REVIEW: BOHEMIAN RHAPSODY

Starring

Rami Malek (Mr. Robot)
Lucy Boynton (Murder On The Orient Express)
Gwilym Lee (The Last Witness)
Ben Hardy (X-Men: Apocalypse)
Joseph Mazzello (Jurssic Park)
Aidan Gillen (Game of Thrones)
Allen Leech (The Imitation Game)
Tom Hollander (Bird Box)
Mike Myers (Wayne’s World)
Aaron McCusker (Shameless)
Meneka Das (Another Year)
Ace Bhatti (Wish 143)
Priya Blackburn (Pulling)
Tim Plester (The Wrong Mans)
Dermot Murphy (Animals)
Michelle Duncan Atonement)

Rami Malek and Gwilym Lee in Bohemian Rhapsody (2018)In 1970 London, Farrokh “Freddie” Bulsara, an Indian Parsi refugee from Zanzibar, studies art at a college while working as a baggage handler at Heathrow Airport. At night, he often goes out with friends to listen to music. One night, after a show at a pub, Freddie goes to find the band, Smile, and with help from an attractive young woman in the hallway, Mary Austin, he finds the band outside and he compliments drummer, Roger Taylor and guitarist, Brian May on their performance. Learning that their lead singer, Tim Staffell, had just quit, Freddie offers himself as a replacement and demonstrates his vocal ability. Later, Freddie goes to Biba and sees Mary. She approaches and helps him choose some clothes, complimenting him on his style. They begin dating and move in together.Joseph Mazzello, Rami Malek, Gwilym Lee, and Ben Hardy in Bohemian Rhapsody (2018)With the addition of Freddie as lead singer, and bassist John Deacon, the band play gigs across Britain, selling out at pubs and universities. Freddie urges the band to think bigger and record an album. After selling their van, they book time late at night in a studio to produce their debut album. While recording with experimental sounds and techniques, an A&R rep from EMI Records watches them. He asks Roy Thomas Baker, the sound engineer, for demos. Soon, Freddie changes the band’s name to Queen and designs their logo. He also legally changes his name to Freddie Mercury.Joseph Mazzello, Rami Malek, and Ben Hardy in Bohemian Rhapsody (2018)The band signs with John Reid, Elton John’s manager, and receives a contract with EMI. An appearance on Top of the Pops gives Queen a hit record, “Killer Queen”. After touring to promote the album, Mary and Freddie become engaged. The album hits the charts in America, and, during the band’s sold out U.S. tour, Freddie begins questioning his sexuality.Rami Malek and Lucy Boynton in Bohemian Rhapsody (2018)In 1975, Queen record their fourth album, A Night at the Opera, but they leave EMI when executive Ray Foster refuses to release the six-minute song “Bohemian Rhapsody” as the album’s lead single. Freddie has DJ and friend Kenny Everett debut the song on the radio. Despite mixed reviews, “Bohemian Rhapsody” becomes a smash hit. During the world tour, Freddie begins an affair with Paul Prenter, the band’s Irish day-to-day manager. Mary breaks up with Freddie when he comes out to her as bisexual, although she assures him that he is gay. Despite this, they remain friends and she moves next door after he purchases an extravagant house in 1980.Rami Malek in Bohemian Rhapsody (2018)The band’s success continues, but tensions arise over the direction of their music and changes in Freddie’s attitude resulting from his relationship with Paul. After a lavish party at his new home, Freddie falls for Jim Hutton, a waiter at the party. They soon part ways, with Jim telling Freddie to find him when he learns to like himself. Following a successful live show performing “We Will Rock You”, Paul puts Reid up to proposing to Freddie that he should pursue a solo career and disband Queen, prompting Freddie to fire him without the consultation of the band, furthering the strain within the group. A press conference to promote the 1982 album, Hot Space, is hijacked by the press, who bombard Freddie with questions about his personal life and sexuality, to which Freddie responds with insults and refusals toward the press.Rami Malek, Gwilym Lee, and Ben Hardy in Bohemian Rhapsody (2018)Freddie’s relationship with his bandmates sours after the “I Want to Break Free” music video, in which the band appears in drag, is banned from MTV. He announces that he has signed a $4 million solo deal with CBS Records, effectively breaking up the band. He moves to Munich in 1984 to work on his first solo album, Mr. Bad Guy, and engages in gay orgies with Paul. Freddie becomes increasingly debauched from drugs and alcohol, and begins to become seriously ill. Mary, now pregnant by her new partner and increasingly concerned about Freddie, visits and urges him to return to the band, as they have been offered a spot in Bob Geldof’s benefit concert, Live Aid at Wembley Stadium.Joseph Mazzello, Rami Malek, and Gwilym Lee in Bohemian Rhapsody (2018)Discovering that Paul withheld this news from him, an enraged Freddie severs ties with him, having finally had enough of Paul’s lies and manipulative behavior. In retaliation, Paul goes public about Freddie’s sexual escapades. Freddie returns to London to ask for forgiveness from his bandmates and new manager Jim Beach. They are reconciled and are given a last-minute slot in Live Aid. With the outbreak of HIV/AIDS spreading worldwide, Freddie discovers that he is infected with the disease. He reveals this to his bandmates during a rehearsal, and they embrace.Joseph Mazzello, Rami Malek, Gwilym Lee, and Ben Hardy in Bohemian Rhapsody (2018)On the day of Live Aid, he is reunited with Hutton and Mary, and reconnects with his family and with his father’s Zoroastrian maxim, “Good thoughts, good words, good deeds.” The band performs at Live Aid, performing “Bohemian Rhapsody”, “Radio Ga Ga”, “Hammer to Fall” and “We Are the Champions”. The Live Aid set is a massive success, helping increase the rate of donations during the event. The film ends with a statement confirming that Freddie would remain friends with Mary and Jim for the rest of his life. It explains he would die on 24 November 1991 at 45 from AIDS-related pneumonia, how the band hosted a tribute concert for him, and how the Mercury Phoenix Trust would be founded in his honour to help AIDS victims.Rami Malek in Bohemian Rhapsody (2018)This movie is amazing. The acting, screenplay and of course music are out of this world. Definitely worth going to see!

