REVIEW: A NIGHTMARE ON ELM STREET (2010)

 CAST

Jackie Earle Haley (Watchmen)
Kyle Gallner (Smallville)
Rooney Mara (The Social Network)
Katie Cassidy (Arrow)
Thomas Dekker (Terminator: TSCC)
Kellan Lutz (The Legend of Hercules)
Clancy Brown (Highlander)
Connie britton (Nashville)
Judith Hoag (Armageddon)

I grew up as a kid watching all the Freddy movies. As the series went along, Freddy became less scary. He wasn’t scary like he was in the first two movies. He went from being a very scary, very mean guy to just being a scary clown, with more emphasis on the clown aspect. Then he was scary again in New Nightmare. And then he was somewhere in between in Freddy vs. Jason. Either way, Englund was in top form in every single incarnation. So of course, the first thing on everyone’s mind is how in the hell will Jackie Earle Haley top what Englund has created.  After watching this, and liking Jackie, I came to the conclusion that nobody, no matter how good of an actor, will ever top Robert Englund.  In a sense, the role of Freddy is like the Joker; it goes from simply trying to top an actor to just giving up and realizing that the original actor can’t be topped, in which case, you simply have to make it different and make it your own. Which is probably what Haley did. It’s like if someone were to try and top Ledger’s Joker: It wouldn’t be possible, so they just do the next best thing: Make the character their own and give their own awesome take on it; it might not live up to the original, but it can still be a good performance. Simply put, Robert Englund is Freddy, and the only thing another actor can do is simply give a different interpretation and make it a good alternative.

I really liked Haley’s take on Freddy Krueger, and in all, I really liked this take on Elm Street in general. In comparison to the other movies, this one seems to have more weight, it seems much meatier. It makes you think about things a lot more than the old movies did. They do this by giving Freddy a human side, a back story. Nothing about the character is really changed, he’s just explored more than he was in other movies.

This remake was really interesting to me because they made Freddy a really ambiguous character. Throughout the movie, you’re left wondering whether or not he’s actually guilty of harming the children. During the first half, it seems very likely that he was wrongly accused, and during that same half, you’re left thinking that all of his killing might just be because he’s legitimately angry and getting revenge on the kids that got him killed. Even though he’s an awful person already, you’re still left thinking that maybe he was a good guy. He certainly seemed like a really good guy in the flashbacks. This ambiguity added an extra dynamic to the movie that the original didn’t have.Now when you finally realize that Freddy was really bad man, that he really is sick enough to hurt children and then wanna kill them because they simply told the truth about him, it makes the movie, and Freddy himself, much more interesting and a little creepier. When you’re watching the flashbacks, you’re left thinking that he might’ve been a good guy, but when you realize that he never was, you’re forced to realize that this seemingly good hearted guy was a very mean, very awful and evil psychopath underneath it all. When you realize that he’s relishing and enjoying killing all these kids (now grownup) just because they told on him, it makes him a lot creepier and just completely different in comparison to the old movies.

All the actors were really good. Kyle Gallner is pretty cool and he’s pretty awesome in most of the movies he’s in. Thomas Dekker was pretty good, I liked Rooney Mara as Nancy and Clancy Brown is always awesome in anything he’s in Overall, I really liked the movie. It could have easily turned out terrible. It’s much better than the nightmare sequels, and it’s a new take on Freddy, and I really liked it. It doesn’t tarnish the original, it doesn’t try to imply that the original was crap, it’s just a new take.

