REVIEW: THE FINAL DESTINATION

 

CAST

Bobby Campo (Scream: The Series)
Shantel VanSanten (The Flash)
Nick Zano (Legends of Tomorrow)
Haley Webb (Teen Wolf)
Mykelti Williamson (Con Air)
Krista Allen (Andromeda)

College student Nick O’Bannon attends a race at the McKinley Speedway with his girlfriend Lori Milligan and their friends; Hunt Wynorski and Janet Cunningham when he suddenly has a premonition of a terrible accident that sends debris into the stadium, killing several people and causing the stadium to collapse. In his panic, Nick inadvertently starts an argument with Carter Daniels, who demands his wife stay as he chases them out of the stadium. Mechanic Andy Kewzer and his girlfriend Nadia Monroy along with mother Samantha Lane also exit the stadium followed by security guard George Lanter. When the accident occurs, George prevents Carter from going in after his wife and a scuffle ensues. As she is yelling at the group, Nadia is suddenly decapitated by a tire flying out of the stadium.

Several days after the disaster, a drunken Carter tries to set a cross ablaze on George’s front lawn blaming him for preventing him from saving his wife, but a chain of events causes his tow truck to start driving on its own and as Carter tries to regain control, he is grabbed by the towing chain and is blown up by his truck catching fire with the very gas he was using. The following day, Samantha is finishing up at a beauty parlor when a rock propelled by a lawn mower suddenly impales her eye and kills her. After reading about the events in the paper, Nick becomes convinced that death is coming after them for evading their fates at the stadium. Hunt and Janet are dubious, but they manage to convince George about what is happening. The group arrives to warn Andy, but he is killed when a tank, propelled by a chain reaction from a faulty wench launches him through a chain link fence. After receiving a premonition involving water, Nick tries to warn Hunt, who has gone for one last conquest at the pool, while George and Lori try to find Janet, who becomes immobilized in a malfunctioning car wash. Hunt drops his lucky coin in the water after an accidental placement of a toy turned the pool’s drain on. As he dives into the pool, he is pulled down to the drain where the pressure mounts, and his insides are eventually ripped into the draining system before Nick can rescue him. George and Lori rescue Janet from the car wash at the last second. Afterwards, George admits to having tried to commit suicide due to his family being killed in a car accident the year before that he believes was his fault, but every suicide attempt has failed. Lori believes saving Janet must have saved the rest of them from death’s plan and the group celebrates instead.

Four days later, Nick then remembers a cowboy; Jonathan Groves, they had jeered at during the race, who had changed seats prior to the premonition coming true and he and George track him down at a hospital, where he remained in traction following being recovered from the stadium’s debris. After a bathtub left on in the floor above causes his electric equipment to start sparking, falling from his bed and trying to cross the room, Nick and George witness him being crushed as the tub crashes through the weakened floor. Afterward, George is suddenly obliterated by a speeding ambulance and Nick realizes that Janet and Lori are still in danger. Tracking them down to a movie at the mall, Nick successfully saves Lori, but insistent that her life is no longer in danger, Janet remains as a chain reaction behind the theater causes an explosion and kills her. A multitude of explosions race Nick and Lori through the mall until they are trapped on a malfunctioning escalator and Lori is slowly dragged into the gears and killed. This is revealed to be a premonition, but Nick again fails to save George.

At the mall, Lori begins seeing omens of death around her, but Janet convinces her to shrug it off. Having failed in his premonition, Nick runs back stage to stop the explosion. He is pinned down by a nail gun that activates itself as he tries to stop the fire from spreading to explosive materials. Nick activates the fire suppression system, successfully stopping the explosion and saving everyone. Two weeks later, Nick notices a loose pylon while heading to their favorite hangout “Death by Caffine” and warns the construction worker about it, who fails to hear him. While talking with Lori and Janet, he comes up with the theory that his omens were red herrings meant to get them in the right place at the right time for death to kill them. Just as he realizes this, and sees another omen, the pylon outside collapses, causing a truck to swerve and crash into the coffee shop. As the scene switches to x-ray Janet is crushed under the truck’s tires, Lori is internally decapitated by the impact, and Nick is propelled into a wall and killed.

The Final Destination’ is the 4th installment in the franchise. It’s pretty much the same as the previous three but with a slightly different storyline and new characters. overall this is still an exciting and very good sequel but the previous two set the bar too high for this to beat.

 

Advertisements

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: MUTANT X – SEASON 1-3

MAIN CAST
Forbes March (As The World Turns)
Victoria Pratt (Cleopatea 2525)
Lauren Lee Smith (Lie With Me)
Victor Webster (Wishmaster 4)
John Shea (Lois & Clark)
Karen Cliche (Flash Gordon 2007)
RECURRING / NOTABLE GUEST CAST
Tom McCamus (Ginger Snaps Back)
Douglas o’ Keeffe (Dark Angel)
Cedric Smith (X-men: The Animated Series)
Andrew Gillies (Odyssey 5)
Michael Easton (Coldfire)
George Buza (X-men: The Animated Series)
Dylan Bierk (Andromeda)
Laura Vandervoort (Bitten)
Yannick Bisson (Beauty and the Beast 2012)
Monique Ganderton (Smallville)
Anthony Lemke (Robocop: Prime Directives)
Mark Lutz (Angel)
Greg Bryk (Reign)
Anne Openshaw (Izombie)
Guylaine St-Onge (Highwayman)
Sarah Gadon (Dracula untold)
Larissa Laskin (John Q)
Callum Keith Rennie (Memento)
Louis Ferreira (Stargate Universe)
Krista Allen (The Final Destination)
Lindy Booth (Cry Booth)
Noah Danby (Painkiller Jane)
Sandrine Holt (Underworld Awakening)
Philip Akin (Highlander: The Series)
Melinda Deines (Earth: Final Conflict)
Frank Moore (Rabid)
David Sutcliffe (Lie To Me)
Jenya Lano (Xena)
Alan C. Petersen (Stargate SG.1)
Rachel Hayward (Jingle All The Way 2)
Steve Bacic (Blade: The Series)
Gary Hudson (Cold Case)
Sebastian Spence (First Wave)
Alan Van Sprang (Reign)
Lauren Collins (Degrassi: The Next Generation)
Euegne Robert Glazer (La Femme Nikita)
Peter Stebbings (Bates Motel)
John Ralston (The Lizzie Borden Chronicles)
Sasha Roiz (Caprica)
 Mutant X was a brilliant, and totally original, syndicated series that had have genre fans tuning in faithfully week after week. Drawing from the timely topic of genetic research and engineering and experimentation on human DNA, Mutant X tells the completely original story of a group of outcasts with genetically engineered super-human powers and abilities and their attempts to evade capture or destruction by the ultra-secret, evil government agency which created them.
Mutant X  created by comics veteran Howard Chaykin (writer for Earth: Final Conflict and Viper) and Avi Arad (executive producer of X-Men, X-Men 2, and every other Marvel comic to movie adaptation in the pipeline from Daredevil  to The Fantastic Four). With a totally straight face, they insist that this new show has absolutely nothing whatsoever to do with the X-Men. Both of these guys know the comic industry and Arad obviously is familiar with  X-Men, and yet they expect us to believe that cashing in on the popularity of the X-Men wasn’t in their minds at all while developing this series. They can’t even seem to recognize the similarity.

