REVIEW: X-MEN: DARK PHOENIX

Starring

James McAvoy (Split)
Michael Fassbender (Shame)
Jennifer Lawrence (Joy)
Nicholas Hoult ((The Favourite)
Sophie Turner (Game of Thrones)
Tye Sheridan (Ready Player One)
Alexandra Shipp (Shaft)
Kodi Smit-McPhee (Let Me In)
Evan Peters (Kick-Ass)
Jessica Chastain (IT: Chapter Two)
Ato Essandoh (Garden State)
Andrew Stehlin (King Kong)
Scott Shepherd (Jason Bourne)
Brian d’Arcy James (First Man)
Halston Sage (The Orville)
Lamar Johnson (Kings)
Summer Fontana (THe Originals)
Hannah Emily Anderson (Jigsaw)

Jennifer Lawrence in Dark Phoenix (2019)In 1975, eight-year-old Jean Grey and her parents get into a car accident that kills her mother. Shortly afterward, Professor Charles Xavier takes her to Xavier’s School for Gifted Youngsters.Jessica Chastain and Sophie Turner in Dark Phoenix (2019)In 1992, nine years after the worldwide chaos caused by En Sabah Nur, the X-Men are seen as heroes by the public. The President summons them for assistance during a crisis and responds to a distress signal from the space shuttle Endeavour, which is critically damaged by a solar flare-like energy during the STS-49 mission. While the X-Men save all of the astronauts, Jean is stranded and is struck by the energy which she absorbs into her body to save the X-Men’s aircraft from destruction. Jean survives the event and her psychic powers are greatly amplified as a result, but they become uncontrollable and she accidentally unleashes her power on the mutants celebrating at Xavier’s school.Jennifer Lawrence and Sophie Turner in Dark Phoenix (2019)It is revealed that Xavier had placed mental walls in Jean’s mind as a little girl to protect her psychic mind from experiencing trauma. These mental walls are destroyed by Jean’s enhanced power and the trauma slowly returns, resulting in her being full of desire, rage, and pain. She then travels to her childhood hometown after finding out that her father is still alive and learned that he abandoned her. Jean recovers her complete memory of the car accident and remembers that she had inadvertently caused it rendering her mother unconscious at the wheel with her telepathy, which causes her to develop post-traumatic stress disorder. The X-Men arrive and attempt to take Jean home but she injures Quicksilver and accidentally kills Mystique before flying away.Sophie Turner in Dark Phoenix (2019)Jean travels to the mutant refugee island of Genosha to seek assistance from Magneto in controlling her rage, but is turned away by Erik after she engages in combat with U.S. military forces tasked with her arrest. Jean meets Vuk, the leader of a shape-shifting alien race known as the D’Bari, who explains to her that she has been possessed by a force of cosmic power which wiped out the D’Bari home planet years ago. The power had consumed all those it came across until it was drawn to Jean. Meanwhile, Hank McCoy (Beast), mad with grief by Raven’s death, allies with Erik and the mutant refugees in an attempt to kill Jean in New York City and avenge Raven.Sophie Turner in Dark Phoenix (2019)Upon learning of Erik’s plan, the X-Men try to stop him and his faction of mutants. As they battle, Erik manages to enter the building and confront Jean, only to fall to her amplified powers. Xavier then enters the building with Nightcrawler. Jean attacks them until Xavier convinces her to read his memories—allowing her personality to resurface. Feeling remorseful, Jean offers to let Vuk take the force from her; however, it is revealed that doing so would kill Jean, as well as revealing that Vuk also intends to use the force to conquer Earth. Xavier and Scott are able to prevent Vuk from fully absorbing the force from Jean, though Jean loses consciousness from the ordeal. Troops sent by the U.S. government, who use stun weapons and power-inhibiting collars, attack and subdue both mutant factions, who are placed on a train headed towards a containment facility.Sophie Turner in Dark Phoenix (2019)On the train, a remorseful Xavier admits to a seething Hank that the latter was right in his earlier accusations of violating Jean’s mind. The train is attacked by Vuk and her D’Bari forces. When the soldiers are overpowered by the shape-shifters, the mutants are freed from their restraints to combat the threat. The mutants deal with most of the D’Bari attackers, but Vuk arrives and heads for Jean, defeating each mutant who attempts to stop her. Xavier confers with Jean within his mind, allowing Jean to gain control of her power. After forgiving Xavier, Jean saves the mutants from Vuk’s attacks and the ensuing train wreck before proceeding to easily disintegrate the remaining D’Bari when they attack her. Vuk once again attempts to drain Jean of the force, but Jean takes Vuk into outer space, retakes the power that Vuk had received earlier, and then kills her. Jean then disappears in a burst of energy in the form of a phoenix.Jessica Chastain in Dark Phoenix (2019)In the aftermath of the incident, Xavier’s school is renamed the “Jean Grey School for Gifted Youngsters”, and Hank becomes their new dean with Xavier having retired after decades of fighting for mutant rights. While settling himself in Paris, Xavier is reunited with Erik and reluctantly agrees to play a game of chess with him. As they start playing, a flaming phoenix appears in the sky.Sophie Turner in Dark Phoenix (2019)This movie is NOT a masterpiece nor is it the best X-men movie,  But if all you want is a decent enjoyable theater experience where you can momentarily forget a somewhat uneventful life and focus on some effective PG-13 fantasy, then Dark Phoenix won’t be a bad recommendation

