REVIEW: THOR: RAGNAROK

CAST

Chris Hemsworth (The Huntsman)
Tom Hiddleston (Kong: Skull Island)
Cate Blanchett (Lord of The Rings)
Idris Elba (Prometheus)
Jeff Goldblum (The Fly)
Tessa Thompson (Westworld)
Karl Urban (Star Trek)
Mark Ruffalo (Just Like Heaven)
Anthony Hopkins (Hannibal)
Tadanobu Asano (47 Ronin)
Ray Stevenson (Punisher: Warzone)
Zachary Levi (Chuck)
Benedict Cumberbatch (12 Years a Slave)
Rachel House (Eagle vs Shark)
Stan Lee (Avengers Asssemble)
Luke Hemsworth (Westworld)
Matt Damon (The Martian)
Taika Waititi (Green Lantern)
Clancy Brown (Highlander)
Sam Neill (Jurassic Park)

Cate Blanchett in Thor: Ragnarok (2017)Two years after the battle of Sokovia, Thor has been unsuccessfully searching for the Infinity Stones, and is now imprisoned by the fire demon Surtur in Muspelheim. Surtur reveals that Thor’s father Odin is no longer on Asgard, and that the realm will soon be destroyed in the prophesied Ragnarök, once Surtur unites his crown with the Eternal Flame that burns in Odin’s vault. Thor defeats Surtur and claims his crown, believing he has prevented Ragnarök.Mark Ruffalo, Tom Hiddleston, Chris Hemsworth, and Tessa Thompson in Thor: Ragnarok (2017)Thor returns to Asgard to find his brother Loki posing as Odin. Thor forces Loki to help him find their father, and with directions from Stephen Strange on Earth, they locate Odin in Norway. Odin explains that he is dying, and that his passing will allow his firstborn child, Hela, to escape from a prison she was sealed in long ago. Hela had been the leader of Asgard’s armies, and had conquered the Nine Realms with Odin, but she had been imprisoned and written out of history after Odin feared that she had become too ambitious. Odin subsequently dies, and Hela, released from her imprisonment, appears. She destroys Thor’s hammer Mjolnir, and when Thor and Loki attempt to flee through the Bifröst Bridge, she pursues them and forces them out into space to die. Hela arrives in Asgard, destroying its army and killing the Warriors Three; resurrects the ancient dead who once fought with her, including her giant wolf Fenris; and appoints the Asgardian Skurge as her executioner. She plans to use the Bifröst to expand Asgard’s empire, but Heimdall covertly steals the sword that controls the Bridge, and hides away with the rest of Asgard’s citizens.Thor crash-lands on Sakaar, a garbage planet surrounded by wormholes. He is captured by a slave trader named Scrapper 142, and sold to serve as a gladiator for the planet’s ruler, the Grandmaster, with whom Loki has already become ingratiated. Thor recognizes 142 as one of the Valkyrior, a legendary force of female warriors who were killed defending Asgard from Hela long ago. Thor is forced to compete in the Grandmaster’s Contest of Champions, facing his old friend Hulk. Summoning lightning, Thor gets the upper hand on Hulk, but the Grandmaster sabotages the fight to ensure Hulk’s victory. Still enslaved, Thor attempts to convince Hulk and 142 to help him save Asgard, but neither is willing. He soon manages to escape the palace and finds the Quinjet that brought Hulk to Sakaar. Hulk follows Thor to the Quinjet, where a recording of Natasha Romanoff makes him transform back into Bruce Banner for the first time since Sokovia.Chris Hemsworth in Thor: Ragnarok (2017)The Grandmaster orders 142 and Loki to find Thor and Hulk, but the pair come to blows and Loki forces her to relive the deaths of her fellow Valkyrie at the hands of Hela. Deciding to help Thor, she takes Loki captive to prove her goodwill. Unwilling to be left behind, Loki provides the group with the means to steal one of the Grandmaster’s ships. They then liberate the other gladiators who, led by Korg and Miek, stage a revolution. Loki attempts to betray his brother to gain a reward from the Grandmaster, but Thor anticipates this and leaves him behind, where Korg and the gladiators soon find him. Thor, Banner, and 142 escape through a wormhole to Asgard, where Hela’s forces are attacking Heimdall and Asgard’s citizens for the sword that controls Bifröst. Banner becomes Hulk again, fighting Fenris, while Thor and 142 battle Skurge and the resurrected warriors. Loki and the gladiators arrive to help, and the citizens board their large ship; a repentant Skurge sacrifices himself to allow their escape. Thor, facing Hela, loses his right eye and then has a vision of Odin that helps him realize only Ragnarök can stop Hela. While Hela is distracted, Loki locates Surtur’s crown and places it in the Eternal Flame. Surtur is reborn and destroys Asgard, seemingly killing Hela.Chris Hemsworth in Thor: Ragnarok (2017)Thor and the others escape with Asgard’s remaining citizens aboard the Grandmaster’s vessel. Thor, crowned king, decides to take his people to Earth. In a mid-credits scene, they are intercepted by a large spacecraft. In a post-credits scene, the Grandmaster encounters a group of his former subjects, who are still rebelling.Chris Hemsworth in Thor: Ragnarok (2017)Thor: Ragnarok finally gives Thor the solo film he deserves as one of the original Avengers, full of laughs and plenty of heart, the road to Avengers: Infinity War is nearly complete. I, for one, cannot wait.

