REVIEW: LOADED

CAST

Jesse Metcalfe (Dead Rising)
Corey Large (It Follows)
Monica Keena (Freddy vs Jason)
Nathalie Kelley (The Vampire Diaries)
Chance Crawford (Gossip Girl)
Johnny Messner (Running Scared)
Jimmy Jean-Louis (Heroes)
Vinnie Jones (Snatch)
Taylor Cole (The Origianls)
Nicole Eggert Blown Away)
Drew Fuller (Charmed)
Erin Gray (Jason Goes To Hell)
Noel Gugliemi (The Fast and The Furious)
Lochlyn Munro (Scary Movie)

Tristan Price is a wealthy and privileged teenager who seemingly has everything he could ever want, money, loving parents and a beautiful girlfriend. However, his perfect life is turned upside down by the arrival of Sebastian, a handsome, charismatic, ruthless drug dealer. As Tristan is sucked into a seedy underworld of drugs, sex and violence he begins to realise his new best friend is, in fact, his worst enemy.Generally it was a good movie with an ideal ending; the acting was spectacular and the characters didn’t stray from their persons. I especially liked the plot, although you knew what was going to happen it still gave the element of surprise through out the entire movie. However, I find that coming on to the ending it could have been a little longer (extended maybe)- to me it seemed like it was rushed a bit; as if the writer was trying to take linens off the lines before the rain fell.

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REVIEW: JOHN TUCKER MUST DIE

CAST

Jesse Metcalfe (Dead Rising)
Brittany Snow (Prom Night)
Ashanti  (Resident Evil: Extinction)
Sophia Bush (One Tree Hill)
Arielle Kebbel (The Vampire Diaries)
Penn Badgley (Easy A)
Jenny McCarthy (Santa Baby)
Fatso-Fasano (Weeds)
Patricia Drake (Beast Machines)
Taylor Kitsch (John Carter)
Meghan Ory (Decoys)

The movie begins with Kate (Brittany Snow) discussing her mother Lori’s (Jenny McCarthy) series of bad relationships which always causes them to move to a new town. She and her mother move to a suburb of Portland, Oregon and Kate gets a job as a waitress. While at work, she sees popular local boy John Tucker (Jesse Metcalfe) on dates with three different girls: Carrie (Arielle Kebbel), a chronic overachiever; Heather (Ashanti), who is head cheerleader; and Beth (Sophia Bush) a promiscuous and liberal vegan activist. Kate learns from a co-worker that he dates girls from different cliques at his school so that they never interact and convinces the girls he dates to keep their relationships secret.One day in gym class, Kate, Carrie, Heather and Beth end up on the same team for a volleyball game. During the game, Carrie brags about being with John Tucker, and the girls learn about his scheme. Carrie, Heather and Beth begin fighting. Kate tries to intervene, only to get all four of them sent to detention for the fight. Later that evening, the girls enlist Kate’s help in seeking revenge against John Tucker. Meanwhile, Kate becomes friends with John’s brother Scott (Penn Badgley), better known as “The Other Tucker”. The girls’ initial attempts to undo John (making people believe he has genital herpes and with Heather undermining his confidence by pranking him with estrogen, causing him to become weak and say strange things about himself) initially work in humiliating John, but eventually backfire as John manages to use them to his advantage. After he breaks up with all three girls, they agree that breaking his heart is the ideal revenge. They then enlist Kate to be the heartbreaker.

