REVIEW: THE RANCH – SEASON 4

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MAIN CAST

Ashton Kutcher (Two and a Half Men)
Sam Elliott (Ghost Rider)
Elisha Cuthbert (The Girl Next Door)
Debra Winger (Rachel Getting Married)

Megyn Price and Dax Shepard in The Ranch (2016)

RECURRING / NOTABLE GUEST CAST

Dax Shepard (Chips)
Megyn Price (Rules of Engagement)
Kelli Goss (The Young and The Restless)
Jim Beaver (Breaking Bad)
Wendie Malick (American Housewife)
Kurtwood Smith (That 70s Show)
Kathy Baker (Picket Fences)
Casey Sander (The Big bang Theory)
Grady Lee Richmond (Dirty Girl)
Barry Corbin (Anger Management)
Josh Burrow (Shoot Me Nicely)
Ethan Suplee (My Name Is Earl)
Debra Jo Rupp (That 70s Show)
Martin Mull (Sabrina: TTW)
Bret Harirson (V)

Ashton Kutcher and Elisha Cuthbert in The Ranch (2016)There’s going to be a lot of chatter over the way Netflix has decided to end the latest part of “The Ranch.” While this is the fourth season, it’s actually Part 7 of 8 parts in the show’s storyline, with Brad Paisley songs gracing the names of each episode in this part. Coming back to the world of the Bennetts can feel like a family reunion, both fun and bittersweet. This new chapter again features the particular humor the series is known for but with dark reunions and a final, cryptic act. It is this part’s closing moment that is quite bold in many ways.Sam Elliott in The Ranch (2016)Picking up where the last season ended, Colt Bennett (Ashton Kutcher) has been left by his wife Abby (Elisha Cuthbert) over him misleading her about the potential sale of his livestock. Now Colt is on his own and even barred from the Bennett family ranch by his father, Beau (Sam Elliott). Colt’s cousin, Luke (Dax Shepard) has meanwhile gone off to tie the knot in a hasty Vegas wedding with Mary (Megyn Price), who everyone knows has a serious drug problem. When Luke returns he realizes the wrongs he’s done and tries to rebuild a bond with Colt. It’s a moment of crossroads for the family as Colt wonders if he and Abby are truly over, Luke realizes it’s time to actually grow up.Ashton Kutcher and Dax Shepard in The Ranch (2016)“The Ranch” has never lost its homey feel during its four seasons. There have been grand, dramatic moments, like wildfires and the disappearance of Colt’s brother, Rooster (Danny Masterson), but for “Part 7” the writing becomes reflective. The storyline focuses more on where each character is situated and how they will face the future. Colt must face up to the lies he told, not out of malice but because he genuinely believed he was on the cusp of a big business deal. Most of this season finds him doing a delicate, emotional dance with Abby, openly pining for her, giving her alimony and jumping at the first chance to prove his loyalty. Worried about her image as a teacher at a new school, Abby asks Colt for his help in attending a school event so she won’t look like a separated spouse. He almost does it thinking it means they could get back together. As a comedy “The Ranch” has always delivered, but it’s in the subtle drama where it works best. Colt’s feelings towards Abby aren’t funny, but sad and endearing. Yet the show never gets predictable with this storyline and it is refreshing how it treats a breakup without dreamy romanticism, it soberly knows that some couples simply never get back together.Ashton Kutcher and Elisha Cuthbert in The Ranch (2016)The same goes for other relationships, like