REVIEW: CRUEL INTENTIONS 2: MANCHESTER PREP

CAST

Amy Adams (Big Eyes)
Robin Dunne (Sanctuary)
Sarah Thompson (Angel)
Keri Lynn Pratt (The Smokers)
Barry Flatman (Earth: Final Conflict)
Mimi Rogers (Ginger Snaps)
Teresa Hill (Puppet Master 4 & 5)
Barclay Hope (Final Destination 5)
Tané McClure (Legally Blonde)
David McIlwraith (Hollow Man 2)

The film opens with Sebastian Valmont (Robin Dunne) conversing with his soon-to-be ex-principal, the principal’s insistence on having Sebastian’s permanent record relayed to his new school and thereby hampering his chance for a new start at Manchester Prep. Sebastian was a bad boy and a troublemaker in this school. Mostly he usually got in trouble with his teachers and principal. Initially, his principal was considering not to send his permanent record to his new school, but then Sebastian pulled a cruel stunt on his wife and made him and his wife a laughing stock in the community, he decided to send Sebastian’s permanent record to his new school. Following his arrival in New York, Sebastian discovers the wealth of his new family; meeting Kathryn Merteuil (Amy Adams) for the first time and bettering her with piano and vocabulary. This leads to a confrontation between Kathryn and Sebastian whereby she states that she has a comfortable lifestyle and that he “better not interfere”.Sebastian later begins school. While waiting to see his new headmaster, he encounters Danielle Sherman (Sarah Thompson), who is, unknown to him, Headmaster Sherman’s daughter. Luckily Sebastian switched permanent records before it was sent to the headmaster’s office and he can now start over with a clean slate. A school assembly follows, showing Kathryn delivering a speech to her classmates, but being persistently interrupted by uncontrollable hiccups coming from a student, who then begins to choke on the gum that she was chewing in a bid to stop her hiccups. She is saved by the quick action of Danielle who performs the Heimlich maneuver, allowing the student to expel the gum, which ends up flying into Kathryn’s hair. A meeting of a secret society of student elites presided by Kathryn takes place, deciding upon the fate of the new students. This leads them to Cherie, the student with the hiccups, as well as the discovery that Cherie’s family is wealthier than that of Kathryn; this, and the events of the assembly, cause Kathryn to seek a vendetta against Cherie.maxresdefaultSebastian, coming from a more humble upbringing, wishes to befriend his house staff. Doing so angers Kathryn, whose day is interrupted by not being able to contact her driver. This (along with Kathryn’s jealousy of Sebastian) causes her to admit that she is unhappy with her life. Sebastian attempts to woo Danielle: first, by asking her for coffee at her work; then, later, conversing with her over the telephone. Eventually, this evolves into a relationship, but Kathryn, seeing this, uses it as a way to get back at Sebastian. She first tries to tempt him away from Danielle by luring him with identical twins, who confide to Sebastian that Danielle is the only virgin at Manchester.Resident-Evil-The-Final-Chapter-Final-Poster-FeaturedKathryn’s attempt to sabotage Cherie backfires, as Kathryn’s mother tells her to become best friends with Cherie, in an attempt to encourage Cherie’s mother to donate a large amount of money to the school. In the end, Sebastian stays with Danielle; he professes his love for her, only to find that she does not reciprocate. It turns that Danielle is actually working alongside Kathryn in a secret plan to dupe Sebastian. Defeated by Kathryn’s manipulation, Sebastian states “if you can’t beat them, join them”, thus leading to a threesome with Danielle and Kathryn, followed by an alliance of the three to dominate and manipulate others. In the last scene, Cherie is seen riding her bike, which is run over by Sebastian’s car. Sebastian offers to give her a ride, and has sex with her. Kathryn and Danielle are seen, in the front of the car, pleased with the results.720full-cruel-intentions-2-screenshotAmy Adams is easily a match for Sarah Michelle Gellar (Kathryn in Cruel Intentions), being both convincingly cruel and very sexy; Thompson is great as the pretty poor girl of the school who captures Sebastian’s heart; and Keri Lynn Pratt is charming as the Manchester Prep virgin who learns why riding horses is so popular with young women. Manchester Prep might not be innovative groundbreaking cinema, but it sure is fun.

