REVIEW: CATCH AND RELEASE

CAST

Jennifer Garner (Elektra)
Timothy Olyphant (Santa Clarita Diet)
Kevin Smith (Clerks)
Sam Jaeger (Hart’s War)
Juliette Lewis (Romeo is Bleeding)
Joshua Friesen (Long Lost Son)
Fiona Shaw (Fracture)
Tina Lifford (Babe)
Georgia Craig (Good Luck Chuck)
Sonja Bennett (Elegy)

In Boulder, Gray Wheeler attends the funeral of her fiancé, Grady, on the day they were supposed to be married. Gray seeks solitude behind a shower curtain, where she unintentionally listens to Grady’s best friend, Fritz, having sex with a waitress. Later, Gray visits an attorney to find out what will happen to Grady’s estate. Grady did not have a will, and the marriage had not happened, so Gray is not able to inherit his money. The attorney reveals that Grady had an investment account with a million dollars in it, which Gray knew nothing about. Gray realizes that she can no longer afford to rent the house that they had picked out. With the help of Grady’s other two close friends Dennis and Sam, she puts her things into storage and moves in with them. Fritz also comes to stay, which causes tension between him and Gray. Gray discovers that Grady transferred $3,000 every month to an unknown person.Gray finds Grady’s cell phone and listens to a string of messages from a woman asking about money. Gray asks Fritz for answers (as the number is California where Fritz lives), and he reveals that Grady had a son, whose mother depended on the money she received from him. Fritz tells Gray that the boy is eight and that he was conceived before she and Grady were involved. Gray is upset further when Grady’s mother, Mrs. Douglas, asks her to return her engagement ring. She refuses and keeps the ring. The other woman, Maureen, and her son, Mattie, come looking for Grady. Gray learns that Mattie is actually 4 years old and realises the affair happened while she and Grady were together. Gray confronts Fritz, but they end up in a passionate kiss.Gray does not want anything to do with Maureen, but the guys are reluctant to send her away, and they all get to know each other. Sam and Maureen develop a connection, while Gray and Fritz have become intimate. On a day trip to a river, Sam teaches Mattie to fly fish, while Dennis admits that he has feelings for Gray. Later, Dennis is upset to learn that Gray and Fritz are an item. Gray tells Dennis that her relationship with Fritz is “less than nothing”, not realizing that Fritz can hear her. He believes she does not love him and returns to Malibu.Grady’s mother insists that Mattie take a DNA test before letting him inherit Grady’s money. The test shows that Grady is not Mattie’s father. Maureen is unsure how she can support Mattie without Grady’s monthly payments, so Gray offers Mrs. Douglas her engagement ring in exchange for a lump sum payment to Maureen, but Mrs. Douglas refuses.The group gathers at the dedication ceremony for the peace garden that Dennis has built to memorialize Grady. Mrs. Douglas gives Maureen a certified check and tells Gray to keep the ring, saying that all she wanted was her son back. Dennis moves out of the house, and Maureen and Mattie move in with Sam. Gray goes to Malibu and finds Fritz playing with his dog on the beach—they embrace and kiss.All-in-all, “Catch & Release” is a quick-paced, light-hearted, romantic comedy, which chronicles love, loss, and finding love again. Highly Recommended!

 

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REVIEW: ROMEO IS BLEEDING


CAST

Gary Oldman (The Dark Knight Rises)
Lena Olin (Alias)
Annabella Scirorra (Jungle Fever)
Juliette Lewis (Natural Born Killers)
Roy Scheider (Jaws: The Revenge)
Michael Wincott (The Crow)
David Proval (The Siege)
Will Patton (After Hours)
Dennis Farina (Midnight Run)
James Cromwell (Star Trek: First Contact)
Ron Perlman (Hellboy)
Tony Sirico (The Sopranos)