Kate joins the cheerleading team in order to get John’s attention, and the girls give her advice on how to act around John and spy on the dates using surveillance equipment. Kate also gets a make over and John immediately notices Kate and tries to win her attention, but Kate dismisses him. With his ego insulted that there is a girl he cannot charm, John becomes determined to get her. Kate and John eventually go on a series of dates, the first of which at a bonfire at the beach. Kate is unprepared after John asks to take her home and Beth intervenes to teach her how to kiss. However, John arrives, forcing Beth to hide in the back of his Land Rover. At her house, Kate manages to buy Beth time to escape by kissing John, with Beth’s skirt being ruined in the process after getting it caught in the car’s door. The plan seems to be working as John relentlessly chases after Kate, even going to her house in the middle of the night while talking to her on the phone at the same time (where Kate tells him that she needs to call the police because there is a stalker outside the house, and John drives away in panic, hitting a trash can). The next date is a romantic boat ride, and Kate and John have a good time together. Beth later notices that Kate is starting to fall for John. To counteract this, Carrie tapes John bragging to his friends in the locker room, saying he’ll be scoring “more than baskets” at the away game, and shows the tape to Kate in order to get her to snap out of it.
The girls try another plan to embarrass John Tucker at a hotel on the night of the away game. Kate seduces John on a video-chat and tells him to put on a woman’s thong and climb out of his room and into hers. He is misled and climbs into a teacher’s room and ultimately becomes the laughingstock of the school. John again uses this to his advantage, starting a fashion trend that helps the boys in the basketball team play better. Meanwhile, Kate’s mother and Scott both discover the plan and lament the change in Kate’s behavior. Afterward, Kate tells John that she heard about what he said in the locker room about her. John makes amends by giving her his watch and asking her to be his girlfriend. Kate tells Heather, Carrie and Beth that she wants to be out of the plan, as whether they are dating or plotting to destroy John Tucker, it is still all about him. At John’s birthday party, the tape the girls made of John’s destruction is played, and Kate reveals the entire plot as John stares in disbelief, seemingly hurt.
Heather, Beth, and Carrie defend her after a guest throws his drink at Kate. Still, John Tucker becomes unfazed, and the party devolves into a cake fight. A few days later, John and Kate agree to be friends, and John resolves to be honest. Scott, happy that Kate confessed, becomes her lab partner again, and it is hinted the two will begin dating. Kate is now good friends with Beth, Carrie, and Heather. Kate finishes saying, “as for the girl who made John Tucker fall in love, well, she’s a legend”. After the credits, Kate warns viewers at home wanting to try this that destroying a man has consequences, and the camera pans to several male teachers bending over to grab some papers, all wearing thongs.John Tucker Must Die isn’t so much an absolute schlock. Despite its transparent and derivative nature, it does have some of its moments that elicit chuckles. It’s that sort of movie you watch on a sleepless nights on cable given the right mood.

REVIEW: DEAD RISING: ENDGAME

CAST

Jesse Metcalfe (Dallas)
Keegan Connor Tracy (Bates Motel)
Dennis Haysbert (24)
Patrick Sabongui (Power Rangers)
Billy Zane (Zoolander)
Camille Sullivan (The Unseen)
Marie Avgeropoulos (50/50)
Ian Tracey (Sanctuary)
Jessica Harmon (Hollow Man 2)
Victor Webster (Mutant X)

burnt-01The reporter Chase Carter (Jesse Metcalfe) returns to East Mission City to investigate a mysterious building where prisoners are transported to be guinea pig on experiments to find a cure of the zombie infection. He uses a camera to record and transmit the images to the reporter Jill (Jessica Harmon) and to the skilled computer hacker Sandra Lowe (Marie Avgeropoulos) and finds that General Lyons (Dennis Haysbert) in involved in a secret government conspiracy. Carter is found and has to flee from Lyons’s henchmen. However the editor is afraid to broadcast the images since the TV network would certainly be sued by the government. The former executive George Hancock (Ian Tracey) from the pharmaceutical corporation Phenotrans meets Carter and tells that the army is hunting him down. Further, they should go to East Mission City to shut down the servers since Lyons plans to kill 1.5 million-people that have an implanted chip, including Sandra, and stop the cruel scientist Rand (Billy Zane), who uses humans to test his experiments. Will they succeed to stop Lyons’evil plan?
maxresdefaultDead Rising: Endgame is a good sequel to Dead Rising: Watchtower. The non-stop action in the zombie infected city is highly entertaining.