REVIEW: THE BOYS – SEASON 1

Laz Alonso, Karl Urban, Jack Quaid, Tomer Capon, and Karen Fukuhara in The Boys (2019)

Starring

Karl Urban (Dredd)
Elisabeth Shue (Piranha 3D)
Laz Alonso (Straw Dogs)
Jack Quaid (Logan Lucky)
Karen Fukuhara (Suicide Squad)
Erin Moriarty (Jessica Jones)
Tomer Kapon (Wedding Doll)
Antony Starr (Outrageous Fortune)
Dominique McElligott (Leap Year)
Jessie Usher (Shaft)
Chace Crawford (Eloise)
Nathan Mitchell (IZombie)

Erin Moriarty and Jack Quaid in The Boys (2019)

Recurring / Notable Guest Cast

Simon Pegg (Ready Player One)
Jennifer Esposito (Summer of Sam)
Ann Cusack (Tank Girl)
Shaun Benson (ARQ)
Jimmy Fallon (Almost Famous)
Colby Minifie (Jessica Jones)
David Andrews (Terminator 3)
Brittany Allen (Falling Water)
Malcolm Barrett (Timeless)
Tara Reid (Sharknado)
Brit Morgan (Supergirl)
Jess Salgueiro (Mary Kills people)
Billy Zane (The Phantom)
Shantel VanSanten (The Flash)
Haley Joel Osment (A.I.)
John Dorman (Gotham)
Brendan Beiser (Andromeda)
Jim Beaver (Breaking Bad)
Seth Rogen (Knocked Up
Giancarlo Esposito (Breaking Bad)

 

