REVIEW: MOVIE 43

CAST

Dennis Quaid (The Day After Tomorrow)
Greg Kinnear (Ghost Town)
Common (Wanted)
Hugh Jackman (Logan)
Kate Winslet (Divergent)
Liev Schreiber (The 5th Wave)
Naomi Watts (King Kong)
Anna Faris (Mom)
Chris Pratt (Passengers)
Kristen Bell (Bad Moms)
Seth MacFalrane (Family Guy)
Emma Stone (The Amazing Spider-Man)
Charlie Saxton (Hung)
Leslie Bibb (American Housewife)
Uma Thurman (KillBill)
Bobby Cannavale (Ant-Man)
Kate Bosworth (Superman Returns)
Will Sasso (Happy Gilmore)
Christopher Mintz-Plasse (Superbad)
Chloe Grace Moretz (The 5th Wave)
Odessa Rae (Hard Candy)
Terrence Howard (Iron Man 2)
Elizabeth Banks (Power Rangers)
Josh Duhamel (Transformers)
Tony Shalhoub (Teenage Mutant Ninja Turtles)
Gerard Butler (Gamer)
Seann William Scott (American Pie)
Katie Finneran (Wonderfalls)
Halle Berry (X-Men)
Justin Long (Jeepers Creepers)
Jason Sudeikis (Son of Zorn)
Julie Claire (Devious Minds)
Stephen Merchant (The Office)
Johnny Knoxville (The Last Stand)
Richard Gere (Primal Fear)
Julie Ann Emery (Fargo)
J.B. Smoove (Date Night)
Jarrad Paul (The Grinder)
Katrina Bowden (30 Rock)
Kieran Culkin (Scott Pilgrim Vs The World)
Aasif Mandvi (The Dictator)
Julianne Moore (Carrie)
Anton Yelchin (Star Trek)
Fisher Stevens (Hail, Caesar!)

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Movie 43 is a series of different skits containing different scenes and scenarios.

Movie 43

The Pitch

The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler (Dennis Quaid), a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder (Greg Kinnear). After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone (Common), to purchase the film. When they do so, Mone’s condescending, humiliating attitude toward Schraeder angers him to the point that, after agreeing to make the film “the biggest film since Howard the Duck”, he confronts Mone in the parking lot with a gun and tries to make him perform fellatio on the security guard (Will Sasso) (Wessler had gotten on the lot by doing the same thing) and kill him if he does not make the film. Wessler tries to calm Schraeder down with more story ideas to no avail, but Mone pulls out a gun and shoots Schraeder to death. The segment ends with it being revealed that it is being shot by a camera crew as part of the movie, leading into the final segments.

Alternative version (The Thread)

The structure of the film released in some countries, like the United Kingdom and the Netherlands, differs. Instead of a pitch, the films are connected by a group of three teenagers searching for the most banned film in the world, Movie 43, which will ultimately lead to the destruction of civilization. Calvin Cutler (Mark L. Young) and his friend J.J. (Adam Cagley) make a video in the style of MTV’s Jackass and upload it on YouTube where it instantly reaches over 1,000,000 views. This turns out to be an April Fool’s prank from Calvin’s younger brother Baxter (Devin Eash), who cloned YouTube and hyper-inflated the views while working on his science project. Calvin and J.J. attempt to get revenge. They tell Baxter of a film that’s so dangerous it will cause the annihilation of the world. The movie is known as Movie 43. While J.J. and Baxter look for Movie 43 on Google, Calvin retrieves Baxter’s laptop and loads it with viruses from porn sites, and masturbates to the naked women on the porn sites in a bathroom. Baxter finds hundreds of results for Movie 43 on a website referred to by him as a dark corner of the Internet. They find the sketches starting from the 43rd search on the list of results. As he and J.J. keep watching videos, they are interrupted by a man known as Vrankovich (Fisher Stevens) and a group of Chinese mobsters (Tim Chou and James Hsu) who are tempted to find Movie 43, even going as far as to take J.J.’s classmate Stevie Schraeder (Nate Hartley), film executive Griffin Schraeder’s oldest son, hostage. Vrankovich warns them that if they find Movie 43, civilization will be left to ruins. They ignore his claims and keep searching. They eventually find the real, the one and only Movie 43, which turns out to involve Baxter as a profane commando who leads a group of recruits to survive after the world has ended. As Calvin finishes ruining Baxter’s laptop, their mother (Beth Littleford) enters, wearing the same shirt and shorts that the porn site women wear, causing Calvin to flip out, have visions, and find semen from his erect crotch on his hand in shock and horror. Afterward, a deadly earthquake rumbles and mankind is lost. However, a few years later the only survivor, a crippled Calvin, finds Baxter’s laptop still working despite viral infections. He watches the last remaining skits on the laptop. This version of the film was released in the U.S. as part of the Blu-ray Disc of Movie 43 as an unrated alternate cut of the film

The Catch

Beth (Kate Winslet) is a single businesswoman who goes on a blind date with Davis (Hugh Jackman), the city’s most eligible bachelor. When the two arrive together at a restaurant, Beth is shocked when he removes his scarf, revealing a pair of testicles dangling from his neck. Over dinner it confuses her that Davis fails to acknowledge his anatomical abnormality, and that nobody seems to be surprised by it. When two friends of Davis (Roy Jenkins and Katie Finneran) come by, one of them convinces him to give Beth a kiss. Davis agrees, but when he kisses her, his neck-testicles are dangling near Beth’s mouth, causing her to scream and budge out of the kiss.

