REVIEW: JUSTICE LEAGUE – SEASON 2

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

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Recurring / Notable Guest Cast

Michael Ironside (Total Recall)
Corey Burton (Transformers)
Ron Perlman (Hellboy)
Rene Auberjonois (Star Trek: DS9)
Michael Dorn (Ted 2)
Mitchell Ryan (Halloween 6)
Rob Paulsen (Teenage Mutant Ninja Turtles)
Tara Strong (Batman: The Killing Joke)
Clancy Brown (Highlander)
Robert Picardo (Star Trek: Voyager)
Lisa Edelstein (House)
Tom Kenny (The Super Hero Squad Show)
William Atherton (Die Hard)
Fairuza Balk (The Craft)
Dana Delany (Tombstone)
Mark Hamill (Star Wars)
Peri Gilpin (Frasier)
Mark Rolston (Aliens)
Jason Marsden (Hocus Pocus)
David Kaufman (Prom Night)
Dorie Barton (Down With Love)
Phil Morris (Smallville)
Larry Drake (Darkman)
Alfred Molina (Spider-Man 2)
Dan Castellaneta (The Simpsons)
Keith David (Pitch Black)
Kim Mai Guest (TMNT)
Dennis Haysbert (24)
Michael Jai White (Arrow)
Brian George (The Big Bang Theory)
Diane Pershing (Gotham Girls)
Bruce McGill (Lincoln)
Ted McGinley (No Good Nick)
Lauren Tom (Bad Santa)
Lukas Haas (Inception)
Tracey Walter (batman)
Enrico Colantoni (Veronica Mars)
Brian Doyle-Murray (JFK)
Oded Fehr (The Mummy)
Scott Rummell (Six)
Kristin Bauer van Straten (Nocturnal Animals)
Powers Boothe (Sin City)
Ted Levine (The Silence of The Lamabs)
Stephen McHattie (300)
Brad Garrett (Tangled)
Efrem Zimbalist Jr. (Hot Shots)
Arleen Sorkin (Days of Our Lives)
Khary Payton (The Walking Dead)
Greg Cipes (Teenage Mutant Ninja Turtles)
Scott Menville (Teen Titans Go)
John C. McGinley (Scrubs)
Hynden Walch (Groundhog Day)
Ian Buchanan (Panic Room)
Mike Farrell (Patch Adams)
Shelley Fabares (Coach)
Kimberly Brooks (Voltron)
Robert Ito (Midway)
Victor Rivers (The Mask of Zorro)
Hector Elizondo (The Princess Diaries)
Elizabeth Peña (The Incredibles)
Kevin Michael Richardson (The Cleveland Show)