 

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REVIEW: THE SMOKERS

CAST

Dominique Swain (Lolita)
Busy Philipps (White Chicks)
Keri Lynn Pratt (Cruel Intentions 2)
Oliver Hudson (Scream Queens)
Thora Birch (The Hole)
Nick Loeb (Precious Cargo)
Ryan Browning (Bounty Hunters)

Three rebellious teenage girls decide to even the score in the battle of the sexes. Looking back a few years after the events depicted, Jefferson Roth (who, along with her sisters are named after former presidents) tells the story of the last few months of her senior year at a Wisconsin boarding school when she and two girl friends, the naive Lisa and the outrageous Karen, conspire to use a pistol to turn the tables on males after a wealthy older man, with whom Karen had a one night stand, refuses to give her his home phone number.Image result for the smokers (2000)They stage a sexual assault on David, Lisa’s on-and-off boyfriend, in an effort to try to be more like their male counterparts. But, it backfires, as all three girls learn they are not able to have sex the way they feel a man can. Their unfaithfulness to their own objective is summed up in Karen’s words, just prior to her tragic ending, “I wish I had a boyfriend.”Image result for the smokers (2000)I really liked this film and have a hard time understanding why so many hated it. The cinematography was a bit amateurish, but the writing, directing and acting was superb. It has great insight into the young female American psyche. Male and female characters alike were portrayed with realism and complexity. Busy Philipps in particular takes on the role of incest survivor with bravery and compassion,and an understanding of the way the cycle of abuse repeats itself, left unchecked. Dominique Swain complements her performance in “Lolita” with a heightened level of understanding of the many facets of young female sexuality. I can’t help but think that most who dislike this film vehemently don’t understand young contemporary women, and don’t want to, even if they’re women themselves.Image result for the smokers (2000)

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: DRIVE ME CRAZY

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CAST

Melissa Joan Hart (Melissa & Joey)
Adrian Grenier (Harvard Man)
Stephen Collins (No Ordinary Family)
Mark Metcalf (Buffy)
Faye Grant (V)
Susan May Pratt (Adrift)
Ali Larter (Legalley Blonde)
Lourdes Benedicto (V 2009)
Keri Lynn Pratt (Cruel Intentions 2)

FILM: 'DRIVE ME CRAZY' BY JOHN SCHULTZ.

Nicole Maris (Melissa Joan Hart) and Chase Hammond (Adrian Grenier) live next door to each other. Nicole lives with her divorced mother and Chase’s mother died of cancer, making them two teens living with their single parents. However, they are worlds apart. Nicole is up on the latest fashions; Chase, on the latest protest. She wouldn’t miss a pep rally or basketball game with her scheming socialite friends; he can usually be found in a dark coffee room with his friends who don’t care what they wear.
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Nicole wants a dream date with the star basketball player, but right before it was certain they were going together, he falls in love with a cheerleader. Meanwhile, Chase’s “non-conformist” girlfriend, Dulcie (Ali Larter) dumps him for another man. Now that they have something in common, Nicole and Chase reluctantly join forces to navigate the land mines of high school love.Their scheme: date each other to attract the interest and jealousy of their respective romantic prey. It works all right: they both get the person they wanted. But in the midst of planning a gala centennial celebration, Nicole and Chase find that the one they always wanted is closer than they ever realized. Finally, they dump their original dates and fall in love with each other. There is still one big twist that could ruin their relationship forever in the end. After the celebration ends, they go back home only to find out that their parents have fallen in love and will move in together, which would make them step-siblings. However, the movie ends with the feeling that they aren’t going to let that fact stop their relationship.
Drive Me Crazy (1999)
With a screenplay that owes more than a nod to Clueless, Heathers and Pump Up The Volume, original it is not, but as popcorn pictures go, Drive Me Crazy is slick, entertaining and full of youthful exuberance. It manages to charm without affectation, and will leave you with a smile on your face even if your teenage years are just a memory