REVIEW: BAD LAND: ROAD TO FURY (aka THE YOUNG ONES)

CAST

Nicholas Hoult (X-Men: Apocalypse)
Michael Shannon (Man of Steel)
Elle Fanning (Super 8)
Kodi Smit-McPhee (Let Me In)
Robert Hobbs (District 9)
Aimee Mullins (Stranger Things)
Alex McGregor (Searchers)

In a post-drought apocalypse United States, people kill for water. Ernest Holm lives with his son Jerome and daughter Mary in their small townhouse and field. His wife has been involved in an accident earlier and is now permanently hospitalized in a facility where she can walk while wired to a special frame. While everyone else has left the area, Ernest and his family remain, as Ernest believes that the land will grow once more if only there is irrigation. Ernest gets water for his family by delivering supplies to the “water men” who extract water from deep wells through a government deal. When his mule breaks its legs and he has to kill it, Ernest goes to Sam Lever’s auction house and buys a robotic carrier machine called Simulit Shadow (“Sim”) to replace it, beating the offers of Flem Lever, Sam’s son, a young, troubled man who has been seeing Mary without Ernest’s consent.One morning, Ernest finds the Sim is missing, and he goes looking for it. When he gets to the water men, he is accused of stealing their supplies. He finds Flem transporting the stolen supplies with the Sim; Flem plans to sell them at the border. Ernest takes Flem captive, ties him to the machine, and aims to take the supplies back to the water men. When they stop due to dehydration, Flem convinces Ernest to rehydrate with the liquor they are transporting. Wanting to escape, Flem throws a stone at Ernest’s head and frames the machine for Ernest’s death. Flem marries Mary after helping the family obtain illegal irrigation from the water men, thus saving their farm, which was originally Flem’s father’s. But after finding out Ernest had overwhelming debts to repay to a bank, which is now going to repossess the farm, Flem tricks his friend Robbie into selling his baby behind his wife’s back. Robbie is killed and the Sim is lost in an altercation with the buyers. However, the machine returns limping and mangled to its manufacturer, who resides in a city across the border. The owner, Calvin Hooyman, reaches Jerome at the Holm residence via CB radio, informing him about the machine.Jerome crosses the border with the help of Anna, a girl who lives with the “settlers”, people fighting back against the government’s regulations and considered terrorists. Jerome meets Calvin, who gives the repaired Sim back to him, and shows Jerome how the machine’s laser sensor behaves like a rudimentary video recorder. Jerome plays the recording and finds the truth about Ernest’s death. Arriving home before Flem, Jerome questions him as to how the machine found its way home, since Flem claimed to have sold it in order to repay the debt. Flem’s lies only infuriate Jerome more, but at first he takes no action. Instead, he lures Flem out in the desert by posing as Robbie via radio and letters, ultimately causing Flem to fall into a pit trap and break his legs. As Flem cries for help, Jerome, who has been secretly following him, comes at the pit’s mouth. Flem realizes that Jerome knows about what happened to Ernest. He tries to elicit Jerome’s mercy, but Jerome coldly shoots him in the head. Jerome ultimately decides to withhold these events and the circumstances of Ernest’s death from Mary, who is pregnant with Flem’s child. Brother and sister remain in the house, planning to bring their mother there from the hospital now that they can pay for her brace wires, and wishing the baby will be a girl. A gritty film, it’s a futuristic dust bowl tale as grim as Grapes of Wrath. It’s memorable and keeps your attention, while portraying Sci-Fi in a very believable way. The mix of poverty and high technology, the extremes of the haves and have-nots, and water shortages in the US, amplifies the current state of a society as all good sci-fi films do.