REVIEW: THE LOST WORLD: JURASSIC PARK

JURASSIC PARK 2

CAST

Jeff Goldblum (The Fly)
Julianne Moore (Hannibal)
Pete Postlethwaite (Solomon Kane)
Vince Vaughn (Swingers)
Arliss Howard (Full Metal Jacket)
Richard Attenborough (Doctor Dolittle)
Peter Stormare (22 Jump Street)
Richard Schiff (The West Wing)
Joseph Mazzello (The Social Network)
Ariana Richards (Timescape)
Camilla Belle (When A Stranger Calls)
Robin Sachs (Buffy)
Marjean Holden (Vampire)
Michael Milhoan (That 70s Show)
Mark Pellegrino (Lost)

Four years after Jurassic Park was overrun by cloned dinosaurs on the Central American island of Isla Nublar, a young girl named Cathy Bowman wanders around on nearby Isla Sorna during a family vacation, and survives an attack by a swarm of Compsognathus. Her parents file a lawsuit against the genetics company InGen, now headed by John Hammond’s nephew, Peter Ludlow, who plans to use Isla Sorna to relieve the company of financial losses. Mathematician Dr. Ian Malcolm meets Hammond at his mansion. Hammond explains that Isla Sorna, abandoned years earlier during a hurricane, is where InGen created their dinosaurs before moving them to Jurassic Park on Isla Nublar. Hammond hopes to stop InGen by sending a team to Isla Sorna to document the dinosaurs, to help rally public support against human interference on the island. After learning that his girlfriend, paleontologist Dr. Sarah Harding, is part of the team and is already on the island, Ian agrees to go to Isla Sorna, but only to retrieve her.

Ian meets his teammates, Eddie Carr, an equipment specialist and engineer, and Nick Van Owen, a video documentarian. After arriving on the island, they locate Sarah and discover that Ian’s daughter, Kelly, had stowed away in a trailer being used as a mobile base. They then watch as an InGen team of mercenaries, hunters and paleontologists led by Ludlow arrive to capture several dinosaurs. Meanwhile, team leader Roland Tembo hopes to capture a male Tyrannosaurus by luring it to the cries of its injured infant. That night, Ian’s team sneak into the InGen camp and learn the captured dinosaurs will be brought to a newly proposed theme park in San Diego. This prompts Nick and Sarah to free the caged dinosaurs, wreaking havoc upon the camp.