3ffd3ca329c62e90bd893e2b67730823

Jack Grimaldi, a corrupt cop who does favors for the Mafia in exchange for large fees, has a loving wife, Natalie, and an adoring mistress, Sheri. He thinks he has it all, until both the cops and mob are outwitted by a psychopathic Russian female mob assassin, Mona Demarkov.
MCDROIS EC003Italian crime boss Don Falcone orders Jack to deal with Demarkov. Jack is unable to kill her; she seduces and makes a fool of him. Falcone, disappointed in Jack’s ineptitude, orders one of his toes amputated. Realizing he has endangered both his wife and mistress, Jack instructs Natalie to leave the city immediately, giving her all the payoff money he’s saved as well as instructions where to meet him out West when the time is right. Jack ends his affair with Sheri and puts her on a train out of the city. Jack tries to hunt Demarkov but soon realizes that he is putty in her hands. He is attracted to her sexually and no match for her professionally. Mona forces him to help her bury Falcone alive, then offers to pay Jack to help her fake her own death.
romeo-is-bleeding-1993-06-gAlthough he obtains phony papers for her, she refuses to pay and attempts to strangle him. He shoots and wounds her in the arm, then tries to drive away with her handcuffed in the back seat. Mona escapes by hooking her legs around his neck, causing him to crash the car. She slithers out through the shattered windshield without freeing her hands. Mona lures Jack to an abandoned warehouse. He again attempts to kill her but is tricked into shooting Sheri instead. Mona fixes the corpse so as to suggest that it was she, and not Sheri, who died. Mona handcuffs Jack to the bed and they have sex.
44792ea6b538ab34e4a22c57e8206291She turns Jack in, copping a plea deal that will indict Jack for the multiple murders that she tricked him into committing. The police arrange a confrontation between Jack and Demarkov at the courthouse, as he is heading in and she is heading out. She threatens to kill his wife. Jack grabs a gun from the ankle holster of a fellow officer and shoots her dead. He turns the gun on himself, only to discover that the revolver is empty. Instead of being sent to prison for the murder, he is given a commendation. This frees him to begin a new life out West. He imagines Natalie’s return, but, as Mona told him, Natalie is long gone, never to return. Jack is resigned to living life in a remote desert town.3ffd3ca329c62e90bd893e2b67730823Oldman is superb and its the glue that holds this unique story in tact. His narration, including the exaggerated inflection in his voice, is fantastic. I appreciate the American accent this British actor used, too. Olin, as Russian hit- woman Mona Demarkoff, she is one character I guarantee you will not ever forget. Roy Scheider, Annabella Sciorra, Juliette Lewis, Michael Wincott and others – cameos by Dennis Farina and Ron Perlman – all deliver great performances. If you love the old film noirs, please check this movie out and remember it’s tongue-and-cheek.

REVIEW: AUGUST: OSAGE COUNTY

CAST

Meryl Streep (Into The Woods)
Julia Roberts (Mirror Mirror)
Chris Cooper (The Bourne Identity)
Ewan McGregor (Big Fish)
Margo Martindale (Orphan)
Sam Shepard (Swordfish)
Dermot Mulroney (The Grey)
Julianne Nicholson (Kinsey)
Juliette Lewlis (Natural Born Killers)
Abigail Breslin (Scream Queens)
Benedict Cumberbatch (Doctor Strange)
Newell Alexander (Sordid Lives)