Homeschooled

Having recently moved, Sean (Alex Cranmer) and Clare (Julie Ann Emery) have coffee with their new neighbors. The neighbors, Robert (Liev Schreiber) and Samantha (Naomi Watts) have a teenage son, Kevin (Jeremy Allen White), whom they have home-schooled. Sean and Clare begin inquiring about the homeschooling, and the numerous manners in which Robert and Samantha have replicated a high school environment within their home, going as far as hazing, bullying, and giving out detentions, are revealed. They also throw high school parties and Samantha instigates Kevin’s “first kiss” with him. Visibly disturbed, the neighbors end up meeting Kevin, who says he is going out and gives them the impression that all is fine: until he reveals a doll made of a mop with Samantha’s face on it, referring to the doll as his girlfriend.

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The Proposition

Julie (Anna Faris) and Doug (Chris Pratt) have been in a relationship for a year. When he attempts to propose to her, she reveals to him that she is a coprophiliac, and asks him to defecate on her in the bedroom. Urged by his best friend Larry (J.B. Smoove) and others to go along with it, he eats a large meal and drinks a bottle of laxative prior to the event. Wanting foreplay, Julie is angered when Doug wants to finish, and she runs into the street. Chasing after her, he is then hit by a car and graphically evacuates his bowels everywhere. She cradles him and apologizes; covered and surrounded by his excrement on the road, she exclaims that it is the “most beautiful thing” she has ever seen and accepts his marriage proposal.

Veronica

Neil (Kieran Culkin) is working a night shift at a local grocery store. His ex-girlfriend, Veronica (Emma Stone), comes through his line and the two begin arguing, which soon turns into sexual discussion and flirtation as they lament over their relationship; unbeknownst to them, Neil’s intercom microphone broadcasts the entire explicit conversation throughout the store, where various elderly people and vagrants tune in. After she leaves in tears, the customers agree to cover his shift while he goes after her.

iBabe

A developing company is having a meeting in their headquarters over their newly released product, the “iBabe”, which is a life-sized, realistic replica of a nude woman which functions as an MP3 player. The boss (Richard Gere) listens to his various workers (Kate Bosworth, Aasif Mandvi and Jack McBrayer) argue over the placement of a fan that was built into the genital region of the iBabe, which is dismembering the penises of teenage boys who attempt to have sex with them. The board members then agree to strongly emphasize the dangers of the product via its new commercials.

Superhero Speed Dating

Robin (Justin Long) and his cohort Batman (Jason Sudeikis) are in Gotham City at a speed dating establishment seeking out a bomb threat by their nemesis, Penguin (John Hodgman). While Robin attempts to connect with various women through speed dating including Lois Lane (Uma Thurman) and Supergirl (Kristen Bell), Batman encounters his ex Wonder Woman (Leslie Bibb) and attempts to stop Penguin from detonating Supergirl, who later turns out to be the Riddler (Will Carlough) in disguise, which Batman already knew and was screwing with Robin, who kissed “her” moments before unveiling.

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Machine Kids

A faux-Public service announcement about children stuck in machines and how adults’ criticism of these particular machines affect the feelings of the children stuck inside the machines. This commercial was paid for by the “Society for the Prevention of Cruelty to Children Inside Machines”.

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Middleschool Date

Nathan (Jimmy Bennett) and Amanda (Chloë Grace Moretz) are watching television after school at Nathan’s house as their first “middle school” date. When they begin to kiss, his older brother Mikey (Christopher Mintz-Plasse) enters the living room and makes fun of them. Amanda then discovers she is menstruating and tries to hide it, and when Nathan sees blood on her pants, he panics and believes her to be bleeding to death, causing a debacle, which would later have Nathan and Mikey’s father Steve (Patrick Warburton) and Amanda’s father (Matt Walsh) involved. Amanda calls them out on their stupidity and feels embarrassed to know that she’s getting her first period in front of them and they don’t know what to do about it. When she leaves with her father, Nathan yells that the process of keeping the lining of her internal organs intact by inserting his erect phallus into her vagina is much too complicated and Mikey agrees. Steve cheers them up by farting in front of them. As Mikey goes to the bathroom, Nathan and Steve watch a game on television, which has a very graphic Tampax commercial in which a girl gets eaten by a shark due to her menstruating.