Jack Quaid in The Boys (2019)
Traditional superhero lore primarily revolves around individuals who inadvertently (and sometimes reluctantly) step into their saviour destinies. Typically, these superheroes are cognisant of the public’s reverence for their abilities, yet they often choose to either live on the fringes of or blend seamlessly into society. The few who publicly embrace their fame manage to maintain their moral compass despite ever-present temptation and opportunities to make negative choices.Laz Alonso and Karl Urban in The Boys (2019)In 2006, The Boys comic book explored this concept through a hyper-violent and decidedly darker lens, questioning what would happen if these figures became tainted by their social status. Now, The Boys TV series, set to premiere on Amazon Prime on July 26, expounds on this alternative premise. In a world dominated by corporate greed, approval ratings, social media stats, a clan of superheroes bends the rules to their whim, and a group of everyday people tries to stop them.Ann Cusack and Erin Moriarty in The Boys (2019)The  series, developed by Eric Kripke, Evan Goldberg, and Seth Rogen, is everything that fans of the Gareth Ennis (Preacher, The Punisher)-penned comic expect it to be – gory, diabolical, and unapologetically blunt with an undercurrent of social commentary. But, it’s also an easy saga for viewers coming straight to the show to follow. The costuming, action sequences, and cinematography are solid for a TV production and the plot mostly maintains a steady pace with pivotal moments that work well for a streaming service style release. And, there’s just enough expository information revealed in the first few episodes to set the stage for a packed ending to its first season. There’s already strong speculation concerning The Boys season two, so there will likely be several loose threads in the finale.Karen Fukuhara in The Boys (2019)The Boys obviously leans on its source material for a general framework; however, a few tweaks, including protagonist Hughie Campbell’s background, are made. In the TV adaptation, Campbell (Jack Quaid, The Hunger Games) is a tech store employee who’s afraid to stand for himself or take risks to change his mundane existence – which makes him much more relatable to the general audience than his comic counterpart. The plot swiftly puts Hughie’s vigilante arc in motion after (as revealed in the trailer) his girlfriend Robin is gruesomely obliterated by A-Train, a speedster and member of the dominant superhero (aka “supes”) collective known as the Seven.Erin Moriarty in The Boys (2019)Robin’s unintentional death is written off as collateral damage by Vought International, a massive superhero marketing and management company that dominates the United States, led by the pleasingly ruthless and ingeniously manipulative Madelyn Stillwell (Elisabeth Shue). Her character is the first of several who are either gender or race swapped, but it’s permissible since none of their backgrounds are inextricably tied to their origin stories. Hughie’s difficulty processing Robin’s death and mounting anxiety attacks over realising the supes’ indomitable influence is interrupted by Billy Butcher, portrayed by Star Trek’s Karl Urban, a vigilante whose mission to eliminate superheroes leads to the formation of The Boys. His accent is a bit iffy at points, but Urban fully embodies the role of a madman with a singular focus, dishing out a level of charismatic energy and sharp wit that’s incredibly fun to watch. Mother’s Milk (Laz Alonzo) and Frenchie (Tomer Kapon) round out the vengeful quartet characters who consistently challenge and surprise each other with their ingenuity when they aren’t butting heads over sticking to the script. The fifth leg of their crew, simply named Female, comes into play but it’s not clear how this person will fit into their overall mission.Karl Urban and Jack Quaid in The Boys (2019)The internal examination of Vought and Seven’s corrupt partnership filters through Annie “Starlight” January (Erin Moriarty), the newest member of the elite Seven who realises that her dream job is full of smoke and mirrors. Her childhood crush on a renowned idol is shattered when he uses it as a sickening abuse of power and she struggles with maintaining her creed as a hero and meeting the expectations of her proud mother in the midst of constant coercion. Starlight manages to swiftly gain her footing in this sphere as she goes off-script to push back against her employer’s ridiculous standards. She’s truly good at heart with badass powers, so perhaps she will be treated well in the TV series and given the space to have an impactful arc. Hughie and Starlight’s paths cross in the most mundane way and sets up an inner conflict for the former about his motivations. It’s a classic case of falling in love with the supposed enemy who shows that everyone on the other side isn’t a monolith but, thankfully, it doesn’t feel like a trope in this narrative.Antony Starr and Chace Crawford in The Boys (2019)The Boys has focused on a few primary members of the Seven, giving them varying levels of development with Queen Maeve (Dominique McElligott), the sole woman hero of the clan until Starlight’s arrival, getting the least screen time. The Wonder Woman-esque hero is fully aware of the morally reprehensible behaviour of her comrades but she remains silent and offers little support to Starlight. However, a pivotal atrocity will certainly change her outlook. There’s a deeper story begging to be told with Maeve that will hopefully unfold as The Boys progresses. The Deep (Chace Crawford) is annoyingly surface-level – a poor man’s Aquaman who’s hyped up on his fame, immature, condescending, and trying to flex the little power he has against those whom he perceives to be weaker when he’s the weakest link. His purpose at this moment is to be irritating and he’s succeeding on all fronts. The Deep, who was Black in the comics, and his comrade A-Train, portrayed by Jessie T. Usher of Survivor’s Remorse, switch races in the live adaptation and have some different personality traits than their comic versions. A-Train’s lack of accountability and egoic decisions are the catalyst for much of the initial action and plot progression, but the series also digs deeper into his personal relationships and insecurities about his future with Voight.Elisabeth Shue, Chace Crawford, and Erin Moriarty in The Boys (2019)The most intriguing hero is Homelander (Antony Starr), the leader of the Seven and a mashup of Captain America and Superman. The show does a great job of slowly peeling back his outer layer of high moral standards and leadership qualities to reveal an obsessive, manipulating, narcissistic, and sinister being who is capable of unthinkable callousness. Homelander is undoubtedly the supreme villain hiding in plain sight that too many people are underestimating. The Boys has the potential to become Garth Ennis’ next comic-to-TV production win on the heels of Preacher’s upcoming fourth and final season. Sure, some of the scenes run a tad bit too long and the punchlines occasionally fall flat, but those are outweighed by truly clever moments, an engaging plot, and several WTF moments to create a dark and oddly realistic take on the superhero genre.

REVIEW: STAR TREK BEYOND

CAST

Chris Pine (Into The Woods)
Zachary Quinto (Heroes)
Zoe Saldana (Avatar)
Karl Urban (Dredd)
Simon Pegg (Paul)
John Cho (Total Recall)
Anton Yelchin (Alpha Dog)
Sofia Boutella (Monsters: Dark Continet)
Idris Elba (Thor)
Greg Grunberg (Alias)
Danny Pudi (Community)
Shea Whigham (Agent Carter)
Melissa Roxburgh (Arrow)

Three years into its five year mission, the USS Enterprise arrives at Starbase Yorktown, a massive space station, for resupply and shore leave for her crew. Struggling to find continued meaning in the endless nature of their mission of exploration, Captain James T. Kirk has applied for a promotion to Vice Admiral and commanding officer of Yorktown. He recommends Spock as the new captain of the Enterprise. Meanwhile, Hikaru Sulu reunites with his husband and their young daughter, Montgomery Scott works to keep the ship operational, and Spock and Nyota Uhura amicably end their relationship; Spock also receives word from New Vulcan that Ambassador Spock (Spock’s future self from the original timeline) has died.

