REVIEW: ZERO DARK THIRTY

CAST

Jessica Chastain (The Huntsman)
Jason Clarke (Dawn of The Planet of The Apes)
Jennifer Ehle Fifty Shades Darker)
Kyle Chandler (Super 8)
Mark Strong (John Carter)
James Gandolfini (KIllThem Softly)
Harold Perrineau (Constantine)
Mark Duplass (Greenberg)
Fredric Lehne (Lost)
John Barrowman (Arrow)
Jessie Collins (Revolution)
Édgar Ramírez (Joy)
Fares Fares (KIll Your Darlings)
Scott Adkins (X-Men Origins)
Joel Edgerton (Exodus: Gods and Kings)
Chris Pratt (Jurassic World)
Callan Mulvey (300: Rise of an Empire)
Taylor Kinney (The Forest)
Mike Colter (Luke Cage)
Frank Grillo (The Purge 2 & 3)
Christopher Stanley (Argo)
Stephen Dillane (Game of Thrones)
Mark Valley (Human Target)

In 2003, Maya, a young U.S. Central Intelligence Agency analyst, has spent her entire brief career, since being recruited for the agency, focused solely on gathering intelligence related to al-Qaeda leader Osama bin Laden, following the terrorist organization’s September 11 attacks on the United States in 2001. She is reassigned to the U.S. embassy in Pakistan to work with a fellow officer, Dan. During the first months of her assignment, Maya often accompanies Dan to a black site for his continuing interrogation of Ammar al-Baluchi, a detainee with suspected links to several of the hijackers in the September 11 attacks. Dan subjects the detainee to approved torture interrogation techniques, i.e., stress positions, hooding, subjection to deafening noise, sleep deprivation, waterboarding, and humiliation.After failing to get al-Baluchi to give up information on an attack in Saudi Arabia, he and Maya eventually trick Ammar into divulging that an old acquaintance, who is using the alias Abu Ahmed al-Kuwaiti, is working as a personal courier for bin Laden. Other detainees corroborate this, with some claiming Abu Ahmed delivers messages between bin Laden and a man known as Abu Faraj al-Libbi. In 2005, Abu Faraj is apprehended by the CIA and local police in Pakistan. Maya is allowed to interrogate him, but he continues to deny knowing a courier with such a name. Maya interprets this as an attempt by Faraj to conceal the importance of Abu Ahmed.Maya spends the next five years sifting through masses of data and information, using a variety of technology, hunches, and sharing insights. She concentrates on finding Abu Ahmed, theorizing that he is the best way to find bin Laden. In 2008, she is caught up in the Islamabad Marriott Hotel bombing. Dan, departing on reassignment, warns Maya about a possible change in politics, suggesting that the new administration may prosecute those officers who had been involved in interrogations. Maya’s fellow officer and friend Jessica is killed in the 2009 Camp Chapman attack. That same day, a grieving Maya receives an interrogation video of a Jordanian detainee, who claims the man previously identified from a photograph as Abu Ahmed is a man he personally buried in 2001. Several CIA officers – Maya’s seniors – conclude the target who could be Abu Ahmed is long dead, and that they have searched a false trail for nine years.Sometime later, a fellow analyst researching Moroccan intelligence archives comes to Maya and suggests that Abu Ahmed is Ibrahim Sayeed, a suspect who had come to CIA attention shortly after 9/11. Realizing her lead may still be alive, Maya contacts Dan, now a senior officer at the CIA headquarters. She theorizes that the CIA’s supposed photograph of Abu Ahmed was actually of his brother, Habib, as he was said to bear a striking resemblance to Ibrahim and was known to have been killed in Afghanistan, and points out that Abu Ahmed’s death in 2001 contradicts Ammar’s account.Dan uses CIA funds to purchase a Lamborghini for a Kuwaiti prince in exchange for the telephone number of Sayeed’s mother. The CIA traces calls to the mother and quickly identifies one suspicious caller who persistently uses tradecraft to avoid detection. Maya concludes that the caller is Abu Ahmed, and with the support of her supervisors, numerous CIA operatives are deployed to search for and identify the caller. They locate him in his vehicle and eventually track him to a large urban compound in Abbottabad, Pakistan, near the Pakistan Military Academy. As Maya leaves her residence one morning, she is attacked by multiple gunmen, but the bullet-proof glass in her car saves her. Knowing that she has been blacklisted by al-Qaeda and there will be more attempts on her life if she stays, her superiors remove her from the field and send Maya home to Washington, D.C.The CIA puts the compound under heavy surveillance for several months, using a variety of methods. Although they are confident from circumstantial evidence that bin Laden is there, they cannot prove this photographically. Meanwhile, the President’s National Security Advisor tasks the CIA with producing a plan to capture or kill bin Laden if it can be confirmed that he is in the compound. An agency team devises a plan to use two top-secret stealth helicopters (developed at Area 51) flown by the Army’s 160th Special Operations Aviation Regiment to secretly enter Pakistan and insert members of DEVGRU and the CIA’s SAD/SOG to raid the compound. Before briefing President Barack Obama, the CIA Director holds a meeting of his top officials, who assess only a 60–80% chance that bin Laden, rather than another high-value target, is living in the compound. Maya, also in attendance, states the chances are 100%.The raid is approved and is executed on May 2, 2011. Although execution is complicated when one of the helicopters crashes, the SEALs gain entry and kill a number of people within the compound, among them a man on the compound’s top floor who is revealed to be bin Laden. They bring bin Laden’s body back to a U.S. base in Jalalabad, Afghanistan, where Maya visually confirms the identity of the corpse. Maya is last seen boarding a military transport to return to the U.S. and sitting in its vast interior as its only passenger. The pilot asks her where she wants to go, but she does not reply. As the plane’s hangar door closes, Maya begins to cry softly.Considering the subject matter of Zero Dark Thirty, a film that follows the CIA’s decade-long hunt for Osama Bin Laden, it’d be little surprise were Hollywood to knock the edges off a little to make it easier for a broader audience. But director Kathryn Bigelow makes no such concession. Off the back of her Oscar-winning feature The Hurt Locker, her movie is a pulls-no-punches, under-your-skin drama. As such, it’s not always the easiest film to watch, but it is an utterly compelling one.

