An end of an era deserves a proper send-off, and after 20 series’ worth of memories it’s finally time to say goodbye to the Heisei era of Kamen Rider. After hastily jumping the gun titling the previous film Heisei Generations FINAL, Toei have decided to round off the Heisei Generations trilogy of films with the more inspiring sounding Kamen Rider Heisei Generations FOREVER. Like the previous films in the series the film serves as a crossover between both the current and preceding Riders, in this case Kamen Rider Zi-O and Kamen Rider Build. However as part of the 20 Kamen Rider Kicks celebration it also includes appearances from all 20 Heisei era Riders, with particular reference to Kamen Rider Kuuga, Kamen Rider Den-O and Kamen Rider W.Something is happening to the memories of the Kamen Riders. As Sougo Tokiwa and Myokoin Geiz struggle with memory loss during an encounter with Another Den-O, Kiryu Sento and Ryuga Banjou are confused to find their former comrades with their memories of their original Earth intact as they face off against Another Double. This is all the work of the Time Jacker Tid, who announces a plan to destroy the legacy of the Heisei Riders and rule the planet himself.Just as Sento encounters a young boy named Shingo, Sougo is approached by Ataru – a high schooler who claims to have the ability to draw out Kamen Riders. As Riders team up to put a stop to Tid, they discover the full extent of how the pair are linked to the Time Jacker’s schemes.Given that large scale crossovers have been a pretty common occurrence in Kamen Rider for some time now, the novelty of having every Heisei Rider appear in Heisei Generations FOREVER wouldn’t cut it the same way seeing them all side by side in Kamen Rider Decade: All Riders vs. Dai-Shocker did back in 2009. As the swan song of the Heisei era takes a rather different approach when it comes to celebrating the past 20 series of Kamen Rider, directly targeting the fan experience rather than the content of the shows themselves. Just as it deals with time travel between now and the dawn of the Heisei era back in January 2000, Heisei Generations FOREVER goes meta and plays with Kamen Rider as a show that continued to inspire over the past 19 years. It doesn’t always work quite as smoothly as the film hopes, but it’s a bold take absolutely fitting of a film as significant as this.Early Zi-O’s grasp of time travel was often questionable so it’s best not to put too much thought into just how the Build team’s appearance works here in correlation with how their arc in the Zi-O series was left. All you need to really know is that they’re here, it’s set after the events of Build and that the two teams are already somewhat familiar with each other. The characters work particularly well together, as Sougo’s more emotionally and instinctually-driven heroism is a good match for the Sento’s more methodical approach. Likewise disciplined Geiz and hot-headed Ryuga are similarly well-matched, particularly given the pair’s difference when it comes to personality and comic timing. The film does a good job of working the rest of the Build cast into the story without completely undoing the show’s ending , and it’s always nice to see Rogue and Grease back doing their thing. Especially when the anniversary nature of the film allows a certain Kazumi joke we’ve all been thinking to finally be made.Even the film’s unique characters are particularly strong. Tid might be fairly single-minded in his villainy but it’s nice to encounter a Time Jacker whose intentions are made clear, even if there’s unfortunately no interaction with his series peers. Heisei Generations FOREVER also leans heavily into Den-O lore on top of Zi-O’s own version of time travel, referencing both singularity points as they were known in the series as well as introducing a new Imagin in the form of Futaros. But key to the whole story are Shingo and Ataru, who as Rider fans themselves represent the audience more closely than ever. It’s a nicely done story with some very touching visuals, and both actors sell their respective characters extremely well.The revelation that in their world Kamen Riders are fictional takes the film down an interesting path, but given the shaky foundations of Zi-O’s time travel bringing in meta-verse ideas comes with its own questions. It’s presentation isn’t quite as simple as “Kamen Rider is a television show”, so when analysed closely some of the finer elements either aren’t explained or don’t hold up to scrutiny. It also results in a particularly slow style of storytelling that builds up to these revelations, relying on very limited Rider action in the interim. However there isn’t exactly much in the way of suspense since all the big revelations are very clearly signposted, so waiting for the film to get to explanations so it can move on can be a bit of a slog. It’s moments of existentialism are well worth the wait though, particularly with Build handling similar themes albeit on very different terms.Another issue is the amount of returning cast members the film has. The Build’s cast return were a given, but a lot of Zi-O’s charm (especially during those ropier early episodes) was the amount of returning characters the series had to celebrate the occasion. Despite the appearances of three Another Riders in this film, in terms of cameos the film only really celebrates one of their respective series. Given that said cameo is none other than Takeru Satoh (an actor who seemed long passed his days in Kamen Rider) reprising his role as Den-O’s Ryotaro Nogami (appearing along with both Owner and the Imagin crew) this is certainly nothing to scoff at, but even his appearance feels strangely done as we don’t see him outside of being possessed by Urataros. Kuuga’s involvement in the film is purely based in it being the first Heisei series, and Kamen Rider W’s is much less obvious. Masaki Suda (Phillip) was originally offered to appear the film in a similar vein to Satoh but ultimately had to decline, so what’s left is a slight detour to Futo City so that Sougo can pick up the Double Ride Watch from the Master of Fumen in a very quick scene. Zi-O has proved that you don’t always need the main star to come back to perform a fitting tribute, but it’s a shame that none