MV5BMTkxOTY5NTY5N15BMl5BanBnXkFtZTgwMjEwOTM2MjE@._V1_Now this is more like it. Justice League’s second season takes all of the wrinkles found in the first year and smoothes them over. The action is bigger, the stories are more exciting, and Batman’s rating on the cool-o-meter reaches new highs – exactly how things should be. The result is a boxed set that offers perhaps the finest collection of superhero animation that your hard-earned dollars can buy. They don’t come any better then this, kids.MV5BODg3ODYzM2QtNTIwOS00YzhjLThmMDItZTY4MDc0NzU1NDhkXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_Much like the comic book universe from which these characters came, the Warner Bros. superhero shows headed by Bruce Timm and friends (Batman: The Animated Series, Superman: The Animated Series and Batman Beyond) have created a continuity and universe all their own. Justice League is the latest (and, sadly, final) entry in this cartoon universe and it takes all of the best stuff from what has come before it and combines it into a near-perfect superhero animated series. While the first season was light on character development and solid storytelling, the second season gets the balance of action, story, and character just right. Again we’ve got great supporting characters and villains from the DC universe; Darkseid, John Dee, Despero, and even Doomsday all make appearances.MV5BMTQxNzgzNDg3OF5BMl5BanBnXkFtZTgwNTAwOTM2MjE@._V1_The action is also a lot more exciting, with more imagination having gone into the writing of the fights. Furthermore, this season we’ve got some great CG effects (used for vehicles and ships) – the air dogfight in Maid of Honor between the Batwing and some jetfighters is especially cool to watch.  Another standout this season is the music. The series composers (Lolita Ritmanis, Michael McCuistion, and Kristopher Carter) have created some amazing stuff here. In each episode you’ll find several musical cues that will really get your attention and at least one that will tug at the ol’ heartstrings. The music knows when to fade into the background and let the images do the work and when to take centre stage. With stuff this good you want the music to take centre stage as much as possible. There is a Princess Mononoke-esque “nature endures” moment in Hearts and Minds where the score was just wonderful. The music in these episodes is too good for a cartoon TV show.MV5BMTQ1MjM0MTMwNV5BMl5BanBnXkFtZTgwNjc5ODM2MjE@._V1_So the action is awesome, Superman is fixed, and the music is one-of-a-kind. All that’s left is the writing… and it’s the best part. The writing here is really great, with story and character always being the focus of each episode. A Better World answers a simple question in an interesting way: what if Superman crossed the line? In an alternate universe, Superman realizes that Luthor really is an unredeemable villain and he kills him. We see that the murder – even the murder of a monster like Luthor – changes both Superman and the League. They become Big Brother-like sentries of the planet. When a cross-dimensional rift is opened, this “darker” league (known as the Justice Lords) has a showdown with our untainted heroes. The episode brings up some very interesting questions and is a blast to watch.MV5BMTYwOTU0OTUwMl5BMl5BanBnXkFtZTgwNTk5ODM2MjE@._V1_We’ve also got some fantastic variety. The Paul Dini-penned Comfort and Joy is a very touching Christmas episode, while Hereafter transports Superman to a Planet of the Apes-ish future where he is the planet’s sole survivor (he even grows a Robinson Crusoe beard and fashions himself a jungle-machete!). The Terror Beyond makes for a very fun H.P. Lovecraft-inspired romp which sees Solomon Grundy fighting his way into the brain of the massive Ichthulhu (voiced by Rob Zombie) and wrestling a nightmare creature inside this thing’s head. Very bizarre, but very cool. Finally there’s the three-part season finale, Starcrossed. This is a balls-to-the-wall action spectacular which culminates in Batman piloting the League’s watchtower into the planet, while Green Lantern and Hawkgirl’s relationship is torn to shreds.MV5BMTkxMDQzODI2OF5BMl5BanBnXkFtZTgwMDIwOTM2MjE@._V1_This is a fantastic collection of episodes, to be sure, but there are still a few nitpicks that keep the set from getting a perfect score. For one, while Superman is tougher, much of the new attitude doesn’t feel genuine – it seems that they wanted to make him “cooler” so they made him more badass. Problem is, Superman isn’t a badass character. Second, there are a few episodes (Maid of Honor and Eclipsed) that feel somewhat stale, and one episode, Wild Cards, that, sadly, let its driving gag get the better of the story. On TV you’ll find many cartoons, but you’ll only find one Justice League – its second season is a shining example of superhero animation done right in virtually every respect. Most importantly, the show’s creators have crafted a series that respects the intelligence, attention-span, and maturity of its audience. This isn’t just a kids show nor is it just a television show. It’s Justice League – and it’s great.

REVIEW: ARMAGEDDON (1998)