 

HALLOWEEN OF HORROR REVIEW: THE THING (2011)

CAST

Mary Elizabeth Winstead (10 Cloverfield lane)
Joel Edgerton (The Gift)
Ulrich Thomsen (Festen)
Eric Christian Olsen (Tru Calling)
Adewale Akinnuoye-Agbaje (Thor: The Dark World)
Kristofer Hivju (Game of Thrones)
Jonathan Walker (Red)

In 1982, an alien spacecraft is discovered beneath the Antarctic ice by a team from a Norwegian research base: Edvard (Trond Espen Seim), Jonas (Kristofer Hivju), Olav (Jan Gunnar Røise), Karl (Carsten Bjørnlund), Juliette (Kim Bubbs), Lars (Jørgen Langhelle), Henrik (Jo Adrian Haavind), Colin (Jonathan Lloyd Walker), and Peder (Stig Henrik Hoff). Columbia University paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to investigate the discovery.They travel to the Norwegian base, Thule Station, located in Antarctica near U.S. Outpost 31, in a helicopter manned by Carter (Joel Edgerton), Derek (Adewale Akinnuoye-Agbaje), and Griggs (Paul Braunstein). After viewing the spacecraft, Kate, Sander, and Adam are told the group also discovered an alien body from the crash, buried in the ice nearby. In the afternoon the body is brought to the base in a block of ice. That evening, while the team celebrates their find, Derek sees the alien burst from the ice and escape the building. The team searches for the creature and discovers that it killed Lars’ dog. Olav and Henrik find the alien, which then grabs and engulfs Henrik. The rest of the group arrive and set fire to the creature, killing it. An autopsy of the scorched alien corpse reveals that its cells were consuming and imitating Henrik’s own.Derek, Carter, Griggs and a sick Olav take the helicopter to seek help. Kate discovers bloody dental fillings near a blood-soaked shower. She runs outside to flag down the helicopter after it takes off. When it attempts to land, Griggs transforms into the Thing and attacks Olav, causing the helicopter to spin out of control and crash in the mountains. When Kate returns to the shower, she finds the blood is gone. The team decides to send a party to the closest base, but Kate confronts them with her theory that the Thing can imitate them and has likely already done so. They dismiss her claims, but Juliette says she saw Colin leaving the showers. When Juliette and Kate look for the vehicle keys to prevent the others from leaving, Juliette transforms and tries to attack Kate. As Kate flees, she runs past Karl, who is impaled by the creature. Lars arrives with a flamethrower and burns the creature just as it assimilates Karl. At nightfall, they burn the remains of the Juliette-Thing and Karl’s body.That night, Edvard, Kate and Lars find Carter and Derek stumbling into base, half frozen. The team refuses to believe that they could have survived the crash. Kate has them isolated until a test can be prepared to verify they are human. Adam and Sander had started to work on a test, but the lab is set on fire in the few minutes it’s left unattended. Kate proposes another test, believing that the Thing cannot imitate inorganic material. She inspects everyone and singles out those without amalgam dental fillings: Sander, Edvard, Adam, and Colin, while herself, Peder, Jonas and Lars are proven human.Lars and Jonas go to retrieve Carter and Derek for testing, and discover they have broken out. As Lars searches a nearby building, he is suddenly pulled inside. The group hears Carter and Derek breaking into the building and rushes to intercept them. In the middle of a standoff, Edvard orders Peder to burn them. Before he can, Derek shoots Peder dead in self-defense with Lars’ gun, but also punctures the flamethrower’s fuel tank, setting off an explosion that