The main difference in plot line deals with the fact that the powers that the Mutant X mutants possess were a result of human intervention through science rather than a naturally-occurring genetic mutation, as in the X-Men. Apart from this very minor difference, the sky is the limit when it comes to Mutant X – X-Men similarities.
images
The leader of the Mutants is Adam, a wealthy scientist who headed up the government project that created the Children of Genomex (a.k.a. the Mutants). He has seen the error of his ways and now is engaged in a crusade to locate, protect, and train the Mutants. He doesn’t actually own a school or have mutant powers himself, but this is the Professor X of the group.371266752_640The leader of the evil, covert government agency is Mason Eckhart, played by Andy Warhol as himself. This guy, complete with white hair and chunky glasses, wants to either use the Mutants for evil purposes or see them all destroyed. He’s sort of the Magneto of Mutant X without the overwhelming desire to see the Mutants rule the earth. Eckhart doesn’t have any super powers, unless you count just plain being evil, but his right hand man has telekinetic abilities.
a great series that lasted 3 seasons and only ended because the tribune company came to and end

REVIEW: ANGER MANAGEMENT

CAST

Adam Sandler (Jack & Jill)
Jack Nicholson (Batman)
Marisa Tomei (Captain America: Civil War)
Luis Gusman (Waiting..)
Jonathan Loughran (50 First Dates)
Kurt Fuller (Scary Movie)
Krista Allen (The Final Destination)
January Jones (X-MenL: First Class)
John Turturro (Transformers)
Woody Harrelson (The Hunger Games)
Kevin Nealson (Weeds)
Allen Covert (Big Daddy)
John C. Reilly (Cyrus)
Harry Dean Stanton (Avengers Assemble)
Lori Heuring (Wicked Little Things)
Heather Graham (The Hangover)

In 1978, a young Dave Buznik is about to kiss the girl of his dreams, when a local bully, Arnie Shankman, pulls down his pants and underwear, embarrassing him in front of everybody. This leaves Dave with lasting trauma about public affection, as well as repressing his emotions. In the present day, Dave Buznik lives in New York, working as a secretary for Frank Head, an abusive boss who takes credit for Dave’s work. His problems also extend to his private life, his girlfriend Linda’s ex-boyfriend Andrew still being close friends with her and being condescending to Dave at work.
While flying to a business meeting, Dave sits next to a man named Buddy Rydell. After a series of annoyances cause Dave to lose his temper, a sky marshal tasers him, and Dave is arrested and sentenced to anger management therapy. The therapist happens to be Buddy. Buddy’s unorthodox techniques cause Dave to lose his temper, and Buddy tells Dave he recognizes his problem as passive-aggressive anger. After Dave gets into a bar fight caused by another of Buddy’s patients, Chuck, Dave is sent back to court and Buddy intervenes on his behalf, choosing to move in with Dave and shadow him in his life as part of more intensive therapy. Failure to comply will result in a year of jail time for Dave. Having Buddy as an unexpected and hovering roommate irritates Dave, which prompts Buddy to offer more therapeutic advice which, in turn, irritates Dave even more. Although Dave believes Andrew is doing nothing to ruin him at work, Buddy suspects otherwise and tells him that he needs to start fighting back or nothing will change. After receiving a phone call for Buddy informing him his mother is undergoing minor surgery, Dave jokes to him about its seriousness, prompting Buddy to warn he’ll get Dave back.
After seeing Buddy’s mother, the two stop at a restaurant on the way back to New York and after Buddy pressures him Dave flirts with, and goes home with, a young lady, but rejects her amorous advances out of loyalty to Linda. Later, Dave is devastated to learn that Buddy has told Linda about the woman, but Buddy explains the woman was a former patient of his, having set up the encounter to get revenge on Dave for the “dying mother” prank, and he will explain the truth to Linda. Buddy takes a detour to a Buddhist temple, so that Dave can confront a reformed Arnie, who has become a monk. While confronting his tormenter, Arnie expresses his sincerest apologies to Dave for bullying him all his life and asserts that Dave didn’t deserve the abuse. But Arnie laughs when Dave reminds him of the kiss incident and Dave attacks back. Dave and Buddy tease the monks into a rage are chased off the grounds, Dave feeling good on confronting his tormentor. Back in New York, Dave attempts to propose to Linda but loses his nerve, and Linda suggests that they take a break from their relationship. Soon after Buddy begins dating Linda, Dave (not aware this was the next step of his therapy) sees this as the last straw and loses his cool by attacking Buddy. Being called back into court, Dave is given a restraining order by the judge, who threatens to lock him up if Dave has another incident.
Called into work and yelled at by his boss, Dave finally snaps when he learns that his boss intentionally passed him and gave the promotion to Andrew. He immediately confronts both men for the way they’ve mistreated him in the past. Dave calls Andrew out for trying to interfere with both his promotion and relationship with Linda, revealing he wants Andrew out of their lives permanently. Andrew attempts to insult him about being too dependent on Buddy to back him up and admits he isn’t good enough for Linda. Taking Buddy’s advice, Dave debunks the claim and knocks him out cold. He proceeds to humiliate his boss by using a golf club to wreck his office and reminding him of all the years of his loyal services just to be denied of the promotion he wanted so much in favor of someone who didn’t deserve it. Dave then tells his boss that if he ever gets out of jail within three years, he expects his boss to do the right thing and give the promotion to him that Andrew presumably resigned from. His boss agrees and before Dave leaves, he warns his boss to treat his cat, Meatball, with more respect because he is eating his crab cakes as revenge for the mistreatment he put him through. As Dave leaves, he intentionally steps on Andrew’s head as one last bit of revenge. Learning Buddy has taken Linda to a New York Yankees game, Dave assumes Buddy intends to steal his proposal idea and races to the stadium. Security captures him and begins to remove him from the stadium but Mayor Rudy Giuliani orders them to allow Dave to speak. After admitting that he does have an anger problem and is willing to change, Dave agrees to kiss Linda in front of the stadium in exchange for her marrying him. Linda and Buddy then reveal that the game was the final part of Dave’s therapy, and explain that the tormentors and aggravations he has been put through were Buddy’s doing to teach him how to unleash his anger in healthy doses to avoid it building up. The passenger, the Judge, the waitress and the flight attendant are Buddy’s friends. Dave then asks about the Sky Marshall who tased him if he was involved with Buddy and Linda admits he wasn’t. The marshall was just having a bad day (briefly shown to be angered over the fact he is in the middle of two sleeping obese people).
The three attend a picnic with Buddy’s other patients, where Dave plays a final joke on Buddy with a friend holding the group up with a water pistol, and the film ends as the friends sing “I Feel Pretty” from West Side Story together.
Adam Sandler plays a good part but no where near as good as Jack Nicholson. Nicholson’s potrayal of the doctor who tries to cure Adam Sandler’s character is fantastic! Nicholson’s jokes are hilarious and his general manor and quotes are just brilliant!  It’s a must see for any Nicholson fan and a generally funny film.

REVIEW: ANDROMEDA – SEASON 1-5

Image result for ANDROMEDA TV SERIES LOGO

MAIN CAST

Kevin Sorbo (Hercules: TLJ)
Lisa Ryder (Jason X)
Keith Hamilton Cobb (Noah’s Arc)
Laura Bertram (50/50)
Brent Stait (Blade: The Series)
Gordon MIchael Woolvett (Bride of Chucky)
Lexa Doig (Continuum)
Steve Bacic (Flash Gordon 2007)
Brandy Ledford (Baywatch)