CAST
Bruce Willis (Cop Out)
Billy Bob Thornton (Bad Santa)
Ben Affleck (Gone Girl)
Liv Tyler (The Incredible Hulk)
Will Patton (Romeo Is Bleeding)
Steve Buscemi (Ghost World
William Fichtner (The Dark Knight)
Owen Wilson (Wedding Crashers)
Michael Clarke Duncan (The Finder)
Peter Stormare (The Brothers Grimm)
Jessica Steen (Mutant X)
Keith David (The Cape)
Jason Isaacs (Resident Evil)
Eddie Griffin (The New Guy)
Stanley Anderson (Spider-Man)
Udo Kier (Blade)
Judith Hoag (Teenage Mutant Ninja Turtles)
Shawnee Smith (Anger Management)
John Mahon (Angel)
Grace Zabriskie (Arrow)
John Aylward (Teenage Mutant Ninja Turtles III)
Christian Clemenson (Apollo 13)
Frederick Weller (The Shape of Things)
Charlton Heston (Planet of The Apes)
Lawrence Tierney (Reservoir Dogs)
A massive meteor shower destroys the orbiting Space Shuttle Atlantis and bombards a swath of land from the U.S. East Coast from South Carolina through Finland. NASA discovers that a rogue asteroid the size of Texas passed through the asteroid belt and pushed forward a large amount of space debris. The asteroid will collide with Earth in 18 days, causing an extinction event that will even wipe out bacteria. NASA scientists, led by Dan Truman, plan to trigger a nuclear detonation 800 feet (240 m) inside the asteroid to split it in two, driving the pieces apart so both will fly past the Earth. NASA contacts Harry Stamper, considered the best deep-sea oil driller in the world, for assistance. Harry travels to NASA with his daughter Grace, to keep her away from her new boyfriend and one of Harry’s drillers, A. J. Frost. Harry explains he will need his team, including A. J., to carry out the mission. They agree to help, but only after their list of unusual rewards and demands are met.
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NASA plans to launch two shuttles, Freedom and Independence, to increase the chances of success; the shuttles will refill with liquid oxygen from the Russian space station Mir before making a slingshot maneuver around the Moon to approach the asteroid from behind. NASA puts Harry and his crew through a short and rigorous astronaut training program, while Harry and his team re-outfit the mobile drillers, “Armadillos”, for the job. The destruction of Shanghai by an asteroid fragment forces NASA to reveal the asteroid’s existence, as well as their plan. The shuttles are launched and arrive at Mir, where its sole cosmonaut Lev helps with refueling. A major fire breaks out during the fueling process, forcing the crews, including Lev, to evacuate in the shuttles before Mir explodes. The shuttles perform the slingshot around the moon, but approaching the asteroid, the Independence’s engines are destroyed by trailing debris, and it crashes on the asteroid. Grace, aware A.J. was aboard the Independence, is traumatized by this news. Unknown to the others, A.J., Lev, and “Bear” (another of Harry’s crew) survive the impact and head towards the Freedom target site in their Armadillo.
Meanwhile, Freedom safely lands on the asteroid, but overshoots the target zone, landing on a much harder metallic field than planned, and their drilling quickly falls behind schedule; in desperation, the military initiates “Secondary Protocol” to remotely detonate the nuclear weapon on the asteroid’s surface, despite Truman and Harry’s insistence that it would be ineffective. Truman delays the military, while Harry convinces the shuttle commander to disarm the remote trigger. Harry’s crew continues to work, but in their haste, they accidentally hit a gas pocket, blowing their Armadillo into space. As the world learns of the mission’s apparent failure, another asteroid fragment devastates Paris.
All seems lost until the arrival of the Independence’s Armadillo. With A.J. at the controls, they reach the required depth for the bomb. However, flying debris from the asteroid damages the triggering device, requiring someone to stay behind to manually detonate the bomb. The crew draw straws, and A.J. is selected. As he and Harry exit the airlock, Harry rips off A.J.’s air hose and shoves him back inside, telling him that he was the son Harry never had, and he would be proud to have A.J. marry Grace. Harry prepares to detonate the bomb and contacts Grace to bid his final farewell. After some last minute difficulties involving both the shuttle engines and the detonator, the Freedom moves to a safe distance and Harry manages to press the button at the last minute, while experiencing flashbacks of happy times in his last moments as the bomb successfully splits the asteroid, avoiding the collision with Earth. Freedom lands, and the surviving crew are treated as heroes. A.J. and Grace get married, with photos of Harry and the other lost crew members present.
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This movie is pure escapism fun, which has its place in my collection, movies like Independence Day and Armageddon are great fun to watch and as a bonus the characters weren’t bad the script was reasonable and action was indeed plentiful.

