REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

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REVIEW: SPIDER-MAN AND HIS AMAZING FRIENDS – SEASON 1-3

 

CAST (VOICES)

Dan Gilvezan (Transformers)
Kathy Garver (Family Affair)
Frank Welker (The Simpsons)
Stan Lee (Avengers Assemble)
Dick Tufeld (Lost In Space)
June Foray (Mulan)
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RECURRING / NOTABLE GUEST CAST

Rino Roamno (The Batman)
Alan Young (The Time Machine)
Michael Ansara (Batman: TAS)
Michael Bell (Rugrats)
Peter Cullen (Transformers)

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Spider-Man, Iceman, and Firestar are fighting crime and protecting the world from villains. As Peter Parker, Bobby Drake, and Angelica Jones, the three heroes are not only teammates, but roommates and friends. As they try to keep Aunt May and Angelica’s dog Ms. Lion in the dark, the Spider-Friends battle enemies from Doctor Octopus and Doctor Doom to Green Goblin and the Red Skull. Fortunately, the Spider-Man, Firestar, and Iceman have allies in Captain America, the X-Men, and other heroes…saving the world is a hard job!

Image result for SPIDER-MAN AND HIS AMAZING FRIENDSSpider-Man and His Amazing Friends ran for three seasons on NBC from September 12, 1981 to September 10, 1983. The series was produced by Marvel Productions and aired with The Incredible Hulk cartoon starting with the second season. Saturday mornings was ruled by the Super Friends. DC Comics had gotten the jump on the super team show and Batman, Superman, Wonder Woman, and the Wonder Twins were already well established when Spider-Man and His Amazing Friends premiered. Despite that,

The series was cheap. There are episodes where there are out and out mistakes (my favorite is “The Origin of Iceman” where a flashback of Iceman’s time with the original X-Men accidentally features two Cyclops in a group shot). You get lots of coloring errors and animation that changes. In addition to that, there are inconsistencies and things like just unknowns about the series…like Wolverine having an Australian accent instead of a Canadian (which would have been a lot easier for Hugh Jackman). It even stole character designs like for Cyberiad in “The X-Men Adventure” who was a complete copy of Legion of Super-Heroes’ Fatal Five enemy Tharok. Surprisingly, the show is loaded with cameos. Characters like  Matt Murdock, Captain America, Iron Man, and others make cameos throughout the series and the series helped introduce the X-Men to a larger audience.

I would say that the best addition to the Marvel Universe from Spider-Man and His Amazing Friends is easily Firestar. Firestar was meant to be the Human Torch who was tied up in legal tape. Firestar was created for the show to look like Mary Jane Watson, but ended up being retconned into the Marvel Universe in Uncanny X-Men #193 (May 1985). I love Firestar and she’s one of the few characters who really transitioned well from “made-for-TV” to comic. pider-Man and His Amazing Friends is a fun series…if you grew up with it. The cheapness of the series probably won’t impress younger viewers, but as a fan from childhood, it is great to revisit the show.

REVIEW: X-MEN: THE LAST STAND

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CAST

Patrick Stewart (American Dad)
Hugh Jackman (Swordfish)
Ian McKellen (The Hobbit)
Halle Berry (Catwoman)
Famke Janssen (The Faculty)
James Marsden (Westworld)
Rebecca Romijn (Ugly Betty)
Anna Paquin (true Blood)
Shawn Ashmore (Earthsea)
Aaron Stanford (The Hills Have Eyes)
Kelly Hu (Arrow)
Daniel Cudmore (Twilight: New Moon)
Kea Wong (Snow Day)
Kelsey Grammer (Frasier)
Vinnie Jones (Mean Machine)
Ellen Page (Juno)
Ben Foster (The Punisher)
Olivia Williams (Dollhouse)
R. Lee Emey (Full Metal Jacket)
Anthony Heald (The Silence of The Lambs)
Dania Ramierez (Heroes)
Michael Murphy (Batman Returns)
Shohreh Aghdashloo (The Adjustment Bureau)
Bill Duke (Bird on a Wire)
Eric Dane (Grey’s Anatomy)
Meiling Melançon (Rush Hour 2)
Ken Leung (Lost)
Cameron Bright (Godsend)
Stan Lee (Avengers Assemble)
Bryce Hodgson (Izombie)