of the other core cast members, or anyone from Kuuga for that matter, couldn’t be brought back to fill that Suda-shaped hole.But as frustrating as these complaints are it’s hard not to smile when all 20 Riders finally appear on screen, culminating in an explosive (if CGI heavy) finale that Kamen Rider films have always excelled at. Imagery such as an onlooker transforming back into a child fan at the sight of Kuuga pull at the heartstrings, illustrating perfectly just how the franchise brings out the inner child in all of us. They aren’t quite as effective as similarly presented scenes in OOO, Den-O, All Riders: Let’s Go Kamen Riders, but they still get the job done. The introduction of two new power ups for Zi-O also nicely encapsulate just how much Kamen Rider has changed over the years. While the Double Armour proudly displays the show’s gimmicks in gaudy fashion much like many of the other Rider Armours, the Kuuga Armour is sleek and harks back to a much simpler time. Both have their merit, and though the Kuuga Armour could have perhaps done more in the film it’s still great to see them both here.Kamen Rider Heisei Generations FOREVER is a clunky and often frustrating film, but its heart is always in the right place. It’s clear that the filmmakers wanted to tell a different kind of story to round out the Heisei era, and though it could have arguably done far more to send it off in style their love for Kamen Rider consistently shines through. Takeru Satoh’s long awaited return will undoubtedly be its main talking point for many, its ability to evoke a certain sense of nostalgia and fondness for the franchise are what really make it stand out. Though the weakest of the three Heisei Generations films, it’s undoubtedly the most ambitious.
Celebrating 20 series of Heisei era Kamen Rider is one thing, but Kamen Rider Zi-O definitely has some lofty goals when started playing around with the future of the franchise as well. But even though the future Riders of the years 2022, 2040 and 2121 certainly won’t be getting series of their very own when the time comes, conceptually they’re just too good to simply be relegated to one-off appearances. Clearly Toei felt the same, as Kamen Rider Shinobi returned in a three-part miniseries exclusive to the Toei Tokusatsu Fan Club – Rider Time: Kamen Rider Shinobi. The miniseries sees Hideya Tawada (Ninninger’s Kinji Takigawa/Star Ninger) reprise his role as the titular Kamen Rider, as Lupinranger vs Patranger writer Kaori Kaneko introduces us properly to his own time.In the year 2022 the world is headed toward environmental disaster. In order to preventthis, mankind has turned to the path of the ninja – harnessing their elemental powers to create a natural energy source. The Government then passed the “Ninja Nation Act” to make ninja training mandatory, and thus Japan became a ninja nation. However operating in the shadows are the Rainbow Serpents, a ninja clan secretly behind the Japan’s sudden shortage of resources. Standing in their way is Rentaro Kagura, who fights as the legendary ninja Kamen Rider Shinobi.At only three 15-minute long episodes Rider Time: Kamen Rider Shinobi doesn’t exactly have a lot of time to tell a very thorough story, especially since it’s not working off the back of established characters like most Kamen Rider spin-off media does. So to counter that it takes the sensible approach of keeping it relatively simple – creating a rich background to garner interest but keeping the content of the episodes themselves predominantly light-hearted. Between the events leading up to the Ninja Nation Act and the implications of the Rainbow Serpents, there’s plenty on offer here that Kamen Rider Shinobi could work with if it were a full series. But alas it isn’t so a relatively low-key character-focused piece will have to do. And though it’s style of comedy is fairly basic, getting a secondary Rider (Kamen Rider Hattari) on top of Shinobi himself isn’t a bad deal at all.Similarly there isn’t a whole lot of time to get to know the characters either, but the simplicity of the plot allows the few main characters to settle into their roles without any significant problems. Rentaro the audience will already be familiar with from his episodes in Zi-O, but it’s nice to see him completely in his own story and environment. His façade of being an inept ninja outside of the suit works well for concealing his identity, and actor Tawada uses his Ninninger experience to create a similarly likeable character. Meanwhile Iroha presents herself as a capable ninja in her own right, and if this were a fully-fledged Rider series it wouldn’t be far-fetched to see her become a Kamen Rider herself somewhere down the line (or maybe it would given Toei’s track record). Isamichi/Hattari is a little more forgettable given the character’s motivation hinges almost entirely on comic relief, but for a self-contained thing like this it’s hardly worthy of complaint.With Toei not even patching up the Kamen Rider Ryuki suits for their respective miniseries there was never going to be a huge budget poured into Shinobi, but it’s hard not to be impressed with the way they’ve used what resources they did have. Both the Shinobi and Hattori suits (like the other future Riders that appeared in Zi-O) have been kitbashed from ones from previous shows, with Shinobi built from an Ex-Aid Ride Player and Dark Necrom while Hattori is a retooled Dark Drive. Even the mooks are from a different series, with Fourze’s Dustards rearing their head once again. This might all sounds pretty slapdash on paper, but what’s really amazing is just how well it actually works. Despite the resused elements the suits not only look good, they have their own identity and look as if they’d fit in with the mainline Riders. As for the Dustards, they feel far more at home here than they ever did on Kamen Rider Fourze. On top of all that you then have the few original elements that have been inserted in, which don’t play a huge part in the story itself but help give Shinobi a flavour that isn’t just reconstituted from other shows. Those giant animal mecha may only appear as part of the transformation sequences, but they immediately grab your attention as something you’d want to see more of if this was a