REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

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REVIEW: JUSTICE LEAGUE: CRISIS ON TWO EARTHS

CAST (VOICES)

William Baldwin (Backdraft)
Mark Harmon (NCIS)
Chris Noth (Sex and The City)
Gina Torres (Firefly)
James Woods (Family Guy)
Jonathan Adams (Bones)
Brian Bloom (The A-Team)
Bruce Davison (High Crimes)
Josh Keaton (Transformers Prime)
Vanessa Marshall (STar Wars Rebels)
Nolan North (Ultimate Spider-Man)

In an alternate universe where evil usually triumphs over good and where the roles of the heroes and villains are reversed from their counterparts in the mainstream DC Universe, heroic analogues of Lex Luthor and the Joker (called the Jester) are attempting to steal a device, the “Quantum Trigger”, from the headquarters of the Crime Syndicate. The pair trip an alarm but manage to secure the device. The Jester sacrifices himself to allow Luthor to escape and kills J’edd J’arkus and Angelique (alternate versions of Martian Manhunter and Hawkgirl respectively) with a radioactive bomb. Luthor is confronted by the remaining Syndicate members (Ultraman, Superwoman, Power Ring, Johnny Quick and Owlman) but escapes to the Earth of the heroic Justice League by activating a dimensional travel device.

Luthor locates a police station and is mistaken for the evil Luthor where he ends up strip-searched. The Justice League is summoned and Superman’s x-ray vision confirms Luthor’s reversed organs indicate that he is from a parallel Earth and that the evil Luthor is still incarcerated at Stryker’s Island. The Justice League take the alternate Luthor to the Watchtower, where they learn of the Syndicate threat. As the Justice League debates the matter, Luthor hides the Quantum Trigger on the satellite. With the exception of Batman, the rest of the Justice League (Superman, Wonder Woman, Green Lantern, Flash and Martian Manhunter) travel to Luthor’s Earth. Arriving at the parallel Justice League’s base, the heroes begin to attack Syndicate targets. After a successful series of raids in which they capture Ultraman, the League confront United States President Slade Wilson, who releases Ultraman and explains that acceding to the Syndicate’s demands saves millions of lives. His daughter, Rose, however, regards him as a coward. Martian Manhunter inadvertently reads her mind and explains that as a military man her father actually holds life more dear than others. Martian Manhunter foils an assassination attempt on Rose and the pair fall in love.

Owlman constructs a weapon, the Quantum Eigenstate Device or Q.E.D., which the Syndicate intend to use as the equalizer to the threat of a nuclear reprisal. When pressed by Superwoman, Owlman admits the weapon can destroy entire worlds. Believing there are many parallel Earths, and that each one develops from the choices that each person makes, Owlman becomes obsessed with the idea that nothing he does can possibly matter, as there will always be parallel worlds where he explored another option. As a result, he begins fervently seeking Earth-Prime, the very first Earth from which all other universes originated, intending to use the Q.E.D. to destroy it and spark a chain reaction that would erase the entire multiverse, as it is the only action that would not result in the creation of another universe. He then sends Superwoman with three of her lieutenants to the League’s dimension, and on the Watchtower they battle Batman, Aquaman, Black Canary, Black Lightning, Firestorm, and Red Tornado. Superwoman and one of her lieutenants escape with the Quantum Trigger, but are followed by Batman.

Batman tricks and defeats Superwoman, and summons the League. J’onn and Rose bond, and Rose decides to learn the location of the Syndicate base to allow the Justice League to confront them. The League arrive at the Crime Syndicate’s moon-base with the captive Superwoman, and eventually battle the Syndicate. Owlman fights off Batman and takes the Q.E.D. bomb to Earth-Prime, finding it to be uninhabited and lifeless, having suffered an unknown cataclysm that caused it to leave solar orbit. Luthor speculates that a speedster might be able to vibrate and match the temporal vibration of the teleported Q.E.D. device and open a portal. Flash volunteers but Batman states that he isn’t fast enough, only Johnny Quick is. Johnny agrees and opens a portal.