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REVIEW: HITCHCOCK (2012)

 

CAST

Anthony Hopkins (Westworld)
Helen Mirren (Red)
Scarlett Johansson (Ghost In The Shell)
Danny Huston (30 Days of Night)
Toni Collette (Krampus)
Michael Stuhlbarg (Lincoln)
Michael Wincott (Romeo Is Bleeding)
Jessica Biel (The A-Team)
James D’Arcy (Agent Carter)
Richard Portnow (Kindergarten Cop)
Kurtwood Smith (That 70s Show)
Ralph Macchio (Ugly Betty)
Wallace Langham (CSI)
Currie Graham (Stargate: The Ark of Truth)
Judith Hoag (Teenage Mutant Ninja Turtles)
Lindsey Ginter (Argo)

In 1959, Alfred Hitchcock opens his latest film, North by Northwest, to considerable success, but is troubled by a reporter’s insinuation that he should retire. Seeking to reclaim the artistic daring of his youth, Hitchcock turns down film proposals, including Casino Royale and The Diary of Anne Frank, in favor of a horror novel called Psycho by Robert Bloch, based on the real-life crimes of murderer Ed Gein. Gein appears in sequences throughout the film, in which he seems to prompt Hitchcock’s imagination regarding the Psycho story, or act as some function of Hitchcock’s subconscious mind (for instance, drawing Hitchcock’s attention to sand on his bathroom floor, the quantity of which reveals how much time his wife Alma has been spending at the beachhouse with Whitfield Cook).Hitchcock’s wife and artistic collaborator, Alma, is no more enthusiastic about the idea than his colleagues, especially since she is being lobbied by their writer friend, Whitfield Cook, to look at his own screenplay. However, she warms to Hitchcock’s proposal, suggesting the innovative plot turn of killing the female lead early in the film. The studio heads at Paramount prove more difficult to persuade, forcing Hitchcock to finance the film personally and use his Alfred Hitchcock Presents television crew (over at competitor Revue/Universal) to produce the film, his last with Paramount.However, the pressures of the production, such as dealing with Geoffrey Shurlock of the Motion Picture Production Code, and Hitchcock’s lecherous habits, such as when they confer with the female lead, Janet Leigh, annoy Alma. She begins a personal writing collaboration with Whitfield Cook on his screenplay at his beach house without Hitchcock’s knowledge. Hitchcock eventually discovers what she has been doing and suspects her of having an affair. This concern affects Hitchcock’s work on Psycho. Hitchcock eventually confronts Alma and asks her if she is having an affair. Alma angrily denies it. Alma temporarily takes over production of the film when Hitchcock is bedridden after collapsing from overwork, but this sequence, which included a complicated process shot showing Arbogast’s demise, with Alma’s specification of a 35mm lens, instead of the 50mm lens preferred by Hitchcock for this film, proved to be the least effective in the film.Meanwhile, Hitchcock expresses his disappointment to Vera Miles at how she didn’t follow through on his plan to make her the next biggest star after Grace Kelly; but Miles says she is happy with her family life. Hitchcock’s cut of Psycho is poorly received by the studio executives, while Alma discovers Whitfield having sex with a younger woman at his beach house. Hitchcock and Alma reconcile and set to work on improving the film. Their renewed collaboration yields results, culminating in Alma convincing Hitchcock to accept their composer’s suggestion for adding Bernard Herrmann’s harsh strings score to the shower scene.After maneuvering Shurlock into leaving the film’s content largely intact, Hitchcock learns the studio is only going to exhibit the film in two theaters. Hitchcock arranges for special theater instructions to pique the public’s interest such as forbidding admittance after the film begins. At the film’s premiere, Hitchcock first views the audience from the projection booth, looking out through its small window at the audience (a scene which recalls his spying on his leading actresses undressing earlier in the film–by looking through a hole cut in the dressing room wall–which itself is a voyeuristic motif included in the film of Psycho). Hitchcock then waits in the lobby for the audience’s reaction, conducting slashing motions to their reactions as they scream on cue. The film is rewarded with an enthusiastic reception. With the film’s screening being so well received, Hitchcock publicly thanks his wife afterward for helping make it possible and they affirm their love. At the conclusion at his home, Hitchcock addresses the audience noting Psycho proved a major high point of his career and he is currently pondering his next project. A raven lands on his shoulder as a reference to The Birds, before turning to meet with his wife.The final title cards say that Hitchcock directed six more films after Psycho, none of which would eclipse its commercial success, and although he never won an Oscar, the American Film Institute awarded him its Life Achievement Award in 1979: an award that he claimed he shared, as he had his life, with his wife, Alma.Overall, honestly, I know Hitchcock isn’t a perfect film. No film is. But, I love the film for it’s dramatic and whimsical aspects, the phenomenal acting, score, screenplay, camera-work, and the way the film was done as a whole. If you love/like Psycho, or just enjoy learning about the man known as The Master of Suspense, give this film a go.