full-length series.But what’s perhaps the best thing of all about Kamen Rider Shinobi is just how unashamedly old-school it feels. While a lot of that of course comes from the ninja motif, it’s also just refreshing to watch a simple Kamen Rider production free of flashy gimmicks, multiple forms and obvious toy sales. Instead you just get two Riders with very basic transformation trinkets and weaponry, and instead the action sequences rely on that alone. While it may not have the kind of effects budget you’d get in a proper Rider series, it’s definitely enough to hold your interest. At the same time the fact it primarily uses woodland scenery for its action sequences break it away nicely from the rut of familiar locations you usually get from Toei productions.Although it remains fairly basic in what it sets out to do, Rider Time: Kamen Rider Shinobi is a fun little miniseries that just goes to show how many themes and motifs still remain untapped by the franchise. It might not have the same weight that Rider Time: Kamen Rider Ryuki did, as a proof of concept it works surprisingly well. Even when they’re kitbashed out of existing parts the suits look fantastic, and the characters all work despite the minimal back story involved. Considering this was something that could have been very easily left to just a two-part story arc in Kamen Rider Zi-O, Toei have got some surprising mileage out of the 2022 Kamen Rider.
Everyone should know by now that the end of Kamen Rider series is never the last we see of its characters. Besides the various crossover movies that will keep bringing back characters for years to come, for the past five years or so each series has consistently received one or more V-cinema sequels focusing on some of the other Riders that appeared. That trend has followed through to Kamen Rider Build, which puts the spotlight on fan-favourite Ryuga Banjou in Kamen Rider Build NEW WORLD: Kamen Rider Cross-Z. The film enjoyed a brief theatrical release at the beginning of 2019 before arriving on Blu-Ray a few months later, with a special edition bundled with Cross-Z’s new Muscle Galaxy Fullbottle.After defeating Evolto and successfully merging the world, Sento Kiryu and Ryuga Banjou are the only one with memories of the Sky Wall or the Pandora Box. But as they begin to rebuild their lives in this brand new world, a new enemy emerges from the white Pandora Box panel. After identifying itself as Evolto’s older brother Killbus, the alien begins his own plans to utilise the power of the Box and destroy the planet.However Killbus isn’t the only one that’s survived. When the fate of the world lies in the hands of Banjou, he finds an unlikely ally in his greatest enemy. Evolto has also returned, and Killbus’ resurrection of the Pandora Box also results in others regaining their memories of the former world.For the most part Kamen Rider V-cinema releases have to be fairly limited in scope. Acting as an epilogue of sorts to their respective series means that the overall threat has been extinguished, and so unless they dive into prequel/side story territory they’re usually more about mopping up any remnants that are left over. Unfortunately because Kamen Rider Build ended a lot cleaner than previous series, NEW WORLD: Kamen Rider Cross-Z hasn’t been left with a whole lot to work with. So rather than come up with something new and find a clever way to work around these limitations, the film goes about systematically undoing every finite part of Build’s ending in this most convenient ways possible. Any impact that ending had is lost in the first 15 minutes or so, and by the end of film the victory the team had achieved is left hollow and meaningless. A hero’s work may never truly be done, but NEW WORLD: Kamen Rider Cross-Z is less taking the band-aid off and more just ripping open the wound.Let’s start with Killbus, as Kamen Rider takes a leaf out of Dragon Ball Z’s book and casts its villain as the stronger, eviler brother of the main series’ greatest threat. But while Cooler is just a dumb bit of fun that is mostly ignored by Dragon Ball canon, Killbus just messes around with Build’s in the most unsightly of ways. Suddenly Evolto isn’t meant to seem all that bad in comparison to his brother who’s obsessed with nothing but destruction, and the way the film seems to paint Evolto’s stealing of the Pandora Box to “protect it” as some sort of heroic act just comes across as flat out bizarre. Killbus takes every complaint about Evolto being a less interesting villain as time went on and double downs on it, as if the writers’ are trying to prove a point about how much worse it could have been.He’s not alone either, since the film also brings Evolto back in a reluctant hero role to face off against his brother. While the way he’s resurrected makes sense from what we’ve seen of the character and how he’s able to control his cells, the fact he’s resurrected proper is the biggest way the film spits in the face of the show’s conclusion. It could have easily been a temporary resurrection that ends with his powers dissipating in film’s climax (especially as he merges with Banjou for his Cross-Z Evol form), but instead we have the cast not only willingly help make him stronger again but also allow him to leave Earth at the film’s end. Much like the oversight of leaving Phoenix continually get stronger as he repeatedly dies in the heart of the sun in Kamen Rider Wizard (how I wish that would be addressed one day), letting the villain that very nearly tore the planet apart to run around freely “regaining his strength” seems like a pretty big mistake. It raises the question of whether Shugo Moto had any idea he’d be writing any more Build after he completed the series proper, as he clearly felt he’d written himself into a corner with that ending.The real silver lining here is seeing all of the main Build cast back in action again. Having Kazumi, Gentoku, Misora and Sawa eventually regain their memories is the one part of Build’s ending that was going to be inevitably undone, and is done pretty well. Even though Build himself is conveniently out of action for the film it’s great to see the gang back together, with Grease and Rogue picking up that brilliant dynamic they’d developed by the end of the series.