Nick also frees the infant T. rex and takes it to the trailer to mend its broken leg. After securing Kelly with Eddie, Ian realizes the infant’s parents are searching for it and rushes to the trailer. As soon as Ian arrives, the infant’s parents emerge on both sides of the trailer. The infant is released to the adult T. rexes, which then attack the trailer, pushing it over the edge of a nearby cliff. Eddie soon arrives, but as he tries to pull the trailer back over the edge with an SUV, the adult T. rexes return and devour him. The trailer and the SUV both plummet off the cliff. Ian, Sarah, and Nick are rescued by the InGen team, along with Kelly. With both groups’ communications equipment and vehicles destroyed, they team up to reach the old InGen compound’s radio station on foot.

The next night, the two adult T. rexes find the group’s camp. The female T. rex chases the group to a waterfall cave, while Roland tranquilizes the male. Much of the remaining InGen team is killed by Velociraptors while fleeing through a tall grass savannah. Nick runs ahead to the communications center at the InGen Worker’s Village to call for rescue. When Ian, Sarah and Kelly arrive, they are attacked by the raptors. They evade the raptors until a helicopter arrives and transports them off the island.

A freighter transports the male T. rex to the mainland, but crashes into the dock after the crew is killed by a creature of unknown species. A guard opens the cargo hold, accidentally releasing the T. rex, which escapes into San Diego and goes on a rampage. Ian and Sarah retrieve the infant T. rex from a secure InGen building and use it to lure the adult back to the ship. Ludlow tries to intervene but is trapped in the cargo hold by the adult T. rex and mauled by the infant. Before the adult can escape again, Sarah tranquilizes it while Ian closes the hold. The T. rexes are escorted back to Isla Sorna, and Hammond says that the American and Costa Rican governments have agreed to declare the island a nature preserve, affirming that “life will find a way”.

It’s by no way a cheap show, and there are plenty of fun moments. Vince Vaughn and Pete Postlethwaite have fairly interesting characters, even if the rest of the supporting cast is along just to be eaten alive.

REVIEW: JURASSIC PARK

JURASSIC PARK 1

CAST

Sam Neill (The Piano)
Laura Dern (Everything Must Go)
Jeff Goldblum (The Fly)
Richard Attenborough (Doctor Dolittle)
Joseph Mazzello (The Social Network)
Ariana Richards (Timescape)
Bob Peck (The Storyteller)
Martin Ferrero (Get Shorty)
Wayne Knight (3rd Rock From The Sun)
Samuel L. Jackson (Avengers Assemble)
Miguel Sandoval (Collateral Damage)
B.D. Wong (Gotham)

Industrialist John Hammond and his bioengineering company, InGen, have created a theme park called Jurassic Park on Isla Nublar, a tropical Costa Rican island populated with cloned dinosaurs. After one of the park workers is killed by a Velociraptor, the park’s investors, represented by lawyer Donald Gennaro, insist that experts visit the park and certify it as safe. Gennaro invites mathematician Ian Malcolm, while Hammond invites paleontologist Dr. Alan Grant and paleobotanist Dr. Ellie Sattler. Upon arrival, the group is stunned to see a live Brachiosaurus.

At the visitor center, the group learns that the cloning was accomplished by extracting dinosaur DNA from mosquitoes that had been preserved in amber. DNA from frogs was used to fill in gaps in the dinosaur genomes. To prevent breeding, all the dinosaurs were made female. Malcolm scoffs at the idea of such controlled breeding, declaring it impossible. The crew witness the birth of a baby raptor and visit the raptor enclosure. Grant, Sattler, and Malcolm have reservations about the idea of resurrecting dinosaurs, but Hammond and Gennaro dismiss their fears.

The group is then joined by Hammond’s grandchildren, Lex and Tim Murphy, for a tour of the park, while Hammond oversees the trip from the park’s control room. The tour does not go as planned, with the dinosaurs failing to appear. The group later encounters a sick Triceratops. The tour is cut short as a tropical storm approaches Isla Nublar. Most of the park employees depart on a boat for the mainland and the visitors return to their electric tour vehicles, except Ellie, who stays with the park’s veterinarian to study the Triceratops.