12 DAYS OF CHRISTMAS REVIEW: THE ORIGINALS – THE MAP OF MOMENTS

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MAIN CAST
Joseph Morgan (Immortals)
Daniel Gillies (Young Hercules)
Phoebe Tonkin (Bait)
Charles Michael Davis (Battle Scars)
Leah Pipes (Sorority Row)
Danielle Campbell (Behind Closed Doors)
THE MAP OF MOMENTS
GUEST CAST
Claire Holt (Mean Girls 2)
Nathaniel Buzolic (Pretty Little Liars)
Sebastian Roche (Odyssey 5)
Sonja Sohn (Shaft)
Daniel Sharman (Teen Wolf)
Maisie Richardson-Sellers (Star Wars: The Force Awakens)
Keri Lynn Pratt (Cruel Intentions 2)
Aleeah Rogers (Django Unchained)
 We start things off in New Orleans in December of 1914, where Kol, Mary Alice Claire, and Astrid—whom you might recognize from The Originals: The Awakening—are looking for the paragon diamond. Only, by the time they find it, Klaus and Marcel show up, with an even more powerful witch in tow. Within minutes, they’ve got the diamond, and they’ve locked Mary Alice and Astrid in the house, from which they will never escape. The lesson:  Back in present day, Rebekah and Elijah are preparing for the holidays with wreaths, patronization, and a bonfire ritual they used to partake in as a family. While Elijah holds the baby—still one of my favorite images in the entire world—Rebekah prepares the bonfire, and Klaus and Hayley practice another family tradition: Fleeing from one of their deranged parents. Just like that, Hayley and Klaus are reunited with Hope, who wins the emoting award for the adorable smile on her face when Hayley grabs her. Well done, small baby actor. Well done, indeed. Once everyone has reunited, Klaus shares Finn’s story about Dalia and the curse of the first born, which sounds like a Harry Potter book, does it not? Dalia and The Curse of the First Born. Sorry, now’s not the time to worry about Dalia. Instead, Rebekah tells everyone to write down wishes for one another, which they will then burn for good luck. And because it’s Hope’s first bonfire season, they all agree. Or rather, Hayley makes the men participate.
So while the Originals come up with wishes, we travel from Arkansas to New Orleans, where Davina and Kol are performing a spell to protect Cami’s body from Esther’s magic. In other words, Kol is protecting Marcel from the awkwardness of having his old ex jump into his new ex. And once that’s taken care of, he tells Davina that Marcel has the diamond they need to create a Klaus-worthy dagger. And suddenly, Davina is blinded by the accent—or is it the eyes?—and practically rushes to betray her sort-of father. And speaking of sort-of fathers, we catch up with Mikael in the woods, where he’s enjoying a classic holiday tradition: Ripping a werewolf to shreds. But what’s a holiday tradition without family? When Esther shows up—or rather, an illusion of her—Mikael immediately recognizes his beloved. Oh, these two. Move over, Romeo and Juliet! But seriously, these two are so much more fascinating. Apparently, Mikael found out about Esther bringing Ansel back from the dead, so he’s been slaughtering wolves to try to get to him.  With Cami at a loss for how to protect herself, Marcel agrees to let her talk to Finn, but only for a moment. Of course, that moment gets dark fast when Finn starts questioning Cami’s morality and the way she slept with one vamp while “half in love with another.” That then quickly leads into Finn’s discussion of Klaus’ redemption and how he doesn’t believe in it. For the most boring Mikaelson, things are black and white, good and evil. That’s why he intends to kill all the vampires in New Orleans (and all those who stand by them).