Tampax

Another faux-commercial involving two women who go swimming in the sea. As the women submerge into the water, a great shark suddenly appears and eats one of the women. A tagline appears, reading: “Tampax. Now Leak-Proof”

Happy Birthday

Pete (Johnny Knoxville) captures a leprechaun (Gerard Butler) for his roommate Brian (Seann William Scott) as a birthday present. After tying the leprechaun up in the basement, they demand he give them a pot of gold. The obscene leprechaun threatens that his brother is coming to save him. When he arrives, Brian and Pete are shot at but ultimately kill both leprechauns. At the end of the segment, Pete reveals he has also caught a fairy (Esti Ginzburg) who performs fellatio for gold coins.

Truth or Dare

Donald (Stephen Merchant) and Emily (Halle Berry) are on a date together at a Mexican restaurant. Tired of typical first dates, Emily challenges Donald to a game of truth or dare. She dares him to grab a man’s buttocks, and he follows with daring her to blow out the birthday candles on a blind boy’s cake. The game rapidly escalates to extremes, in which both of them get plastic surgery and tattoos, and humiliate themselves. When Donald and Emily arrive back at Emily’s apartment, they praise their date. Donald tries to kiss her, but she rejects him, claiming she’s not attracted to Asian men (which he was surgically altered to resemble). It is revealed that she was joking and invites him to have sex with her as she shows him her enlarged breasts.

Victory’s Glory

Set in 1959, Coach Jackson (Terrence Howard) is lecturing his all-black basketball team before their first game against an all-white team. Worried about losing the game, the timid players are lectured by the coach about their superiority in the sport over their white counterparts, which he expresses vulgarly. When the game ensues, the all-white team loses miserably yet rejoices in a single point they earn.

Beezel

Played mid-credits, Amy (Elizabeth Banks) worries that her boyfriend Anson’s (Josh Duhamel) cat, Beezel (an animated cartoon), is coming between their relationship. Beezel seems to detest Amy and anyone who comes between him and Anson, but Anson only sees Beezel as innocent. One day, Amy witnesses Beezel masturbating to summer vacation photos of Anson in a swimsuit. Beezel attacks her and violently urinates on her. Anson still finds his pet innocent but Amy threatens to leave if he doesn’t get rid of Beezel. Caring more about his relationship, Anson agrees to find a new home for him. That night, from a closet, Beezel tearfully watches the couple make love (whilst sodomizing himself with a hairbrush and dry humping a stuffed teddy bear). The next day when it comes time to take Beezel away, he is nowhere to be found. Amy goes outside to look. Beezel then runs her over with a truck and attempts to shoot her to death with a shotgun, but she chases him into the street and begins beating him with a shovel, which is witnessed by a group of children attending a birthday party at a neighboring house. When Anson approaches to see what is happening, Amy tries to explain Beezel’s motives. Beezel acts innocent and Anson sides with his cat. The children of the party then attack and murder Amy for beating up Beezel, stabbing her with plastic forks. Anson grabs Beezel, as Beezel again fantasizes about French kissing his owner.

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Find Our Daughter

In this segment that was cut from the film, Maude (Julianne Moore) and George (Tony Shalhoub) are looking for their breast-flashing daughter Susie (Jordanna Taylor) with the help of the private eye (Bob Odenkirk), who is behind the camera with only one clue which is a small video that features their daughter. The scene was released on Blu-ray.

Necrophiliac

This segment cut from the film stars a necrophiliac who worked at a morgue and had sex with the dead female bodies. The scene was included on the Blu-Ray release.

This film gets a lot of negative reviews, and I can see why – it’s definitely a marmite type ‘love it or hate it’ film. I doubt there’s any room for a grey area. Slapstick, crude toilet humour delivered in a very clever fashion. This isn’t so much a film as it is a series of interlinked sketches with an all-star cast

 

 

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REVIEW: TITANIC

CAST

Leonardo DiCaprio (Catch Me If You Can)
Kate Winslet (Heavenly Creatures)
Kathy Bates (Misery)
Victor Garber (Legends of Tomorrow)
Bernard Hill (The Scorpion King)
Billy Zane (Three)
Frances Fisher (The Host)
Gloria Stuart (The Whistler)
Bill Paxton (Agents of SHIELD)
Suzy Amis Cameron (The Ex)
Danny Nucci (Firestarter 2)
David Warner (Teenage Mutant Ninja Turtles 2)
Jonathan Hyde (The Mummy)
Jason Barry (Circle of Friends)
Mark Lindsay Chapman (Swamp Thing: The Series)
Ioan Grifford (Ringer)
Jenette Goldstein (Limitless TV)