REVIEW: NOVOCAINE

CAST

Steve Martin (Cheaper By The Dozen)
Helena Bonham Carter (The King’s Speach)
Laura Dern (Jurassic Park)
Elias Koteas (Fallen)
Scott Caan (Gone In 60 Seconds)
Kevin Bacon (A Few Good Men)
Keith David (Pitch Black)

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Generally, the film is a dark and quirky “tragicomedy”. The “everyman” protagonist, Dr. Frank Sangster (Steve Martin), is a dentist with a fairly pleasant but rather innocuous, ordinary and uneventful life. But all of this gets derailed, and Frank’s life descends into an increasingly complex mess, from the minute a beautiful and seductive new patient named Susan Ivey (Helena Bonham Carter) comes to him, seeking a root canal and a little pain relief…
On Susan’s initial office visit, Frank schedules her for a root canal the very next day, and offers her some Ibuprofen to address her pain in the meanwhile. Claiming that she is allergic to the offered medication, Susan requests a prescription for the addictive pain-killer Demerol. Frank provides the prescription, but only for five tablets. However, Susan changes the dosage from five tablets to fifty when she collects the medication from her pharmacist.
Susan arrives for her appointment twelve hours late, having mistaken the time. She seduces Frank, talking him into getting drunk and having sex with her. During the night, Susan steals all of Frank’s narcotics. The next day, there is a DEA (Drug Enforcement Administration) agent at Frank’s office demanding to see the dentist’s narcotics supply, because an 18-year-old has driven a car off a cliff under the influence of cocaine hydrochloride from a bottle registered to the dentist. Knowing that Susan has stolen his entire drug supply, Frank puts the agent off, saying he’ dispensed it all to patients. The agent leaves with the promise that if Frank fails to produce the empty containers in two days, the DEA will place him under arrest.
That night Frank goes to Susan’s hotel room to demand the empty containers, threatening that he’ll call the police if she doesn’t provide them. Once again, she overrides his initial intentions and seduces him – with the result that they have sex and he spends the night with her. The next day at his office, Frank is confronted by Susan’s brother, Duane Ivey (Scott Caan) having a violent scene, saying: “Stay the hell away from my sister” and “I don’t appreciate your threats”. Duane ends the conversation with, “I don’t ever want to see you again, because if I do, goddamn it, I’m gonna hurt you.”
That night, Frank returns to Susan’s hotel room and, assuming that Susan is the form he sees the bed, starts talking to her. The person under the blanket turns out to be not Susan but brother Duane, who leaps up and attacks Frank, attempting to strangle him. Frank takes scissors from a nearby desk and stabs Duane in the hand, impaling him and embedding the scissors. Frank flees, stopping off at a bar to calm down. On arriving at home, just minutes ahead of his girlfriend Jean (Laura Dern), he finds Duane dead on the floor.
Police arrive on the scene to question Frank. Comically adding to Frank’s distress and anxiety is actor Lance Phelps (Kevin Bacon), a hack actor doing research for a role, and permitted by the police to question Frank at aggressive levels that cause Frank heightened discomfort. After the police arrive and depart, Frank tells Jean about the whole ordeal. A while later, Frank is arrested for the murder of Duane Ivey based on finding Frank’s teeth marks on the body – that someone else put there after killing Duane. After Frank breaks free, all of Chicago is on the look out for him. He goes to his office in the night, only to find his brother Harlan lying dead. At this point, it is revealed that Frank’s girlfriend Jean is behind all of the killing. She killed Duane with a shotgun and created dentures of Frank’s teeth using his dental equipment and bit Duane’s corpse with them. She was also in cahoots with Harlan, with whom she was having an affair. Unfortunately for Harlan, her plan was to eventually kill him as well with the shotgun to tie up all loose ends and make it appear that Frank killed him after Duane. Realizing he’ll never be free without starting over, Frank pulls out all of his dead brother’s teeth, as well as all of his own. Frank uses his dental skills to place his own teeth into his dead brother’s skull, and then sets fire to the dental office with Harlan’s corpse, replete with replaced teeth, left inside. Frank and Susan, now lovers, escape to France, where they live happily ever after in a little cottage on the countryside.
Meanwhile, Jean’s attempts to frame Frank fall apart. Unbeknownst to her, Harlan was playing with a medical video camera while he was shot and the recovered footage shows Jean firing the shotgun at the camera holder but fails to show it was Harlan who was shot. Therefore, the police wrongly assume that Jean shot Frank and arrest her.
The movie was indeed a comedy, allbeit a dark comedy. It’s the kind of humor where you laugh, but with your hand over your mouth to cover up the fact that your humor is a bit deranged.Laura Dern, Steve Martin, Helena Bonham Carter, and Kevin Bacon all turn in super performances. It was a fun ride, and the who-done-it guessing game was much fun!