REVIEW: DEAD RISING: WATCHTOWER

CAST

Jesse Metcalfe (Dallas)
Meghan Ory (Once Upon A Time)
Virginia Madsen (Sideways)
Keegan Connor Tracy (Bates Motel)
Aleks Paunovic (Kindergarten Cop 2)
Dennis Haysbert (24)
Gary Jones (Stargate Sg.1)
Rob Riggle (21 Jump Street)
Patrick Sabongui (Power Rangers)

Set between the events of Dead Rising 2 and Dead Rising 3, the story follows online reporter Chase Carter and his camerawoman Jordan as they cover the stories of the people inside of the walled-in quarantined area in the fictional town of East Mission, Oregon, as the government (running an organization called F.E.Z.A.—Federal Emergency Zombie Authority) attempts to contain a viral outbreak that turns people into ravenous zombies. An anti-viral drug called Zombrex, that keeps the virus at bay, is being administered to those infected. When it becomes clear that the drug is no longer effective and a zombie outbreak purges the town and infects its inhabitants, Chase, Jordan, grieving mother Maggie, and survivor Crystal battle their way out of the city before it gets firebombed.Throughout the film, it is revealed that the Army implanted bad Zombrex in a refugee center to start another outbreak so that the government can be allowed to plant government-mandated Zombrex chips on the infected to track them, framing F.E.Z.A. for giving bad Zombrex to the infected. The coin that Jordan gave to Chase to open a newspaper vending machine at the beginning came in handy when she placed evidence of the Army sabotaging the Zombrex inside the vending machine for him to find. When General Lyons figures out that Jordan and Norton are aware of the Army’s actions, he has his men capture them to cover up the truth. In the end, Chase and Crystal managed to survive and get out of city and Jordan manages to get footage proving the Army’s compliance in the new outbreak to Chase, who finds it in the newspaper vending machine, but the same footage shows her being taken and probably killed by the military and the U.S. government are allowed to implant tracking chips on people who are infected.Overall Dead Rising: Watchtower is easily one of the best video game adaptation to date, fun filled, blood soaked entertainment.

REVIEW: THE TORTURED

CAST

Erika Christensen (Swimfan)
Jesse Metcalfe (Desperate Housewives)
Bill Moseley (The Texas Chainsaw Massacre 2)
Fulvio Cecere (Valentine)
Chelah Horsdal (Arrow)
Zak Santiago (Caprica)
Bill Dow (Stargate SG.1)
Brent Stait (Andromeda)

The film tells the story of a couple, Elise Landry (Erika Christensen) and her husband, Craig Landry (Jesse Metcalfe), whose lives are shattered when a serial killer named Kozlowski (Bill Moseley), kidnaps, tortures, and kills their only son, Benjamin. Craig feels immense guilt, as he saw Benjamin being kidnapped, but could not catch up to the fleeing vehicle. Elise blames Craig for not watching the child more closely. During the trial, Kozlowski makes a plea bargain, and in exchange for providing details on other murders, is sentenced to only 25 years to life. Elise and Craig are livid with the court’s verdict. Elise asks Craig to get her a gun so that she can kill Kozlowski, but Craig refuses. Elise moves out of the house and Craig, left alone, contemplates suicide. Later, he meets Elise to say that just killing Kozlowski will not be enough, and the two formulate a plan to kidnap the killer.

Craig steals medical supplies and drugs from the hospital where he works. They follow Kozlowski when he is being transferred to prison via police van. The officers soon stop to get some coffee. Craig distracts them, while Elise spikes their drinks. After some time, the police van pulls over, and Craig is successful in hijacking the van with the prisoner inside. In the confusion and panic of the escape, Craig crashes the van and it rolls over a bridge. Elise, following behind in her car, is relieved to see Craig is all right, and the prisoner, though thrown from the van and severely injured, is also still alive. Elise soon receives a call from the case detective (Fulvio Cecere) informing her that Kozlowski had taken the police van and escaped. She is able to sound normal to avoid arousing any suspicion.