The Enterprise is dispatched on a rescue mission at short notice after an escape pod drifts out of a nearby uncharted nebula. The survivor, Kalara, claims her ship is stranded on Altamid, a planet within the nebula. The rescue turns into an ambush when the Enterprise is quickly torn apart by a massive swarm of small ships. Krall and his crew board the ship, and unsuccessfully search for a relic called an Abronath that Kirk had obtained for a failed diplomatic mission. Krall captures and removes many crew members from the ship. Kirk then orders the crew to abandon ship as the Enterprise’s saucer section hurtles towards the planet.

On the planet’s surface, Sulu, Uhura, and other survivors are captured by Krall. Kirk and navigator Pavel Chekov, accompanied by Kalara, locate the wrecked saucer section. Kalara is discovered to be following Krall’s orders when she tries to retrieve the Abronath. To escape Krall’s soldiers, Kirk activates the still-functional thrusters, causing the saucer to lurch forward, crushing Kalara. Meanwhile, a wounded Spock and Dr. Leonard McCoy search for other survivors. Spock confides to McCoy that he intends to leave Starfleet to continue the late Ambassador Spock’s work on New Vulcan. Meanwhile, Scott is rescued by Jaylah, a scavenger who previously escaped Krall’s encampment. She takes Scott to her makeshift home, the grounded USS Franklin, an early Starfleet vessel reported missing over a century earlier. Scott is reunited with Kirk, Chekov, McCoy and Spock. Using the ship as a base, they plot to raid Krall’s camp and transport the crew to the Franklin, then escape the planet in the repaired ship. Meanwhile, Krall coerces Ensign Syl to hand over the Abronath that she had kept hidden for Kirk, then kills her with it. The Abronath is the missing half of an ancient bioweapon, created by the planet’s original inhabitants, which can disintegrate any humanoid. With the device complete, Krall intends to attack Yorktown and kill its inhabitants, and, using its advanced technology, go on to attack the Federation. Kirk and the others free the crew as Krall launches into space with the bioweapon, leading his drone fleet to Yorktown.

The Starfleet crew pursues Krall in the Franklin. Scott transports Spock and McCoy into one of Krall’s drone ships. After dispatching the pilot, they learn that VHF transmissions can disrupt Krall’s communications. Matching the drone fleet’s frequency and using the ‘classical’ song “Sabotage” by the Beastie Boys, they destroy almost the entire fleet. Krall and his three surviving ships crash in Yorktown. As Krall flees into the city, Uhura and Kirk discover from the Franklin’s logs that he is actually Balthazar Edison, the former captain of the Franklin. A pre-Federation human soldier, Edison became disillusioned with the newly founded Federation, rejecting its principles of unity and cooperation with former enemies, like the Xindi. When he and his crew were stranded on Altamid by a rogue wormhole, he believed the Federation had deliberately abandoned them. The three survivors prolonged their lives with the technology of the planet’s extinct natives (at the cost of their human physiology and their numerous victims’ lives), and repurposed their dormant drone workers into the swarm. Krall now plans to destroy the Federation and resume galactic conflict. Kirk pursues Krall into Yorktown’s ventilation system, where Krall activates the bioweapon. Before it can be unleashed, Kirk ejects the weapon and Krall into space. Spock and McCoy save Kirk moments before he is also blown into open space.

Commodore Paris closes the unsolved cases of the fate of Captain Edison and the USS Franklin crew. Kirk decides to remain as a captain, and Spock chooses to stay in Starfleet and resumes his relationship with Uhura. Jaylah has been accepted into Starfleet Academy based on Kirk’s recommendation. As the crew celebrates Kirk’s birthday, they view the construction of their new ship, USS Enterprise-A, and after its completion, they depart on their next mission.This film feels in many ways like a completion of the work done to establish the rebooted series. The actors have now made the characters their own and no longer feel like imitations of the original incarnations. The film ends with the commissioning of an all-new Enterprise. As Paramount has already confirmed that a fourth instalment is on the way, we can be sure that Kirk and his crew will continue their little Trek through the Stars for some time to come.