Let’s head back to Arkansas, where it’s time for Klaus to write down his wish. After Hayley pulls the “I went through labor and literally died to give you this child” card—because labor wasn’t enough?—he agrees. Well, not really. He basically just tells her to confront Elijah about her upcoming marriage to Jackson. But before she can, Rebekah finds Elijah once again having visions. And in a weak moment, the moral sibling is considering taking Esther’s deal, wondering if their mother will be satisfied with three out of five kids and therefore will leave the rest alone.It’s a fleeting thought, one that’s soon replaced with the how-to’s of #selfies. “Do you think you can cram us into a selfie,” has to be my favorite thing Rebekah has ever said to Klaus. I’ve missed these always-and-forever siblings and their banter. But when said rather impressive selfie has to be burned immediately due to the risks of it getting into the wrong hands, Rebekah is ready to fight back. She agrees to take Esther’s deal, but only long enough to take her mother down with her.  From one selfie-lover to another—Davina’s a teen, right?—Davina and Kol get to snooping around Marcel’s room, during which she finds an old picture of Kol’s less attractive—but still very attractive—self. He then tells her a story about Christmas in 1914, the one time Rebekah did him a solid in helping him get the diamond back from Klaus. More on that later
Using Kol and Davina, the siblings come up with a plan. They will distract Esther by making her do the body-jumping spell for Rebekah and then kill her before she herself can jump bodies. And if all else fails, they can put Rebekah right back into her smokin’ hot body later.Well, before they can worry about that, they have to get Kol on their team, which means one thing: helping Kol to help himself. In exchange for the paragon diamond, Kol is in. But also, he needs his mother’s hourglass, which means he needs to visit his mother, which means he needs to show up with the White Oak Stake in hand. The good news? He gives his word that he’ll return the stake, and even the sketchiest of Mikaelson brothers is good for his word.Once he’s on board, Kol is quick to find a new body for Rebekah to jump into other than Cami and head home to mother. And by the time Rebekah shows up, Esther is ready to do some magic. After a quick cheers of red wine between mother and daughter, Rebekah and Esther head outside to do the spell. Twist number one: Esther asked for the White Oak Stake so that she could destroy Bekah’s vampire body after the spell was complete. So that whole “if this all goes wrong just put me back” thing isn’t exactly an option anymore.And at the first sign of this all going wrong, Klaus shows up to try and stop the spell. But just before the plan is set into motion, Esther lets it slip that she made an alliance with Mikael who wanted the right to kill Klaus. Too little too late, mama. Klaus stabs Esther in the neck just at the right moment as Davina uses magic to protect Cami. Suddenly, Cami and Rebekah both collapse.
Brief pause! You’re angry now, but you’ll  thank me later. Because before we get back to our witchy aftermath, it’s time for our Elijah moment of the week, which is all about one thing and one thing only: Sex. Sex. Sex. Elijah has sex. See, just when I thought Elijah holding a baby would be my favorite moment of the hour, Hayley goes to tell him about the marriage ritual with Jackson. When she says, “I have to marry Jackson,” his face might as well be my face because of all the tears. Dear God, he’s such a pretty crier. And he’s an even prettier kisser. Elijah pulls Hayley in for what must be their most intense kiss yet before he tells her to marry Jackson. It’s the only way for her to save her wolves and make the city a safe place for Hope. . After Cami wakes up, it’s clear that Davina’s magic worked. She’s still herself. As for Rebekah, well, Kol reveals exclusively to Davina that she actually betrayed him in 1914. She told Klaus he was looking for the diamond and in turn, he was daggered. So now? He’s stuck her in the same witch prison as Mary Alice and Astrid. As for Finn, Mikael broke him out. And Esther? Let’s just say Rebekah’s time away made her the smartest Original in town. When Esther wasn’t looking before the spell, Rebekah slipped her blood into her mother’s drink. Therefore, Esther died with vampire blood in her system. Now, she can either “be the thing you hate the most or you can be dead … your choice, which is more than you ever gave us,” Klaus tells his mother.
An amazing episode that left viewers hanging till January of 2015. Simply amazing.