The title designates time and location: an unusually hot August in a rural area outside Pawhuska, Oklahoma. Beverly Weston (Sam Shepard), an alcoholic, once-noted poet, interviews and hires a young native American woman Johnna (Misty Upham) as a live-in cook and caregiver for his strong-willed and contentious wife Violet (Meryl Streep), who is suffering from oral cancer and addiction to narcotics. Shortly after this, he disappears from the house, and Violet calls her sister and daughters for support. Her sister Mattie Fae (Margo Martindale) arrives with husband Charles Aiken (Chris Cooper). Violet’s middle daughter Ivy (Julianne Nicholson) is single and the only one living locally; Barbara (Julia Roberts), her oldest, who has inherited her mother’s mean streak, arrives from Colorado with her husband Bill (Ewan McGregor) and 14-year-old daughter Jean (Abigail Breslin). Barbara and Bill are separated, but they put up a united front for Violet.After five days, the sheriff arrives with the news that Beverly took his boat out on the lake and has drowned. Youngest daughter Karen (Juliette Lewis) arrives with the latest in a string of boyfriends, Steve Huberbrecht (Dermot Mulroney), a sleazy Florida businessman whom she introduces as her fiancé. Mattie Fae and Charles’s shy, awkward son “Little Charles” (Benedict Cumberbatch) misses the funeral because he overslept and is met at the bus station by his father. Charles loves his son, whereas Mattie constantly belittles him. Ivy confides to Barbara that she is in love with her cousin, “Little Charles”, who plans to move to New York, and she cannot have children because she had a hysterectomy. She feels this is her only chance to finally marry.The family sits down to dinner after the funeral, fueled by Violet’s brutal “truth telling”, which results in Barbara pouncing on her mother. She decides she has had enough of her mother’s drug addiction and confiscates all her several kinds of pills. Later, after Violet has had a chance to sober up, she has a tender moment with her daughters and shares a story that demonstrates how cruel her own mother was when she longed for a new pair of cowgirl boots when she was in her early teens.As “Little Charles” sings Ivy a song he has written for her, Mattie Fae walks in and berates him. This exhausts Charles’s patience with his wife’s lack of love and compassion for her son, and he threatens to leave her if she keeps it up. Mattie subsequently reveals to Barbara, who unintentionally listened in, that she had a long-ago affair with Beverly, and Charles is in fact their younger half-brother and that is the true reason why Ivy and “Little Charles” cannot be together. That evening, Steve and Jean are playfully sharing a joint of marijuana. Johnna sees this and, sensing that he intends on molesting her, goes after him with a shovel. Barbara confronts Jean and slaps her. This impels Bill to take Jean back to Colorado, leaving Barbara. Karen also leaves with Steve.Later, Ivy tries to tell her mother about her love for “Little Charles”. Barbara tries to deflect the admission. Violet tells Ivy Charles is actually her brother, something she knew all along. Ivy leaves and promises to never come back. In the last confrontation between Violet and Barbara, Violet admits she was contacted by Beverly from his motel the week after he had left home, but did nothing to help him until after she removed money from the couple’s joint safe deposit box. By this time he had already drowned. This revelation leads Barbara to depart, realizing that her mother has slipped beyond help. Violet is left with only Johnna. Barbara is driving through the plains, stops, gets out of the car, cries then gets back in the car and follows signage showing highways and number of miles to Wichita, Salina and Denver.Fantastic film – see it if you enjoy witty, clever writing, a strong storyline and a first rate cast.

REVIEW: COLD CREEK MANOR

 

CAST

Dennis Quaid (Traffic)
Sharon Stone (Catwoman)
Stephen Dorff (Blade)
Juliette Lewis (Natural Born Killers)
Kristen Stewart (Twilight)
Christopher Plummer (Star Trek VI)
Wayne Robson (Cube)
Peter Outerbridge (Beuty and The Beast)

Cooper (Dennis Quaid) and Leah Tilson (Sharon Stone) are living in a cramped New York City apartment with their two children, Kristen (Kristen Stewart) and Jesse (Ryan Wilson). While on a business trip overseas, Leah’s boss informs her of an available promotion within the company, but only if she’s willing to have an affair with him. She calls Cooper while he is dropping the kids off at school but, before she can speak to him, Jesse is nearly hit by a car in the early morning traffic. Although he isn’t hurt, Leah returns home immediately and they decide living in the city is no longer a safe option for their family.

They relocate to a huge, decaying mansion out in the country, which is still filled with the possessions of the previous family who disappeared years earlier. Cooper, an unmotivated documentary filmmaker, is intrigued and sees it as an opportunity to get back into work. While cleaning up one morning, he finds many Polaroid photographs of the family including nude shots of a teenage girl. Jesse finds old clothes in his bedroom closet belonging to a young boy his age called Grady, and a book with a strange riddle written inside.

