REVIEW: THE TRIAL OF THE INCREDIBLE HULK

CAST

Bill Bixby (My Favorite Martian)
Lou Ferrigno (I Love You, Man)
Marta DuBois (Luminarias)
Nancy Everhard (The Punisher 1989)
Nicholas Hormann (Peep World)
John Rhys-Davies (Lord of The Rings)
John Novak (Wishmaster 3 & 4)
Rex Smith (Street Hawk)
Stan Lee (Avengers Assemble)
Michael O’Hare (Babylon 5)

Lou Ferrigno in The Trial of the Incredible Hulk (1989)On the run again after the events of the previous TV movie, David Banner is working up north under the name David Belson. Disenchanted and at the end of his rope, David makes his way towards a large city with the hopes of renting a room and staying buried. Unbeknownst to him, the city he arrives in is under the control of a powerful underworld kingpin named Wilson Fisk but is also protected by a mysterious black-clad crimefighter known as Daredevil. When two of Fisk’s men come onto the commuter subway train after having committed a jewel robbery, one of them takes an interest in a beautiful woman also riding the train and she rejects him. David witnesses an attempted sexual assault by one of Fisk’s men, he transforms into the Hulk and things go haywire. A short while later, David is arrested by the police and wrongfully charged with the crime.20525208_900478620092777_5179234308726820861_nWhile awaiting trial, blind defense attorney Matt Murdock is assigned to David’s case. David is uncooperative but Murdock has faith that he is innocent and is determined to prove so. One night while fast asleep, David has a nightmare about his upcoming trial and dreams about transforming into the Hulk on the witness stand. The stress of this causes him to transform in reality and the Hulk subsequently breaks free of the prison.47295534_1202288816578421_2510412700954132480_nSubsequent events see David Banner team up with Daredevil who reveals his identity as Matt Murdock. Matt tells David about his origins which David has trouble accepting at first. Daredevil also reveals that he has an ally on the Police force who provides him with information relating to criminal activity. As Daredevil, Matt goes to investigate a tip provided by his informant. The tip turns out to have been planted by the Kingpin and Daredevil is badly hurt in an ambush by the Kingpin’s men. David rushes to save Matt but he is too late to help, becomes angry, and transforms into Hulk. The Hulk, in turn, smashes in and saves Matt and Kingpin and his men flee. Matt who is barely conscious, traces the Hulk’s face as he transforms back to David, thus learning his secret.HulkDeath-02Kingpin, in the meantime, has the witness to events on the subway abducted from protective custody in order to have her killed but she is saved by the Kingpin’s assistant who finds her attractive. The Kingpin is also planning a major meeting of underworld crime lords in order to propose the consolidation of their operations into a big syndicate with himself as chairman. David who is trained as a medical doctor, treats Matt’s injuries and spreads the cover story that Matt got hurt falling down the stairs. Matt’s self-confidence is seriously shaken. David’s confidence on the other hand has been restored by seeing how Matt has embraced his unique gifts also caused by exposure to radiation. After a little coaxing from David, Matt begins to recover and retrain his body. Soon enough, the two return to work and go to save the captured woman. The two engage the Kingpin and his men and ultimately succeed in beating him. Kingpin and his assistant escape and the prisoner is freed. The two part ways as friends and allies with David planning to head in search of a cure for himself and Matt will stay in the city and protect it.MV5BZmNmZDUxYjUtMzRmMS00YjViLWI2ZTItMDQzOTJlOGUyOWRkXkEyXkFqcGdeQXVyNjk5MTI0NTY@._V1_SY375_SX667_AL_The late, great Bill Bixby is in top form as the strained David Banner, and his brutish counterpart, the Hulk, is again portrayed intensely by the legendary Lou Ferrigno. Rex Smith, veteran of a variety of television shows and soap operas, is excellent as Matt Murdock, and his athletic alter ego, Daredevil. Smith delivers most of the best lines in this film, and might have been a good lead in a spin-off Daredevil series. Character actor John Rhys-Davies is Wilson Fisk, the cool and calculated crime boss, known by the moniker, the Kingpin, in the comics. The film’s effects and action sequences are standard television fare — done quickly and cheaply — but still, it is a very promising and uplifting film, right down to its exciting climax and positive ending.