In 1996, treasure hunter Brock Lovett and his team aboard the research vessel Akademik Mstislav Keldysh search the wreck of RMS Titanic for a necklace with a rare diamond, the Heart of the Ocean. They recover a safe containing a drawing of a young woman wearing only the necklace dated April 14, 1912, the day the ship struck the iceberg. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh and tells Lovett of her experiences aboard Titanic.In 1912 Southampton, 17-year-old first-class passenger Rose DeWitt Bukater, her fiancé Cal Hockley, and her mother Ruth board the luxurious Titanic. Ruth emphasizes that Rose’s marriage will resolve their family’s financial problems and retain their high-class persona. Distraught over the engagement, Rose considers suicide by jumping from the stern; Jack Dawson, a penniless artist, intervenes and discourages her. Discovered with Jack, Rose tells a concerned Cal that she was peering over the edge and Jack saved her from falling. When Cal becomes indifferent, she suggests to him that Jack deserves a reward. He invites Jack to dine with them in first class the following night. Jack and Rose develop a tentative friendship, despite Cal and Ruth being wary of him. Following dinner, Rose secretly joins Jack at a party in third class.Aware of Cal and Ruth’s disapproval, Rose rebuffs Jack’s advances, but realizes she prefers him over Cal. After rendezvousing on the bow at sunset, Rose takes Jack to her state room; at her request, Jack sketches Rose posing nude wearing Cal’s engagement present, the Heart of the Ocean necklace. They evade Cal’s bodyguard and have sex in an automobile inside the cargo hold. On the forward deck, they witness a collision with an iceberg and overhear the officers and designer discussing its seriousness. Cal discovers Jack’s sketch of Rose and an insulting note from her in his safe along with the necklace. When Jack and Rose attempt to inform Cal of the collision, he has his bodyguard slip the necklace into Jack’s pocket and accuses him of theft. Jack is arrested, taken to the master-at-arms’ office, and handcuffed to a pipe. Cal puts the necklace in his own coat pocket.With the ship sinking, Rose flees Cal and her mother, who has boarded a lifeboat, and frees Jack. On the boat deck, Cal and Jack encourage her to board a lifeboat; Cal claims he can get himself and Jack off safely. After Rose boards one, Cal tells Jack the arrangement is only for himself. As her boat lowers, Rose decides that she cannot leave Jack and jumps back on board. Cal takes his bodyguard’s pistol and chases Rose and Jack into the flooding first-class dining saloon. After using up his ammunition, Cal realizes he gave his coat and consequently the necklace to Rose. He later boards a collapsible lifeboat by carrying a lost child. After braving several obstacles, Jack and Rose return to the boat deck. The lifeboats have departed and passengers are falling to their deaths as the stern rises out of the water. The ship breaks in half, lifting the stern into the air. Jack and Rose ride it into the ocean and he helps her onto a wooden panel only buoyant enough for one person. He assures her that she will die an old woman, warm in her bed. Jack dies of hypothermia but Rose is saved.With Rose hiding from Cal en route, the RMS Carpathia takes the survivors to New York City where Rose gives her name as Rose Dawson. She later finds out Cal committed suicide after losing all his money in the 1929 Wall Street crash. Back in the present, Lovett decides to abandon his search after hearing Rose’s story. Alone on the stern of Keldysh, Rose takes out the Heart of the Ocean — in her possession all along — and drops it into the sea over the wreck site. While she is seemingly asleep or has died in her bed, photos on her dresser depict a life of freedom and adventure inspired by the life she wanted to live with Jack. A young Rose reunites with Jack at the Titanic’s Grand Staircase, applauded by those who died.Titanic plays as a true epic.  If you like interesting characters that will give you an insight into the life of characters in the early 1900’s and how they face disaster, then this movie definitely is for you

REVIEW: THE DIVERGENT SERIES: INSURGENT

CAST

Shailene Woodley (The Fault In Our Stars)
Theo James (Underworld 4)
Kate Winslet (Quills)
Naomi Watts (Birdman)
Ansel Elgort (Baby Driver)
Mekhi Phifer (Lie To Me)
Zoe Kravitz (Mad Max: Road Fury)
Jai Courtney (Terminator Genysis)
Miles Teller (Fantastic Four)
Octavia Spencer (Mom)
Maggie Q (The King of Fighters)
Tony Goldwyn (Ghost)
Ray Stevenson (Punisher: Warzone)
Keiynan Lonsdale (The Flash)
Ashley Judd (High Crimes)
Justin Leak (Powers)
Daniel Dae Kim (Lost)
Jonny Weston (Project Almanac)
Suki Waterhouse (Pride and Predjudice and Zombies)

