REVIEW: HALLOWEEN H20: TWENTY YEARS LATER

CAST

Jamie Lee Curtis (Scream Queens)
Josh Hartnett (30 Days of Night)
Michelle Williams (Oz The Great and Powerful)
Adam Arkin (8 Simple Rules)
LL Cool J (Deep Blue Sea)
Jodi Lyn O’Keefe (The Vampire Diaries)
Adam Hann-Byrd (Jumanji)
Janet Leigh (Psycho)
Nancy Stephens (A Time for Dancing)
Chris Durand (Angel)
Joseph Gordon-Levitt (Looper)
Lisa Gay Hamilton (12 Monkeys)
Tom Kane (Grim & Evil)

Twenty years after the events of Halloween and Halloween II, on October 29, 1998, Marion Chambers (Nancy Stephens), Dr. Sam Loomis’ former colleague, returns to her house in Langdon, Illinois, to find it has been burglarized. Her teenage neighbor Jimmy (Joseph Gordon-Levitt) searches the house and finds nothing. While waiting for the police in her house, Marion discovers a file is missing, the one on Laurie Strode (Jamie Lee Curtis), Michael Myers’ sister who escaped the attacks two decades earlier. She also realizes that someone has been in her house and immediately rushes back over to Jimmy’s house, where she finds him and his friend dead. Michael Myers (Chris Durand) appears, and attacks Marion before slitting her throat, killing her. The police arrive as Michael leaves the house with Laurie’s file.
On Halloween, two days later, Laurie Strode awakens from a nightmare. Since 1978, she has tried to get her life together with the hope that her psychotic older brother Michael would never come after her again. She faked her death in a car accident, and then relocated to Northern California under the assumed name “Keri Tate”. She has a seemingly perfect life with her teenage son John (Josh Hartnett), her boyfriend Will (Adam Arkin), and a job as headmistress at Hillcrest Academy, a private boarding school. However, Laurie is far from happy, as the tragic events from 1978 still haunt her.

Michael finds Laurie using the file, and stalks the school grounds. The students leave for a weekend getaway. Later that evening, John and his friends are having an intimate Halloween party in the basement when John’s classmate, Charlie (Adam Hann-Byrd), is attacked and killed by Michael. When Charlie’s girlfriend Sarah (Jodi Lyn O’Keefe) goes looking for him, she finds him dead in the kitchen dumbwaiter with a corkscrew embedded in his throat, and Michael appears. She manages to get into the dumbwaiter next to Charlie and just as she closes the door Michael stabs her in the leg. The dumbwaiter heads up a level and as Sarah gets out Michael slashes the rope, causing the dumbwaiter to fall onto Sarah’s leg, savagely disfiguring it. As she attempts to crawl for help Michael stabs her to death. John and his girlfriend Molly (Michelle Williams) go looking for their classmates. They find Sarah’s body hung in the pantry and are chased by Michael through the school grounds. At one point in the chase, John is stabbed in the leg by Michael. Just as Michael is about to get Molly and John, they are saved by Laurie and Will, who open the door for them just in time. Just as the door closes behind them, Laurie and Michael come face to face for the first time since their last encounter two decades ago. Laurie and Will hide Molly and John and decide to try to kill Michael.
When Will sees a shape approaching from the far end of the hall, he takes Laurie’s handgun and shoots the shape five times, only to discover that it was the school’s security guard, Ronny (LL Cool J). Michael then appears and stabs Will in the back, killing him. Laurie helps John and Molly escape but she tells them to go for help while she chooses to go back to the school with a fire ax. She finds Michael and attempts to kill him several times, and finally after stabbing him multiple times, he topples over a balcony. She approaches his body and pulls one of the knives out of his chest. She slowly raises the knife high above her head, but before she can deliver the final blow, Ronny suddenly appears, having survived the shooting, and grabs her. He restrains her from attacking Michael and drags her out of the cafeteria. The police come and put Michael’s corpse in a body bag, loading it into a coroner’s van. Laurie, knowing that Michael is extremely difficult to kill and not believing that he is really dead, grabs the ax from earlier and an officer’s gun, and she steals the van. While driving away, Michael sits up and escapes the body bag. She slams on the brakes, throwing him through the windshield. She then tries unsuccessfully to run him over. The vehicle tumbles down a cliff but she escapes, while Michael gets pinned between the van and a tree. Laurie recovers the axe and approaches him. He reaches out to her, apparently seeking forgiveness and compassion. At first it seems she will accept this, and begins reaching out to him, but then she slowly pulls her hand back and decapitates Michael, finally killing him.

Great to see Jamie Lee Curtis back in the role and acting opposite her Mum Janet Leigh which was a nice touch by the filmmakers. The acting is good, the film is fairly scary and Michael Myers return is as jumpy as is meant to be

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REVIEW: TWO AND A HALF MEN – HI, MR HORNED ONE

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HI, MR HORNED ONE

MAIN CAST

Charlie Sheen (Machete Kills)
Jon Cryer (Superman 4)
Angus T. Jones (Bringing Down The House)
Conchata Ferrell (Krampus)
Holland Taylor (Legalley Blonde)

Image result for two and a half men hi mr horned oneGUEST CAST

Jodi Lyn O’Keefe (The Vampire Diaries)

Image result for two and a half men hi mr horned oneCharlie begins dating a strange, spiritual darker woman named Isabella (Jodi Lyn O’Keefe). Alan tries to talk him out of it because he dislikes her and finds her creepy. When Isabella finds out that Alan thinks she’s a bad influence on Jake, she seemingly puts a “spell” on him, causing him to have a blinch on his eye. Isabella takes Charlie to a party and she and her friends drug him and try to convince him to sell his soul to the devil. Later, it turns out that Isabella knows Evelyn, and she tells Isabella to leave Charlie alone, while he, Alan and Jake accompany Evelyn to a fancy-dress party.Image result for two and a half men hi mr horned one

One of my all time favourites episodes and one of only Two Halloween episodes made. Loved the guest cast and Charlie’s mother as the Wicked witch is hilarious. This is a must see episode for the show and for halloween

REVIEW: THE CROW 3: SALVATION

CAST

Eric Mabius (Ugly Betty)
Kirsten Dunst (All Good Things)
Fred Ward (Tremors)
Jodi Lyn O’Keefe (The Vampire DIaries)
William Atherton (Ghostbusters)

In Salt Lake City, Alex Corvis (Eric Mabius) is a death row convict framed for the murder of his girlfriend Lauren Randall (Jodi Lyn O’Keefe). Three years later, he is sentenced to death in the electric chair. When he is asked for his last words, he says he still loves Lauren and that he is innocent. However, the guards do their job, and the switch is pulled. The generator is struck by lightning during the electrocution, overriding the electricity, and Alex suffers a painful, excruciating death. Soon after the execution, Alex is resurrected by a mystical crow and gifted with supernatural abilities, so he can clear his name and avenge Lauren’s death. Alex follows the crow to the Salt Lake City police department’s evidence room, where he discovers that Lauren was killed by a group of corrupt cops. Alex has a vision of one of the killers, who has a scar on his arm matching one he saw just before his execution. Alex finds the knife that was used on Lauren, and then goes to her grave. There, he meets with Lauren’s sister Erin (Kirsten Dunst), who believes he is guilty. He tells her that he will prove his innocence, and disappears.

Alex finds Tommy Leonard (David Stevens), a witness at the trial who was paid to give perjured testimony about Alex. Leonard tells Alex that the cops who murdered Lauren were Madden (Bruce McCarthy), Martin Toomey (Tim DeKay), Vincent Erlich (Dale Midkiff), Stan Roberts (Walton Goggins), and Phillip Dutton (Bill Mondy).

Alex kills Erlich in a car crash, but inadvertently drops the list of names of the cops he’s after, and Roberts and Toomey find it. Later, Alex gives Erin a piece of paper found in Erlich’s car, proving to Erin that he is innocent. She then finds out that her father, Nathan Randall (William Atherton), is in business with the corrupt cops who killed Lauren, and was thus indirectly responsible for her death. Nathan swears he did not intend for Lauren to die, but Erin nevertheless runs from him in horror.

Alex goes to the place where Lauren died and talks to her. Erin goes home, and finds that her father has committed suicide. Later, Alex meets with his lawyer, Peter Walsh, who tells him that Nathan owns a company called Westwind Building, which owns D.E.R.T., a company that serves as front for a drug smuggling operation. Lauren had witnessed John, the police captain (Fred Ward), killing a man at the Key Club; John then had Lauren killed.