REVIEW: SPIDER-MAN: INTO THE SPIDER-VERSE

Starring

Shameik Moore (Dope)
Jake Johnson (New Girl)
Hailee Steinfeld (True Grit)
Mahershala Ali (Luke Cage)
Brian Tyree Henry (widows)
Lily Tomlin (I Heart Huckabees)
Lauren Vélez (The First Purge)
John Mulaney (animals)
Kimiko Glenn (Orange Is The New Black)
Zoë Kravitz (Fantastic Beasts and Where to Find Them)
Nicolas Cage (Mandy)
Kathryn Hahn (Bad Moms)
Liev Schreiber (The 5th Wave)
Chris Pine (Wonder Woman)
Natalie Morales (Santa Clarita Diet)
Oscar Isaac (Star Wars: The Last Jedi)
Greta Lee (Money Monster)
Stan Lee (Super Hero Squad)
Marvin ‘Krondon’ Jones III (Black Lightning)
Lake Bell (Man Up)
Claudia Choi (Her)
Bridget Hoffman (Total Recall)
Scott Menville (Teen Titans)

Shameik Moore in Spider-Man: Into the Spider-Verse (2018)Teenager Miles Morales struggles to live up to the expectations of his father, police officer Jefferson Davis, who sees Spider-Man as a menace. Miles changes to a boarding school. He sneaks out and goes to his uncle Aaron Davis’ house.When he takes Miles to an abandoned subway station to paint graffiti, Miles is bitten by a radioactive spider and gains spider-like abilities.Hailee Steinfeld in Spider-Man: Into the Spider-Verse (2018)Miles returns to the station to search for the spider and discovers a particle accelerator called “The Super-Collider” built by Wilson Fisk. Fisk hopes to access parallel universes to find alternative versions of his deceased wife and son, who died in a car crash after they found Fisk trying to kill Spider-Man. Spider-Man tries to disable the collider while fighting Fisk’s enforcers, Green Goblin and Prowler. Spider-Man saves Miles and senses that they are alike. Green Goblin shoves Spider-Man into the collider, causing an explosion that kills Green Goblin. Wounded, Spider-Man gives Miles a USB drive to disable the accelerator and warns that the machine could destroy the city if reactivated. Miles watches in horror as Fisk kills Spider-Man, and flees from Prowler.Nicolas Cage, John Mulaney, Jake Johnson, Hailee Steinfeld, Shameik Moore, and Kimiko Glenn in Spider-Man: Into the Spider-Verse (2018)Miles tries out his newfound abilities in a Spider-Man Halloween costume, but in the process damages the USB drive. At Spider-Man’s grave, Miles meets Peter B. Parker, an older and worn-down version of Spider-Man from another dimension. Upon meeting Peter, Miles inadvertently discovers a power to emit a bio-electric pulse to disable his victim. Peter reluctantly agrees to train Miles in exchange for help stealing data to create a new drive. In Fisk’s research facility, Miles discovers he has the power to turn invisible. They are confronted by chief scientist Olivia Octavius, who reveals that Peter will die due to cellular decay if he stays longer in their dimension after taking DNA samples from Peter.Jake