REVIEW: FLASH GORDON (2007): THE COMPLETE SERIES

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CAST

Eric Johnson (Smallville)
Gina Holden (Final Destination 3)
Karen Cliche (Mutant X)
Jody Racicot (Earth: Final COnflict)
John Ralston (The LIzzie Borden Chronicles)
Jonathan Walker (V 2009)
Anna Van Hooft (Arrow)

Eric Johnson and Gina Holden in Flash Gordon (2007)

RECURRING / NOTABLE GUEST CAST

Giles Panton (Human Target)
Panou (Horns)
Carmen Moore (Andromeda)
Jill Teed (X-men 2)
Bruce Dawson (Izombie)
Carrie Genzel (Stargate SG.1)
Andee Frizzell (Stargate: Atlantis)
Christine Willes (Dead Like Me)
Steve Bacic (Blade: The Series)
Sam J. Jones (Flash Gordon (1980)
Ona Grauer (Stargate Universe)
Don S. Davis (Stargate SG.1)
John Novak (Wishmaster 3 & 4)
Meghan Ory (Dark Angel)
Craig Stanghetta (Smallville)
Adrian Holmes (Skyscraper)
Bruce Dawson (White Noise)
Catherine Lough Haggquist (Godzilla)
Mark Gibbon (Chronicles of Riddick)
Tiffany Lyndall-Knight (Chloe)
Aleks Paunovic (Van Helsing)
Ty Olsson (Battlestar Galactica)
Shawn Roberts (Resident Evil: Afterlife)
Richard Harmon (The 100)
Laura Mennell (Alphas)
Cory Monteith (Glee)
Greyston Holt (Bitten)
Zak Santiago (Caprica)
Michael Eklund (Bates Motel)
John DeSantis (Arrow)
Michael Kopsa (Fantastic FOur)
Françoise Yip (The Predator)
Garry Chalk (Beast Wars)
Dominic Zamprogna (2012)
Michael Adamthwaite (Walking Tall)
Erin Karpluk (Being Erica)
Ben Cotton (Stargate Atlantis)
Tom McBeath (Stargate SG.1)
Elyse Levesque (The Originals)
Sonya Salomaa (Watchmen)
Mark Acheson (Elf)
Sebastian Gacki (The Thaw)
Kendall Cross (X-Men 2)
Jody Thompson (Kindergarten Cop 2)

The series was loosely based on the comic strip of the same name and incorporated elements from several previous adaptations, following the adventures of Steven “Flash” Gordon (Eric Johnson), a twenty-five-year-old who lives with his mother and whose scientist father was lost in a mysterious accident when Flash was 13 years old. Flash’s ex-girlfriend, Dale Arden (Gina Holden), is a television news reporter and is engaged to police detective Joe Wylee. They introduce Gordons’ eccentric former assistant, Hans Zarkov (Jody Racicot), when rifts in space appear, allowing travel between Earth and the planet Mongo.
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Mongo is ruled by the ruthless dictator Ming (John Ralston), who controls “Source Water”, the only source of safe drinking water on Mongo. Unlike the previous adaptations, he is not normally called “the Merciless” and is instead called “Benevolent Father”, though he is still called “the Merciless” in closed circles. He also exhibits the traits of modern, media-savvy dictators, rather than the more simplistic, stereotypically evil characterization of earlier incarnations.[1] Also, unlike previous depictions, Ming resembles a blond Caucasian human, rather than a bald East Asian man. Ming has a daughter, Princess Aura (Anna van Hooft), who is disturbed by her father’s brutality. The series adds a new non-Terran character, Baylin (Karen Cliche), a bounty hunter from Mongo. She finds herself trapped on Earth and becomes a comrade of Flash, Dale and Zarkov and their guide to Mongo and its inhabitants.
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The peoples of Mongo live in “cantons”, tribal groups that echo the animal-human hybrids of the original comic strip. The cantons include the Verdan (based on Prince Barin’s forest-dwelling people from the strip), the Turin (based on the strip’s Lion Men), the Dactyls (the series’ version of the strip’s Hawkmen), the Omadrians (women who create powerful medicines), the Frigians (who live in the frozen wastelands), the Tritons (who live beneath the ocean), and the Zurn (painted blue led by Queen Azura). There is also another group known as the Deviates, mutants whose ancestors drank “Grey Water” (toxic water) to survive. The Deviates are led by Terek, their unofficial king (and Aura’s brother) and are distrusted by almost everyone.
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On April 3, 2008, it was announced that Flash Gordon was canceled

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So this wasn’t the best sci-fi series ever to come on television but for some reason I began to like it more and more as the series progressed. And yes it is cheesy, but so what, just don’t take it too seriously and I’m sure you’ll like it. It was never intended to be up there with the likes of Battlestar or Farscape but it’s still a good series with some fun characters.

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When it first started off I wasn’t to keen on the concept of a wormhole from Earth to Mongo but it worked out quite well in the end, even if it was kind of a rip off of the Sliders idea. Also, some people complained that the stories were always on Earth instead of Mongo, but as it went along, the storyline shifted more to Mongo and the story revolving around Ming and his daughter Aura. There was also a lot of great action too and gunfights. One of the best performing character’s would probably have to be the Ming, the benevolent father (played by John Ralston). He made his character seperate to the other Ming I remembered and I appreciated that.

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Anyway I overall recommend this series but don’t put it down until you’ve stayed until midway because it does improve.

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REVIEW: SEVENTH SON

CAST

Ben Barnes (Westworld)
Julianne Moore (Hannibal)
Jeff Bridges (Iron man)
Alicia Vikander (Jason Bourne)
Antje Traue (Man of Steel)
Olivia Williams (Dollhouse)
John DeSantis (The New Addams Family)
Kit Harrington (Game of Thrones)
Djimon Hounsou (Stargate)
Gerard Plunkett (Travelers)
Jason Scott Lee (Timecop 2)
Ryan Robbins (Arrow)
Zahf Paroo (Malibu Rescue)
Kandyse McClure (Battlestar Galactica)
David Cubitt (Van Helsing)