Madden kills Walsh, and John kidnaps Erin. Alex starts a shootout at the Key Club in which he impales Roberts with a pipe he breaks off the ceiling, and kills the remaining police. Madden shows up, and tries to kill Alex. Madden accidentally shoots a pipe, which ignites a gas leak; the explosion kills Toomey. Alex walks out of the fire and sees an arm hanging out of the rubble with the scar on it.

The next day, Alex finds out that the man with the scarred arm faked his death, and is still at large. Alex goes to the police station to kill John. However, he is no longer invulnerable, as he “fulfilled his duty” after finding the arm with the scar. John stabs Alex several times. Before Alex dies, he starts to believe he is the one who murdered Lauren. Madden, John, and John’s secretary (Kelly Harren) pull Alex into John’s taxidermy room, where Erin is tied up with her mouth stitched shut. The crow picks up her locket and drops it next to Alex, who comes back to life. Alex sets Erin free and kills Madden, and she runs out with John in pursuit.

Alex and Erin take John to the same electric chair that Alex died in, and strap him onto it. Alex tells John how much voltage will pass through him when the chair is activated, and John vows to return from his grave and kill both him and Erin. Alex covers John’s face with the mask while Erin throws the switch, and they watch him scream in agony as he is electrocuted. After a few minutes, John bursts into flames and dies while Erin and Alex leave his body to cremate on the chair, and exit the facility. Alex disappears in a whirlwind, and Erin puts the necklace that bound him to her on his headstone.

If your a fan of the series I recommend you see this film and try and see it as a film in its own right because it ends up being a pretty good film in its own right.

12 DAYS OF CHRISTMAS REVIEW: THE VAMPIRE DIARIES – THE CHRISTMAS EPISODES – PART 1

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MAIN CAST

Nina Dobrev (Arena)
Paul Wesley (Killer Movie)
Ian Sommerhalder (Pulse)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Zach Roerig (As The World Turns)
Candice King (Juno)
Michael Trevino (Cane)
Joseph Morgan (The Originals)
Matthew Davis (Bloodrayne)
Michael Malarkey (The Selection)
O COME ALL YE FAITHFUL
GUEST CAST
Claire Holt (Mean Girls 2)
Susan Walters (Kill The Messenger)
Grace Phipps (Scream Queens)
Phoebe Tonkin (Bait)
David Alpay (Flashpoint)
Alyssa Diaz (Lie To Me)

The Season 4 winter finale was the first step in bringing everything together in there season arc , bringing Tyler’s quest to use his unsired hybrids to defeat Klaus into the fold as well. What we know about Professor Shane’s ultimate plan is that it involves “expression” magic, a magic so evil it only works with human sacrifice, and Pastor Young blowing up the 12 members of the council in the season premiere was just the beginning. Whatever Shane is up to, it requires at least 12 more sacrifices of the hybrid variety, and Hayley’s job was to deliver them on a silver platter. So while Tyler believed he was unsiring hybrids to ultimately have them rise up against Klaus and defeat him for good, Hayley was working an entirely different agenda, one that ended with her offering up all of the hybrids to Klaus for him to slaughter in a murder montage so incredible. The Klaus presented here , the one who has absolute power but whose soul suffers because of it, the one who kills Tyler’s mother because he knows that’s a much more evil punishment than killing Tyler himself, that’s the Klaus the show needs.

such a wonderful episode set around and an all around classic episode.

CHRISTMAS THROUGH YOUR EYES
GUEST CAST
Penelope Mitchell (Hemlock Grove)
Marguerite MacIntyre (Red Dragon)
Chris Brochu (Soul Surfer)
Jodi Lyn O’Keefe (Halloween: H20)
Chris Wood (Browsers)
With the holidays approaching, Bonnie attempts to replicate her favorite traditions, while reminiscing about happier times with her friends. Not able to return home to Mystic Falls for her favorite time of the year, Caroline is surprised when Sheriff Forbes brings the holidays to her at Whitmore College. Meanwhile, after discovering that Jo has gone missing, Alaric turns to Damon and Elena for help of trying to find her, while Liv and Luke find themselves at odds when Tyler approaches them with a risky plan. Elsewhere, Jeremy helps Matt carry out a plan to take down Enzo but grows concerned when Matt takes things too far. Lastly, Stefan is forced to break some devastating news to Caroline. Alaric and Damon Capture Kai but he absorbs the Travellers spell and escapes, the episode ends with Elena outside the Salvatore Mansion, Kai cloaks her and himself and Damon does not hear or see her as she talks to him, revealing that he has used a clocking spell on them. He then knocks Elena out and abducts her .
Another classic Vampire Diaries Christmas, this episode throws so much stuff at us, The Sheriff having cancer, Kai abducting Elena, its a great episode but with the cliffhanger makes you wait for the next episode to see how it turns out.
COLD AS ICE
GUEST CAST
Annie Wersching (Birds of Prey)
Elizabeth Blackmore (The Road Home)
Scarlett Byrne (Harry Potter and The Deathly Hallows)
Teressa Liane (Neighbours)
Todd Lasance (Spartacus)
Damon, Stefan, Nora and Valerie put Lily to rest. Later, as Christmas rings in the air, Stefan and Damon’s search for Julian leads them to a town outside Mystic Falls. While they search based on Bonnie’s locator spell-given address, they end their search at a bar filled with dead Santa’s. After a while, Julian appears and there is a tiff between the brothers and him which later aggravates back home. Meanwhile, Nora becomes friendly with Bonnie during a toy drive. Alaric fears that Caroline is struggling with her pregnancy as her blood feeding urges keep her on the edge. Caroline shares a heart-to-heart talk with Sheriff Forbes’s gravestone. Valarie teams with Stefan to abduct Mary Louise in order to force Julian to come out in the open and fight. Later, an unseen being whisks the unconsious Mary Louise away. The Salvatore brothers-Julian fight finally leads to Damon being staked by the Phoenix stone-dagger and getting trapped inside his hell. The same happens for Stefan as a revenge-seeking Nora pushes the dagger inside him, after siphoning out Bonnie’s magic. It is shown that Damon is reliving his Civil War days while being trapped in the Phoenix stone – where he is gravely injured and scared.
WOW!! a great way to end on a mid season making us all wait till January 2016, just like The Originals 2015 Christmas this one leaves you on a gut wrenching moment not knowing what will happen next.

REVIEW: THE VAMPIRE DIARIES: THE HALLOWEEN EPISODES

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MAIN CAST

Nina Dobrev (Never Cry Werewolf)
Paul Wesley (8 Simple Rules)
Ian Somerhalder (Smallville)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Candice King (Juno)
Zach Roerig (As The World Turns)
Kayla Ewell (Lucifer)
Michael Trevino (The Factory)
Sara Canning (Smallville)
Matthew Davis (Cult)
Michael Malarkey (The Selection)
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GUEST CAST

Jasmine Guy (Dead Like Me)
Robert Pralgo (Fast & Furious 7)
Susan Walters (The Flash)
Natashia Williams (She Spies)
Tiya Sircar (The Internship)
Maiara Walsh (The Starving Games)
Malese Jow (The Flash)
Taylor Kinney (Zero Dark Thirty)
Arielle Kebbel (The Uninvited)
Kelly Hu (X-Men 2)
Olga Fonda (Real Steel)
Janina Gavankar (True Blood)
Rick Cosnett (The Flash)
Shaun Sipos (Final Destination 2)
Colin Ferguson (A Town Eureka)
Penelope Mitchell (Hemlock Grove)
Jodi Lyn O’Keefe (Halloween: H20)
Emily Chang (Total Recall)
Chris Wood (Supergirl)
Annie Wersching (24)
Elizabeth Blackmore (Evil Dead 2013)
Scarlett Byrne (Harry Potter)
Teressa Liane (Neighbours)