knocks Edvard unconscious. When brought to the rec room, Edvard transforms and infects Jonas and kills Derek before assimilating Adam. Kate torches the infected Jonas and Derek’s body before she and Carter pursue the Thing. While the pair searches, Sander is ambushed by the Thing and Colin hides in the radio room and isn’t seen again. They get separated and the Thing, into which Edvard and Adam are now fused, corners Carter in the kitchen, but Kate burns it before it can kill him. They then see an infected Sander drive off into the blizzard and pursue him in the remaining snowcat. While they are pursuing Sander, Kate notices that Carter is wearing his gold earring, reassuring her that he is still human at this point.They arrive at the spacecraft, where it suddenly activates and its engines begin to melt the ice over it. Kate falls into the ship and is separated from Carter. Kate discovers the source of the radio transmission at the beginning of the film, in the form of a giant glowing cylinder with strange geometric blocks forming and shifting apart, the signal still broadcasting. Confronted by Sander, who has transformed into a larger creature, Kate destroys it with a thermite grenade and the explosion deactivates the ship, shutting down its engines. Kate and Carter escape the ship and Carter suggests driving to a Soviet base about fifty miles away, saying that they’d stashed enough fuel in their snowcat to be just able to cover that distance.As Kate and Carter return to their vehicle, Kate notices that Carter is missing his earring and becomes suspicious. She tells him that she knew he was human earlier because he was still wearing the earring, implying she suspects he may have been assimilated while they were separated in the alien ship. Upon hearing this, Carter realizes that the earring is missing and points to his ear while attempting to explain its disappearance and reassure Kate. When Carter points to the wrong ear, Kate realizes he must have been assimilated and proceeds to burn him. She then retreats to Sander’s snowcat and stares blankly as the screen fades black. As the final credits roll, a helicopter pilot, Matias, arrives by morning at the now destroyed Norwegian outpost. He shouts, looking for any survivors. Colin is shown to have committed suicide in the radio room using a straight razor to slash both his arms and throat to ensure the Thing could never get to him. Matias sees the charred remains of the Adam/Edvard-Thing in the snow.Lars, now revealed to be alive and uninfected, orders Matias at gunpoint to show his dental fillings to prove that he is a human. The Thing, having taken the form of Lars’ deceased dog, runs out of the camp. Lars realizes it’s the Thing and orders Matias to start the helicopter. As the dog flees, the two chase it in the Norwegian helicopter, with Matias piloting and Lars leaning out of the open doorway, trying to shoot it with a scoped rifle, thus leading into the events of the 1982 film.The Thing does have its problems of course. The early talkie helicopter scene is obviously a nod to the very original movie in the 1950s. It’s a sad replacement, the 50s version dialogie was arguably filled with some of the richest dialogue for a horror/sci fi film at the time. Also you can feel that the film steps into remake territory with same as for scenes, although some of these are neatly spun on its head- so in the end there is no blood test etc. The effects are sadly all CGI, but they work quite well. Interestingly it’s the close up shots that work the best. The Thing is pretty much a solid homage to what has gone before and fans will love the end credits so hang around!