Luke and Mary’s, which in any other sitcom would be a gag for countless jokes. Instead it leads to real consequences such as Mary having to face the chaos of her existence, and how it affects her daughter, Heather (Kelli Goss). Heather is a bit underused this season, but she has strong scenes where she needs to pick up Mary at the hospital after an overdose, and telling Luke to get lost then accepting his sincere help for paying the mortgage. Luke’s character this season also becomes a person trying to make amends. He buys Colt’s cattle at the auction block, in order to prove he truly wants to be partners with his cousin. Beau is making plans for his new life with fiance Joanne (Kathy Baker), but must first make amends with Colt. It’s family dysfunction written with a particular kind of heartfelt drama, where no one screams or shouts but just say what they honestly feel. When Beau tries to advise Colt on how to treat a potentially ill cattle Colt takes it as an insult, and this is indeed how families actually do argue.Sam Elliott, Kathy Baker, Ashton Kutcher, Megyn Price, Dax Shepard, and Kelli Goss in The Ranch (2016)Colt runs into one issue after another trying to make his ranch sustainable, but he won’t go down easily. In one crisis he tries to buy a new bull to impregnate his heifers from Neumann’s Hill Ranch, who have repeatedly been trying to purchase both Cole’s and Beau’s Iron River Ranch. In another pivotal moment, Cole strikes back at Neumann’s Hill when they try to play dirty. Ashton Kutcher again delivers some of his best work, turning Colt into a man full of both many faults and heart. The great Sam Elliott also elevates the material with that calm demeanor that hides a powerful presence. What Elliott does here with Beau is begin to soften the hard exterior of the patriarch. Now that he has found the love of his life in Joanne he is opening himself to new experiences, like a proposal by Joanne to go to Spain.Sam Elliott and Kathy Baker in The Ranch (2016)In the previous season we saw how he had changed to the point of contemplating selling the farm for the good of his family and in this season he does just that. Even Luke acknowledges he is happy to have met this Beau, a man with an iron will for sure, but now with a more loving outlook, even if at first he still gives Luke a stern talk for his behavior. Essential to Elliot’s performance is the warm presence of Baker’s character, Joanne. With an alzheimer’s diagnosis her character’s engagement to Beau transcends the usual sitcom’s twilight years romance. It’s treated like a special bond between people who have been through much, and are prepared to go through more, together. This is the season where Joanne becomes an even more present and essential character that completes Beau’s life while in a sense completing the Bennett family.Ashton Kutcher and Dax Shepard in The Ranch (2016)While some episodes in season 4 just mosy along, it must be said this is never a boring season. We love to watch the Bennetts deal with their inner traumas and hassles because they feel real. Colt’s predicament with Abby is relatable to anyone who lets a good thing go, Luke embodies the wild child who can prove he’s not a screw up. This is a worthy season for “The Ranch.” The Bennetts grow and reconcile while enduring new challenges. To revisit these characters is like walking into a living family portrait, where everyone has good and bad memories.