In a prologue, the witch Mother Malkin is imprisoned in an underground chamber by Gregory, the last of a knightly order known as the Falcons, who have long defended mankind against supernatural threats. Several decades later, Gregory now works as a “Spook,” a roving witch hunter. The rise of the centennial blood moon allows Malkin to regain much of her power and break free from her prison. In a confrontation with the aged Gregory, she kills his apprentice, William Bradley, before escaping. Malkin returns to her dilapidated mountain fortress, restoring it, and her sister, Bony Lizzie, to their former condition.Gregory then seeks out Tom Ward, the seventh son of a seventh son, on a local farmstead, and recruits him as his newest apprentice. Before Tom leaves, his mother gives him her pendant as a talisman. On their way to Gregory’s home, Tom sees a girl about to be burned by a mob as a witch. Recognizing her from clairvoyant visions he has had, he takes her from the mob and releases her. The girl, Alice, warns him not to let Gregory know about her. Alice is revealed to be Lizzie’s daughter, who spies on Gregory for her. Malkin begins gathering her army to conquer mankind.Tom meets Gregory’s assistant Tusk, and rushes to learn what he needs to become a Spook before he and Gregory leave to confront Malkin at her fortress. Gregory warns that they only have a week before the blood moon is full, after which Malkin will become too powerful for them. En route to the fortress, Gregory is summoned to a walled city by an Inquisitor whose forces have subdued one of Malkin’s followers, a werebear named Urag. Gregory instructs Tom to burn the warlock alive, but Tom hesitates, causing Gregory to dismiss him while burning Urag himself. Tom meets Alice again and, after having sex, the two briefly consider going off on their own, but Tom has a vision of Malkin killing Gregory and unleashing destruction upon the world. Tom rejoins Gregory, who reveals that he once loved Malkin, and that is why he could not kill her, even after she murdered Gregory’s own wife. Gregory feels responsible for every person killed by Malkin since then, and warns Tom that Alice must be killed, like all witches.Gregory, Tom, and Tusk are attacked on the road by an enormous boggart, and Tom narrowly manages to kill it and survive being swept down a waterfall. Tom is then confronted by Bony Lizzie, who attacks but is repelled by the necklace around his neck. Gregory recognizes it as the Umbran Stone, which increases the power of witches. It originally belonged to Malkin, but one of her witch followers, Tom’s mother, stole it from her, weakening her enough for Gregory to trap her. Malkin instructs Alice to steal the stone from Tom, promising to spare his life if she does. Malkin and her minions then raze the aforementioned walled city to the ground to avenge the death of Urag. Tom’s family happens to be in the city, and his mother sends her husband and daughter to safety, before managing to kill Strix the warlock and confronting Malkin with her own powers. Malkin kills her, mocking her for giving away the stone that would have saved her life.Out in the country, Alice reappears before Tom and pleads with him to leave with her, as he had suggested in their earlier meeting. Gregory tries to kill her, but Tom, blinded by love, stops him, proclaiming “She’s not the enemy!”. He lets her flee, but Gregory points out she has taken the Umbran stone from around Tom’s neck, replying, “Now tell me she’s innocent!”. Tom realizes her reappearance had been a ruse, and pursues her, with Gregory and Tusk following. Then Malkin’s servant Radu attacks them, capturing Gregory and driving Tusk and Tom over a cliff, wrongly believing them dead. Tom has a vision of his mother, telling him that as both the seventh son of a seventh son, and the son of a witch, he is unique and has the power to defeat Malkin.The witches gather as Malkin attempts to seduce Gregory with her magic. Alice is horrified to hear that Tom was left for dead. In remorse, she grabs the stone from Malkin, breaking Malkin’s hold on Gregory. As Malkin transforms into a dragon to kill Alice, Lizzie also transforms, to protect her daughter. Tom retrieves the stone and, fighting together, Gregory, Tom and Alice kill several of Malkin’s minions. Malkin defeats and kills Lizzie for her disloyalty, but is seriously wounded in turn. Gregory confronts Malkin in her room, alone. She appears close to death, bitterly recalling her and Gregory’s relationship, but then she seizes him with her claws. Tom arrives and hurls a blade at Malkin, freeing Gregory, who retreats. Tom finishes her off by burning her body. Afterwards, Gregory acknowledges Tom’s training is complete and brands his hand as a new Falcon knight. Alice appears, but accepts that Tom’s commitment to his new vocation means they cannot be together at the present. She promises Tom that they’ll meet again, before disappearing. Gregory departs for an unknown destination, leaving Tom with Tusk as the town bells ring, calling for the new Spook’s services.If you want an experience like the Hobbit or the Harry Potter movies, don’t watch this. But if you like fantasy movies like Willow or Dragonheart (and maybe Stardust), give it a chance.

REVIEW: THE NEW ADDAMS FAMILY (1998-1999)

MAIN CAST

Glenn Taranto (Crash 2004)
Ellie Harvie (The Cabin In The Woods)
Brody Smith (Rat Race)
Nicole Fugere (Cosas Que Nunca Te Dije)
Betty Phillips (2012)
Michael Roberds (Elf)
John DeSantis (Little Man)

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RECURRING / NOTABLE GUEST STARS

Robert Moloney (Power Rangers)
Jerry Van Dyke (The Middle)
Christopher Shyer (V)
Monika Schnarre (Andromeda)
Gabrielle Miller (Highlander: The Series)
David Lewis (Man of Steel)
John Astin (The Frighteners)
Tabitha St. Germain (Ninjago)
Mark Acheson (Elf)
Jennifer Copping (Slither)
Samantha Ferris (Along Came A Spider)
Jessica Harmon (Izombie)
Diane Delano (Jeepers Creepers 2)
Beverley Elliott (2012)
Keegan Connor Tracy (Bates Motel)
David Palffy (Stargate SG.1)
Richard Ian Cox (Ghost Rider)
David Lovgren (Antitrust)
April Telek (Walking Tall)
Gillian Barber (The Man In The High Castle)
Brendan Fehr (Roswell)
Morgan Fairchild (Chuck)
Beverley Breuer (Riverdale)
Mike Dopud (Stargate Universe)
Courtnay J. Stevens (Ripper)
Kirsten Robek (Critters: A New Binge)
Laurie Murdoch (October Faction)
Ellen Dubin (Robocop: Prime Directives)
Frank C. Turner (IT)
Peter Kelamis (Stargate Universe)
Linnea Sharples (The L Word)
Suzy Joachim (Being Erica)
Jason Schombing (Tin Man)

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The 1991 film The Addams Family had distinguished performers Angelica Huston and Raul Julia, and took over $100,000,000 at the box office. Both this film and its 1993 sequel, Addams Family Values, were based heavily on Addams’ original cartoons, and introduced a whole new generation of fans to the Addamses. A script for another sequel had already been prepared before the sudden 1994 death of Raul Julia ended plans for a third movie. Despite the apparent end of the film franchise, rumours of a return to the small screen persisted. In the meantime, original Gomez John Astin loaned his vocal talents to an Emmy award winning 1992 animated series, which lasted for two seasons. In 1998, the Fox empire negotiated the acquisition of the US Family Channel, which wud be re-launched in the fall under the Fox banner, with a large number of new original programmes and specials, produced in partnership with Saban International. Saban had established themselves as leaders in the field of economical children’s television throughout the 1990s. A number of original TV movies were to be produced for airing on the channel, with prior releases on the sell-through home video market. Among the initial raft of titles announced was Addams Family Reunion, which would star Tim Curry and Daryl Hannah. Produced hastily in California in the early months of 1999, it debuted on Home Video in the fall to almost unanimous derision.

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However, before production on the new film wrapped, Saban and Fox Family Channel announced that a 65-episode series of The New Addams Family would debut as part of the new line-up. The new series was to be a joint effort between Saban and Shavick Entertainment. The series, which would “mix characters from both the classic series and recent films”, was to be produced in Vancouver at a cost of $35 million and represented a near unprecedented advance commitment. Filming in British Columbia, with its generous tax incentives, not to mention a cast of relative unknowns, it was hoped that the series could be produced economically to a high standard. As a further budgetary measure, many of the specialist props, costumes and settings from Reunion were put to use in the new episodes.

With budget and the Vancouver location immediately precluding the participation of much of the Addams Family Reunion troupe, it would be a largely new cast which would front the new series. The new cast was assembled mostly from Canadian talent, with the exceptions of Nicole Fugere, who would reprise her role of Wednesday from Reunion and Glenn Taranto, a last-minute placement in the role of Gomez, cast after the initial choice proved unsuitable.

Originally, the producers had envisaged a Gomez more in line with the Hispanic silhouette Raul Julia embodied on the big screen. With this in mind, Frank Roman was initially cast in the role, beating out Glenn Taranto, who had offered an audition performance based on John Astin’s interpretation. However, once rehearsals were underway, it became clear that the tone of the episodes owed more to the series of old than the films, convincing the producers to reconsider their decision, awarding the role to Taranto. The actor had kept a signed photograph of the original Gomez, John Astin, in his possession for a number of years, and felt a special affinity for the role; over the years, a number of people had commented on his physical and vocal similarity to Astin.

Award-winning comedienne Ellie Harvie would play Morticia, along with Michael Roberds as Uncle Fester. Veteran performer Betty Phillips would play the wizened Grandmama Addams, whilst newcomers John DeSantis, Brody Smith and Steven Fox would essay the roles of Lurch, Pugsley and Thing, respectively. Production on the new episodes began in earnest in the Spring of 1998.

