REVIEW: GUARDIANS OF THE GALAXY VOL.2

CAST

Chris Pratt (Jurassic World)
Zoe Saldana (Avatar)
Dave Dautista (Riddick)
Vin Diesel (XXX)
Bradley Cooper (Ameircan Hustle)
Michael Rooker (Slither)
Karen Gillan (Oculus)
Pom Klementieff (Oldboy)
Elizabeth Debicki (The Man From U.N.C.L.E.)
Chris Sullivan (North Star)
Sean Gunn (Super)
Sylvester Stallone (Judge Dredd)
Kurt Russell (Big Toruble In Little China)
Laura Haddock (Transformers 5)
Gregg Henry (Jason Bourne)
Seth Green (Family Guy)
Michael Rosenbaum (Smallville)
Ving Rhames (Mission Impossible)
Michelle Yeoh (Star Trek Discovery)
Miley Cyrus (Hannah Montana)
Stan Lee (Avengers Assemble)
David Hasselhoff (Knight Rider)

In 2014, Peter Quill, Gamora, Drax, Rocket, and Baby Groot are renowned as the Guardians of the Galaxy. Ayesha, leader of the Sovereign race, has the Guardians protect valuable batteries from an inter-dimensional monster in exchange for Gamora’s estranged sister Nebula, who was caught attempting to steal the batteries. After Rocket steals some for himself, the Sovereign attacks the Guardians’ ship with a fleet of drones. The drones are destroyed by a mysterious figure, but the Guardians are forced to crash-land on a nearby planet. The figure reveals himself as Quill’s father, Ego. He invites Quill, who is accompanied by Gamora and Drax, to his home planet, while Rocket and Groot remain behind to repair the ship and guard Nebula.Meanwhile, Ayesha hires Yondu Udonta and his crew, who have been exiled from the greater Ravager community for child trafficking, to recapture the Guardians. They capture Rocket, but when Yondu shows reluctance to turn over Quill, his lieutenant Taserface leads a mutiny with help from Nebula. Taserface imprisons Rocket and Yondu aboard Yondu’s ship and executes his loyalists while Nebula leaves to track down and kill Gamora, whom she blames for all the torture inflicted on her by their father, Thanos. While imprisoned, Rocket and Yondu bond. Groot, together with Yondu’s loyalist Kraglin, frees Rocket and Yondu and they destroy the ship and its crew as they escape, though not before Taserface tips off the Sovereign fleet.Ego explains he is a god-like Celestial, an immortal consciousness that manipulated the matter around it to form the planet with itself at the core. Forming a human guise, he traveled the universe to escape his loneliness and discover a purpose, eventually falling in love with Quill’s mother Meredith. Ego hired Yondu to collect the young Quill after Meredith’s death, but the boy was never delivered and Ego had been searching for his son ever since. He teaches Quill to manipulate their Celestial power. Nebula arrives at Ego’s planet and tries to kill Gamora, but fails and the pair reach an uneasy alliance when they discover caverns filled with skeletal remains. Ego reveals to Quill that in his travels he planted seedlings upon thousands of worlds which can terraform them into new extensions of himself, but they can only be activated by the combined power of two Celestials. To that end, he impregnated countless women and hired Yondu to collect the children; Ego killed them all when they failed to access the Celestial power. Quill attacks Ego after Ego reveals that he deliberately caused Meredith’s death. Ego forcefully uses Quill to activate the seedlings, which begin to consume every world.Ego’s pet empath, Mantis, grows close to Drax and warns him, Gamora, and Nebula of Ego’s plan just as Rocket, Yondu, Groot, and Kraglin arrive. The reunited Guardians reach Ego’s brain at the planet’s core, and fight the Sovereign’s arriving drones. Rocket makes a bomb out of the stolen batteries that Groot plants on Ego’s brain, while Quill battles Ego with his newfound Celestial powers to allow the other Guardians to escape. The bomb explodes, killing Ego and causing the planet to disintegrate. Yondu sacrifices himself to save Quill, who now realizes Yondu did not deliver him to Ego in order to spare him from the fate of Ego’s other progeny, and that Yondu was Quill’s true “daddy”. Having reconciled with Gamora, Nebula still chooses to set out and attempt to kill Thanos. The Guardians hold a funeral for Yondu, which is attended by dozens of Ravager ships, acknowledging Yondu’s sacrifice and accepting him again as a Ravager.In a series of mid- and post-credit scenes, Kraglin takes up Yondu’s telekinetic arrow and control fin; Ravager leader Stakar Ogord, inspired by Yondu’s sacrifice, reunites with his ex-teammates; Groot starts growing back to normal size, exhibiting typical teenage behavior in the process; Ayesha creates a new artificial being with whom she plans to destroy the Guardians, naming him Adam; and a group of uninterested Watchers listen to their informant discussing several experiences on Earth.If you enjoyed the first volume, you would enjoy this one even better. I would recommend you to watch the first one before seeing this one to have a better understanding on the movie. Though I am pretty sure that most likely you would have seen it. I am confident that you will be entertained.

