REVIEW: THE DEVIL’S REJECTS

CAST

Sid Haig (Jackie Brown)
Bill Moseley (Arm of Darkness)
Sheri Moon Zombie (Halloween)
William Forsythe (The Rock)
Ken Foree (Dawn of The Dead)
Leslie Easterbrook (Halloween)
Geoffrey Lewis (Maverick)
Priscilla Barnes (Jane The Virgin)
Lew Temple (Lawless)
Danny Trejo (Machete)
Tom Towles (Miami Vice)
Michael Berryman (Star Trek IV)
P.J. Soles (Carrie)
Ginger Lynn (31)
Chris Ellis (Catch Me If You Can)
Daniel Roebuck (Lost)
Glenn Taranto (The New Addams Family)
Tyler Mane (X-Men)
Steve Railsback (Lifeforce)
Robert Trebor (Hercules: TLJ)
Brian Posehn (The Big Bang Theory)
Deborah Van Valkenburgh (Free Enterprise)
Duane Whitaker (Pulp Fiction)
Richard Epcar (One Punch Man)
Kane Hodder (Monster)

Rob Zombie’s second film picks up shortly after the events that finished up House Of 1,000 Corpses. The Firefly clan are holed up in a farmhouse, surrounded by cops and wanted for murdering seventy-five people. Needless to say, the police are pretty hot to get their hands on the clan, but they’re not going down without a fight and soon enough, a bloody shoot out goes down. Otis (Bill Moseley) and Baby (Sheri Moon) make it out of the house before the law closes in, but Mother Firefly (Leslie Easterbrook picking up where Karen Black left off) isn’t so lucky and the cops are only too happy to bring her into custody.
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Captain Spaulding, as luck would have it, was out of the house when the shoot out occurred, so he too manages to avoid the police and it doesn’t take him long to find out what’s happened. Once he does, he figures he should head on out and look for Baby and Otis, who have spent some time hiding out in a remote hotel where they’ve been holding a country and western band (made up of Priscilla Barnes, Geoffrey Lewis, Kate Norby and Lew Temple) hostage. One thing leads to another and soon Baby and Otis, after making waste of the band, head out to meet up with Spaulding at a whorehouse run by Spaulding’s ‘brother from another mother,’ Charlie Altamont (Ken Foree).
While the family is on the lam, Sheriff Wydell (William Forsyth) is becoming more and more obsessed with getting revenge on them for the murder of his brother in the first film. He rounds up a band of hired guns to help him out and heads into the desert to find the three Fireflies and give them what for.

Prod DB © Lions Gate Films / DR THE DEVIL'S REJECTS (THE DEVIL'S REJECTS) de Rob Zombie 2005 USA / ALL avec Sid Haig, Bill Moseley et Sheri Moon horreur, gore, otage, prisonniers, attaches, tortureRob Zombie has crafted one mean little movie this time out. While a lot of the black humor that made the first movie as fun as it was is still here, there’s a much stronger mean streak in The Devil’s Rejects that gives it a certain air of uneasiness. Otis and Spaulding as sicker, more depraved and more psychotic here than in the last film (if that’s possible) but the story allows us to get to know them better this time out, which makes for an interesting paradox. These are definitely not heroes or even anti heroes that we’re following in this film, they’re despicable human beings but their story is interesting and while we don’t necessarily root for them, the movie sucks us in enough that we do want to find out how it all ends.

DevilsRejects-SheriZombieIn addition to some brilliant casting choices, Zombie has also done an excellent job of recreating the dirty, sweaty atmosphere of so many of the seventies drive in horror and exploitation films that so obviously inspired him to make this movie. The film will leave you in need of a shower, it’s been baked in the sun a little too long and as such it’s got a strange funk to it that just makes an already fairly seedy movie even seedier. With supporting roles from Michael Berryman, Rosario Dawson (well, in a deleted scene), the late Matthew McGrory, Danny Trejo and Diamond Dallas Page as the Sheriff’s mercenary pals, P. J. Soles, Deborah Van Valkenburgh, Ginger Lynn Allen, Mary Woronov, and more, the film also makes for a fun game of ‘spot the b-movie celebrity’ you’re your friends.
vlcsnap-2015-04-06-02h14m31s233While the film played theatrically with an R-rating, this two-disc set is uncut. The main difference is the fact that the hotel room scene plays out a little longer than it did theatrically, the rest of the added content (to the best of this reviewer’s memory – I don’t have the R version to compare it to) is some restored trims to the nastier bits of violence in the movie.