Image result for ANDROMEDA TV SERIES LOGO
RECURRING / NOTABLE GUEST CAST

John Tench (Shooter)
Emy Aneke (Star Trek Beyond)
Elizabeth THai (Saved)
Amber Rothwell (Battlestar Galactica)
Paul Johansson (Highlander:The Raven)
Dylan Bierk (Beastmaster)
Marion Eisman (Hit ‘n Strum)
Cameron Daddo (Packed To The Rafters)
Brian George (The Big Bang Theory)
Sam Sorbo (Hercules: TLJ)
Claudette Mink (Children of The Corn 7)
Kimberley Warnat (Freddy vs Jason)
Malcolm Stewart (Jumanji)
John de Lancie (Star Trek: TNG)
Ty Olsson (Izombie)
Monika Schnarre (Dead Fire)
Douglas O’Keeffe (Sanctuary)
Nathaniel DeVeaux (Antitrust)
Noel Fisher (Teenage Mutant Ninja Turtles)
Ralf Moeller (Conan The Adventurer)
Mackenzie Gray (Man of Steel)
Chapelle Jaffe (The Dead Zone)
Rachel Hayward (Jingle All The Way 2)
David Palffy (Stargate SG.1)
Kimberly Huie (G-Spot)
Michael Shanks (Stargate SG.1)
Gerard Plunkett (Sucker Punch)
Anthony Lemke (Robocop: Primce Directives)
William B. Davis (The X-Files)
Anna Marie Deluise (Smallville)
Enuka Okuma (House of The Dead)
Roger Cross (Arrow)
Kendall Cross (Caprica)
Francois Yip (Smallville)
James Marsters (Buffy)
Jud Tyler (That 70s Show)
Steven Grayhm (White Chicks)
Timothy Webber (Cypher)
Kevin McNulty (Elektra)
Mark Hildreth (V)
Kristin Lehman (Hemoglobin)
Costas Mandylor (Saw V)
Heather Hanson (The Hosue Next Door)
Dean Wray (Horns)
Ingrid Torrance (Flight 93)
Brendan Beiser (The X-FIles)
Cynthia Preston (Carrie 2013)
Meredith McGeachie (Punch)
Sonya Salomaa (Watchmen)
Michael Hurst (Hercules: TLJ)
Andee Frizzell (Stargate Atlantis)
Christopher Judge (Stargate SG.1)
Ellie Harvie (The New Addams Family)
Winston Rekert (The Blue Man)
Lawrence Bayne (Dog Pound)
Krista Rae (Dawn Anna)
Kristen Robek (Cats & Dogs)
Tony Todd (The Flash)
Venus Terzo (Arrow)
Sara Deakins (Tru Calling)
Michael Hogan (Battlestar Galactica)
William Katt (Carrie)
Geordie Johnson (Reign)
leila Johnson (School of Life)
Jayne Heitmeyer (Earth: Final Conflict)
Peter Shinkoda (Daredevil)
Adam Harrington (The Secret Circle)
Peter Bryant (Dark Angel)
Chris Potter (Heartland)
Jody Thompson (Flash Gordon 2007)
Helene Joy (Desolation Sound)
Aleks Paunovic (Mortal Kombat Legacy)
Christopher Heyerdahl (Sanctuary)
Krista Allen (Mutant X)
Michael Ironside (Total Recall)
JR Bourne (Stargate SG.1)
Sarah-Jane Redmond (V)
Nigel Bennett (Cypher)
John Reardon (Tru Calling)
Maury Chaykin (Entrapment)
Chelah Horsdal (Hell on Wheels)
Carmen Moore (Artic Air)
Michelle Harrison (The Flash)
Nicholas Lea (Arrow)
Colin cunningham (Elektra)
Andrew Jackson (Earth: FInal Conflict)
Ona Grauer (V)
Ivar Brogger (Bones)
Sebastian Spence (First Wave)
Grace Park (Battlestar Galactica)
Martin Cummins (Bates Motel)
Jim Byrnes (Highlander: The Series)
Christina Cox (Arrow)
Apollonia Vanova (Watchmen)
Nia Peeples (Half Past Dead)
Peter Wingfield (Caprica)
Kandyse McClure (Battlestar Galactica)
Gary Jones (Stargate SG.1)
Emily Holmes (Dark Angel)
Peter Delusie (21 Jump Street)
Erica Durance (Smallville)
Aaron Douglas (Battlestar Galactica)
Missy Peregrym (Heroes)
Marjorie Monaghan (Babylon 5)
Blu Mankuma (Tin Man)
Alan Scarfe (Seven Days)
Kyle Cassie (Deadpool)
Ken Tremblett (Caitlin’s Way)
Don S. Davis (Stargate SG.1)
Natassia Malthe (DOA)
Matthew Bennett (Battlestar Galactica)
Lochlyn Munro (Scary Movie)
Kevin Durand (Dark Angel)
Hiro Kanagawa (Heroes Reborn)
Francoise Yip (Smallville)
Emmanuelle Vaugier (Two and a Half Men)
Cobie Smulders (How I Met Your Mother)

The first season begins with a two-part story “Under the Night” and “An Affirming Flame” about the formation of Dylan and his new crew. Gerentex, a nightsider, hires the crew of the Eureka Maru: Beka, Harper, Trance, and Rev. Gerentex wants them to do a salvage operation and find the fabled Andromeda Ascendant. The ship is worth a lot of money. After a long effort by the crew, they find the Andromeda and tow it from the black hole singularity.When Beka, Harper, Trace, and Rev board the ship, they find Dylan on board. Gerentex sends a secret assault team, led by Tyr, to kill Dylan. Suddenly, the mission changes and Beka’s crew have a change of heart. They want to leave the ship to Dylan, because it is his ship after all. Gerentex does not react happy to the news and he only leaves the ship when it is sucked back into the singularity. Of course, he leaves Beka’s crew and the assault team to perish. Dylan inspires the crew to work together to get out of the situation. He saves them, and later reveals to them his desire to rebuild the Commonwealth. Reluctantly, everyone joins him. Not because they believe in his cause, but because it is better than smuggling.The two-part story is a pretty exciting introduction to the series. Some of the characters’ performances are a bit over-the-top and their ability to instantaneously adapt to using the Andromeda’s advanced computer systems and having security codes to launch the massive nova bombs (think nukes in space) is little on the unreasonable side. But, if you do not take the show too seriously, the introductory two-part story is quite fun. Another part I enjoyed about it was the mysterious hints about Trance. She was shot and killed, but miraculously recovered without any medical attention. While she seems like an innocent character with a small part, the writers have some big plans for her as the series progresses.

The  grander plot happening with the Andromeda crew tends to be a lot better than the standalone episodes. There are episodes that tie in a super duper bad guy called the Abyss. In “Harper 2.0”, the Abyss sends an assassin into the known world to erase its existence. In the season finale “It’s Hour Come ‘Round at Last”, the crew run into a huge ship filled with millions of Magogs. It becomes a very interesting story.

There are also some interesting stories with detailed background into the characters like “Angel Dark, Demon Bright”, where the Andromeda accidentally travels back in time to a major turning point in the battle against the Commonwealth and Nietzscheans. Dylan is in a position to change the future forever, but decides against toying with fate. Then there is “The Banks of the Lethe”, which puts Dylan back his fiance Sara (Sam Jenkins). Episodes like theses offer insight to the characters, their backgrounds and personalities, and the relationships they have with each other. These developments become a fairly intriguing part of season one . For instance, Tyr is a Nietzschean and cares more about his wellbeing than those he serves with. In several instances, his loyalty and duty to the crew is questionable. Like in the episode “Double Helix”.

Overall, the first season of Andromeda offers viewers a decent science-fiction series filled with action, some corny dialogue, over-the-top performances, decent stories, and a cast of likeable characters.

In season two, Dylan’s quest becomes more of a reality. The Renewed Systems Commonwealth represents more than just the unity and peace Dylan envisions; it is, as Dylan hunt says, a necessity. In the season one finale “It’s Hour Come ‘Round at Last”, Harper took a look around inside Andromeda’s code and found a backup copy of Andromeda’s core. He accidentally restored the backup. Andromeda went out of control and took the crew on a top secret mission. To make matters worse, the mission takes the crew deep into Magog territory, where the Andromeda runs into a Magog Worldship. The Worldship is a transportable solar system, with multiple planets and an artificial sun. The Worldship houses trillions of Magog and gives them the power to destroy stars. The Magog are traveling towards the known worlds with plans of conquest and destruction. In the close of the episode, the Magog have overrun the Andromeda and the crew’s fate is desperate: Trance, Beka, and Dylan are unconscious and near death, Tyr and Harper are being held by the Magog, Rommie had a pike shoved in her stomach, Rev Bem is being converted to the Magog cause, and the Andromeda Ascendant is in critical condition.