REVIEW: FAMILY GUY – DVD SEASONS 6-10

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MAIN CAST (VOICES)

Seth MacFarlane (Flashforward)
Alex Borstein (Power Rangers Zeo)
Seth Green (IT)
Mila Kunis (Black Swan)
Mike Henry (Ted)
Jennifer Tilly (Curse of Chucky)
Patrick Warburton (Scream 3)
Adam West (60s Batman)

RECURRING / NOTABLE GUEST CAST (VOICES)

Lori Alan (Wall-E)
Ellen Albertini Dow (The Wedding Singer)
Alexandra Breckenridge (She’s The Man)
Phil LaMarr (Free Enterprise)
Kevin Michael Richardson (The Cleveland Show)
Phyllis Diller (A Bug’s Life)
Carrie Fisher (Star Wars)
Indigo (Weeds)
Rachael MacFarlane (American Dad)
Louis Gossett Jr. (Stargate SG.1)
Samm Levine (Veronica Mars)
Drew Barrymore (Poison Ivy)
Robert Constanzo (Batman:TAS)
Gary Cole (One Hour Photo)
Taylor Cole (Heroes)
Lauren Conrad (The Hills)
David Cross (Scary Movie 2)
Stacey Scowley (The Brotherhood 2)
Garrett Morris (2 Broke Girls)
Rob Lowe (Code Black)
Ted McGinley (Highlander 2)
Connor Trinneer (Star Trek: Enterprise)
Charles Durning (The Sting)
Michael Clarke Duncan (The Finder)
Hugh M. Hefner (Citizen Toxie)
Roy Schneider (Jaws)
Gilbert Gottfried (Anger Management)
Neil Patrick Harris (The Smurfs)
Josh Radnor (How I Met Your Mother)
Tara Strong (Batman: The Killing Joke)
Adam Carolla (Road Hard)
Will Sasso (The Three Stooges)
Paula Abdul (Bruno)
Randy Jackson (American Idol)
Simon Cowell (The X Factor)
Patrick Stewart (X-Men)
Ted McGinley (Highlander 2)
Ricardo Montalban (Star Trek II)
James Woods (Another Day In Paradise)
Jessica Barth (Ted)
Chace Crawford (Gossip Girl)
Harvey Fierstein (Independence Day)
Bryan Cranston (Drive)
Brian Blessed (Flash Gordon)
Elisha Cuthbert (24)
Andy Dick (2 Broke Girls)
Debbie Reynolds (Singin’ In The Rain)
Frank Sinatra Jr. (Cool World)
Mae Whitman (Boogeyman 2)
Meredith Baxter (Family Ties)
Seth Rogen (Bad Neighbours)
Ed Helms (The Hangover)
Fred Savage (The Wonder Years)
LeVar Burton (Star Trek: TNG)
Denise Crosby (Trekkies)
Michael Dorn (Ted 2)
Jonathan Frakes (Lois & Clark)
Gates McFadden (Star Trek: TNG)
Marina Sirtis (The Grudge 3)
Brent Spiner (Dude, Where’s My Car?)
Wil Wheaton (Powers)
Wentworth Miller (Legends of Tomorrow)
Bryce Dallas Howard (Jurassic World)
Jay Leno (The Simpsons)
Richard Dreyfuss (Tin Man)
John Ross Bowie (The Big Bang Theory)
Keri Lynn Pratt (Veronica Mars)
Chevy Chase (Chuck)
Dan Aykroyd (Ghostbusters)
Hart Bochner (urban Legends 2)
Christine Lakin (Valentine’s Day)
Brittany Snow (Prom Night)
Nana Visitor (Star Trek: DS9)
Fred Tatasciore (Hulk Vs)
Johnny Galecki (The Big Bang Theory)
Hugh Laurie (House)
Jim Parsons (The Big Bang Theory)
Dwayne Johnson (Faster)
Adrianne Palicki (Agents of SHIELD)
Allison Janney (Mom)
Lucas Grabeel (Smallville)
Anne Hathaway (The Dark Knight Rises)
Charlie Sheen (Two and a Half Men)
Danielle Panabaker (The Flash)
Ioan Grufford (Ringer)
David Lynch (The Cleveland Show)
Sanaa Lathan (Blade)
Shelley Long (Cheers)