Twenty years in the past, Professor Charles Xavier and Erik Lehnsherr meet young Jean Grey at her parents’ house to invite her to join their school, the X-Mansion. Ten years later, the industrialist father of Warren Worthington III discovers his son is a mutant as Warren tries to cut off his wings.In the present, Worthington Labs announces it has developed an inoculation to suppress the X-gene that gives mutants their abilities, and offer the “cure” to any mutant who wants it. The cure is created from the genome of a young mutant named Jimmy, who lives at the Worthington facility on Alcatraz Island. While some mutants are interested in the cure, including the X-Men’s Rogue, many others are horrified by the announcement. Lehnsherr re-establishes his Brotherhood of Mutants with those who oppose the cure, warning his followers that the cure will be forcefully used to exterminate the mutant race.With help from Pyro, Lehnsherr recruits Callisto and several other mutants. They attack the mobile prison holding Mystique to free her, also freeing Juggernaut and Multiple Man. Mystique saves Lehnsherr by taking a shot of the mutant cure aimed at him, rendering her human. Hateful of humans, Lehnsherr abandons Mystique, much to her shock. Meanwhile, Scott Summers, still distraught over the loss of his fiancée, Jean Grey, drives to her resting location at Alkali Lake. Jean appears to Summers but, as the two kiss, Jean kills him. Sensing trouble, Xavier sends Logan and Storm to investigate. When they arrive, they find only telekinetically floating rocks, Summers’ glasses, and an unconscious Jean.When they return to the X-Mansion, Xavier explains to Logan that when Jean sacrificed herself, she also freed the “Phoenix”, a dark and powerful alternate personality which Xavier had telepathically repressed, fearing the Phoenix’s destructive potential. Logan is disgusted to learn of this psychic tampering with Jean’s mind but, once she awakens, he discovers that she killed Summers and is not the Jean Grey he once knew. The Phoenix emerges, knocks out Logan, and escapes to her childhood home.Lehnsherr learns of Jean’s resurrection through Callisto, and the X-Men arrive at the Grey home at the same time as the Brotherhood. Lehnsherr and Xavier go in alone, and both vie for Jean’s loyalty until the Phoenix resurfaces. She destroys the house and disintegrates Xavier before leaving with Lehnsherr. The Brotherhood decides to strike Worthington Labs, and the government sends multiple teams to attack the Brotherhood’s base in the forest, with information gained from Mystique, furious over Lehnsherr’s betrayal. However, the life forms in the camp are all copies of Multiple Man, and Lehnsherr uses his powers to move the Golden Gate Bridge so he and his army can get to Alcatraz and facilitate the attack on Worthington Labs. The remaining X-Men confront the Brotherhood, despite being significantly outnumbered, and arrive just as the military troops who thus far have been neutralizing the attacking mutants are overwhelmed by the Brotherhood.During the fight, Kitty Pryde saves Jimmy from Juggernaut, who had been sent to kill him. Logan has Colossus throw him at Lehnsherr and distract him long enough for Hank McCoy to inject Lehnsherr with the “cure” and thus nullify his powers. Army reinforcements arrive and shoot at Jean just as Logan had calmed her down. The Phoenix is awakened by the attack and disintegrates the troops in retaliation. The Phoenix then begins to destroy Alcatraz and anyone within range of her powers. Logan realizes that only he can stop the Phoenix due to his healing factor. When Logan approaches her, Jean momentarily gains control and begs him to save her. Logan fatally stabs Jean, destroying the Phoenix, but mourns for her death.Sometime later, mutant rights are finally obtained and Xavier’s school is still operating with Storm as headmistress. The President of the United States appoints McCoy as ambassador to the United Nations. Rogue reveals to Bobby Drake that she has taken the cure, much to his disappointment. Meanwhile, Lehnsherr sits alone at a chessboard in a San Francisco park. As he gestures toward a metal chess piece, it wobbles slightly, indicating his powers to be returning and the “cure” to be temporary. In a post-credits scene, Moira MacTaggert checks on a comatose patient who greets her with Xavier’s voice, leaving her startled.Not the greatest of the X-Men films, but not too bad nonetheless. I enjoyed it, some of the action set pieces are very impressive.