They take their captive to the basement of an abandoned cabin and chain him up, just as he did to their son. They gag him, stating that nothing he could say will make them change their minds. They berate him as less than human for his abominable actions. They begin to torture him in various painful ways. During one session, Craig hangs the key to the chains above the captive, taunting him. As the torture progresses over several days, both Elise and Craig are haunted by their deeds, but carry on, remembering the horrific loss of their son. Meanwhile, the police manhunt for the escaped Kozlowski begins narrowing down to the area near the cabin.
Image result for the tortured (2010)Back in the basement, Craig removes the gag in an attempt to suffocate the captive, who begs for a chance to talk. He explains he has no recollection of anything before the van accident. He claims he does not think he could be a vicious killer. The Landrys are taken aback, and retreat upstairs to discuss. Craig feels the torture is unnecessary on someone who cannot even remember his crimes. Elise is certain he is merely lying to avoid any more suffering. They return to the basement and begin crushing his foot in a vise until he tells the truth. Elise demands that he speak their child’s name. Under duress, he eventually says ‘Benjamin’, which convinces Craig that they can continue with their plan. They leave him alone for the evening, promising that the next day’s torture will be the worst yet. Through extreme agony, he manages to reach the key and free himself. He makes his way upstairs and there is a struggle. Craig is knocked down the stairs and the captive escapes out the back door.
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Simultaneously, the police finally track down and apprehend Kowalski in the woods nearby. He appears mostly unharmed, and shows no signs of the torture inflicted by the Landrys. Flashbacks show that, unknown to the Landrys, the prison van was actually carrying two convicts; Kozlowski, and another man serving time for tax evasion. Following the crash, Craig mistook the bloodied man thrown from the vehicle as Kozlowski, and took him hostage instead. The real Kozlowski later emerged from the van relatively unhurt and went on the run.
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At the cabin, Elise and Craig track down the man that they believe is Kozlowski, but in reality is the other prisoner, just as he hangs himself in the barn. He leaves a suicide note stating that, based on what the Landrys had told him, he must be a monster, and deserved everything they had done to him. He apologizes and begs forgiveness. He simply could not stand any more torture, so he hanged himself. Satisfied, the Landrys get in their car and leave, unknowingly passing the police– who are returning Kozlowski to prison.Image result for the tortured (2010)More for seasoned Horror fans.Great acting all the way through and each actor gave it their all, great directing, and most importantly great gore. Not really a hidden gem per say, but a decent genre flick that makes you think nonetheless

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: 2 BROKE GIRLS – SEASON 1-4

 Image result for 2 broke girlsMAIN CAST

Kat Dennings (Thor)
Beth Behrs (American Pie: The Book of Love)
Garrett Morris (Ant-Man)
Jonathan Kite (Pirates of The Caribbean)
Matthew Moy (No Strings Attached)
Jennifer Coolidge (American Pie)

Image result for 2 broke girls

RECURRING / NOTABLE GUEST CAST

Brooke Lyons (Izombie)
Noah Mills (Sex and The City 2)
Dana Delorenzo (Ash vs Evil Dead)
Nick Zano (Legends of Tomorrow)
Travis Van Winkle (Friday the 13th)
Carla Gallo (Bones)
Marsha Thomason (Lost)
Dale Dickey (Iron Man 3)
Laura Spencer (The Big Bang Theory)
Martha Stewart (3rd Rock From The Sun)
Steven weber (Izombie)
Ajay Mehta (Anger Management)
Cedric The Entertainer (Ice Age)
Ryan Hansen (Veronica Mars)
Jack DePew (The Fosters)
Brandon W. Jones (Pretty Little Liars)
Jessica Chaffin (The Heat)
Abby Elliott (How I Met Your Mother)
James Hong (Blade Runner)
Bianca Lawson (Buffy)
Barret Swatek (Power Rangers Turbo)
Andy Dick (Dude, Where’s My Car?)
Missi Pyle (Two and a Half Men)
Deanne Bray (Heroes)
Beth Lacke (Mr. 3000)
Piers Morgan (The Campaign)
Mary Lynn Rajskub (24)
Gilles Marini (Devious Maids)
Eric Andre (The Internship)
Patrick Cox (Veronica Mars)
Rachel Cannon (Two and a Half Men)
Andrea Gabriel (Lost)
Brian Doyle-Murray (Waynes World)
Sheryl Lee Ralph (Moesha)
Lindsay Lohan (Mean Girls)
Ben Lawson (No Strings Attached)
Carlos Jacott (Angel)
Natalie Dreyfuss (The Originals)
Jesse Metcalfe (Dallas)
Valerie Harper (Rhoda)
Ian Reed Kesler (Birds of Prey)
Sandra Bernhard (The King of Comedy)
Austin Falk (Devlish Charm)
Ilia Volok (Power Rangers Wild Force)
Caroline Rhea (Sabrina: TTW)