As the final farewell to Heisei era of Kamen Rider, there was no way that Kamen Rider Zi-O wasn’t going to go all out in celebrating the past 20 years of the franchise. The time travelling series has paid tribute to both the past and potential future of Kamen Rider, with numerous special guest actors returning to reprise their roles from their respective series. But when it comes to the obligatory spin-offs the show has, no one could have expected Rider Time: Kamen Rider Ryuki – a three-part miniseries that serves as a sequel to 2002’s Kamen Rider Ryuki. Airing exclusively on Japan’s Video Pass streaming service, the miniseries was written by original series co-writer Toshiki Inoue and brings back several members of the original cast to reprise their roles.It’s been 16 years since the conclusion of the Rider Battle, with its participants having carried on without any memories of their time fighting in the Mirror World. However a mysterious person restarts the conflict once again, with its participants fighting to regain their lost memories as well as simply survival. Shinji and Ren are fated to meet once again, joining faces both new and old – some of whom remember the fight all those years ago. Meanwhile outside of the Mirror World Sougo Tokiwa and Geiz Myokoin face a different enemy as Another Ryuki goes on the rampage. How are these two incidents connected, and who will claim victory in the newest Rider Battle?Of all the Heisei era series with potential for a sequel spin-off, Kamen Rider Ryuki is easily one of the most interesting ones to use given its ending. While there are plenty of Kamen Rider series readily open to more adventures, tackling the one that deals with a large cast, time loops and an ending where the characters forget the events of the entire show is definitely ambitious. But right from the get-go Rider Time: Kamen Rider Ryuki has that unmistakeable feel of an early Heisei-era Kamen Rider show, from its murkier visuals to strong mystery element. The brutality of the early noughties Riders hasn’t been lost either, and as has been the case with many Rider spinoffs of late Inoue uses that streaming platform status to take it considerably above what Japanese television these days would likely allow.The three-episode structure doesn’t offer a lot of time to dedicate to character development, but that doesn’t prevent Inoue from expanding on the Ryuki cast in a reasonably satisfying way. But though the continuation of Shinji and Ren’s relationship and how it compares now after all they’ve been through is certainly a draw, it’s the way that it plays some of the other characters that proves much more interesting. Asakura is still his wild, bloodthirsty self but this time he’s partnered up with Gorou – taking over from his master Kitaoka as Kamen Rider Zolda. Though the story only alludes to Kitaoka’s fate it does a great job of highlighting both Asakura and Gorou’s feelings towards him. The miniseries also rewrites Miyuki (Raia) and Jun (Gai) as gay, and for the purpose of this Rider Battle at least lovers too. Though the scene confirming it may be brief, on top of being a rare example of LGBT representation in Kamen Rider it also adds an interesting twist to their personalities and motives when it comes to the original series as well. Did Muyuki view Yuichi as more than just a friend? It’s a shame the miniseries doesn’t have the time to expand on it more, as seeing just how the honest Miyuki would end up with someone as sadistic as Jun.Character time isn’t the only thing Rider Time: Kamen Rider Ryuki is short on either. Much of the running time is spent creating this new Rider Battle and building up the amnesia of its participants, which is great for the overall atmosphere but results in the resolution having to be hastily crammed in toward the climax rather than spread naturally throughout. It’s only in the final episode does Zi-O’s appearance become significant, and as the pieces come together it begins to comfortably line up with what Zi-O has been doing with its other Another Riders across the series. The appearance of Kamen Rider Odin only further complicates things, tying it even closer to Kanzaki’s earlier Rider Battles but without the context to help it fit into place.Joining the returning cast are also a few new faces in the Rider Battle, with new users cast for Kamen Riders Scissors, Tiger, Imperer and Verde. Though in typical Ryuki fashion most of these are despatched fairly swiftly to show off the atrocities of the Rider Battle, it is nice to see the miniseries make use of Ryuki’s cast and provide a bigger role to lesser-used Riders like Verde (who previously only appeared in the 13 Riders special). What’s even more surprising however is the appearance of Decade’s Kamen Rider Abyss, making his first canonical appearance in the Ryuki timeline. The only one sadly missing from the equation is Kamen Rider Femme, who