REVIEW: STAR TREK INTO DARKNESS

CAST

Chris Pine (Into The Woods)
Zachary Quinto (Heroes)
Zoe Saldana (Avatar)
Karl Urban (Dredd)
Simon Pegg (Paul)
John Cho (Total Recall)
Anton Yelchin (Alpha Dog)
Bruce Greenwood (Thirteen Days)
Leonard Nimoy (Transformers: The Movie)
Benedict Cumberbatch (The Hobbit)
Alice Eve (Men In Black 3)
Peter Weller (Robocop)
Noel Clarke (4.3.2.1)
Nazneen Contractor (Heroes Reborn)
Amanda Foreman (Alias)
Aisha Hinds (Cult)
Bill Hader (Superbad)
Heather Langenkap (A Nightmare on Elm Street)
Sean Blakemore (Bones)
Nick E. Tarabay (Spartacus)
Cynthia Addai-Robinson (Arrow)
Scott Lawrence (Avatar)
Nolan North (Con Man)
Kevin Michael Richardson (The Cleveland Show)
Fred Tatasciore (Hulk Vs)
Audrey Wasilewski (Red)

In the year 2259, Captain James T. Kirk is removed from command of the starship USS Enterprise for violating the Prime Directive: he exposed the ship to the primitive inhabitants of the planet Nibiru in order to save them, and Spock, from a cataclysmic volcanic eruption. Admiral Christopher Pike is reinstated as commanding officer with Kirk demoted to the rank of Commander and first officer. Commander Spock is transferred to another ship. Shortly after, the Section 31 installation in London is bombed, perpetrated by the renegade Starfleet operative John Harrison (Cumberbatch). Harrison then attacks Starfleet Headquarters in a jumpship during the emergency meeting about the situation, killing Pike and other senior officers. Kirk disables the jumpship, but Harrison escapes by transporting to Kronos, the homeworld of the hostile Klingons.

Admiral Alexander Marcus (Peter Weller) reinstates Kirk and Spock to the Enterprise with orders to kill Harrison. Chief Engineer Montgomery Scott strongly objects to allowing untested torpedoes on board the ship, and when ordered to allow them resigns his commission in protest. Kirk assigns Pavel Chekov to replace Scotty. En route to Kronos, the Enterprise’s warp capabilities mysteriously become disabled. Kirk leads a team with Spock and Uhura onto the planet, where they are ambushed by Klingon patrols. Harrison dispatches the Klingons, then surrenders after learning the number of torpedoes aboard the Enterprise.

Dr. Leonard McCoy and Marcus’s daughter, Dr. Carol Marcus (Alice Eve), open a torpedo at Harrison’s behest. Inside is a man in cryogenic stasis. Every torpedo aboard Enterprise contains a human in stasis. Harrison reveals his true identity as Khan Noonien Singh, a genetically engineered superhuman awakened by Admiral Marcus from centuries of suspended animation to develop advanced weapons of war against the Klingon Empire. Khan reveals that Marcus had sabotaged the Enterprise’s warp drive, intending for the Klingons to destroy the ship after it fired on Kronos, creating an act of war by the Klingon Empire. Khan also gives Kirk a set of coordinates. Kirk contacts Scotty on Earth and asks him to investigate. Scotty discovers they lead to a covert Starfleet facility near Jupiter.

The Enterprise is intercepted by a much larger Federation warship, the USS Vengeance, commanded by Admiral Marcus. Marcus demands that Kirk deliver Khan, but the Enterprise, with a hastily repaired warp drive, flees to Earth to expose Marcus. After the Vengeance intercepts and disables the Enterprise near the Moon, Kirk reveals Carol’s presence aboard the ship. Marcus forcibly transports Carol to the Vengeance before ordering the Enterprise’s destruction, Kirk offers Khan and himself for the lives of his crew, but Marcus rejects Kirk’s offer and orders Vengeance to fire when ready. However, Vengeance suddenly loses power, sabotaged by Scotty, who infiltrated the ship. With transporters down, Kirk and Khan, with the latter’s knowledge of the warship’s design, space-jump to the Vengeance. Spock contacts his older self, who warns that Khan is ruthless and untrustworthy, and, in another reality, Khan was only defeated at a terrible cost. Meanwhile, after capturing the bridge, Khan overpowers Kirk, Scott, and Carol, kills Marcus, and seizes control of the Vengeance.

Khan demands that Spock return his crew sealed in the cryogenic tubes in exchange for the Enterprise officers. Spock complies but surreptitiously removes Khan’s frozen crew and arms the warheads. Khan beams Kirk, Scott, and Carol back aboard the Enterprise, but betrays their agreement by critically damaging the Enterprise; however, the Vengeance is disabled when the torpedoes detonate. With both starships caught in Earth’s gravity, they plummet toward the surface. Kirk enters the radioactive reactor chamber to realign the warp core, saving the ship, but losing his life in the process.

Khan crashes the dying Vengeance into downtown San Francisco in an attempt to destroy Starfleet headquarters, destroying some of the city. Khan escapes the wreckage as Spock transports down in pursuit. McCoy discovers that Khan’s blood has regenerative properties that may save Kirk. With Uhura’s help, Spock chases down and eventually subdues Khan, who is consequently arrested and re-frozen, and Kirk is revived.