The titular characters in 2 Broke Girls are played by Kat Dennings and newcomer Beth Behrs (a genuine find), who portray waitresses in a down-and-dumpy diner in Williamsburg, a suburb of New York. Their boss is an obsequious, pint-sized Korean immigrant (Matthew Moy), the cook an over-sexed sleazeball (Jonathan Kite), the cashier a wise and hep older black dude (Garrett Morris). Although the “Alice for the Twitter Generation” setup provides the bulk of the show’s humor, there are a few sub-plots early on involving the Dennings character baby sitting for a ditsy socialite (the dryly hilarious Brooke Lyons) and carrying on a hot-and-cold relationship with a street artist (Nick Zano). Halfway through the season, another regular is introduced in the form of a bawdy Polish-American cleaning business proprietress who shares a place in the girls’ apartment building, done with a detached hilarity by Jennifer Coolidge.

Dennings’ character, Max, is the smart-mouthed, tough-living young woman who takes under her wing the down-and-out ex-heiress Caroline (Behrs) who lost everything when her father was caught swindling billions of dollars from investors. They become roommates, then co-workers and then partners in a struggling cupcake business. It might all sound familiar, but the writers and directors pump so much heart and soul into the characters and situations they make me actually care whether Martha Stewart loves their cupcakes (which, in the hysterical first-season finale, she did). It is to the writers’ credit that they have Max and Caroline become more than shallow stereotypes, while Dennings and Behrs make the women they play believable as best friends, despite their differing backgrounds.possible laugh. It was a fascinating experience seeing how differently a scene played with a slight inflection here or a different word there. All that hard work comes out in the episodes on these DVDs (some of the scenes cut from the final episode versions are included as welcomed extras).

When we last saw lead besties Max Black and Caroline Channing, they were over the moon about their unorthodox meeting with style maven Martha Stewart – who not only sampled one of their premium cupcakes (the Beer-Batter Maple-Bacon Spring-Break cupcake), but also said she liked it and admired them. What more sustenance would two struggling waitresses-turned-entrepreneurs need? A lot, it turns out, as season two of 2 Broke Girls gives us a taste of success &  failure.

Whereas season one of the hit CBS show was all about meeting cute, sharing dreams, and attempting to live down the fact that one of the fathers bilked investors out of millions of dollars, the second season is more about character and relationships: Max (Kat Dennings) and Caroline (Beth Behrs) step closer and closer to their ever-elusive dream of a cupcake store; while diner-cook Oleg (Jonathan Kite) and entrepreneur Sophie (Jennifer Coolidge) begin sharing more than just sex. It is, like life, filled with ups and downs, steps forward and many more steps backward, never once letting the characters lose sight of their final destination. Max is overjoyed when they find the perfect space to open their cupcake store, insisting that it has a certain cache seeing how it was the site of a mass murder (complete with blood still on the walls). Where one sees disaster, Max sees opportunity: “If we go with red, it’s half painted.” This devil-may-care attitude balances nicely with Caroline’s Wharton-School pedigree of sense and sensibility, preventing either from going too far off the deep end. They establish such a mutual ground, in fact, that they both willingly don giant cupcake suits in an attempt to drum up business.