REVIEW: I AM NUMBER FOUR

CAST

Alex Pettyfer (Stormbreaker)
Timothy Olyphant (Hitman)
Teresa Palmer (Warm Bodies)
Dianna Agron (Glee)
Callan McAuliffe (The Great Gatsby)
Kevin Durand (Dark Angel)
Jake Abel (The Lovely Bones)
Judith Hoag (Teenage Mutant Ninja Turtles)
Nicholas Hoult (Mad Max: Fury Road)
Emily Wickersham (NCIS)
Garrett M. Brown (Kick-Ass)

John Smith is an alien from the planet Lorien. He was sent to Earth as a child with eight others to escape the invading Mogadorians, who destroyed Lorien. Here, John is protected by a Cepan, or guardian, Henri. Together, they live in a beach-side bungalow in Florida. The Mogadorians, led by the Commander, learn about the nine children and come to Earth to find them. The Loric Garde can only be killed in sequence; from Number One to Number Nine. Three of them have already been killed. John becomes aware that he is next while swimming in the ocean with a girl. He suffers sharp pain, his leg begins to glow, and he sees a vision of Number Three warning him of the coming danger. The girl and the other people on the beach, who record the event happening in the ocean, run from John. When the video and pictures surface on the internet, Henri deletes them all, gathers up his and John’s belongings, and decides to move to an old farm in Paradise, Ohio. A small lizard is able to crawl in along with their belongings.John and Henri arrive in Paradise and begin settling into their new home. As night falls, the lizard transforms into a dog. That night, Henri and John hear a noise outside and, upon investigation, find the dog, who is then brought inside by John. He decides to name the dog Bernie Kosar (after Cleveland Browns quarterback Bernie Kosar). The following morning, at John’s insistence, Henri allows John to go to the local high school rather than be home schooled.On his first day there, John goes to the office to receive his class schedule. While waiting, he sees a girl being scolded by a teacher in the principal’s office. After John is given his schedule and the girl is let off by the principal, the girl is asked by the secretary to guide John to his locker and first class. At this time, John falls for the girl, who is an amateur photographer named Sarah Hart. As Sarah walks away, a guy walks up to John with a couple of his friends and introduces himself as Mark James. As Mark walks away, John watches him slam another boy into the lockers and throw the boy’s skateboard away. John retrieves it and gives it back to the boy, whose name is Sam Goode. Later that day at lunch, John befriends Sam when one of Mark’s friends throws a football at Sam’s head, knocking him to the ground. John helps Sam up and throws the ball back with enough force to knock Mark’s friend to the ground. After this, John notices Sarah taking an interest in him, as she’s taking pictures of him from a distance.That night at home, John discovers a website run by Sarah. It contains pictures of many of the people of Paradise, including a section dedicated to him. As he views the site, it is erased by Henri. At the same time back in Florida, the Mogadorians discover the burnt wreck of Henri and John’s old home and determine that John was not killed in the fire.The next day, while John is being bothered by Mark during a film in one of his classes, John’s hands begin to glow and burn brightly, similar to the glow on his leg in the ocean, and he sweats profusely. He runs from the classroom and into a janitorial closet to soak his hands in water to calm the burning. Henri, alerted by a Loric box that he has kept, comes to John and explains that the glowing is the awakening of John’s “legacies”. As these powers grow, John will become more powerful but, in order to maintain a low profile, Henri forbids John from using these powers. John disobeys, sneaks out of his house, and goes to a nearby forest where he finds that he is able to throw large rocks at supersonic speeds, run faster than he ever could before, and survive long falls with ease.Later that night, John goes into town to walk around for a bit and runs into Sarah. He confronts her about the pictures that he found on her website and she admits to being an avid photographer. As they walk together, they see Sam across the street being yelled at by his step-father. John walks Sarah the rest of the way to her house, where she invites him in for dinner with her family. Her parents seem to like John and suggest that he and Sarah go to the carnival together. After dinner, John and Sarah head up to her room. She shows John some of her favorite photos that she has taken. John finds a scrapbook of personal photos that Sarah’s taken of herself along with things she’s written but she takes it back before he can read much of it. Bernie Kosar shows up outside of Sarah’s house, barking loudly, and John gets up to leave. Sarah gives him one of her cameras. They nearly kiss but John leaves quickly because of Bernie Kosar’s constant barking.The following day at school, Sam asks about the lights in class but John passes it off as a prank with some flashlights. As Sam is warning John to stay away from Sarah, their lockers explode with pink