REVIEW: WOLVERINE AND THE X-MEN

MAIN CAST (VOICES)

Steven Blum (Marvel Anime)
Susan Dalian (Ultimate Avengers 2)
Jennifer Hale (Biker Mouse From Mars)
Danielle Judovits  (The Batman)
Tom Kane (Spider-Man: TAS)
Yuri Lowenthal (Bleach)
Nolan North (Young Justice)
Liam O’Brien (Sailor Moon Crystal)
Roger Craig Smith (Batman Unlimited)
Fred Tatasciore (Hulk Vs)
Kieren van den Blink (Anywhere but Here)
Kari Wahlgren (Last Exile)
Jim Ward (Wall-E)

RECURRING / NOTABLE GUEST CAST

Charlie Adler (Transformers)
Tamara Bernier Evans (As You Like It)
Clancy Brown (Highlander)
A.J. Buckley (Happy Feet)
Corey Burton (Jutsice LEague Unlimited)
Grey DeLisle (Megas XLR)
Alex Désert (The Flash)
Richard Doyle (Ben 10)
Chris Edgerly (Dr. Dolittle 3)
Crispin Freeman (Hellsing)
Kate Higgins (Eureka Seven)
Mark Hildreth (V)
Michael Ironside (Total Recall)
Phil LaMarr (Free Enterprise)
Gabriel Mann (Dominion)
Graham McTavish (The Hobbit)
Phil Morris (Smallville)
Kevin Michael Richardson (The Cleveland Show)
Tara Strong (Batman: TAS)

The story begins with Rogue and Wolverine having an argument about him leaving. When Wolverine goes to Charles and Jean Grey get headaches. An explosion occurs, and Charles and Jean disappear. The resulting trauma caused the X-Men team to disband and go their separate ways, leaving Xavier’s once highly revered league of mutant peace preservers out of commission. Due to the loss of the Professor, Jean, and severe damage to the mansion, many of the X-Men have withered in their faith towards the stability of their former team and have since detached themselves from their former community. Some examples include Cyclops’ subsequent isolation resulting from Jean’s disappearance, Storm’s relocation back to her home continent of Africa, and Iceman’s move back into his parents’ home in the quiet suburbs.
One year later, the MRD (short for the Mutant Response Division), a government-supported organization created for the detainment and subsequent registration of existing mutants, begins capturing mutants from all over the country in response to the countless human protesters determined to protect the safety of humankind. This course of action causes Wolverine and Beast to ally and resolve to bring the once defunct X-Men team back together again. Meanwhile, Rogue is in the street and attacked by the Brotherhood of Mutants. They trick her into joining them, and she later smiles devilishly as she enters their base, appearing to have switched allegiance to become an evil mutant. Thanks to the generosity, wealth, and resourcefulness of Angel, the slowly reforming X-Men team begins to see a promising return to its former glory with the rejoining of junior members Iceman, Shadowcat and Forge along with the reconstruction of the previously demolished Xavier Institute. Unfortunately, without the necessary capabilities of a competent telepath to operate Cerebro, the possibility of locating some of the more globally scattered X-Men members along with the missing Charles Xavier and Jean seems all but a pipe dream.
Fortunately, this problem does not last for very long when Emma Frost, the beautiful former Headmistress of a now inactive mutant school of her own in Massachusetts, makes a surprising appearance on the doorstep of the Mansion with an interesting proposal: membership with the X-Men in exchange for utilizing her telepathy to pinpoint the missing Xavier’s whereabouts. Upon the team’s – and particularly Wolverine’s – reluctant acceptance of the offer, Emma’s efforts prove successful as she is able to locate a comatose Charles on the shores of Genosha in the care of Magneto. After their arrival on Genosha and a short confrontation with the Master of Magnetism himself, Magneto eventually permits the X-Men to take his old friend’s body back to the sanctity of the Mansion where he is certain that Xavier will be placed in proper care. Upon their return, Xavier telepathically contacts the X-Men twenty years from the present in an alternate dystopian future and informs Wolverine that he is to lead and reunite the X-Men if they wish to successfully prevent the inevitable war that will cause the world to fall under the domination of Master Mold and the Sentinels.
Throughout the course of the entire season, Emma’s role as the X-Men’s primary acting telepath enables the team to relocate the rest of the other members in the hopes of reforming once again and assisting in Xavier’s cause. While some were met with initial hesitancy such as with Nightcrawler, others such as Storm were more than willing to accept the offer once Xavier’s vision had been put into perspective. The X-Men overcome many hardships and obstacles along the way upon achieving their ultimate goal of relocating Jean and finally revealing the truth surrounding the mystery of the Mansion’s cause for explosion along with Xavier and Jean’s subsequent disappearances. Meanwhile, Magneto welcomes new mutants to Genosha, amongst whom is Nightcrawler. Magneto claims that Kenosha is a safe and secure area for mutants, rather than a threat. At first Nightcrawler believes this, but upon closer inspection Genosha is exposed as a method used by Magneto to use mutant’s powers. Nightcrawler escapes, but is captured by Mystique when he arrives back at the mansion.

