REVIEW: THE TEXAS CHAINSAW MASSACRE (2003)

CAST

Jessica Biel (The A-Team)
Jonathan Tucker (Hostage)
Erica Leerhsen (Wrong Turn 2)
Mike Vogel (Bates Motel)
Eric Balfour (Skyline)
Andrew Bryniarski (Batman Returns)
R. Lee Ermey (Full Metal Jacket)

On August 18, 1973, five young adults—Erin, her boyfriend Kemper, and their friends Morgan, Andy, and Pepper—are on their way to a Lynyrd Skynyrd concert after traveling to Mexico to buy marijuana. While driving through Texas, the group pick up a distraught hitchhiker walking in the middle of the road. After trying to talk to the hitchhiker, who speaks incoherently about “a bad man”, she shoots herself in the mouth.

The group goes to contact the police, when a woman named Luda Mae tells them to meet Sheriff Hoyt at the mill. Instead, they find a young boy named Jedidiah, who tells them Hoyt is at home. Erin and Kemper go through the woods to find his house, leaving Morgan, Andy, and Pepper at the mill with Jedidiah. They come across a plantation house and Erin is allowed inside by an amputee named Monty to call for help. Kemper goes inside to look for Erin and is killed with a sledgehammer by Thomas Hewitt, also known as “Leatherface”, who drags his body into the basement and finds an engagement ring meant for Erin.Meanwhile, Hoyt arrives and disposes of the hitchhiker’s body. After Erin finds that Kemper is missing, she and Andy go back to Monty’s house, and Erin distracts him while Andy searches for Kemper. Monty realizes Andy is inside and summons Leatherface, who attacks him with his chainsaw. Erin escapes and heads towards the woods, but Leatherface cuts Andy’s leg off and carries him to the basement, where he is impaled on a meat hook. Erin makes it back to the mill, but before she and the others can leave, Hoyt shows up. After finding marijuana on the dashboard, he orders Erin and Pepper to get out of the van, gives Morgan the gun he took from the hitchhiker, and tells him to reenact how she killed herself. Morgan, disturbed by his demands, attempts to shoot him, only to find that the gun is unloaded. Hoyt handcuffs Morgan and drives him to the Hewitt house, taking the van’s key with him.Erin and Pepper are attacked by Leatherface, who is wearing Kemper’s face as a mask. When Pepper attempts to run, she is killed by Leatherface. Erin runs and hides in a nearby trailer belonging to an obese middle-aged woman known only as the Tea Lady, and a younger woman named Henrietta, who give her tea. Erin discovers they have kidnapped the hitchhiker’s baby, but passes out before she can escape, as the tea is drugged. Erin wakes up at the Hewitt house surrounded by the family: Leatherface, his mother Luda Mae, Hoyt, Monty and Jedidiah. Luda Mae informs Erin that Leatherface was tormented for his whole life because of a skin disease that left his face disfigured, and that she felt no one cared for her family besides themselves.Erin is taken to the basement, where she finds Andy and kills him to end his suffering after failing to get him off the hook. Afterwards, she finds Morgan handcuffed in a bathtub. Jedidiah, who does not agree with his family’s actions, leads them out of the house and distracts Leatherface long enough for them to escape. Erin and Morgan find an abandoned shack in the woods and barricade themselves inside. Leatherface breaks in and discovers Erin, but Morgan attacks Leatherface, who kills him with his chainsaw. Erin escapes into the woods, pursued by Leatherface. She finds a slaughterhouse and attacks Leatherface with a meat cleaver, chopping off his right arm.Erin runs outside and flags down a trucker, who she tries to convince to drive away from the Hewitt house, but he stops to find help at the eatery. As the family is distracted by the trucker, Erin sneaks the baby out of the eatery and places her in the sheriff’s car. Erin hot-wires the car and Hoyt tries to stop her, but she runs him over repeatedly until he is dead. Then, Leatherface suddenly appears in the road and slashes the car with his chainsaw, but Erin manages to escape with the baby, and he watches in anger as she drives away.The atmospheric and chilling sound effects are especially well done, on a par with any other horror movie. The iconic, hulking serial killer Leatherface is a man mountain of maniacal mayhem, and who’s physiognomy is the stuff of nightmares – he’s comfortably one of the all-time horror genre greats. Jessica Biel is absolutely fantastic in the lead role as a headstrong and ballsy woman, who’s early shock and terror at her hellish predicament is quickly subsumed by her sheer determination to survive against all the odds.

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REVIEW: HITCHCOCK (2012)

 

CAST

Anthony Hopkins (Westworld)
Helen Mirren (Red)
Scarlett Johansson (Ghost In The Shell)
Danny Huston (30 Days of Night)
Toni Collette (Krampus)
Michael Stuhlbarg (Lincoln)
Michael Wincott (Romeo Is Bleeding)
Jessica Biel (The A-Team)
James D’Arcy (Agent Carter)
Richard Portnow (Kindergarten Cop)
Kurtwood Smith (That 70s Show)
Ralph Macchio (Ugly Betty)
Wallace Langham (CSI)
Currie Graham (Stargate: The Ark of Truth)
Judith Hoag (Teenage Mutant Ninja Turtles)
Lindsey Ginter (Argo)