Nearly one year later, Kirk speaks at the Enterprise’s re-dedication ceremony. Khan is sealed in his cryogenic pod and stored with his compatriots. The Enterprise crew embarks on a five-year exploratory mission.I didn’t overly mind that the film is based on Khan, but I can understand how some people would have an issue with it. The first film so cleverly re-wrote the shows history and gave Abrams the opportunity to do whatever he wanted story wise so it was a little bit surprising to see he had embarked on somewhat of a `re-make.’ But all in all a very good film. Great action sequences and great CGI – even if you’re not a Trekkie this is still an enjoyable film.

REVIEW: STAR TREK (2009)

CAST

Chris Pine (Into The Woods)
Zachary Quinto (Heroes)
Zoe Saldana (Avatar)
Karl Urban (Dredd)
Simon Pegg (Paul)
John Cho (Total Recall)
Anton Yelchin (Alpha Dog)
Bruce Greenwood (Thirteen Days)
Eric Bana (Hulk)
Leonard Nimoy (Transformers: The Movie)
Ben Cross (Live Wire)
Winona Ryder (Little Women)
Clifton Collins, Jr. (Westworld)
Chris Hemsworth (Thor)
Faran Tahir (Iron Man)
Jennifer Morrison (How I Met Your Mother)
Rachel Nichols (GI. Joe)
Paul McGillion (Stargate: Atlantis)
Brad William Henke (Lost)
Greg Grunberg (Alias)
Tyler Perry (Gone Girl)
Majel Barrett (Earth: Final Conflict)
Amanda Foreman (Alias)
Jimmy Bennett (No Ordinary Family)
Bob Clendenin (Scrubs)
Lisa Vidal (The Event)
Oz Perkins (Secretary)
Mark Bramhall (Annabelle Creation)
T.J. Storm (VR Troopers)
Wil Wheaton (The Big Bang Theory)

In the 23rd century, the Federation starship USS Kelvin is investigating a “lightning storm” in space. A Romulan ship, the Narada, emerges from the storm and attacks the Kelvin. Narada’s first officer, Ayel, demands that the Kelvin’s Captain Robau come aboard to negotiate a truce. Robau is questioned about the current stardate and an “Ambassador Spock”, whom he does not recognize. Narada’s commander, Nero, kills him, and resumes attacking the Kelvin. George Kirk, the Kelvin’s first officer, orders the ship’s personnel, including his pregnant wife Winona, to abandon ship while he pilots the Kelvin on a collision course with the Narada. Kirk sacrifices his life to ensure Winona’s survival as she gives birth to James T. Kirk.

Seventeen years later on the planet Vulcan, a young Spock is accepted to join the Vulcan Science Academy. Realizing the Academy views his human mother Amanda as a “disadvantage”, he joins Starfleet instead. On Earth, Kirk becomes a reckless but intelligent young adult. Following a bar fight with Starfleet cadets accompanying Nyota Uhura, Kirk meets Captain Christopher Pike, who encourages him to enlist in Starfleet Academy, where Kirk meets and befriends doctor Leonard McCoy.

Three years later, Commander Spock accuses Kirk of cheating during the Kobayashi Maru simulation. Kirk argues that cheating was acceptable because the simulation was designed to be unbeatable. The disciplinary hearing is interrupted by a distress signal from Vulcan. With the primary fleet out of range, the cadets are mobilized. McCoy and Kirk board Pike’s ship, the Enterprise. Realizing that the “lightning storm” observed near Vulcan is similar to the one that occurred when he was born, Kirk breaks protocol to convince Pike that the distress signal is a trap.

Enterprise finds the fleet destroyed and the Narada drilling into Vulcan’s core. The Narada attacks the Enterprise and Pike surrenders, delegating command of the ship to Spock and promoting Kirk to first officer. Kirk, Hikaru Sulu and Chief Engineer Olson perform a space jump onto the drilling platform. Olson is killed but Kirk and Sulu disable the drill. Despite their efforts, Nero launches “red matter” into Vulcan’s core, forming an artificial black hole that destroys Vulcan. Spock rescues the high council and his father Sarek, but Amanda dies.

As the Narada moves toward Earth, Nero tortures Pike to gain access to Earth’s defense codes. Spock maroons Kirk on Delta Vega after Kirk attempts mutiny. Kirk encounters an older Spock, who explains that he and Nero are from 129 years in the future. In that future, Romulus was threatened by a supernova. Spock’s attempt to use “red matter” to create an artificial black hole and consume the supernova failed, and Nero’s family perished along with Romulus. The Narada and Spock’s vessel were caught in the black hole, sending them back in time. Nero stranded Spock on Delta Vega to watch Vulcan’s destruction.