Elsewhere in Williamsburg, the relationship between Oleg and Sophie begins to deepen. Where it was once an excuse for crude comments about orgasms, it has developed into a touching pairing between two oddballs who are perfectly matched.  Sophie, the owner of a house-cleaning service who has a heart of gold, continues in her role of fairy godmother to the two girls. In season one, she made sure they had killer outfits to wear to the gala event where they hoped to meet Ms. Stewart. Here, she gives them the seed money to rent their prime space, stock up and begin selling cupcakes. She is a silent partner; but one who eats a lot of the profits – literally.

Although much of the season takes place in settings outside the Williamsburg Diner, there is still plenty going on there. Put-upon diner-owner Han (Matthew Moy) has become a little more feisty, giving to the girls as good as he gets from them – and standing up to a robber who mistakenly thinks there are quick profits to be made. Stalwart Garrett Morris, as cashier Earl, continues to be the brightest star in the Williamsburg firmament, delivering caustic barbs and witty asides like the seasoned pro he is. Season two is filled with lots of characters who stop by for an episode or three, including Steven Weber as the notorious swindler who is father to Caroline, Ryan Hansen as the boyish proprietor of the candy shop across from the cupcake store who starts to fall for a certain Wharton graduate, and rapper 2 Chains appearing as himself in a surprisingly appealing episode.

The end of the second season provided the perfect set up for season three: while cleaning out the diner, they stumble onto a secret back room that has (surprise!) a set of doors that open onto the sidewalk. Can they create a walk-up cupcake business and make a success of it?.

The third season  continues to follow the two girls with their attempt to run their cupcake business, which has been “off and on” in a way that any sitcom relationship would be. This season, the girls have found the secret back room of the diner (which was the focus of the last episode of the second season) and have opened for business. “And the Soft Opening” and “And the Cronuts” are highlights, as the two find themselves with crowds after a British rock star croaks in front of the shop and the girls make an attempt to capitalize on the Cronut craze.


However, around the halfway point of the season, Max and Caroline head to pastry school and things get even more intresting. Max starts to have feelings for Deke (Eric Andre), while Caroline falls for a head baker (Gilles Marini), who has a secret. Meanwhile, Mary Lynn Rajskub  is thrown into the mix playing an oddball working at the front desk. Rajskub is extremely funny.

Alot of these threads conlude towards the end of the season. The last episode of the season, which sees Max heading back to her old high school to get her diploma, is a great example of the series – it’s genuinely funny, sweet and really shows the chemistry well between the two leads.

In Season Four Kim Kardashian pays the cupcake shop a visit, Caroline starts using an abandoned bike to make deliveries, but Max is unable to do her share because she cannot ride a bicycle, Max and Caroline rent their apartment via Airbnb to some models in town for the annual Victoria’s Secret Fashion Show, the girls find out two rich high school girls are selling knock-offs of their cupcake T-shirts.

Other Highlights are –

And the Zero Tolerance

When Caroline notices the girls’ bank balance is less than zero, she and Max desperately look for ways to make enough money for the payments on their T-shirt loan. Soon after, John (“Big Mary”) from Max’s pastry school comes by to say he’s working as a pastry chef at “The High”, a new upscale restaurant in Manhattan. He encourages Max to apply for the other pastry chef position that needs to be filled, and Caroline tags along to apply for a waitress job.

And the High Hook-Up

Joedth finds a hot, young Irish man named Nashit (Austin Falk) on a bench outside The High, and hires him, asking Caroline to train him as a waiter. Max is smitten and vows to get Nashit into bed, but doing so would violate Joedth’s strict “no hook ups among employees” policy. After the two are caught, Han hires Nashit to work as a dishwasher at the diner.

And the Grate Expectations

At Oleg’s bachelor party, Han inadvertently discloses a secret that leads Sophie to cancel the wedding. The girls and Big Mary open up a new branch of The High that, much to their dismay, is located in an airport.

And the Disappointing Unit

Sophie and Oleg get married, despite some challenges on their wedding day. Disappointing sales at the airport branch of The High put the girls’ future there in doubt. The Girls then end up going to Paris using the tickets they got to get into the airport to kidnap Nash. The episode ends with Max and Caroline drinking champagne from their cabin crew friends.

Another great season, with some great laughs, the show gets better and better every season and am looking forward to season 5.