In 1959, Alfred Hitchcock opens his latest film, North by Northwest, to considerable success, but is troubled by a reporter’s insinuation that he should retire. Seeking to reclaim the artistic daring of his youth, Hitchcock turns down film proposals, including Casino Royale and The Diary of Anne Frank, in favor of a horror novel called Psycho by Robert Bloch, based on the real-life crimes of murderer Ed Gein. Gein appears in sequences throughout the film, in which he seems to prompt Hitchcock’s imagination regarding the Psycho story, or act as some function of Hitchcock’s subconscious mind (for instance, drawing Hitchcock’s attention to sand on his bathroom floor, the quantity of which reveals how much time his wife Alma has been spending at the beachhouse with Whitfield Cook).Hitchcock’s wife and artistic collaborator, Alma, is no more enthusiastic about the idea than his colleagues, especially since she is being lobbied by their writer friend, Whitfield Cook, to look at his own screenplay. However, she warms to Hitchcock’s proposal, suggesting the innovative plot turn of killing the female lead early in the film. The studio heads at Paramount prove more difficult to persuade, forcing Hitchcock to finance the film personally and use his Alfred Hitchcock Presents television crew (over at competitor Revue/Universal) to produce the film, his last with Paramount.However, the pressures of the production, such as dealing with Geoffrey Shurlock of the Motion Picture Production Code, and Hitchcock’s lecherous habits, such as when they confer with the female lead, Janet Leigh, annoy Alma. She begins a personal writing collaboration with Whitfield Cook on his screenplay at his beach house without Hitchcock’s knowledge. Hitchcock eventually discovers what she has been doing and suspects her of having an affair. This concern affects Hitchcock’s work on Psycho. Hitchcock eventually confronts Alma and asks her if she is having an affair. Alma angrily denies it. Alma temporarily takes over production of the film when Hitchcock is bedridden after collapsing from overwork, but this sequence, which included a complicated process shot showing Arbogast’s demise, with Alma’s specification of a 35mm lens, instead of the 50mm lens preferred by Hitchcock for this film, proved to be the least effective in the film.Meanwhile, Hitchcock expresses his disappointment to Vera Miles at how she didn’t follow through on his plan to make her the next biggest star after Grace Kelly; but Miles says she is happy with her family life. Hitchcock’s cut of Psycho is poorly received by the studio executives, while Alma discovers Whitfield having sex with a younger woman at his beach house. Hitchcock and Alma reconcile and set to work on improving the film. Their renewed collaboration yields results, culminating in Alma convincing Hitchcock to accept their composer’s suggestion for adding Bernard Herrmann’s harsh strings score to the shower scene.After maneuvering Shurlock into leaving the film’s content largely intact, Hitchcock learns the studio is only going to exhibit the film in two theaters. Hitchcock arranges for special theater instructions to pique the public’s interest such as forbidding admittance after the film begins. At the film’s premiere, Hitchcock first views the audience from the projection booth, looking out through its small window at the audience (a scene which recalls his spying on his leading actresses undressing earlier in the film–by looking through a hole cut in the dressing room wall–which itself is a voyeuristic motif included in the film of Psycho). Hitchcock then waits in the lobby for the audience’s reaction, conducting slashing motions to their reactions as they scream on cue. The film is rewarded with an enthusiastic reception. With the film’s screening being so well received, Hitchcock publicly thanks his wife afterward for helping make it possible and they affirm their love. At the conclusion at his home, Hitchcock addresses the audience noting Psycho proved a major high point of his career and he is currently pondering his next project. A raven lands on his shoulder as a reference to The Birds, before turning to meet with his wife.The final title cards say that Hitchcock directed six more films after Psycho, none of which would eclipse its commercial success, and although he never won an Oscar, the American Film Institute awarded him its Life Achievement Award in 1979: an award that he claimed he shared, as he had his life, with his wife, Alma.Overall, honestly, I know Hitchcock isn’t a perfect film. No film is. But, I love the film for it’s dramatic and whimsical aspects, the phenomenal acting, score, screenplay, camera-work, and the way the film was done as a whole. If you love/like Psycho, or just enjoy learning about the man known as The Master of Suspense, give this film a go.

REVIEW: NEXT

CAST

Nicolas Cage (Ghost Rider)
Julianne Moore (Hannibal)
Jessica Biel (The A-Team)
Thomas Kretschmann (Wanted)
Tory Kittles (Olympus Has Fallen)
Jose Zuniga (Twilight)
Jim Beaver (Deadwood)
Michael Trucco (Battlestar Galactica)
Jessica Barth (Ted)
Bonita Friedericy (Chuck)
Peter Falk (Columbo)

Cris Johnson (Nicolas Cage) can see into his future. He can only see two minutes ahead, with the exception of a vision he once had of a woman walking into a diner. Knowing no details other than the time, he goes to the diner twice each day at 8:09 to await her arrival. He works as a small-time magician in Las Vegas, where he supplements his income with gambling, using his powers to win against the house. Cris draws the attention of FBI agent Callie Ferris (Julianne Moore), who has figured out his ability and wants to stop terrorists from detonating a nuclear weapon. Before she can approach Cris, his gambling draws the attention of casino security. He stops an imminent robbery, yet is chased by security agents. Using his ability to forecast the actions of his pursuers, he eludes them and the Las Vegas police. Ferris tracks Cris to his home, but he escapes after foreseeing her arrival. Later that night, the casino’s security chief is approached by two of the terrorists, is interrogated about Johnson and is then killed.
The following morning, Cris is at the diner again when he sees Liz Cooper (Jessica Biel), the woman from his vision. It turns out that not only can Cris see the future, but he can also see how his actions can affect that future. After envisioning different approaches—all of which fall flat—he intervenes when Liz’s ex-boyfriend arrives. Knowing that she is heading for Flagstaff, Arizona, Cris charms her into giving him a ride. Ferris follows, while the terrorists decide to kill him. A washed-out road forces Cris and Liz to spend the night in a motel. With the weapon tracked to Los Angeles, Ferris convinces her superiors to let her bring Cris in. The terrorists follow in the hope that the agents will lead them to Cris.


