HALLOWEEN OF HORROR REVIEW: ADDAMS FAMILY VALUES

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CAST

Anjelica Huston (50/50)
Raul Julia (Street Fighter)
Christopher Lloyd (Back To The Future)
Christina Ricci (Lizzie Borden Took An Axe)
Jimmy Workman (As Good AS It Gets)
Joan Cusack (Working Girl)
Carol Kane (Gotham)
Carel Struycken (The Witches of Eastwick)
David Krumholtz (Serenity)
Dana Ivey (Two Weeks Notice)
Christopher Hart (Idle Hands)
Peter MacNicol (Agents of S.H.I.E.L.D.)
Christine Baranski (The Big Bang Theory)
John Franklin (Children of The Corn)
Mercedes McNab (Angel)
Cynthia Nixon (Sex and the City)
David Hyde Pierce (Hellboy)
Peter Graves (Airplane)
Monet Mazur (Just Married)
Ian Abercrombie (Birds of Prey)
Tony Shalhoub (Men in Black)
Sam McMurray (Drop Dead Gorgeous)
Nathan Lane (The Producers)

addams-family-values-DI-2One of the rare sequels that actually equals the output of the first film, “Addams Family Values” shows the material still has enough not yet mined for a second picture – it works. I wouldn’t think of doing another one of these pictures, but “Addams Family Values” manages to be successful, mainly due to the return of director Barry Sonnenfeld, who gets the tone and humor exactly right. Not only that, but he even has a small role in the picture.
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The film starts off with Morticia(Angelica Huston) announcing that she’s going to have a baby. “Right now”, she says, in her usual deadpan manner. Taking enjoyment in the pain of delivery, the Addams soon have another member of the family, which they name Pubert. They find the need for a nanny to take care of the new addition, and Debbie Jalinsky(Joan Cusack) arrives. At first, she seems like the perfect nanny. She’s good with the children and doesn’t seem to mind the upside-down world the Addams live in.

Soon though, her intentions are revealed. She marries rich men and her newest target is Fester(Chistopher Lloyd). While the gags during the early portion of the film when the baby is new in the house are funny, there are a number of equally funny moments when the two kids are sent to Summer camp.addams-family-value-stillIt’s a very funny movie and a solid sequel, proving that the characters had enough good material to make a second movie work.

HALLOWEEN OF HORROR REVIEW: THE ADDAMS FAMILY (1991)

CAST

Anjelica Huston (50/50)
Raul Julia (Street Fighter)
Christopher Lloyd (Back To The Future)
Christina Ricci (Lizzie Borden Took An Axe)
Jimmy Workman (As Good AS It Gets)
Dan Hedaya (Commando)
Elizabeth Wilson (The Graduate)
Judith Malina (When In Rome)
Carel Struycken (The Witches of Eastwick)
Dana Ivey (Two Weeks Notice)
Christopher Hart (Idle Hands)
John Franklin (Children of The Corn)
Mercedes McNab (Angel)

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After so many attempts at making feature films out of old TV series have failed, the handful that actually are successful and creative stand out. In recent times, “The Addams Family” is certainly one of the best. Director Barry Sonnenfeld is at his best here, and he’s lucky to be surrounded with the perfect cast.


We’re introduced to the family; Morticia(perfectly played by Angelica Huston), Gomez (a wonderful performance with great energy by Raul Julia) and the two children, Wednesday(a perfect Christina Ricci) and Pugsley. Instead of the usual fights between children, the two go after one another with deadly weapons. And in the film’s best non-speaking role we have Thing, a hand that races around the house and acts as sort of a family pet. There’s also the film’s other “star”, the Addams mansion, which has been built down to the last detail.The plot revolves around the “appearance” of Gomez’s long-lost brother, Uncle Fester. This Fester (Christopher Lloyd) though, is an impostor, planning to raid the Addams vault and the plan is brought together by the family lawyer (Dan Hedaya).