As it emerged, the new series owed much of its style and tone to the Addamses of the small-screen, and a large number of the original television scripts were adapted and revised as the basis for new episodes. This task fell largely to the show’s Executive Consultant, Peggy Nicol and her successors Arnold Rudnik and Rich Hosek. The remade episodes were generally heavily restructured and rewritten, often with only the barest bones of the originals retained.  The Fox Family Channel intended to use the established Addams format as the ballast for its re-launch, with stripped broadcasts throughout weekday evenings. With a mammoth episode count required in time for the October launch-date, the new cast would shoot at a frantic pace, with an average of only three filming days devoted to each episode.

A number of large regular sets were built in the studio to represent the Addams abode. Budgets and time precluded the building of an exterior to the mansion, which was instead realised with computer animation. A small exterior backlot set housed the gateway to the mansion, allowing for rare outside excursions. Like the original series, location shoots would be few and far between. With rapid production imperative, the crew often worked 14-hour days. Make-up alone could last as long as 90-minutes at a time. However, despite the highly demanding working conditions, the cast members generally relished their roles. Harvie, Taranto and Roberds based their performances heavily on their sixties counterparts, having watched the original show as children. Between them, they gradually brought their own broader interpretations to their roles, adding their own comic style.

An early seal of approval was found in the form of an inspired guest appearance by original Gomez, John Astin, in the role of Great Grandpapa Addams. Both Astin and the regular cast enjoyed the experience immensely, as Ellie Harvie recalled: “There was one scene where I was speaking French and he runs in and says, ‘Tish, that’s French!’ and starts kissing my arm and then Gomez walks in and says, ‘Grandpapa, what are you doing?’ There was a second there when he was kissing my arm and I thought, ‘This is too weird. I’m Morticia’!” Astin reprised Great Grandpapa for a further two episodes of the series. The New Addams Family premiered on the Fox Family Channel on October 19th 1998, following a huge publicity drive. Fox Family used the series as the cornerstone for their 13 Days of Halloween special, and followed soon after with The Addams Family Scareathon, a day of stripped repeats linked with specially filmed promotional spots by the characters.

In print, posters advertising the show appeared throughout the New York Subway system whilst TV-Guide magazine featured prominent advertisements for the show. A number of items were produced purely for promotional purposes. These included engraved cigar boxes, complete with a preview videotape, New Addams Family picture frames (filled with plastic bugs and bones) along with t-shirts, rucksacks and other sundries.

Concurrently, Cool-Whip dessert topping was showcasing a major promotion for Addams Family Reunion. The network aired huge numbers of specially shot promotional spots, whilst the characters themselves were featured as part of the Macy’s Thanksgiving parade. Critical reaction was conservative, but generally positive.

Fox Family’s massive publicity drive paid off. In a press release issued shortly after the premiere, the network reported that: “Highlighting the prime time line-up was the debut episode of The New Addams Family, the highest-rated first-run series in Fox Family Channel history. Addams proved a particularly strong attraction to Kids 6-11, with the debut delivering a Fox Family Channel prime time series record 2.04 rating in that demographic. Having excelled as part of the Fox Family Channel’s re-launch, The New Addams Family was to prove a surprisingly short-lived revival, producing only one episode more than its television parent.

Sadly, the promising viewing figures and audience reaction were not enough to ensure a second number of episodes, and with its 65th episode, Death Visits the Addams Family, the new series bade farewell to its new-found fan base. Reportedly, during the final weeks of production an abortive proposal was made for a straight-to-video movie sequel. Ultimately, the motivations behind the cancellation are numerous, and neither Shavick nor Fox Family Channel have ever issued an official statement regarding it. However, certain facts and comments from production alumni do go some way to explaining the decision. For the network, it would seem that any interest in continuing beyond their contracted quota was minimal, as their huge order of episodes gave them a sufficient number of shows to exploit the series with its existing library. With large numbers of shows readily available, there was no immediate incentive for them to produce further episodes. The cast and crew had been engaged on fixed-rate contracts, which expired at the end of production. Having forfeited their rights to valuable residual payments for the series, it was inconceivable that they would agree to such frugal terms for a second run. While the news was disappointing to viewers, in fairness, the show’s production team had completed a quota of episodes far in excess of the annual 25 of most modern sitcom productions.

The disappointment of the cast and crew at the premature and abrupt nature of the cancellation was seemingly vindicated during the 2000 Leo Awards, where The New Addams Family retrospectively won eight awards out of a nominated nine

 

REVIEW: LEGENDS OF TOMORROW – SEASON 4

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Starring

Brandon Routh (Superman Returns)
Caity Lotz (The Pact)
Maisie Richardson-Sellers (The Originals)
Tala Ashe (American Odyssey)
Jes Macallan (Mistresses)
Courtney Ford (Supernatural)
Amy Louise Pemberton (The Laundromat)
Ramona Young (Santa Clarita Diet)
Nick Zano (2 Broke Girls)
Dominic Purcell (Prison Break)
Matt Ryan (Layer Cake)

Matt Ryan in Legends of Tomorrow (2016)

Recurring / Notable Guest Cast

Adam Tsekhman (You’re The Worst)
Thomas F. Wilson (Back To The Future)
Susan Hogan (Warehouse 13)
Jane Carr (31)
Laura Regan (Mad Men)
Jordyn Ashley Olson (The Shack)
Gerard Plunkett (Travelers)
Anjli Mohindra (Wild Bill)
Andrew Lees (Unfriended 2)
Daniel Cudmore (Twilight: New Moon)
Paul Reubens (Gotham)
Wesley MacInnes (The 100)
Sisa Grey (SMILF)
Sachin Bhatt (Bumblebee)
Jenna Rosenow (Neighbours)
Jason Schombing (Mutant X)
Olivia Swann (Doctors)
Casper Crump (The Legend of Tarzan)
LaMonica Garrett (The Last Ship)
John DeSantis (Thirteen Ghosts)
Shayan Sobhian (The Chosen)

Dominic Purcell, Brandon Routh, Matt Ryan, and Caity Lotz in Legends of Tomorrow (2016)If any DC series is deserving of a “most improved” award, it’s most certainly Legends of Tomorrow. Sure, there were some definite highlights to fondly remember from the first two years such as “Star City 2046,” but I often kept watching just for the sake of keeping current on all things Arrowverse. Now, however, I look forward to tuning in on a weekly basis.Maisie Richardson-Sellers in Legends of Tomorrow (2016)Though it’s hard to credit one person alone for the turnaround because everyone making up the cast and crew deserve a round of applause, I hope that others will agree with me in saying that season 3 was when this show really found its footing. In short, the time traveling adventures were finally enjoyable, and the appropriate injection of comedy was delivered.Brandon Routh, Matt Ryan, Caity Lotz, and Jes Macallan in Legends of Tomorrow (2016)Admittedly, I’m one to lean toward the more serious stuff and prefer darker material offered up by the likes of Arrow, Gotham and Black Lightning, but that doesn’t necessarily work for everything. Furthermore, Legends can pull off silliness better than The Flash, a sister series that has shown it can’t tip the scales too far in the direction of either drama or comedy, lest the fanbase express consternation. What I’m getting at is how this landscape created thrives by allowing for each show to establish its own flavor, and although it took this baby a while to get there, it can certainly go places that others can’t – and I’m not just talking about historical periods. I mean, where else could you see a man express his love for a hallucination of his dead pet rat and not be taken out of the story?Matt Ryan in Legends of Tomorrow (2016)Speaking of which, the producers allowing for Legends to feel more like its own thing by worrying less about continuity with other Arrowverse shows has also provided a big boost. It’s kind of like how you know Batman and Booster Gold exist within the same comic book universe but they’re best left to their own devices. As for what’s actually going on this season, we pick up with the Waverider crew rounding up the final anachronism, thereby fixing history. Surprisingly, this forces the suits at the Time Bureau to recognize them as heroes – but the celebration is short-lived. You see, what had been previously hinted at during the closing moments of last spring’s finale comes home to roost. To put it simply, the defeat of Mallus has opened the floodgates for numerous other monsters to go hog wild on the timestream. So, naturally, it’s up to the people who created the mess to clean it up.Interestingly enough, the first threat for this season comes in the form of a unicorn, so I implore you not to trust one should you ever encounter their kind in the wild. And as it turns out, this fabled equine is dealing sparkly death at Woodstock (1969, so you don’t have to worry about hearing anything from Limp Bizkit), with the team coming back together from opposite directions. It may otherwise seem like a no-brainer to enlist the help of John Constantine (Matt Ryan) in situations such as these, so I’m glad the character’s once again in play for showrunner Phil Klemmer to utilize. Make no mistake, it’s seemingly going to take Sara Lance (Caity Lotz) some time to convince the demonologist to fully join her cause, but I’m glad nothing’s being rushed in a storytelling sense.Caity Lotz and Maisie Richardson-Sellers in Legends of Tomorrow (2016)If you were to ask me, this  should serve as a fantastic consolation prize for NBC cancelling Constantine a few years back. t Legends of Tomorrow‘s fourth season has carried over the momentum established by its previous effort. Legends of Tomorrow continues to be a fun addition to the Arrowverse.