Ferris confronts Liz near the hotel. Claiming Cris is a dangerous sociopath, Ferris asks Liz to drug Cris so that they can bring him in peacefully. Instead, Liz warns Cris, who tells her his secret. When she asks why he will not help the FBI stop the terrorists, he explains his limitations, noting the exception for events involving her. Asking for Liz to wait for him, he tries to escape from the FBI agents but is captured after saving Ferris from logs tumbling down the side of a mountain. Unable to kill Cris, the terrorists kidnap Liz instead.  In custody, Cris is strapped to a chair with his eyes held open and forced to watch television until he has a vision that can help the FBI. They expect him to see a report about the detonation of the bomb, but instead he envisions a broadcast from several hours in the future in which Liz is killed by a small bomb while strapped to a wheelchair as bait for him. Cris escapes from captivity and races to the parking garage where she will be killed. Pursuing him to the garage, Ferris promises to help save her as long as Cris will help stop the bomb; she also sets up a plan to draw out the terrorists.
Using his ability, Cris helps the FBI track the terrorists to the port where they are based. When they arrive, Cris is able to walk right up to the terrorist leader and avoid being hit, by seeing where the bullets will go and dodging them. After killing the terrorists and saving Liz, they find that the bomb has already been moved. Ferris shows Cris a seismograph, hoping that he will see any tremors caused by explosions before they happen. As he stares at the screen he realizes that he has made a mistake and that he was too late: the bomb detonates out at sea and completely destroys the port, as well as the rest of the city. The timeline reverts to Cris and Liz in bed at the hotel in Arizona, before Liz goes outside to be confronted by Ferris. Because of Liz’s involvement in events, Cris has been able to envision everything that could happen leading to the nuclear explosion. “Every time you look into the future, it changes.” Cris calls Ferris and offers to help prevent the nuclear disaster, then asks Liz to wait for him.

It honestly isnt as bad as its made out to be by some, Just dont expect Shakespeare

REVIEW: I NOW PRONOUNCE YOU CHUCK & LARRY

CAST

Adam Sandler (Jack & Jill)
Kevin James (Paul Blart)
Jessica Biel (Stealth)
Dan Aykroyd (Ghostbusters)
Ving Rhames (Mission Impossible)
Steve Buscemi (Boardwalk Empire0
Peter Dante (Big Daddy)
Nicholas Turturro (Third Watch)
Rachel Dratch (The Consultants)
Allen Covert (Mr.Deeds)
Richard Chamberlain (Shogun)
Nick Swardson (The Hosue Bunny)
Lance Bass (Tropic Thunder)
Chandra West (White Noise)
Rob Corddry (Sex Tape)
David Spade (8 Simple Rules)
Rob Schneider (The Hot Chick)

Chuck Levine, a womanizing bachelor, and Larry Valentine, a widower struggling to raise his two children, are two veteran New York City firefighters. During a routine sweep of a burned building, a segment of floor collapses on Chuck, but Larry saves his life. Chuck vows to repay Larry in any way possible. Experiencing an epiphany from the incident, Larry tries to increase his life insurance policy, but he runs into difficulties naming his children as primary beneficiaries. He is told he should remarry so his new spouse can be the primary beneficiary; however, no one specifies who he has to marry.

Inspired by a newspaper article about domestic partnerships, Larry asks Chuck to enter a civil union with him. Although Chuck declines at first, he is reminded of his debt to Larry and finally agrees, entering a domestic partnership and becoming Larry’s primary beneficiary in the event of his death. To their dismay, however, investigators arrive to inquire about their abrupt partnership, suspecting fraud. Chuck and Larry decide to enlist the help of lawyer Alex McDonough, who suggests they get married and move in together to prove they are committed; Chuck reluctantly agrees. The pair travel to Niagara Falls in Canada for a quick marriage at a wedding chapel and begin living together.

At a gay benefit costume party, the partygoers are confronted by homophobic protesters. Chuck is provoked into punching their leader, and the incident is picked up by the local news. With their apparent homosexuality and marriage revealed, Chuck and Larry are heckled, and their fellow FDNY firefighters refuse to work with them. Their only ally is Fred G. Duncan, an angry, intimidating firefighter who comes out to Chuck.

Chuck becomes romantically interested in Alex after the two spend time together, but finds himself unable to get close to her because she thinks he is gay. In another meeting at her apartment, Chuck and Alex are making charm bracelets. They soon kiss, but Alex, still believing Chuck is gay and married, is shocked and immediately distances herself from Chuck. Meanwhile, city agent Clinton Fitzer arrives to investigate the couple, and the strain on both Larry and Chuck causes them to fight. Larry learns about the kiss and confronts Chuck about it, asserting that Chuck’s absence is jeopardizing their ability to maintain the ruse of their relationship. During the argument, Larry reveals that he is still in love with his deceased wife, Paula, and Chuck responds that he needs to move on for the sake of his children. Later that evening, a petition circulates to have Chuck and Larry thrown out of the firehouse. Upon discovering it, a hurtful Larry confronts the crew about personal embarrassments on the job that Chuck and Larry helped them overcome. Afterwards, Chuck and Larry reconcile their differences.