Next, Wolverine had some sights of the past and with the help of Emma, he went to unveil the truth of his sightings. In the course, he met a lone mutant girl, and a past friend Sabretooth and finally unleash the truth of his past to a certain extent. In next, Cyclops has sad past about Jean, and he always thought that she is still alive. So, with the help of Emma, he went along Mister Sinister. The heavy fight between X-Men and Mister Sinister finished without the actual goal. Wolverine takes an oath from Cyclops to be in the X-Men and not to search for Jean. In the last scenes, Jean wakes up in a hospital after months in a coma.
It is later revealed in the three-part first season finale “Foresight” that the previously assumed attack on the Mansion was not from the efforts of a third party, but rather from the result of Jean who unwittingly releases the immense and highly destructive strength and power of the Phoenix Force, that originally lay dormant deep within her subconscious, in an attempt to halt an oncoming telepathic attack led by Emma (who was secretly working as a double agent for the Inner Circle and the Stepford Cuckoos). Along with Sebastian Shaw, Selene, Harry Leland, and Donald Pierce, it was the Inner Circle’s utmost duty to not only obtain the power of the Phoenix Force by abducting Jean from the protection of Xavier and the Mansion, but to also obliterate the ancient being’s existence before it could fully mature and consequently bring forth unparalleled destruction onto the world as it had done numerous times in the past throughout Earth’s history. However, in a move that was completely unknown to Emma at the time, the rest of the Inner Circle members all shared an entirely different and more sinister vision than Frost had initially believed: to control and manipulate the power of the Phoenix Force and have it cater to their own hidden agenda.Upon realizing the error of her ways, Emma betrays the Inner Circle and attempts to redeem herself in the eyes of the X-Men by not only rescuing Jean but, by also following through with her original plan of destroying the cosmic entity before it could mature. Unfortunately, her actions result in her apparent death. Rogue apologizes to Wolverine, and finally rejoins the X-Men for good. The now fully reformed X-Men are praised for their actions by Professor Xavier, but are warned of a new danger approaching: the Age of Apocalypse.Wolverine and the X-Men was a quite underrated animated series, which certainly deserved much more success than it got. I mean, this series at least deserved to have another season, but sadly it was cancelled too soon, despite having a high level of quality, good animation.

REVIEW: X-MEN: EVOLUTION – SEASON 1-4

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CAST (VOICES)

David Kaye (Happy Gilmore)
Kirby Morrow (Ninja Turtles: Next Mutation)
Venus Terzo (Arrow)
Brad Swaile (Zoids)
Maggie Blue O’Hara (My Little Pony Tales)
Neil Dneis (Stargate SG.1)
Scott McNeil (Beast Wars)
Kirsten Williamson (Juno)
Meghan Black (Elf)
Michael Kopsa (Apollo 18)


RECURRING / NORABLE GUEST CAST

Noel Fisher (Teenage Mutant Ninja Turtles)
Christopher Judge (Stargate SG.1)
Alessandro Juliani(Smallville)
Michael Adamthwaite (BLack Xmas)
Megan Leitch (IT)
Mark Hildreth (V)
John Novak (Wishmaster 3 & 4)
Jim Byrnes (Highlander: The Series)
Teryl Rothery (Stargate SG.1)

UntitledThe first season introduces the core characters and lays the foundations for future story lines. Professor X, Cyclops, Wolverine, Storm and Jean Grey make up the original X-Men. As the season develops, the ranks of the X-Men are bolstered by the appearance of Nightcrawler in the first episode,[2] Shadowcat in the second, Spyke in the fifth, and Rogue (who originally joins the Brotherhood in the fourth episode) in the third. In the later episodes of this season, Nightcrawler discovers the identity of his birth mother, Wolverine finds answers to his past, Rogue switches sides to join the X-Men and Xavier’s half-brother, Juggernaut, is released from his prison.UntitledConfrontations are typically with the Brotherhood, who vie for new recruits with the X-Men over the course of the season. Toad is the first to be introduced, followed by Avalanche, Blob and Quicksilver. The Brotherhood, led by Mystique, are in fact being directed by a higher power, the identity of whom was “revealed” in the two-part season finale as being Magneto. After Cyclops discovers that his brother Alex actually survived the plane crash that killed their parents, they are both taken by Magneto into his “sanctuary” on Asteroid M. Magneto captures several X-Men and Brotherhood members in an attempt to amplify their mutant abilities and remove their emotions. The Brotherhood and X-Men show up leaving Magneto, Sabretooth and Mystique trapped on the asteroid. Asteroid M is destroyed by Scott and Alex Summers, but not before two metal spheres fly from the exploding asteroid.

