REVIEW: BONES – SEASON 1

Starring

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Yellowstone)
Eric Millegan (The Phobic)
T. J. Thyne (Ghost World)
Jonathan Adams (Justice League: Crisis on Two Earths)

David Boreanaz and Emily Deschanel in Bones (2005)

Recurring / Notable Guest Cast

Sam Trammell (The order)
Chris Conner (Altered Carbon)
Larry Poindexter (17 Again)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
José Zúñiga (Next)
Anne Dudek (Mad Men)
Heavy D (The Cider House Rules)
Alex Carter (Out of Time)
Toby Hemingway (The Covenant)
Marguerite MacIntyre (The Vampire Diaries)
Tom Kiesche (Breaking Bad)
Morris Chestnut (Kick-Ass 2)
Bokeem Woodbine (Spider-Man: Homecoming)
Laz Alonso (Avatar)
Robert Gossett (The Net)
Rachelle Lefevre (Twilight)
Heath Freeman (Raising The Bar)
Michael Rothhaar (Eli Stone)
Josh Hopkins (Cold Case)
Alicia Coppola (Another World)
Leonard Roberts (Heroes)
Rachel Miner (Bully)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy: TVS)
Claire Coffee (Grimm)
Michael B. Silver (Legally Blonde)
Penny Marshall (The Simpsons)
Zeljko Ivanek (Heroes)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (The Punisher)
John M. Jackson (NCIS: Los Angeles)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Aaron Pearl (Breaking Bad)
Josh Keaton (Avengers Assemble)
Adriana DeMeo (Killer Movie)
Matt Barr (Sleepy Hollow)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Crank)
Emilio Rivera (Venom)
Michael Bowen (Kill Bill)
Adam Baldwin (Chuck)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (The Hateful Eight)
Clayton Rohner (Ozark)
Mercedes Colon (The Fosters)
Robert Foxworth (Transformers)
Rodney Rowland (Legacies)
Simon Baker (The Mentalist)
Cullen Douglas (Pure Genius)
Fredric Lehne (Lost)
Michael Chieffo (Disclosure)
Michelle Hurd (Ash vs Evil Dead)
Scott Lawrence (Star Trek Into Darkness)
Patricia Belcher (Flatliners)
Giancarlo Esposito (Breaking Bad)
Mark Harelik (Trumbo)
Alexandra Krosney (Last Man Standing)
Sumalee Montano (Veep)
Aldis Hodge (Hidden Figures)
Matt Battaglia (Thor)
Kirk B.R. Woller (Hulk)
Loren Dean (Space Cowboys)
Pat Skipper (Halloween)

David Boreanaz and Emily Deschanel in Bones (2005)Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.David Boreanaz and Emily Deschanel in Bones (2005)It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough. My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

REVIEW: MINORITY REPORT

 

CAST

Tom Cruise (Knight and Day)
Max Von Sydow (Conan The Barbarian)
Colin Farrell (The Lobster)
Samantha Morton (John Carter)
Steve Harris (The Rock)
Neal McDonough (Arrow)
Kathryn Morris (Cold Case)
Patrick Kilpatrick (Under Siege 2)
Jessica Capshaw (Valentine)
Frank Grillo (The Purge 2)
Karina Logue (Bates Motel)
Jim Rash (That 70s Show)
Tim Blake Nelson (Fantastic Four)
Ashley Crow (Heroes)
Joel Gretsch (V)
Peter Stormare (22 Jump Street)
Daniel London (Gotham)
William Mapother (Powers)
Paul Wesley (The Vampire Diaries)
Cameron Diaz (Sex Tape)
Kirk B.R. Woller (Hulk)
Victor Raider-Wexler (Dr. Dolittle 2)
Bonnie Morgan (Rings)
Anne Judson-Yager (Bring It On Again)
Meredith Monroe (13 Reasons Why)
Sumalee Montano (Justice League vs The Fatal Five)

MV5BMTkwNjM2MzI3N15BMl5BanBnXkFtZTcwNzIyOTAzMw@@._V1_It is the year 2054 and a team of 3 “pre cogs” (psychics) are sedated and sitting in a pool in Washington, DC. They see crimes before they happen, allowing the police force to see the images that they see and work to solve the crime from what images they are given. One of the heads of the pre-crime force is Chief John Anderton (Tom Cruise), a man who has understandably never recovered from the loss of his son a few years back. It doesn’t take particularly long for the film’s main plot to kick in: the pre-cogs, thought to be never wrong, send down another report of a possible crime: unfortunately, the criminal in the vision looks to be Anderton himself, with the victim a man that he’s never met. Much of the remainder of the nearly 150 minute picture involves Anderton going on the run to find out if either the pre-cogs are wrong or if someone’s somehow set him up.Spielberg’s visualization of the future is something incredible to behold and actually, far more enjoyable to be plunked down in than what’s presented usually in these kinds of films. The houses in this 2054 often look the same as they do now – however, most of the changes in technology – billboards that scan one’s eye to personally sell to them, highways that look like awfully smooth sailing in electronic cars – seem like possibilities.The film’s visual effects are truly phenomenal, capturing things like the highways with seemingly hundreds of electric cars quite convincingly. Even smaller effects seemed seamless and crisply rendered. The effects are also used appropriately; this is not a film where effects come first and story second.The performances are generally excellent. Cruise has always been a pretty good actor, Farrell (as a Government agent checking up on the pre-crime system), Max von Sydow (as head of the department) and others also offer fine support. The film’s screenplay (by Jon Cohen and Scott Frank) is also superb, with several thought-provoking twists and turns.