REVIEW: STAR WARS – EPISODE III: REVENGE OF THE SITH

 

CAST
Hayeden Christensen (Awake)
Natalie Portman (No Strings Attached)
Ewan McGregor (Cassandra’s Dream)
Ian McDiarmid (Margaret)
Samuel L. Jackson (Jackie Brown)
Jimmy Smits (Cane)
Frank Oz (Sesame Street)
Anthony Daniels (The Lego Movie)
Kenny Baker (Labyrinth)
Christopher Lee (Lord of The Rings)
Keisha Castle-Hughes (Game of thrones)
Ahmed Best (Poolboy)
Jay Laga’ala (Xena)
Bruce Spence (Mad Max 2)
Temuera Morrison (Once Were Warriors)
Oliver Ford Davies (Johnny English)
Peter Mayhew (Killer Ink)
Joel Edgerton (The Gift)
Rena Owen (The Last Witch HUnter)
James Earl Jones (Conan The Barbarian)
Wayne Pygram (Farscape)
Jeremy Bulloch (Starhyke)
Genevieve O’Reilly (THe Legend of Tarzan)
Star Wars Episode III: Revenge of the Sith is the best Star Wars movie in the prequel trilogy, hands down.

Objectively speaking, Revenge of the Sith’s greatest contribution to the Star Wars family is first and foremost the massive improvement of the quality of the visual effects. This film was released in 2005, and yet even today I have absolutely zero issues with any of the special effects, even in blu-ray format. They look stunning, detailed and realistic to the point of complete satisfaction. I think pretty much everyone can agree on this at least.

To me, Revenge of the Sith was a jaw dropping sci-fi movie from start till finish. I don’t remember any other science fiction film having action of this magnitude and scale going on in the history of film making. We are treated to probably the largest space battle ever shown in cinema when the film opens. This entire sequence, from Anakin and Obi-Wan fighting their way through the thick of battle to Count Dooku’s flagship all the way to them landing the damaged space ship on Coruscant, takes over half an hour and you’re completely engaged throughout.

The film then quietens down to politics and Anakin spending time with his wife Padme. Again, I never felt bored or checked my watch during these sequences as I felt they added much to the story, which is ultimately about Anakin’s fall. Now, a person who just watched this film might say Palpatine barely did anything to make Anakin turn to the Dark Side of the Force, and therefore all of this is a big disappointment. However, Anakin’s fall makes far more sense if you have recently watched The Phantom Menace and Attack of the Clones. Things that step by step shake his faith in the Jedi order are all strewn across these two films, which then culminate in the third. The initial rejection of the Jedi council to train young Anakin, the death of his mentor Qui-Gon, his romantic feelings for Padme despite his oaths of celibacy and detachment as Jedi, the lack of trust he gets from Mace Windu, Yoda and even Obi-Wan at times, the death of his mother Shmi and the visions that foretell the death of Padme in childbirth all contribute to him feeling confused, lonely and isolated – vulnerable for one particular Sith, who after all, had managed to not only fool the entire galactic senate, but also the Jedi order itself about being a good natured and harmless Chancellor. To blame troubled Anakin for buying into the deception of Palpatine, who had pretty much managed to deceive everyone else so far, would indeed be unfair.