REVIEW: ARROW – SEASON 7

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Main Cast

Stephen Amell (Teenage Mutant Ninja Turtles: OOTS)
David Ramsey (Blue Bloods)
Emily Bett Rickards (Brooklyn)
Echo Kellum (Girlfriend’s Day)
Rick Gonzalez (Reaper)
Juliana Harkavy (Last Shift)
Colton Haynes (Rough Night)
Kirk Acevedo (War For The POTA)
Katie Cassidy (Black Christmas 2006)
Sea Shimooka (Pink Skies Ahead)

Stephen Amell in Arrow (2012)

Recurring / Notable Guest Cast

Michael Jai White (Spawn)
Vinnie Jones (The Cape)
Cody Runnels (WWE)
Ben Lewis (Scott Pilgrim vs The World)
Brendan Fletcher (Smallville)
Eliza Faria (American Conjuring)
John DeSantis (Thirteen Ghosts)
Jack Moore (Republic of Sarah)
Holly Elissa (Hellcats)
Sydelle Noel (GLOW)
Michael Jonsson (The 13th Warrior)
Audrey Marie Anderson (The Unit)
Andrea Sixtos (The Amazing Spider-Man)
Laara Sadiq (2012)
Lexa Doig (Andromeda)
David Nykl (Staragte Atlantis)
Aleks Paunovic (Van Helsing)
Katherine McNamara (Shadowhunters)
LaMonica Garrett (The Last Ship)
John Wesley Shipp (Dawson’s Creek)
Grant Gustin (Glee)
Danielle Panabaker (The Crazies)
Carlos Valdes (The Flash)
Tyler Hoechlin (Teen Wolf)
Melissa Benoist (Whiplash)
Jeremy Davies (Lost)
Ruby Rose (The Meg)
Cassandra Jean Amell (One Tree Hill)
Liam Hall (Lucifer)
John Barrowman (Torchwood)
Tom Cavanagh (Yogi Bear)
Kelly Hu (The Scorpion King)
Amy Gumenick (Supernatural)
Paul Blackthorne (The Inbetween)
Willa Holland (Legion)
Bex Taylor-Klaus (13 Reasons Why)
Caity Lotz (The Pact)
Joe Dinicol (Diary of The Dead)
Joseph David-Jones (Allegiant)
Kelsey Grammer (Frasier)
Patrick Sabongui (Power Rangers)
Adrian Paul (Highlander: The Series)
Christopher Gerard (Funhouse)
Danny Wattley (Stargate SG.1)
Andrew Kavadas (The 13th Warrior)
Nels Lennarson (Horns)
Katrina Law (Spartacus)
Jamey Sheridan (Homeland)
Kacey Rohl (Hannibal)
Carmel Amit (Ghost Wars)
Ernie Hudson (Ghostbusters)

Lexa Doig and Stephen Amell in Arrow (2012)There was plenty of uncertainty surrounding Arrow coming into the show’s seventh season. Season 6 was only narrowly saved from becoming the show’s worst thanks to a strong final stretch of episodes. With the series changing showrunners and introducing easily the most radical status quo upheaval yet, there was little telling where Season 7 might fall or whether the show could make good on its newfound potential. And while Season 7 met with more than a few bumps in the road, these changes helped reinvigorate a series that had seemed on its last legs not so long ago.Stephen Amell in Arrow (2012)Season 6 ended on a major bummer for Oliver Queen (Stephen Amell) and his team. Not only did they fail to bring Ricardo Diaz (Kirk Acevedo) to justice, but Ollie was forced to trade his freedom so that his family and friends could walk free. Season 7 opened by finally bringing life to that unused Super Max movie pitch. The former Green Arrow became Inmate 4587 – a disgraced hero locked behind bars with many of the same criminals he helped put away. And life was hardly safer on the outside, as Diaz and the Longbow Hunters targeted Felicity (Emily Bett Rickards) and the rest of Team Arrow.Sea Shimooka in Arrow (2012)That wasn’t the only big twist introduced in the Season 7 premiere. The series also kicked off a new recurring storyline set several decades into the future. Here, an older William Clayton (Ben Lewis) recruited an exiled Roy Harper (Colton Haynes) and other new heroes to help save a dystopian, battle-ravaged version of Star City. After devoting five seasons to exploring Ollie’s origin story in painstaking detail (and then taking a skip year), Arrow was finally ready to try something new.Kirk Acevedo and Liam Hall in Arrow (2012)These big changes served to re-energize the series quite a bit early on. The prison storyline especially helped to push the series in a very different, very engrossing direction. Ollie’s story became fueled by an immediate need to survive in one of the most dangerous places on the planet. And fortunately, unlike Barry Allen’s brief prison stint in The Flash Season 4, this was a development that was given plenty of room to breathe and play out organically. Having classic Arrow villains like Ben Turner (Michael Jai White), Derek Sampson (Cody Rhodes) and Danny Brickwell (Vinnie Jones) show up only made this storyline all the more enjoyable. Turner’s redemptive character arc turned out to be one of Season 7’s more satisfying elements.Colton Haynes and Juliana Harkavy in Arrow (2012)This isn’t to say Arrow was problem-free during this extended status quo. The series still struggled to find its footing outside of Ollie’s prison ordeal. While Team Arrow’s renewed war against Diaz proved enjoyable enough, especially with the added spice created by new villains like The Silencer (Miranda Edwards), it quickly became clear that Arrow was still suffering from the same problem that’s plagued the series for several years. There are too many characters. With so much time being taken up by the prison conflict and the flash-forwards, there was never enough room to juggle subplots like Felicity’s Diaz-induced PTSD and paranoia, Laurel’s (Katie Cassidy-Rodgers) tenure as DA, Dinah’s (Juliana Harkavy) conflicted loyalties and everything else involving the Team Arrow regulars. The series really has needed to trim its main cast for a while. And to be fair, Arrow did begin making some necessary changes on that front, but much later than it needed.Ben Lewis and Katherine McNamara in Arrow (2012)As for the flash-forwards, what initially seemed like a promising shake-up in the season premiere quickly lost its novelty factor in subsequent episodes. Here again, the series was juggling too many characters and struggling to give them the attention they deserved. Nor did the “Future Team Arrow vs. Totalitarian Corporation” storyline carry much weight. When the flash-forwards did succeed, it was usually because the events of the future managed to reflect back on the present in small, foreboding ways. Seeing an Ollie-less Team Arrow in disarray decades down the road did at least add to the general sense of unease surrounding the series, particularly later on in the wake of the “Elseworlds” crossover and the news that Season 8 will be the show’s last.
Rick Gonzalez, Stephen Amell, and Sea Shimooka in Arrow (2012)The latter half of Season 7 wound up hitting many of the same notes as the former. The writers cooked up an interesting new angle by exploring whether it’s possible for Team Arrow to coexist with the SCPD and whether Oliver Queen can be a hero who exists entirely out in the open. Yet the show didn’t always take advantage of this new status quo. More often than not, the end result played like a return to the show’s Season 5 era – more an excuse to go back to the way things were than actually seek lasting change. Once again, Arrow tried to juggle too many moving parts while also doing justice to new villains like the suave, deadly Dante (Adrian Paul). And through it all, the flash-forwards proved more distracting than truly beneficial.Katie Cassidy, Caity Lotz, Juliana Harkavy, and Emily Bett Rickards in Arrow (2012)Still, there was enough that worked during this period that the good outweighed the bad. Amell had many standout moments as he grappled with the discovery of even more dirty laundry in his family’s past. That was especially true in the final two episodes of the season, where Amell performed a great deal of the emotional heavy lifting. Diggle (David Ramsey) was central to the very enjoyable “Spartan,” which shed light on his own family background and teased that a persistent fan theory may finally come to fruition. And though the show never used him to his fullest potential, Paul’s Dante was a fun addition to the Team Arrow rogues gallery.David Ramsey and Stephen Amell in Arrow (2012)It’s probably fitting that Season 7 culminated on such a mixed note. “You Have Saved This City” wrapped up the Ninth Circle storyline (for now) without much excitement. However, the finale was far more interested in exploring the legacy of the Green Arrow and giving several key characters the closure they needed. That episode could easily have served as a proper series finale. It’s hard to know how to feel about the prospect of a truncated eighth season in light of that fact, but hopefully this shorter format will wind up being exactly what Arrow needs to become its best self.