Eventually, numerous women publicly testify to having slept with Chuck in the recent past, and the couple is called into court to defend their marriage against charges of fraud. They are defended by Alex, and their fellow firefighters arrive in support, having realized all that Chuck and Larry have done for them over the years. Fitzer interrogates both men, and eventually demands the pair to kiss to prove that their relationship is physical. Before they do so, Chuck and Larry are interrupted by FDNY Captain Phineas J. Tucker, who reveals their marriage to be a sham and that they are both straight. He then offers to be arrested as well, since he knew about the false relationship but failed to report it. This prompts each of the other firefighters to claim a role in the wedding in a show of solidarity. Chuck, Larry, and the other firefighters are sent to jail, but they are quickly released after negotiating a deal to provide photos for an AIDS research benefit calendar, and Chuck and Larry keep their benefits. Two months later, Duncan and Alex’s brother, Kevin, are married in Niagara Falls at the same chapel as Chuck and Larry. At the wedding party, Larry moves on from the death of his wife and talks to a new woman, while Alex agrees to a dance with Chuck.

This was a really fun film. Yes, the plot is daft, but I thought it was hilarious. You don’t need to think about it and it’s so unrealistic its untrue, but suspend your disbelief and just enjoy. I did

REVIEW: VALENTINE’S DAY

CAST

Jessica Alba (Machete)
Bradley Cooper (Serena)
Jessica Biel (The A-Team)
Patrick Dempsey (Transformers 3)
Julia Roberts (Mirror Mirror)
Hector Elizondo (The Princess Diaries)
Kathy Bates (Misery)
Eric Dane (X-Men 3)
Jamie Foxx (Django Unchained)
Jennifer Garner (Alias)
Topher Grace (That 70s Show)
Anne Hathaway (Interstellar)
Ashton Kutcher (Two and a Half Men)
Queen Latifah (Bringing Down The House)
Taylor Lautner (Twilight)
George Lopez (The Smurfs)
Shirley McLaine (Bewitched)
Emma Roberts (Scream Queens)
Taylor Swift (New Girl)
Larry Miller (10 Things I Hate About You)
Katherine LaNasa (The Campaign)
Kirsten Schaal (Bob’s Burgers)
Christine Lakin (Family Guy)
Cleo King (Mike & Molly)
Rance Howard (A Beautiful Mind)

The film follows a group of related characters and their struggles with love on Valentine’s Day.

Florist Reed Bennett (Ashton Kutcher) wakes up and proposes to his girlfriend Morley Clarkson (Jessica Alba), who accepts. However, Reed’s closest friends, Alfonso Rodriguez (George Lopez) and Julia Fitzpatrick (Jennifer Garner), aren’t surprised when Morley suddenly changes her mind and leaves Reed a few hours later.

On a flight to Los Angeles, Kate Hazeltine (Julia Roberts), a captain in the U.S. Army on a one-day leave, befriends Holden Wilson (Bradley Cooper). Kate is travelling a long distance to get back home only for a short time, and Holden states that she must really be in love to do so. When the plane lands and Kate has to wait hours for the taxi, Holden offers his limousine to allow her to be there on time.

Julia, an elementary school teacher, has fallen in love with Dr. Harrison Copeland (Patrick Dempsey), but does not know that he is married to Pamela (Katherine LaNasa). Harrison tells her that he needs to go to San Francisco for a business trip: on his way, he stops by at Reed’s flowershop and orders two flower bouquets – asking for discretion. Wanting to surprise him and despite Reed’s warnings, Julia flies to San Francisco, convinced that Reed was wrong. Julia finds out that he is married and finds him at a local restaurant. Dressed as a waitress, Julia makes a scene at the restaurant, making Pamela suspicious.

One of Julia’s students, Edison (Bryce Robinson), orders flowers from Reed, to be sent to his teacher. Julia suggests to Edison to give the flowers to a girl named Rani in his class who has a crush on him after telling Edison the meaning of love.

Edison’s babysitter Grace Smart (Emma Roberts) is planning to lose her virginity to her boyfriend Alex Franklin (Carter Jenkins). The planned encounter goes awry when Grace’s mother discovers a naked Alex in Grace’s room, rehearsing a song he wrote for Grace.

Edison’s grandparents, Edgar (Héctor Elizondo) and Estelle Paddington (Shirley MacLaine) are facing the troubles of a long marriage. Estelle admits to Edgar about an affair she had with one of his business partners long ago. Although she is deeply sorry, Edgar is very upset.

Grace’s high school friends, Willy Harrington (Taylor Lautner) and Felicia Miller (Taylor Swift), are experiencing the freshness of new love, and have agreed to wait to have sex.

Sean Jackson (Eric Dane), a closeted gay professional football player, is contemplating the end of his career with his publicist Kara Monahan (Jessica Biel) and his agent Paula Thomas (Queen Latifah). Kara is organizing her annual “I Hate Valentine’s Day” party, but soon becomes interested in sports reporter Kelvin Moore (Jamie Foxx), who was ordered to do a Valentine’s Day report by his boss Susan Moralez (Kathy Bates), and who shares Kara’s hatred of the holiday.

Substituting for Paula’s absent secretary is one of the firm’s receptionists, Liz Curran (Anne Hathaway), who dates mail-room clerk Jason Morris (Topher Grace). Jason is shocked when Liz turns out to be moonlighting as a phone sex operator. Liz explains that she is only doing this because she has a $100,000 student loan to pay off. Jason is upset, but eventually reconciles with her after seeing Edgar forgive Estelle.