The rest of the film is top notch. We are taken to many stunning locations that serve as backdrops for large scale battles, and General Grievous does a far better job of being an interesting antagonist than the stoic and almost vampiric Count Dooku did in Episode II. The film builds up in tension until it treats us to the greatest light saber duel in the entire series, bar none. Amazingly filmed by Steven Spielberg, who George Lucas allowed to be in charge of this part of the movie. The hellish landscape of Mustafar is a fitting place for such a titanic clash between Anakin and Obi-Wan, one that we had been waiting for so long and, I believe satisfied us all. The final portion of the film is spent tying up loose ends in the same fashion that the final section of Return of the King did – many short, disjointed scenes taking place in different locations, but necessary to complete the overarching narrative. There are some deleted scenes which I think could have been added to give this film the finishing touches it needed, but overall I am still very happy about the quality, presentation and entertainment Revenge of the Sith offers from start till finish.

Of course the end will leave a sour taste in your mouth since it isn’t a happy ending, but that was the whole point of the prequel trilogy, wasnt it – to explain how Darth Vader became Darth Vader and what led to the fall of the Republic and the creation of the totalitarian Galactic Empire. If you’re like me and watch the films in the order I to VI, you can sit back with satisfaction and anticipation after the conclusion of III, because the story will go on and we’re just getting started!

 

REVIEW: STAR WARS – EPISODE II: ATTACK OF THE CLONES

CAST

Hayden Christensen (Awake)
Natalie Portman (No Strings Attached)
Ewan McGregor (Cassandra’s Dream)
Christopher Lee (Lord of The Rings)
Samuel L. Jackson (Jackie Brown)
Frank Oz (Sesame Street)
Ian McDiarmid (Margaret)
Pernilla August (Search)
Temuera Morrison (Once Were Warriors)
Jimmy Smits (Cane)
Jack Thompson (Around The Block)
Ahmed Best (Poolboy)
Rose Byrne (The Voices)
Oliver Ford Davies (Johnny English)
Jay Laga’ala (Xena)
Anthony Daniels (The Lego Movie)
Kenny Baker (Labyrinth)
Joel Edgerton (The Gift)
Rena Owen (The Last Witch HUnter)
Marton Csokas (Aeon Flux)