UntitledThe second season sees the addition of several new mutants, including Beast, who becomes a teacher at the Xavier Institute and an X-Man, as well as a version of the New Mutants: Boom Boom, Sunspot, Iceman, Wolfsbane, Magma, Multiple, Jubilee, Berzerker, and Cannonball. During the course of the season, it is revealed that the villains who supposedly perished on Asteroid M are actually alive. Sabretooth continues his pursuit of Wolverine, while Magneto continues to work his own agenda. Mystique poses as Risty Wilde, a high school student at Bayville High who befriends Rogue and breaks into the mansion to steal Xavier’s Cerebro files. Using the files, she recovers Wanda Maximoff, the Scarlet Witch, Magneto’s daughter and Quicksilver’s sister. The mentally unstable mutant joins the Brotherhood upon Mystique’s return, allowing them to defeat the X-Men in a battle at the Bayville Mall. Before the finale, a pivotal episode aired featuring the telepath Mesmero opening one of three doors that would unleash a mutant known as Apocalypse.

UntitledIn the season finale, Xavier rigorously trains his X-Men to face Magneto, pairing them with the Brotherhood. Cyclops, furious with having to work with his former adversaries, leaves the team. The mansion is later set to self-destruct with Cyclops and several students still inside. Magneto, meanwhile, recruits Sabretooth, Gambit, Pyro and Colossus as his Acolytes to fight the X-Men/Brotherhood team. At the same time, Wolverine is captured by Bolivar Trask to use as a test subject for the anti-mutant weapon, the Sentinel. Magneto continues to manipulate events by unleashing the Sentinel onto the city, forcing the X-Men to use their powers in public. Wanda tracks down Magneto and attacks him while he is trying to deal with the Sentinel that is targeting him. The Sentinel is damaged and apparently crushes Magneto as it falls. When the mutants who have not been captured by the Sentinel return to the remains of the mansion, Cyclops and the students emerge from the explosion with minor injuries. Scott throws Xavier from his wheelchair and blames him for blowing up the mansion. Everyone is shocked as Xavier calmly stands up, transforming into Mystique.

In seasons three and four, the show notably begins to take a much more serious tone. After the battle with the Sentinel, the mutants are no longer a secret and public reaction is one of hostility. The show is brought into more traditional X-Men lore, dealing with themes of prejudice, public misconception, and larger threats. As the season progresses, the real Xavier is found, Mystique is defeated, the mansion is rebuilt, and the X-Men allowed back into Bayville High. Wanda continues to search for Magneto, who she discovers was saved by Quicksilver at the last second, until Magneto uses the telepathic mutant Mastermind to change her childhood memories. Scott and Jean develop a stronger and closer romantic relationship (particularly after Mystique kidnaps Scott and brings him to Mexico), and Spyke leaves the X-Men when his mutant ability becomes uncontrollable, deciding to live with the sewer-dwelling mutants known as the Morlocks.

 

As part of the series arc, Rogue loses control of her powers, leading to her hospitalization. During this time, she learns that she is in fact Mystique’s adoptive daughter. Mystique, through the visions of the mutant Destiny, foresaw that the fate of Rogue and herself lay in the hands of an ancient mutant that would be resurrected. Apocalypse emerges in the season’s final episodes. Mesmero manipulates Magneto into opening the second door, and uses Mystique and a hypnotized Rogue to open the last, turning Mystique to stone in the process. Now released, Apocalypse easily defeats the combined strength of the X-Men, Magneto, the Acolytes, and the Brotherhood before escaping

The final season contained only for nine episodes. In the season premiere, Apocalypse apparently kills Magneto while Rogue murders Mystique by pushing her petrified figure off a cliff, leaving Nightcrawler without closure. The Brotherhood become temporary do-gooders, Wolverine’s teenage girl clone X-23 returns, Spyke and the Morlocks rise to the surface, Shadowcat discovers a mutant ghost who is found in an underground cave, Rogue is kidnapped by Gambit and taken to Louisiana to help free his father, and Xavier travels to Scotland in order to confront his son David. The character Leech is also introduced as a young boy named “Dorian Leach”.