Five days after the assault on the Abnegation faction by Erudite leader Jeanine (Kate Winslet) and her mind-controlled Dauntless soldiers, Jeanine has declared martial law and that the Divergents – those with the qualities of multiple factions – and those allied with them are the enemy. Among the Abnegation wreckage, Dauntless leader Eric (Jai Courtney) and his platoon recover a five-sided box: each side has a faction symbol. Jeanine presumes it contains data from the city’s founders and the means to end the Divergence problem. As only a Divergent is capable of opening the box, she orders the capture of all Divergents.
Tris (Shailene Woodley), Four (Theo James), Peter (Miles Teller), and Caleb (Ansel Elgort) hide within the Amity compound. Soon after, Eric and his fleet arrive to test all the occupants for Divergence. Peter gives up the group’s location as Tris, Four, and Caleb escape and board a train headed into Factionless territory. After fights with the Factionless aboard, Four reveals his name–Tobias Eaton–which prompts the Factionless to stand down and reply that they have been searching for him.
Four, Tris and Caleb are given amnesty at Factionless. There, Tris and Caleb discover that the Factionless leader is Four’s mother, Evelyn (Naomi Watts). She suggests that Dauntless and Factionless should ally against Erudite, but Four declines. The next morning, the three leave Factionless for Candor to meet up with the remaining Dauntless; during the trek, Caleb tells his sister Tris that he cannot continue with them and goes in a different direction. Upon arrival, Tris and Four are arrested and brought before Candor leader Jack Kang (Daniel Dae Kim), who intends to deliver them to Jeanine. However, Four pleads for Jack to conduct a trial in Candor with the use of truth serum. During the trial, Four communicates his motives and is absolved. Tris tearfully admits her guilt in shooting and killing Will, which angers Christina.
Candor is attacked by the Dauntless who have sided with Eric, and many people are shot with pellets of new simulation serum. Tris is captured by Eric who learns she has a Divergence reading of 100%, making her the perfect subject to open the box. Eric arrests Tris, but Four and the Factionless allies arrive to save her. After a brief exchange, Four shoots Eric in the head for the murder of hundreds of people. Back at Erudite, Jeanine, frustrated that none of the Divergent subjects have survived the simulation trials required to open the box, is approached by Peter, who pledges his loyalty to Erudite, and suggests the best way to get Tris to surrender is by exploiting her humanity.
Back at the Factionless base, Four reluctantly agrees with Evelyn that war is inevitable and that they need to prepare. Jeanine activates the pellets, causing Christina, Marlene and Hector to repeatedly chant that Tris must turn herself in or more death will follow, as they step closer and closer to the edge of a tall structure. Tris and Tori then climb the sides of the roof as Tris rescues Christina and Tori, Hector. However, Marlene plunges to her death. Overcome by guilt, Tris decides to turn herself in. That night, she and Four sleep together, and then she quietly slips away.
Upon arrival at the Erudite headquarters, Tris is immediately arrested. She agrees to undergo the trials provided that the suicides cease. Tris overcomes four of the trials, however, when her vitals drop, Jeanine reluctantly halts the simulation so that Tris can rest. Tris then discovers that they have captured Four. She fails the final trial and her vital signs cease. Her body is wheeled over to Four’s cell so the latter can mourn, but when she awakens, Peter assists Four in overpowering the guards, revealing that he had faked her death by injecting her with a sleep serum. Tris is determined to open the box and find the truth about its message; she and Four head to the simulation room, while Peter returns to the control room to secretly grant them security access.
Overcoming the final trial, Tris successfully opens the box. A woman explains that the walled city and faction system is actually an experiment they devised, that the Divergents are actually the success of the experiment, and that the world is waiting outside for them to return to humanity. Realizing she has lost all her power, Jeanine orders that the box be buried and that Four and Tris be executed. However, the Factionless army breaks into the simulation room to rescue Tris and Four. Jeanine and Caleb are arrested. The message from the box is broadcast to the entire city. Tris is hailed as a hero by the masses, eager to explore the world beyond the wall. As Jeanine looks out from her cell, she states that after 200 years since the city was enclosed, there is no telling what awaits them beyond it. Evelyn tells her that she will never find out and kills her.Insurgent is a fantastic follow up to Divergent, however I would recommend watching one after the other. Everyone was awesome in their roles, once again Kate and Shailene shone. But I also loved Octavia as she really showed what a true Amity leader would be like. I also loved when they went into Candor where Tris and Four were on trial. Props to Robert Schwentke for a perfect sequel that (like its predecessor) has you craving more.

REVIEW: DIVERGENT

CAST

Shailene Woodley (The Fault In Our Stars)
Theo James (Underworld 4)
Kate Winslet (Quills)
Ashley Judd (High Crimes)
Jai Courtney (Terminator Genysis)
Ray Stevenson (Punisher: Warzone)
Zoe Kravitz (Mad Max: Road Fury)
Miles Teller (Fantastic Four)
Tony Goldwyn (Ghost)
Ansel Elgort (Baby Driver)
Maggie Q (The King of Fighters)
Mekhi Phifer (Lie To Me)

In a futuristic dystopian Chicago, society is divided into five factions: Abnegation (the selfless), Amity (the peaceful), Candor (the honest), Dauntless (the brave), and Erudite (the intellectual). The remaining population are the Factionless, who have no status or privilege in this society. When children reach the age of 16, they undergo a serum-induced psychological aptitude test which indicates their best-suited faction, though they are allowed to choose any faction as their permanent group at the subsequent Choosing Ceremony.

Beatrice Prior (Shailene Woodley) was born into Abnegation, which runs the government. Her father, Andrew Prior (Tony Goldwyn), serves on the ruling council along with the head of Abnegation, Marcus Eaton (Ray Stevenson). Beatrice takes her test with a Dauntless woman named Tori Wu (Maggie Q) as her proctor. Her results show equal attributes of multiple factions, meaning she is Divergent. Her divergence includes Abnegation, Erudite, and Dauntless. Tori records her results as Abnegation and warns her to keep the true result a secret, saying that because Divergents can think independently the government cannot control them and they are considered threats to the existing social order.