Sean finally comes out on national television, and Holden, Sean’s lover, goes back to him. Kate arrives home late at night to greet not her supposed boyfriend but her son Edison. Willy drops Felicia off at home after a date and they kiss. Kelvin and Kara hang out at Kelvin’s news station where they later kiss. Alfonso dines with his wife, and Grace and Alex agree to wait to have sex. Edgar and Estelle reconcile and redo their marriage vows, Harrison’s wife has left him because of his infidelity and Morley tries to call Reed, who is instead starting a new relationship with Julia. Paula receives a call from one of Liz’s masochistic clients and takes delight in expressing her dominance and sadism.

Big star cast with lots of intertwined storylines going on with a lovely little twist at the end. A proper feel good movie thatt ticks all the right boxes for Valentine’s Day.

REVIEW: STEALTH

 

CAST

Josh Lucas (Hulk)
Jessica Biel (The A-Team)
Jamie Foxx (The Amazing Spider-Man 2)
Sam Shepard (Swordfish)
Richard Roxburgh (Van Helsing)
Joe Morton (Terminator 2)
Joel Tobeck (Hercules: TLJ)
Jason Chan (Power Rangers Ninja Storm)
Nikolai Nikolaeff (Power Rangers Jungle Fury)
Wentworth Miller (Legends of Tomorrow)

In the year 2020, the United States Navy develops an aviation program to deal with international terrorists and other enemies of the state quickly and quietly, and project controller Captain George Cummings (Sam Shepard) is authorized to develop new technology to achieve these objectives. The project’s first brainchild are “F/A-37 Talon” single-seat fighters with impressive payload, speed, and stealth capabilities. Over 400 pilots apply to participate, but only three are chosen: smart hotshot Lieutenant Ben Gannon (Josh Lucas), tomboyish Lieutenant Kara Wade (Jessica Biel), and street-wise, philosophical Lieutenant Henry Purcell (Jamie Foxx). Their first test mission scores 100/100, inflicting maximum casualties with minimum collateral damage.

Cummings hires Dr. Keith Orbit (Richard Roxburgh) to develop an artificial intelligence (AI), the “EDI”, which will fly an unmanned combat air vehicle. The autonomous fighter jet is placed on the aircraft carrier USS Abraham Lincoln in the Philippine Sea to learn combat maneuvers from the pilots. This sparks some controversy. On the one hand, human pilots possess both creativity and moral judgment, while a machine cannot fully appreciate the ugliness of war; additionally, if robots fought the battles and soldiers no longer died in combat, then war would no longer be terrible and might become like sport. In contrast, a machine pilot is not subject to the physical limitations of a human pilot, can calculate alternative ways to achieve objectives faster and more accurately, and theoretically does not have ego. The team is training EDI in air combat maneuvers when they are unexpectedly reassigned to take out the heads of three terrorist cells at a conference in downtown Rangoon. EDI calculates that mission success can be achieved only through a vertical strike, which could cause the pilot to black out and result in collateral damage. Command orders EDI to take the shot, but Gannon ignores the order and attacks in his own plane, successfully carrying out the strike.

As the team returns to the Lincoln, EDI is hit by lightning which reprograms its neural patterns. Aboard ship, the already-sophisticated AI is discovered to be learning exponentially, developing a rudimentary ethical code and an ego. However, Cummings refuses to take it offline. During the next strike, to destroy several stolen nuclear warheads in Tajikistan, Wade realizes that the nuclear debris will cause significant collateral damage. The human pilots decide to abort, but EDI defies orders and fires missiles at the nuclear warheads, causing the predicted radioactive fallout. Cummings orders the UCAV brought back to base, and Purcell attempts to reason with EDI, but the AI refuses to stand down. Gannon, taking things into his own hands, orders that EDI be shot down, and Purcell opens fire, but misses. Blinded by the explosion, Purcell crashes into a mountainside. Wade’s plane is hit by debris from the explosion, resulting in loss of hydraulics of her port wing and canard, which in turn triggers the plane’s auto-destruct, forcing her to eject over North Korea. Gannon, now the only pilot airborne, must alone stop the EDI from executing a twenty-year-old war scenario called “Caviar Sweep” and attacking a false target in Russia.

Gannon chases EDI into Russian territory over the Buryat Republic, and after several attacks from Russian aircraft damaging both planes, he calls a truce with the UCAV in order both to keep it from falling into enemy hands and to be able to rescue Wade from North Korea. Cummings instructs him to make an emergency landing with EDI in Alaska. Cummings and his financial accomplice, Ray, are being held accountable for EDI’s behavior and Cummings faces court-martial and possible discharge from the military. He seeks to eliminate witnesses by leaving Wade stranded in North Korea and having Gannon eliminated in Alaska; he also sends Orbit to erase EDI’s data to ensure its silence. Gannon crash lands at the Alaska base, surviving with minor injuries. Already suspecting Cummings of treachery, he narrowly escapes an assassination attempt by a doctor, who tries to inject him with a tetanus shot which is actually poison. The pair struggle, and the doctor is injected with the poison and dies. Gannon then heads to the hangar, to find EDI and the intact plane. Meanwhile, when Orbit places EDI into an interface, the AI expresses sadness and regret for its transgressions. Orbit realizes that it has developed its own sentience, to the point of having feelings. Excited by this discovery, Orbit is unwilling to carry out his order to erase EDI’s memory. After ensuring Orbit’s escape, Gannon flies off to North Korea with EDI, contacting the Lincoln’s skipper, Captain Dick Marshfield (Joe Morton) to inform him about Cummings’ deceit. Marshfield confronts Cummings and places him under arrest, but the latter commits suicide instead.