REVIEW: HALLOWEEN (2007)

CAST

Scout Taylor-Compton (The Core)
Malcolm McDowell (Star Trek: Generations)
Brad Dourif (Curse of Chucky)
Tyler Mane (X-Men)
Daeg Faerch (Hanock)
Sheri Moon Zombie (The Devil’s Rejects)
William Forsythe (The Rock)
Richard Lynch (Puppet Master 3)
Udo Kier (Blade)
Danny Trejo (Machete)
Danielle Harris (Left For Dead)
Kristina Klebe (Police State)
Courtney Gains (Children of The Corn)
Skyler Gisondo (The Three Stooges)
Dee Wallace (E.T.)
Bill Moseley (Army of Darkness)
Lew Temple (Domino)
Tom Towles (Fortress)
Leslie Easterbrook (Police Academy)
Pat Skipper (Erin Brockovich)
Daryl Sabara (Spy Kids)
Richmond Arquette (Broken Blood)
Ken Foree (The Lords of Salem)
Daniel Roebuck (Final Destination)
Sid Haig (The Devil’s Rejects)

On Halloween in Haddonfield, Illinois, having already shown signs of psychopathic tendencies, 10-year-old Michael Myers (Daeg Faerch) murders a school bully. Later that night, he murders his older sister Judith (Hanna R. Hall), his mother’s abusive boyfriend Ronnie (William Forsythe), and Judith’s boyfriend Steve (Adam Weisman). Only his baby sister, Angel Myers, is spared. After one of the longest trials in the state’s history, Michael is found guilty of first degree murder and sent to Smith’s Grove — Warren County Sanitarium under the care of child psychologist Dr. Samuel Loomis (Malcolm McDowell). Michael initially cooperates with Dr. Loomis, claiming no memory of the killings; his mother, Deborah (Sheri Moon Zombie), visits him regularly. Michael becomes fixated on his papier-mâché masks, closing himself off from everyone, even his mother. When Michael kills a nurse as Deborah is leaving from one of her visits, she can no longer handle the situation and commits suicide. For the next fifteen years, Michael (Tyler Mane) continues making his masks and not speaking to anyone. Dr. Loomis, having continued to treat Michael over the years, attempts to move on with his life and closes Michael’s case. Later, while being prepared for transfer to maximum security, Michael escapes Smith’s Grove, killing the sanitarium employees and a truck driver for his overalls, and makes his way back to Haddonfield. On Halloween, Michael arrives at his now abandoned childhood home, where he recovers the kitchen knife and Halloween mask.
The story shifts to Laurie Strode (Scout Taylor-Compton), and her friends Annie Brackett (Danielle Harris) and Lynda Van Der Klok (Kristina Klebe) on Halloween. Throughout the day, Laurie witnesses Michael watching her from a distance. That night, she goes to babysit Tommy Doyle (Skyler Gisondo). Meanwhile, Lynda meets with her boyfriend Bob (Nick Mennell) at Michael’s childhood home. Michael appears, murders them, and then heads to the Strode home, where he murders Laurie’s parents, Mason (Pat Skipper) and Cynthia (Dee Wallace). Dr. Loomis, having been alerted of Michael’s escape, comes to Haddonfield looking for Michael. After obtaining a gun, Loomis attempts to warn Sheriff Brackett (Brad Dourif) that Michael has returned to Haddonfield. Brackett and Dr. Loomis head to the Strode home, with Brackett explaining along the way that Laurie is actually Michael’s sister Angel.
Meanwhile, Annie convinces Laurie to babysit Lindsey Wallace (Jenny Gregg Stewart), a girl Annie is supposed to be watching, so she can have sex with her boyfriend Paul (Max Van Ville). Annie and Paul return to the Wallace home and during sex, Michael kills Paul and attacks Annie. Bringing Lindsey home, Laurie finds Annie on the floor, bloodied but alive, and calls the police. She is attacked by Michael, who chases her back to the Doyle home. Sheriff Brackett and Loomis hear the call announced over the radio and head toward the Wallace residence. Meanwhile, Michael kidnaps Laurie and takes her back to his home. Michael approaches Laurie and tries to show her that she is his younger sister, presenting a picture of the two siblings with their mother. Unable to understand, Laurie grabs Michael’s knife and stabs him before escaping the house; Michael chases her, but is repeatedly shot by Dr. Loomis.Laurie and Loomis are just about to leave when Michael grabs Laurie and heads back to the house. Loomis intervenes and tries to reason with Michael, but Michael attacks him by squeezing Loomis’s skull with his hands. Laurie takes Loomis’s gun and runs upstairs; she is chased by Michael, who, after cornering her on a balcony, charges her head-on, knocking both of them over the railing. Laurie finds herself on top of a bleeding Michael. Aiming Loomis’ gun at his face, she repeatedly pulls the trigger until the gun finally goes off just as Michael’s hand grips Laurie’s wrist.
I like this film. It does not diminish my enjoyment of Carpenter’s original, and neither does Carpenter’s original diminish my enjoyment of this film. As far as I’m concerned, they can co-exist as entirely separate entities, to be appreciated on their own terms.