REVIEW: FINAL FANTASY: THE SPIRITS WITHIN

CAST (VOICES)

Ming-Na Wen (Agents of SHIELD)
Alec Baldwin (Mission Impossible 5)
Ving Rhames (Julia X)
Steve Buscemi (Ghost World)
Peri Gilpin (Frasier)
Donald Sutherland (The Hunger Games)
James Woods (Another Day In Paradise)
Keith David (Picth Black)
John DiMAggio (Futurama)
Dwight Schultz (The A-Team)

Final Fantasy: The Spirits Within (2001)After the runaway success of Final Fantasy VII on the original Playstation, Sony greenlit a Final Fantasy movie. The final result, The Spirits Within, didn’t appear on movie screens until 2001, the same year as Shrek. However, unlike the unfunny green ogre, Final Fantasy: The Spirits Within failed to generate any meaningful business at the box office, and it was the biggest bomb in film history up to that point. It’s admirable for its sweeping alien vistas and imaginative space-age designs, but the story just doesn’t have enough in it to keep the audience’s interest.Final Fantasy: The Spirits Within (2001)The film follows Doctor Aki Ross (Ming-na) as she and her mentor, Dr. Sid (Donald Sutherland) attempt to discover a way to clear Earth of a strange race of alien beings known as Phantoms. These Phantoms have made Earth uninhabitable, aside from a few protected cities. The film opens with Aki dreaming of an alien world, only to wake up on a space shuttle. She takes the shuttle down to Earth to find remnants of organic life. However, she’s soon trapped by Phantoms, determined to kill her, when she’s saved by a group of space marines, led by Captain Gray Edwards (Alec Baldwin), Aki’s former lover. It’s soon discovered that the plant Aki was after was part of a series of organisms that Aki and Sid are collecting to assemble a spiritual wave that they believe will counter the alien infestation at its source (a giant asteroid from which the Phantoms spawn).Final Fantasy: The Spirits Within (2001)Their theory is not a popular one, however. The human government still has armies, and their general, Hein (James Woods), has erected a giant space cannon which he intends to use to blow the asteroid to smithereens. Sid and Aki contend that this would irrevocably damage the planet, but without further proof, their protests fall on deaf ears. Now it’s up to Aki, Sid, Gray, and his team to find the remaining organisms so they can finish the wavelength before Hein uses the cannon. And Aki keeps having these strange dreams.Final Fantasy: The Spirits Within (2001)Final Fantasy: The Spirits Within feels like what Aliens might have been like had James Cameron been into New Age philosophy. The space marines (voiced by Steve Buscemi, Frasier’s Peri Gilpin, and Ving Rhames) are reminiscent of those more famous marines in Cameron’s film. The overall design feels like it could have been in line with that world, and the idea of the Phantoms infecting you and taking you over from the inside feels very similar to the parasitic nature of Alien’s xenomorphs. In point of fact, the one thing it doesn’t feel similar to in any way, shape, or form is the Final Fantasy series of video games from which it derives its name. Dr. Sid is the most notable callback, as in almost every Final Fantasy game there is a character named Cid. Also, some of the other character names vaguely resemble those found in the games. The Gaia theory posited in the film is very similar to the Living Planet of Final Fantasy VII, but to no real effect. I can understand wanting to create a fresh story that newcomers and old fans alike could enjoy.Final Fantasy: The Spirits Within (2001)The film’s half-baked idealistic philosophies, combined with its often groan-inducing dialogue probably killed the movie more than any lack of resemblance to the video games. The whole conceit of the wavelength, while explained repeatedly and in excruciating detail, never quite gels. Similarly, Hein’s Zeus cannon doesn’t seem like a much better alternative, and it doesn’t help that he’s a terribly written villain. Of course, you have to respect James Woods’ ability to chew the scenery even when there isn’t any actual scenery to chew. I mean no disrespect to Mr. Woods, as he’s one of my favorite actors, but he’s so over the top here it hurts.The rest of the cast fare marginally better. Ming-na has a respectable voice acting pedigree that serves her well, as does Peri Gilpin (most recently heard in the animated Hellboy projects). Steve Buscemi and Ving Rhames don’t take their roles too seriously, which works to their advantage. Alec Baldwin, aside from being a great actor, lends his voice to one of the most memorable cartoon characters of recent memory (that of Leonardo Leonardo from the Clerks animated series), but he plays it straight here and is fairly disappointing. It doesn’t help that his character is animated to look exactly like Ben Affleck. I’m not kidding. This movie’s worth renting just to see how meticulously the filmmakers recreated every facet of Affleck’s face–only to give him Baldwin’s voice.Final Fantasy: The Spirits Within (2001)That does bring up an important point, though. Final Fantasy: The Spirits Within was meant to be the first in a series of computer generated films that were photo realistic. And while it’s clear the film is CGI, it still looks damn impressive. The character models are exquisite, making the more cartoony offerings from Pixar or Dreamworks just seem amateurish by comparison (and I know that Pixar and Dreamworks aren’t striving for realism, I’m just saying how one looks against the other). The environments are amazingly detailed, and the movie is just a beauty to behold. Unfortunately, the film’s complete and utter financial failure bankrupted Square Pictures, although they did manage to make The Final Flight of the Osiris for Warner Bros. Animatrix project before closing shop. Square returned in 2005/2006 with Final Fantasy VII: Advent Children, which looked even more spectacular than Spirits Within, but did not see a U.S. theatrical release.Final Fantasy: The Spirits Within (2001)Final Fantasy: The Spirits Within deserved a better fate than it got at the box office, but that doesn’t mean it’s a great movie. While it certainly was a great technological breakthrough, it didn’t have the story or characters to make it work.