Johnson, Hailee Steinfeld, and Shameik Moore in Spider-Man: Into the Spider-Verse (2018)Miles and Peter are rescued by Gwen Stacy, Spider-Woman from another dimension. They find Peter’s aunt, May Parker, who is sheltering more heroes from other dimensions – Spider-Man Noir, Spider-Ham, and Peni Parker – who are also deteriorating. Miles offers to disable the collider so the others can return home, but the heroes tell him he lacks experience.Jake Johnson and Shameik Moore in Spider-Man: Into the Spider-Verse (2018)Miles retreats to Aaron’s home, where he discovers that Aaron is the Prowler. He returns to May’s house, where Peni has completed the drive; however, he is followed by Fisk, Prowler, Octavius, Scorpion, and Tombstone, leading to a brawl. Miles flees, but is captured by Prowler and unmasks himself. Unwilling to kill Miles, Aaron is shot by Fisk. Miles flees with Aaron, but Aaron dies of his injuries. Jefferson sees Miles mourning over Aaron and concludes that Spider-Man killed him.Shameik Moore in Spider-Man: Into the Spider-Verse (2018)The heroes regroup with Miles in his dorm. Peter restrains Miles with his webs to ensure his safety before heading out with the heroes, choosing to sacrifice himself by staying behind and deactivating the collider. Jefferson arrives outside Miles’ door and, assuming he does not want to speak to him, apologizes for his mistakes.Spider-Man: Into the Spider-Verse (2018)Miles masters his powers and goes to Aunt May’s, where he gains web shooters and repaints Peter’s suit. He joins the heroes and helps them defeat Fisk’s enforcers before activating the USB drive and sending them home. Fisk and Miles fight throughout the collider, attracting Jefferson’s attention. As Miles is nearly killed, Jefferson realizes that Spider-Man is not the enemy and encourages him. Miles paralyzes Fisk with his venom blast and throws him at the kill switch, destroying the collider.Brian Tyree Henry and Shameik Moore in Spider-Man: Into the Spider-Verse (2018)Fisk and his enforcers are arrested and Jefferson recognizes Spider-Man as a hero. Miles embraces the responsibilities of his new life. Back in their home dimensions, the heroes return to their lives; Peter prepares to fix his relationship with Mary Jane, and Gwen finds a way to contact Miles across dimensions. In another dimension, Miguel O’Hara travels to a 1960s New York and argues with Spider-Man.MV5BYmU3NWViODQtNTM0Mi00NDM2LTk0NjYtMDQxZDMyN2VlNDljXkEyXkFqcGdeQXVyNjc3OTE4Nzk@._V1_A movie worthy of Stan Lee’s approval. Incredible animation, great story, great message. This film lives up to the hype and honestly surpassed my expectations. The only reason I think there are some negative reviews is because you can never please everyone. However, for the vast majority of viewers, I believe you’ll find this film to be great. Highly recommend.