REVIEW: THE ROAD

Starring

Viggo Mortensen (Lord of The Rings)
Kodi Smit-McPhee (Let Me In)
Charlize Theron (Mad Max: Fury Road)
Robert Duvall (Days of Thunder)
Guy Pearce (Iron Man 3)
Molly Parker (Lost In Space)
Michael Kenneth Williams (Ghostbusters)
Garret Dillahunt (Terminator: TSCC)

Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)A man and his young son struggle to survive after a global cataclysm has caused an extinction event. They scavenge for supplies and avoid roaming gangs as they travel on a road to the coast in the hope that it will be warmer. Years earlier, the man’s wife gives birth to their son shortly after the catastrophe and she gradually loses hope. When the man shoots an intruder using one of three bullets they have saved for their family as a last resort, she accuses him of wasting the bullet deliberately to prevent her suicide. Removing her coat and hat, she walks into the woods, never to be seen again.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)In the present, after shooting a member of a gang of cannibals who stumbles upon them, the man is left with only one bullet. Later, exploring a mansion, he and the boy discover people locked in the basement, imprisoned as food for their captors. When the armed cannibals return, the man and his son hide. With discovery imminent, the man prepares to shoot his son, but they flee when the cannibals are distracted by the escaping captives. Further down the road, the man and boy discover an underground shelter full of canned food and supplies. They feast and bathe. When they hear noises above, including a dog, he decides it is too dangerous to remain. Further down still, the son persuades him to share food with a near-blind old man.Viggo Mortensen in The Road (2009)At the coast, the man leaves the boy to guard their possessions while he swims out to scavenge a beached ship. The boy falls asleep and their supplies are stolen. The man chases down the thief and takes everything from him, even his clothes. This distresses the boy so much the man turns back and leaves the clothes and a can of food for the thief. As they pass through a ruined town, the man is shot in the leg with an arrow. He kills his ambusher with a flare gun he found on the ship and finds the archer’s female companion in the same room. The man thinks the archer and woman were following them, but she says it was the other way around. He leaves her weeping over the body.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)Weakened, the man and boy abandon their cart and most of their possessions. The man’s condition deteriorates and eventually he dies. The boy is approached by a man who, with his wife, two children, and dog, convinces the boy he is one of the “good guys” and takes him under his protection. The wife says they have been following the boy and his father.Viggo Mortensen in The Road (2009)The tone and art direction are spot on, the acting is excellent, the story is a perfect adaptation of the book, but it isn’t a groundbreaking film. The Road is as good as adaptations get, one of the best I have ever seen. It wasn’t a white-knuckle film the way No Country was, nor was it nearly as well directed. But, it’s a riveting and engaging film, and it’s a fantastic story of two characters. In the end, that’s enough of a reason for it to be a great movie. As for my expectations: it blew me away. Despite a delay and a bad trailer, The Road is an impressive film.