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HAUNTED

Vicki attacks Tyler but Damon and Stefan stop her, and Damon compels Tyler to forget it all. Jeremy tells Elena that he will be joining the search party for Vicki. Vicki calls Matt and tells him she’s okay. Stefan tries to get Vicki to drink animal blood, but Damon convinces her that she needs human blood instead. Elena arrives and Stefan promises her that he will get through to Vicki.  Bonnie talks to her Grams about witchcraft before she leaves for school. Damon overhears Richard and Carol discussing the vampire in town. Caroline gives Bonnie Damon’s crystal and tells her she doesn’t care what she does with it, as long as its gone.
Image result for THE VAMPIRE DIARIES hauntedStefan gets Vicki drinking coffee and leaves briefly. Vicki tries to call Jeremy, but Elena refuses to let her, so Vicki pushes her against the wall and threatens to kill her unless she lets her see Jeremy. Stefan assures Elena that Vicki will calm down eventually. Damon tells Vicki that he only turned her because he was bored. Damon and Stefan take Vicki outside and Damon teaches her how to use her super speed. Vicki uses it to escape. She goes home where Matt’s happy to see her. Stefan shows up, looking for Vicki, but she doesn’t want to see him so Matt sends him away. Elena convinces Jeremy to attend the Halloween Party with her and tries to convince Jeremy to let go of Vicki. He and Vicki text each other and plan to meet up at the party.
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Damon flirts with Carol to get information. He tries to compel her, but she’s wearing vervain. She tells him about the Founder’s Council and he offers to get vervain for her when he explains that Zach is out of town. She tells him that anybody who showed up during the day to the Founder’s Party and Heritage Display was eliminated as a suspect of being a vampire. At the party, Matt tells Elena that Vicki’s with him and she realizes that Jeremy’s gone. Stefan finds Vicki and confronts her. Elena and Matt find them and Vicki tells Matt that Stefan won’t leave her alone. Vicki escapes, and Stefan tells Matt that he’s trying to help Vicki. Vicki finds Jeremy and they kiss. Damon discovers Bonnie has his crystal, but when he tries to take it from her, it burns him. Elena finds Vicki and Jeremy kissing outside just as she loses control. Annoyed by Elena, Vicki bites her, and Stefan arrives and stakes her.  Grams tells Bonnie that the crystal belonged to her ancestor and a very powerful witch, Emily Bennett. Grams tells Bonnie that it is now hers and she has to protect it. Elena, blaming Damon, slaps him. Matt asks Elena if she’s seen Vicki, but she says she hasn’t, calls him a good brother, and then cries in her car.
Wen Elena gets home, she comforts Jeremy over Vicki’s death and he begs her to “make it stop”. Stefan arrives and Elena asks him if he can compel Jeremy to forget that Vicki died, but he says he isn’t strong enough. Damon then appears and volunteers to do it, asking Elena what she wants Jeremy to remember. She tells him to make Jeremy believe that Vicki left town, he’ll miss her, but knows its for the best. As Damon compels Jeremy, Elena explains her existing feelings for Stefan to him, but when Damon exits the house, she walks back inside alone.
In the earlier episodes, I wasn’t that into Vicki as a person, but when she became a vampire, I was looking forward to seeing her evolve, so to speak. Now I’m sad that they’ve killed her off. Not only that, but it was fun watching Stefan and Damon coach her on what it means to be a vampire, each in their own unique way.

MASQUERADE

The episode starts with Damon handing a stressed-looking Caroline a glass of blood to comfort her. Stefan arrives and asks them what happened. Caroline tells the Salvatore brothers that she was confronted by Katherine at the Mystic Grill. There is a flashback to when Caroline got to the Grill. She runs into the bathroom after an embarrassing encounter with Matt. In the bathroom, Katherine suddenly appears behind her. Caroline pretends to think it’s Elena, and Katherine pretends to be her at first and asks her if she is okay. Caroline plays along for a bit, until she runs to the door in vampire speed to escape, but Katherine anticipated it and is able to block her. She asks her to deliver a message to them and says: “Tell Damon and Stefan that I want the moonstone, or I will rip this town apart until it rains blood.” She then instructs her that the deal is to go down that evening at the Masquerade Ball. Damon assumes that she got scared, noting that what she did to Jenna in the previous episode was desperate. Stefan states that they can’t underestimate her. Caroline suggests giving Katherine the moonstone, but Damon says “No, Katherine isn’t getting dick!” and explains that he’s going to kill Katherine at the ball. Stefan interrupts, saying that Damon wouldn’t be killing Katherine because he is going to do it himself. Meanwhile, Matt, Elena and Jeremy are bringing Jenna home from the hospital. It is revealed that Jenna was told that she ran into a knife while making dinner, even though in reality, Katherine had compelled her to stab herself earlier. Jenna  is embarrassed about it, but they all soothe her by telling her it was a freaky accident. While Jenna is resting, Jeremy and Elena are alone together and he asks his sister what they are going to do about Katherine. Elena says they’re not going to do anything. She believes that Katherine hurt Jenna because she was still with Stefan and now that they’re broken up, they’re safe. Jeremy tells Elena she is being naive and walks away.
Katherine returns to her room at Mrs Flowers’ Bed and Breakfast, and she helps her get comfortable by bringing her shopping bags. When she leaves, Katherine starts to take a dress out of one of the bags when suddenly, a woman (a witch named Lucy) slinks into the room. Katherine hears her and runs to her in super speed and presses her against the wall, scolding her to not to sneak up on a vampire. Lucy replies: “Don’t attack a witch! .. It’s good to see you, girl.” They hug. Lucy says that she came because she asked her. “Like you had a choice,” says Katherine. She tells Lucy about the Masquerade Ball and asks her to come with her and she smiles. Caroline opens the door of the Salvatores’ house and Bonnie comes inside, holding the Grimoire in her hands. Alaric and Damon are seen in the background looking at weapons. Jeremy is also there and tells Bonnie: “We’re gonna kill Katherine”, when she asks what everyone is doing. Bonnie gives them a puzzled look, to which Stefan says “Let me explain…okay, we’re going to kill Katherine.”. Bonnie looks shocked. Stefan walks over to Damon and Alaric, the latter of whom is explaining how to use each weapon. Cut to Katherine straightening her hair and talking to Lucy in a snide tone: “I’m impersonating my dull-as-dishwater doppelgänger, Elena. She has the worst taste.” Katherine says she became quite good at pretending to be Elena. She says she wants the moonstone and that she wants Lucy to help her. When she asks her what she wants to do with it, Katherine doesn’t answer. “You want me to break the curse,” assumes Lucy. “Let’s just get it first,” Katherine says, “What I really need is backup. I can’t imagine that Damon and Stefan are just gonna hand it over without putting up a fight.”
Bonnie tells Stefan that their plan is risky. Stefan clarifies that it’s about more than wanting Elena back, that what Katherine did to Jenna crossed the line and that she needs to be stopped before it happens again. Bonnie is still not quite convinced, but reluctantly says she could do a spell to trap Katherine, similar to the tomb spell. Meanwhile, Elena is at her house with Matt. She tells him that Alaric will be coming over to spend time with Jenna. She invites Matt to join them, but he tells her that he’s going to the Masquerade Ball. Elena responds that she’s not going because of what’s going on between her and Stefan. Matt tells her that he’s going because there’s something he has to do, but won’t go into detail. She looks suspicious, but tells him to go and have fun. When Matt brings up Stefan, Elena says she doesn’t think they’re going to get back together: “There is so much about me and Stefan that will never work.” Matt says that he’s always there for her and they hug. At the Salvatores’ house, Alaric, Stefan, Damon, Jeremy, Caroline and Bonnie, get ready to go through with their plan. Alaric asks if they’re sure that they don’t need his help at the ball, but Stefan says: “No. I need you to stay with Elena, I don’t want her to know about this.” Alaric promises that he’ll look after her. When Stefan asks if anyone wants to back out, no one wants to. Caroline states that Katherine killed her and that fair is fair, but it takes Bonnie longer to reply; in the end, she says she is in as long as nobody gets hurt (except Katherine, anyway). At the Masquerade Ball at the Lockwood Mansion, artists are seen doing tricks with fire and people in masks are watching. Inside in the office, Tyler is getting ready. His mother, Carol, tells him it’s already packed outside. Mother and son compliment each other on their looks. Tyler apologizes for his past behavior and asks his mother about Mason. She says she hasn’t heard from him and doesn’t think she will. Carol mentions that the Masquerade theme was her late husband’s idea. She says that they both loved him and that “it’s natural to feel abandoned. I just don’t want you to feel alone.” They decide to go outside and pretend to have some fun.