REVIEW: DAREDEVIL – SEASON 3

Charlie Cox in Daredevil (2015)

Starring

Charlie Cox (The Theory of Everything)
Deborah Ann Woll (Mother’s Day)
Elden Henson (The Butterfly Effect)
Joanne Whalley (Willow)
Jay Ali (The Fosters)
Wilson Bethel (Hart of Dixie)
Stephen Rider (The Butler)
Ayelet Zurer (Man of Steel)
Vincent D’Onofrio (Jurassic World)

Charlie Cox in Daredevil (2015)

RECURRING / NOTABLE GUEST CAST

Peter McRobbie (Licnoln)
Amy Rutberg (Recount)
Annabella Sciorra (Cop Land)
Geoffrey Cantor (Maniac)
Matt Gerald (Solace)
Meredith Salenger (Lake Placid)
Danny Johnson (Shades of Blue)
Sunita Deshpande (The Ridge: Origins)
Royce Johnson (Ghost in the Graveyard)
Ayelet Zurer (Man of Steel)

This weekend offers the return of one of the greatest superhero TV shows of all time, as Daredevil season 3 begins streaming on Netflix. The Marvel-Netflix partnership has mostly resulted in top-tier high-quality series, two seasons each of Jessica Jones and Luke Cage enjoying widespread acclaim, and one season each of The Punisher and The Defenders receiving solid positive reactions as well. The two prior seasons of Daredevil were fantastic, so season 3 has a lot to live up to.Vincent D'Onofrio in Daredevil (2015)Last month’s release of second 2 of the superhero series Iron Fist was followed weeks later by the sudden cancellation of that show by Netflix. This followed mostly negative reviews of the first season, and a season 2 critical consensus that recognized the show had improved a great deal while still being the weakest entry in the Marvel-Netflix lineup. Whether Iron Fist will appear in cameos or supporting roles in any of the other shows remains to be seen, but I’m betting he’ll pop up in Luke Cage season 3, or perhaps Cage and Fist will team up for a brand new show called Heroes For Hire. Regardless, the Marvel-Netflix corner of the MCU’s has quickly rebounded from the Iron Fist situation and negative news, as Daredevil season 3 proves.Taking loose inspiration from the 1986 fan-favorite comic book story arc “Born Again” by writer Frank Miller, season 3 picks up where The Defenders left off — Matt Murdock, aka Daredevil, is missing after a building exploded and collapsed on him and the assassin Elektra. Presumed dead, Murdock is critically injured and recuperating while imprisoned crime lord Wilson Fisk, aka the Kingpin, sets in motion a plan to get out of prison and eliminate all of his enemies. The story is a return to the crime-and-vigilantism focused narrative of the show’s first season, which evolved into a bit more of a fantastical/mystical narrative in season 2 (which was still great, just different from the seasons bookending it). There’s just enough sprinkling of adaption of certain plot points, character arcs, and scenes from “Born Again” to be familiar, while overall bringing entirely new concepts and storytelling to make it fresh and unpredictable.Charlie Cox in Daredevil (2015)The returning cast are all in top form again. Charlie Cox as Murdock/Daredevil delivers a complicated performance as a hero struggling with a complete emotional and moral breakdown, as well as a physical breakdown that challenges his sense of self and his mission. Cox also perfectly captures Murdock’s spiritual crisis within the larger themes about sin, forgiveness, and accountability. Cox’s fantastic, nuanced performance brings such believability to the situation, you can imagine this is how someone would act and feel if they actually ran around at night wearing a mask to save lives and fight crime. His sense of inevitability, that it’s his singular calling in life to live as Daredevil — more so even than living as Matt Murdock — makes even his most extreme decisions understandable and rational within his worldview.Elden Henson and Charlie Cox in Daredevil (2015)Deborah Ann Woll returns as Karen Page, with another tour de force performance making the character almost worthy of her own superhero series as a crusading reporter willing to stand up against the same villains against whom the superhuman costumed vigilantes do battle. Woll’s role is the single most important supporting character in any of the Marvel-Netflix shows, in terms of the dramatic weight and relevance she has for the narratives and for providing an audience surrogate at times. Woll