25 DAYS OF CHRISTMAS REVIEW: EDWARD SCISSORHANDS

CAST
Johnny Depp (Public Enemies)
Winona Ryder (Black Swan)
Dianne Wiest (The Lost Boys)
Anthony Michael Hall (The Dark Knight)
Kathy Baker (13 Going on 30)
Conchata Ferrell (Two and A Half Men)
Vincent Price (The Fly)
Alan Arkin (Argo)
Marc Macaulay (Swamp Thing: The Series)
An elderly woman tells her granddaughter a bedtime story of where snow comes from, by telling her the story of a young man named Edward who has scissors for hands. As the creation of an old Inventor, Edward was a human-like boy who had everything except for hands. The Inventor suffered a fatal heart attack and died before he could give real hands to Edward.
Local Avon saleswoman Peg Boggs visits the decrepit Gothic mansion on the hill where Edward lives. She finds Edward alone. She is at first startled, but, upon realizing he means well and is virtually harmless, takes him to her home. Edward becomes friends with Peg’s young son Kevin and her husband Bill. He later falls in love with the Boggs’ beautiful teenage daughter Kim, despite her initial fear of him.
Peg’s neighbors are impressed by Edward’s adept hedge-trimming and hair-cutting skills, though an eccentric religious fanatic named Esmeralda and Kim’s overbearing boyfriend Jim are fearful and contemptuous of him. Joyce, an ageing, unfaithful housewife in the Boggs’ neighborhood, has become fascinated with Edward and suggests that Edward open a hair-cutting salon with her. While examining a proposed site, she attempts to seduce him in the back room, causing Edward to leave in a panic.
Wanting money for a van, Jim takes advantage of Edward’s ability to pick locks to break into his parents’ house to steal from his wealthy but bullying father. The burglar alarm sounds and everyone except Edward flees after he is trapped by the automatic locks triggered by the alarm, despite Kim’s insistence that they return for him. Edward is arrested and released when a psychological examination reveals that his isolation allowed him to live without a sense of reality and common sense. Upon questioning by Peg, Edward takes full blame for the robbery. Infuriated by Edward’s rejection, Joyce claims that he had tried to rape her. During the Christmas season, Edward is feared and cast out by almost everyone except the Boggs family. When Edward returns home he reveals that he knew it was Jim’s house they were trying to rob and that he did it because Jim asked him to, much to Kim’s shock. This in turn causes Kim to show a sour demeanor towards Jim.
While the family is setting up Christmas decorations, Edward creates a large angel ice sculpture (modelled on Kim). The shavings create an effect of falling snow, which Kim dances under. Jim arrives and calls out to Edward, startling him, resulting in Edward accidentally cutting Kim’s hand. Jim accuses Edward of intentionally harming her and attacks him. Edward runs away, wandering the neighborhood in a rage. Kim, fed up with Jim’s behavior towards Edward, breaks up with him, and he goes to his friend’s van to get drunk. While Peg and Bill search for Edward, he returns and finds Kim alone in the Boggs’ house. She asks Edward to hold her, but he is afraid that he will hurt her. She pulls his arms around her and they embrace. Jim returns to the Boggs’ house in a drunken rage to confront Kim, forcing his friend to drive his van while inebriated. Kevin is almost run over, but Edward pushes him out of the way, cutting Kevin’s arms and face, causing witnesses to think he is attacking him. When the police arrive, Edward flees to his hilltop mansion as the neighbors pursue. Kim runs to the mansion, reuniting with Edward. Jim follows her and attacks them with a handgun, beating Edward severely, who refuses to fight until Jim strikes Kim across the face when she intervenes. Edward stabs Jim in the stomach, causing him to fall out a window to his death. Kim confesses her love for Edward and they share a kiss before saying goodbye. Kim tells the townspeople that Edward and Jim fought each other to death and tells them that the roof caved in on Edward, showing them a discarded scissor-hand from the Inventor’s lab. The neighbors return home with Joyce feeling guilty for framing Edward being the one causing the neighbors to hate Edward.
The elderly woman, revealed to be Kim herself, finishes telling her granddaughter the story, saying that she never saw Edward again. She chose not to visit him because she wanted him to remember her the way she was in her youth. She believes that Edward is still alive, seemingly immortal since he can never age. It is revealed that Edward creates the town’s snow by carving ice sculptures that scatter shavings over the neighborhood.
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This has always been my fav childhood film & now it looks even more amazing than it did back then.

REVIEW: LAST CHANCE HARVEY

CAST

Dustin Hoffman (Tootsie)
Emma Thompson (Love Actually)
Kathy Baker (Edward Scissorhands)
Eileen Atkins (Robin Hood)
James Brolin (Catch Me If You Can)
Richard Schiff (Man of Steel)
Michael Landes (Final Destination 2)
Angela Griffin (Waterloo Road)
Nadia Cameron-Blakey (Batman Begins)

Divorced American Harvey Shine writes jingles for television commercials, a job not in keeping with his dream of being a jazz pianist and composer. His position at work is tenuous as he departs for London to attend his daughter Susan’s wedding. Upon arrival at Heathrow Airport, he encounters Kate Walker, a single Londoner who works collecting statistics from passengers as they pass through the terminals. Tired and anxious to get to his hotel, Harvey brusquely dismisses her when she approaches him with the survey.