 

 

REVIEW: DEADPOOL 2: THE SUPER DUPER CUT

CAST

Ryan Reynolds (The Hitman’s Bodyguard)
Josh Brolin (Avengers: Infinity War)
Morena Baccarin (Gotham)
Julian Dennison (Godzilla vs. Kong)
Zazie Beetz (Geostorm)
T.J. Miller (Cloverfield)
Brianna Hildebrand (The Exorcist TV)
Jack Kesy (12 Strong)
Stefan Kapicic (Big Miracle)
Leslie Uggams (Empire)
Karan Soni (Office Christmas Party)
Shioli Kutsuna (The Outsider)
Eddie Marsan (21 Grams)
Lewis Tan (Iron Fist)
Bill Skarsgård (IT)
Terry Crews (The Expendables)
Brad Pitt (Ocean’s Eleven)
Alan Tudyk (Rogue One)
Matt Damon (Dogma)
Mike Dopud (Arrow)
Nicholas Hoult (Mad Max: Fury Road)
James McAvoy (Split)
Evan Peters (Kick-Ass)
Tye Sheridan (Ready Player One)
Alexander Shipp (X-Men: Apocalypse)
Kodi Smit-McPhee (Let Me In)

The “Super Duper” cut of Deadpool 2 probably isn’t going to drastically change anybody’s mind on the movie: if you liked it, there’s more stuff to like; if you didn’t, and unless your chief complaint was “the tonal balance didn’t get it quite right,” it’s not like Ryan Reynolds suddenly decides not to be the same kind of character he always likes to play. It’s still a bit of a superhero tonal clash, as the satirical vibe of the first Deadpool collides with what feels more like the X-Men cinematic universe proper. But where the theatrical cut went for a fairly even balance, the Super Duper version falls (I don’t want to say “errs,” because it’s not really an error) on the side of Deadpool. The fact that a two-part post-credits scene featuring Wade “Deadpool” Wilson (Reynolds) encountering baby Hitler has been reinstated really says it all in that regard.This is a lot more thoughtful than a standard “unrated” cut, however. Yes, you’ll see more violence, more graphic stabbings, more blood, more nudity (including an oddly digitally pixellated male private area), and more shots of characters flipping each other off. Jokes are allowed to run longer, which may be a matter of taste–I’m a fan of jokes that go on and on to the point of absurdity, and by giving Josh Brolin’s time-traveling cyborg Cable more “grimdark” speechifying, this version actually turns him from a Frank Miller-type character to more of an Alan Moore parody of same.But then there are actual cinematic changes, too. Music cues in some cases are completely different, substituting hard-charging action score for lower-key or counter-intuitive tunes that make for a more comedic tone and render some of the extreme violence more slapstick (Boo to replacing the acoustic “Take on Me” with a replay of Celine Dion’s “Ashes,” though). We now meet Russell/Firefist (Julian Dennison) before Deadpool does, as their stories are shown on parallel tracks: as a broken Deadpool goes to the X-Mansion to be fixed, a not-broken Russell goes to the “Reeducation Center” to be tortured by Eddie Marsan’s headmaster, whose evil is more telegraphed in advance. When Russell later laments how he keeps waiting for someone to save him but nobody ever does, it carries that much more weight.Some choices feel like freedom from studio mandates: there are more digs at Fox and competing superhero movies, and a running gag about Deadpool accusing Cable of being racist that was probably too iffy for the suits. Other added running gags make existing ones more funny with callbacks: “Donde esta la biblioteca,” is the most notable, but Deadpool also snickers like Beavis and Butt-head in a few scenes now; for example, whenever Cable says something like “You always make it hard.” Speaking of butts, the whole “prison wallet” sequence involving Russell’s hidden pen has some enhanced gross-out sound effects, which actually make Deadpool’s revulsion to it throughout the movie a bit more understandable. And Colossus gets propositioned a lot more, with Deadpool at one point getting close to undoing his pants…and we won’t speak of what he does to the soap dispenser (what was only hinted at before is spelled out in full now).None of this takes away from the movie’s central theme, however, that Wade Wilson is presented with two possible alternate versions of himself: in Russell, a funny kid consumed with pain; and in Cable, a guy who’s gone past pain to being dead inside and stone-cold ruthless outside. Forced to find a way to somehow make peace between the two, Wade’s going to need a lot of luck and compassion, which he finds literally embodied in Domino (Zazie Beetz) and Colossus (Stefan Kapicic). It becomes, as promised early on, a (dysfunctional) family movie about pushing yourself and others out of emotional ruts, and not making friendship conditional. In that spirit, the scene that calls back to X-Men Origins: Wolverine now basically has Reynolds pleading for a Wolverine and Deadpool movie. It’s unlikely he’s hinting at something actually in the works, rather than just trying to get an idea out there, but it’s a significant change.Is it an entirely different experience, as Ryan Reynolds suggested at the Comic-Con panel earlier in the day? Not really. But it does feel a touch more comic-booky, and if you’re a Deadpool fan, that’s pretty much a plus.