They go for breakfast at the local diner where they meet and befriend the owners, Ray and Ellen Pinski and their daughter, Stephanie. Many residents of the town, including the crass waitress of the diner, Ruby (Juliette Lewis), have heard they’re now living at the manor and feel offended that they haven’t taken the time to put the old family’s belongings into storage, which causes immediate tension. Meanwhile, the family get settled in and Cooper decides to commit its history to making a new film. One morning, they find the previous owner Dale Massie (Stephen Dorff) in their home, and they feel inclined to ask him to stay for breakfast. He tells them he’s recently been released from prison and needs help finding work, so he pressures Cooper into hiring him to help with the renovations on the house. Later on, Cooper meets Sheriff Annie Ferguson (Dana Eskelson), Ruby’s sister, who informs him that Dale’s aging and slightly demented father is living in a nearby nursing home. Cooper goes to visit him, hoping to glean some details about the house’s sinister past. Disjointed comments made by the elderly man lead him to believe that Dale murdered his wife and children, and he begins to search his 1,200-acre (4.9 km2) property for their remains. Meanwhile, although Dale initially proves to be a good worker, the underlying sense of menace he projects is unsettling and makes the family uncomfortable. Then a series of terrifying incidents start to occur, including finding dozens of poisonous snakes in their house. Although he has no proof, Cooper becomes suspicious of Dale, believing he put them there on purpose, and fires him.

That night, Leah informs Cooper about her boss’s proposition and also tells him that she was going to say yes, but that was the day Jesse was hit by the car and it put everything into perspective for her. Cooper storms out and spends the night at the local bar where he speaks with Ruby, Dale’s girlfriend, who warns Cooper about him saying, “Don’t fuck with him. He’ll rip your fucking head off.” Dale becomes angry with her being drunk and needy that he hits her, which shocks Cooper to find out how monstrous he can be. On the way home, Cooper realizes he is being followed. He speeds up but because he is intoxicated, hits something and causes him to crash. In the morning, Kristen finds her new horse dead in their backyard pool. She blames her father but Cooper is certain it was a deer he hit and not the horse.

Cooper becomes more and more suspicious when he finds other evidence such as Grady’s braces in the front yard. Then, all of his suspicions are confirmed when he and Leah discover three skeletons in Devil’s Throat, a deep well that is hidden in the woods. Using a walkie talkie, he contacts Sheriff Ferguson, unaware she has been attacked and disabled by Dale at the police station, who punctures the tires on Cooper’s truck and sets Leah’s car on fire to prevent them from escaping. Trapping them in the house in the middle of a storm that has knocked out the electricity, he forces them to rely on their wits and physical prowess to save themselves. Dale finally corners Cooper and Leah on the roof after chasing them through the mansion. Dale, now raving mad, openly declares his insanity as well as his intent to kill them (with a family sheep killing tool/mallet) and throw them down the Devil’s Throat like his family. However, the couple is able to turn the tables on their tormentor by charging him with a line of rope that knocks him off his feet. They quickly tie him down against a roof lantern (skylight) before he can break free. Cooper takes the killing tool and taunts Dale as Dale had done to him, before shattering the skylight, sending the screaming Dale to his death.

The film cuts to show that the bodies of Dale’s family are now rightly entombed in the family graveyard at Cold Creek Manor and that Cooper and his family have finally attained their wanted peace.

It is certainly far from one of the best horror films out there, but then again, people should not expect it to be, 2003’s ‘Cold Creek Manor’ is a well acted and a very entertaining piece nevertheless.

 

REVIEW: DUE DATE

CAST

Robert Downey Jr. (Iron Man)
Zach Galifianakis (The Hangover)
Michelle Monaghan (Kiss Kiss Bang Bang)
Jaime Foxx (Django Unchained)
Juliette Lewis (Natural Born Killers)
Danny McBride (Land of The Lost)
RZA (Gang Related)
Mimi Kennedy (Mom)
Jon Cryer (Superman 4)
Charlie Sheen (Hot Shots)

Peter Highman (Robert Downey, Jr.) is on a plane, flying home to be with his wife Sarah (Michelle Monaghan), who is due to give birth. Sitting behind Peter is a man named Ethan Tremblay (Zach Galifianakis), who is going to LA to be an actor and is planning to scatter his recently deceased father’s ashes at the Grand Canyon. When Ethan misuses the words “terrorist” and “bomb” while talking to Peter, they are both escorted off the plane. This is only the first of a series of misadventures caused by the drastically dysfunctional Ethan. Peter, now on the No Fly List and missing his wallet, agrees to drive with Ethan to Los Angeles.