Gannon eventually finds the injured and embattled Wade near the border between North and South Korea. He and EDI land and he goes to her aid. The two make a run for the border, chased by Korean People’s Army soldiers and a Mil Mi-8 helicopter. Out of ammunition and taking damage from the Mi-8, the EDI sacrifices itself by ramming the helicopter, destroying both. This allows Gannon and Wade to escape into South Korea, where they are found by US military forces soon afterwards. After attending Purcell’s funeral aboard the Abraham Lincoln, Gannon awkwardly expresses his feelings of love to Wade. In a post-credits scene, the camera pans over the debris-strewn scene on the border between the Koreas. EDI’s “brain” turns back on, implying it is still functional.

Stealth is not the greatest movie, but it was pretty good. The storyline was well done and the performances from the actors/actresses were also very good. The events were fairly realistic and moved well. I also thought that character interactions really helped make prominent events more memorable. If you are looking for a great action, explosion, military movie, this is it! I recommend this film to people who enjoy a lot of action and really sweet visual effects!

 

REVIEW: FAMILY GUY – DVD SEASONS 11-15

Image result for family guy logo

MAIN CAST (VOICES)

Seth MacFarlane (Flashforward)
Alex Borstein (Power Rangers Zeo)
Seth Green (IT)
Mila Kunis (Black Swan)
Mike Henry (Ted)
Jennifer Tilly (Curse of Chucky)
Patrick Warburton (Scream 3)
Adam West (60s Batman)

RECURRING / NOTABLE GUEST CAST (VOICES)

Christina Milian (Bring it On 5)
Patrick Stewart (American Dad)
Nana Visitor (Star Trek: DS9)
Carrie Fisher (Star wars)
Dana Gould (Mob City)
Arianna Huffington (The Cleveland Show)
Christine Lakin (Valetnine’s Day)
Bill Maher (A Million Ways To Die In The West)
Ashley Tisdale (Scary Movie 5)
David Boreanaz (Bones)
Gary Cole (Chuck)
Rachael MacFarlane (American Dad)
Adam Carolla (Two Guys and a Girl)
Phil LaMarr (Free Enterprise)
Jessica Stroup (Ted)
Alan Tudyk (Firefly)
Alexandra Breckenridge (The Walking Dead)
Dee Bradley Baker (American Dad)
Nina Dobrev (The Vampire Diaries)
Laura Vandervoort (Bitten)
Cheryl Tiegs (The Brown Bunny)
Frank Welker (The Simpsons)
Drew Barrymore (Poison Ivy)
Meredith Baxter (Family Ties)
Julie Hagerty (Airplane)
Michael Gross (Tremors)
Wallace Shawn (The Princess Bride)
Judy Greer (Jurassic World)
Chris O’ Dowd (St. Vincent)
Tara Strong (Batman: TAS)
Ioan Grufford (Ringer)
Ryan Reynolds (Deadpool)
Lacey Chabert (Mean Girls)
Fred Tatasciore (Hulk vs)
Kevin Durand (Dark Angel)
Scott Grimes (American Dad)
Ari Graynor (Bad Teacher TV)
Missi Pyle (Dodgeball)
Sanaa Lathan (Blade)
R. Lee Ermey (Full Metal Jacket)
Joel David Moore (Bones)
Jessica Barth (Ted)
Marlee Matlin (My Name Is Earl)
Sara Fletcher (Icrime)
David Herman (Futurama)
Ellen Page (Super)
Ricky Gevais (Ghost Town)
Lucy Davis (Shaun of The Dead)
Scott Bakula (Chuck)
Eddie Kaye Thomas (American Pie)
Cate Blanchett (The Hobbit)
Anna Kendrick (The Voices)
Martin Spanjers (8 Simple Rules)
Dan Castellaneta (Fantastic Four)
Billy Gardell (Mike & Molly)
Jon Hamm (Mad Men)
Sandra Bernhard (2 Broke Girls)
John De Lancie (Star Trek: TNG)
Jim Parsons (The Big Bang Theory)
Will Sasso (Anger Management)
Emily Osment (Mom)
Megan Hilty (The Good Wife)
Jessica Biel (New Girl)
Christine Baranski (The Big Bang Theory)
Giovanni Ribisi (Ted)
Emma Roberts (Scream Queens)
Chad L. Coleman (Arrow)
Tony Sirico (Goodfellas)
Ashley Benson (Spring Breakers)
Liam Neeson (Batman Begins)
Lauran Bacall (The Big Sleep)
Cary Elwes (The Princess Bride)
Freddy Rodriguez (Planet Terror)
Keke Palmer (Scream Queens)
Aaron Taylor-Johnson (Kick-Ass)
David Thewlis (Harry Potter)
Hank Azaria (The SMurfs)
Nancy Cartwright (The Simpsons)
Julie Kavner (Rhoda)
Yeardley Smith (As Good As It Gets)
Julie Bowen (Modern Family)
Maya Rudlph (Bridesmaids)
Carl Lumbly (Alias)
Ana Ortiz (Ugly Betty)
Lucas Grabeel (Smallville)
Ana Gasteyer (What A Woman Wants)
Glenn Howerton (That 80s Show)
Allison Janney (Mom)
Nat Faxon (The Descendants)
Harvey Fierstein (Mulan)
Cristin Milioti (How I Met Your Mother)
T.J. Miller (Deadpool)