Batman pursues Owlman to Earth-Prime and defeats him. He then teleports Owlman and the Q.E.D. device to another lifeless, uninhabited Earth. Although Owlman is able to abort the countdown and save himself, he realizes an alternate version of himself would make the opposite choice regardless, stating “It doesn’t matter.”, and allows the bomb to detonate and destroy that alternate Earth, killing himself in the process. Batman returns to discover that the strain of acting as a vibratory conduit has aged Johnny Quick to near death. Before dying, Johnny correctly deduces that Batman had lied about Flash not being fast enough and knew what would happen to him. Despite this, he shows no ill will toward Batman, dying with a smile. Martian Manhunter returns, accompanied by President Wilson and the U.S. Marines, and together they arrest Ultraman, Superwoman, and Power Ring. Wilson thanks the heroes, and although Rose asks Martian Manhunter to remain with her, the group return to their dimension. Batman and Superman later discuss a membership drive, with the five heroes summoned previously greeting the League.

This movie is smart, interesting, and grabs you from the get-go. The action is top notch, the animation is ultra sweet, and if these direct-to-video DC Universe movies have proven anything, it’s that they know how to make a good Justice League flick.

REVIEW: NO ORDINARY FAMILY

MAIN CAST
Michael Chikilis (Gotham)
Julie Benz (Angel)
Kay Panabaker (Two and a Half Men)
Jimmy Bennett (The Amityville Horror)
Autumn Reeser (Human Target)
Romany Malco (Blades of Glary)
Stephen Collins (Star Trek: The Motion Picture)
RECURRING / NOTABLE GUEST CAST
Christina Chang (28 Days)
Tate Donovan (Argo)
Jamie Harris (Agents of S.H.I.E.L.D.)
Josh Stewart (The Dark Knight Rises)
Jason Antoon (Minority Report)
Reggie Lee (Drag Me To Hell)
Joanna Walsh (Faster)
Guillermo Diaz (The Terminal)
Jonathan Adams (Bones)
Rahcel Miner (The Butterfly Effect 3)
Max Greenfield (New Girls)
Amy Gumenick (Arrow)
Jackson Rathbone (Twilight)
Cybill Shepherd (Moonlighting)
Bruce McGill (Collateral)
Amy Acker (Dollhouse)
Mimi Kennedy (Mom)
Katelyn Tarver (Dead on Campus)
Annie Wersching (The Vampire Diaries)
Jason Wiles (Zodiac)
Luke Kleintank (Bones)
Rebecca Mader (Lost)
Joanne Kelly (Mutant X)
Katrina begin (Zookeeper)
Betsy Brandt (Breaking Bad)
Ethan Suplee (My Name Is Earl)
Anthony Michael Hall (The Dead Zone)
Tricia Helfer (Battlestar Galactica)
Eric Balfour (Skyline)
Lucy Lawless (Ash vs Evil Dead)
Robert Picardo (Star Trek: Voyager)
Michael Maize (Eagle Eye)

The Powells are a typical American family living in fictional Pacific Bay, California, whose members gain special powers after their plane crashes in the Amazon. The show is very light hearted and manages to mix comedy with action and drama extremely well. The family are quite cliché and the powers aren’t exactly ‘original’ but they make it work.The cast do a great job portraying their characters, Michael Chiklis (Star of The Shield and Fantastic Four) does a brilliant job as the father while Julie Benz (formerly Rita Morgan in Dexter) puts on a strong performance as the mother of the family. You also have Kay Panabaker and Jimmy Bennett as the kids.

The character development in this series is great and the story is  highly entertaining. The characters relationships are believable and very engrossing. I think the pairing of Jim Powell (Michael Chiklis) and George St. Cloud (Romany Malco) is brilliant. The second prize for most hilarious character in this show has to go to Stephanie Powells best friend and work colleague Katie Andrews (Played by Autumn Reeser), she is incredibly geeky and so socially awkward, hilarious to watch.

