REVIEW: X-MEN: THE ANIMATED SERIES – SEASON 1-5

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CAST

Cedric Smith (Mutant X)
Norm Spencer (Rescue Heroes)
Catherine Disher (The Good Witch)
Cathal J. Dodd (Goosebumps)
Iona Morris (Robotech)
Alison Sealy-Smith (This Is Wonderland)
Chris Potter (The Waiting Game)
Tony Daniels (Yin Yang Yo!)
Alyson Court (Elvis Meets Nixon)

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RECURRING / NOTABLE GUEST STARS

John Colicos (Battlestar Galactica)
Jeremy Ratchford (Cold Case)
Lawrence Bayne (Highlander: TAS)
Barry Flatman (Odyssey 5)
Richard Epcar (Power Rangers)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
Frank Welker (The Simpsons)
Len Carlson (Swamp Thing: TAS)
Susan Roman (The Racoons)
Dennis Akiyama (Pxiels)
Nigel Bennett (Andromeda)
Maurice Dean Wint (Robocop: Prime Directives)
Philip Akin (Highlander: The Series)

 

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I recently watched through the entire 90’s x-men Animated Series for the first time. So does the show hold up for someone who didn’t watch it when it first aired? Is it still a good show? Overall, the show is really good. It was also revolutionary as it was one of the first animated TV shows to have a continuing storyline throughout the first few seasons.

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Rather than creating exclusively new story lines, the show based most of its episodes on well known events from the comics. Stuff like the ultra-famous dark phoenix saga all the way to a modified version of Days of Future Past that included the time traveling mutant Bishop. Most of the episodes changed details here and there to keep thing simple, but the basic premise remains the same.

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The animation is a mixed bag. On the one hand, still shots look very good for a 90s cartoon. Both characters and environments are finely detailed and even facial expressions are usually well done. On the other hand, it doesn’t look too good in motion. The frame-rate is often choppy and at times characters in the background are just standing still. There are occasional continuity errors as well, like characters swapping outfits between shots (the episode titled “Nightcrawler” comes to mind).

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Characters are generally portrayed well in the TV show. The main team consists of Professor X, Cyclops, Jean Grey, Wolverine, Beast, Storm, Gambit, Rogue, and Jubilee. Professor X, Wolverine, Cyclops, Jean Grey, Beast and Gambit are all portrayed well in the show. I found some of their voice actors were a little off-putting at first, but as I watched they grew on me. Rogue probably has the best voice acting of the bunch.

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I wasn’t quite as fond with the portrayal of Storm or Jubilee however. Storm was alright, but having her constantly talk about what she was commanding the weather to do is annoying at times. Does she have to verbally command the wind every time she blasts enemies with it? I get that she’s a bit of a showoff and that’s part of her charm, but still.

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The show has a great spotlight of different villains as well. It features everyone from mega villains like Magneto, Mr. Sinister, and Apocalypse to smaller villains like Vertigo, the Juggernaut, and even the Brood. The show even mentions the Juggernaut’s relationship to Xavier (they’re step brothers). Mr. Sinister in particular is very well portrayed in the series, and we even get an origins episode in season five (heavily modified of course).

If you have any interest in the X-men and want to try out the comics, this is a decent show for finding out some of the franchises back-story. It’s rarely as good as the original stories it’s based on, but it’s easier to find and for the most part, it’s an easy watch.

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REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: BUFFY: THE VAMPIRE SLAYER – SEASON 1-7

Buffy the Vampire Slayer Logo 3840x2160 wallpaper

CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brendon (Children of The Corn III)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
Anthony Stewart Head (The Iron Lady)
Davis Boreanaz (Bones)
Seth Green (Austin Powers)
James Marsters (Caprica)
Marc Blucas (Red State)
Emma Caulfield (Supergirl)
Michelle Tractenberg (17 Again)
Amber Benson (The Killing Jar)