The second season premiere episode “The Widening Gyre” continues where season one left off. Despite the direness of the situation, they overcome their individual situations and manage to free themselves of capture. The real excitement introduced in this story is the notion of the Magog and the Worldship. The Spirit of the Abyss, a being that acts as the Magog’s God, is leading the Magog on a quest of utter destruction. This threat becomes a staple for the Andromeda crew to fight off. A Renewed Systems Commonwealth is a necessity. Fortunately for the crew, they have some time until the Worldship reaches space of the known world–two or three years. In the fourth and fifth seasons, the Spirit of the Abyss and the Magog are a major port of the season story arcs. The Magog still are at the front of the stories and a key reason for the new Commonwealth. And Dylan works feverishly to recruit planets to his cause. In the episode “Home Fires”, Dylan receives a message from his long dead fiance. After the initial fall of the Commonwealth, a group sought refuge on a planet called Tarazed and for three hundred years, they have survived as the last remnants of the old way of life. Dylan learns that the people of Tarazed and goes to the planet to get them to join the new Commonwealth. They, however, do not. When he arrives at the planet, he finds a familiar face, that of his former first officer Gaheris. But it is a genetic clone named Telemachus Rhade. Dylan and Rhade are hesitant to trust each other. The story takes an interesting turn in the development of the relationship Dylan had with Gaheris, as well as introduces Rhade, who joins the cast in season four.

The episodes “Into the Labyrinth”, “Bunker Hill”, and “The Prince” are more episodes focused on the restoration of the Commonwealth with the cast in diplomatic missions, facing with spies, political corruption, and other such things. “Into the Labyrinth” sees a Nietzschean clan Saber-Jaguar joining the Commonwealth. In “Bunker Hill” the Saber-Jaguar clan invokes the Mutual Defense Pact, which requires the Andromeda join their side in combat against the Dragan clan. At the same time, Dylan sends Harper and Rommie to Earth to join the resistance movement to free human slaves under Dragan control. In “The Prince”, the crew travel to Ne’Holland to save what is left the royal family from being slaughtered. Dylan wants the planet to join the Commonwealth because it is in a key position to defend against the upcoming Magog onslaught. However, in order to get them to join, he has to save its leaders from its own people. But what Dylan did not know was that the royal family’s actions have not always been just.“Ouroboros” is a major episode in the series. It is the first major cast and crew changes. Rev Bem leaves the series as a regular cast member. He apparently went away to find himself. Stait, who plays Rev Bem, talks about the reason he left in his interview featurette. Another change deals with Trance. Harper builds a machine he hopes will help rid him of the Magog larvae that was implanted in him in the season premiere. The machine works, but it also does a little more and bends space and time. The crew is able to glimpse into future versions of themselves. Trance, in particular, meets her future self, who proclaims the future unfolded very badly. The present and future Trance’s switch places in hope future Trance can set the timeline in the right direction. The new Trance is physically different, without a tail and has golden skin. The other major change is in the crew. Robert Hewitt Wolfe was released because the direction he envisioned for the series was much different than wanted. In “Knight, Death, and the Devil”, the crew are on the verge of completing the first stage in restoring the Commonwealth. Beka and Harper negotiate with the fiftieth planetary world to join the cause. Dylan, Tyr, and Rommie also find a decommissioned high guard ship. When they interact with the ship’s AI Ryan (Michael Hurst), they find out there is a solar system with over fifty other relic ships in hiding. Dylan goes to the solar to convince the ships to rejoin the Commonwealth (remember some AI’s have emotions and they were abandoned long ago). Christopher Judge guest stars as one of the AI’s.

 

The season finale “Tunnel at the End of the Light” is a literally explosive episode. Representatives from fifty worlds come to the Andromeda to sign the Commonwealth charter. It is an exciting time to see the Commonwealth officially come back into power. Unfortunately, there are forces that would rather not see the chartered signed. Sabotage hits the Andromeda and the charter signing goes up in flames. It is up to the crew to make necessary sacrifices to see it through.

Overall, I was pretty happy with the second season of Andromeda. Like the first season.  In addition, the story arcs that span the episodes offer intriguing aspects with the formation of the Commonwealth, the Magog, and the Spirit of the Abyss. In the end, I think season two makes for a good watch if you enjoy science-fiction/fantasy oriented shows.

In the close of season two, the signing of the Commonwealth charter was under attack by mysterious alien forces. The disruption caused chaos and the crew had to make sacrifices to deal with the matter. In the third season premiere episode “If the Wheel is Fixed”, the story is concluded. Tyr and Beka were left trapped in another dimension. Dylan frets and considers a way to get them back. He takes the Eureka Maru to reconstruct the events that led to the crew members being sucked into the alternate dimension. He is successful and Tyr and Beka return. Unfortunately, the two are not who they seem to be. Many problems happen on the Andromeda and it eventually turns into a mysterious plot to kill them all–Tyr and Beka are being controlled by a force in the other dimension.

The unfortunate thing about this episode is the direction the story takes. In the end of season two, the story had a lot of promise with aliens from another dimension attacking. However, in the concluding half of the episode, the story gets pretty hokey. I suppose the aliens from another dimension were not the strongest approach itself, but I liked it in the first part. The subsequent episodes also fail to be as strong as they could. This is not to say they are terrible or anything, but rather that they could have been better. The story arcs that ran through the first two seasons start become less significant. The content is more episodic with the Andromeda crew out on missions that are wrapped up in an episode.

“The Unconquerable Man” is a pretty solid episode, but one you do not want to think too much about. The storyline is based on time travel and alternate realities. The episode begins with Harper moving Gaheris Rhade’s body and Dylan notices a mark on his hand he had never seen. Then the episode jumps into a point in time when a future Rhade had the opportunity to destroy the time machine Harper built in the season two episode “Ouroboros”. Trance is with Rhade and tries to convince him not to do so. Rhade reflects on his life (an alternate reality of the events thus far). In this reality, Rhade killed Dylan and survived for three hundred years in the black hole. He teamed up with Beka, Rev Bem, Trance, Harper, and Tyr to rebuild the Commonwealth. As the episode unfolds, Rhade comes to realize it is Dylan’s fate and not his. He sacrifices himself so that the original timeline is restored and Dylan is once again put in charge of the Andromeda.

“The Dark Backward” is an exciting episode because it explores Trance’s reality. There is a deadly intruder aboard the ship trying to kill the crew. The episode focuses on Trance and one her of mysterious talents. In past episodes, she has offered advice that could only be explained by foresight of some kind. She has the ability to play out situations in many different scenarios in mere seconds. Trance explores different ways to maximize the crew’s life and stopping the intruder. It is an interesting episode because it details more about how mysterious and special Trance is as a character.