 

REVIEW: SUPERGIRL – SEASON 2

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Starring

Melissa Benoist (Jay & Silent Bob Reboot)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Not Another Teen Movie)
Jeremy Jordan (The Last Five Years)
Floriana Lima (The Punisher)
Chris Wood (The Vampire DIaries)
David Harewood (Hoemland)

Recurring/ Notable Guest Cast

Calista Flockhart (The Last Shot)
Tyler Hoechlin (Teen Wolf)
Katie McGrath (Jurassic World)
Brenda Strong (Starship Troopers)
Frederick Schmidt (Mission Impossible: Fallout)
Andrea Brooks (When Calls The Heart)
Ian Gomez (The Morning Show)
Lynda Carter (Wonder Woman)
Sharon Leal (Dreamgirls)
Nadine Crocker (Cabin Fever)
Laura Benanti (Royal Pains)
Dichen Lachman (Dollhouse)
John DeSantis (Thirteen Ghosts)
William Mapother (Lost)
Jason Gray-Stanford (Bones)
Dean Cain (Lois & Clark)
Robert Gant (13 Reasons Why)
Helen Slater (City Slickers)
Carlos Valdes (The Flash)
Harley Quinn Smith (Once Upon A Time… In Hollywood)
Robin Atkin Downes (Babylon 5)
Rahul Kohli (Izombie)
Brit Morgan (Friend Request)
Grant Gustin (The Flash)
Steven Valentine (Mike & Molly)
Peter Gadiot (Matador)
Ian Butcher (The 100)
Tamzin Merchant (Carnival Row)
Teri Hatcher (Lois & Clark)
Kevin Sorbo (Hercules: TLJ)
Darren Criss (American Crime Story)
Michael J Rogers (Siren)
Rahul Kohli (Izombie)
Gregg Henry (Black Lightning)
Jordana Taylor (A Wrinkle In Time)
Malina Weissman (A Series of Unfortunate Events)
Mark Gibbon (Man of Steel)