treats every scene like she’s the star of the show, and it’s easy sometimes to forget she’s not. Elden Henson’s role as Foggy Nelson takes some particularly interesting turns this season, including of a moral nature, with Henson keeping an air of “in over his head” sensibilities to Foggy while also revealing how much the character can surprise himself in moments of crisis.Elden Henson and Jay Ali in Daredevil (2015)Henson smartly plays to the fact the character must be simultaneously frustrating and endearing, alternately Murdock’s friend who is reliable and trustworthy while also a guy who screws up and spills the wrong beans or lacks adequate faith in Matt, Karen, or himself. Vincent D’Onofrio continues to awe as Wilson Fisk, a role I’d previously thought was nearly impossible to fill because I couldn’t imagine any actor capturing the delicate balance between cunning villainy, secret vulnerabilities, and sheer larger-than-life presentation required to really get the character right. D’Onofrio not only proved me wrong, he actually managed to improve upon a character who already had decades of exceptional stories in the comics featuring many iconic arcs.Vincent D'Onofrio in Daredevil (2015)There is an undercurrent of pain and purpose to this incarnation of Fisk, as if even simple daily activities like eating or sitting quietly by himself take a toll on his soul and inflict physical discomfort. D’Onofrio’s Kingpin is magnificent, and worthy of transitioning into some of the MCU theatrical releases for at least a few cameos and supporting turns — it would be amazing to see him in a Spider-Man movie, for example.  fear saying too much about any of the newcomers to the cast, because their roles and specific natures are all better revealed to you through watching the episodes. However, I need to mention a few things about three actors in particular.Charlie Cox and Wilson Bethel in Daredevil (2015)Joanne Whalley is sublime in a role requiring quiet dignity in the face of a world that laughs at faith and belief in higher purpose, and the scenes between her and Cox are among the best moments of the season. Jay Ali brings an authentic sense of purpose and integrity coupled with the sort of self-righteousness and frustrated entitlement that can blind even good people to their mistakes, exacerbating the damage to themselves and others around them. And Wilson Bethel is ideal as an iconic character torn apart by inner demons he has long suppressed, fighting a dark desire to give in to his worst nature and put his amazing talents to use for those who were once his enemies.Vincent D'Onofrio in Daredevil (2015)The directing in Daredevil is always splendid, but this season requires even more inky noir than usual, as well as a gothic tone beyond what we saw in the first two seasons. The battle between the angels of our better nature and our base inclinations, and how often people can confuse the two — or justify blurring the lines between them when it suits a desired outcome — is at the heart of this season for all of the characters in one way or another, and that’s reflected consistently in the visual presentation. From lighting and color that speak to the overarching concepts as well as to individual shots and scenes, to the use of wide open space juxtaposed against literal or metaphorical restraint and confinement, season 3 is elevating the entire visual approach to the show.Charlie Cox and Deborah Ann Woll in Daredevil (2015)The fight choreography and action are once again the best of the entire Marvel TV category, and even superior to much of the action and fight scenes we seen in big-screen theatrical releases. They love their long tracking shots in Daredevil, and this season delivers the goods in spades once again — if you loved that hallway fight in season 1 (and let’s face it, who doesn’t love that sequence?) you’re in for some thrills in season 3, I assure you. img_2785Daredevil season 3 keeps that tradition of excellence alive once again. I’ve only seen the first six episodes that were available for preview, so I’ll be watching the clock til the entire show is available for me to binge on Friday like the rest of you fans. If the back half of the season is as good as the first, this looks to be the best season yet for the Devil of Hell’s Kitchen.