Another strong episode this season is “What Happens to a Rev Deferred?”, where Rev Bem returns. While monitoring the evacuation of Empyrium, a world that is on the brink of destruction, the crew receives a communication from Rev Bem asking to be rescued. To complicate matters, a group of renegades are after Rev. Dylan and crew go to the planet’s surface to rescue Rev and witness a miracle. Rev under goes some spiritual phenomena when an unknown entity confronts Rev and he professes his sorrow for all his ill-natured acts as a savage Magog. He is given redemption and physical changed into a new being. Rev Bem has been an interesting character, with his struggles to be “civilized” over “savage”, and his ties into the Spirit of the Abyss make him an even more interesting character. It is too bad he is not investigated further. In the season finale “Shadows Cast by a Final Salute”, things take a turn for the worst for the Andromeda crew and the Commonwealth. The assistant minister of war informs Dylan that there is something afoot with the Nietzschean clans in the Commonwealth. There have been rumors going around that they are considering leaving the allied forces and forming their own united front. They are rumors no longer, but fact. Afterwards, Andromeda is put on high alert when an elite strike force of Dragans takes hostages and demands their lives for the bones of Drago Musevini. As the situation unfolds, it becomes evident Tyr’s hand had play in the situation. With his son, the genetic clone of Drago Musevini, he plans to unite his people and save the universe. At the end, Dylan and Tyr bid a final farewell to each other with no promise their next meeting will be peaceful. But the situation was more than just Dylan and Tyr, as a plot to stand against the Commonwealth became an important issue. The Nietzscheans and several other forces joined in a battle against the Commonwealth fleet, which ended with the fall of the Restored Systems Commonwealth.

Overall, I was not nearly as impressed with this season as I was with seasons one or two. The episodes were more episodic with Dylan and his crew going on this or that adventure. The overall story arc with the Commonwealth, the Spirit of the Abyss, the Magog, Trance’s past, and others were not addressed as they were in the past seasons. The focus was a lot different. While this is not an awful move, it just was not as good. The fortunate news is that the pace picks up again with the season three finale and it puts the entire universe of Andromeda in upheaval.

Life is not looking pretty for the Andromeda. In the season three finale, the Andromeda and the Commonwealth fleet were manipulated into a situation that resulted in the apparent downfall of the newly formed federation of planets. Dylan was betrayed by his friend Tyr for a cause that Tyr believes to be more righteous and important than anything else. In the season four premiere episode “Answers Given To Questions”, the story is revisited. With the destruction of the fleet, the Andromeda crew decides what to do next. While trying to figure out their situation, they take on an injured pilot who brings Dylan a communication. The message is from a man named Paroo. He tells Dylan that the Commonwealth is no more and that he is holding one of its leaders and will kill her in due time. Dylan responds by chasing after Paroo, who he finds out is the head of Commonwealth security and the real cause behind the massive battle. But Paroo has manipulated the situation so that everyone thinks Dylan is the bad guy. Dylan kills Paroo and shows he was an agent of the Abyss. He then becomes a hero. More good news follows as enough leaders survived that the Commonwealth continues on.

In the remainder of the season, the series story arc dealing with the Magog threat is revisited in full. The majority of the episodes deal with the Andromeda crew caught up in one situation or another that ties into the Magog, the Abyss, and the Nietzscheans. A new addition to the Abyss story arc in this season begins to define Dylan’s role in the overall scheme of things. Yes, he is the captain of the Andromeda and leading the cause, but there is more to it than just that. The truth about who and what Dylan is revealed and his role in stopping the Abyss is more important than any of the lives of his crew.

“Waking the Tyrant’s Device” is an episode that takes a look at the creator of the Magog Worldship. Nicholas Lea (The X-Files) guest stars as Tri-Lorn, who gives the Andromeda orders to visit a planet. When they arrive, they are attacked. Dylan questions Tri-Lorn why they were sent to such a dangerous place without being told. Tri-Lorn reveals the importance of the mission. They are to stop Kroton, a half man, half robot. Kroton is building a massive army of androids and it is up to Dylan and crew to stop him. The episode itself is not the strongest, but it is still interesting to focus on the creator of the Worldship.

“Soon the Nearing Vortex” and “The World Turns All Around Her” is the two part episode where Telemachus Rhade joins the Andromeda crew on a permanent basis. In the first part, the Andromeda comes to the aid of a Commonwealth transport ship that is under attack from Nietzchean. On the transport is Rhade, who is holding Tyr as a prisoner. The Andromeda fends off the attacking ships and save Rhade’s life, but not before Tyr escapes. When Dylan reports back to the Commonwealth headquarters, Tri-lorn demands Rhade be returned to Tarazed so he can be dealt with. Dylan decides not to take him back because he fears Tri-lorn is corrupt. The story continues with the crew facing corrupt politicians, a scheming Tyr, and the Route of Ages, a mystical slipstream that goes to the original Vedran home world.

In the second part of the story, Dylan is ready to take on the Route of Ages. Tyr appears in a ship, with Beka in custody, demanding that Dylan give up the map for Beka’s life. Dylan comprises and allows Tyr to follow him on the journey. The Route of Ages is important because it is the key to stopping the Abyss. As the story unfolds, more intricate aspects of the plotline are uncovered, which include Trance revealing who and what she really is to Dylan, an avatar of the Vedran sun. The Abyss also makes a frightful appearance that puts the crew in a race for survival. This episode marks Tyr’s final appearance.

Other strong episodes in the season include “The Torment, the Release”, where the corrupt Tri-lorn demands Dylan hand over Rhade for prosecution, “The Warmth of an Invisible Light”, where Harper’s latest invention sends Dylan into an alternate reality, “Fear Burns Down to Ashes”, Rev Bem returns with a weapon to stop the Magog, “Lost in a Space that Isn’t There”, where Beka becomes an agent of the Abyss, and other episodes. For the most part, they all tie into the larger plot and tend to add to the excitement. The two-part season finale “The Dissonant Interval” is also an episode worthy of noting. The Andromeda goes to a space station called the Arkology when they learn the Magog Worldship is headed right for them. When the crew arrives at the station, they inform its leaders about the upcoming threat. The unfortunate part is that they are unwilling to listen. The people in the Arkology are of a peaceful nature and they believe they will be able to make peace with the Magog. But the Magog are not a peaceful people and they intend to kill everyone. The two-part story puts the crew in a battle with death-defying odds. And despite the odds, they put 110% into stopping the Magog. Unfortunately, as the episode ends, the situation is hopeless with death not far off from the horizon. Dylan is forced to abandon everyone and escape through the Route of Ages.

 

Overall, I enjoyed season four. The plotlines in the episodes tended to tie the material into a larger plot and it made for a much more intriguing watch. There were also several reoccurring characters like the devilish Nicholas Lea, the guy you love to hate, playing a questionable Commonwealth politician. The storylines touched upon the Abyss and the Magog, the Collectors, turncoat Tyr, and other exciting bad guys. Like seasons one and two, season four produces some exciting stories that are engaging and easy to get lost in.

In season five, the series takes a much different turn in events. At the end of the season four, there was some skepticism as to whether or not the show would continue into a fifth season. Well, the series was picked up for a fifth season, but with a smaller budget.The storylines lose the grandeur it once had with the epic space battles and massive story arcs. The series, stories, and character becomes more confined and lose a lot of the appeal found in previous seasons. In a nutshell, watching season five was more of a chore than fun. While there was some decent content, it does not compare to the quality of the past seasons.

In the close of season four, the Andromeda came to the space station Arkology to warn the inhabitants about their impending doom. The Magog Worldship was headed right for them and they need to get out of there. The inhabitants were a peaceful people and believed that they could make peace with the Magog. Dylan and the rest tried to tell them peace is not an option. Of course, they did not listen. When the Magog came, the Andromeda and its crew tried its best to stop the onslaught, but they failed miserably. In the close of the two-part season four finale, Dylan took the Route of Ages in a slipstream fighter and found himself transported into an alternative universe.