Katherine and Lucy arrive in masks. She runs into Matt and he thinks it’s Elena. Katherine compliments him in his suit. She compels him, saying: “Do you know what you have to do?” Matt answers: “I’m going to get Tyler Lockwood really drunk. I’m going to start a fight with him and beat him until he snaps.” “And then?”, asks Katherine. “I won’t stop until he kills me,” says Matt. Katherine then asks him to leave. Stefan is outside looking around when Damon comes to him from inside the mansion. Neither brother has seen Katherine yet. They play mind games on each other about loving Katherine and whether one of them will or will not hesitate to kill her. Sarah and Aimee are inside the office dancing with each other, and Matt and Tyler are there too, drinking and talking. Tyler says he likes that for once, it’s Matt corrupting him and not the other way around. “Okay, let’s go party,” says Aimee and Sarah and the guys follow her. Jeremy is seen going upstairs with a bag in his hand, followed by Bonnie. They enter a room, which Bonnie exclaims is perfect for what they need to do. Jeremy opens the bag and they take out weapons and Emily Bennett’s Grimoire. Bonnie explains the spell to Jeremy. When he asks her about her magic, she explains that she doesn’t want to know too much, and that she’s only practiced spells that do good. She then admits that she doesn’t really like any of this supernatural drama and doesn’t really want to be a part of all of this. When Jeremy says being a witch must be cool, Bonnie says it’s anything but that because of what she knows about what happened to her witch ancestors: “It never ends well for people like me.” She says she only helps because she doesn’t want anyone else to get hurt and that she doesn’t know how to stay out of it. Jenna and Elena are at home eating pizza. Jenna says she feels like an invalid. When Elena asks her aunt where Jeremy went, she says that he went to the Lockwood party, which surprises Elena. Jenna says that she’s glad he’s having some fun. Elena, suspicious, pretends to go get napkins, but actually goes into the kitchen to talk to Alaric. She tells him that she feels like everyone is avoiding her and wants to know what’s going on. Alaric says that he can’t tell her anything, but when Elena suggests that maybe she should go to the ball after all, he clearly has a problem with it. He tries to deflect by telling her that he’s supposed to keep an eye on her in case Katherine shows up and tries to hurt her while everyone else is at the party, but she just gets more confused and upset, saying that Stefan would never go to any of the Mystic Falls events by himself, because he only attended them for her. Alaric tells her to drop it, and she appears to go along with it.
Jeremy and Bonnie go to tell Stefan that the room is ready, but on their way, Bonnie gets a strange feeling and walks over to Lucy to ask if they know each other. Lucy deflects by saying that she’s a plus one and knows no one and quickly takes her leave. “Are you okay?” asks Jeremy and Bonnie answers: “Just got a weird vibe. Let’s find Damon.” Outside, Stefan is seen, still looking around, until he finally eyes Katherine and walks towards her a little. Suddenly, she shows up behind him and asks him to dance with her. When Stefan refuses, Katherine asks him to choose someone at the party for her to kill instead. Stefan finally agrees to dance with her. Katherine tells Stefan she didn’t expect Jenna to survive, acting innocent, asking: “How does one stab oneself?” Stefan tells her he doesn’t want anyone to get hurt tonight. Katherine agrees and says: “Just give me the moonstone.” He tells her that he doesn’t have it on him, and tells him they would have to get it together. Katherine, who expected this, simply says “Or, you can go get it by yourself and bring it here, and I will try not to kill anyone while you’re gone.” Stefan then says: “My way or you don’t get it.” They are interrupted by Aimee Bradley, asking Stefan where Matt is. When she sees “Elena”, she compliments her and her dress. Katherine thanks her and tells her she loves her necklace. She says it’s twisted, pretends to go fix it, but instead cracks her spine, paralyzing her from the waist down, followed by another crack that kills her. Then she says: “The moonstone, Stefan. Tick tock!” and leaves, leaving dead Aimee in Stefan’s arms to deal with. Back at the Gilbert house, Elena tells Jenna and Alaric she’s going to bed, but she instead grabs a key and sneaks out the door to go to the Lockwoods’. Stefan tells Damon that he left the body in the trunk for now. Damon says they’ll dump it later and writes it off as collateral damage. Stefan says that this is why they just need to call the whole thing off, but Damon convinces him to change his mind again, saying: “What? Who’s hesitating now? Hey! Don’t do this to me. This woman ruined our lives, she destroyed us. Tonight it ends. We can do it together. I got your back. Alright?” Stefan reluctantly agrees. Jeremy and Bonnie are outside and Jeremy asks her random questions. “Can you do a hocus pocus to pass a math exam?” “I don’t know that spell.” “Huh. That would be the first one I’d learn. Or a sex spell or something, I don’t know.” He asks her to dance while they are waiting, and Bonnie says “No!”, like it is a crazy idea. Jeremy chuckles and plays it off well, and Bonnie says: “I mean… no, thank you.” Jeremy’s phone rings. He received a message from Damon, saying: “Now.” They look at each other and Jeremy stands up. Lucy catches up with Katherine, saying: “You didn’t tell me there was another witch here.” Katherine plays dumb, but Lucy says that no one was supposed to know that she was involved in this. Katherine says she owes her dear friend – meaning herself – a favor. Jeremy appears, pretending to think that Katherine is Elena. He asks Lucy to let him talk to his sister alone and she leaves. He drops the act and tells her that Stefan and Damon want to meet her at the edge of the lake by the woods and that they brought the moonstone. She asks him why he’s doing the Salvatores’ bidding, and he responds that he’s not afraid of her. She jokes that the Gilbert men are so courageous and reminds him how she cut off John Gilbert’s fingers. She finally leaves, and Jeremy is texting when suddenly Elena pulls him behind a bush. She asks him: “What the hell is going on?”
Caroline sees Matt laughing and drinking with Sarah. Tyler appears and wants Matt to go somewhere with him, when Matt sees Caroline. They smile at each other for a moment, but Matt leaves. She receives a message from Jeremy saying: “Your turn.” She goes into another room. Katherine appears and presses her to the wall, throttling her. She asks her what Stefan and Damon are up to, and Caroline purposely pretends not to know anything. She finally admits that they’re trying to kill her. When Katherine asks for the moonstone, Caroline tells her that Bonnie has it and also tells her – after another bit more throttling – that she’s upstairs. Elena is shocked to find out that they want to kill Katherine there. She tells Jeremy and Bonnie that they’re crazy and that they’ll get themselves killed, especially Jeremy, who she doesn’t want to be involved in this sort of thing in the first place. Bonnie says they know what they’re doing, and Jeremy explains that they saw an opportunity and had to take it; he also adds that Katherine went after Jenna and needs to be stopped, and that he’s involved regardless of whether he wants to be or not. Caroline is whining while Katherine pulls her upstairs with her. She tells her in which room Bonnie is, and Katherine walks into it, asking: “Where is she?” She turns around and sees Caroline smiling before saying: “I did it. I didn’t think I’d be able to fool… you, but… I did it.” Katherine tries to run towards her, but is being held back by the trapping spell Bonnie cast earlier. Stefan appears in the room, and Caroline leaves. She taunts Stefan, asking him if he really thinks that he can kill her with the stake in his hand, and he just smiles and says no before adding “But he can.” as Damon comes out of the closet and shoots a stake out of a crossbow into her back. As the stake impales Katherine, Elena is seen screaming outside, with a blooming red bloodstain on the back of her shirt. Damon stakes Katherine in the deltoids, and Elena screams in pain again, blood blossoming from the same spot in the same arm. Everywhere Katherine gets hurt, Elena feels the same pain and gets the same wounds. Bonnie finally realizes that the doppelgängers are linked to each other and yells at Jeremy to run and stop them before they kill Elena on accident. Katherine, Stefan and Damon continue fighting, and when Damon is just about to drive the stake through Katherine’s heart, Jeremy appears and yells: “Stop! You’re hurting Elena! Everything you’re doing to her is hurting Elena.” Damon looks confused and shocked at him, his arm frozen in mid-air. She gets up and says: “You think you two were the only ones with a witch on your side? Wrong. Something tells me that my witch is better than your witch.” Stefan tells Jeremy to check on Elena and he leaves. “Let’s all make sure poor Elena’s okay,” Katherine mocks, and starts to cut her palm with the stake just to hurt Elena even more. Katherine is about to stake herself in the stomach when Stefan stops her. Bonnie tells Elena that she can’t undo the linking spell, but that she can do a spell to take some of the pain away. Jeremy comes back to Bonnie and Elena and tells them Katherine has a witch on her side. Bonnie realizes it’s Lucy, the mystery woman she got the vibe from, and runs away to find her. Jeremy offers to give Elena his Gilbert Ring in case they try to kill Elena through Katherine, but Elena prefers to know that Jeremy is safe. Katherine reminisces about the old times in 1864 to the Salvatores, making snide comments about what a bore Damon was back then and how much of an inconvenience his obsession with her was. Stefan asks Katherine why she was working with a werewolf (Mason). Damon tells him not to waste his breath, mockingly apologizes about killing Mason and Katherine explains that Mason isn’t the only wolf in town.