At this point in the series, the beginning of the fifth season, the show has settled into being a showcase for Peter’s stupidity, throwing a bone to Brian and Stewie once in a while, and occasionally Lois and family. Only four of the 13 episodes aren’t focused on the head of the family, and unsurprisingly, the two of those four that aren’t Brian and Stewie stories are two of the best in the volume, “Prick Up Your Ears” and “Barely Legal.”
While it’s easy to see where an episode can go, one of the show’s biggest strengths is its willingness to do anything to get there, even if it won’t make it to TV, because they know that there will be a DVD release. Thus, you have jokes that would never get past standards and practices, and a reason for the show’s fans to check out the DVDs, as the episodes are expanded and uncensored. It has to be incredibly freeing to have almost no boundaries, and the writers take full advantage of it. It’s in this relatively free medium that a character like Quagmire, who has no filter and is obsessed with sex, can really shine. His behavior in “Bill and Peter’s Bogus Journey” is actually very funny simply because of how utterly obscene he can be on DVD.
As noted before, “Prick Up Your Ears” and “Barely Legal” are two of the best episodes in this collection, both of which feature the Griffins’ daughter Meg, voiced by Mila Kunis (“That ’70s Show”.) Meg’s character has grown up a bit, though she remains an awkward teen, and these two episodes focus on her explorations into love and lust. “Prick Up Your Ears” is a smart jab at the conservative Christian approach to sex education, and the effect it has on Meg, as well as Peter, is great, while “Barely Legal” show’s Meg’s crazier side, as she falls in love with Brian after they make out at her prom. A joke that’s born out of Meg’s insanity and efforts to woo Brian is among the series’ funniest, and again, one you only get on DVD. Also worth checking out is the B-story of “Mother Tucker,” in which Brian and Stewie host a morning zoo radio show. It’s a perfect parody of everything that’s wrong in radio.
The show’s guest-star list continues to be surprising in both its depth and quality, including Phyllis Diller (as Peter’s mom), Gore Vidal, Samm Levine, Carrie Fisher, Drew Barrymore (playing Jillian, Brian’s hot, but dumb girlfriend in several episodes), David Cross, Rob Lowe, Hugh Hefner and Roy Scheider. That the series can get a Gore Vidal to play himself getting shot in the mouth with a hot dog (it’s actually a funny scene, but not for that reason) is impressive.

This latest offering from the ‘Family Guy’ team finds the writers and producers doing their best to be more outrageous than ever before. No celebrity is too big to ridicule and absolutely no topic is considered too taboo.


But the acid test is this: when being profane and attacking and offending every minority group in existence, is it actually funny? The short answer is `yes’. This is not merely funny, it is very funny indeed. Rosie O’Donnell features in one particularly insulting sequence, and when Joe has a leg transplant and becomes his old active self, the guys decide the only way to fix things is to `re-cripple him again’. This is quite literally the most non-PC programme ever put on your TV screen, but it contains more invention and (frequently hilarious) jokes per minute than practically any sitcom. Highlights are two numerous to mention, but I particularly enjoyed the sofa at Quagmire’s shack and Peter’s stripper-cop routine at his daughter Meg’s hen night. Shocking stuff!

Only downside is the first two episodes were put out separately as the `Star Wars’ spoof `Blue Harvest’, so this pack is a little light at only 13 episodes.

another great Family Guy set Some of the best episodes include the one where Stewie helps Frank Sinatra Jr turn his fortune around with a club; the one where Peter meets Jesus; the one where Quagmire, Joe and Peter do Jackass style stunts, and the one where Mort ends up transporting himself to 1940’s Poland.


Even though everyone hates the episode, the one with Surfing Bird is a great episode, especially the parody with Stewie and Brian doing a scene from Office Space. Some people say it’s not Seth’s best moment, but it’s memorable like the chicken fight in series 6 and Brian being ribbed about his book by Stewie (“has it got a beginning, and end and a narrative?”

Highlights of this latest season to name a few include Brian committing murder, Quagmire becoming a Father, the truth behind Hannah Montana, Major West being ‘activated’ and the genius “Road to The Multiverse” which in my opinion is one of the greatest episodes within the last few seasons if not the entire collection.

Many of the episodes are extended when compared to their TV counterparts (blame the censors) along with dozens of deleted scenes which will keep even the most devoted or demanding Family Guy fan happy. Other special features worth noting are the Multi-verse featurette which was pretty interesting along with commentaries from cast and crew alike.