REVIEW: DAREDEVIL – SEASON TWO

MAIN CAST

Charlie Cox (Stardust)
Deborah Ann Woll (Ruby Sparks)
Elden Henson (The Buttefly Effect)
Jon Bernthal (World Trade Center)
Élodie Yung (Gods of Egypt)
Rosario Dawson (Sin City)
Stephen Rider (Safe House)
Vincent D’Onofrio (Men In Black)

GUEST CAST
Scott Glenn (The Silence of The Lambs)
Michelle Hurd (Flashforward)
Royce Johnson (Jessica Jones)
Peter McRobbie (Lincoln)
Rob Morgan (Pariah)
Amy Rutberg (The Mansion)
Carrie-Anne Moss (Jessica Jones)
Wai Chang Ho (Robot Stories)
Peter Shinkoda (Masked Rider)
Matt Gerald (Terminator 3)
Clancy Brown (Highlander)
Daredevil is a character about contrasts. Matt Murdock practices as a lawyer by day, but beats criminals as a vigilante at night. He’s a practicing Catholic, but dresses up like the devil. Also, he’s blind, but he can see the world around him unlike anyone else. Coincidentally, it is the second season of Marvel’s Daredevil that chooses to really explore the dichotomies, not only in its title hero but in those around him and the world at large. Charlie Cox once again stars as the Man without Fear in the series, and brings the same amount of dashing charm and selflessness that makes Matt such a great character. Cox has transcended himself in the role, too. Much like Robert Downey Jr. and Iron Man or Ryan Reynolds and Deadpool, there is no separating the actor from the character; they are one. He provides the pivotal anchor for the rest of the cast, who also continue to hit home run after home run. Elden Henson’s Foggy Nelson is still the perfect Milhouse to Matt’s Bart, the right combination of endearing, annoying, and funny. A combo that personifies the comic book character to a T, and makes him integral to Matt’s story. Furthermore there’s Deborah Ann Woll as Karen Page, bringing a lightness to this supremely dark (in tone and lighting) series. Woll and Cox also work off of each other in perhaps the most believable romantic subplot of the MCU. Then there’s Frank Castle.
Jon Bernthal takes on the role of The Punisher for the series, and he brings the goods. This is a character that also has two sides at work, not simply inherent to his actions but in how he is written as a piece of the puzzle. Bernthal can handle the militaristic elements with ease. No one has looked more natural walking down a hall while aiming a shotgun with precision, but when the more sensitive aspects of the character and his background unfold, he’s got it covered. The Punisher is at his most satisfying for an audience as an unstoppable killing machine, always five moves ahead. At his most interesting and nuanced, however, The Punisher is a fatally-flawed and broken individual that is two steps behind. The good news is that you get to have your cake and eat it too. When Bernthal isn’t laying waste to criminals, he’s tasked with delivering Shakespearean monologues, which he hits like a headshot.
The second season of Daredevil also brings along Elodie Yung as Elektra Natchios, the perfect wrench for everything Matt Murdock. Though The Punisher may be at his most satisfying when he’s a human hurricane leaving a path of destruction, Matt Murdock is at his most satisfying when literally everything is going wrong for him, and Elektra is a guarantee for that. Yung embodies the spirit of Elektra that shines a light on the character’s personality in exciting ways. She brings duel ferocity and gentleness that made me recognize something I had never thought before – Elektra is like a cat; Playful when it suits her, but mysterious and often a supreme and bitter jerk when she doesn’t get her way. The same way that Charlie Cox and Deborah Ann Woll hold onto everything wholesome and good about love, Cox and Yung grab all of the dangerous and potentially hurtful parts and hang them out the window while speeding down the highway.
The true achievement of Marvel’s Daredevil Season 2 is not how in how it escalates the stakes from Season 1 or how it manages to properly juggle new and returning characters with satisfying arcs, it’s in its narrative composition as a whole. Season 2 is perhaps the most comic book-like series on TV, because it mirrors the structure of comics in a way that ceases to feel like television. While the first season held onto the framework of serialized TV, guiding us through every turn, Season 2 takes the graphic novel approach. Clusters of episodes form their own cohesive arc for a few hours, but when all combined they form the grander story at hand of the season. And that larger story? A further example of the two dividends of Daredevil. Daytime Matt and nighttime Matt get equal footing, which you need in order to make them both special.
As hard as it may be to believe, Daredevil‘s second season is a step up from the first. By embracing the comic book form, the series has further separated itself from the rest of the MCU and scratches an itch none of them can reach. It’s not all perfect though, as what worked the first time keeps working, and what didn’t work remains a drag, specifically the tired exposition wherein characters must explain to other characters the things the audience already knows. The drama screeches to a halt in these moments, but luckily they are few and far between.
If you were as enthusiastic about the first season of Marvel’s Daredevil, I hope you’re as pleased as I am with the new episodes. There’s an intensity and toughness in the storytelling that gets at the heart of the character and provides further proof why Daredevil is the one of the best heroes in comics. The new additions to the series are welcome and only enhance the storytelling in thrilling ways.