The two-part episode “The Weight” kicks off season five. In it, Dylan gets accustomed to his new life in the alternate universe on a planet called Seefra-1, which is one of nine barren wastelands. When Dylan tries to learn more about where he is, he finds little help. But when he meets a mysterious man named Flavin, he begins to get more clues about his situation. He is trapped in an isolated cluster of planets in another universe. Dylan explores Seefra-1 and later runs into a very disgruntled Rhade. Rhade and the others crew members (who Dylan runs into in later episodes) are unhappy with him for leaving them to die. It was through the efforts of Trance that the Andromeda (badly damaged) and her crew were brought into this alternate reality and not left to die at the hands of the Magog. They also blame him for being stuck on Seefra-1. Dylan returns to Flavin to get more information from him. Dylan learns his place is on Seefra-1; he must help the people in the coming days. Flavin also reveals the true nature of the Route of Ages.

After the not-so-exciting season premiere, “Phear Phactor Phenom” has the majority of the season four cast back together in some form or another, Dylan, Harper, Beka, Trance, and Rhade. We learn that Rommie was destroyed and Harper had been on Seefra-1 for over three years while the rest of the crew had only just recently arrived. During Harper’s time on the Seefra-1, he was able to rebuild a new android with portions of Rommie’s damaged core. The new character is Doyle, a blonde robot who was initially made to think she is human. The season five episodes proceed with the cast getting reacquainted with each other and Dylan trying to get the Andromeda up and running again. Some have changed with their new situation, most notably Trance who lost portions of her memory.

In the episode “Moonlight Becomes You”, Trance starts to remember who she is and the season starts to focus on the storyline hinted at in “The Weight”. The Seefra system is in jeopardy and the crew must work together to save the inhabitants of the nine wastelands over the next several episodes. But the story really ties into the power that is Trance. Trance is an avatar of the Vedran sun and the actual sun is approaching Seefra-1. When it arrives, the planets in the system (except for Seefra-1) will explode. The episodes “Past is Prolix”, “The Opposites of Attraction”, “Saving Light from a Black Sun”, “Quantum Tractate Delirium”, “One More Day’s Light”, and “Chaos and the Stillness of It” continue to focus on this storyline (uncovering more about Trance, the council of avatars she is a senior member of, and the crew trying to save the inhabitants), which is much more entertaining than the first portion of the season, but it still lacks the same punch the early seasons had.

In the two-part series finale “The Heart of the Journey”, the series come to a close by wrapping up the series story arc with the Abyss. While on Seefra-1, Harper receives a message transmission for Dylan. It is from Flavin, who had been killed by the Abyss, telling Dylan he is the last hope for the survival of the known worlds. The Council intends to destroy the galaxies of the known world in order to snuff out the Abyss. They, however, give Dylan and his crew the opportunity to return before their utter demise. Once back in their universe, they find only four days have passed since the Magog Worldship attacked. The Andromeda has to face the Nietzchseans and the Abyss. The situation that appeared dire ends with a happy ending and the destruction of the Abyss in a battle that is far from epic.

Overall, I really did not care for this season. The level of grandeur in the storylines was significantly diminished. The big flashy effects were part of what made the sci-fi series so much fun were gone. The show tended to have very isolated stories with limited character development. In the end, I did not see much in this season that made it worthwhile. Sure, there are some decent episodes, but they fail to compare to the past seasons. Despite my lack of enthusiasm, I give it a rent it recommendation on the pure basis that it concludes the series and there are a few decent episodes to follow.

REVIEW: LIAR LIAR

 

CAST

Jim Carrey (Yes Man)
Maura Tierney (The Affair)
Justin Cooper (Brother’s Keeper)
Cary Elwes (Saw)
Anne Haney (Psycho)
Jennifer Tilly (Bride of Chucky)
Amanda Donohue (Bad Girls)
Jason Bernard (V)
Swoosie Kurtz (Mike & Molly)
Mitchell Ryan (Lethal Weapon)
Eric Pierpoint (Alien Nation)
Randall Cobb (Raising Arizona)
Cheri Oteri (Scary Movie)
Krista Allen (The Final Destination)

 

Liar Liar is a cute little comedy starring Jim Carrey as defense attorney Fletcher Reede; a talented litigator on the fast track at a major law firm. He is divorced from Audrey (Maura Tierney) with whom he has a precious son by the name of Max (Justin Cooper) that he loves dearly. The reason for the divorce was summed up nicely by Audrey in that Fletcher was having a lot more sex than she was, not so subtlety suggesting he was sleeping around rather than finding the wonders of self love preferable to her own bedroom antics. A stereotypical lawyer, Fletcher gets by in life using his skillful manipulation of the truth; in short, he lies with a sense of abandon but does so in such an over the top manner that most people roll their eyes and just give him his way. In a deleted scene included on the disc, Fletcher is shown making his client, a bulking thug of a man, look like the innocent victim in a robbery case where it is clear the guy held up an old man at an ATM machine, stole his car, and then beat up the female police officer while resisting arrest. Yet the way Fletcher weaves the tale, his client was simply trying to assist the man after a case of mistaken identity, the lawyer thinking on his feet in the courtroom to incorporate anything he can to bolster his summation of the facts.

Fletcher lives alone but spends a lot of time with the ladies, scoring like a juvenile delinquent with any cutie he sees fit to apply his lines on. His biggest goal in life is to make partner and he will do, and say, anything he can to achieve this goal, including neglecting his son on their visitation days, much to the chagrin of Audrey and Max. His son still loves him for all the goofy antics the man uses but has grown weary of the lies and on the eve of his fifth birthday Max makes a wish that his father tell the truth for once. By mystical means unknown, the wish is granted and Fletcher, having spent the night with one of the senior partners in the firm brushing up on his social skills , finds the harsh realities of his new condition when she asks him how good she was; the man answering that he has had better. This surprises him as much as her and sets the stage for Carrey to use his mugging comedy style in a series of dilemmas ranging from being pulled over by the police to a hilarious encounter with the storage lot personnel to his biggest career case of a tramp (perfectly played by Jennifer Tilly) trying to divorce her rich husband after Fletcher convinced her the day before how much of a victim she was for her seven indiscretions.

The mulligan behind the reason Fletcher is forced to tell the truth is completely sidestepped here and truth be told, it was a wise decision on the part of Director Tom Shadyac (he mentions it in detail on the audio commentary) since that would force the story into a lot of details unimportant to the moral of the story. While an imperfect tale, Carrey pulls it off  Tilly gave a great performance, though limited in scope, and Cooper as the child was perfect for the role, but this was Carrey’s baby all the way.

REVIEW: TWO AND A HALF MEN – SEASON 1-5

MAIN CAST

Charlie Sheen (Hot Shots)
Jon Cryer (Superman 4)
Angus T. Jones (Bringing Down The House)
Marin Hinkle (I Am Sam)
Melanie Lynskey (Heavenly Creatures)
Holland Taylor (D.E.B.S.)
Conchata Ferrell (Krampus)
April Bowlby (How I Met Your Mother)