Despite being cancelled twice the show is still going strong and still offers brilliant humor, dialogue and cutback scenes after all this time. The characters continue to amuse and develop as the seasons progress (Stewie on Steroids stroke of brilliance) and there is plenty of scope for the future. The vast majority of the episodes are gold. I’ve already mentioned Multi-verse but also up there is “Dog Gone”.

If further proof is needed as to the series’ ability to succeed without its usual crutches, it can be found in “And Then There Were Fewer…” a mystery in Family Guy clothing. Series semi-regular James Woods gathers the town people for dinner, hoping to atone for his past wrongs, but someone starts bumping them off, leaving the group to figure out who the killer is and escape with their lives. Though the cutaways are present, they are worked into a genuine storyline, that’s both well-crafted and funny, feeling like a quality parody of the Agatha Christie school of mysteries. It may be close to blasphemy to say so, but there’s definitely a touch of Clue to the proceedings. The quality story is matched step-by-step by the animation (in the series’ first widescreen episode) and music, both of which may be the best the show’s ever produced (which is no feint praise.) The series may find itself in a rut at times, going to the same comedy well again and again, but when inspiration strikes, they take the show to another level.
As is often the case with this series, there’s always an attempt to push the envelope, including episodes focusing on suicide and sex changes, but “Extra Large Medium” is one of the show’s most controversial to reach airwaves, and it’s mainly due to a throwaway joke. Following a life-changing event, Chris (Seth Green) decides to finally ask out a girl he likes, and it so happens that she has Down’s syndrome. This leads to one of the finest songs the show’s produced to date in “Down’s Syndrome Girl,” as well as a line where the girl notes that he mom was the former governor of Alaska. It’s hard to figure out what the joke really is (it’s not really making fun of anyone, be it Palin or people with Down’s) but it pissed off a lot of people. Fortunately, the rest of the episode, especially that song, makes the headaches worth it, as Chris struggles with his feelings for his special gal and Brian’s attempts to break Lois of her belief in psychics accidentally convinces Peter he actually is psychic.
Though the series proudly sees the world from a liberal point-of-view, savaging republicans and conservatives at every chance, “Excellence in Broadcasting” stands as an unusual team-up, with Rush Limbaugh giving voice to himself, as he visits Quahog and gets what could be considered a friendly reception (at least by Family Guy standards.) Yes, there are jokes about the Republicans and Limbaugh himself, but he doesn’t get it too rough, and if anyone comes off badly, it’s Brian, who is easily swayed by Limbaugh into selling out his own convictions. It’s rather odd to see, and makes one wonder what went on behind the scenes to make it happen, as MacFarlane doesn’t seem the type to play nice, and the idea of Limbaugh working in tandem with an atheist pot advocate is mind-bending.

REVIEW: THE ORIGINALS – THE AWAKENING

CAST

Nathaniel Buzolic (Out of the Blue)
Keri Lynn Pratt (Smallville)
Aleeah Rogers (Django Unchained)

The Awakening is a four part web series that aired alongside the second season of The Originals. The series explores the character Kol Mikaelson. The first webisode starts with Klaus undaggering his brother Kol, after a unspecified amount of time Kol meets the witch Mary-Alice Claire who he appears to have a relationship with. As he’s urging Mary Alice for the whereabouts of Astrid she tells him that his brothers spread rumors about Kol not to be trusted. He reassures her of his objective: to kill Klaus once and for all.

In the second, Mary says that Kol taught her and Astrid Kemiya. They used it to enchant The Devil’s Star, bracelet and several other objects. Kol tells them that they need to make as much weapons as possible.

In the third, Kol slaughters half of a St. Anne parish after he becomes aware that a witch has a diamond in her possession that would help make an gold dagger for Klaus.

In the fourth Astrid and Mary Alice are locked in the house with an barrier spell cast by one of Klaus’s witch. The house becomes an asylum for crazy witches. Mary Alice notes that karma played came for her because she didn’t think clearly about the price she would have to pay.

A nice little companion to The Originals and gives some more depth to the character of Kol. It’s also gives viewers something new for the Dvd/Blu-ray release.