 

REVIEW: DEADPOOL 2

CAST

Ryan Reynolds (The Hitman’s Bodyguard)
Josh Brolin (Avengers: Infinity War)
Morena Baccarin (Gotham)
Julian Dennison (Godzilla vs. Kong)
Zazie Beetz (Geostorm)
T.J. Miller (Cloverfield)
Brianna Hildebrand (The Exorcist TV)
Jack Kesy (12 Strong)
Stefan Kapicic (Big Miracle)
Leslie Uggams (Empire)
Karan Soni (Office Christmas Party)
Shioli Kutsuna (The Outsider)
Eddie Marsan (21 Grams)
Lewis Tan (Iron Fist)
Bill Skarsgård (IT)
Terry Crews (The Expendables)
Brad Pitt (Ocean’s Eleven)
Alan Tudyk (Rogue One)
Matt Damon (Dogma)
Mike Dopud (Arrow)
Nicholas Hoult (Mad Max: Fury Road)
James McAvoy (Split)
Evan Peters (Kick-Ass)
Tye Sheridan (Ready Player One)
Alexander Shipp (X-Men: Apocalypse)
Kodi Smit-McPhee (Let Me In)

Ryan Reynolds and Zazie Beetz in Deadpool 2 (2018)After successfully working as the mercenary Deadpool for two years, Wade Wilson fails to kill one of his targets on his anniversary with his girlfriend Vanessa. That night, after the pair decides to start a family together, the target tracks Wilson down and kills Vanessa. Wilson kills the man in revenge. He blames himself for her death and attempts to commit suicide six weeks later by blowing himself up. Wilson has a vision of Vanessa in the afterlife, but the pieces of his body remain alive and are put back together by Colossus. Wilson is left with only a Skee-Ball token, an anniversary gift, as a final memento of Vanessa.Josh Brolin in Deadpool 2 (2018)Recovering at the X-Mansion, Wilson reluctantly agrees to join the X-Men as a form of healing. He, Colossus, and Negasonic Teenage Warhead respond to a standoff between authorities and the unstable young mutant Russell Collins / Firefist at an orphanage, labeled a “Mutant Reeducation Center”. Wilson realizes that Collins has been abused by the orphanage staff, and kills one of the staff members. Colossus stops him from killing anyone else, and both Wilson and Collins are arrested. Restrained with collars that suppress their powers, they are taken to the Ice Box, an isolated prison for mutant criminals. Meanwhile, a cybernetic soldier from the future, Cable, whose family is murdered by an older Collins, travels back in time to kill the boy before Collins ever becomes a killer.Cable breaks into the Ice Box and attacks Collins. Wilson, whose collar has broken in the melee, attempts to defend Collins. After Cable takes Vanessa’s token, Wilson forces himself and Cable out of the prison, but not before Collins overhears Wilson deny that he cares for the young mutant. Near death again, Wilson has another vision of Vanessa in which she convinces him to help Collins. Wilson organizes a team called X-Force to break Collins out of a prison-transfer convoy and defend him from Cable. The team launches its assault on the convoy by parachute, but all of the members die during the landing except for Wilson and the lucky Domino. While they fight Cable, Collins frees fellow inmate Juggernaut, who agrees to help Collins kill the abusive orphanage headmaster. Juggernaut destroys the convoy, allowing himself and Collins to escape.Cable offers to work with Wilson and Domino to stop Collins’ first murder, and agrees to give Wilson a chance to talk Collins down. At the orphanage, they are overpowered by Juggernaut while Collins attacks the headmaster, until Colossus—who had at first refused to help Wilson due to Wilson’s murderous ways—arrives to distract Juggernaut. When Wilson fails to talk down Collins, Cable shoots at the young mutant. Wilson leaps in front of the bullet while wearing the Ice Box collar and dies, reuniting with Vanessa in the afterlife. Seeing this sacrifice, Collins does not kill the headmaster; this changes the future so that Cable’s family now survives. Cable uses the last charge on his time-traveling device, which he needed for returning to his family, to go back several minutes and strap Vanessa’s token in front of Wilson’s heart. Now when Wilson takes the bullet for Collins, it is stopped by the token and both survive. Collins still has his change of heart, and afterwards, the headmaster is run over by Wilson’s taxi-driver friend Dopinder.Ryan Reynolds in Deadpool 2 (2018)In a mid-credits sequence, Negasonic Teenage Warhead and her girlfriend Yukio repair Cable’s time-traveling device for Wilson. He uses it to save the lives of Vanessa and X-Force member Peter, and kills both X-Men Origins: Wolverine’s version of Deadpool and actor Ryan Reynolds while he is considering starring in the film Green Lantern.The first Deadpool is one of my favorite films of all time, and I figured no way even DP2 could beat it, but it did. This film is sheer perfection in every aspect. We need more of these type of films that make you forget all the garbage going on in today’s society… a film that has every positive element including top-notch non-stop comedy . Props to  Ryan Reynolds for topping what I thought could not be topped! This franchise needs to continue and I can’t wait for DP3! I will see this film again and again and I can’t wait to add the bluray to my collection next to DP1. A perfect and well deserved 10/10 from me!