paint placed by Mark. John’s hands begin to glow again but he’s able to hide it by clenching his fists, as he narrowly avoids getting into a fight with Mark. While John and Sam are cleaning up in the bathroom, Sam tells John about how he and his father used to go looking for aliens, though his father suddenly disappeared one day.During the Spring Fair, Sarah explains to John that she and Mark used to date. She talked about how she had “refused to be his personal cheerleader” and instead wanted to be a photographer. Mark had told her that she was being snobby and convinced the entire school that she was crazy. John and Sarah go on a haunted wagon ride through the woods. When they get off, Mark’s friends tackle John and begin to beat him while one brings Sarah to Mark. John uses his legacies to fend them off and rescue Sarah. Sam witnesses John’s use of his legacies and John reveals his true origins to Sam. The next day, Mark’s father, the local sheriff, interrogates Henri on John’s whereabouts when his son and his friends were attacked, where John says he wasn’t paying any attention to Mark, since he was with a girl. Henri tells John that too many people are suspicious of them, so they have to leave. John refuses because he doesn’t want to leave Sarah. Meanwhile, the Mogadorians continue searching for John, while being trailed by a mysterious woman who is also trying to locate Number Four.The Mogadorians eventually locate John and manipulate two conspiracy theorists into capturing Henri. When John and Sam go to rescue him, they are attacked, but manage to fend the Mogadorians off. Just before escaping, John and Sam grab Henri’s knife and a Loric artifact; a blue rock that acts as the first half of a tracking device that locates other Loric children. Knowing who Sam is, Henri reveals that his father was an ally that was helping them. As John, Henri, and Sam begin to drive away in Sam’s truck, Henri is stabbed through the chest while trying to protect John from a Mogadorian. John throws the Mogadorian from the truck with his telekinesis and they drive away. Henri later dies in John’s arms after telling him to find the remaining children, as their combined powers would be enough to stop the Mogadorians. Sam reveals to John that he has another rock, very similar to the one found with the conspiracy theorists. While Sam searches for it in his house, John tries to say goodbye to Sarah at a party. Mark sees John and calls his father, who corners John and Sarah on the roof of the house that the party is being thrown at. As Sarah stands up, she slips from the roof.John saves Sarah from a fall with his telekinesis, revealing his powers in the process, and they escape to their high school. Meanwhile, the Commander arrives in Paradise in a convoy of trucks. He confronts Mark and his father. After injuring the sheriff, the Commander forces Mark to lead him to where John is hiding. Mark takes him to the school, which he knows is Sarah’s hideout.There, John, Sarah and Sam are attacked by the Mogadorians, who brought two giant monsters to hunt the trio. They are saved by Number Six and Bernie Kosar. Number Six reveals that Bernie Kosar is a Chimera that can shapeshift and was sent by John’s biological parents to protect him. John and Number Six fight the Mogadorians using their powers; Number Six uses her invisibility powers and John blocks energy attacks with telekinesis. Meanwhile, Bernie Kosar, now in his true chimera form, fights one of the Mogadorians’ monsters in the school’s showers. He is able to defeat the monster. Eventually, having ended up on the school’s football stadium, John and Number Six defeat all of the Mogadorians, including the Commander, who dies in a large explosion triggered by John igniting the Commander’s bandoleer of ammunition. John survives this explosion when Number Six stands between him and the blast, revealing her ability to resist fire.The following day, Number Six unites John’s and Sam’s blue rocks and discovers the location of the other four surviving Garde. John allows Sam to come with them with the hope of one day finding Sam’s father. They set off to find the others so they can all protect Earth from the Mogadorians. They leave behind Sarah and a repentant Mark, who lies to his father about John’s whereabouts and returns the box left to John by his dad that was in police evidence. Before leaving, John promises to return to Paradise one day and kisses Sarah one last time. Just before getting in to Sam’s truck, Bernie Kosar, with a visibly injured paw, limps up to John. John, Sam, and Bernie Kosar leave together in Sam’s truck, being led by Number Six on her motorcycle to where ever the next of the Loric Garde may beIf your a sci fan then this is a very watchable movie. I was worried that the relationship between the main character and the photographer would run away with itself and overtake the plot as is seen is so many decent movies ruined by pointless teen relationships. But I Am Number four did not let this happen and it glued with the plot really well. The fight scenes were well scripted and did not go on for too long. Just a really good Sci-fi flick.