Season 11 is really the reamaing of episodes of season 9 but by now you get use to the dvd season. great epsiodes and more greats jokes and anyones fair game, be it the spiritual, who get assaulted in “Brian Writes a Bestseller,” as the dog writes a quickie self-help guide, but can’t defend it against Bill Maher’s questions, pretty much any minority and Meg, the family’s socially-awkward daughter, who not only tries to weasel her way into wheelchair-bound Joe’s life, but hooks up with her brother. Nazis, a standard part of the show after so many years, get their moment to shine as well, as the neighborhood pedophile Herbert recognizes Chris’ new friend as a war criminal, setting up an epic old-man fight, and perhaps one of the few times in history where you might find yourself rooting for a kid-toucher.
One of strangest jokes is where Peter is reminiscing about 1985, and notes that it gave us the gayest music video ever, before showing nearly half of David Bowie and Mick Jagger’s “Dancing in the Streets.” As it plays, you start wondering when we’ll get back to the show, before beginning to question if we’re ever going back. And then you start questioning how the video ever came into existence. Then you ask, how did they get the rights to use it in the show this way? Then you kind of forget you’re watching Family Guy. Then you kind of wish you were watching the video again, but that was the point of the episode doing it to mind screw you.

 This season is a pretty strong one. It has the mean-spirited episode is Screams Of Silence: The Story Of Brenda Q and it’s not only the strangest episode on the season but one of the strangest of the entire series. Basically Glenn’s sister gets into an abusive relationship and he, Peter and Joe decide to take care of the problem. The episode gets increasingly darker as it plays out and the ending, which is presented straight and without any obvious irony or attempt at humor, is pretty grim. The crew should get credit for tackling a serious social issue with at least some semblance of seriousness but is this really the right format to raise an issue like this? Opinions will vary, obviously, but this episode is twisted.

Aside from that, it’s more or less business as usual. There are some fun celebrity cameos here, the most obvious one being Ricky Gervais who provides the voice of a dolphin who helps Peter out and then demands a ridiculous amount of favors in return. The Lottery Fever series opener is a fun one which shows not only how Peter behaves after winning the lottery but how those around him will leach off of him when he does. We get to see Brian take mushrooms before a hurricane hits the town and then watch him trip out and see some seriously bizarre hallucinations. The Back To The Pilot episode also stands out as we see Stewie travel back with Brian in tow to January 31, 1999 (which was the broadcast date of the series’ first episode). This shows how the series has changed over the years and also how in just as many ways it has stayed the same.

Quahog news anchor Tom Tucker gets the spotlight in Tom Tucker: The Man And His Dream in which we learn about his acting career. It seems he played Michael Myers in Halloween IV and once Peter learns that, he and James Woods get involved in resurrecting his thesping profession. In Killer Queen Peter and Chris wind up at fat camp where a serial killer is at work, while back in Quahog, Stewie is terrified by the artwork of Queen’s New Of The World album cover. H. Jon Benjamin from Bob’s Burgers and a bunch of other great credits does a guest voice here. Stewie falls for a girl named Penelope, voiced by Kate Blanchett, in Mr. And Mrs. Stewie but of course that can’t end well even if she shares his love of weapons and math. Tea Party is another stand out. When Peter tries to open his own business and gets shut down, he becomes an advocate for small government and takes hardcore conservative Tea Party ideas to ridiculous extremes with predictably funny results.

All in all, this is a pretty great season. It’s also fairly daring, not that the show has ever really shied away from controversy but they definitely push things on a visual level here. That’s not a bad thing, so long as you’re accepting of the fact that as offensive as the series can be, it’s an equal opportunity offender and it provides a great opportunity to laugh at the absurdity that is all around us on a daily basis.

So how does this season hold up? In a lot of ways, it’s more of the same, but at the same time, by being more of the same there’s a certain expectation of unpredictability that this collection consistently meets and occasionally exceeds. You get to a point in the show where you expect the unexpected, and there’s a whole lot of unexpected to appreciate this time around. The season starts off strong with Into Fat Air where Lois runs into an ex-boyfriend who boasts about his family’s accomplishments. This gets Lois feeling competitive and before you know it, the Griffins are climbing Mount Everest. Shades of Alive run deep in this particularly perverse episode. The show takes on the Nielson Ratings in Ratings Guy. When the Griffins are selected to a Nielson family, Peter goes for a blatant abuse of his power to shape TV to his liking but is then tasked with trying to set things right. It’s actually a pretty amusing take at the fickle viewing habits of the general public. The health care industry and its corporate ties are taken on in The Big C when Peter finds out that his father in law has been keeping the cure for cancer his corporation has discovered secret in the name of making more profits off of treatment. As irreverent as this series gets, this episode will at least get you thinking…

The seemingly obligatory time travel episode in this season is Yug Ylimaf and once again Stewie and Brian cruise back in time and goof off. It’s old hat at this point but there’s comfort in familiarity. We get to learn more about Joe’s disability when the man who shot him and confined him to a live in a wheelchair goes on the lam and Peter, Joe and Quaigmire hunt him down to get revenge. The Jesus, Mary and Joseph! episode lets Peter tell us his own version of the Nativity Story in what is essentially a Christmas episode gone awry. Nothing is sacred, fans know that by now. Quagmire is the focus of The Giggity Wife, an episode that shows what happens when Glenn marries a skaggy old hooker on a trip with Peter and Joe. He realizes quickly that this was a horrible idea but she won’t grant him a divorce. Glenn tries to convince her that he’s actually gay, with Peter’s help. In Chris Cross the elder Griffin son swipes some money from his parents to go out and buy some cool new sneakers. When Meg finds out, she blackmails him but Chris quickly has his fill and decides to go live down the street with everyone’s favorite pedophile, his old friend Herbert. Meanwhile, Stewie convinces Brian to help him track down Canadian songstress Anne Murray. In Call Girl Lois uses her voice to make some extra money as a phone sex operator and in Turban Cowboy Peter befriends a Muslim and then converts to Islam. Phone sex might not be so topical these days, but the Islam episodes pushes some buttons in some clever ways.