REVIEW: DAWN OF THE PLANET OF THE APES

CAST
Andy Serkis (The Hobbit)
Jason Clarke (Terminator Salvation)
Gary Oldman (Robocop 2014)
Keri Russell (Waitress)
Toby Kebbell (Fantastic Four 2015)
Kodi Smith-McPhee (X-Men: Apocalypse)
Kirk Acevedo (Fringe)
Judy Greer (Ant-Man)
Keir O’Donnell (American Sniper)
J.D. Evermore (Cloak & Dagger)
Michael Papajohn (Spider-Man)
Ten years after the worldwide pandemic of the deadly ALZ-113 virus, or Simian Flu, human civilization is completely destroyed following martial law, civil unrest and the economic collapse of every country in the world. Over 90% of the human population has died in the pandemic, while apes with genetically enhanced intelligence have started to build a civilization of their own. Near the ruins of San Francisco, Caesar leads and governs an ape colony located in the Muir Woods. While walking through the forest, Caesar’s son Blue Eyes and his friend Ash encounter a human named Carver, who panics and shoots Ash, wounding him. Carver calls for the rest of his small party of armed survivors, led by a man named Malcolm, while Blue Eyes calls for the other apes. Caesar orders the humans to leave. The remaining humans in San Francisco, who are genetically immune to the virus, are living in a guarded and unfinished high-rise tower within the ruined city. Prompted by Koba, a scarred bonobo who holds a grudge against humans for his mistreatment, Caesar brings an army of apes to the city tower where he conveys the message that while the apes do not want war, they will fight to defend their home. He demands that the humans stay in their territory and states the apes will stay in theirs too.
Malcolm convinces his fellow leader Dreyfus to give him three days to reconcile with the apes to gain access to a hydroelectric dam in their territory, which could provide long-term power to the city. Dreyfus, distrustful of the apes, arms survivors using an abandoned armory. Malcolm then travels into the ape village, but is captured by gorilla guards, who bring him to Caesar. After a tense discussion, Caesar allows Malcolm to work on the dam’s generator, if they surrender their guns. As Malcolm, his wife Ellie and son Alexander work, they bond with the apes. Mutual distrust of both sides gradually subsides; the truce is endangered when Caesar’s infant son Milo discovers a shotgun smuggled in by Carver, but the two sides reconcile when Ellie offers to help treat Caesar’s ill wife Cornelia with antibiotics. Meanwhile, Koba discovers the armory and confronts Caesar, questioning his allegiance and taunting him over his “love” for humans. In response, Caesar severely beats Koba, but at the last moment refrains from killing him; adhering to his philosophy that “ape not kill ape”, Caesar hesitantly forgives Koba. The furious Koba then returns to the armory, where he steals an assault rifle and murders two human guards. Returning home, he secretly kills Carver, stealing his lighter and cap.
The dam is eventually repaired, restoring power to the city. During the celebration, Koba sets fire to the apes’ home, then, unseen to anyone else, shoots Caesar in the shoulder, causing him to fall from the settlement’s main tree. In the panic of the loss of the alpha and the fire, Koba takes charge, and having planted Carver’s cap at the scene of the shooting, urging the apes to fight against the humans. Malcolm’s group hides as Koba leads the apes into San Francisco. The apes plunder the armory and charge the tower’s gates. Despite heavy casualties, the apes breach the gates using a hijacked tank, overrun the tower and imprison all the humans as Dreyfus flees underground. When Ash refuses Koba’s orders to kill unarmed humans, citing Caesar’s teachings, Koba kills Ash and imprisons all those known to be loyal to Caesar.