It’s light hearted, fun and easy to watch. Yes it has the sci-fi/fantasy element to it which is akin to shows like Chuck, Heroes, Supernatural, Buffy, Smallville etc. But it also has a more family oriented feel to it at times and what this show does brilliantly is applying super powers to every day events. A lot of people have been comparing it heroes but I find it far to light hearted to be compared to heroes. It’s nowhere near as dark and serious and has far more comedy integrated throughout. I’d say it’s more like Chuck than Heroes. It was cancelled after only 1 season but still its very much worth a watch.

12 DAYS OF CHRISTMAS REVIEW: BONES – THE MAN IN THE FALLOUT SHELTER

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CAST
Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Timecop 2)
Zach Millegan (On_Line)
Jonathan Adams (Osmosis Jones)
THE MAN IN THE FALLOUT SHELTER
GUEST CAST
Jim Ortlieb (Roswell)
Heavy D (The Cider House Rules)
Billy Gibbons (Two and A Half men)
This holiday episode based on events happening on Christmas Eve. On December 23, Booth brings in the skeletal remains of a man found dead in a bomb shelter discovered recently. Everyone is in Christmas-Eve mode with a company party going on upstairs. Bones and the rest of the team start investigating the dead man’s story when Zack triggers the bio-hazard alarm while cutting through the skeleton. The lab is shut down for containment and every one is under quarantine based on the discovery of a fungus causing Valley fever (even though it’s not actually contagious). The prospect of spending the two mandatory quarantine days away from friends and family makes everyone morose. Booth develops a side-effect of euphoria due to drugs given to immunize them from the disease. The case, meanwhile, progresses into the discovery of a love affair between the dead man, Lionel Little, who worked as a lease inspector for a company called Silver Cloud Petroleum and had a coin collection, and his black cleaning lady (Ivy Gillespie) in the late 1950s. Due to the oppressive racial climate in the US, they planned to emigrate to France. Lionel tried to sell his valuable coin collection to a shifty con artist who murdered Lionel to procure the collection (worth approximately $8000 at the time). An emotional segment in the show occurs when everyone gets to meet their family and friends with Christmas carols crooning in the background. We find out that Booth has a 4-year-old son named Parker (because his mother didn’t marry him, his parental rights are vague), and that Billy Gibbons from ZZ Top is Angela’s father.
With everyone else in the lab celebrating Christmas with secret Santa gifts, Bones decides to track down Ivy and reveal the lethal mystery behind Lionel’s disappearance to her. Bones does this on Angela’s advice. Angela says that Bones must find Ivy so she can have the closure that Temperance herself never had (her parents disappeared when she was 15, and no information has been uncovered regarding their whereabouts). Bones, listening to her friend, goes to her office and starts making phone calls trying to locate Ivy Gillespie. Finally, on Christmas morning, she finds Ivy’s granddaughter who provides information to contact her.Bones asks Booth to look at the penny they found in Lionel’s pocket. She scanned it to find out that it was actually a copper penny minted in 1943, unlike almost all pennies from that time that were made of zinc clad steel to conserve copper for World War II. Today, there are just 12 of them and it is worth over $100,000 dollars. Dr. Goodman enters telling them that it is time for the results.
They are all together waiting for the results as the Head of the Jeffersonian and other guys in biohazard suits are running them in a computer and a green light turns on. They remove their helmets and one of them tells “Merry Christmas”. They all start walking out the Jeffersonian but Temperance stays behind. When Booth realizes it he stops and turns to her, she just says: “Go, go have Christmas. Wish your boy a Merry Christmas from me,” to which he says: “I’m at Wong Foo’s if you decide you want company. Merry Christmas Bones,” and he leaves. A young and an elderly woman came in the lab. They are Lisa Pearce (granddaughter) and Ivy Gillespie. Bones takes them to her office and she starts explaining all that happened. Ivy starts crying when she realizes that she wasn’t abandoned by Lionel; that he was actually trying to keep his promise to go to Paris. But that is not all the happiness that Temperance gave them. Lisa wants to be a doctor but can’t afford it, but Brennan gives her and her grandmother Lionel’s 1943 bronze penny, worth over $100,000. After visiting Booth at Wong Foo’s, Bones returns to the lab alone and retrieves several wrapped gifts and cards from an old suitcase; it was previously explained that when her parents went missing around Christmas, Brennan had childishly refused to open their presents to her until they returned – which they never did. Sitting alone on the couch with Angela’s holographic Christmas tree and leftover decorations still up, Temperance finally opens her parents’ gifts to her and smiles through her tears.
One of my all time Christmas specials of all time, it has everything a special should be and is very heartwarming to watch on Christmas Day