doesn’t appear in any form. Given that other Riders were given new users her absence feels all the more noticeable, and is a real shame given that otherwise the miniseries does such a good job of drawing from all of Ryuki’s diverging paths.Producing a sequel 16 years after the fact also gives you a real reminder of just how old Ryuki is, and not just in the sense that the cast have obviously grown older in that time. Though the cinematography of the miniseries does a good job of capturing the feel of the series the flashbacks to the original series highlight just how rough the original series looks in comparison, and for the purposes of this special Toei haven’t done a great deal to update the effects either. What’s much sadder though is the state of many of the suits, which are visibly falling apart onscreen. Given that this has been a trend in Kamen Rider spinoffs for some time now it isn’t all that surprising but it does make you wonder just why these suits don’t at the very least get a good patch up job when they’re rolled out for use again.Echoing the darker tones of both the original Ryuki and the early Heisei era in general, Rider Time: Kamen Rider Ryuki is a wonderful short trip back to the Mirror World. Though the short running time results in some of the concepts not being quite as developed as they need to be, the overall plot is an interesting progression of Ryuki’s story and Inoue is able to offer some interesting expansion to some of its key characters. How Zi-O’s time changing shenanigans will affect its surprisingly downbeat ending (if at all) are yet to be seen, but for the time being this unexpected little spin-off still proves to be a very welcome one.
Six months ago, various parts of Japan faced a brutal massacre under what was since then dubbed the “Global Freeze”. It birthed a phenomenon called “Slowdown” which would cause people to fall under a sort of neural lag in which the brain retains its average function and cognition, while the body becomes subject to extreme slow motion movement. The “Slowdown” crippled the populace as they met their deaths at the hands of cybernetic monstrosities known as Roidmudes, who began walking and blasting through commercial and residential areas without prejudice.
In another ruined part of the city, a young Metropolitan PD cop had his hands full trying to apprehend thugs taking advantage of the chaos. However, as he readied his pistol to defend his partner from an incoming attack, a Slowdown wave overcame him. His pistol discharged just a second too soon as the bullet intended to stop an armed thug set off a flammable structure behind the young cop’s partner, his body flying off the upper railing of the construction site he stood upon. To make matters worse, a large pile of debris and steel beams came down upon the cop’s partner. The young cop could do nothing, powerless against the Slowdown as he watched his partner get crushed before his eyes.
The Roidmudes’ rampage would not last very long. From a distance, an expanding rail of RC car tracks began stretching throughout the affected area as three little cars the size of matchbox cars raced along the tracks and began destroying the Roidmudes with their own special powers of flames, spikes and illusory tricks. From the shadows, an armored humanoid appeared, brushing the rain away as he called for his automotive supports to return to him. Who is he? What were those little cars? What kind of state is Japan in now after facing such a catastrophe?
Kamen Rider Drive is the newest entry in the long-running Tokusatsu franchise produced by Toei Company. This entry goes in a more grounded area than most of the recent Heisei-era entries. Instead of having walking allegories of godhood or total caricatures for protagonists, we’re presented with a policeman by the name of Shinnosuke Tomari (played by Ryoma Takeuchi). With a slightly frumpy detective uniform and a red tie adorning his collar, he comes off as a real average Joe, a refreshing break from Deus Ex Machinas like Decade and Kabuto or monsters in human skin like Faiz and Kiva. Instead, we have a more classic type of hero that I’m sure long-time fans will appreciate.
Flash forward to the present. Slowdown awareness is a day-to-day issue for the status quo. Posters are everywhere reminding people to report any related incidents to the authorities. Our protagonist, Shinnosuke has been transferred to the Special Crimes Unit of the MPD following the Global Freeze. Since then, he’s become a listless, lazy man who often misses meetings or important information due to constantly playing hooky with his job and slacking off. The only other person able to deal with his laziness is his SCU co-worker Kiriko Shijima (played by Rio Uchida), who keeps constant tabs on Shinnosuke’s every move (complete with a notebook/checklist of all he does) in the hopes of getting him back on track as a policeman.