REVIEW: SUPERHERO MOVIE

 

CAST

Drake Bell (Ultimate Spider-Man)
Sara Paxton (The Last House on The Left)
Christopher McDonald (Fanboys)
Leslie Nielsen (The Naked Gun)
Kevin Hart (Extreme Movie)
Marion Ross (Happy Days)
Ryan Hansen (Veronica Mars)
Robert Joy (Amityville 3)
Jeffrey Tambor (The Hangover)
Brent Spiner (Star Trek: TNG)
Tracey Morgan (Little Man)
Regina Hall (Scary Movie)
Pamela Anderson (Scooby-Doo)
Simon Rex (The Forsaken)
Craig Bierko (Scary Movie 4)
Robert Hays (Airplane)
Nicole Sillivan (17 Again)
Dan Castellaneta (The SImpsons)
Keith David (Pitch Black)
Miles Fisher (Final Destination 5)
Charlene Tilton (Dallas)
Lil’ Kim (Zoolander)
Kurt Fuller (The New Guy)
Michael Papajohn (Spider-Man)
Amanda Carlin (Liar Liar)
Ajay Mehta (The Good Place)

maxresdefaultRick Riker (Drake Bell) is an unpopular student at Empire High School who lives with his Uncle Albert (Leslie Nielsen) and Aunt Lucille (Marion Ross) and has one friend and confidant, Trey (Kevin Hart). His crush is the breathtaking Jill Johnson (Sara Paxton), but she is dating bully Lance Landers (Ryan Hansen). One day, Rick and his class go on a school field trip at an animal research lab that is run by terminally ill businessman Lou Landers (Christopher McDonald), who is Lance’s uncle. During the trip, Rick accidentally saturates himself in animal-attraction liquid, which causes a group of animals to hump him. This also leads a chemically enhanced radioactive dragonfly to fly onto Rick’s neck and bite him.Aki Aleong in Superhero Movie (2008)Meanwhile, Lou Landers creates a machine designed to heal body illness. When he tests it on himself, he exhibits strange powers and decides to become a villain named “Hourglass”. During a science fair, Rick begins to experience strange physical traits which creates a number of mishaps, and later realizes he has developed superpowers from the dragonfly bite. Rick reveals his secret to his uncle and Trey and an argument starts between him and Albert. The next day, while visiting the bank with his aunt, Rick accidentally allows a bank robber to make off with stolen cash. The robber shoots Albert, landing him in the hospital. Rick is later met by Xavier (Tracy Morgan), who takes Rick to his school for mutants, where he meets Storm, Wolverine, Cyclops, the Invisible Woman and Mrs. Xavier, who convince Rick to become a superhero. At home, Rick creates a superhero costume and dubs himself “Dragonfly”. As Dragonfly, Rick starts watching over the city and fighting crime, quickly becoming a media sensation, despite being unable to fly. Later, Dragonfly attempts to stop Hourglass from robbing a warehouse full of “ceryllium” as part of his evil plan but fails, leaving himself injured and allowing Hourglass to escape.79PWeRoLater that night, Jill is attacked by thieves, but Dragonfly saves her and they share a kiss. Meanwhile, Landers plans to construct a machine that will kill people and give him enough life energy to make him immortal. Later that night, Landers and Lance have dinner with Rick’s family and Jill, but Landers secretly learns of Rick’s true identity when he notices the same injuries on Rick as on Dragonfly. Making up an awkward excuse, he and Lance leave. Landers returns minutes later as Hourglass and murders Aunt Lucille. After a comic funeral, Jill meets Rick and offers to begin a relationship with him. However, Rick fears that his enemies will come for Jill if there were together, and therefore rejects Jill, leaving her hurt and furious.