REVIEW: DOCTOR STRANGE (2007)

 

CAST (VOICES)

Bryce Johnson (Son of Zorn)
Paul Nakauchi (Beware The Batman)
Kevin Michael Richardson (The Cleveland Show)
Michael Yama (Click)
Susan Spano (Eugene)
Jonathan Adams (Bones)
Fred Tatasciore (Hulk Vs0
Josh Keaton (Green Lantern: TAS)
Tara Strong (Sabrina Down Under)
Phil LaMarr (Free Enterprise)

The story is as archetypical and straightforward as any such comic-book concoction. The arrogant, emotionally closed-off Dr. Strange is offered an equally strange glimpse behind the world’s secret, magical curtain only moments before a car accident renders his surgically-perfect hands nearly useless. All seems lost before a mysterious figure points him toward a monastery in Tibet where, it is said, his hands can be healed. Of course, no Tibetan monastery is complete without an ancient band of magical warriors, their powerful-but-elderly leader, a traitorous rogue, a dangerously demonic threat and, of course, a high-octane training montage or two. And before Strange can even write a prescription – he’s been selected as the group’s newest apprentice (and soon-to-be leader) and tasked with thwarting the return of the great demon – Dormammu.


The rest plays out as expected, featuring epic battles against giant creatures with mystical runes and colorful spells, and a handful of well-imagined sword fights. Most surprising, perhaps, is the effectiveness of these action sequences – beautifully choreographed and emotionally resonant as the film pulls few punches in killing its characters after first endearing you to them. There’s a greater depth here than similar movies usually attain, and the subtle blending of solid character work, inspired action and expert filmmaking allow Doctor Strange to rise above the ordinary direct-to-DVD animated adaptation.

The film, however, is not without its flaws – which largely stem from the restraints of the source material. The middle section of the film sags where it should prove most interesting, and the viewer is never fully made to believe that Strange finds any particular awe – as any honest man would – at the magic which all too quickly surges from his fingertips. Rather, he takes up the mantle of “hero” without much resistance, doubt or fascination – a function, really, of the storytelling format, but in a film which succeeds so well in the creation of its supporting characters, one expects more from the man at its center.


But taken as it is – a “hero’s journey,” comic-book, magic-filled adventure film – Doctor Strange is certainly capable of curing the worse disease of all boredom. So take up your cloak, fire off a few incantations and check out this magical DVD.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: BLACK PANTHER

CAST (VOICES)

Djimon Hounsou (Stargate)
Carl Lumbly (Alias)
Stephen Stanton (Star Wars: The Clone Wars)
Kerry Washington (Django Unchained)
Alfrie Woodard (Star Trek: First Contact)
Jill Scott (Girlfriends)
Phil Morris (Smallville)
Rick D. Wasserman (Planet Hulk)
JB Blanc (War Dogs)
Kevin Michael Richardson (The Cleveland Show)
Jonathan Adams (Bones)
Taye Diggs (Equilibrium)
Phil LaMarr (Free Enterprise)
Adrian Pasdar (Heroes)
Stan Lee (Chuck)

The concept of the motion comic is controversial to say the least. Many comic purists would argue they are pointless endeavors, while others, like myself find them an interesting supplement and even more a way to get those uninterested in comics to seek them out, provided they enjoy the program.

The newest release in the series may be their biggest yet, produced not just for DVD but as six-episode animated series. With “Black Panther,” Marvel adapts Hudlin’s own take on the character from 2005 and the end result will induce much headshaking and confusion.