Sarah asks Matt and Tyler what happened to Aimee, and the boys don’t know. Matt purposely spills alcohol all over the floor of the office and over a picture of his deceased father. Tyler asks Matt what’s wrong with him. He gets Tyler mad by saying mean things about his father and bringing up the times that his dad beat him, and breaks the frame of the picture. Even though Tyler says: “I’m not gonna fight you”, Matt makes the first move and they start fighting anyway, Matt because he is compelled to, and Tyler in order to defend himself. Caroline walks through a room, still smiling about her achievement, when she hears Tyler and Matt fighting in the office. She runs into the room, asking what’s going on. She pulls Matt far away from Tyler. When Matt still won’t stop, Caroline elbows him in the face and knocks him unconscious. Tyler looks at her, shocked about her strength. She immediately looks if Matt is okay. Meanwhile, Sarah grabs a knife, muttering: “If Matt fails, I can’t.” Caroline sees her coming and starts to warn Tyler, but it’s too late; Sara stabs him in the clavicular area with a knife, and he instinctively pushes her away. She falls backwards, and her head hits the edge of the desk and cracks her neck, dying immediately. Tyler is shocked and doesn’t know what to do when Sarah doesn’t wake up. Caroline checks her pulse and realizes she’s dead. Tyler freaks out, starts screaming in pain and his eyes change colors, signifying the werewolf curse being triggered. Damon, Stefan and Katherine are still waiting for Katherine’s witch, Lucy. Stefan realizes something. He remembers that she told him that she gave George Lockwood something that he needed to make him help her fake her death. He figures it’s the moonstone. He wants to know why she needs it back, but Katherine just changes the topic and says: “I love you in a suit. So dashing.” Meanwhile, Stefan figures the moonstone wasn’t hers to begin with and asks who she was running from in 1864 when she faked her death. She changes the topic again, saying that in 1987, while Stefan was in a concert with Lexi, she was there to see him. Stefan asks her again who she was running from and she just whispers: “I love you.” Bonnie finds Lucy. She walks away when she sees her, but Bonnie follows her. She tells her her first name and says: “I should’ve known I’d run into a Bennett.” Bonnie wants to know how she knows her. She says she doesn’t want to fight her and that she will stop the spell that links Elena to Katherine if she gives her the moonstone. Lucy finally tells her about Katherine: “The bitch saved my life. And now I owe her.” She’s about to leave, when Bonnie grabs her arm. Lucy senses that Bonnie has the moonstone on her. “Can you feel that?” she then says, “You can trust me. Give it to me. It’s okay.”
 Vampire-diaries-season-2-masquerade_(21)
Upstairs, Damon is about to kill Katherine with a stake, but Stefan holds him back. Damon says: “The second the spell’s lifted, I’m gonna drive a stake right through your heart.” Katherine isn’t scared, just says: “God, you’re hot.” Lucy appears and gets their attention. She has the moonstone in her hand and tells Katherine that the spell is broken and that she can leave. “When I hand this over, my dept to you is over,” says Lucy. “I owe you nothing.” Katherine agrees and she gives it to her. Then suddenly Katherine starts gasping and falls. “You should’ve told me another witch was involved,” says Lucy. She also says that Elena is fine and that the spell is broken and explains that with Bonnie with her, she will heal quickly. She apologizes for her involvement to the Salvatores and leaves. Caroline explains a different version of how Sarah died to Carol. After she leaves, she tells Tyler that Matt is in the car sleeping it off. Tyler asks her why she is covering for him. He says she doesn’t know what it means that Sarah’s dead. Caroline says she does, but Tyler shakes his head. She asks if his wound has healed and he asks: “How did you…?” Lucy is walking away from the house and Bonnie asks her to wait. She apologizes and makes it pretty clear that she is not more of a fan of vampires than Bonnie is. She asks Lucy how she could know she could trust her, and Lucy responds by asking her if she’s ever felt that feeling before. Bonnie says that she has felt it before around family and her Grams. Lucy says that they’re cousins. She says seeing her was a wake-up call, that she has to stop letting vampires control her. She thanks her and leaves. Bonnie asks her to wait again, saying she has so many questions and that she doesn’t want to be in the middle of all of this either and asks her how to stay out of it. Lucy says: “Unlike me, you’re one of the good ones, Bonnie. The middle of it is exactly where you need to be.” She tells her to take care and that they’ll see each other again and finally leaves. Bonnie looks after her. Jeremy walks over to her, saying he’s going home and offers her a ride. He sees her face and asks if she’s okay. She nods, giggles, and asks him when he got his driver’s license. Jeremy laughs and tells her he’s not a kid anymore. She says she’d love a ride home. Stefan sees Elena outside. She promises she will see a doctor about the wounds, but assures him that she’s okay. She asks if Katherine is really gone. Stefan nods. They smile at each other. Stefan says he was so worried and comes closer to her, but Elena moves him away. “Katherine being gone, it doesn’t change anything for you, does it?” he asks. “I wanna be with you, Stefan,” she says, “You know that. But first, I need to wake up and know that the people that I love are safe. I need to feel safe. Do you understand?” Stefan says he does, even though he looks sad. Elena slowly walks away. Katherine is seen waking up. She is in the tomb, but still has the moonstone. She wants to get out, but she is trapped in the tomb by a new trapping spell. Damon appears outside of the tomb. When she asks him where she is, he says: “Where you should have been all along.” She says he should have just killed her, but he retorts that death would have been too kind. Damon is almost done closing the heavy door to the tomb when Katherine pleads: “No. Damon, don’t. Damon. Don’t. You need me, Elena’s in danger.” Damon stops for a moment and furrows his brow. “From who?” he asks. Katherine refuses to answer. “You’re lying,” Damon says, “You’re always lying.” Damon closes the door further. “Why do you think I haven’t killed her?” asks Katherine. “Because she’s the doppelgänger! She needs to be protected.” “Then I’ll protect her,” says Damon, “While you rot in hell.” As he finally closes the door, Katherine starts screaming and begging desperately: “No. Damon, don’t. I’ll do anything, please, Damon, you need me. You need me. You need me!” She bangs her fist against the door and screams “You need me!” again, but Damon walks away, but not before swallowing hard.
Elena is in the driveway at the Lockwood’s and is on the phone with Jeremy. “Yeah, Jeremy, I’ve got my car. I told Bonnie, whatever she did, I’m starting to feel better. Yeah, you can drive her home. I’m just gonna go straight to bed. Okay.” She hangs up and suddenly, a masked man appears behind her. Elena realizes someone’s following her. She turns around and the man places his hand on her mouth so she can’t scream and carries her away. It is somewhat surprising that Katherine has been defeated this early in the season, but I am not complaining. The Vampire Diaries moves quickly, and it is better to move on before Katherine becomes one of those tiresome villains who can never be defeated. Although the show is wise to keep her alive; she hints that Elena is still in danger and that she has some information. I’m sure we will be getting back to Katherine and her information sooner or later.