Jurassic Park’s computer programmer, Dennis Nedry, has been bribed by Dodgson, a man involved with a corporate rival, to steal dinosaur embryos. Nedry deactivates the park’s security system to gain access to the embryo storage room. Nedry stores the embryos inside a canister disguised as Barbasol shaving cream, supplied by Dodgson. Because of Nedry, the power goes out and the tour vehicles become stuck. Most of the park’s electric fences are deactivated as well, allowing the Tyrannosaurus to escape and attack the tour group. Grant, Lex, and Tim escape while the Tyrannosaurus injures Malcolm and devours Gennaro. On his way to deliver the embryos to the island’s docks, Nedry becomes lost in the rain, crashes his Jeep, and is killed by a Dilophosaurus.

Sattler assists the park’s game warden, Robert Muldoon, in a search for survivors, but they only find an injured Malcolm before the Tyrannosaurus returns. Grant, Tim, and Lex spend the night in a tree, and befriend a Brachiosaurus. Later, they discover the broken shells of dinosaur eggs. Grant concludes that the dinosaurs have been breeding, which occurred because of their frog DNA—West African bullfrogs can change their sex in a single-sex environment, allowing the dinosaurs to do so as well, proving Malcolm right.

Unable to decipher Nedry’s code to reactivate the security system, Hammond and the park’s chief engineer Ray Arnold opt to reboot the entire park’s system. The group shuts down the park’s grid and retreats to an emergency bunker, while Arnold heads to a maintenance shed to complete the rebooting process. When Arnold fails to return, Sattler and Muldoon head to the shed. They discover the shutdown has deactivated the remaining fences and released the raptors. Muldoon distracts the raptors while Sattler goes to turn the power back on before being attacked by a raptor and discovering Arnold’s severed arm. Meanwhile, Muldoon is caught off-guard and killed by the other two raptors.

Grant, Tim and Lex reach the visitor center. Grant heads out to look for Sattler. Tim and Lex are pursued by the raptors in an industrial kitchen, but they escape and join Grant and Sattler. Lex restores full power from the control room, allowing the group to call for help. The group is cornered by the raptors, but escape when the Tyrannosaurus suddenly appears and attacks the raptors. Hammond arrives in a Jeep with Malcolm, and the entire group boards a helicopter to leave the island.All these years later, the leaps in visual magic that made Jurassic Park such an eye-opening experience at the time still impress, in a film loaded with thrill-ride action, some genuine scares and suspense and general filmmaking expertise on the part of Spielberg and his team.

 

 

REVIEW: THE SOCIAL NETWORK

 

CAST

Jesse Eisenberg (Batman v Superman)
Andrew Garfield (The Amazing Spider-Man)
Armie Hammer (The Lone Ranger)
Justin Timberlake (Friends With Benefits)
Rooney Mara (Her)
Dakota Johnson (Fifty Shades of Grey)
Rashida Jones (I Love You, Man)
Josh Pence (The Dark Knight Rises)
Malese Jow (The Vampire Diaries)
Lacey Beeman (Power Rangers Time Force)
Jason Flemyng (Snatch)
Jessie Heiman (Chuck)
Riley Voelkel (The Originals)
Joseph Mazzello (Jurassic Park)
Barry Livingston (Argo)
Max Minghella (Horns)
Brenda Song (Dads)
Oliver Muirhead (Like Crazy)
Caleb Landry Jones (Get Out)