The movie occasionally has a few slow points, but it’s a lot of fun and the performers seem to have enjoyed their roles as well. The cinematography is a lot of fun as the camera rockets through the various halls of the house. It’s the performances though, that capture the characters perfectly. A very good first directing effort from Sonnenfeld.

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 1

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)
Renn Woods (Church)

Ron Perlman and Roy Dotrice in Beauty and the Beast (1987)

RECURRING / NOTABLE GUEST CAST

John McMartin (No Reservations)
Don Stark (That 70s Show)
Ray Wise (Robocop)
Michael Bacall (Gangster Squad)
Dorian Harewood (Earth: Final Conflict)
Delroy Lindo (Get Shorty)
Edward Albert (Elliot Burch)
Richard Biggs (Babylon 5)
Mayim Balik (The Big Bang Theory)
Jeffrey Combs (The Frighteners)
Nancy Lenehan (Catch Me If You Can)
Ellen Albertini Dow (Wedding Crashers)
Christian Clemenson (Apollo 13)
Paul Gleason (Die Hard)
Cliff De Young (The Craft)
Vito D’Ambrosio (The Flash)
Richard Herd (V)
Jason Bernard (Liar Liar)
John M. Jackson (Bones)
John Franklin (Children of The Corn)
Rutanya Alda (The Deer Hunter)
James Avery (The Fresh Prince of Bel-Air)
Rosalind Chao (Star Trek: DS9)
James Hong (Blade Runner)
Tony Jay (Lois & Clark)
Jeffrey Nordling (Flight 93)
Bruce Abbott (The Net)
Raymond Cruz (Breaking Bad)
Alan Blumenfeld (Heroes)
Armin Shimerman (Buffy: TVS)
David Greenlee (Fame)
Mimi Craven (Vampire Clan)
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Back during Beauty and the Beast’s brief three season run, there were numerous letter writing and phone call campaigns by rabid fans who tried desperately to keep the show from getting the axe. Never a top ratings winner, its fate on the network schedule was always at risk, and yet, the fans made it known how they felt, and they may have indeed saved the show on more than one occasion.batman-ninjaBeautiful corporate lawyer Catherine Chandler (Linda Hamilton) chafes at the restrictions imposed on her life. She works for her father Charles (John McMartin), a highly successful New York City lawyer, but doesn’t feel what she does is necessary or that she’s achieving anything independent of his influence. In a relationship with ambitious, self-centered Tom (Ray Wise), Catherine balks at the insensitive demands of her boyfriend during a dinner party, and leaves to go home. Outside, a couple of thugs kidnap her in a van, and horribly disfigure her face; we later learn that she was a victim of mistaken identity, and that the criminals thought she was someone else. Left for dead in Central Park, Cathy is rescued by a mysterious, hulking figure who carries her below the streets of New York City to a fabulously appointed underground lair. Her eyes and face bandaged, she can’t see the person who is caring for her, but — rather rapidly and with almost no set-up — she comes to love her care giver, Vincent (Ron Perlman).26aefdfe75e396171a91adf55d86b177Vincent resides below the city for what he believes is a very good reason: he apparently is half-lion  and doesn’t want to be the object of pity and terror because of the way he looks. Hiding a beautiful, tortured soul behind his mutation, Vincent strides among the many other residents of the “Tunnel World” as their unofficial leader and protector. Naturally, Cathy is taken aback when she sees Vincent for the first time, but she longs to stay his friend. Vincent, tortured by his impossible love for Cathy, tells her that he has developed a psychic bond with her: her pain is his pain. Taking her back to the “real” world, he tells her he will always be there for her, if she needs him.26aefdfe75e396171a91adf55d86b177After perfect plastic surgery, Catherine decides that she must do something worthwhile with her life, and takes a job as an assistant D.A. with the city. Tracking down the thugs who assaulted her, she finds outs they’re part of a bigger corruption scandal involving prostitution, and decides to go after them. Catherine, hearing Vincent outside on her terrace, goes to him and shares one momentof impossible love with him. Cornered in a house with her attackers ready to kill her, Cathy’s psychic pain reaches Vincent, who immediately hops on top of a speeding subway car, and, bursting through the house’s door like either the Incredible Hulk or the Kool-Aid pitcher, literally rips apart her assailants with his razor-sharp claws, and saves her life.BEAUTYBEAST-0004It was a new take on the old classic. Hamilton is a compelling heroine. She has enough femininity to be romantic but also enough power to fight. Ron Perlam as the Beast was on his most famouse roles before Hellboy and he showed even back then just how good an actor he was. The show is a must see for fans of the 2012 series and fans of  Ron Perlman.