Unlike the previous two installments in the Marvel Knights Animation line, I had not read the original source material, however, it’s safe to say, with the author being directly involved in the adaptation, it likely follows the comics quite closely. The most apparent change viewers familiar with the motion comic concept will notice is the consistency in runtime. Each episode runs around 18 minutes long and is paced like an episode of a TV-series. There are no more abrupt endings as before and this is a truly welcome change. Also worth noting is the star power in the voice cast. Hudlin has secured veteran voice actors Kevin Michael Richardson and Nolan North, as well as Hollywood stars Alfre Woodard, Kerry Washington, and in the title role Djimon Hounsou. It’s all downhill from this point, with Hounsou’s involvement being the only positive memorable aspect of a disaster of a series.


“Black Panther” is a muddled mess, attempting to weave an origin story amidst a half-baked plot against our hero’s life by a band of largely second (or even third) rate villains. The tone of the entire series is wildly inconsistent; one minute our villains will be bickering with each other in classic Saturday morning cartoon fashion, giving the impression the series is lighthearted, but all this comes following an intro that is decidedly more mature, featuring tribal warriors getting impaled on sinister traps and severed Nazi heads on pikes. Add to that a very mean spirited tone, resulting from most characters not related to Black Panther being either stupid, bigoted, or both and the 132 minute runtime feels achingly brutal.

Comic book fans may immediately take issue with the series’ sad attempt to establish dominance of the Black Panther by having him swiftly defeat Captain America in hand-to-hand combat. The character doesn’t need such a wildly unbelievable fight to appeal to audiences, nor does he need the sympathy formed from broad stereotypes attempting to hold him down because he’s the leader of a small African nation. What should be a fun fantasy tale is instead drenched in an underhanded political theme that is downright tiresome and boring; if more time was given to developing supporting characters, a little bit of preaching would have been tolerable. To Hudlin’s credit, his take on Black Panther or T’Challa (Hounsou) is a fascinating, three-dimensional creation, and his home country of Wakanda is given admirable life and scope. Hounsou brings strong balance of kindness and fierceness to the role, and a scene midway through the series where he removes his mask to speak to a boy who worships him as a god, is one of the more heroic and humble moments I’ve seen in a superhero adaptation.
On the flipside, Kerry Washington, delivers a strangely overacted vocal performance as T’Challa’s sister, while Stephen Stanton is in full on, evil for evil’s sake mode, as Klaw, the main villain, an assassin responsible for murdering T’Challa’s father decades earlier, who returns to finish killing the royal family. The less said of Klaw’s inept cadre of support, the better, but the Vatican Black Knight is worth mentioning of only for the fact his character adds another layer into the theme of the evil Western world; not only does a rival nation want Wakanda overthrown, but so does the US (led by a cartoonish and ignorant General voiced by Stan Lee), and yes, the Pope. As a final insult to comic fans, Hudlin shoehorns in the story of T’Challa’s romance with Ororo Munroe, or Storm as she’s more commonly known. The addition is nothing more than a way to artificially extend the overly long runtime of the series and find an excuse for a few worthless X-Men cameos.

“Black Panther” is heavily dissappointing, and it’s a damn shame, as there is great potential with the character. The writing has a bad pace to it; dialogue driven scenes are sometimes choppy, flashbacks are overused (even as an origin story), and the action sequences often have great buildup but result in a sad whimper in terms of execution; a half-assed inclusion of zombies in the final episode tempts me to a giant stamp of “fail” on the series, but there are more than a few Panther centric moments to elevate it from the lowest possible rating. Animation wise, John Romita Jr’s art style translates horribly to the motion comic format, and some sequences are animated in a amateurish fashion at best; the fact I waited this long to mention it, is a strong indicator of how forgettable it is. There are strong talks that the Black Panther will see life on the big screen and I’ll reiterate again, Hounsou deserves a shot at the role, however, I hope this series is used as an example of what not to do.