Rick decides to end his superhero career once and for all, but knowing that Hourglass would head to an awards ceremony to kill hundreds of people, he gets Albert to take him there. At the ceremony, Jill discovers that Landers is Hourglass. When Hourglass clashes with Dragonfly on a rooftop, he tries to activate his machine, but Dragonfly manages to kill him with a bomb that had been comically stuck onto his genitals after being thrown by Hourglass. Jill is thrown off the side of the building by the explosion, but Dragonfly finally manages to grow wings and save her. Jill learns Rick is Dragonfly and the two finally begin a relationship. After being thanked for saving the city, Rick flies away with Jill, but the two are unexpectedly rammed by a passing helicopter.Image result for superhero movieFor the first time in a long time, they have managed to make a spoof movie that works!  With superbly executed parody, intelligent observational humour, and the actors  playing it straight; Superhero works on just about all levels. It even works as a film in its own right! With the major narrative being based on the Spiderman Movie, this film incorporates touches from other such features, they are integrated with aplomb and subtlety. The added touches (reminiscent of the Naked Gun movies) with celebrity look-alikes being hurt is amusing; but the major laughs are in the SM spoofing.

REVIEW: MR. AND MRS. SMITH

CAST

Brad Pitt (Killing Them Softly)
Angelina Jolie (Maleficent)
Vince Vaughn (Weddign Crashers)
Adam Brody (The OC)
Kerry Washington (Django Unchained)
Keith David (Pitch Black)
Chris Weitz (American Pie)
Michelle Monaghan (Kiss Kiss bang bang)
Stephanie March (The Invention of Lying)
Jennifer Morrison (Amityville: The Awakening)
Jeff Yagher (V)
Angela Bassett (Green Lantern)
William Fichtner (The Dark Knight)

Ravil Isyanov (Octopus)

 

MV5BMTI5MDg3NDQ1MV5BMl5BanBnXkFtZTcwMTAxNjUyMw@@._V1_SY1000_CR0,0,1505,1000_AL_Mr. and Mrs. Smith, while not flawless, is a feature that works well despite the realization as the credits roll that there’s not a great deal to it. Of course, everyone knows by now that stars Brad Pitt and Angelina Jolie are a couple, the mere fact of which has somehow managed to be covered in every single edition of every single tabloid in every single country. The film, from “Bourne Identity” director Doug Liman, stars Pitt and Jolie as Mr. and Mrs. Smith, a suburban couple who lives in a large, beautiful and ultra-modern house on a quiet street. The two met cute and got married, despite keeping a rather large secret from one another – that both are actually assassins who are working for rival organizations.a0acad5c7a89d5b7f3182585aad6c19dThe marriage has obviously cooled over the years, and now discussions over decorations and minor dinner changes are the only thing keeping things from falling into uncomfortable silences. Things get nasty, however, when the two are sent in on the same job – an operative (Adam Brody, from “The O.C.”) and find that their cover has been blown by the person they’d have least expected. From there, Smith turns into a more violent War of the Roses as the two, despite still being together, wage war on each other in their suburban estate.MV5BMTUyNzA3MzMwNF5BMl5BanBnXkFtZTcwNTk5NTUyMw@@._V1_SY1000_CR0,0,1505,1000_AL_However, when it becomes clear that their bosses want them eliminated, they realize they have to turn to each other. Liman, who brought urgency and tension to even the quietest moments of “The Bourne Identity” manages to handle both the action and dark comedy of “Smith” wonderfully. Pitt, who proved he was a surprisingly sharp comedic talent in “Ocean’s 11” has the same off-beat delivery here, and it works well. More surprising is Jolie, who successfully gives the performance a bit more warmth and dark glee than she has in her roles in the past. Vince Vaughn also steals a few scenes as a co-worker who lives with his mother.Director Liman and writer Simon Kinsberg wisely keep things light for the most part,  and yet don’t go so breezy that the film loses urgency and we lose interest. The two stars also manage to portray their subtle inner feelings for each other well during the film’s few quiet moments. Technically, the film is superb, with well-choreographed action sequences, excellent production design, slick cinematography and a superb sound mix.Overall, Mr. and Mrs. Smith’s mixture of very dark comedy and action certainly walks a fine line, and yet Liman and the two leads have managed to work it out very well.