In the finale, Apocalypse defeats Xavier and Storm, transforming them, along with Magneto and Mystique, into his Four Horsemen. Apocalypse instructs his Horsemen to protect his three domes and his ‘base of operations’, which will turn the majority of the world population into mutants. In the final battle, the Horsemen are returned to normal and Apocalypse is sent through time. Rogue and Nightcrawler refuse the excuses of their mother, Shadowcat and Avalanche find love once again, Magneto is reunited with Quicksilver and the Scarlet Witch, Storm and Spyke are also reunited, and Xavier sees his students reunited as the X-Men.

 

X-Men: Evolution may not hold a candle to the 90s series, but on its own merits it is decent. I can see why people dislike it as even on its own terms it does have glaring flaws, but I do think it should be judged on its own rather than being compared all the time. Okay, Season 1 wasn’t brilliant, there was a lot of cheesy dialogue, slow and melodramatic story lines, not enough Wolverine, a great character, and too much of Spike, one like Kitty that annoys me to no end, plus Rogue seems bland to me in this series. However, Season 2 onward was much stronger, the pacing is much crisper, the action scenes are exciting, the writing was a little more intelligent.

REVIEW: THE SUPER HERO SQUAD SHOW – SEASON 1-2

CAST (VOICES)

Charlie Adler (Wall-e)
Alimi Ballard (Sabrina: TTW)
Steven Blum (Wolverine and the X-Men)
Dave Boat (Ultimate Spider-Man)
Jim Cummings (Darkwing Duck)
Grey DeLisle (The Fairly Oddparents)
Mikey Kelley (Gravity Falls)
Tom Kenny (The Batman)
Stan Lee (Avengers Assemble)
Tara Strong (Batman: The Killing Joke)
Travis Willingham (Dragon Ball Z)

RECURRING / NOTABLE GUEST CAST

Shawn Ashmore (X-Men)
Dee Bradley Baker (American Dad)
John Barrowman (Arrow)
A.J. Buckley (Disturbing Behavior)
Ty Burrell (Muppets Most Wanted)
LeVar Burton (Star Trek: TNG)
Taye Diggs (Private Practice)
Michael Dorn (Ted 2)
Suisan Eisenberg (Justice League)
Carl Lumbly (Alias)
Robert Englund (A Nightmare on Elm Street)
Jonathan Frakes (Star Trek: TNG)
Greg Grunberg (Heroes)
Nika Futterman (Futurama)
Mark Hamill (Star Wars)
Lena Headey (Game of Thrones)
Tricia Helfer (Powers)
Cheryl Hines (The Ugly Truth)
Josh Keaton (Justice League: Gods and Monsters)
Wayne Knight (3rd rock from The Sun)
Maurice LaMarche (Futurama)
Phil LaMar (Free Enterprise)
Jane Lynch (Glee)
Jason Marsden (Full House)
James Marsters (Smallville)
Jennifer Morrison (Urban Legends 2)
Scott Menville (Teen Titans)
Jim Parsons (The Big Bang Theory)
Adrian Pasdar (Heroes)
Kevin Michael Richardson (The Cleveland Show)
Katee Sackhoff (Battlestar Galactica)
Kevin Sorbo (Hercules: TLJ)
Ray Stevenson (Divergent)
Fred Stoller (Little Man)
George Takei (Star Trek)
Cree Summer (Batman Beyond)
Michelle Trachtenberg (17 again)
Hynden Walch (The Batman)
Jim Ward (Danny Phantom)
Adam West (Batman 60s)
Nina Dobrev (The Vampire Diaries)

When I saw a preview of The Super Hero Squad Show back in February of 2009, I thought it looked pretty interesting, but certainly aimed at the kiddies, and as it aired on Cartoon Network, I never saw an episode. In fact, I forgot all about it, and when I got my hands on this disc, I thought it was an animated take on the old Fisher-Price Marvel kiddie figures. So I had no expectations coming in. Well, my only expectation being that it would be bad. So it was with a good deal of shock that I found it to be a pretty entertaining action-comedy series, if you don’t mind the cheese-level of many of the jokes.