Photo- Lucasfilm

Ten years after the Trade Federation’s invasion of Naboo, the Galactic Republic is threatened by a Separatist movement organized by former Jedi Master Count Dooku. Senator Padmé Amidala comes to Coruscant to vote on a plan to create an army of the Republic to assist the Jedi against this threat. Narrowly avoiding an assassination attempt upon arrival, she is placed under the protection of Jedi Knight Obi-Wan Kenobi and his apprentice Anakin Skywalker. The two Jedi thwart another attempt on her life and subdue the assassin, Zam Wesell, a shape-shifter who is killed by her bounty hunter client with a toxic dart before she can reveal his identity. The Jedi Council assigns Obi-Wan to identify and capture the bounty hunter, while Anakin is assigned to escort Padmé back to Naboo, where the two fall in love.
Photo- Lucasfilm
Obi-Wan’s investigation leads him to the remote ocean planet Kamino, where he discovers an army of clones is being produced for the Republic, with bounty hunter Jango Fett serving as their genetic template. Obi-Wan deduces Jango to be the bounty hunter he is seeking, and follows him and his clone son Boba to the desert planet Geonosis via a homing beacon placed on their ship, the Slave I. Meanwhile, Anakin becomes troubled by premonitions of his mother Shmi in pain, and travels to Tatooine with Padmé to save her. They meet Owen Lars, Anakin’s stepbrother who is the son of Shmi’s new husband Cliegg Lars. Cliegg tells Anakin that Shmi was abducted by Tusken Raiders weeks earlier and is most likely dead. Determined to find her, Anakin ventures out and finds the Tusken campsite. He discovers too late that his mother has been tortured by the tribe. As she dies from her wounds, Shmi reunites with Anakin. Anakin loses his temper and kills the Tuskens before returning to the Lars homestead with Shmi’s remains. After revealing his deed to Padmé, Anakin says that he wants to prevent death.
Photo- Lucasfilm
On Geonosis, Obi-Wan discovers a Separatist gathering led by Count Dooku, who Obi-Wan learns had authorized Padmé’s assassination and is developing a new battle droid army together with Trade Federation Viceroy Nute Gunray. Obi-Wan transmits his findings to Anakin to relay to the Jedi Council, but is captured mid-transmission. With knowledge of the droid army, Supreme Chancellor Palpatine is voted emergency powers to send the clones into battle. Anakin and Padmé journey to Geonosis to rescue Obi-Wan, but are also captured. The three are sentenced to death, but are eventually saved by a battalion of Jedi and clone troopers led by Mace Windu and Yoda; Jango is killed by Mace during the rescue. As the clone and droid armies battle, Obi-Wan and Anakin intercept Dooku and the three engage in a lightsaber battle. Dooku subdues Obi-Wan and Anakin, but then Yoda arrives and engages the Count in a duel. Finding he is unable to defeat Yoda, Dooku flees. Arriving at Coruscant, he delivers blueprints for a superweapon to his Sith master, Darth Sidious, who confirms that everything is going well and as planned. As the Jedi gravely acknowledge the beginning of the Clone Wars, Anakin is fitted with a robotic arm and secretly marries Padmé on Naboo, with C-3PO and R2-D2 as their witnesses.

Photo- Lucasfilm

Attack of the Clones is a very good entry in the series. Ewan McGregor is superb as Obi Wan who teams up with Anakin to protect the Queen. He also has his own sub plot as he hunts down Jango Fett on a mysterious planet and we get a nice back story involving one of the coolest characters ever in Star Wars, Boba Fett. The action scenes are superb and towards the end we are introduced to Coutn Dooku, Christopher Lee who gives a superb performance. Yoda appears and fights as you’ve never seen him before and Jar Jar Binks time on screen is very limited. This movie is one hell of an underrated ride.

REVIEW: EXODUS: GODS AND KINGS

Image result for exodus steelbook

CAST

 Christian Bale (The Dark Knight)
Joel Edgerton (The Gift)
Ben Kingsley (Iron Man 3)
John Turturro (Transformers)
Ben Mendelsohn (The Dark Knight Rises)
Maria Valverde (Cracks)
Sigourney Weaver (Alien)
Indira Varma (Game of Thrones)
Ewen Bremner (Snatch)

Aaron Paul (Breaking Bad)
Tara Fitzgerald (Game of Thrones)

 