REVIEW: THE CHRONICLES OF RIDDICK

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CAST

Vin Diesel (XXX)
Colm Feore (Thor)
Thandie Newton (Crash)
Judi Dench (Skyfall)
Karl Urban (Dredd)
Alexa Davalos (Clash of The Titans)
Linus Roache (Batman Begins)
Keith David (The Cape)
Nick Chinlund (Training Day)
Mark Gibbon (Robin Hood Beyond Sherwood)
Terry Chen (Bates Motel)
Christina Cox (Stargate SG.1)
Peter Williams (Catwoman)
Christopher Heyerdahl (Sanctuary)
Roger Cross (Continuum)
Ty Olsson (Battlestar Galactica)
John Mann (Dark Angel)
Kim Hawthorne (Greenleaf)
Lorena Gale (Halloween: Resurrection)
Aaron Douglas (Battlestar Galactica)
Kristin Lehman (The Loft)

Vin Diesel and Alexa Davalos in The Chronicles of Riddick (2004)The film opens years after the first film, once again introducing us to Riddick (Vin Diesel), who is once again on the run from bounty hunters. After escaping from his latest pursuers, he finds his way back to Inam (Keith David), who – with an air elemental (Judi Dench) – convince Riddick that he is the only one that can save their planet (and others) from the Necromongers, a race of war-happy individuals who are laying waste to one planet after another and claiming them as their own, assimilating whoever accepts and destroying who doesn’t. Lead by the Lord Marshal (Colm Feore), they are seeking out the utopian Underverse.Vin Diesel and Alexa Davalos in The Chronicles of Riddick (2004)Riddick is there as the planet is assaulted, but isn’t able to do much, as he’s quickly outnumbered and outgunned. However, when he’s captured by the Necromongers, he figures a way to escape in the middle of a process that scans his thoughts. He then flies off to the prison planet Crematoria to seek out Jack, a girl from the original, who now goes by Kyra (Alexa Davalos). Once the two meet up again, they have to escape from Crematoria, which manages a toasty 700 degrees in the daylight. Meanwhile, Lady Vaako (Thandie Newton) and Lord Vaako (Karl Urban) are dispatched to persue Riddick, as the Lord Marshal has other plans for him.Vin Diesel in The Chronicles of Riddick (2004)While flawed, Riddick is certainly ambitious. The production design is nothing short of spectacular, and the visual style is an explosion of what the first film offered – I especially liked the opening, where Riddick seems to be running across the tops of a maze that stretches out to the horizon. Costume design is superb, while the film’s visual effects are not seamless, but still very strong. Overall, the creation of this universe”the film exists in is first-rate.Vin Diesel, Thandie Newton, and Linus Roache in The Chronicles of Riddick (2004)Chronicles of Riddick offers some pretty good performances. Few growl out one-liners better than Diesel; while there’s not a lot of depth to the performance, it’s an interesting character that I don’t think any other actor would be as right for as Diesel is. Supporting performances by Newton, Dench, Fiore and others are also enjoyable. Overall, the film is a fine attempt to take the character into an epic that operates on a much grander scale than the first film.