Arriving at his hotel Harvey discovers that he is the only wedding guest booked in there. He is hurt to discover that has his ex-wife Jean has rented a house to accommodate everyone who is attending from the States, except him. At the dinner on the night preceding the wedding, it becomes increasingly clear Harvey is now an outsider to his daughter’s life and is being excluded from the clan around his ex-wife’s new husband Brian. Their politeness towards him is insincere and makes him feel embarrassed and uncomfortable. Susan tells Harvey that as her step-father Brian has been more of a father to her in the last few years than he has, she is going to ask him to give her way at her wedding. Clearly upset, but accepting of her decision Harvey lies and tells Susan that he will be attending the ceremony but not the reception because he has to urgently return to the States.

Meanwhile, Kate is on a blind date that is not going well. After taking a phone call from her neurotic mother Maggie, she returns to the table to discover that her date has bumped into friends at the bar and invited them to join them. Feeling socially awkward and excluded from the group she eventually goes home.

The following morning Harvey attends the wedding and then leaves immediately for the airport, having been excluded again and seated at the back of the church instead of the front in his true place next to his daughter. Owing to the heavy London traffic he is delayed and misses his flight back to the States. When he calls his boss to advise him he will be returning later than planned he is fired. Needing to drown his sorrows, Harvey goes to an airport bar and sees Kate who is there having a solitary lunch. Recognizing her from the day before, he apologizes for his rude behavior. She initially resists the attention he is paying her but soon they’re both glad to finally have an honest, genuine conversation with someone.

Harvey, feeling lonely and not wanting to stay in an hotel by the airport, follows Kate and joins her on the train to Paddington station. He asks if he can walk her to her writing class on the South Bank. She accepts his offer and is pleased when he offers to wait for her and meet her afterwards. As they stroll along the South Bank River Thames, Harvey mentions he is missing Susan’s wedding reception, and Kate urges him to go. He finally relents, but only if she will accompany him. Kate insists that she is not properly dressed for such an occasion, so Harvey buys her a dress and the two head to the Grosvenor House Hotel, where they are welcomed by Susan and squeezed in at two places on the children’s table. When ‘the-father-of-the-bride’ is called upon to make a toast, Brian rises and begins to speak but Harvey interrupts claiming his right as her biological father. He then delivers a touching, eloquent speech that redeems him with his daughter and endears him to Kate.

Following the bride and groom’s first wedding dance, the groom calls Harvey up to dance with his daughter. He happily does so, and then all the guests join them on the dance floor. Harvey is enjoying himself on the dance floor and Kate is left at the children’s table, finding herself again in the same position as on the blind date. She starts to feel socially awkward and out of place, alone in the room full of strangers. Harvey is dancing and appears to have forgotten Kate. She bears her feelings as long as she can and eventually quietly leaves. Soon after Harvey returns to the table to find her gone.Harvey, now looking for Kate, goes into the corridor and seeing her waiting for the elevator, he disappears into a side room where there is a piano and begins to softly play one of his own jazz compositions. She hears the music and follows it, finding Harvey smiling and waiting for her. He asks her to stay and return to the reception so he can dance her socks off. She agrees and they have a great time together.

Following the reception, Harvey and Kate walk and talk through London until dawn. Upon parting they exchange a single, gentle kiss and agree to meet at noon later that day. Back at his hotel, Harvey experiences serious heart palpitations having had to use the stairs as both lifts are out of order. He is taken to hospital. Forced to stay over night for treatment he misses the appointment with Kate, who turned up as agreed and waited for him. Upon being discharged the next day Harvey receives a call from his boss who has discovered that he needs Harvey to continue handling the account at work. He urges Harvey to return to as soon as possible. Harvey quits his job, deciding he prefers to remain in London and explore the possibility of a relationship with Kate. He tracks down Kate’s work number and calls her to explain but she refuses to take the call. He goes looking for her at the airport and eventually tracks her down at her writing class. He explains why he missed their rendezvous and tells her that he wants to stay in London and begin a relationship with her. Overcautious about romance because of so much past emotional pain, Kate resists, but finally agrees to give things a chance to his suggestion that they see what the future might bring.