RECURRING / NOTABLE GUEST CAST

Eugene Byrd (Bones)
Jennifer Taylor (Rumor Has it…)
Steven Tyler (Be Cool)
Liz Vassey (Tru Calling)
Eric Allan Kramer (The Incredible Hulk Returns)
Krista Allen (Mutant X)
Kristin Dattilo (Intolerable Cruelty)
Denise Richards (Valentine)
Cristine Rose (Heroes)
George Wyner (Spaceballs)
Rebecca McFarland (Faking It)
Megan Fox (Transformers)
Noel Fisher (Shameless US)
Richard Lewis (Drunks)
J.D. Walsh (The Crazy Ones)
Jenna Elfman (EdTV)
Juliette Goglia (Mike & Molly)
Vernee Watson (The Big Bang Theory)
Chris O’Donnell (Batman & Robin)
Teri Hatcher (Lois & Clark)
Jane Lynch (Glee)
Heather Locklear (The Return of Swamp Thing)
Stacey Travis (Easy A)
Cheryl White (Major Crimes)
Amy Farrington (Soul Survivors)
Yvette Nicole Brown (Community)
Kristin Richardson (Rock Star)
Sean Penn (Milk)
Elvis Costello (3rd rock From The Sun)
Harry Dean Stanton (Avengers Assembles)
Bobby Cooper (I Am Sam)
Ryan Stiles (Hot Shots)
Missi Pyle (Dodgeball)
Jeri Ryan (Star Trek: Voyager)
Camryn Manheim (Scary Movie 3)
Kelley West (Evenhand)
Paget Brewster (Anotehr Period)
Brian George (The Big Bang Theory)
Kristen Miller (Team America)
Alicia Coppola (Another World)
Ken Jeong (The Hangover)
Lucy Lawless (Ash vs Evil Dead)
David Starzyk (Veronica Mars)
Dylan Minnette (Lost)
Gigi Rice (The Man)
Cyntia Preston (Carrie 2013)
Candace Kita (Masked Rider)
Jodi Lyn O’Keefe (The Vampire Diaries)
Martin Sheen (The West Wing)
Emmanuelle Vaugier (Human Target)
Cloris Leachman (American Gods)
Josie Davis (Dirty Teacher)
Valerie Azlynn (Julia X)
Brian Smith (The Big Bang Theory)
Loren Lester (Batman: TAS)
Gail O’ Grady (American Dreams)
Diane Delano (The Ladykillers)
Kevin Sorbo (Hercules: TLJ)
Sandra McCoy (Power Rangers Wild Force)
Brian Patrick Wade (Agents of SHIELD)
Katherine LaNasa (Alfie)
Sara Rue (Mom)
Danielle Bisutti (Curse of Chucky)
Jessica Collins (Tru Calling)
Sab Shimono (Teenage Mutant Ninja Turtles 3)
Brooke Shields (Blue Lagoon)
Allison Janney (Mom)
Susan Sullivan (The Incredible Hulk)
Morgan Fairchild (Roswell)
Lamont Thompson (Mike & Molly)
Lee Garlington (Flashforward)
Judy Greer (Jurassic world)
Tammy Lauren (Wishmaster)
Kay Panabaker (No Ordinaru Family)
Andrea Savage (Izombie)
Enrique Iglesias (Desperado)
Rachel Cannon (The Big bang Theory)
Robert Wagner (Austin Powers)
Janeane Garofalo (Wet Hot American Summer)
Jennifer O’Dell (The Lost World)
Ming-Na Wen (Agents of Shield)
Jud Tyler (That 70s Show)
Richard Kind (Gotham)
Jenny McCarthy (The Bad Girl’s Guide)
Cerina Vincent (Power Rangers Lost Galaxy)
Christina Moore (That 70s Show)
Jamie Rose (Silk Stalkings)
Michael Lowry (The Longest Ride)
Carrie Reichenbach (Yes Man)
Hope Allen (Liar, Liar)
Susan Blakely (Over The Top)

Two and a Half Men was a television situational comedy (sitcom) about a carefree, womanizing bachelor whose life is turned upside down when his neurotic bother and son move in. The series first aired in 2003 and was widely received by audiences, as well as critics — winning the People’s Choice award for Favorite New Comedy Series. The show’s success is an excellent rounded cast, witty dialogue, and all-around goofy storylines. What it boils down to is that Two and a Half Men is a fun-filled sitcom that is nonstop with laughter.

In the series’ pilot episode introduces one of the three main characters, Charlie Harper (Charlie Sheen). He is an easygoing bachelor with a fabulous house on the beaches of Malibu. For work, he is a successful composer and writes jingles. Life is perfect for Charlie, with little responsibility, lots of money, and oodles of women. While spending an exotic evening with a female friend, Charlie’s life is disrupted when his brother Alan (Jon Cryer) shows up. Alan was married to Judith (Marin Hinkle) for twelve years. They have a son together named Jake (Angus T. Jones). Alan comes to Charlie in a time of need, after Judith kicked him out.

Charlie reluctantly lets his brother stay with him, but agrees on a temporary basis. Unfortunately for Charlie’s wild social life, Alan and his son Jake turn a short stay into a permanent one. Joining the two and a half men are Evelyn (Holland Taylor), the Harper boys’ domineering and loving mother, Rose (Melanie Lynskey), the crazy next-door neighbor who had a one night stand with Charlie and has been stalking him since, and Berta (Conchata Ferrell), the tough house keeper who is more than willing to put Charlie in his place

After the season one pilot episode, the series continues with Charlie, Alan, Jake, and company getting used to their new lives together. The show’s comedy follows two primary avenues. First, Charlie and Alan have opposite personalities. While Charlie is carefree and easygoing, Alan is neurotic and compulsive. They have different expectations of life and their personality clashes make for some fun moments. Second, the formulation of the Charlie-Alan-Jake relationship is constantly at the fore. Charlie’s hip lifestyle isn’t exactly the best influence for a 10-year-old boy, but Jake, on more than one occasion, takes after his uncle. And it drives Alan crazy to no end.In general, the comedy comes off rich. The three primary characters (Charlie, Alan, Jake) have a great chemistry together. Sheen’s character Charlie resembles his role of Charlie Crawford from Spin City. He has a quick and dry wit that plays well against Cryer and Jones. Cryer is especially good with his neurotic character and delivers a convincing performance. Jones brings a youthful innocence that compliments Sheen’s womanizing personality and Cryer’s neurotic behavior. The supporting characters offer decent additions to the cast, but are as strong as the three lead characters.

For fun season one episodes, some of the best deal with Charlie’s lifestyle shaping Jake. “If They Do Go Either Way, They’re Usually Fake” is a classic episode and a perfect example of the wonderful chemistry between the three lead actors. While having breakfast, Jake witnesses the undressed half of one of Charlie’s female friends. The incident peaks his interest in the female form (to Alan and Judith’s dismay). The result is several fun moments with a sexually-charged boy, a supporting Charlie, and two unhappy parents. “Big Flappy Bastards” is another fun one, where Jake rebels against Charlie’s authority and he learns what it means to be a parent.

Other fun episodes include “The Last Thing You Want Is to Wind Up With a Hump”, a solid episode with sex at the fore and a few desperate soccer moms, “Camel Filters And Pheromones”, Berta’s attractive granddaughter sets a (metaphorical) fire in the house, “An Old Flame With A New Wick”, Charlie’s ex-girlfriend resurfaces as a man and it is an awkward situation for the two and a half men, and “Can You Feel My finger?”, Charlie has a pregnancy scare and considers having a vasectomy.

Overall, Two and a Half Men is a fun sitcom with a strong leading cast and solid writing. The season one episodes are a great collection of episodes that will leave you laughing at every turn.

In season two, there is a lot of hilarious happenings for the cast of Two and a Half Men. Their crazy antics include fun situations from Charlie and Alan dating the same woman, Charlie’s womanizing past coming back to haunt him (in multiple flavors), Alan exploring his sexual side, Judith’s new boyfriend, Charlie and Alan facing their childhood, and Jake’s all-around goofiness. In short, the second season, like the first, offers twenty-four solid episodes.

One of the season’s funniest developments involves guest star Jeri Ryan. Ryan plays Sherri, who is essentially a female version of Charlie. Charlie first meets her in “Bad News From the Clinic”. He is shocked to learn that Sherri treats him as he usually treats his dates — purely for sex and pleasure. Charlie becomes obsessed with understanding why Sherri doesn’t want him more. It is a fun case of role-reversal for Charlie. In the episode “A Low, Guttural Tongue-Flapping Noise”, Ryan reprises her role as Sherri. This time she dates Alan. The relationship starts off on a good note, except for the fact that Alan’s brotherly obsession for competition gets in the way. It is a fun episode and twist.