The next day at the Choosing Ceremony, Beatrice’s brother Caleb Prior (Ansel Elgort) chooses Erudite. After some indecision, Beatrice defects to Dauntless. After the ceremony, Beatrice meets Christina (Zoë Kravitz), Al (Christian Madsen), and Will (Ben Lloyd-Hughes), three other initiates from other factions who also chose Dauntless. Christina and Al are from Candor, and Will is from Erudite. The initiates’ commitment and fearlessness are immediately tested, and Eric Coulter (Jai Courtney), a brutal Dauntless leader, makes it clear that anyone not meeting Dauntless’ high expectations will be expelled from the faction to become Factionless. Beatrice is the first to volunteer for a leap of faith from a tall building into a dark hole, landing in a net. When Four (Theo James), a transfer initiates’ instructor, asks her name, she shortens it to “Tris” leaving her Abnegation childhood behind.

Tris initially struggles in Dauntless training, ranking far below the cutoff after the first evaluation, but with Four’s help slowly improves. Eric matches her against her nemesis — Peter (Miles Teller) in a fight. Tris is soundly defeated and wakes up in the infirmary. Informed that she will miss the most important test, Capture The Flag, Tris leaves the infirmary and joins the other initiates, secures her team’s victory, and makes the final cut.

In the next phase of training, the initiates face their worst fears in psychological simulations. Divergents are resistant to serums and simulations, so Tris excels at these tests, solving them in peculiar ways, but Four warns her to solve the challenges as a normal Dauntless would in order to hide her abilities. Tris visits Caleb, who tells her that Erudite is planning to overthrow Abnegation and become the ruling faction. On her return to Dauntless quarters, Tris is attacked by Al, Peter, and Drew before being rescued by Four. The next day Al pleads for Tris’ forgiveness but she refuses, calling him a coward. He later kills himself by jumping into “The Chasm” rather than live with the shame.

To prepare her for the final test, Four takes Tris into his own fear simulations, where she learns that he was Tobias Eaton, the son of Marcus Eaton. After the simulation, they kiss. Tris then passes her test and is officially initiated into Dauntless. The rest of the Dauntless are injected with a serum supplied by Erudite which is supposedly for tracking, but is actually for mind control. The next morning, the Dauntless prepare to execute Abnegations by the orders of the Erudites. Divergents are unaffected by the new serum, so Tris must blend in to avoid suspicion. She finds Four, who reveals himself as a Divergent. While the Dauntless move to raid Abnegation, Tris and Four separate from the group and attempt to locate Tris’ parents, but Eric realises Four is not under control and captures the two. Four is taken into custody while Tris is ordered to be executed. Her mother Natalie (Ashley Judd) appears and liberates her but is shot dead as they flee.

Tris finds her father in hiding with several Abnegations including Caleb and Marcus. The group sneaks into Dauntless headquarters, where Tris encounters Peter and forces him to lead them to Erudite’s control center. Her father sacrifices himself in a shootout, and Tris goes in alone to find Four, who is now under stronger mind control designed for Divergents and attacks her. Using her knowledge of his fears, she manages to wake him from the mind control and the two enter the central control room, where Erudite leader Jeanine (Kate Winslet) is about to have the Dauntless army execute the entire Abnegation faction. Tris uses a sample of the mind control serum on her to force her to cancel the program. The group escapes the compound and boards a train out of the complex.

A great start to a superb franchise. Unlike many science-fiction stories, the narrative is focused on the main character’s journey as she tries to identify where she fits in a post-war world. It is therefore fortunate the the main character is very well acted, and this film is more about her journey than about the wider societal issues that form the ending. The film is also nicely grounded despite it being set centuries in the future, so there is little in the form of distracting CGI visuals. it’s refreshing to have a nicely fleshed out world that feels real.

REVIEW: ROMANCE & CIGARETTES

CAST

Kate Winslet (Divergent)
James Gandolfini (8mm)
Susan Sarandon (Tammy)
Steve Buscemi (Fargo)
Bobby Cannavale (Ant-Man)
Mandy Moore (A Walk To Remember)
Mary-Louise Parker (Red)
Christopher Walken (The Prophecy)
Elaine Stritch (3rd Rock From The Sun)
Eddie Izzard (Mystery Men)
Amy Sedaris (Elf)

This film is fresh and original and, when at its best, extremely and surprisingly funny.  Gandolfini plays Nick Murder, a man who loves his wife Kitty (Sarandon), but can’t seem to lay off the women on the side – the one He’s now with, Tula (Winslet) – is a fiery redhead. Right at the start there’s an argument and a near fight, and the rest of the film becomes a rumination and celebration of love and lust and other crazy things involved with the human heart, leading up to redemption.

There’s a certain quality to Romance and Cigarettes that marks it as a pop-marked must-see, a picture with terrific songs. There’s an exuberance that Tuturro reaches for that he achieves like few who’ve made musicals in the past several years; his actors, however much they do or don’t seem to be singing with the songs playing on during the numbers, are into the groove, the abstract/surreal quality that at times makes it like a whacked out extended dream sequence on the Sopranos.