The Super Hero Squad (sort of a loose version of the Avengers) is made up of an assortment of Marvel heroes, including Iron Man (as the leader), Captain America (who provides aid on a regular basis), Wolverine (adding the X-Men’s popularity,) The Hulk, Thor, a spacey surfer-dude version of the Silver Surfer, and Falcon (obviously added to bring some diversity.) Joining them is the mostly unknown Reptil (a dinosaur-powered bit player from the Avengers comics) who is both a young guy and Hispanic, helping fill out the P.C. scorecard a bit more and give younger viewers a stand-in.  They go up against Doctor Doom and his legion of bad guys (and ineffective henchmen), as he searches for the Infinity fractals, shards of the Infinity Sword (which seems connected to the Infinity Gems of the Infinity Gauntlet. Infinity.)


Though the storylines are pretty solid and offer big action-packed battles, the bulk of the show is comedy, with the character’s out-sized personalities carrying the jokes, be it Thor’s overwhelming concern about his appearance or Captain America being stuck in the ’40s. Maybe I don’t give kids a lot of credit, but I can see a large portion of these gags flying over their heads, which will make the show far more enjoyable for adults than one would have expected. There was more than one joke that got a genuine laugh out of me, though many of them rely on bodily functions or pratfalls for the punchline. The wordplay and character-generated jokes are much more entertaining and fun, especially Thor’s Asgardian versions of modern language, the Silver Surfer’s alien view of Earth life, and anything involving the always-ridiculous floating head known as M.O.D.O.K. (voiced hilariously by Tom Kenny.) One joke about the Hulk swallowing a yo-yo is technically genius. The only thing about the show that doesn’t really work is Reptil, who feels like the Poochie of the show, coming off as a bone tossed to kids, with his dino-focused power, youthful role and extreme behavior.


This version of the Marvel Universe smartly keeps the same look for its characters, giving long-time Marvel fans an in for the series, but presents them in a super-deformed style (squat bodies, large heads and feet, four fingers) that’s kid-cartoon friendly and which easily separates it from any other version of the Universe you’ve ever seen. That way, there are no issues with continuity or previous incarnations, and the show can be enjoyed on its own merits (allowing them to do something like make Dr. Strange a complete lunatic.) That’s a good thing, because the show is loaded to the gills with fan-service goodies, like the episode titles (which reference famous comic titles) and title cards which replicate memorable cover art. The show also pulls characters from the depths of the Marvel roster, like Screaming Mimi and the Melter, and having silly cartoon fun with them. Taken simply as a silly, almost What The–?! treatment of the characters, it’s well worth a look for comic-book fans out of grade school.

On a non-story note, the theme song, provided by Parry Gripp of Nerf Herder, is an energetic blast, while the voice cast for this series has to be one of the best for a non-prime time animated series, with tons of veterans of the cartoon industry, like Kenny, Tara Strong, Jess Harnell, Grey DeLisle, Cree Summer and Charlie Adler, along with plenty of genre stars, including Robert Englund, Tricia Helfer, Jennifer Morrison and Adrian Pasdar. It’s rare to see a show like this pull this kind of voice cast.

the overall plot of the cycle will feature the villain Thanos seeking the six stones of the Infinity Gauntlet, a powerful cosmic weapon. Opposing him will be the titular Super Hero Squad, which is made up of goofball takes on Iron Man, Thor, Falcon, Wolverine, Hulk, Ms. Marvel, original character Reptil, Scarlet Witch, and sometimes Captain America. While the first two shows focus specifically on the Thanos plot, other episodes detour into one-off excursions. For instance, “World War Witch!” takes the heroes back in time to when Cap was fighting the Red Skull alongside the Invaders in WWII, while “Support Your Local Sky-Father!” pits Olympus vs. Asgard, and it features the Marvel Universe rendition of Hercules.

REVIEW: BLACK PANTHER

CAST (VOICES)

Djimon Hounsou (Stargate)
Carl Lumbly (Alias)
Stephen Stanton (Star Wars: The Clone Wars)
Kerry Washington (Django Unchained)
Alfrie Woodard (Star Trek: First Contact)
Jill Scott (Girlfriends)
Phil Morris (Smallville)
Rick D. Wasserman (Planet Hulk)
JB Blanc (War Dogs)
Kevin Michael Richardson (The Cleveland Show)
Jonathan Adams (Bones)
Taye Diggs (Equilibrium)
Phil LaMarr (Free Enterprise)
Adrian Pasdar (Heroes)
Stan Lee (Chuck)

The concept of the motion comic is controversial to say the least. Many comic purists would argue they are pointless endeavors, while others, like myself find them an interesting supplement and even more a way to get those uninterested in comics to seek them out, provided they enjoy the program.