GHOST WORLD
 Damon is seen tied to a chair with chains, and a poker in his chest. He notices his ring is on the ground, and tells Stefan that’s a low blow; Stefan comes in, telling him he didn’t do any of that. Stefan plucks the poker out, and rips off the binds on his hands, but leaves him chained. Mason, standing in the shadows, opens the curtains and lets Damon burn for a while. It is the Night of Illumination in Mystic Falls and everyone is helping out, hanging paper lanterns. Carol Lockwood introduces Tobias Fell, who gives a history lesson. Jeremy asks Alaric what they are doing there, where Alaric explains Tobias is the head of the history department, and why he’s there. Elena joins them and asks what she has missed, Anna (who is tethered to Jeremy still) gives a witty reply which Elena can’t hear, but Jeremy said she missed nothing. He laughs at something Anna says, which confuses Elena. Anna smiles, and takes Jeremy’s hand. Caroline asks Bonnie whether the spell she did would make Anna disappear too, which she replies no and explains Jeremy still has a direct line to the Other Side, and could see Anna whenever he wished. Bonnie says she took a risk bringing Jeremy back, and was now paying the consequences for it. Damon arrives in his car, and tells Bonnie that she messed up during her spell because Mason Lockwood is now after him for revenge.
At the Mystic Grill, Elena asks for Jeremy’s help with Stefan, wondering if he could contact Lexi—an old friend of Stefan’s that always had a way to bring him back from his ripper ways. Jeremy said he’s not sure if she’s even on The Other Side and he had no previous connection to her whatsoever. Bonnie asks Matt whether he’s contacted Vicki again, and he swears he hasn’t. Caroline asks why she thinks it’s Vicki and not Mason, to which she replies that if any other ghost has a foothold, something is very wrong. Bonnie grabs her bag, but her grimoire falls out, and it flips open to a Manifestation spell, used to reveal veil matter – ghosts. Alaric is not too comfortable with the idea of bringing back dead vampires, seeing as they already have enough vampires as it is. Anna silently tells Jeremy that not all ghosts go to the other side, that some find peace. Stefan joins them at the table, picking up his diaries, wondering how he could have cared so much. Stefan tells Elena it would be better if she moved on and let go of her feelings for him. At the place where the witches were burned, Bonnie and Caroline start setting up to do the Manifestation spell. Jeremy questions Anna why she didn’t want Elena to know that she was there, and Anna replies that she wouldn’t like it, seeing as Bonnie is Elena’s best friend. Jeremy is extremely confused with his feelings, tells Anna he always loved her, and kisses her.
Bonnie does the spell, and Grams appears to her, holding her hands – all over town, ghosts of previous vampires start to appear. Elena walks in on Jeremy and Anna kissing, finally being able to see her again. Lexi appears to Stefan who’s shocked. Mason appears to Damon and Alaric at the Grill, and knocks him over the head with a glass. Lexi tells Stefan he’s off the rails, and that while she’s materialized in the real world, she’ll help him out of his mess. Lexi knocks Stefan unconscious after he refuses her help. Bonnie is emotional at seeing her Grams. Sheila tells Bonnie that the Original Witch unleashed everyone who had unfinished business – she has to close the “door”, by destroying the talisman of the Original Witch. Anna overhears Caroline and Elena on the phone talking about the necklace, and she disappears. Elena walks out and bumps into Lexi, where she thanks her for thinking about her that day, bringing her back. Lexi tells Elena to come with her, as she could help Stefan. Mason tells Damon he’s not after revenge, but an apology. The truth is he’s there to help Tyler. Mason heard of a way to be able to kill an Original, and that the secrets are in the old Lockwood basement. In the City Jail, Lexi has tied Stefan to the torture chair. Lexi looks at Stefan in the eyes and gets inside his head, making him hallucinate. Damon goes to the basement where Mason is waiting for him, and they break through a wall, which reveals a tunnel, which they start to climb through.
Stefan is starting to struggle, screaming to get out and Lexi starts to count the total years he’s been without blood as he’s hallucinating. Caroline calls Elena and tells her the necklace isn’t where Damon said it would be. Elena says they should hold off on stopping the ghosts, and they need to help Stefan. Jeremy is shown to be searching for Anna. Frederick walks over to where Anna is standing in the celebrations, saying they have some unfinished business with the Founding Families. A scream erupts and Tobias Fell is shown, dangling from a tree, dead. Stefan is starting to beg Elena to release him, he’s sorry and that he loves her. Lexi warns her that he’d say anything to get out of there. She goes on to say that he’s now getting past the blood and he could feel things – she demonstrates this by stabbing him on the arm. Elena rushes off, not being able to handle it. Walking around the corner, she is greeted by ambulance lights and a body being taken away. Caroline and Bonnie are still searching for the necklace, but can’t find it anywhere in the Salvatore house. Caroline gets a suspicion that Anna could have perhaps taken it, and asks Jeremy about it. Anna tells him no. Back in the caves, Mason is leading Damon through the tunnel. Damon walks forward and is struck by stakes, puncturing him in the sides
.
Elena confronts Jeremy about Anna being missing, and that she was the only one who knew about the necklace being needed to send the ghosts away. Jeremy fesses up and tells Elena he can touch Anna, and that he loves her and always will. Elena asks him whether he will love a ghost for the rest of his life. Anna reappears and Elena tells her she’s holding Jeremy back. Anna holds up the necklace for them to see, and Elena instructs Jeremy to call Bonnie with the news that they have the necklace and can send the ghosts away. Mason comes back to Damon and breaks off the stakes. Damon can’t believe that Mason isn’t after revenge, but redemption. Mason only wants to help Tyler. Bonnie and Caroline drive back to the Witch House, but see Carol Lockwood’s car and the tomb vampires approaching it. Caroline gets out and attacks. Jeremy tells Anna that they will still be able to see each other afterwards, and that they have nothing to worry about. Anna says that it should be the end, and that she is holding him back from his life. She is sorry she took the necklace, but hoped that with the tomb vampires out, maybe she would get to see her mother. Lexi repeatedly stabs Stefan with a stake – Elena enters and tells her they are running out of time, and the necklace will be destroyed. Lexi uses the necklace as determination, telling Stefan to focus on that as it once gave him hope. Damon cannot get into the small cavern, as it somehow looks like he has to be invited in. Mason goes on ahead of him to look at the cave walls. Bonnie starts to recite the spell, and her Grams joins her, resulting in the necklace being destroyed in the fire. Caroline is seen fighting off the tomb vampires. Frederick gets a hold on her neck, but he disappears, along with Mason in the cave and Lexi at the city jail. Anna sees her mother, Pearl, and they embrace, disappearing together, finally able to rest in peace. Grams is the last to disappear, telling Bonnie she is very proud of her. In the caves, Alaric arrives to help Damon out. Damon again gives the same apology he gave Mason Lockwood, but genuinely meaning it. In the city jail, Stefan asks Elena what she’s gonna do now and if she’s gonna wait till he dries out. Elena says that she’ll go home and be the support her friends need right now. She’s is headstrong and still has hope for him. Elena comes to stand right in front of Stefan, telling him to fight for it, to feel something, because if he doesn’t, he will lose her forever. “I won’t love a ghost for the rest of my life,” she says to him. Jeremy goes to Bonnie, telling her he is sorry. She sends him away, not being able to handle his betrayal. Noises and sparks erupt from the fireplace, and on closer examination, Bonnie sees the necklace’s quality is restored. In the cave, Alaric finds drawings on the wall, yet doesn’t know what they are.
All of the ghosts’ disappearances were handled well, from the heartfelt reunion of Anna and Pearl, or Mason, Grams and Lexie leaving after accomplishing what they needed to do, to the tomb vampires vanishing just in time before they overwhelmed Caroline.