Reaching a Starfleet outpost, Kirk and the elder Spock meet Montgomery Scott. With the elder Spock’s help, Kirk and Scott beam onto the Enterprise. Following the elder Spock’s advice, Kirk provokes younger Spock into attacking him, forcing Spock to recognize he is emotionally compromised and relinquish command to Kirk. After talking with Sarek, Spock decides to help Kirk. While the Enterprise hides itself within the gas clouds of Titan, Kirk and Spock beam aboard the Narada. Kirk fights with Nero and Ayel, killing the latter and rescuing Pike while Spock uses the elder Spock’s ship to destroy the drill. Spock leads the Narada away from Earth and sets his ship to collide with Nero’s ship. Enterprise beams Kirk, Pike and Spock aboard. The older Spock’s ship and the Narada collide, igniting the “red matter”. Kirk offers Nero help to escape, but Nero refuses, prompting Kirk to give the order to fire, dooming the Narada to be consumed in a black hole.

Kirk is promoted to Captain and given command of the Enterprise while Pike is promoted to Rear Admiral. Spock encounters his older self, who persuades his younger self to continue serving in Starfleet, encouraging him to do what feels right instead of what is logical. Spock remains in Starfleet, becoming first officer under Kirk’s command. The Enterprise goes to warp as the elder Spock speaks the “where no one has gone before” monologue.The story does what it needs to, the casting is great (especially Spock and McCoy), the effects are fantastic and Abrams manages to do character moments on the move so there’s hardly time to take a breath – oh and Simon Pegg is great as Scotty! Maybe the best thing is, die hards and newbies alike will all find something to like.

REVIEW: THE BOURNE SUPREMACY

CAST
Matt Damon (Good Will Hunting)
Franka Potente (Blow)
Karl Urban (Red)
Julia Stiles (A Guy Thing)
Brian Cox (Rise of The Planet of The Apes)
Gabriel Mann (Josie and The Pussycats)
Joan Allen (Manhunter)
Marton Csokas (Alice In Wonderland)
Michelle Monaghan (Mission Impossible III)
Karel Roden (Hellboy)
Chris Cooper (American Beauty)
The-Bourne-Supermacy-free06-630x400

Two years after the events of the first film, Jason Bourne and Marie Kreutz are now in Goa, India. Still experiencing flashbacks about his former life as a CIA assassin, he records them in a notebook. In Berlin, CIA agents subordinate to Deputy Director Pamela Landy are paying US$3 million for the “Neski files”, documents on the theft of $20 million in allocation money seven years prior. Kirill, an agent for Russia’s Federal Security Service, plants Bourne’s fingerprint to frame him, kills the agents, and steals the files and money for delivery to Russian oil oligarch Yuri Gretkov. Kirill travels to Goa to kill Bourne, but Bourne spots him and flees with Marie. As the couple drive away, Kirill attempts to shoot Bourne, but kills Marie by mistake. Their vehicle goes off a bridge and into a river; Kirill assumes that Bourne is dead.Matt Damon and Julia Stiles in The Bourne Supremacy (2004)Bourne survives and leaves for Naples, Italy, with money and passports. After finding the fingerprint Kirill planted, Landy learns that it belongs to Bourne and subsequently asks Deputy Director Ward Abbott about Operation Treadstone, the defunct CIA program to which Bourne belonged. Landy tells Abbott that the CIA agent who stole the $20 million was named in the Neski files. Some years previously, Russian politician Vladimir Neski was about to identify the thief when he was supposedly murdered by his wife in a Berlin hotel. Landy believes that Bourne and Treadstone’s late supervisor, Alexander Conklin, were somehow involved. She also believes that Bourne killed her two agents. Both Abbott and Landy go to Berlin to capture Bourne.