 

REVIEW: TEENAGE MUTANT NINJA TURTLES (1990)

CAST

Judith Hoag (Armageddon)
Elias Koteas (Fallen)
Raymond Serra (Bolero)
James Saito (Strangers with Candy)
Sam Rockwell (Iron Man 2)
Josh Pais (Phone Booth)
Corey Feldman (The Lost Boys)
Robbie Rist (The Brady Bunch)
Brian Tochi (Space Academy)
Kevin Clash (Sesame Street)
Toshishiro Obata (Demolition Man)
Michael McConnohie (Naruto)
Michael Turney (Cost of Living)
Jay Patterson (Ted 2)
Skeet Ulrich (Scream)
Scott Wolf (V)

Image result for TEENAGE MUTANT NINJA TURTLES (1990)As a crime wave rises in New York City, Channel 3 news reporter April O’Neil talks about rumors of young children and teenagers being reported as the majority of the thieves, connecting it to a rumored Foot Clan, which originated in Japan. On an ordinary night, she comes across thieves stealing from a news van and is attacked. She is rescued and one of her rescuers leaves behind a sai as police arrive to collect the tied up criminals. In the storm sewers, four anthropomorphic turtles return to their underground home and meet with their master Splinter, who advises them to remain hidden from the world and work only in the shadow. Raphael admits he lost his weapon, and when the others order pizza he leaves in disguise to see a movie. After leaving the movie, he encounters Casey Jones who tries to exact justice on a pair of muggers by beating them with sporting implements. After a brief stand off between the two, Casey takes off into the city and Raphael loses his temper. Returning home, Splinter confronts Raph about his temper.
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April is attacked in the subway by members of the Foot, after spouting rumors of them on television. She is knocked unconscious while trying to fend them off but is saved by Raphael, who takes her back to their home. After calming her down, Splinter explains their origins and introduces her to Raphael, Michaelangelo, Donatello and Leonardo. Unfortunately, Raph had been followed by a member of the Foot. After the turtles take April home, and spend some time over pizza, they return to find their home demolished and Splinter missing. With nowhere else to turn, they return to April’s apartment. The next morning, April’s supervisor Charles Pennington and his son Danny arrive; Charles chides April on her behavior with police chief Sterns and advises her to be careful, while Danny catches a glimpse of Michaelangelo, garnering his suspicions. Later, Charles confronts Danny for being arrested for stealing and Danny runs away into the subway. He escapes to a warehouse on Lairdman Island, the hideout for the teenaged thieves of the Foot. It is revealed that Splinter is there, held prisoner by The Shredder, who acts as a surrogate father to the outcast teenagers. Danny gives The Shredder his information on the Turtles.