Kate Winslet is astoundingly good here in a part that requires her to be tart-tongued but not a floozy, sophisticated in a manner of speaking even if the ‘girl on the side’. She gives it her all.A brilliant film that takes you unawares with it’s originality and energy. Terrific soundtrack and wonderful, hysterically funny, dance sequences.

REVIEW: QUILLS

CAST

Kate Winslet (Divergent)
Geoffrey Rush (The King;s Speach)
Joaquin Phoenix (Gladiator)
Michael Caine (The Dark Knight)
Billie Whitelaw (Hot Fuzz)
Stephen Moyer (True Blood)

Quills begins in Paris during the Reign of Terror, with the incarcerated Marquis de Sade penning a story about the libidinous Mademoiselle Renard, a ravishing young aristocrat who meets the preeminent sadist in her executioner.  Several years later, the Marquis is confined to the asylum for the insane at Charenton, overseen by the enlightened Abbé du Coulmier. The Marquis has been publishing his work through laundress Madeleine “Maddy” LeClerc, who smuggles manuscripts through an anonymous horseman to a publisher. The Marquis’ latest work, Justine, is published on the black market to great success. Emperor Napoléon I Bonaparte orders all copies of the book to be torched and the author shot, but his advisor, Delbené, tempers this contentious idea with one of his own: send alienist Dr. Royer-Collard to assess Charenton and silence the Marquis. Meanwhile, the Abbé teaches Madeleine to read and write and resists his growing attraction to her. Madeleine reads the Marquis de Sade’s stories to her fellow workers. Whilst Madeleine is fascinated by the Marquis de Sade she remains reluctant to give into his advances. The Abbé and Marquis converse on the Marquis’ inappropriate advances on young women.

Dr. Royer-Collard arrives, informing the Abbé that the Marquis’ “therapeutic writings” have been distributed for public consumption. He presents the Abbé with the ultimatum of silencing the Marquis or Charenton will be shut down by order of the Emperor. The Abbé rejects Royer-Collard’s offers of several aggressive archaic “treatments” and asks to speak with the Marquis himself, who promptly swears obedience (winking at Madeleine through a peephole). Royer-Collard takes his leave for the time being and travels to the Panthemont Convent in Paris to retrieve his promised bride, the underage orphan Simone. They are given a run-down chateau by the Emperor, with a handsome young architect, Prouix, on hand for its renovation.

The hasty marriage incites much gossip at the asylum, prompting the Marquis to write a farce to be performed at a public exhibition, which Dr Royer-Collard and his young wife attend. The audacious play, a shockingly straightforward parallel of the good doctor’s own misogynist domination of his virginal bride, is titled “The Crimes of Love”. The performance is interrupted when the inmate Bouchon molests Madeleine off-stage, prompting her to hit him in the face with an iron. The Abbé is seen publicly comforting Madeleine. Royer-Collard shuts down the public theater and demands that the Abbé do more to control the Marquis, or he will inform the ministry that the inmates are running the asylum. Infuriated, the Abbé confiscates the Marquis’ quills and ink. The Marquis’s wife visits him and he takes out his frustration at not being able to write on her; she retaliates by asking a surprised Dr Royer-Collard that the Marquis be entombed forever. They discuss that the ill-gotten gains from the Marquis’s books could be used to effect his salvation, in other words, provide forms of restraint. The lack of writing implements results in more subversive behaviour from the Marquis, including a story written in wine on bedsheets and in blood on clothing. This results in further deprivation, eventually leaving the Marquis naked in an empty cell. Charlotte, one of the maids, reveals that Madeleine has been helping the Marquis. Madeleine is whipped on the order of Dr. Royer-Collard until the Abbé stops him by offering himself instead and declaring that she will be sent away. That night she visits his chamber to beg him to reconsider sending her away and confesses her love for him in the process, prompting him to kiss her passionately. They abruptly break away at the realization of what they are doing. Madeleine runs off and Charlotte catches the Abbé calling after her.

Meanwhile, Royer-Collard violently raped Simone on their wedding night, and continues to keep her as a virtual prisoner. She purchases a copy of Justine, seduces Prioux, and the young lovers run off to England together. She leaves behind a letter explaining her actions and her copy of Justine. Upon finding this, Royer-Collard seizes on the Marquis as the source of his troubles and embarks upon a quest for revenge, by having him tortured.

About to be sent away from Charenton for her role in assisting the Marquis, Madeleine begs a last story from him, which is to be relayed to her through the asylum patients. Bouchon, the inmate at the end of the relay, is excited by the story, breaks out of his cell, and attacks Madeleine. Royer-Collard hears Madeleine’s screams but chooses to ignore them and she is killed by Bouchon. The asylum is set afire by the pyromaniac Dauphin and the inmates break out of their cells.