Aside from Kiriko and the rest of the SCU peanut gallery, we meet “Mr. Belt” (portrayed by radio personality Chris Peppler), a mysterious sentient attachment mostly present on the dashboard of Shinnosuke’s car, the Tridoron. A voice of encouragement to the traumatized cop, he aims to aid Shinnosuke in not only being free from his anguish of the past, but to also lend his power to Shinnosuke to become Kamen Rider Drive in his battle against the Roidmudes. We still don’t know how Mr. Belt or Tridoron came to be in Shinnosuke’s possession, but it can be assumed that whoever saved Japan six months ago chose him to continue the fight against the lag-switching baddies.
Drive’s general gimmick of miniature cars plays out interestingly. In his debut battle, Drive employs a “Tire Swap” in which he switches between several abilities based on the Shift Car used in his Shift Brace. Aside from his default Type: Speed car, he also uses Max Flare, Funky Spike and Midnight Shadow, each granting Drive access to projectile and melee supplements. His finisher Rider Kick is one of the most unique in a long time, one that has to be seen to truly enjoy.
I find Drive’s general design truly different. It exudes the traditional Rider feel in all the right places (bug-like eyes, bulky belt), but various aspects like the piping by the sides of his mouthpiece and the giant tire sash around his body are what really help its design stand out As the series went on Drive, became one of the best entries in the Kamen Rider franchises, as we got to know the villains they weren’t evil they had feelings and emotions and turned out to be more human than some of the actual humans on the show. When Medic is introduced she brought a great dynamic to the show and some grace to the show. Kamen Rider will be missed I just hope Kamen Rider Ghost (the next season) will just as heartfelt as this one.
Kamen Rider Gaim: Advance to the Last Stage title
The film begins in the planet where Kouta Kazuraba and Mai Takatsukasa settled after the events of Kamen Rider Gaim when a mechanical life form who introduces itself as Megahex kidnaps Mai and fights Kouta while obtaining data from his memories, which he uses to open a portal to Earth in order to attack it. Despite using the power of the Kiwami Arms, Kamen Rider Gaim is defeated and seemingly destroyed by Megahex over the skies of Zawame City before the astonished eyes of the other Beat Riders. Mitsuzane Kureshima, being the only Rider left with his Sengoku Driver, fights Megahex and his forces as Kamen Rider Ryugen, but is forced to flee when the enemy summons a mechanical copy of Ryoma Sengoku, as Kamen Rider Duke Dragonfruit Energy Arms, that overpowers and injures him, but not without taking with him one of the Drivers used by his army of artificial Kurokage Troopers.
As Mitsuzane is treated by the other Beat Riders, he has a vision of Mai asking for help in his dreams and upon awakening, they find one of the Helheim Vines from which Takatora Kureshima obtains a Melon Lockseed, combining it with the Driver obtained from his brother to become Kamen Rider Zangetsu once again. In the next day, the Kureshima brothers return to fight back, with Zangetsu confronting and defeating Duke while Ryugen fights through an army of artificial Roidmudes to rescue Mai. Once the three are reunited, Mitsuzane entrusts a Melon Energy Lockseed to Takatora who uses it to become Kamen Rider Zangetsu Shin using the Genesis Driver he obtained from Ryoma’s body. However, Megahex empowers itself with the Kiwami Lockseed he got from Kouta’s body to fight them. Despite reclaiming the Lockseed, Mai and the Kureshima brothers are about to be killed by Megahex when a revived Kouta emerges from it. The three Riders then destroy Megahex with their power, just to find that it was only one of many copies of the real Megahex, whose core lies on the massive spaceship on the other side of the portal and watch helplessly as the copies spread.
Kamen Rider Drive: The Challenge from Lupin
The story then shifts back to some time before, as the police confronts a criminal known as “Phantom Thief Ultimate Lupin”, Shinnosuke Tomari and his partner Kiriko Shijima arrive at the scene and discovering that the thief is actually a Roidmude, Shinnosuke confronts it as Kamen Rider Drive, but fails to prevent it from escaping. In the next day a letter arrives at the Special Investigations Division with a challenge from Lupin, claiming that he will steal a precious artifact while it is being escorted by the police. Shinnosuke joins the escort, but once again fails to prevent Lupin from escaping. Having a hint of the enemy’s identity, Mr. Belt takes Shinnosuke to an abandoned mansion where they discover that Cyberoid ZZZ, an artificial Roidmude created by Krim is missing. Lupin then appears and reveals that he is actually ZZZ, who came to life upon coming into contact with an old, dying master criminal known as Zoruku Tojo. In the occasion, Chase arrives at the scene determined to destroy ZZZ, deeming him unfit as a Roidmude, but the enemy drives him away after transforming into Kamen Rider Lupin. Drive then fights Lupin just to be defeated as well and Mr. Belt sacrifices itself to protect Shinnosuke from a fatal blow, becoming unresponsive.