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After a heated argument between Leo and Raph, Raph goes up to the roof of April’s building and is attacked by dozens of Foot Clan members. The fight moves into the building, where April and the others are attacked after Raph is thrown down a skylight window. The numbers cause the floor to give way, and they continue their battle in the basement. After Foot reinforcements arrive, overwhelming the turtles, Casey appears, having seen Raph earlier on the roof and he helps even the odds. In the melee, with Raph in a coma, the building catches fire, forcing the Turtles to escape. Retreating to an abandoned farm April’s family owns, April learns that Charles has fired her from the television station. Raph awakens from his coma and makes amends with Leo. The four of them train. After receiving visions from Splinter, Leonardo and the rest decide it is time to return to the city. Meanwhile, Danny encounters Splinter, whose kindness casts doubts on his decision to betray the Turtles. He goes to hide in the Turtles’ den, and is there when they return. In the night, Danny slips away, followed by Casey who discovers the thieves’ hideout. Danny meets with Splinter again, who tells him the story of his master who was killed by a man named Oroku Saki; who is The Shredder’s alter-ego. He inadvertently warns Shredder that the turtles have returned and they raid the Turtles home. They are ambushed however as the group is lying in wait for them.
Image result for TEENAGE MUTANT NINJA TURTLES (1990)Casey and Danny free Splinter, and after Casey defeats Shredder’s second in command Tatsu, they convince the teens to follow them and teach them the error of their ways. They return to the city as the Turtles face off against Shredder, who outmatches them. The Shredder taunts the Turtles, saying he killed Splinter, causing Leo to attack Shredder. Shredder disarms Leo, threatening to impale him with his spear unless the Turtles drop their weapons. The Turtles do so, but Shredder plans on killing Leonardo anyway. Before he can do so, he is distracted by Splinter, allowing Leo to escape. Splinter then faces Shredder, revealing his identity as the rat who belonged to Hamato Yoshi. Shredder charges Splinter in his rage and falls over the ledge of the roof. Splinter tries to spare him, but Shredder attacks, forcing the rat to let go, and he falls into a garbage truck. Casey turns on the trash compactor and crushes Shredder.
The police arrive and arrest the defeated Foot Ninjas. April is reinstated by Charles, with better perks, to cover the story. Danny reunites with his father who is overjoyed to see him, but Danny insists on being called “Dan” as a sign that he’s grown up. Casey and April meet, and she tells him to kiss her, which he obliges, much to the cheering from the Turtles (except for Mikey).Image result for TEENAGE MUTANT NINJA TURTLES (1990)This is a film that rather lovingly invites the viewer into the wacky and wonderful world of the Turtles, and provides some hyperbolic action sequences in the best ninja tradition, without ever taking itself very seriously.

REVIEW: ARMAGEDDON (1998)