MONSTERS BALL

After Professor Wes Maxfield (Rick Cosnett) killed Jesse (Kendrick Sampson) at the end of the last episode, this episode starts with him performing experiments on Jesse for unknown reasons and it seems that this is not the first one. Meanwhile, Elena (Nina Dobrev) attempts to deal with Bonnie’s (Kat Graham) death by distracting herself with her research about Megan’s death and why Professor Maxfield covered the reason she died. While she ponders how to get the information she needs, she sees someone at Megan’s grave. She approaches the stranger and asks him his name and if he knew Megan, but the man seems reluctant to answer her questions. It is later revealed that the man’s name is Aaron (Shaun Sipos) and Professor Wes is his guardian. Wes asks Aaron to stay away from Elena and then, on an encounter with Elena at the Whitmore Historical Ball, he tells her to leave college and go back to Mystic Falls with her friends as there are people at Whitmore who are watching her. Tyler (Michael Trevino) returns for Bonnie’s funeral and spends some time with Caroline (Candice Accola) who still tries to convince him to cease what he is doing and come to college. Tyler informs her that he cannot let Klaus get away with what he did to his mom, Carol, and that he will hunt him down and kill him. Caroline tries to change his mind with no such luck. The two part ways, ending their relationship.
Nadia (Olga Fonda) still has Katherine captured and Silas (Paul Wesley) commences to try to find them but is unable to without his mental power. Katherine consistently asks Nadia what she wants from her and Nadia reveals to her that she is her daughter whom she left behind in 1492 and the only reason she became a vampire was to find her. In the meantime, Damon (Ian Somerhalder) tells Jeremy (Steven R. McQueen) his plan about how they can bring Bonnie back to life. Because someone has to die to bring another back, Damon says that they should take advantage of the fact that Silas wants to die to be with his true love, Amara, so that Bonnie comes back. They have to work with Silas to do so and Bonnie does not agree with the idea. Damon meets Silas to inform him about his plan and Silas agrees but own his terms; he wants Damon to “kill” his brother. By “killing” Stefan, the link between the two of them will be broken and Silas will have his mental power back. Damon just has to keep Stefan “dead” as long as Silas will be pretending to be Stefan so he can get the information he needs from Quetsiyah’s (Janina Gavankar) head.
The plan goes well until the moment Stefan escapes from Damon before he “kills” him again and lets Quetsiyah know that she is talking to Silas and not him. Quetsiyah becomes enraged, reaches into his heart and twists it whilst making a spell causing it to stop. The spell turns Silas cold and grey and unable to move or do anything, but not dead. Damon and Elena find him and take him back to the Salvatore house. Katherine arrives at the Salvatore home after Damon calls her and she is happy to see that Silas is gone, unbeknownst to the real reason Damon called her, to use her to bring Silas back. Silas starts to wake up after feeding on Katherine and while Katherine should be dead after this, she also wakes up with Elena and Damon not knowing why.
Though not the most surprising or action packed episode of The Vampire Diaries, “Monster’s Ball” was full of enough emotion to overshadow these minor missing elements.
THE WORLD HAS TURNED AND LEFTED ME HERE
Trip (Colin Ferguson) calls Stefan (Paul Wesley) to thank him for turning in Enzo (Michael Malarkey) and informs him that he is trying to get out of him all the information he knows about vampires. Enzo told him that there is a vampire in Savannah, where Stefan is, and that leads Stefan to get back to Mystic Falls with Ivy (Emily C. Chang) to avoid the vampire hunters. Stefan arrives at Caroline’s (Candice Accola) dorm and asks her help with Ivy. Caroline tries to keep Ivy in the dorm but Ivy snaps her neck and gets away. When Caroline wakes up, she tries to reach Stefan while she is out searching for Ivy, but he is not answering his phone.Ivy finds a guy and attacks him but she manages to stop feeding on him before she kills him. She tries to compel him but she does not know how to do it. To make sure that she will not kill him, she asks him to run away. In the meantime, Stefan listens Caroline’s messages and comes back. When Caroline asks him where he has been all day, he admits that he was on his way out of town. Caroline is shocked that he would leave town leaving Ivy with her. Angry, she asks him to leave and then Ivy calls for her help.
Elena (Nina Dobrev) invites Liam (Marco James) to the annual “Homecoming Corn Maze” party as her date. She also convinces Alaric (Matt Davis) and Jo (Jodi Lyn O’Keefe) to go since they both need it but they have no idea that Elena planned it this way to set them up. While everyone being in the corn maze, the guy that Ivy attacked jumps in front of Tyler’s (Michael Trevino) car and Tyler, on his attempt to avoid him, drives through the corn maze injuring many people, including the guy who jumped in front of him. Tyler is terrified and calls Elena to tell her that he was the one driving the car and she needed her to heal the person he injured. Elena tells him that there are many injured people and Tyler does not know what to do.
Jo and Alaric try to help those who got injured while Liam and Elena do the same. Liam finds a girl who is deadly injured and asks Elena’s help. Elena tells him that she can handle it and he should go to help others. When Liam leaves, she feeds the girl her blood healing her and then compels her to forget about it. On their way out, Liam sees the girl alive and well and gets suspicious of what happened. When he asks Elena about it, Elena denies to tell him the truth and kisses him as a distraction.  Meanwhile, Liv (Penelope Mitchell) finds Tyler and tries to help him. When they find out that there is nothing they can do to save him, Tyler is desperate since his curse will be activated again, but Liv decides to kill the guy before he bleeds to death, so she will be the one who killed him and not Tyler. Back at the hospital, Jo confess her feelings to Alaric but Alaric compels her to forget about him. The compulsion though does not work on her and Jo kisses him before she leaves. Caroline is on her way to find Ivy but Tripp gets to her before Caroline. He shots her with vervain and takes her away while Caroline watches from her car in shock.
Back in 1994, Damon (Ian Somerhalder) tries to convince Bonnie (Kat Graham) that it is fine to take Kai (Chris Wood) with them because they will kill him the moment they go back but Bonnie does not agree to free him. When she realizes that Kai does not know the spell, she kills him and tries to find the spell on her own in her grandmother’s Grimoire. Bonnie finds the spell and she and Damon get ready to get back home but Kai, who did not die, appears and shoots Bonnie with an arrow. Damon and Kai start to fight and when Bonnie realizes that she will not make it, she uses her magic to at least send Damon back leaving herself behind with Kai.
The episode ends with Stefan going to the Salvatore crypt and talking alone about his dead family and Damon. While he is there, Damon appears telling him he is alive and back and the two brothers reunite.
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The episode was pretty solid and took viewers on emotional journey filled with ups, downs and some shocking twists. Also it had a nice cliffhanger with the fate of several characters in question.

I CARRY YOU IN MY HEART WITH ME

Damon said goodbye for now to Elena during “I Carry Your Heart With Me,” and Alaric said hello again to Jo.That’s right, ladies and gentlemen. The Phoenix stone works! It’s unlikely that this resurrection spell is going to come with no consequences. Resurrection spells, messing around with the laws of life and death, never come without their issues in this world. But that’s okay. We’ll deal with that later. Thanks to the flash forward, we know that the Phoenix stone resurrected not just Jo but also their girls. Twin girls. The Gemini coven has been reborn. Maybe they’ll figure out a way to prevent that whole twin-absorption merging thing that caused a lot of family drama, but if not, my money’s on Josie being the stronger of the two.

The Vampire Diaries -- I’m still not buying that Enzo is in love with Lily and wants to be with her romantically. I think it’s a ploy of his to stay in Mystic Falls and keep whomever happens to wander into town safe. Sure, he brought home a body, but that was more of a peace offering for Valerie than anything, right?

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He’s smart to want to know about Julian and who he was, and he’s smart enough to know that Lily’s a lovestruck, idiotic idealist when it comes to her family. There is no part of me who believes he wants to keep Julian away so that he can have Lily to himself. Enzo just sort of understands that if Lily would fall for this guy, he cannot be a good man. Keeping Julian away is for the good of everyone. Speaking of Lily, she does have a type. Damon was right when he said she prefers the sons who can’t control their bloodlust, and Oscar definitely couldn’t once he was resurrected. Whether that bloodlust is just who Oscar is or whether it’s a weird side-effect of the Phoenix stone remains to be seen. So far, I’m leaning toward Oscar is a blood-thirsty maniac who just can’t stop. That explains the body count in Myrtle Beach and his ravenous feeding frenzy post-awakening.
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It’s time for Damon to let Elena’s body rest. If he’s going to live, move on, whatever, he cannot do it with Elena’s physical presence beside him. He can’t keep her safe, and he has no idea who he is without her. Holding on to her body is his way of holding on to her, and the only reason he’s doing that is because he doesn’t trust himself to be a good man without her. He’s already shown moments of it when he’s protected Matt. In fact, listing “keeping Matt Donovan” alive as one of the reasons he wants to move back to Mystic Falls is a huge sign that he’s already become someone Elena would be proud to know. He can do this. Letting go was the first step

REVIEW: LOST – SEASON 1-6

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MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Emilie de Ravin (Roswell)
Maggie Grace (The Fog)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Saving Grace)
Ian Sommerhalder (The Vampire Diaries)
Terry O’Quinn (Alias)
Michelle Rodriguez (The Fast and The Furious)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Rodrigo Santoro (Westworld)
Kiele Sanchez (30 Days of Night: Dark Days)
Jeremy Davies (Hannibal)
Michael Emerson (Saw)
Rebecca Mader (Iron Man 3)
Ken Leung (X-Men: The Last Stand)
Jeff Fahey (The Lawnmower Man)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