Ethan stops to buy marijuana, and Peter discovers that he is nearly out of money. Since Peter has no I.D., he gets his wife to wire the money to Ethan, but discovers Ethan had the money wired to his stage name instead of his legal name. When the Western Union employee (Danny McBride) refuses to accept Ethan’s “Stage name I.D.” it leads to a violent altercation.

After a night at a rest stop, Peter decides to drive off and leave Ethan there, but realizes that he still has Ethan’s father’s ashes, having forgotten to unload them with the rest of Ethan’s stuff when he left. This causes him to wrestle with his conscience, and he decides to return. Peter gets Ethan to drive so Peter can get some rest, but Ethan falls asleep at the wheel and crashes the car. After Peter and Ethan are picked up by Peter’s friend Darryl (Jamie Foxx), Peter again decides to part company with Ethan. Darryl initially persuades him otherwise, but then throws Ethan out after mistakenly drinking Ethan’s father’s ashes.

When Darryl lets them use his Range Rover to make the rest of the trip, Ethan mistakenly drives to the Mexico–United States border. Despite assuring Peter that he’ll handle the situation, Ethan flees, and Peter is arrested for possession of marijuana. The Mexican Federal Police lock Peter up, but Ethan steals a truck and breaks him out, causing several car crashes in the process.

When they stop at the Grand Canyon, Peter confesses that he tried to leave Ethan at the rest area. Ethan makes a confession of his own: he has Peter’s wallet. Peter and Ethan leave for California. When Ethan finds a gun in the truck, he accidentally shoots Peter. Arriving at the hospital where Sarah is in labor, Peter passes out from loss of blood.

Sarah delivers the baby safely, and Peter expresses his discomfort at his new daughter being named Rosie Highman. Ethan leaves while telling Peter to call him. At the end, Ethan guest stars on an episode of his favorite television program, Two and a Half Men with Peter and Sarah watching it in bed with their daughter.

A solid film that isn’t all that original, a bit thin on character development but it’s one funny ride from beginning to end. Recommended!!

REVIEW: THE SWITCH

CAST

Jennifer Aniston (Rumor Has It..)
Jason Bateman (Identity Thief)
Patrick Wilson (Watchmen)
Juliette Lewis (Natural Born Killers)
Jeff Goldblum (The Fly)
Caroline Dhavernas (Hannibal)
Scott Elrod (Argo)
Thomas Robinson (Tomorrowland)

30-something Kassie Larson (Jennifer Aniston) is single, hasn’t found love yet, and decides she wants to have a baby. Despite the objections of her neurotic long-time best friend Wally Mars (Jason Bateman), she chooses to do so alone because she can’t wait any longer. She also wants a face-to-face sperm donor, disdaining using a sperm bank. Wally suggests he be the donor, but Kassie sees him as a bit too neurotic, pessimistic, and self-absorbed, and besides, as best friends, “that would be weird.” Wally has always had feelings for Kassie, and they dated six years ago, but his friend Leonard (Jeff Goldblum) points out he missed his chance when she put him in the “friend zone”.

Kassie selects as sperm donor a handsome and charming (and married) assistant professor, Roland (Patrick Wilson). Kassie organizes an “insemination party”, where Wally meets Roland and takes an instant dislike to him. Roland is then called upon and produces his sperm in the bathroom, leaving it in a sample cup. Wally uses the bathroom and sees the sample. Drunk and doped up after taking a pill provided him at the party by Kassie’s friend, Debbie (Juliette Lewis), and not liking the idea of Kassie being inseminated with this sperm, Wally plays with the cup and accidentally spills it into the sink. Panicking, he replaces the sperm with his own. The next day at work, still hungover, he remembers nothing. The insemination is successful. Wally is then upset when Kassie tells him she is returning to her family home in Minnesota, as she thinks that would be a better environment to raise a child in, instead of New York City. She leaves, and Wally maintains a non-fulfilling, dreary existence.