As they slowly stroll away along the South Bank, Harvey invites Kate to ask him the questions she would have asked him at the airport terminal, and this time, he happily answers, telling her his place of residence “…is in transition.”

The direction provided by Joel Hopkins is impressive as he extracts excellent performances from the lead actors. The background music score, which is provided by Dickon Hinchliffe is also worth an applause as it is soothing and perfectly compliments the story. The movie would have turned out to be an average fare if it was not for Hoffman and Thompson.
‘Last Chance Harvey’ is a delightful and competent movie, which deserves a watch.

REVIEW: THE RANCH – SEASON 1

MAIN CAST

Ashton Kucther (Two and A Half Men)
Danny Masterson (That 70s Show)
Debra Winger (Terms of Endearment)
Sam Elliott (Ghost Rider)

RECURRING /NOTABLE GUEST CAST

Elisha Cuthbert (The Girl Next Door)
Wilmer Valderrama (That 70s Show)
Bret Harrison (V)
Megyn Price (Rules of Engagement)
Barry Corbin (Anger Managment)
Kathy Baker (Saving Mr. Banks)
John Amos (Two Evil Eyes)
Martin Mull (Sabrina: The Teenage Witch)
Ethan Suplee (My Name Is Earl)
Kelli Goss (Victorious)
Aimee Teegarden (Scream 4)
Chasty Ballesteros (FInal Destination 5)
Jon Cryer (Two and a Half Men)
Rex Linn (Django Unchained)
Thomas F. Wilson (The Heat)
Meagen Fay (La La Land)
Grady Lee Richmond (Girlfriend’s Day)

Netflix recently added the new original series The Ranch to their line-up. The show follows the lives of a family of ranchers in Garrison, Colorado. I really started watching it for the Kutcher-Masterson pairing. The brothers great when playing off each other, but the whole cast is what makes the show a success. Kutcher continues his lovable dumb guy routine from back in the day, but there’s an added maturity behind his character which I didn’t entirely expect, and Masterson keeps up the sarcastic banter that he’s known for.
Sam Elliot is fantastic as the stick-in-the-mud father, and balanced well with Oscar-nominated Debra Winger as the flighty and sometimes very wise mother. It was a nice surprise to see Elisha Cuthbert show up as Kutcher’s high school ex-girlfriend, and the episodes with the both of them were great.
As with many Netflix originals, it starts off slow. If you can push past the stilted, bad jokes of the first episode then you’ll find an endearing comedy with strong performances from everyone. Although the show can be quite predictable at times, overall it’s a really fun, enjoyable production.

REVIEW: COLD MOUNTAIN

 

CAST

Nicole Kidman (Bewitched)
Renee Zellweger (Jerry Maguire)
Jude Law (Spy)
Natalie Portman (Thor)
Eileen Atkins (Robin Hood)
Brendan Gleeson (Troy)
Giovanni Ribisi (Ted)
Donald Sutherland (The Italian Job)
Ray Winstone (Snow White and The Huntsman)
Kathy Baker (Edward Scissorhands)
James Gammon (The Iron Giant)
Ethan Suplee (My Name Is Earl)
Charlie Hunnam (Pacific Rim)
Jena Malone (Sucker Punch)
Lucas Black (Fast & Furious 7)
Taryn Manning (The Breed)
Emily Deschanel (Bones)
Cillian Murphy (Batman Begins)
Richard Brake (Hannibal Rising)
Philip Seymour (The Ides of March)
James Rebhorn (Big Lake)

 

MV5BZjZlMzRlOGQtMzViMS00NDk4LWFmOWUtZDRiZWZjYWE3Y2ZhXkEyXkFqcGdeQXVyOTYxNzc0NjU@._V1_When North Carolina secedes from the Union on May 20, 1861, the young men of a rural, provincial, North Carolina backwater known only as Cold Mountain hurry to enlist in the Confederate military. Among them is W.P. Inman (Jude Law), a carpenter who has fallen in love with Ada (Nicole Kidman), a minister´s daughter, and finds their whirlwind courtship interrupted by the American Civil War.