In 1300 BC, Moses, a general and member of the royal family, prepares to attack the Hittite army with Prince Ramesses. A High Priestess of Sekhmet (the war goddess) divines a prophecy from animal intestines, which she relates to Ramesses’ father, Seti I. He tells the two men of the prophecy, in which one (of Moses and Ramesses) will save the other and become a leader. During the attack on the Hittites, Moses saves Ramesses’ life, leaving both men troubled. Later, Moses is sent to the city of Pithom to meet with the Viceroy Hegep, who oversees the Hebrew slaves. Upon his arrival, he encounters the slave Joshua, who is the descendant of Joseph, and Moses is appalled by the horrific conditions of the slaves. Shortly afterwards, Moses meets Nun, who informs him of his true lineage; he is the child of Hebrew parents who was sent by his sister Miriam to be raised by Pharaoh’s daughter. Moses is stunned at the revelation and leaves angrily. However, two Hebrews also overhear Nun’s story and report their discovery to Hegep.
Seti dies soon after Moses’ return to Memphis, and Ramesses becomes the new Pharaoh (Ramesses II). Hegep arrives to reveal Moses’ true identity, but Ramesses is conflicted about whether to believe the story. At the urging of Queen Tuya, he interrogates the servant Miriam, who denies being Moses’ sister. When Ramesses threatens to cut off Miriam’s arm, Moses comes to her defense, revealing he is a Hebrew. Although Tuya wants Moses to be put to death, Ramesses decides to send him into exile. Before leaving Egypt, Moses meets with his adopted mother and Miriam, who refer to him by his birth name of Moishe. Following a journey into the desert, Moses comes to Midian where he meets Zipporah and her father, Jethro. Moses becomes a shepherd, marries Zipporah and has a son Gershom.
Nine years later, Moses gets injured during a rockslide. He comes face to face with a burning bush and a boy called Malak, who serves as a representative of the God of Abraham. While recovering, Moses confesses his past to Zipporah and reveals what God has asked him to do. This drives a wedge between the couple, because Zipporah fears he will leave their family. After he arrives in Egypt, Moses reunites with Nun and Joshua, as well as meeting his brother Aaron for the first time. Moses returns to confront Ramesses, demanding the Hebrews be released from servitude. Ramesses refuses to listen, insisting that to free the slaves would be economically impossible. Upon Moses threatening Ramesses’ life, Ramesses orders the death of Moses, executing random Hebrew families until he is found.
Using his military skills, Moses trains the slaves in the art of war. The Hebrews start attacking the Egyptians, prompting Ramesses to raid slave villages. Malak appears to Moses and explains that ten plagues will affect Egypt. All the water in the land turns to blood, and the Egyptians are further afflicted by the arrival of frogs, lice, and flies. The plagues of the death of livestock, boils, hail and thunder, locusts, and darkness continue to affect the Egyptians. While conversing with Malak, Moses is horrified at learning the tenth plague will be the death of all firstborn children. The Hebrews protect themselves by covering their doors with the blood of lambs, as instructed by Moses. Ramesses is devastated over his son’s death and relents, telling Moses and the Hebrews to leave.
During the exodus from Egypt, the Hebrews follow Moses’ original path through the desert and towards the Red Sea. Still grieving for his son, Ramesses decides to go after the Hebrews with his army. After making their way through a dangerous mountain pass, Moses and the Hebrews arrive at the edge of the sea, uncertain about what to do. Moses flings his sword into the water, which begins to recede. Ramesses and his army pursue the Hebrews, but Moses stays behind to confront them. The Red Sea reverts to its normal state, drowning the majority of the Egyptians (crossing the Red Sea). Moses survives and makes his way back to the Hebrews. Ramesses is revealed to have survived, but he is distraught over the destruction of his army. Moses leads the Hebrews back to Midian, where he reunites with Zipporah and Gershom. At Mount Sinai, after seeing Malak’s displeasure at the Hebrews’ construction of the Golden Calf, Moses transcribes the Ten Commandments. Years later, an elderly Moses riding with the Ark of the Covenant sees Malak walking with the Hebrews through the desert.
For those worried about the much-hyped portrayal of God as a young ‘brat’, I think this is in the most part a misunderstanding of what Scott was trying to do here. Yes, God is shown to ‘appear’ to Moses as a young child, but is it mere coincidence that the child is of roughly the same age as Moses’s son at the time? It can be argued that, in Scott’s depiction, God merely appears to Moses in a form he knows he will relate to. I think it also gives realism and a more human face to Moses that means we can relate to him – after all, it’s clear from the Biblical account that he has imperfections.
Exodus makes an interesting attempt to show his inner battles, frustrations and complexity of his relationship with God, those he grew up with and those he then leads. This includes the struggles of his family to accept God’s will for him (which is an interesting addition by Scott) and another interesting focus on Moses’s struggle to accept that God is in control and be humbled.

For me, Exodus harks back to the true Biblical epic in a way I’d not expected would be possible in this age. Unlike all the recent output and even going back to the Passion of the Christ, The Last Temptation… and others, there is no agenda here. It is a fair account done with impressive visual flair.