Seven years later, Kassie returns to New York along with precocious-but-neurotic son Sebastian (Bryce Robinson). She wants to reconnect with Wally, and is eager to introduce her son to him. After an awkward first meeting, Wally eventually forms a bond with this loveable and seemingly mini-version of himself, and Sebastian starts to become close to Wally, but the bad news is that Roland is in the picture too: Kassie has started dating him because he is now divorced and, as she thinks he is Sebastian’s father, and a nice guy, maybe it would work.

After Wally notices the similarities between himself and Sebastian, and after talking to his friend Leonard, Wally realizes what happened seven years earlier. Just before Roland proposes to Kassie, Wally reveals to Kassie that Sebastian is his son, along with his true feelings for her. She is shocked and angry and does not want to see him again. Some time passes, and one day, as he is leaving work, Wally finds Kassie waiting for him on the street outside his office building. She tells him Sebastian really misses him and needs him. Wally admits he misses and needs Sebastian too. Kassie then discloses she isn’t with Roland any longer, and that she loves him, even with all of his idiosyncrasies. Wally proposes to her, Kassie accepts, and they kiss. The final scene shows a happily married Wally and Kassie throwing Sebastian’s eighth birthday party.

This film is a bog standard romantic comedy it is mildly humorous and it follows the same rom-com story arch that most films in this genre do, but is lifted slightly above the others because of the cast, You may be surprised at your enjoyment of this film.