Malcolm’s group finds Caesar barely alive and transport him to his former home in San Francisco. Caesar reveals to Malcolm that Koba shot him, realizing his notion that apes were better than humans was naïve and that apes can be as violent as humans. Malcolm leaves the group and heads to the city to find medical supplies for Caesar. While looking for medical supplies, Malcolm encounters Blue Eyes; disenchanted with Koba’s leadership, the young ape spares Malcolm’s life and returns to the house with him, where he reconciles with his father. Caesar grows nostalgic watching a video clip from his childhood of his former owner and father figure Will Rodman on his old camcorder as Malcolm learns of Caesar’s past. A plan is put into action: Blue Eyes returns to the tower and frees the caged humans and apes loyal to Caesar, then Malcolm leads the apes, unseen, into the tower from below. After accomplishing this, Malcolm encounters Dreyfus, who informs him that his men have made radio contact with military survivors at a base to the north, who are on their way to help fight the apes. Caesar confronts Koba at the top of the tower, but as they battle, Dreyfus detonates C-4 charges he has planted beneath the tower. The resulting explosion kills him and collapses part of the tower. Caesar overpowers Koba, with Koba hanging over the edge of the tower. Pleading for his life, Koba reminds Caesar that apes do not kill apes, but Caesar states that Koba is not an ape and lets him fall to his death.
Malcolm informs Caesar of the impending arrival of human military reinforcements and both lament the lost opportunity for peace. Caesar tells Malcolm that the humans will never forgive the apes for the war they started and advises him to leave with his family for safety as the two of them acknowledge their friendship. As Malcolm disappears into the shadows, Caesar stands before a kneeling mass of apes, awaiting the war to come.
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The exhilarating action scenes and set pieces are of a grander scale than in ‘Rise’ and with the use of some truly spectacular digital effects that are as realistic as any you will see, makes for an absorbing visual feast. But the finest achievements of the film lie in it’s thoughtful, emotional core, that cleverly aligns our sympathies with both apes and humans and makes for a moving and thoroughly rewarding experience that is far removed from the one-dimensionality of today’s brainless blockbusters.

REVIEW: X-MEN: APOCALYPSE

CAST

James McAvoy (Wanted)
Michael Fassbender (Prometheus)
Jennifer Lawrence (joy)
Oscar Isaac (Star Wars: The Force Awakens)
Nicholas Hoult (Warm Bodies)
Rose Byrne (Bad Neighbours)
Evan Peters (Kick-Ass)
Tye Sheridan (The Forger)
Sophie Turner (Game of Thrones)
Olivia Munn (The Babymakers)
Alexandra Shipp (House of Anubis)
Lucas Til (Macgyver)
Josh Helman (Mad Max: Fury Road)
Ben Hardy (Eastenders)
Lana Condor (Patriots Day)
Hugh Jackman (Pan)
Tómas Lemarquis (Snowpiercer)
Željko Ivanek (Heroes)
Kodi Smith-McPhee (The King)
Stan Lee (Avengers Assemble)
Monique Ganderton (Avengers: Endgame)

En Sabah Nur, a powerful mutant believed to be the first of his kind, rules ancient Egypt until he is betrayed by his worshippers, who entomb him alive. His four lieutenants die preserving him. Awakening in 1983, he believes humanity has turned to “false gods” in his absence. Aiming to save the world by destruction and remake it, he recruits Cairo pickpocket Ororo Munroe, who can control weather, and upgrades her power.