The newest release in the series may be their biggest yet, produced not just for DVD but as six-episode animated series. With “Black Panther,” Marvel adapts Hudlin’s own take on the character from 2005 and the end result will induce much headshaking and confusion.

Unlike the previous two installments in the Marvel Knights Animation line, I had not read the original source material, however, it’s safe to say, with the author being directly involved in the adaptation, it likely follows the comics quite closely. The most apparent change viewers familiar with the motion comic concept will notice is the consistency in runtime. Each episode runs around 18 minutes long and is paced like an episode of a TV-series. There are no more abrupt endings as before and this is a truly welcome change. Also worth noting is the star power in the voice cast. Hudlin has secured veteran voice actors Kevin Michael Richardson and Nolan North, as well as Hollywood stars Alfre Woodard, Kerry Washington, and in the title role Djimon Hounsou. It’s all downhill from this point, with Hounsou’s involvement being the only positive memorable aspect of a disaster of a series.


“Black Panther” is a muddled mess, attempting to weave an origin story amidst a half-baked plot against our hero’s life by a band of largely second (or even third) rate villains. The tone of the entire series is wildly inconsistent; one minute our villains will be bickering with each other in classic Saturday morning cartoon fashion, giving the impression the series is lighthearted, but all this comes following an intro that is decidedly more mature, featuring tribal warriors getting impaled on sinister traps and severed Nazi heads on pikes. Add to that a very mean spirited tone, resulting from most characters not related to Black Panther being either stupid, bigoted, or both and the 132 minute runtime feels achingly brutal.

Comic book fans may immediately take issue with the series’ sad attempt to establish dominance of the Black Panther by having him swiftly defeat Captain America in hand-to-hand combat. The character doesn’t need such a wildly unbelievable fight to appeal to audiences, nor does he need the sympathy formed from broad stereotypes attempting to hold him down because he’s the leader of a small African nation. What should be a fun fantasy tale is instead drenched in an underhanded political theme that is downright tiresome and boring; if more time was given to developing supporting characters, a little bit of preaching would have been tolerable. To Hudlin’s credit, his take on Black Panther or T’Challa (Hounsou) is a fascinating, three-dimensional creation, and his home country of Wakanda is given admirable life and scope. Hounsou brings strong balance of kindness and fierceness to the role, and a scene midway through the series where he removes his mask to speak to a boy who worships him as a god, is one of the more heroic and humble moments I’ve seen in a superhero adaptation.
On the flipside, Kerry Washington, delivers a strangely overacted vocal performance as T’Challa’s sister, while Stephen Stanton is in full on, evil for evil’s sake mode, as Klaw, the main villain, an assassin responsible for murdering T’Challa’s father decades earlier, who returns to finish killing the royal family. The less said of Klaw’s inept cadre of support, the better, but the Vatican Black Knight is worth mentioning of only for the fact his character adds another layer into the theme of the evil Western world; not only does a rival nation want Wakanda overthrown, but so does the US (led by a cartoonish and ignorant General voiced by Stan Lee), and yes, the Pope. As a final insult to comic fans, Hudlin shoehorns in the story of T’Challa’s romance with Ororo Munroe, or Storm as she’s more commonly known. The addition is nothing more than a way to artificially extend the overly long runtime of the series and find an excuse for a few worthless X-Men cameos.

“Black Panther” is heavily dissappointing, and it’s a damn shame, as there is great potential with the character. The writing has a bad pace to it; dialogue driven scenes are sometimes choppy, flashbacks are overused (even as an origin story), and the action sequences often have great buildup but result in a sad whimper in terms of execution; a half-assed inclusion of zombies in the final episode tempts me to a giant stamp of “fail” on the series, but there are more than a few Panther centric moments to elevate it from the lowest possible rating. Animation wise, John Romita Jr’s art style translates horribly to the motion comic format, and some sequences are animated in a amateurish fashion at best; the fact I waited this long to mention it, is a strong indicator of how forgettable it is. There are strong talks that the Black Panther will see life on the big screen and I’ll reiterate again, Hounsou deserves a shot at the role, however, I hope this series is used as an example of what not to do.