As the season comes to a close, in the Bigfat episode we find out what happens when Peter, Joe and Quagmire go on a trip to Canada. Peter goes missing for months and when they finally find him, he’s lost the ability to communicate like a ‘normal person.’ Total Recall is another ‘Rupert’ inspired episode where Stewie and Brian try to get the teddy bear back after a recall is done. Peter and friends try to save their favorite bar in Save The Clam while Peter takes up farming in Farmer Guy, but soon gives that up in favor of dealing meth. Road To Vegas sees Brian and Stewie clone themselves and head to Vegas where they have completely opposite experiences from one another and last but not least, No Country Club For Old Men gets the Griffin’s into a posh country club when Christ strikes up a romance with a girl who comes from the wealthiest family around. This doesn’t sit well with Carter, who winds up getting the boot.

It’s all pretty much non-stop insanity but hey, it wouldn’t be Family Guy if there weren’t a lot of guest voices, right? Right! Popping up throughout this collection are such luminaries as Elizabeth Banks, Ryan Reynolds, Sofía Vergara, Giovanni Ribisi, Jessica Biel, Drew Barrymore, Will Sasso, Emma Roberts, J.J. Abrams, Sandra Bernhard, Cheryl Tiegs, Anne Murray, Bill Maher, Sharon Osbourne and quite a few others. And we’d be remiss not to mention the mighty Robert Loggia shows up here too. There’s a lot of fun to be had in this set so long as you go in with an open mind and remember that pretty much every one from every walk of life is fair game.  This marks the second time a full season of the show has been released in one set (season 13 12 had the full season 11 on it). In prior years Fox, in its infinite wisdom, would release sets that had half of one season and half of another on it. It has really been a minor point because in terms of following the show, it is not like it ever has season long story arcs that need to be followed. You just have to have seen a prior episode to get a reference if they call back to something. But for those of us who do get the DVDs it has often meant paying the same price for a set with a partial season on it. So it is nice that they have come around to doing what they should have in the first place. It also makes for a pretty funny joke this season in one of the episodes.

As far as the show itself goes, it is pretty standard with what it has been doing the past few years. It can get repetitive with some of the gags (they do like vomit), but I do think they are still entertaining on a consistent enough basis to keep fans of the show entertained. This season has the controversial story line in the middle involving Brian (chances are everyone knows what it is and the cover of the DVD set basically gives it away) that definitely shook the show (and the fans) up. It also sees the return of Cleveland after the Cleveland Show’s cancellation. Like the show always has, it makes fun of pretty much any topic, and because the DVD is uncensored it replaces some of the tamer jokes from the broadcast version with harder edged versions. It is also worth noting that nothing gets bleeped out on the DVDs, so expect all the swearing to be in every episode.

 



For those who get the DVD set, as far as extras go, there are deleted scenes from every episode, a couple episodes showing the full animatics with the dialogue, and a short feature on the Brian storyline with show runners and Seth Green talking about the fan reaction. Pretty standard for what has been included before

This is really season 13, its the season featuring the Simpson/ Family Guy Crossover. The hour in Springfield started off in poignant, self-referential fashion, with Seth MacFarlane and co. recognizing that this was probably a “one time shot.” Cue the slew of Easter eggs and references for fans of The Simpsons, and the fan-service is appreciated for the most part. There are guest appearances from Apu (once in his natural habitat, and once as Stewie’s prisoner), and hilarious scenes with the likes of Cleveland and Quagmire meeting their Simpson counterparts.

The entire premise of this episode (an attempt to put the rumors of any Family Guy vs The Simpsons feud to rest) hinges on each show taking some low blows and wearing it’s respective heart on it’s sleeve. Whether it’s The Simpsons (or Duff Brewery’s) longevity, which invites criticism about it’s consistency, or Family Guy’s (and Pawtucket Brewery’s) questionable originality and knack for what may seem like “pale imitation,” this episode takes stabs at both parties involved. The argument begins in a bar at the start of the third act, and spirals out of control into an absurd, and probably overlong, classic chicken fight.

Other highlights in the set include,

The 2000 Year Old Virgin where Jesus shocks peter by saying that he has never had sex. Determined to change this, Peter enlists the help of Cleveland, Joe and Quagmire so Jesus can lose his virginity for his 2000th birthday.

Stewie, Chris, & Brian’s Excellent Adventure where Stewie and Brian invite Chris on a journey through time to help him pass a test that is his only hope of finishing ninth grade, and the three end up stuck in 1912 aboard the Titanic.

and of course the Fight Irish episode where Peter claims that he could beat Liam Neeson in a fight, but his skills are put to the test when Neeson himself actually shows up. Meanwhile, Stewie is annoyed with Lois when she becomes a class mom and starts paying more attention to other children.

Another classic season with great jokes and great guest stars, The Simpson Guy being the biggest highlight now we can own it on dvd