In East Berlin, shape-shifting mutant Raven investigates an underground fight club and discovers mutant champion Angel, who possesses a pair of large feathered wings on his back, and Kurt Wagner, who can teleport. Raven rescues Kurt and employs the services of black marketeer Caliban to transport him to America. En Sabah Nur recruits Caliban’s enforcer, Psylocke, who leads him to Angel. En Sabah Nur enhances both their powers, transforming Angel’s wings into metal wings.

Alex Summers discovers that his younger brother, Scott, is manifesting his mutation for shooting optic beams. Alex takes Scott to Professor Charles Xavier’s educational institute in Westchester County, New York in hopes that Xavier and Hank McCoy will teach him how to control his abilities. Scott meets the telepathic and telekinetic Jean Grey, and the two develop an attraction. Raven brings Kurt to the institute. Apocalypse’s powers cause disturbances around the world, leading Xavier and Alex to consult with CIA agent Moira MacTaggert, who has been researching the legend of Nur.

In Communist Poland, the metal-controlling mutant Erik Lehnsherr lives with his wife and their young daughter, Nina. He uses his powers to save a coworker, prompting militia to come capture him. When they accidentally kill Erik’s family, he retaliates by murdering them. En Sabah Nur later approaches the devastated Erik and tells him,”Come and see”. Next, Apocalypse takes him to Auschwitz where Erik’s power first manifested. Apocalypse reveals himself as the one true god variously dubbed “Elohim, Shen, Ra.” Erik destroys the camp and joins him.

En Sabah Nur enters Xavier’s mind while Xavier is using the mutant-locating computer Cerebro and, co-opting Xavier’s powers, forces all global superpowers to launch Earth’s entire nuclear arsenal into space to prevent interference. He and his new lieutenants arrive at the mansion and kidnap Xavier. Attempting to stop them, Alex accidentally causes an explosion that destroys the mansion. Peter Maximoff — having learned that he is Erik’s son, and hoping that Xavier can help to find him—arrives in time to use his super-speed to evacuate the students just before the explosion destroys the building, but Alex is presumed dead. Colonel William Stryker’s forces subsequently capture Hank, Raven, Peter, and Moira, and take them to a military facility for interrogation. Scott, Jean and Kurt covertly follow and liberate their comrades using Stryker’s mind-controlled and brainwashed experiment, Weapon X, whose memories Jean partially restores.

At En Sabah Nur’s behest, Erik uses his powers to control Earth’s magnetic poles, causing widespread destruction across the planet and mass casualties. En Sabah Nur plans to transfer his consciousness into Xavier’s body and use Xavier’s power to enslave the minds of every person on earth. Xavier secretly sends a telepathic distress call to Jean, and the others travel to Cairo to battle Apocalypse and his horsemen. They rescue Xavier, but he loses his hair as the process nears completion. Angel is defeated and incapacitated in the battle. Erik and Ororo are convinced to turn on En Sabah Nur and, with the help of Scott, they keep him occupied physically while Xavier fights him telepathically in the astral plane. Finally, Xavier encourages Jean to unleash the full extent of her powers, incinerating En Sabah Nur. In the ensuing chaos, Psylocke flees.

Xavier and Moira rekindle their relationship. Erik and Jean help reconstruct the school, but Erik refuses Xavier’s offer to stay and help teach. Peter decides not to tell Erik yet that he is Erik’s son. As the new X-Men, Hank and Raven train new recruits Scott, Jean, Ororo, Kurt and Peter.

In a post-credits scene, men in suits visit the Weapon X facility to retrieve data on Stryker’s mutant research, including an X-ray and a blood sample marked “Weapon X”, on behalf of the Essex Corporation.For some reason X men Apocalypse has taken a beating from critics and fans and to be honest I don’t really no why. I went to see this film with slightly lowered expectations following the early reviews and maybe that helped because I thoroughly enjoyed it. The cast was great. The old and the new the story was interesting and the villain serviceable. Perhaps it’s because now we get so many comic book movies that people compare too much but I wouldn’t compare the X men to anything else out there. It’s another solid entry in the franchise.