Cold Mountain 550Three years later, Inman finds himself in the trenches of Petersburg, Virginia, during the Battle of the Crater. Union soldiers tunneling beneath Confederate fortifications detonate over 300 kegs of gunpowder, in a futile attempt to undermine the position prior to their assault. As the ill-fated attack begins, Oakley (Lucas Black) an old acquaintance of Inman’s from Cold Mountain, is impaled on a bayonet and mortally wounded. Inman rescues him from the fighting and takes him to a field hospital. Later that day Oakley dies in the hospital, with Inman and Stobrod Thewes (Brendan Gleeson) beside him. The next night, Inman, along with his Cherokee friend Swimmer (Jay Tavare), are sent to flush out surviving Union troops trapped behind their lines. During the raid, a burst of friendly fire kills Swimmer and seriously injures Inman. As Inman lies in the hospital near death, he has a letter from Ada read to him in which she pleads with him to stop fighting, stop marching, and come back to her. Inman recovers, and—with the war drawing ever closer to an inevitable Confederate defeat—decides to go home to Cold Mountain.

On his journey he meets the corrupt preacher Reverend Veasey (Philip Seymour Hoffman), who is about to drown his pregnant slave lover. Inman stops Veasey, and leaves him tied up to face the town’s justice. Exiled from his parish, Veasey later rejoins Inman on his journey. They help a young man named Junior (Giovanni Ribisi) butcher his cow, and join him and his family for dinner. Junior leaves the house after the feast, the women in Junior’s family seduce Veasey, and Junior’s wife, Lila, tries to seduce Inman. Junior returns home with the Confederate Home Guard, and both Inman and Veasey are arrested and led away with other deserters. During a subsequent skirmish with Union cavalry, Veasey is killed and Inman left for dead. An elderly hermit living in the woods (Eileen Atkins) finds him and nurses him back to health.
Cold Mountain
Inman later meets a grieving young widow named Sara (Natalie Portman), who is raising her infant child Ethan alone; he stays the night at her cabin. The next morning, a party of Union foragers arrive demanding food. Sara orders Inman away for his protection, but he hides only a few feet away from the house. The leader, Nym (Richard Brake), and his lieutenant harass Sara, steal her livestock, and leave Ethan in the cold, though the third soldier (Cillian Murphy) attempts to keep the baby warm. Nym tries to rape Sara but both he and the lieutenant are killed by Inman. Inman forces the kind forager to surrender and lets him go, but as the latter flees, an enraged Sara fatally shoots him. In parallel with Inman’s adventures, the film follows Ada’s wartime experiences. Ada is a city gentlewoman who only recently moved to the rural farm named Black Cove. She met Inman on her first day at Cold Mountain and had a brief, chaste romance with him the night before he left for the army. Shortly after Inman leaves, Ada’s father (Donald Sutherland) dies, leaving her alone on the farm with no money, food, or livelihood, and with little prospect for help, as the young, able-bodied men are off at war.
nicole-kidman-cold-mountain-qa-1Ada is completely inept at working the farm, having been raised as a southern lady. She manages to survive thanks to the kindness of her neighbors, one of whom eventually sends Ruby Thewes (Renée Zellweger) to her. Ruby is a young woman who has lived a hard-scrabble life and is very adept at the tasks needed to run the farm. Ruby lives at the farm with Ada, and together they take the farm from a state of disaster to working order. Meanwhile, Ada writes constant letters to Inman in hopes of meeting him again and renewing their romance. The two women form a close friendship and become each other’s confidantes. They also are friends with the Swangers (James Gammon and Kathy Baker), who live down the road from Ada’s farm Black Cove. It is at the Swangers’ well that Ada “sees” a vision of Inman coming back to her in the snow, surrounded by crows.
During the war, Ada and Ruby, and other members of their community, have several tense encounters with men of the Home Guard. This branch of the Home Guard is led by Captain Teague (Ray Winstone), whose grandfather once owned much of Cold Mountain. He and his deputies hunt deserters, partially with the goal of Teague’s seizing their land. Teague also lusts after Ada. Although the purpose of the Home Guard was to protect the South and its citizen population from the North, they have become violent vigilantes who hunt and often kill deserters from the Confederate Army, and terrorize citizens who they believe are housing or helping the deserters. This includes the Swangers’ sons, who, by torturing their mother, they coax out of hiding and kill. Esco Swanger—the family patriarch—is also killed protecting his sons.