Melissa Benoist in Supergirl (2015)Supergirl went through some pretty fundamental changes in the transition from Season 1 to Season 2. Not only did the series add several key new cast members (and lose another), production shifted from Los Angeles to Vancouver as the series itself hopped from CBS to The CW. That shake-up wound up working in the show’s favor. unfortunately, over time it became clear that Supergirl still has some significant problems to work through before it can stand alongside the best of the Arrowverse.
The move to The CW did seem to work in the show’s favor for the most part. Even ignoring the fact that that it made crossovers with the other Arrowverse shows much easier, that shift helped Supergirl feel slightly more cohesive when held alongside its siblings. Stylistically and tonally, Supergirl felt very much like like a good-natured sister series to The Flash. And with The Flash often being unnecessarily mired in its own darkness this year, it often fell to Supergirl to be the bright, cheery, optimistic alternative.
Tyler Hoechlin and Melissa Benoist in Supergirl (2015)There’s also the fact that the crew working on these Arrowverse shows have gotten pretty skilled at making the most of their limited VFX budgets. Supergirl was a very expensive series for CBS, yet the often lackluster special effects didn’t always make it apparent how much money was being poured into the show. In Season 2, however, Supergirl looked better despite costing its new network less. That was especially true with the shots of Kara flying or those depicting Martian Manhunter in his true form. There were still cases where the show’s reach clearly exceeded its grasp in terms of special effects (particularly in the season finale), but on the whole Supergirl became a better-looking series in its second season.Melissa Benoist and Chris Wood in Supergirl (2015)Bucking the usual trend, the new season picked up exactly where the previous one left off, with Supergirl (Melissa Benoist) and Martian Manhunter (David Harewood) examining the mysterious space pod that crashed outside National City. That paved the way for the introduction of Mon-El (Chris Wood), a Daxamite refugee and new love interest for Kara. Mon-El’s arrival signaled a general change in direction for the series, one that saw the DEO set up a new headquarters in National City and the focus shift more towards the growing tension between Earth’s human citizens and the growing number of alien immigrants. The main villains of the season (including Brenda Strong’s Lillian Luthor and the members of Cadmus) sought to take advantage of that human/alien tension. Given the general state of the world these days, showrunners Andrew Kreisberg and Ali Adler could hardly have picked a more inspired and relevant direction for Season 2.Melissa Benoist in Supergirl (2015)That general direction worked because it was clearly and immediately topical and more because it spoke to the general appeal of the Superman franchise. More than ever, Kara emerged as a shining beacon of hope and optimism in troubled times. The season’s political elements were never really more political or controversial than a call for empathy and understanding among all peoples. And with a lead actress as charming as Benoist lighting the way, it’s impossible not to be won over by the show’s feel-good approach to superhero storytelling. More than ever, Benoist is the rock upon which this series rests.Melissa Benoist in Supergirl (2015)Mon-El’s debut only furthered Kara’s growth this year. Wood proved a fun addition to the cast, but his character really shone whenever the series focused on the growing romance between Mon-El and Kara. As the prince of a xenophobic and hedonistic world, Mon-El arrived on his new homeworld with plenty of rough edges. It was a lot of fun watching Kara help smooth over those edges and inspire Mon-El to become a hero even as the two fell in love. The two characters experienced their share of ups and downs over the course oft he season, and while the general trajectory of their romance was often predictable, the execution never failed to impress.
Melissa Benoist in Supergirl (2015)Mon-El wasn’t the only high-profile addition to the series in the early Season 2 episodes. The show finally stopped playing coy with Superman and cast an actual actor in the role (Tyler Hoechlin) rather than simply obscuring a stunt double in shadow. That may well be the best change the series made in Season 2. Within seconds, it became clear that Hoechlin was a worthy successor to actors like Christopher Reeve and Dean Cain, bringing a warmth and charisma to the part that’s been sorely lacking in certain other live-action Superman performances lately. The only disappointing part about Superman’s inclusion this year is that he didn’t appear more often. I can understand the desire to keep the series focused on its title character, but the Kara/Clark dynamic is simply too good not to exploit to its fullest.Melissa Benoist and Chris Wood in Supergirl (2015)This season also introduced two members of the Luthor clan in the form of the aforementioned Lillian and her estranged daughter, Lena (Katie McGrath). Lillian left quite a bit to be desired. One of the biggest problems with Season 1 was the show’s inability to generate nuanced, three-dimensional villains. Between Strong’s overly intense performance and the character’s general lack of memorable characteristics, Lillian did nothing to reverse that trend. Lena, at least, fared better than her mother, mostly because the writers had the foresight not to treat her as a villain. Instead, her defining struggle all season was her desire to redeem the Luthor name and prove that she shouldn’t be defined by her brother’s actions. The fact that Lena and Kara became close friends over the course of the season added an extra appeal to Lena’s character arc, as it only served to highlight the question of whether Lena is truly as selfless and noble as she claims. The season failed to deliver a satisfying conclusion to that arc, but I’ll get to that in a bit.Melissa Benoist and Chris Wood in Supergirl (2015)Alex (Chyler Leigh) proved to be another dependable member of the Supergirl cast this year, with some of the season’s best moments focusing either on the bond between Alex and her sister or the romance between Alex and Maggie Sawyer (Floriana Lima). Alex’s struggle to come to terms with her sexuality proved to be one of the more compelling subplots of the season, particularly thanks to the terrifically executed coming out scene in “Changing.” As much as the Arrowverse can frustrate with the insistence on forcing every available character into some sort of romantic subplot, the Alex/Maggie material gave this season real sense of emotional weight. In a show crammed full of metahumans and aliens, the ordinary human drama often stood out more than anything else.Melissa Benoist in Supergirl (2015)If any portion of the show was damaged by the shift to The CW, it was the CatCo characters. Cat Grant (Calista Flockhart) all but vanished this season as the move to Vancouver ƒwled to Flockhart departing as a series regular. The show was poorer for her absence. Worse, Cat’s absence called into question whether Supergirl even needs the CatCo elements at all, a question the show was never really able to answer this season. Sure, the perpetually cranky Snapper Carr (Ian Gomez) made for an entertaining foil to the Kara as she pursued her budding journalism career, but too often the CatCo subplots felt superfluous and unnecessary to the larger picture. Does Kara actually need a day job in addition to her DEO work?Melissa Benoist in Supergirl (2015)The two real casualties of the Season 2 shift were James Olsen (Mehcad Brooks) and Winn Schott (Jeremy Jordan). The Kara/James romance was basically cut short as soon as it began in the Season 1 finale, leaving the latter character adrift and in search of a new purpose. That was disappointing, but the real frustration came with the decision to transform James from intrepid photojournalist to honest-to-goodness superhero. James’ transformation into Guardians never felt like a logical extension of his Season 1 journey. Nor did his ongoing Guardian exploits add anything to the show. Equally frustrating is the way Winn became sucked into James’ delusions of superhero grandeur, preventing him from having any real storylines of his own (apart from a rather underwhelming romance with an alien). Just as the show has been struggling to justify the continued focus on CatCo as a whole, this season did little to suggest that James should remain an active player going forward.Melissa Benoist and Katie McGrath in Supergirl (2015)I mentioned how the move to The CW helped Supergirl in terms of facilitating more Arrowverse crossovers. The weird thing is that Supergirl itself didn’t benefit much from that trend. Yes, Kara was aMelissa Benoist in Supergirl (2015) big part of the “Invasion!” crossover, but the Supergirl episode, “Medusa,” barely tied into that crossover other than a bit of quick setup at the very end. And while the Flash/Supergirl musical team-up more than lived up to the hype, that was a Flash episode, not Supergirl. I’d like to see Supergirl benefit more directly from these crossovers in the future. Fortunately, that seems to be the case with next year’s four-way crossover. Supergirl definitely had its ups and downs over the course of Season 2, as all the Arrowverse shows tend to do. In general, the season hits its peak in February thanks to a string of excellent episodes focused on Lena’s troubled family history and the resurgent threat of Cadmus. Unfortunately, the show seemed to lose its momentum after that point, with the final three episodes ranking among the worst of the season. Supergirl seems to have inherited Arrow’s habit of completely falling apart in the homestretch.Melissa Benoist and Chris Wood in Supergirl (2015)In many ways, Supergirl improved in its second season as the show moved to The CW and bolstered its already solid cast with several new favorites. This season not only looked better, it managed to blend epic superhuman conflicts with very real, authentic character drama and a status quo marked by plenty of anti-alien sentiment in National City.

25 DAYS OF CHRISTMAS REVIEW: THE NEW ADDAMS FAMILY – CHRISTMAS WITH THE ADDAMS FAMILY

MAIN CAST
Glenn Taranto (Crash)
Ellie Harvie (Sanctuary)
Brody Smith (Rat Race)
Nicole Fugere (Cosas que nunca te dije)
Betty Phillips (2012)
Michael Roberds (Elf)
John DeSantis (The 13th Warrior)
Steven Fox
GUEST CAST
Bob Dawson (Freeway II)

CHRISTMAS WITH THE ADDAMS FAMILY

A Mall Santa has jepoardized Pugsleys faith in the man with the red suit. As Pugsly sulks, the family tries to console him with a visit from Santa.. aka Uncle Fester in the red suite!

This series may of been shorted lived but it did last for 65 episodes. The Christmas episode was fun and nice to see how the Addams Family spends the holiday season. it’s partly a remake of the 60s episode with the same name but updated for the 90s

 

 

HALLOWEEN OF HORROR REVIEW: SUPERGIRL – SURVIVORS

1

CAST

Melissa Benoist (Whiplash)
Chyler Leigh (That 80s Show)
Jeremy Jordan (The Last Five Years)
Floriana Lima (Lethal Weapon)
Chris Wood (The Vampire Diaries)
David Harewood (The Man Inside)

RECURRING / NOTABLE GUEST STARS

Laura Benanti (The Detour)
Sharon Leal (Dreamgirls)
Katie McGrath (Dracula)
Dichen Lachman (Dollhouse)
Ian Casselberry (Get Out)
Ian Gomez (Cougar Town)
John DeSantis (Thirteen Ghosts)