 

REVIEW: WAG THE DOG

CAST

Dustin Hoffman (Rain Man)
Robert De Niro (Silver Linings Playbook)
Anne Heche (Spread)
Denis Leary (The Amazing Spider-Man)
Willie Nelson (The Dukas of Hazzard)
Andrea Martin (Black Christmas)
Kirsten Dunst (All Good Things)
William H. Macy (The Cooler)
John Michael Higgins (Stil LWaiting)
Suzie Plakson (Red Eyed)
Woody Harrelson (The Hugner Games)
Suzanne Cryer (Veronica Mars)
Phil Morris (Jingle All The Way)
John Cho (Sleepy Hollow)
Marguerite Moreau (Easy)
Craig T. Nelson (My Name Is Earl
David Koechner (Anchorman)
James Belushi (Red Heat)
John Franklin (Children of The Corn)
Jack Shearer (Star Trek: First Contact)
Dustin Hoffman and Kirsten Dunst in Wag the Dog (1997)
The President of the United States is caught making advances on an underage “Firefly Girl” less than two weeks before Election Day. Conrad Brean (De Niro), a top-notch spin doctor, is brought in to take the public’s attention away from the scandal. He decides to construct a diversionary war with Albania, hoping the media will concentrate on this instead. Brean contacts Hollywood producer Stanley Motss (Hoffman) to create the war, complete with a theme song and fake film footage of a photogenic orphan (Dunst) in Albania.
When the CIA learns of the plot, they send Agent Young (Macy) to confront Brean who convinces him that revealing the deception is against his best interests. The CIA announces that the war has ended, but otherwise maintains the deception and the media begins to turn back to the President’s abuse scandal. Motss decides to invent a hero who was left behind enemy lines, and inspired by idea that he was “discarded like an old shoe” has the Pentagon provide him with a soldier named Schumann (Harrelson) around whom he constructs a further narrative including T-shirts, additional patriotic songs, and faux-grassroots demonstrations of patriotism. At each stage of the plan, Motss continually dismisses setbacks as “nothing” and compares them to past movie-making catastrophes he averted.
When the team goes to retrieve Schumann, they discover he is in fact a criminally insane Army prison convict before their plane crashes en route to Andrews Air Force Base. The team survives and is rescued by a farmer, but Schumann attempts to rape the farmer’s daughter and the farmer kills him. Motss then stages an elaborate military funeral, claiming that Schumann died from wounds sustained during his rescue.
While watching a political talk show Motss gets frustrated that the media are crediting the president’s win to a tired campaign slogan of “Don’t change horses in mid-stream” rather than Motss’s hard work. Despite previously claiming he was inspired by the challenge, Motss announces that he wants credit and will reveal his involvement, despite Brean’s warning that he is “playing with his life”. Motss refuses to back down, so Brean reluctantly has him killed and makes it look as if he had a heart attack. The president is successfully re-elected and a news report about a violent incident in Albania is shown, but it is ambiguous whether this is a true event or simply a continuation of the fictional war.
“Wag the dog” gathers a very good cast to tell a clever story about politics and its close connection to the TV business. Although the story sometimes seems to be topped by real-life events (Clinton-Lewinsky) it still remains a very entertaining flick. This is due to the many great characters and its precise dialogue which delivers a whole lot of sharp little comments on the dirty business of politics.