 

Advertisements

REVIEW: OCULUS

CAST

Karen Gillan (Guardians of The Galaxy)
Brenton Thwaites (Maleficent)
Katee Sackhoff (Riddick)
Rory Cochrane (Argo)
Annalise Basso (Ouija: Origin of Evil)
Garrett Ryan (The Better Half)
James Lafferty (Underground)
Miguel Sandoval (Medium)
Kate Siegel (Demon Legacy)

The film takes place in two different times: the present and 11 years earlier. The two plot lines are told in parallel through flashbacks with many cuts occurring between corresponding actions in each time frame. In 2002, software engineer Alan Russell moves into a new house with his wife Marie, 10-year-old son Tim, and 12-year-old daughter Kaylie. Alan purchases an antique mirror to decorate his office. Unbeknownst to them, the mirror is malevolent and supernaturally induces hallucinations in both adults; Marie is haunted by visions of her own body decaying, while Alan is seduced by a ghostly woman named Marisol, who has mirrors in place of eyes.Over time, the parents become psychotic; Alan increasingly isolates himself in his office, and Marie becomes withdrawn and paranoid. During the same period, all of the plants in the house die, and the family dog disappears after being shut in the office with the mirror. After Kaylie sees Alan interact with Marisol, she tells her mother. Marie and her husband fight, and one night while he’s away, she sees herself bleeding from an old scar in the mirror. She goes insane and attempts to kill her children but Alan overpowers her and later says the children are not to visit their mother who is unwell. When the family runs out of food, the children try to get help from their father. They figure their father is under the influence of the mirror and gives the same responses to all Kaylie’s questions, so Kaylie goes to seek help from their mother, despite her father’s warning to not visit her ‘sick’ mother. When she sees how her father has chained her mother to the wall and how her mother acts like an animal, she and Tim attempt to seek help from their neighbors, who disbelieve their stories. Attempting to contact doctors or the authorities, Kaylie discovers that all of her phone calls are answered by the same man, who admonishes her to speak with her father.One night, Alan unchains Marie, and both parents attack the children. Marie briefly comes to her senses only to be shot dead by Alan. The children try to destroy the mirror with golf clubs but fail in the attempt, believing they are hitting the mirror but only hitting the wall. Alan corners the children in his office but also experiences a moment of lucidity during which he kills himself by using his thumb to force Tim’s finger against the trigger of the gun Tim is pointing at Alan. Ignoring their father’s last advice to “run” the children see Marisol and various previous victims of the mirror appear as horrific ghosts. The police arrive and take Tim into custody. Before the siblings are separated, they promise to reunite as adults and destroy the mirror. As Tim is taken away in the back of a squad car he sees the ghosts of his parents watching him from the house.Eleven years later, Tim is discharged from a psychiatric hospital, having come to believe that there were no supernatural events involved in his parents’ deaths. Kaylie, meanwhile, has spent most of her young adulthood researching the history of the mirror. Using her position as an employee of an auction house, Kaylie obtains access to the mirror and has it transported to the family home where she places it in a room filled with surveillance cameras and a “kill switch”—an anchor weighted to the ceiling and set to a timer. Kaylie intends to destroy the mirror but first wants to document its powers, prove its supernatural nature, and thus vindicate her family.Tim joins Kaylie at the house, and after Kaylie presents much of her research about deaths associated with the mirror’s owners, he attempts to convince her that she’s mistaking correlation with causation in an attempt to rationalize their parents’ deaths as being caused by an external force. The siblings argue, and while perceiving no gaps in their conversation, they notice the houseplants begin to wilt, and upon reviewing camera footage they see themselves having performed complex actions they have no recollection of. Tim finally accepts that the mirror has some diabolical power and attempts to escape the house with Kaylie, only for the pair to be repeatedly drawn back by the mirror’s influence. They try to call the police, but are only able to reach the same voice who spoke to them on the phone as children. Seeing a hallucination of her deceased mother Kaylie stabs it in the neck with a plate shard only for her to see her fiancé stabbed in the same place and quickly die. Kaylie is convinced it can’t be he, because when she looked at the floor through her phone’s video camera there were no plate shards visible: no plate implies no stabbing. However, when she looks at the corpse through her phone camera she sees his corpse and is then convinced she has killed him. The pair begin to hallucinate and experience visions of everyone killed by the mirror. Apparently fed up, Tim activates the kill switch, which causes the anchor to descend and fatally impale a mirror-obscured adult Kaylie whom Tim then sees. The police arrive and arrest a hysterical Tim, just as they had arrested him when he was younger. As both a boy and adult, Tim claims the mirror is responsible. As he is taken away, the older Tim sees Kaylie’s ghost in the house with his parents and remembers their promise that they will destroy the mirror no matter what.Good performances from all including the kids. Very unpredictable and wholly inventive storyline. Even the cleverest plots and safeguards will not defeat the pure evil of the Oculus.