In Naples, Bourne allows himself to be identified by security. He subdues his CIA interrogator, copies the SIM card from his cell phone, and learns from a subsequent phone call about Landy and what she thinks Bourne did. Bourne goes to Munich to visit the only other remaining Treadstone operative, Jarda, who informs Bourne that Treadstone was shut down after Conklin’s death. Jarda tries to incapacitate Bourne before an incoming CIA team arrives, but Bourne kills him, blows up his house, and escapes. Bourne follows Landy and Abbott as they meet former Treadstone support technician Nicky Parsons to question her about her past experience with him. Believing that the CIA is hunting him again, Bourne calls Landy from a nearby roof and is told that he is being pursued because he killed two people in Berlin. He demands a meet-up with Nicky and indicates to Landy that he can see her in the office, shocking the entire CIA team.
Matt Damon and Franka Potente in The Bourne Supremacy (2004)
Bourne kidnaps Nicky at the Alexanderplatz, and learns from her that Abbott was the head of Treadstone, not Conklin. He remembers that he murdered Neski in Berlin, but Nicky knows nothing about it, so he lets her go. Bourne then visits the hotel where the killing took place and remembers more of his mission—he killed Neski on Conklin’s orders, and when Neski’s wife showed up, he shot her to make it look like a murder–suicide. Abbott kills Danny Zorn (Conklin’s assistant) when he suspects a conspiracy against Bourne; he (Bourne) breaks into Abbott’s hotel room and records a conversation between him and Gretkov that incriminates them in the theft of the money. Abbott confesses to ordering the assassination in Goa, Neski’s murder by Bourne, and the murder of the agents by Kirill, for which Bourne was to be framed. When Landy suspects Bourne’s innocence and confronts Abbott, he commits suicide by shooting himself in the head. Bourne sends the tape of the confession to Landy, vindicating himself.
Bourne goes to Moscow to find Irena Neski, the daughter of Vladimir Neski. Kirill, tasked once again by Gretkov with killing Bourne, finds him and shoots him in the shoulder from a distance. Bourne steals a taxi and Kirill chases him. A long high-speed chase also involving many police cars ends after Bourne forces Kirill’s vehicle into a concrete divider. After finding that Kirill is mortally wounded, he lowers his gun and walks away. Bourne locates Irena Neski and confesses to murdering her parents. Gretkov is arrested.
Some time later, in New York City, Landy receives a phone call from Bourne; she expresses her thanks for the tape of Abbott’s confession before telling Bourne that his real name is David Webb and he was born 4/15/71 in Nixa, Missouri. Bourne then says “Get some rest Pam, you look tired”, indicating once again that he can see her, before hanging up and fading into a New York crowd.
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This really is an excellent spy thriller, with plenty of high quality car chases and escapes included too. The storyline is believeable within the context of the world of global espionage,, the film moves at a great pace and nicley sets up the third installment, The Bourne Ulitimatum.

 

REVIEW: RIDDICK

CAST

Vin Diesel (XXX)
Jordi Molla (Blow)
Matt Nable (Arrow)
Katee Sackhoff (Battlestar Galactica)
Dave Bautista (Guardians of The Galaxy)
Bokeem Woodbine (Total Recall)
Raoul Trujillo (Highlander 3)
Karl Urban (Dredd)
Noah Danby (Painkiller Jane)
Nolan Gerard Funk (Smallville)

MV5BMTYzMTg1NjM5NF5BMl5BanBnXkFtZTgwMDEyMTMxMDE@._V1_SX1777_CR0,0,1777,744_AL_Several years after the events in Chronicles, Riddick has grown bored with leading the Necromonger fleet. Riddick hasn’t adopted most Necromonger customs, angering Commander Vaako (Karl Urban), who agrees to transport Riddick to lost planet Furya if he gives up his position as Lord Marshall. Vaako’s aide, Krone (Andreas Apergis), betrays Riddick and leaves him to die on a barren, sunbaked planet that Riddick dubs “Not Furya.” Out of practice and overly civilized, Riddick must quickly regain his survivalist instinct as the planet is host to a number of hostile creatures. He adopts an abandoned jackal pup that becomes his trusty sidekick and sets out to find a way off the surface. When Riddick stumbles into a mercenary outpost, he activates an emergency beacon that attracts two groups of bounty hunters hoping to collect on Riddick’s head.The first third of Riddick is largely dialogue-free and sees Riddick and the jackal adapting to the landscape and hidden dangers of the unnamed planet. There are plenty of venomous mud creatures and alien vultures waiting for a meal, and Riddick must pass through a dangerous cave environment to reach a less dangerous area of the planet. There’s fun to be had watching Riddick and the pup cut down these voiceless alien antagonists, and the filmmakers play the man-and-his-dog relationship perfectly. The jackal is impressively rendered via CGI and there are some solid bits of action and humor that follow. Things slow to a grind when Riddick activates the beacon, and he spends a good thirty minutes off screen while the hunters take center stage.The first group to arrive is a ragtag band of killers led by unhinged Santana (Jordi Molla), who is furious when a more professional outfit, led by Boss Johns (Matthew Nable), lands at his camp. Riddick quickly pits the two groups against one another, and Santana realizes that Riddick intends to use one of their ships as his taxi out of there. Riddick turns into a largely unseen puppet master during this section and drops the relatively docile attitude from earlier scenes as he picks off Santana’s men.MV5BMTk3MDM1NjU4OV5BMl5BanBnXkFtZTgwMjIyMTMxMDE@._V1_SX1777_CR0,0,1777,744_AL_Riddick has some great supporting  characters with real personality including the fierce female warrior Dahl (Katee Sackhoff). Viewers know from an earlier scene that a dangerous storm is coming to awaken the planet’s dormant native creatures Riddick knows shit is about to hit the fan. Things pick up considerably at the climax, when Riddick and company must fight to survive the Pitch Black-esque killers that roam the night. As a whole, Riddick is decently entertaining. The creatures are fierce if somewhat generic, and the action is great.  Riddick further explores the mythology hinted at in previous films, and the Director’s Cut adds a somewhat confusing cliffhanger that hints at future events.