Another strong development comes from Charlie’s past with women. As a womanizer, he has left a lot of broken hearts. In particular, one woman he had a one nightstand with started a website dedicated to Charlie bashing. After an attractive gal blows Charlie off, he learns about the website. In an attempt to correct his past mistakes, he quests to apologize to all of the girls who he thinks might be running the site. His apologizes are well received and he finds they are more than willing to give him a second “chance”. Charlie’s past also comes back to haunt him in episodes like “Woo-Hoo, A Hernia Exam!” and “Yes, Monsignor”.

Other fun developments include Charlie dating Jake’s neurotic teacher, Charlie acting as primary caregiver to Jake while Alan deals with an IRS audit, Alan falling in love with a woman who opened up his world sexually, Alan’s approval of Judith dating a well-to-do doctor, Judith moving into Charlie’s house, Jake and Evelyn trying to be friends, Alan and Charlie chasing after an old friend from high school — a geek-turned-hottie who wants them both, Alan going on a double-date with Evelyn, and Rose revealing an ironic truth about her background. Overall, season two has a lot of fun moments. The cast continues to give stellar performances with a wonderful chemistry together. Of note, Charlie Sheen is excellent and his carefree personality makes every scene he appears in a laugh riot. Jon Cryer is also quite good with his neurotic, goofy character. The youngest lead, Angus T. Jones, does a fine job complimenting the two older leads.

Season three is another fun set of episodes with two and a half of America’s funniest bachelors. The season has several classic, over-the-top episodes that include Charlie dating a cultist, Alan dating a grandmother, Jake taking ballet, and Rose’s dad entering the picture. There are also some good all-around developments for the cast. Notably, Charlie gives up on his bachelor lifestyle after meeting the perfect woman.

The season kicks off with “Weekend in Bangkok With Two Olympic Gymnasts”. Charlie tries to prove his value as a responsible adult. He agrees to run Alan’s office while he goes to a school appointment for Jake. Of course, Charlie makes a muck of things and Alan freaks out. This aspect is not a new development, as pretty much the entire show has centered on the conflict between Charlie’s carefree personality and Alan’s neurotic behavior.

The season gets better and better. The pinnacle occurs with episode six, “Hi, Mr. Horned One”. This episode has a goofy undertone. Charlie spends a ravenous few days with Isabella. She is an indifferent girl with ties to the underworld. When she meets Alan, they do not click. She puts a curse on him. It is a ridiculous episode that ends with on a great note. The next episode is “Sleep Tight, Puddin’ Pop”. This episode has classic written all over it. The real strength comes from the guest star Marin Sheen. After Charlie gets drunk and wakes up with Rose in his bed, Rose’s father (Martin Sheen) demands to know Charlie’s intentions for his daughter. But after meeting Evelyn, Rose’s dad becomes obsessed with her and moves in — father like daughter. It is a great episode with an awesome performance from Martin Sheen, who fits the show like a glove.

The next two episodes are also great and worth noting. In “That Voodoo That I Do Do”, Charlie meets Mia (Emmanuelle Vaugier), the woman of his dreams, who resists his charm. Charlie ties to win her over and fails. Eventually, he learns that she is a ballet teacher. To get on her good side, he pays Jake to take ballet lessons from her. The situation is simply funny and even kookier as Jake falls for her too. “Madame and Her Special Friend” has Alan at the center of an old tale. After trying to smooth things between Charlie and senior citizen neighbor Norma, Alan befriends her. One thing leads to another and he finds himself in an odd position as her young lover. Alan weighs his pride against material goods. He can have his own building dedicated to chiropractics; the catch, he has to sleep with her.

Overall, it is a solid season that has a lot of laughs and fun for everyone to enjoy.

At the end of season three, Charlie and Alan were headed away from bachelor life. Charlie and girlfriend Mia were getting close to tying the knot. However, when it became clear that Charlie would have to give up Alan and Jake for marriage, he picked family. Despite the fact Alan married his young, ditzy girlfriend Kandi, won five hundred thousand dollars, and bought a condo. Four months later, season four begins and life quickly gets back to normal. Kandi kicks Alan out and files for divorce. He is broke and goes back to Charlie. Since losing Mia, Charlie spent his time partying, boozing, and chasing women. Now, Charlie, Alan, and Jake get reacquainted and there are some solid laughs

Image result for two and a half men season 4 episode 4

 

After the guys settle back into bachelor life, there are a couple major season developments. The first development is Alan’s divorce. The early season episodes deal with his financial situation getting worse and worse. Alan loses his condo, his dog, his pride, and pays two alimonies after Judith gives Kandi her divorce lawyer. The flipside to this story is Judith and Herb’s relationship. They get engaged and Alan and Charlie do everything they can to get them hitched. Alan’s romantic life is also a big development. Some of his love interests include Berta’s daughter Naomi and guest stars Brooke Shields and Allison Janney.

Life for Charlie is busy as usual. He spends most of his time chasing after women, drinking, and working very little. “Apologies For the Frivolity” is a fantastic episode. Charlie dates a woman who has uncanny similarities to Evelyn. Everyone sees it but Charlie. In the episodes “Smooth As A Ken Doll” and “Aunt Myra Doesn’t Pee A Lot”, Charlie and Herb’s sister Myra hit it off. As the relationship gets intimate, Alan fears how it will affect Judith and Herb. Charlie worries because he thinks he has true feelings for Myra. Everyone is in for a surprise in this highly comical, yet ironic storyline. “Tucked, Taped and Gorgeous” is another solid episode, where Charlie’s sexuality comes into question, as does Alan’s. Charlie has many other fun interludes, but these ones are among the best.

As for Evelyn, there are a couple great episodes involving her and her overzealous sons. In “The Sea Is a Harsh Mistress”, Charlie goes surfing with a beautiful beach babe. The catch is that he does not know how to surf. He gets in an accident, which leaves him with a slight concussion. Just as Charlie’s life flashed before his eyes, he saw his father, who told him to take care of mother. Charlie teams with Alan to treat their mother better. “I Merely Slept With a Commie” is another fun episode with Evelyn. She makes Charlie and Alan jealous by getting a new family. Overall, season four continues the enjoyable and hilarious comedy found in past seasons.

Two and a Half Men continues to stand as a testament that a product doesn’t need to be complicated in order to work, as it continues to deliver just as many laughs during its fifth season as it did in its first. The fifth season opens a whole new world of refreshingly snappy one liners between the brothers as Charlie begins seeing matured women, as opposed to the young college meat he normally keeps under the sheets.

What also helps the brothers dynamic this season is Alan’s son, Jake. This character has been used as a tool to bring a little more depth and variety to the situations the guys can get into, and although this aspect of the show hasn’t changed that much, the changes depicted in Jake’s life ensures the episodic storylines continue to stay fresh. This season we see Jake start junior high, and it brings on all the adolescent phases that comes with it. He starts dating, sneaking out of the house, and begins to cling to Charlie a little more since he’s the cool uncle that won’t father him to death.

Although these central points from season five are adequate enough to keep the show feeling fresh, a most noteworthy episode named Fish in a Drawer is a huge highlight. The episode is part of an ‘episode swap’, as the writers of CSI and Two and a Half Men switched writing duties for a week. The CSI writers have designed this particular episode to be a spoof of their very own series, and focuses on investigating a death that occurs in Charlie’s home during his mother’s wedding reception. Can you imagine the kind of jokes that could be conjured up using crime scene equipment in Charlie’s bedroom?

Two and a Half Men’s game has also stepped up with the inclusion of numerous guest stars, such as Jenny McCarthy, Janeane Garofalo, Ryan Styles, Robert Wagner and more. Fan favorite characters such as Berta, Evelyn Harper and Charlie’s stalker Rose, are all still here and utilized to a greater extent.