Madeleine’s body is found by her blind mother and the Abbé in the laundry vat. The Abbé is devastated by Madeleine’s death and Bouchon is captured and imprisoned inside an iron dummy. The Abbé blames the Marquis for Madeleine’s death and prods him into a fury. The Marquis claims he had been with Madeleine in every way imaginable, only to be told she had died a virgin. The Abbé has the Marquis’ tongue cut out as punishment for his involvement, but is riddled with remorse and physically punishes himself. The Abbé then has a dream in which Madeleine comes alive and they have sex, but ultimately it ends with him holding her corpse. The Marquis’ health declines severely, but he remains perverse as ever, decorating his dungeon with a story, using faeces as ink. As the Marquis lies dying, the Abbé reads him the last rites and offers him a crucifix to kiss. The Marquis defiantly swallows the crucifix and chokes to death on it.

A year later, the new Abbé arrives at Charenton and is given the grand tour by Royer-Collard. During the tour they meet the maid Charlotte and through the exchange between herself and Royer-Collard it is apparent that there is a connection. The asylum has been converted into a print shop, with the inmates as its staff. The books being printed are the works of the Marquis de Sade. At the end of the tour, the new Abbé meets his predecessor, who resides in the Marquis’ old cell. Yearning to write, he begs paper and a quill from the new Abbé, and tries to strangle Royer-Collard when he ventures to close the peephole. The Abbé is herded off by Royer-Collard before he can hear anymore from his predecessor. However, the peephole opens, and Madeleine’s mother thrusts paper, quill, and ink through. The Abbé begins to scribble furiously, with the Marquis providing the narration.

Even if the the historical facts are a bit off in places. It’s touching, raw and a brutally honest depiction of madness, sexual desire, emotion and what it means it be human (flaws and all). The acting is first rate and kept me hooked throughout. It might not be for everyone but i’d recommend it all the same.

 

REVIEW: FINDING NEVERLAND

CAST

Johnny Depp (Edward Scissorhands)
Kate Winslet (Insurgent)
Julie Christie (Troy)
Radha Mitchell (Pitch Black)
Dustin Hoffman (I Heart Huckabees)
Freddie Highmore (Bates Motel)
Joe Prospero (My Uncle Silas)
Ian Hart (Enemy of The State)
Kelly Macdonald (Trainspotting)
Mackenzie Crook (Almost Human)
Toby Jones (The Hunger Games)

The story focuses on Scottish writer J. M. Barrie, his platonic relationship with Sylvia Llewelyn Davies, and his close friendship with her sons named George, Jack, Peter, and Michael, who inspire the classic play Peter Pan, or The Boy Who Never Grew Up.

Following the dismal reception of his latest play, Little Mary, Barrie meets the widowed Sylvia and her four young sons in Kensington Gardens, and a strong friendship develops between them. He proves to be a great playmate and surrogate father figure for the boys, and their imaginative antics give him ideas which he incorporates into a play about boys who do not want to grow up, especially one named after troubled young Peter Llewelyn Davies. Although Barrie sees this family as wonderful and inspirational, people question his relationship with the Llewelyn Davies family. Sylvia was a widow: her husband died from cancer and left her with four boys to raise on her own. Barrie’s wife Mary, who eventually divorces him, and Sylvia’s mother Emma du Maurier, object to the amount of time Barrie spends with the Llewelyn Davies family. Emma also seeks to control her daughter and grandsons, especially as Sylvia becomes increasingly weak from an unidentified illness. Along the way, Barrie goes on these adventures with Sylvia and her boys. He too is a boy at heart and spending time with the family is special. Barrie and his wife did not have any children of their own. Barrie takes those adventures he has with the boys and sees within them and makes it into a play, Peter Pan.
Producer Charles Frohman skeptically agrees to mount Peter Pan, despite his belief that it holds no appeal for upper-class theatergoers. Barrie peppers the opening night audience with children from a nearby orphanage, and the adults present react to their infectious delight with an appreciation of their own. The play proves to be a huge success. Barrie is all set for his play, but when Peter arrives alone to the play, Barrie goes to Sylvia’s house to check up on her, and misses the show. Peter attends the play and realizes the play is about his brothers and Barrie.  Sylvia is too ill to attend the production, so Barrie arranges to have an abridged production of it performed in her home. He gets the actors, props, and musicians together in the Llewelyn Davies house. At the end of the play, Peter Pan points to the back doors and implies that Sylvia should go off to Neverland. She takes the hands of her boys and slowly walks out into Neverland. The living room and backyard transform into Neverland and Sylvia continues to walk on her own.

In the next scene everyone is at Sylvia’s funeral. Barrie discovers that her will says that he and her mother should look after the boys, an arrangement agreeable to both. The film ends with J. M. Barrie finding Peter on the bench in the park where they first met after Peter ran off from the graveyard. Peter is holding his book where he wrote the plays that he ripped apart and that his mother glued back together for him. Barrie sits down and puts his arm around Peter to comfort him. They both fade, and all that is left is the bench.

Peter Pan’s story may be told repeatedly, the process and struggles of his conception by Barrie have been done more than adequate justice by this film. It is a visual feast that will interest adults and children alike, and may be the best alternative to other failing versions of Peter Pan as it tells the story of the original boy who never grew up