In Mon-El’s flashback, the remains of the destroyed Krypton rain down onto Daxam. During the chaos, Mon-El escorts the prince to a Kryptonian ship. When Mon-El enters the pod to start up the engine, the prince closes the hatch and stays behind leaving Mon-El to escape. After Mon-El finishes telling the team of his job as the palace guard and his recollection of how he got to Earth, he is confined to the D.E.O. headquarters. J’onn leaves to attend to personal manners. Maggie contacts Alex about a dead Syvillian. Alex and Supergirl arrive but after Supergirl isn’t any help to them, Alex and Maggie leave to gather more information.At CatCo, Kara relays the alien murder story to Snapper. Snapper then peppers her with questions which Kara doesn’t have answers to. He tells her it’s just a half-baked idea and tells her to go get more on the scoop. At the Alien Bar, J’onn meets up with M’gann asking her about how she escaped the genocide. She told him that a White Martian broke rank and rescued Green Martians, smuggling her off-world to Earth. Winn tells Alex about her alien perp, a Brevakk, and prepares to organize a strike team. Alex turns it down and calls Maggie instead. They question the Brevakk, but he fights back. They pin him down to arrest him, but armed men show up, taze them, and kidnap the alien.At the D.E.O., J’onn prepares to go after the armed men. Alex and Kara notice the extra grumpiness. J’onn tells them of M’gann and how she didn’t seem to want to psychically bond with him as Green Martians usually do. They tell J’onn to apologize and let M’gann know how he feels. Kara talks to her A.I. “mother” about her first published article. Mon-El accidentally barges in and asks about the hologram. After Alura starts to talk bad about Daxamites, Kara shuts the program off. She tells him that the hologram helps her feel less alone. Mon-El proposes that Kara could accompany him outside the D.E.O. instead of confinement but Kara refuses and leaves.Alex meets Maggie at an illegal alien fighting ring attended by National City’s elites. A woman introduces the attendees to the fighters, Quill the Brevakk and M’gann M’orzz (aka Miss Martian). The fighters battle, but M’gann uses her Martian powers to subdue Quill. Supergirl arrives and the organizer pits her against Draaga. As the fight turns against Supergirl, Alex and Maggie fire shots into the air to disperse the crowd and rescue Supergirl. At the D.E.O. infirmary, they tell J’onn of M’gann’s participation in the fight club. Meanwhile, Mon-El convinces Winn to take him into the city by letting Winn design him a superhero costume and name.Kara returns to CatCo and tells Snapper of the murder’s connection to an alien fighting ring. Snapper asks about her sources and prompts her to not to come until she brought him a source. Winn and Mon-El go partying at a bar. After a while, Winn gets wasted. Mon-El accidentally breaks someone’s arm in an arm wrestling match so they leave. J’onn confronts M’gann about her participation in the fights. M’gann defends herself saying she does it for survival, not for the money and that she has never killed anyone in the ring. J’onn retorts by saying that as the last of their kind, they should be preserving the memories of their people but she claims that she would rather forget. As J’onn leaves, she gives him the name of the ringleader, Roulette known by the real name Veronica Sinclair.Supergirl attacks Sinclair’s limo. Sinclair claims that aliens aren’t people so they don’t have any rights. She believes she is doing them a favor by giving them an opportunity to earn glory and money. Sinclair tells Supergirl that she is naive for thinking that anyone cares what happens to aliens. The next day, Kara tells them of the encounter with Sinclair and J’onn tells them that he knows of Winn and Mon-El’s escapade last night. J’onn also tells them of his encounter with M’gann and stresses that he has worked so hard to make humans trust aliens and that it can take one to undo that work. Kara tells Mon-El about how it will take time from him to adjust to his new powers and living in the world. They talk about their parents and how both of theirs were flawed people. As Kara walks out, Mon-El mentions having seen Draaga before on Warworld and that Draaga had an injury to the right leg.

J’onn apologizes to M’gann outside the Alien Bar. Roulette and her goons arrive on scene, subdue J’onn, and kidnap him. At the D.E.O., they work on finding J’onn. Kara goes to Lena Luthor for help. Lena reveals that she knows Roulette from boarding school and gives Kara the location of the next fight. At the fight, Roulette introduces the two Martians to the crowd and forces them to fight to the death. They fight and transform into Green Martian forms. M’gann manages to pin J’onn down and tells him she will do anything to survive but J’onn convinces her that she fights because she is guilty for surviving. M’gann tells Roulette that she refuses to kill J’onn. Roulette releases Draaga to fight the Martians. Alex, Maggie, and the police arrive and arrest crowdgoers. Supergirl also arrives and is able to defeat Draaga with a well-placed kick to Draaga’s right leg. Supergirl and the police go to arrest Sinslair, but she is surrounded by her alien followers. Sinclair claims that they protect her because she provides for them. Supergirl convinces the other aliens that fighting against each other distracts from fighting against people like Cadmus and Roulette who think aliens are a menace. Roulette turns to escape, but her alien followers turn on her. Maggie arrests her. Later, Maggie is forced to release Roulette due to orders from higher-ups. Alex tells Maggie she is a great cop and asks Maggie for a drink, but Maggie has plans with a date.Kara shows Snapper her full article, complete with police reports and a first person account from Supergirl. Later, Kara tells Mon-El that she had the D.E.O. release him into her custody rather than for him to remain confined. Kara agrees to help him train to be a hero to make up for her lost opportunity to raise her cousin. J’onn meets M’gann at her her apartment. M’gann apologizes for her actions. J’onn tells her that he will always be around if she needs him. After J’onn leaves, M’gann shapeshifts, revealing herself to be a White Martian.As far as the story plot itself this episode, I thought that the fight club stuff was really fun. It really added more to the whole political side of the show with aliens vs humans. That is an overall story I have really liked this season so far and I’m liking the different ways it is being played out each episode. Overall, another great episode of Supergirl. While it wasn’t at the heights and intensities of the previous few, it was a fantastic episode for a needed quiet episode.

HALLOWEEN OF HORROR REVIEW: THIRTEEN GHOSTS

CAST

Tony Shalhoub (Imposter)
Matthew Lillard (Scream)
Embeth Davidtz (Army of Darkness)
Shannon Elizabeth (Scary Movie)
Alec Roberts (Traffic)
F. Murray Abraham (Scarface)
JR Bourne (Stargate SG.1)
Laura Mennell (Van Helsing)
John DeSantis (Arrow)

91IMwjKSa8L._AC_SL1500_Ghost hunter Cyrus Kriticos (F. Murray Abraham) and his psychic assistant Dennis Rafkin (Matthew Lillard) lead a team on a mission to capture a spirit called the Juggernaut (John deSantis). Several men are killed, apparently including Cyrus. However, the team is able to catch the ghost. Cyrus’s nephew Arthur (Tony Shalhoub), a widower, is informed by Cyrus’s estate lawyer, Ben Moss (JR. Bourne), that he has inherited Cyrus’ mansion. Financially insecure, Arthur decides to move there with his two children, Kathy (Shannon Elizabeth) and Bobby (Alec Roberts) and their nanny Maggie (Rah Digga).
entertainmentfilm-EBR5092EFi-Full-Image_GalleryBackground-en-GB-1481937189220._SX1080_Posing as a power company inspector, Dennis meets the family and Moss as they tour the mansion. The residence is made entirely of glass sheets inscribed with Latin phrases, which Dennis recognizes as barrier spells. While searching the basement, Dennis is hit by psychic flashes and discovers the twelve angry ghosts he and Cyrus captured are imprisoned in the house, held captive by the spells. As Dennis warns Arthur, Moss slips downstairs and picks up a valise of cash, unwittingly triggering a mechanism that seals the house and releases the ghosts one by one. He dies when a set of sliding doors snaps shut, cutting him in half. Bobby slips away from Kathy and Maggie and enters the basement, where he sees several of the ghosts, including that of the Withered Lover – his mother Jean, who had died of injuries sustained in a house fire. He is knocked unconscious and dragged away.
MV5BMjE2NDYxNzczMl5BMl5BanBnXkFtZTgwNTUzNTIxNzE@._V1_Using a pair of spectral glasses that allow the wearer to see into the supernatural realm, Dennis convinces Maggie that the ghosts are real. Dennis discovers that the Jackal, one of the most dangerous of the twelve ghosts, has been released and that the family is now in grave danger. The Jackal attacks Kathy when she and Arthur enter the basement in search of Bobby, but they are saved by Kalina Oretzia (Embeth Davidtz), a spirit liberator who is attempting to free the ghosts. Kathy disappears soon afterward, and the four adults gather in the library, where Arthur learns that Jean’s spirit is trapped in the house. Kalina explains that the house is a machine, powered by the captive ghosts, that can allow its user to see the past, present, and future. The only way to shut it down, she says, is through the creation of a thirteenth ghost from a sacrifice of pure love. Arthur realizes that he must become that ghost by dying to save his children.
MV5BMTgwNDA1ODg5MF5BMl5BanBnXkFtZTYwNjI0Nzc3._V1_Armed with a pane of the special glass, Arthur and Dennis enter the basement to find the children. Dennis barricades Arthur into a corner behind the glass and allows two ghosts, the Hammer and the Juggernaut, to beat and kill him. Cyrus faked his death to lure Arthur to the house; Kalina is his secret partner. Cyrus has orchestrated the abduction of Kathy and Bobby so that Arthur will become the thirteenth ghost, which will not stop the machine as Kalina had claimed, but trigger its activation. Cyrus kills Kalina and summons the ghosts to activate the machine.
MV5BZDdlOTFiZmMtYzVlMi00NzQ0LTgzYjgtODA3N2NkNjUxNWUyXkEyXkFqcGdeQXVyMDAyMTY3Nw@@._V1_Arthur arrives at the main hall and witnesses all twelve ghosts orbiting a clockwork device of rotating metal rings, with his children at the center. Discovering Cyrus’ true fate, Arthur fights Cyrus while Maggie disrupts the machine’s controls. The ghosts hurl Cyrus into the rings, slicing him to pieces. With the encouragement of Dennis’ ghost, Arthur jumps into the machine, avoiding the rings and saving his children. The walls of the house shatter as the malfunctioning machine rips itself apart, freeing the ghosts. Dennis smiles at Arthur and departs, and Jean’s ghost appears before the family and tells them that she loves them before she and all the other ghosts disappear. As the family leaves the house, Maggie exclaims that she is quitting.MV5BYzEzMjgyMzUtYmFlNC00NTYxLThmMDQtOGIyYzE5MjA0NzBhL2ltYWdlXkEyXkFqcGdeQXVyMTM2MzAwOA@@._V1_This is a good movie from start to finish it has humor and scares in it all around good cast so check it out worth owning.