REVIEW: NATURAL BORN KILLERS

CAST
Woody Harrelson (The Hunger Games)
Juliette lewis (Some Girl)
Tom Sizemore (Black Hawk Down)
Rodney Dangerfield (Casper)
Jared Harris (Sherlock Holmes 2)
Pruitt Taylor Vince (Heroes Reborn)
Robert Downey Jr. (Iron Man)
Balthazar Getty (Alias)
Tommy Lee Jones (Batman Forever)
Mickey Knox and his wife Mallory stop at a roadside café in the New Mexico desert. A group of rednecks arrive and one begins sexually harassing Mallory. She briefly encourages him before beating him to a pulp. Mickey and Mallory then murder all but one of the diner’s patrons, culminating in a morbid game of Eeny, meeny, miny, moe to decide who lives and dies. After executing the waitress Mabel, the couple ensures that the only survivor remembers their names before they embrace and declare their undying love.
Mickey and Mallory camp out in the desert, and Mallory reminisces about when they first met. A flashback (done in the style of a TV sitcom, including a laughtrack) shows Mickey as a deliveryman who came to the house where Mallory lived with her sexually abusive father, her neglectful mother, and her younger brother, Kevin. Mickey and Mallory fall in love instantly and leave together, as Mickey steals a car that belongs to Mallory’s father. Soon Mickey is arrested and imprisoned for grand theft auto, but he subsequently escapes from a prison work farm during a tornado and returns to Mallory’s house. The two kill Mallory’s parents, but spare Kevin, and go on the road together and get “married” on the side of a bridge, celebrating by taking a hostage. Furious with Mickey’s notion that they have a threesome, Mallory drives to a nearby gas station, where she flirts with the mechanic. They begin to have sex on the hood of a car, but Mallory kills him when he recognizes her as a wanted killer. During this time, Mickey rapes the hostage.
The pair continue their killing spree, ultimately claiming fifty-two victims in New Mexico, Arizona, and Nevada. Pursuing them is Detective Jack Scagnetti, who became obsessed with mass murderers after witnessing his mother being shot and killed by Charles Whitman when he was eight. Beneath his heroic facade, he is a violent psychopath, once strangling a prostitute to death. The killers are also followed by self-serving tabloid journalist Wayne Gale. Gale profiles Mickey and Mallory on his show, American Maniacs, soon elevating them to cult hero status.
Mickey and Mallory become lost in the desert and encounter Warren Red Cloud, a Navajo Indian, and his young grandson. After the two fall asleep, the Navajo, hoping to expel the demon he perceives in Mickey, begins chanting beside the fire, invoking nightmares in Mickey about his abusive parents. Mickey wakes up in a rage and fatally shoots Red Cloud before he realizes what he is doing. It is the first time Mallory and Mickey feel guilty for a murder. Fleeing from the scene through the desert, they stray onto a field of rattlesnakes and are both bitten.
They drive to a drugstore to find snakebite antidote, but the pharmacist sets off the silent alarm before Mickey kills him. Soon police cars arrive and Mallory is captured and subsequently beaten by the police. A gunfight breaks out between Mickey and the others. Scagnetti arrives and tells Mickey that unless he surrenders, he will cut off Mallory’s breasts. Mickey gives up his guns, but attacks Scagnetti with a knife. The police taser him and the scene ends with Mickey and Mallory being beaten by a group of vengeful policemen as a Japanese news crew fronted by a female reporter films the action.
The story picks up one year later: the homicidal couple have been imprisoned, and are due to be moved to a mental hospital after being declared insane. Scagnetti arrives at the prison and encounters Warden Dwight McClusky, with whom he plans to murder the two criminals. McClusky will arrange for Scagnetti to be the driver for the Knoxes’ transfer. Alone with the pair, Scagnetti will murder them, then claim that they tried to escape.
Meanwhile, Gale has persuaded Mickey to agree to a live interview that will air immediately after the Super Bowl. Mallory is held in solitary confinement elsewhere in the prison, awaiting her transport to the mental hospital. During the interview, Mickey gives a speech about how murder provides enlightenment and declares himself a “natural born killer”. His words inspire the other inmates (who are watching the interview on TV in the recreation room) and incite them to riot. McClusky, upon learning of the riot, orders the interview terminated despite Gale’s vehement protests. Mickey is left alone with Gale, the film crew and several guards. Using a lengthy joke as a diversion, Mickey overpowers a guard and grabs his shotgun. He kills most of the guards with it and takes the survivors hostage, leading them through the prison riot. Gale follows, giving a live television report as people are beaten and killed around him.
Scagnetti enters Mallory’s cell and attempts to seduce her. Mallory, feigning to reciprocate at first, rebuffs his efforts, smashing his face against the wall and breaking his nose, before two guards subdue her, and Scagnetti sprays her face with tear gas in revenge. Still live on national television, Mickey arrives at Mallory’s cell, where he kills all the guards and engages in a Mexican standoff with Scagnetti, eventually feigning a concession. Mallory then approaches Scagnetti from behind and slashes his throat with a shank. To Scagnetti’s horror, Mickey tells him that he was out of shotgun shells during the standoff. Mallory then picks up Scagnetti’s gun and kills him.
Mickey and Mallory continue to escape through the riot torn prison, with Gale’s entire TV crew getting killed. Gale himself snaps, succumbing to Stockholm syndrome as well as indulging in his own longtime fascination for murder, and begins to shoot at the guards with a pistol that he has taken from one of the dead guards, but gets so frenzied that Mickey prefers to disarm him. After being rescued by a mysterious prisoner named Owen Traft, the trio of Mickey, Mallory, and Gale run into McClusky and a heavily armed posse of guards. The trio takes cover in a blood-splattered shower room. McClusky threatens to storm the shower room; Mickey, in turn, threatens to kill both Gale and a guard on live TV, and the prisoners walk out the front door, to McClusky’s utter dismay, as he helplessly threatens to hunt them down. McClusky and his guards are then quickly massacred by hordes of inmates.
Mickey and Mallory steal a van and kill the last guard; Owen’s fate is unknown. Escaping to a rural location, they give a final interview to Gale, whose ear they have seemingly removed (implied, but as a camera track reveals), before they tell him he must die also. He attempts various arguments to change their minds, finally appealing to their trademark practice of leaving one survivor; Mickey informs him they are leaving a witness to tell the tale, his camera. Gale accepts his fate and extends his arms as if on a cross as they shoot him dead while his unattended camera continues to roll. The couple is shown several years later, in an RV, with Mickey driving and a pregnant Mallory watching their two children play.
Natural Born Killers is Oliver Stone’s “take-no-prisoners” assault on the media that is cinematic eye-candy to the teeth. It’s an uneasy satire to watch, but it is an extremely effective film that is both thrilling and funny.