Ruby’s estranged father Stobrod, a Confederate deserter and a violin player, arrives, reconciles with her, and convinces her to make a coat for his intellectually challenged banjo player Pangle (Ethan Suplee). Ruby finds herself drawn to mandolin player Georgia (Jack White). While camping, Stobrod, Pangle, and Georgia are cornered by the Home Guardsmen led by Teague. Pangle unintentionally reveals the band as the deserters Teague is seeking. Georgia is hidden a few feet away and witnesses the shooting of Pangle and Stobrod. He escapes to Black Cove Farm and informs Ruby and Ada, who rush to the campsite to find Pangle dead and Stobrod badly injured. Ada helps Ruby remove a bullet from Strobrod’s back, and they decide to take shelter in some cabins in the woods to avoid Teague and his men.
At this point the two story lines come together. Inman, half-dead from starvation, finally reaches Cold Mountain and is almost killed by Ada before she recognizes him. They later consummate their love and spend the night together.  The Home Guardsmen, however, soon find them, having captured and tortured Georgia to learn that the women are harboring deserters. In the ensuing gunfight Inman ambushes and kills Teague and most of his band, but Teague’s violent young lieutenant Bosie (Charlie Hunnam), escapes up the mountain. Cornering him near the top, Inman urges him to surrender peacefully, but Bosie draws, forcing him to fire; both men are mortally wounded. Ada goes after Inman, and finds him just as she saw him in her vision at the well… coming back to her in the snow surrounded by crows. He dies in her arms. The film ends several years later with Ada, Ruby and their families celebrating Easter. Ruby has married Georgia, and the two have a young daughter and an infant child. It is also revealed that Ada’s night with Inman has produced a child, Grace Inman.MV5BMTQwNTE5MjE4OF5BMl5BanBnXkFtZTcwMDc2ODAxNw@@._V1_A very intense and sometimes moving movie experience with a brutal battle sequence, and indeed many further violent incidents both at Cold Mountain itself and indeed on ‘Inman’s’ journey. The film harbours many fine performances from it’s star-studded cast-list. Well worth a re-visit or indeed a first viewing.

REVIEW: 13 GOING ON 30

CAST

Jennifer Garner (Alias)
Mark Ruffalo (The Avengers)
Judy Greer (Jurassic World)
Andy Serkis (Lord of The Rings)
Kathy Baker (Edward Scissorhands)
Phil Reeves (Election)
Sam Ball (Roswell)
Marcia DeBonis (The Truman Show)
Christa B. Allen (Youth In Revolt)
Sean Marquette (Van Wilder)
Lynn Collins (John Carter)
Ashley Benson (Pretty Little Liars)
Brie Larson (Trainwreck)
On May 26, 1987, Jenna Rink (Christa B. Allen), an unpopular girl, celebrates her 13th birthday. She especially wants to join the “Six Chicks”, a school clique led by Lucy “Tom-Tom” Wyman (Alexandra Kyle), who takes advantage of Jenna’s desire to fit in by manipulating her into doing a school assignment. Before her birthday party, Jenna’s best friend Matty Flamhaff (Sean Marquette) gives her a doll dream house that he built for her and a packet of “magic wishing dust”, which he sprinkles on the house.