 

HALLOWEEN OF HORROR REVIEW: THE HOLE (2009)

CAST

Chris Massoglia (The Matchbreaker)
Haley Bennett (The Girl on The Train)
Nathan Gamble (The Dark Knight)
Teri Polo (Meet The Parents)
Bruce Dern (Nebraska)
Peter Shinkoda (Daredevil TV)
Dick Miller (Gremlins)
John DeSantis (Arrow)
Wade Williams (Gangster Squad)

17-year-old Dane Thompson, his 10-year-old brother Lucas, and their mother, Susan, move from Brooklyn to the quiet town of Bensenville where Dane and Lucas befriend their next door neighbor, Julie. While exploring their new home, Dane and Lucas discover a trapdoor with several locks along each side in the basement. Opening the trapdoor reveals a hole which appears to be bottomless. Over the next few days, each child experiences strange events. Lucas, having a fear of clowns, discovers a jester puppet on his bed, as well as other locations, as if it is following him. Julie begins to see an injured girl who bleeds from her eyes. Dane starts to see shadowy figures of a large man. Eventually, all three witness the injured girl together at the boys’ home where they follow her to the basement and watch as she crawls into the hole.Julie suggests they seek help from the previous owner of the house, Creepy Carl, who now lives in an abandoned glove factory surrounded by hundreds of lights and lamps. When the kids tell him that they have opened the hole, he berates them for releasing the evil inside stating that it will come for them and kill Dane. Later that night, Carl is seen scribbling in a sketchbook, almost blacking out entire pages. Carl screams, “I’m not done yet!” as the light bulbs around him pop. The sketchbook turns out to belong to Dane, who returns to the factory to retrieve it. He finds his sketchbook in the darkness; Creepy Carl is gone. Julie decides to get the group relaxed and throws a pool party. While under the water, Dane sees a shadowy figure of a giant man standing above. Once out of the pool, he notices a trail of muddy footprints which he and Julie follow, leaving Lucas alone in the pool. They hear Julie’s pet dog, Charlie, barking and return to see Lucas drowning. Lucas tells them that the jester puppet had pulled him under.Later that night, while Lucas is asleep, Dane sees a hand-shaped bruise on Lucas’ leg. He discovers that it is identical to a hand that Creepy Carl had drawn in the sketchbook. As he flips through the sketchbook, he realizes that each page is a puzzle piece. While working on the puzzle, Dane hears someone whistling. When he walks into the kitchen, he sees an envelope addressed to him from the New Jersey State Penitentiary. A note inside reads ‘HELLO BOY’. He rushes upstairs to Lucas and tells him that someone is in the house. While Dane investigates, Lucas meets a police officer standing at the bottom of the stairs. The officer shows Lucas a picture of two little girls and asks if he has seen one of them and points to the girl whom Julie first encountered. The police officer leaves the picture with Lucas and turns to leave revealing the back of his head is missing. Lucas fetches Dane and the pair watch the cop return to the basement and climb into the hole.Next door, the girl then appears in Julie’s room. Julie climbs out of her window and meets the boys where she reveals to Dane that she and her best friend Annie were playing on the tracks of an old roller coaster which resulted in an accident where Annie fell to her death. In an attempt to help Julie, a police officer had also fallen and was killed. She decides to return to the amusement park where the accident occurred stating “I know what I need to do now.” Dane goes after her telling Lucas to stay at home.Julie finds her friend sitting on the same spot from which she fell. After Julie helps Annie understand that she had tried to save her, Annie disappears and is pleased that Julie is no longer scared. Meanwhile, Lucas hears Dane calling him to the basement. Confused, he follows the voice to discover the jester puppet mimicking Dane’s voice. The puppet attacks Lucas but is outwitted and eventually destroyed. Dane and Julie return and Lucas announces that he is no longer afraid of clowns. Dane then tells them of a theory that once you look into the hole it somehow knows you and creates whatever you are afraid of. When asked what he’s afraid of, Dane replies that he is not afraid of anything.91Z5dqalWHL__SL1500_Julie then invites Dane and Lucas to stay at her place for the night. As Lucas is gathering his things, Dane shows Julie the puzzle he had been working on. They solve the puzzle together and see a boy being grabbed by a giant man. Dane rushes upstairs to find that Lucas is gone. Dane finally reveals that he is afraid of his father, who had abused the entire family and is now in prison. Realizing that his father has taken Lucas into the hole, Dane jumps into the hole as well. Dane finds Lucas hiding in the closet of a twisted version of a home. Their father, who has become a giant, discovers them and starts to break through the door. They turn around and discover the shelving seems to be a ladder. Dane tells Lucas to start climbing. Dane starts to follow, when his father drags him back down. As Dane fights him off, the giant father slowly returns to his actual size as Dane starts to confront his fear, seeing him for what he really is. Their surroundings begin to crumble and the floor falls away leaving Dane and his father trapped on an island under a ceiling fan. Having taken his father’s belt, Dane pulls himself onto the fan and gives the crumbling floor one final blow with the belt buckle causing the floor to break apart and the father to fall.Bo22_U_00_53_49_00007

Dane emerges from the hole where Julie and Lucas are waiting. They close the hole, just as their mother comes down to the basement. She sees the trapdoor and opens it, revealing a shallow crawl space below. As the group heads upstairs, Lucas asks his mom if she is afraid of anything. She replies that she was afraid of a monster under her bed when she was a little girl. Lucas says, “Uh oh,” as the trapdoor blows opens again revealing the darkness has returned.Bullet-DIBefore watching this I’d seen a few bad reviews, but now I don’t know why; it’s a good family horror. There’s no massive scares, but the plot is good, delving into the fears of the characters well. The beginning is done well, leaving you guessing as to what is down the hole, but after that I can’t say I was ever bored through it either, I think it is a good length and filmed well, keeping you in suspense throughout.