RECURRING / NOTABLE GUEST STARS

Mark Metcalf (Drive me Crazy)
Brian Thompson (Hired To Kill)
Ken Lerner (The Running Man)
Kristine Sutherland (One Life To Live)
Julie Benz (No Ordinary Family)
Eric Balfour (Skylive)
Persia White (The Vampire Diaries)
Mercedes McNab (The Addams Family)
Elizabeth Anne Allen (Bull)
Robin Riker (The Bold and The Beautiful)
Musetta Vander (Stargate SG.1)
Christopher Wiehl (Cold Hearts)
Geoff Meed (Little Miss Sunshine)
Andrew J. Ferchland (The Last Leprechaun)
Jennifer Sky (Cleopatra 2525)
Chad Lindberg (The Fast and The Furious)
Armin Shimerman (Star Trek: DS9)
Dean Butler (Little House on The Prairie)
Clea DuVall (The Lizzie Borden Chronicles)
Robia LaMorte (Spawn)
Michael Bacall (Django Unchained)
Juliet Landau (Ed Wood)
Ara Celi (American Beauty)
Clayne Crawford (Roswell)
Danny Strong (The Prophecy II)
Kavan Smith (Stargate SG.1)
Robin Sachs (Jurassic Park 2)
Larry Bagby (Walk The Line)
Jason Behr (Roswell)
Will Rothhaar (Kingpin)
Julia Lee (A Man Apart)
Bianca Lawson (The Vampire Diaries)
Saverio Guerra (Becker)
John Ritter (8 Simple Rules)
Jeremy Ratchford (Cold Case)
James Parks (Kill Bill)
Vincent Schiavelli (Batman Returns)
Jack Conley (Fast & Furious)
Willie Garson (Stargate SG.1)
Christopher Gorham (Ugly Betty)
John Hawkes (Winter’s Bone)
Meredith Salenger (Lake Placid)
Charles Cyphers (Halloween)
Wentworth Miller (Legends of Tomorrow)
Shane West (Nikita)
Max Perlich (Blow)
Richard Riehle (Office Space)
Carlos Jacott (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
Jason Hall (American Sniper)
K. todd Freeman (The Dark Knight)
Fab Filippo (Guidestones)
Jeremy Roberts (The Mask)
Eliza Dushku (Tru Calling)
Ian Abercrombie (Army of Darkness)
Harry Groener (About Schmidt)
Jack Plotnick (Rubber)
Nicole Bilderback (Dark Angel)
Jeff Kober (New Girl)
Harris Yulin (Training Day)
Dominic Keating (Star Trek: Enterprise)
Michael Cudlitz (The Walking Dead)
Alexis Denisof (Dollhouse)
Christian Clemenson (Lois & Clark)
Ron Rogge (Power Rangers Lightspeed Rescue)
Ethan Erickson (Jawbreaker)
Andy Umberger (Deja Vu)
Katharine Towne (Evolution)
Lindsay Crouse (The Insider)
Phina Oruche (The Forsaken)
Adam Kaufman (Taken)
Walter Jones (Mighty Morphin Power Rangers)
Kal Penn (Van Wilder)
Bailey Chase (Longmire)
Leonard Roberts (Heroes)
Andy Hallett (Chance)
Doug Jones (Hellboy)
George Hertzberg (Too Much Magic)
Alastair Duncan (The Batman)
Rob Benedict (Birds of Prey)
Erica Luttrell (Lost Girl)
Kathryn Joosten (desperate Housewives)
Connor O’Farrell (Lie To Me)
Rudolf Martin (Swordfish)
Tom Lenk (The Cabin In The Woods)
Charlie Weber (Gacy)
Clare Kramer (Bring it On)
Ravil Isyanov (Alias)
Amy Adams (Man of Steel)
Brian Tee (Jurassic World)
Kali Rocha (Buried)
Kevin Weisman (Alias)
Abraham Benrubi (Open Range)
Cynthia LaMontagne (That 70s Show)
Oliver Muirhead (The Social Network)
Shonda Farr (Crossroads)
Adam Busch (Sugar & Spice)
Joel Grey (Cabaret)
Karim Prince (Mighty Morphin Alien Rangers)
Wade Williams (Gangster Squad)
Todd Stashwick (The Originals)
Amber Tamblyn (Two and a Half Men)
Jordan Belfi (Surrogates)
Mageina Tovah (Spider-Man 2 & 3)
Ivana Milicevic (Casino Royale)
Lee Garlington (Flashforward)
Jan Hoag (Scream Queens)
Nicole hiltz (Smallville)
Alexandra Breckenridge (The Walking Dead)
D.B. Woodside (24)
Zachery Ty Bryan (The Fast and the Furious 3)
Sarah Hagan (Freaks and Geeks)
Jonathan M. Woodward (Firefly)
Stacey Scowley (The Brotherhood 2)
Felicia Day (The Guild)
Megalyn Echikunwoke (Arrow)
Ashanti (Resident Evil: Extinction)
Indigo (Broken City)
Nathan Fillion (Firefly)
Dania Ramirez (Heroes)
Julia Ling (Chuck)