REVIEW: DAREDEVIL – SEASON ONE

 

MAIN CAST

Charlie Cox (Stardust)
Deborah Ann Woll (Ruby Sparks)
Elden Henson (The Buttefly Effect)
Rosario Dawson (Sin City)
Toby Leonard Moore (John Wick)
Vondie Curtis-Hall (Die Hard 2)
Bob Gunton (The Lincoln Lawyer)
Ayelet Zurer (Man of Steel)
Vincent D’Onofrio (Men In Black)

Charlie Cox and Deborah Ann Woll in Daredevil (2015)

RECURRING / NOTABLE GUEST CAST

Peter McRobbie (Spider-Man 2)
John Patrick Hayden  (Yin/Yang)
Nikolai Nikolaeff (Power Rangers Jungle Fury)
Peter Shinkoda (Masked Rider)
Rob Morgan (Stranger Things)
Scott Glenn (The Silence of The Lambs)
Wai Chang Ho (Robot Stories)
Amy Rutberg (Recount)
Royce Johnson (Ghost in the Graveyard)
Matt Gerald (Terminator 3)

 

Daredevil was a fun, ferocious look at Marvel’s own city-saving vigilante. Similar to DC’s Batman and Green Arrow, Matt Murdock loves his city. Even more so, the neighborhood of Hell’s Kitchen which was hit hard by the Chitarui attack – one of the show’s only mentioned connections to the MCU. In place of a crime-ravaged Irish immigrant-heavy neighborhood (as per the 60s/70s Daredevil comics), the choice was made to portray the square mile of crowded city as “mostly good people on hard times due to recent alien events.” Still folksy, but more modern. A smart move that helped tie Daredevil to the rest of the MCU happenings, despite the fact that the show is the grittiest, most violent entry into Marvel’s TV/movie canon so far. Strong, grounded performances, smart writing, and hard-hitting fight scenes immediately helped elevate Daredevil above fans’ expectations (which were already quite high). Buffy/Angel alums Drew Goddard and Steven S. DeKnight (who took over as showrunner early on after Goddrad left for the ill-fated Sinister Six) delivered a taught, thoughtful, and appreciatively earnest take on Matt Murdock – one of Marvel’s most complex, hard-to-get-a-handle-on characters (and one of the most religious). A hero no movie would ever be able to get quite right.

Vincent D’Onofrio’s Wilson Fisk  served the show well. Fisk was portrayed as a very vulnerable man. A seriously dangerous one, no doubt, but also one who came with his own formative backstory and current web of lies and betrayals. Also…a love story. Fisk’s moments spent, early on, wooing and doting upon Ayelet Zurer’s art gallery curator Vanessa was a daringly wonderful way to introduce us to the character. Especially since Fisk had remained off-screen for a few episodes while the show built him up. D’Onofrio performance as Fisk was, simply put, one of the best parts of the show. As a man who almost seemed to be learning the actual mechanics of how to speak to other people every time he opened his mouth, Fisk’s shyness/awkwardness helped not only separate him from most crime boss cliches, but also helped us understand why a man as lonely and isolated as he was would become so lethally attached to Vanessa. While also seeing someone like Wesley, his right hand man, as a “true friend.” Despite them never showing any real bonds of brotherhood. Just an intense, loyal employer/employee relationship.

Charlie Cox’s Matt Murdock was no slouch either, of course. As Matt constantly wrestled with how far he should morally go as a vigilante, Cox handled things with care and relatable concern. Of course, even with the act of killing as a point of spiritual debatelaire, Matt was willing to do just about most everything else under the sun to achieve his goals – including maiming, torturing, and knocking people into comas. He even, on a few occasions, threatened to kill villains via not saving them from their serious injuries. It was enough make one easily believe that all of this would weigh heavy on a Catholic’s conscience. The supporting cast was great as well. I really liked that this season didn’t go the trite, soapy “love triangle” route with Matt, Foggy, and Karen. There was some flirting, and a few seeds planted here and there for possible romantic tension – but the show politely waved at the idea while graciously passing it by. Deborah Ann Woll’s Karen was to be no one’s prop. And she wouldn’t seek solace “in the arms” of another. And she’d fight back, on whatever level was available to her. Also, Elden Henson’s Foggy Nelson was able to equally provide humor and drama in his fresh take on the “sidekick” role.