First appearance of Kamen Rider Mach
While being consoled by the Shift Cars, Shinnosuke has an idea and leaves in a rush. Some time later, a white-colored Kamen Rider appears at the Drive Pit in the middle of the night. In the next day, the Special Investigations Division receives another letter apparently sent from Lupin, but upon arriving at the place mentioned there, they are greeted by Shinnosuke, who reveals that he figured that at some moment Lupin switched places with Kiriko and is impersonating her since then. Lupin then reveals that the real Kiriko is held hostage somewhere else, and Shinnosuke must choose between chasing after him or rescuing his partner. Shinnosuke decides to chase after Lupin instead, and while Tridoron rescues Kiriko, Shinnosuke regains the ability to transform into Kamen Rider Drive once Mr. Belt awakens. Assisted by Kiriko and Tridoron, and with an unexpected help from Masshin Chaser, Drive defeats Lupin, but while Chaser departs, having the white Kamen Rider following him, ZZZ’s body is stolen by one of the Megahex copies who fuses itself with it becoming ZZZ Megahex, and Shinnosuke chases after him.
Movie War Full Throttle
Back to the present, Gaim, Ryugen and Zangetsu Shin confront an army of artificially created Inves and Roidmudes when Drive arrives to assist them. In response, ZZZ Megahex creates an artificial copy of Kaito Kumon to fight for him, but it rebels against him instead, transforming into Kamen Rider Baron. The Roidmudes Heart, Brain and Mashin Chaser also arrive to fight Megahex as well, discontent at him for stealing Roidmude technology. Leaving the enemy force to the others, Drive and Gaim fight ZZZ Megahex together, but the enemy regenerates upon taking their attacks, until Mai arrives and gives them the idea of combining their powers, producing the Shift Fruits Car and the Drive Lockseed, allowing the two Riders to use each other’s powers and destroy its body. However, ZZZ’s core remains intact and is sent to the Megahex mothership, prompting the two Riders to chase after it on an empowered Tridoron, which they use to reach the nucleus of the ship on the orbit of Jupiter and destroy it, defeating Megahex once and for all, while incapacitating the artificial Inves and Roidmudes, including the artificial Baron as well. After the battle, Kouta and Mai are about to return to their planet when they are approached by their friends, who appear to give them a proper farewell. Meanwhile, a Bat Viral Core containing Lupin’s memories, briefly appears before Shinnosuke, warning him that they will meet again.
A good film, but a bit complex as it feels like a two part episode crossover, it all comes together in the end thou and its always nice to see riders teaming up
Magic gates appear throughout Japan, causing havoc as people are instantly transported from one place to another. While investigating the situation, Haruto SomaIcon-crosswiki and KoyomiIcon-crosswiki are approached by Geki JumonjiIcon-crosswiki, who suddenly attacks Haruto after confirming his identity. Geki and Haruto fight as Space Sheriff Gavan type-G and Kamen Rider Wizard until Kamen Rider Wizard and Koyomi risk themselves to save a passerby from being hit by collateral damage. After confirming that both are good people, he stays his blade and flees. Meanwhile, Yoko UsamiIcon-crosswiki from the Go-BustersIcon-crosswiki and her BuddyloidIcon-crosswiki Usada LettuceIcon-crosswiki are camping beside a river until an unknown object falls from the sky beside them. They find a small robot at the crash site, which Yoko takes to the Energy Management CenterIcon-crosswiki and fixes it up. The robot introduces itself as PsycholonIcon-crosswiki and she becomes friends with it.
Meanwhile at the Galactic UnionIcon-crosswiki, Geki confronts his superior and the previous Gavan, Retsu IchimonjiIcon-crosswiki, about his orders to eliminate both Kamen Rider Wizard and Kamen Rider Beast, Kosuke NitohIcon-crosswiki, but Retsu insists that both are too dangerous to be allowed to live because of their magical powers. Retsu relieves him from duty, sending the Space Sheriff SharivanIcon-crosswiki to complete the task. Back at the location where Yoko found Psycholon, monsters from the evil organization Space ShockerIcon-crosswiki are confronted by Kamen Rider Wizard until they send him away using a magic gate. Haruto emerges at a stadium where he is encountered by the KyoryugersIcon-crosswiki who mistake him for a Debo MonsterIcon-crosswiki at, then challanged by Kyoruger’s Daigo KiryuIcon-crosswiki to ddetermine how brave Haruto is until Gai IkariIcon-crosswiki from the GokaigersIcon-crosswiki appears to stop their fight as he wants to meet with Haruto about the incident of Space Shocker’s plan of framing Haruto using a same magic power. Geki attempts to stop Sharivan from leaving to Earth to execute Kamen Rider Wizard and Kamen Rider Beast with no success. Yoko is attacked by Space Shocker, who are after Psycholon, but her fellow Go-Busters Hiromu SakuradaIcon-crosswiki and Ryuji IwasakiIcon-crosswiki appear to assist her. When the monsters try to send both Yoko and Psycholon through a portal, Hiromu and Ryuji appear to save her and are sucked in instead, and she is forced to keep fighting by herself.
