the Green-Eyed One. As thanks for freeing him, Green-Eyed One offers John three wishes. For John’s wishes, he asks for nourishment for his daughter, a kingdom to raise his family, and a queen for a new wife, as the creature cannot raise the dead.
John’s wishes come true, though he is unaware that the Green-Eyed One owes Elspeth, his hideous spellcasting sister, who is an old and ugly crone, a wish of her own. In order to fulfill her ambitions, the Green-Eyed One transforms Elspeth into a beautiful and young woman who will marry John and become his queen, second and new wife, and Snow White’s stepmother. The creature also provides Elspeth with a magical mirror that allows her to see others unseen and to deceive John. As years pass, Elspeth forms a good relationship with her stepdaughter, Snow White, who becomes a beautiful princess 16 years later. However, Elspeth is vain and keeps a room full of magical mirrors which assure her each day that she is the fairest of them all whenever she asks.
When Prince Alfred arrives in the kingdom and falls in love with Snow White, Elspeth is furious to discover that images of Snow White are appearing in her mirrors, which means that her stepdaughter is the fairest of them all. Driven with jealousy, Elspeth orders Hector, a hunter, to take the Princess into the forest and kill her, and then return with Snow White’s heart for her to consume. In the meantime, Elspeth transforms Alfred into a bear. Unable to kill Snow White, Hector presents Elspeth with the heart of a wild boar instead. When she learns the truth, Elspeth kills Hector, imprisons John in her mirrors, and stifles Snow White with an enchanted ribbon.
Snow White is saved by seven dwarfs, each named after the days of the week and possessing the power to transform into a rainbow to move from one place to another (but are only capable if all seven dwarfs are present). The eldest is Sunday, who is a victim of one of Elspeth’s spells that has left half of him as a garden gnome. The dwarfs allow Snow White to care for their home, though the dwarf Wednesday is initially suspicious. When Elspeth learns that Snow White is still alive, she prepares a poisoned apple and transforms into Josephine, Snow White’s deceased mother, with the magic mirror the Green-Eyed One gave her. Aided by Monday, who is turned into a garden gnome afterward, Elspeth, disguised as Josephine, finds her and convinces her to eat the enchanted and poisoned apple, which seemingly kills Snow White.
With her task finished, Elspeth tries to resume her beautiful guise with the mirror. But instead, the magic mirror returns her to her true form, even more loathsome than before, as punishment from The Green-Eyed One for killing her stepdaughter. Snow White, a sweet and innocent human being. The dwarfs, unable to save Snow White, place her in a coffin of ice and leave her near Monday’s statue. When she receives a kiss of true love from Prince Alfred, in his bear form, she is revived. The spells on Alfred, Sunday, and Monday break, and Elspeth’s mirrors shatter, freeing John. Elspeth gets tackled and killed by gnomes, who have been freed from their enchantments. Freed from Elspeth, the Green-Eyed One is able to go his way. Snow White and Alfred live happily ever after while the dwarfs decide to move on to find Sleeping Beauty.
An excellent and refreshing version of this classic. Enough twists to make it different, but also very recognisable for a child familiar with the story. The dwarfs are named after the days of the week and each wear a colour of the rainbow they can all form together. It is very magical and well made.

REVIEW: SPACE MILKSHAKE

CAST
Amanda Tapping (Stargate SG.1)
Kristin Kreuk (Beauty and The Beast)
George Takei (Heroes)
Robin Dunne (Sanctuary)
Billy Boyd (Lord of The Rings)
Amy Matysio (Just Friends)
Space Milkshake is a comedic adventure that’s got its feet firmly planted in the science fiction of yesteryear while still delivering a modern take on the genre. The film stars Robin Dunne, Billy Boyd, Amanda Tapping and Kristen Kreuk in what can only be described as the love child of Alien and Red Dwarf.
In the future, one of the biggest problems the Earth must deal with is space waste, debris floating around in space. To deal with this, there are sanitation stations set up around the Earth to take care of the excess garbage and to guide various vessels from bumping into any of it. Odd things begin to happen after a rubber duck hits the outer haul of one of these stations and the four person crew brings the item aboard shortly after all life on Earth dissapears. Turns out, in ain’t just a rubber duck but instead a creature named Gary (voiced by sci-fi icon George Takei) whose travelled through time and space to open a portal to his evil dimension to take over the universe. Needless to say that somebody’s got to stop him and since there’s noboby else around, it has to be these four sanitation workers. But do they have the cajones to do it?
One of the coolest things about Space Milkshake is that while funny, it does a very good job of keeping itself looking and feeling like science fiction. Director Armen Evrensel and crew stick to the elements we know so well with a haunting and suspenseful score, smart looking camera angles that evoke the first Alien film and old school techniques to make this movie feel authentic. When the station gets hit with something, the camera shakes to one side and the actors react. When Gary makes his full appearance as a large alien creature, there’s no CGI. Instead we get a practical effect. It’s a big giant puppet and it’s awesome! What’s great about this film is that the comedy is played straight by its surroundings and the job of coveying the humour is left solely on the actors. And thankfully, the cast delivers.
What’s interesting when you look at this small cast of four (five if you count Takei’s voice) is that with the exception of Boyd, none of them are really known for their comedy chops. Tapping, Dunne and Kreuk are all regulars from the t.v. sci-fi/drama world but they each show some great comedic timing. Dunne is Jimmy, a believable everyman as he tries to guess his way from one problem to the next. He gets some of the best lines, hands down. Tapping is more than convincing as Valentina, a woman who is fed up with her surroundings and yearns for more out of life. Her act outs in frustration are grounded in reality, making them hilarious. Suprisingly, Kristen Kreuk has some of the best comic moments in the film as the android Tilda who gets to play with her character a great deal, at times appearing very mechanical and at others, like a child discovering her surroundings. George Takei also gets some hilarious scenes as the creature/rubber duck. His delivery on some lines is worth watching the film alone. Billy Boyd rounds out the cast as Captain Anton who is your typical pompous commanding officer who’s all bravado and not much brains.
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The ensemble play off each other very well and commit to the absurdity of the story. This is given an even more interesting layer as each of the characters on their own might be seen as jerks for the most part. But throughout the film, we can’t help but fall for this rag tag group of interglactic garbarge workers. The only real question with the film is “Why is it called Space Milkshake?” Thankfully, the film’s story, acting and humour rightly distracted me from this query.