This praise also goes for Rosario Dawson’s Claire Temple and Vondie Curtis-Hall’s Ben Urich – both important characters here (though Claire had never been tied to Daredevil in the comics) in their own right, given unique (and sometimes surprising) treatments. The fight scenes are, naturally, worth noting. You’ll find most folks raving over a sequence in the second episode, “Cut Man” (one of the show’s best entries), as well as a few others. And again, expert choreography aside, it’s the fact that Matt quite often takes an extreme shellacking that gives these battle sequences extra “oomph.” It really draws you in when you can almost feel how hard it is for Matt to face down a squad of thugs. When every blow to his body rocks yours. Daredevil was a thrilling, ultra-starisfying take on Daredevil’s material and lore. One that, like Favreau’s first Iron Man film, helped breathe new life and fandom into a somewhat B-tier Marvel character.

REVIEW: DAREDEVIL (2003)

CAST

Ben Affleck (Batman v Superman)
Jennifer Garner (Alias)
Michael Clarke Duncan (Sin CIty)
Colin Farrell (Intermission)
Jon Favreau (Iron Man)
Joe Pantoliano (The Matrix)
David Keith (Firestarter)
Scott Terra (Shadrach)
Leland Orser (The Bone Collector)
Erick Avari (Stargate)
Ellen Pompeo (Grey’s Anatomy)
Derrick O’ Connor (Lethal Weapon 2)
Stan Lee (Avengers Assemble)
Kevin Smith (Dogma)
Coolio (Batman & Robin)

Daredevil stars Ben Affleck as Matt Murdock, a lawyer who lives and works in the Hell’s Kitchen area of New York City. As a child, Matt was blinded by biohazardous waste. However, this traumatic event augmented his other four senses, granting him with a radar-like vision, allowing him to “see” with sound. With his heightened senses, and his need to have justice fulfilled (stemming from his father’s murder), Matt roams the streets at night as Daredevil, a masked vigilante who serves as judge, jury, and executioner. Matt’s obsession with justice alienates him from others, even his law partner “Foggy” Nelson (Jon Favreau).Matt’s life changes when he meets the beautiful Elektra (Jennifer Garner). Matt is immediately taken by this strong, young woman who is an accomplished fighter. However, things go awry when Elektra’s father is targeted by the ruthless Kingpin (Michael Clarke Duncan), a crime-boss who will stop at nothing to keep his empire intact. Kingpin dispatches the assassin Bullseye (Colin Farrell), who has the ability to make any object into a deadly weapon, to eliminate Elektra’s father. Matt finds himself pulled into Elektra’s world, but clearly only Daredevil can stop Bullseye and The Kingpin.Jennifer Garner in Daredevil (2003)Daredevil is a very dark movie.  Thus capturing the feel of the years that Frank Miller worked on the comic. While most of the Marvel Comics characters are tortured souls, Daredevil is an especially bleek character, and the movie does a fine job of presenting this. Whereas the comic is full of thought balloons in which the character expresses his innermost feelings, the film presents montages essaying his loneliness and bitterness. This is a man who is pissed-off at the world, and even when something beautiful such as Elektra comes along, it gets blighted.Ben Affleck in Daredevil (2003)Along with the tone of the film, Johnson provides a nice pace as well. The action scenes here are nothing new, but they are very well-shot and edited. The film does a fine job of balancing the exciting scenes with the more dramatic ones, and Favreau is even able to throw in a few moments of comic relief. For the most part, the special effects are good.One of the film’s biggest surprises is the performance by Affleck. Maybe it’s the contact lenses that he had to wear to convey blindness, but he is very good as Matt Murdock, keeping his typically rakish behavior in check for most of the film. Garner is impressive as well as Elektra, although I would have liked to have seen a costume that was similar to that in the comics.   A director’s cut of the film was released for in 2004. This version contained new additions like previously unseen footage and a removed subplot, and was to be a bit darker with an R rating. One of the biggest changes to the film was the addition of a subplot involving a drug addict played by Coolio.