Gai and Haruto discuss the situation, later joined by Geki and Nito, until Sharivan appears to fight them. To dissuade his fellow Space Sheriff, Geki tries to don his combat suit with no success and his partner ShellyIcon-crosswiki informs him that after he was removed from duty, the Dolgiran’sIcon-crosswiki systems were locked down, preventing her from providing him his weaponry. When monsters from Space Shocker also appear at the scene, Sharivan is forced to stop pursuing the other heroes to fight them until they flee through a portal leading to the Genmu WorldIcon-crosswiki and Geki also dives there by himself to investigate. Past the portal at the Genmu CastleIcon-crosswiki, Geki witnessess Strategist RaiderIcon-crosswiki from the Space Crime Syndicate MadouIcon-crosswiki and Shadow MoonIcon-crosswiki discussing their plan to use Psycholon to gather enough magic energy to revive Madou’s leader Demon King PsychoIcon-crosswiki, learning that they are the ones behind Space Shocker. Soon after, Gai appears to help Geki escape, and back on Earth, they rescue Yoko and Psycholon from Space Shocker troops. Taking refuge at the Antique Shop OmokagedōIcon-crosswiki with the others, Geki reveals that the Galactic Union intends to destroy Earth with the Super Dimensional CannonIcon-crosswiki to prevent Space Shocker from completing their plan, as their scheme threatens the entire universe.
Encouraged by Gai and the others to not give up yet, Geki leaves to confront Space Shocker by himself until as Kai/Sharivan appears to that the evidence of the villains who framed Wizard and Beast of using a same magic power has been informed as the villains is on the moves to revived Madou and inform him that they have one hour until the Galactic Union fires their main weapon to destroy the Earth, then leaves to call Shaider for reinforcement. While Gai seeks help, Geki enters the portal to the Genmu World, accompanied by Yoko, Psycholon, and Nito, and they are attacked by Space Shocker. Separated from the others, Geki is forced to confront the monsters unarmed until Kotoha HanaoriIcon-crosswiki from the ShinkengersIcon-crosswiki appears at the Dolgiran, revealing that she was sent there by Gai. She hacks the ship’s systems to lift the lockdown and allow Geki to transform into Gavan type-G once more. Yoko keeps pushing forward by herself until Reider and Shadow Moon appear to block her path and attempt to take Psycholon from her, and the little robot uses its powers to have her reunited with Hiromu and Ryuji. Just as Kamen Rider Beast and Gavan type-G are about to be defeated, several Kamen Riders and Super Sentai warriors, including another hero’s Sangiman/new Inazuman appear to help them. Gai rejoins his fellow Gokaigers and Gavan type-G provides them with six Metal Hero KeysIcon-crosswiki to assist in the fight.
The Go-Busters have a tough battle against Shadow Moon until the Gokaigers, Gavan, Kamen Rider Beast, Kamen Rider Wizard, Sharivan, Kamen Rider FourzeIcon-crosswiki, and Kamen Rider MeteorIcon-crosswiki appear to assist them, joined by ShaiderIcon-crosswiki, Kamen Rider OOOIcon-crosswiki and the Kyoryugers also join the fight as well. As Shadow Moon and his reinforcements are defeated, the one-hour delay provided by the Galactic Union runs out and a regretful Retsu is forced to fire the Super Dimensional Cannon. The three Space SheriffsIcon-crosswiki then ride their ships and manage to stop the weapon’s blast from hitting the Earth but Reider reveals that it was their intention all along to use its energy to complete the Demon King’s resurrection. The resultant explosion provides enough power for it, before Reider perishes, just to later return as Space Reider, bringing several other monsters to the fight. Psycholon is also overcome by the energy surge and is put under Madou’s control as well. The heroes find themselves in a pinch against their enemies until AkarangerIcon-crosswiki and Kamen Rider 1Icon-crosswiki arrive with reinforcements. Kyoryu GoldIcon-crosswiki appears to assist Kamen Rider Beast against Space Reider and together, they destroy him for good. Yoko calls out for Psycholon and it manages to break free from Psycho’s control but ends up sacrificing itself to protect her from a fatal blast. The enlarged Psycho tries to escape into space, but Gavan type-G, Sharivan, and Shaider, who revealed to be alive appear to stop it, and the monster is ultimately destroyed by a robot formed by the Kyorugers’ KyoryuzinIcon-crosswiki and Kamen Rider Wizard’s WizarDragonIcon-crosswiki combined. After the battle, Usada reveals to Yoko that Psycholon can be fixed, and as the Space Sheriffs return to space, the Kamen RidersIcon-crosswiki and Super Sentai warriorsIcon-crosswiki bid their farewells after they had joined forces to protect Earth once more.