 

REVIEW: GUARDIANS OF THE GALAXY

 

CAST

Chris Pratt (Jurassic World)
Zoe Saldana (Avatar)
Dave Bautista (Riddick)
Vin Diesel (The Fast and The Furious)
Lee Pace (The Hobbit)
Bradley Cooper (Joy)
Michael Rooker (The Walking Dead)
Karen Gillan (Oculus)
Djimon Hounsou (Stargate)
John C. Reilly (Step Brothers)
Glenn Close (Hoodwinked!)
Benicio Del Tori (Traffic)
Lauda Haddock (Luther)
Peter Serafinowicz (Spy)
Gregg Henry (Payback)
Brendan Fehr (Roswell)
Nathan Fillion (Firefly)
Alexis Denisof (Angel)
Ophelia Lovibond (4.3.2.1.)
Rob Zombie (Super)
Stan Lee (Avengers Assemble)
John Brotherton (Fuller House)
Josh Brolin (Jonah Hex)
Seth Green (Family Guy)

Guardians of the Galaxy stars are a loosely shaped band of intergalactic scoundrels who go from being bad guys to heroes despite their own penchant for greed and self-preservation. Amongst them is a cosmic kidnapping victim who goes by Star-Lord, a terrible alias, which is why most folks call him by his Earth name, Peter Quill (Chris Pratt, Parks and Recreation). Stolen from his parents in the movie’s prologue, Quill has become a spacefaring thief and scavenger. He has recently struck off on his own, betraying his adopted crew to sell a mysterious metal orb and pocket the profits. This action sets off reverberations, angering the orb’s intended recipient, a brutal thug called Ronan (Lee Pace, Pushing Daisies), and landing a rather large bounty on Quill’s head. Ronan dispatches one of his minions, Gamora (Zoe Saldana, Star Trek), to get him the object. Blows are exchanged. Chris Pratt manages the physicality with a surprising ease, while also making it okay for those of us sick of Andy Dwyer to like the perfomer again. Zoe Saldana is at her most badass, continuing to prove that she should be the star of her own action franchise. (She was the only thing good in Colombiana). Further complications arise, however, when her efforts are derailed by the presence of the aforementioned raccoon and tree.Rocket Raccoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively) are misfit bounty hunters who intend to collect on Quill’s head. Rocket is a violent little bastard who is the product of some sinister experiments, and Groot is a kindly wood creature who comes from parts unknown. These two steal the movie, I promise you. Cooper’s vocal performance has a glee and abandon I’d like to see from him in the flesh, and those who remember how Diesel tugged at our heartstrings doing similar work in The Iron Giant will be pleased to have him work his magic here, too. Groot can only say one phrase, “I am Groot,” and like Woo shouting out a certain obscenity when talking to Al Swearengen in Deadwood, how he says it is indicative of its meaning. The computer effects team for Guardians easily bests even Dawn of the Planet of the Apes for creating believable, fully realized creatures that simply should not be.The four bad guys tussle on a peaceful planet, and end up arrested. It’s in prison that they find their fifth Guardian, a shirtless bruiser called Drax the Destroyer (wrestler Dave Bautista) who has a grudge against Gamora’s former employer. He agrees to stave off killing her and go along with their prison break if it means they’ll take him to Ronan. And so an unlikely group of heroes is born.The basic plot of Guardians of the Galaxy, which was co-written by Nicole Perlman and director James Gunn (Slither, Super), follows the Guardians as they first try to keep the orb out of Ronan’s hands and then, after they simultaneously lose it and discover what it really holds, get it back before he begins a path of destruction across the universe. The main genre is more adventure than sci-fi, and the tone lighter and more comic than a lot of recent superhero movies, but that’s what makes Guardians of the Galaxy so refreshing.