Tom-Tom and the rest of the six chicks show up at Jenna’s party where they play a cruel practical joke on her during a game of “Seven Minutes in Heaven”. Jenna, mistakenly thinking Matt was responsible, barricades herself in the closet where she put the Dream House. She cries and rocks backs and forth, bumping into the wall, wishing to be “30, flirty, and thriving”. The wishing dust from the dollhouse sprinkles on her, causing her to fall asleep. The next morning, Jenna awakens as a 30-year-old woman (Jennifer Garner) living in a Fifth Avenue apartment. It is now 2004, and Jenna has no memory of the 17 years that have passed since her 13th birthday.

30-year old Jenna’s best friend, Lucy (Judy Greer), drives her to her work office, where Jenna discovers that she works for Poise, her favorite fashion magazine from when she was a teenager. Missing her best friend from 1987, Jenna asks her assistant to track down Matt. To her dismay, Jenna learns she and “Matty” have been estranged since high school when Jenna fell in with the in-crowd and became best friends with Tom-Tom, who now goes by her real name Lucy. Matt (Mark Ruffalo) is now a struggling photographer who’s engaged.

After Jenna overhears Lucy badmouthing her to a co-worker, she realizes that what she thought she wanted wasn’t important. She has lost almost all contact with her parents and is having an affair with the husband of a colleague. Not only is she generally hated by her co-workers, she is suspected of giving her magazine’s ideas to a rival publication, Sparkle. Jenna realizes that the person she has become is neither trustworthy nor likable and begins to reverse the situation by distancing herself from her new, shallow boyfriend.

She heads back to her hometown in New Jersey and hides in the same closet as 17 years before and cries. Her parents return and find her hiding, and they welcome her in for the night. The next day, she reminisces by looking through school yearbooks and other items from her school days and catches up on the 17 years she doesn’t remember. Over several outings and working together on a magazine project, Jenna becomes friends with Matt again, asking his help for her project. Although Matt is engaged and Jenna has a boyfriend, they kiss.
After arranging a magazine photo shoot with Matt, then making a presentation for a revamp for Poise, Jenna gets bad news from the publisher: Poise is shutting down because the work she put into the relaunch ended up in Sparkle. Jenna learns from Lucy that she was responsible for sabotaging Poise by sending their material to Sparkle for months. When Lucy had earlier learned this, she had conned Matt into signing over the photo rights from the relaunch shoot to her. Lucy was given the position of Sparkle editor-in-chief instead of Jenna.

When Jenna remembers that Matt is getting married that day, she rushes to his house and begs him to call off the wedding. Dazed, Matt realizes he loves Jenna but cannot change the past. From his closet, he pulls the “dream house” he made 17 years before, and Jenna asks for it back. Jenna leaves in tears, crying over the dream house.

Unknown to Jenna, specks of wishing dust remain on the dream house, and she silently wishes to be 13 again. When she opens her eyes, she finds herself back in the closet of the basement at her parents’ house in 1987. When Matt comes to check on her, she kisses him. She also tells Tom-Tom she can be the pot and kettle all by herself, rips apart the school project and then ruins Tom-Tom’s outfit by spilling punch on her. Some time later, Jenna and Matt are shown getting married and moving into a house which resembles the dollhouse.Although it’s Big with flashy lip-gloss, it’s incredibly captivating with Garner on top form along with a awsome cast which includes Mark Ruffalo, Judy Greer and LOTR’s Andy Serkis.