CAST
Bruce Willis (Cop Out)
Billy Bob Thornton (Bad Santa)
Ben Affleck (Gone Girl)
Liv Tyler (The Incredible Hulk)
Will Patrton (Romeo Is Bleeding)
Steve Buscemi (Ghost World
William Fichtner (The Dark Knight)
Owen Wilson (Wedding Crashers)
Michael Clarke Duncan (The Finder)
Peter Stormare (The Brothers Grimm)
Jessica Steen (Mutant X)
Keith David (The Cape)
Jason Isaacs (Resident Evil)
Eddie Griffin (The New Guy)
Stanley Anderson (Spider-Man)
Udo Kier (Blade)
Judith Hoag (Teenage Mutant Ninja Turtles)
Shawnee Smith (Anger Management)
A massive meteor shower destroys the orbiting Space Shuttle Atlantis and bombards a swath of land from the U.S. East Coast from South Carolina through Finland. NASA discovers that a rogue asteroid the size of Texas passed through the asteroid belt and pushed forward a large amount of space debris. The asteroid will collide with Earth in 18 days, causing an extinction event that will even wipe out bacteria. NASA scientists, led by Dan Truman, plan to trigger a nuclear detonation 800 feet (240 m) inside the asteroid to split it in two, driving the pieces apart so both will fly past the Earth. NASA contacts Harry Stamper, considered the best deep-sea oil driller in the world, for assistance. Harry travels to NASA with his daughter Grace, to keep her away from her new boyfriend and one of Harry’s drillers, A. J. Frost. Harry explains he will need his team, including A. J., to carry out the mission. They agree to help, but only after their list of unusual rewards and demands are met.
NASA plans to launch two shuttles, Freedom and Independence, to increase the chances of success; the shuttles will refill with liquid oxygen from the Russian space station Mir before making a slingshot maneuver around the Moon to approach the asteroid from behind. NASA puts Harry and his crew through a short and rigorous astronaut training program, while Harry and his team re-outfit the mobile drillers, “Armadillos”, for the job. The destruction of Shanghai by an asteroid fragment forces NASA to reveal the asteroid’s existence, as well as their plan. The shuttles are launched and arrive at Mir, where its sole cosmonaut Lev helps with refueling. A major fire breaks out during the fueling process, forcing the crews, including Lev, to evacuate in the shuttles before Mir explodes. The shuttles perform the slingshot around the moon, but approaching the asteroid, the Independence’s engines are destroyed by trailing debris, and it crashes on the asteroid. Grace, aware A.J. was aboard the Independence, is traumatized by this news. Unknown to the others, A.J., Lev, and “Bear” (another of Harry’s crew) survive the impact and head towards the Freedom target site in their Armadillo.
Meanwhile, Freedom safely lands on the asteroid, but overshoots the target zone, landing on a much harder metallic field than planned, and their drilling quickly falls behind schedule; in desperation, the military initiates “Secondary Protocol” to remotely detonate the nuclear weapon on the asteroid’s surface, despite Truman and Harry’s insistence that it would be ineffective. Truman delays the military, while Harry convinces the shuttle commander to disarm the remote trigger. Harry’s crew continues to work, but in their haste, they accidentally hit a gas pocket, blowing their Armadillo into space. As the world learns of the mission’s apparent failure, another asteroid fragment devastates Paris.
All seems lost until the arrival of the Independence’s Armadillo. With A.J. at the controls, they reach the required depth for the bomb. However, flying debris from the asteroid damages the triggering device, requiring someone to stay behind to manually detonate the bomb. The crew draw straws, and A.J. is selected. As he and Harry exit the airlock, Harry rips off A.J.’s air hose and shoves him back inside, telling him that he was the son Harry never had, and he would be proud to have A.J. marry Grace. Harry prepares to detonate the bomb and contacts Grace to bid his final farewell. After some last minute difficulties involving both the shuttle engines and the detonator, the Freedom moves to a safe distance and Harry manages to press the button at the last minute, while experiencing flashbacks of happy times in his last moments as the bomb successfully splits the asteroid, avoiding the collision with Earth. Freedom lands, and the surviving crew are treated as heroes. A.J. and Grace get married, with photos of Harry and the other lost crew members present.

This movie is pure escapism fun, which has its place in my collection, movies like Independence Day and Armageddon are great fun to watch and as a bonus the characters weren’t bad the script was reasonable and action was indeed plentiful.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
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Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
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Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
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Cleo King (Mike & Molly)
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Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
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Chris William Martin (Dollhouse)
James Black (Anger Management)
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Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
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Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
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Richard Grant (Rocky V)
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David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
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Tara Buck (True Blood)
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Kayla Ewell (The Vampire Diaries)
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Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
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Ryan Pinkston (Bad Santa)
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Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.