MV5BZmRiMzA2MzAtNzAxZC00M2EyLTg1NDctODJkOWQ1MGEyM2UzXkEyXkFqcGdeQXVyMzY5MzAxMDc@._V1_David Fincher’s The Social Network is a business procedural played with the intensity of a thriller and the ingenuity of a screwball comedy. It’s something of a departure for the filmmaker, whose pictures lean toward visual pyrotechnics and darker, more disturbing themes. Handling a screenplay by Aaron Sorkin that consists primarily of people in rooms talking, and in which the violence is purely psychological, he curbs his occasional excesses and cooks up his most satisfying film to date. Though mining (with some significant departures from the official record) the origin story of Facebook, a presumably of-the-moment phenomenon, Fincher and Sorkin have made a movie that is about more than its ostensible subject. Yes, The Social Network examines, at least implicitly, the cultural moment that precipitates the explosion of a site that aims specifically to make the social experience a virtual construct. But where the film strikes oil is in understanding the kind of guy who would want to create that experience.His name is Mark Zuckerberg (Jesse Eisenberg), and the opening scene that introduces him is a whiz-bang Sorkin special–a flurry of rat-tat-tat dialogue and cranked-up interplay in which characters talk non-stop while revealing themselves only accidentally. Zuckerberg, a smug Harvard sophomore obsessed with the university social hierarchy that he cannot penetrate, is out with his girlfriend Erica (Rooney Mara); he clearly sees himself as smarter than her (she attends lowly Boston University), but she’s so adroit at conversational maneuvers that before he realizes it, she’s broken up with him. Depressed and half-drunk, he goes back to his dorm, blogs some hurtful things about her, and concocts a website called “facemash” that pulls pictures from campus sites and lets students rank the women against each other. Fincher gives this embryonic sequence the finesse and energy of an action scene–particularly as he intercuts the rich and powerful “club” kids living the life Mark longs for, the velvety seductiveness of the haves in sharp contrast to the laptop tappings of the have-nots.MV5BYjUyYzEzNTMtYzVlYS00ZDJlLWE0MzAtZDU0ZWM2YjE3NWU4XkEyXkFqcGdeQXVyMzQ3Nzk5MTU@._V1_The program crashes Harvard’s server and gets him called on the university carpet, but it also catches the attention of would-be power broker Divya Narenda (Max Minghella) and irritatingly entitled rich twins Tyler and Cameron Winlevoss (both played by Armie Hammer). The trio approaches Mark with an idea for a new networking site–“The Harvard Connection,” a school-wide apparatus for profiles, pictures, and so on. Mark jumps in, but decides almost immediately that he can do this thing better than they can; he builds on the concept, hits up his best friend–and occasional conscience–Eduardo Saverin (Andrew Garfield) for a grand or so in start-up funds, and launches his version, “the facebook.”The complex saga of the rise of Facebook (and of Zuckerberg) is told in interlocking depositions (“I’m currently in the middle of two lawsuits,” Mark explains, somewhat impatiently), which sounds like the dullest imaginable framework for a narrative. But the picture gets a kick from Sorkin’s distinctive conversational rhythms and considerable skills as a wordsmith. The Social Network is a whirlwind of talk–invigorating, intelligent, fast-paced dialogue, from the throwaway lines to the occasional loquacious show-stopper. Every Sorkin script has one (Nicholson’s “You can’t handle the truth” bit in A Few Good Men is the obvious example, though Baldwin’s “I am God” speech in Malice is nearly as quotable); here, it comes when the Winlevosses’ lawyer asks Mark, “Do I have your full attention?,” unleashing a perfect storm of Sorkinian attitude, snark, and barely-contained impatience. “You have part of my attention–you have the minimum amount,” Mark snaps. “The rest of my attention is back at the offices of Facebook, where my colleagues and I are doing things that no one in this room, including and especially your clients, are intellectually or creatively capable of doing. Did I adequately answer your condescending question?”Performances are universally strong–Andrew Garfield (The Amazing Spiderman) is immensely likable and marginally heartbreaking, Hammer’s double-playing is simple but effective, and Timberlake, as the well-connected but semi-flaky Parker, handily sells his multi-layered portrait of the guy who knows all the angles but can’t quite hide his own rough edges. But Eisenberg’s is the breakthrough performance; as good as he’s been as shy, stuttering, would-be intellectuals in Adventureland and Zomiebland, this is a darker and more complicated piece of work. His performance here is somehow both showy and deftly underplayed–you get the sense, from that very first scene, that he’s already tired of always being the smartest guy in the room.Jesse Eisenberg in The Social Network (2010)When The Social Network was announced, it seemed such an oddball project that snickers and jeers were the prevailing response (. But from the unveiling of its mesmerizing trailer, it was clear that this wasn’t just “the Facebook movie,” any more than Citizen Kane was a film about newspapers.