RECURRING / NOTABLE GUEST CAST

Fredric Lehne (Zero Dark Thirty)
L. Scott Caldwell (The Net)
Kimberley Joseph (Xena)
Greg Grunberg (Heroes)
Billy Ray Gallion (Castle)
John Terry (Zodiac)
Veronica Hamel (The Last Leprchaun)
Neil Hopkins (The Net 2.0)
Michael Deluise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (Powers)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Nick Jameson (24)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
Robert Patrick (Terminator 2)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (K-9)
Zack Ward  (Postal)
Julie Bowen (Modern Family)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Anson Mount (CDollhouse)
Saul Rubinek (Warehouse 13)
Katey Sagal (8 Simple Rules)
Sam Anderson (Angel)
Marguerite Moreau (Easy)
DJ Qualls (Road Trip)
Brett Cullen (Injustice)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Lindsey Ginter (Hercules: TLJ)
Francois Chau (Stargate SG.1)
Adetokumboh M’Cormack (Blood Diamond)
M.C. Gainey (Django Unchained)
Kim Dickens (Hallow Man)
Kevin Dunn (Samantha Who?)
Theo Rossi (Luke Cage)
Tania Raymonde (Texas Chainsaw 3D)
Evan Handler (Californication)
Gabrielle Fitzpatrick (MMPR: The Movie)
Michael Bowen (KIller x)
April Grace (A.I)
Alan Dale (Ugly Betty)
Paula Malcolmson (Caprica)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
Nathan Fillion (Firefly)
Fionnula Flanagan (The Others)
Diana Scarwid (Wonderfalls)
Cheech Marin (Machete)
Sung Hi Lee (Nurse Betty)
Shaun Toub (Iron Man)
Clancy Brown (Highlander)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Sonya Walger (Flashforward)
Marsha Thomason (White Collar)
Carrie Preston (True Blood)
Tracy Middendorf(Scream: The Series)
Lance Reddick (Fringe)
Fisher Stevens (Hackers)
Thekla Reuten (Highlander 5)
Anthony Azizi (Eagle Eye)
Graham McTavish (The Hobbit)
Andrea Roth (Ringer)
Grant Bowler (Ugly Betty)
George Cheung (Dark Angel)
Kevin Durand (X-Men Origins)
Faran Tahir (Supergirl)
Michelle Forbes (Powers)
Raymond J. Barry (Cold Case)
Said Taghmaoui (American Hustle)
Reiko Aylesworth (24)
Eric Lange (Cult)
Alice Evans (The Originals)
Mark Pellegrino (Chuck)
Titus Welliver (Agents of SHIELD)
Brad William Henke (Fury)
Hiroyuki Sanada (The Wolverine)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heroes)
Dylan Minnette (Goosebumps)
William Atherton (Ghostbusters)
Jodi Lyn O’Keefe (Halloween: H20)

Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.

With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything. The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.

Of course, there are a plethora of individual character stories that thrive over the course of the season. Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors and

Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it. I wouldn’t call him the villain of the show — for the first season I would say “the unknown” is the nemesis — but Locke definitely has his own agenda. Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.

As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.

As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.

Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband. Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.

Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.

I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.

Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.

The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale. He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others. T

The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s  flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).

Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season. Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.

If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine  it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.

At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke. Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.

The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings. Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.


Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.

Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.

With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.

The first half of the season is comprised of two very distinct storylines. One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.

The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island. The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.

Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character. Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season.

On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition, but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.

Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners Damon Lindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective. The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.

Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.

“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale. He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale. Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.The Man in Black tests the survivors like never before. Offering them freedom, survival and even  answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season.Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series. All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW:TRU CALLING – SEASON 1 & 2

MAIN CAST

Eliza Dushku (Wrong Turn)
Shawn Reaves (Shadowheart)
Zach Galifianakis (The Hangover)
A.J. Cook (Final Destination 2)
Jessica Collins (Lois & Clark)
Benjamin Benitez (True Detective)
Jason Priestley (Beverly Hills, 90210)

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RECURRING / NOTABLE GUEST CAST

Matthew Bomer (Chuck)
Kristopher Polaha (Ringer)
Hudson Leick (Xena)
Heath Freeman (Bones)
John Newton (Superboy)
Callum Rennie (Flashforward)
Michael Trucco (Battlestar Galactica)
Missy Peregrym (Heroes)
Cobie Smulders (How I Met YOur Mother)
Joe Flanigan (Stargate: Atlantis)
Leonard Roberts (Smallville)
Kal Penn (Van Wilder)
Alaina Huffman (Stargate Universe)
Brendan Fletcher (News Movie)
Evangeline Lilly (Lost)
Ryan Kwanten (True Blood)
Mary Elizabeth Winstead (10 Cloverfield Lane)
Garwin Sanford (Stargate SG.1)
Chris William Martin (The Vampire Diaries)
Christina Hendricks (Mad Men)
Emily Holmes (Dark Angel)
Jodi Lyn O’Keefe (The Vampire Diaries)
Jennifer Spence (Stargate Universe)
Devon Gummersall (Roswell)
Sarah Deakins (Andromeda)
Clare Kramer (Buffy)
Alexandra Holden (The Hot Chick)
Michelle Harrison (The Flash)
Erica Durance (Smallville)
Rachel Hayward (Jingle All The Way 2)
Cotter Smith (Alias)
Wade Williams (Gangster Squad)
Jeffrey Dean Morgan (Watchmen)
Agam Darshi (Sanctuary)
Alec Newman (Dune)
Jesse Moss (Ginger Snaps)
Derek Hamilton (Disturbing Behavior)
Nick Wechsler (Roswell)
Daivd Lipper (Full house)
John Reardon (The Killing)
Carly Pope (Arrow)
Liz Vassey (Two and a Half Men)
Eric Christian Olsen (Not Another Teen Movie)
Lizzy Caplan (Cloverfield)
Parry Shen (Hatchet)
Erick Avari (Stargate)
Dominic Zamprogna (Odyssey 5)
Maggie Lawson (Two and a Half Men)
William Sadler (Iron Man 3)

Image result for tru callingAfter the grant sponsoring her internship loses funding, an aspiring medical student (Tru Davies) takes a job at the local morgue. On her first day of work, incidentally the 10th anniversary of her mother’s death, one of the bodies from the crypt springs to life for a brief moment and asks her for help. Instantly, her day “rewinds” and she quickly realizes that it’s her responsibility to try and save the woman who called out to her from a death that should not have happened, all the while trying to repair the lives of her immature brother and drug-addicted sister. With the help of her clumsy but loveable boss at the morgue, Tru strives to put right what once when wrong and hoping each time that her next leap will be the leap home.

Eliza Dushku played prominent characters in a few popular films before Buffy the Vampire Slayer, but it was her portrayal of Faith in the 3rd season of the popular television show that helped set her on the path to becoming a star. It’s understandable, then, that fans of the show were not particularly happy with her when she turned down a chance for a television series based around the Faith character in favor of Tru Calling. However, it’s equally understandable that as an actor, she would want to try new things, and carrying an unproven series with a new character offered her that opportunity.

On the surface, Tru Calling is a formula show. Borrowing elements from Quantum Leap, Early Edition and Goundhog Day, each episode follows a similar pattern. A body arrives in the morgue and asks for help triggering a rewind before the opening titles, and Tru spends the rest of the episode trying to piece together what caused the death and how to prevent it. The premise sounds interesting enough, but without clever writing and entertaining characters, such a concept could get stale very quickly, especially over an entire television season. Thankfully, the show’s creators appear to recognize this early on and make efforts to tweak the formula just enough to keep the stories fresh and interesting.

As with any show that hopes to build an audience, Tru Calling is not just about the “Death of the Week.” While it is the focus of each episode, not every day is a rewind, and Tru still has a life of her own and a family she cares about. The death of their mother and subsequent remarriage and general absence of their father has made things difficult on the Davies family, and Tru is struggling to keep them together. This is not an easy task as her sister Meredith (Jessica Collins) is a fast-paced businesswoman in denial over her drug habit, and her brother Harrison (Shawn Reaves) has a bit of a responsibility problem. And what superhero story would be complete without the lead character’s romantic relationships suffering from the strains of a secret double-life? Certainly not this one. All the pieces are there, including the loveable but awkward mentor (Zach Galifianakis) who always seems to know just a little more than he lets on.

The character of Tru is likeable and well meaning, and as she comes to empathize with those she is trying to help, the audience cannot help but do the same. Offsetting much of the dramatic tension is quite a bit of humor with Shawn Reaves’s performance as Harrison. He’s a complete screw-up, but he’s so charming and creative (not to mention very loyal to Tru) that his misadventures are a continuing source of entertainment. Equally effective is Davis who, although clumsy in his interactions with others, serves as a surrogate older brother and sounding board for Tru, something she desperately needs considering the double burden she carries.

Tru Calling is an excellent example of a television series that can flourish if given time to grow. Many of the early episodes aren’t anything special. They’re a bit predictable and formulaic, but underneath them is a level of quality worth exploring. As they find their rhythm and tweak the show a bit, everything falls into place, and by the season finale, it’s a pretty darn good show. While Eliza Dushku is a capable actress and portrays Tru very well, much of the show’s quality can be attributed to outstanding performances by the supporting cast, most notably Zach Galifianakis and Shawn Reaves, as well as the addition of Jason Priestley, who elevates the show to another level. What he brings to the character and the show is both nuanced and compelling, and it’s fascinating to watch him on screen.

The second season only offered a very brief six episodes before being pulled.  Once again, the season continues to improve over the early goings, ratcheting up the tension between Jack and Tru, which is effective due to the chemistry between the two and the fact that Priestley’s menacing performance is his finest work. It’s really too bad that the series couldn’t have at least finished out this second season, as it continued to improve and the final episode here really isn’t much of a conclusion.