Buffy The Vampire Slayer is one of the wittiest, most well developed, and consistent cult fantasy shows on television. Unlike other shows in the genre, it has been able to showcase a wide balance between fantastic character development, humor, topical plotlines, heart wrenching drama, science fiction, and horror- a horn a plenty of styles all in one 44 min episode. While entertaining, everyone probably can’t relate to the technobabble machinations of a Star Trek episode, or the convoluted paranoia of and X-Files episode, but we all went through high school and whether you were average, popular, or an outcast, we know, we remember, all too well, the emotional highs and lows of growing up. Its something everyone can relate to, and its the central fire that keeps Buffy grounded.


But, Buffy began as a humble mid season replacement on a non entity network, and its early days when it was gaining its footing, starting its mythology, seeing how far they could tweek the drama and the horror with a minuscule budget… well, its not nearly the powerhouse it would quickly become in its second season. There are of course, subtle signs of the drama and humor to come, little hints that it was more than a teen show with vampires. And, honestly, if you were going to try and impress someone who had never seen The X-Flies, you certainly wouldn’t show them the first season without saying, “It gets much better.”

KEY EPISODES ARE –


Episode 1: Welcome to the Hellmouth- Buffy Summers, a high school sophomore, transfers to Sunnydale High. There she meets her “Watcher” and learns she cannot escape her true destiny.— Like most pilots, its all about introductions- Buffy the reluctant Slayer, her pals and soon to be Scoobies, spazz with a heart of gold Xander, shy brain Willow, her stuffy Watcher Giles, the mysterious Angel, and the snobbish beauty queen Cordelia. Also, of course, establishes the first main villain, The Master, and the Hellmouth, the demonic portal that would provide the show with its main mythological device keeping the town of Sunnydale infested with all manner of creatures for Buffy to slay

Episode 2: The Harvest:- A Stranger named Angel tells Buffy that if she does not stop the Harvest, the Hellmouth will open and the Master roam free.— Whereas the first episode was focused on introducing the characters and didn’t have much room for tension or action, The Harvest provides a look at Buffy having to accept her role as Slayer as she realizes the deadly consequences if she abandons her destiny.

Episode 5 : Never Kill a Boy on the First Date:

While awaiting the arrival of a warrior vampire called the Anointed One, Buffy’s big date at the Bronze ends with an assault on a funeral home. — Once again, showing Buffy’s attempts to balance a normal life with her secret life as the Slayer. While a little weak and cornball, it also manages to show the villain thread well, how most main Buffy villains will have some sort of evolution, twists and turns to keep the viewer guessing.

Episode 7: Angel: A moment of passion turns to terror as Buffy discovers Angel’s true identity and learns about the Gypsy curse that has haunted him for almost 100 years.— Probably the most weak, ill-defined character early on, this episode finally showcased more about Angel and gave his character some considerable fleshing out. Taking into account the large part his character would play in the Buffyverse, and the leaps and bounds of change he would undergo, his affect on all the characters, particularly Buffy, in one way or another, it makes this one of the seasons better episodes.

Episode 11: Out of Mind, Out of Sight: As Cordelia prepares for Sunnydale High’s May Queen competition, an invisible force starts attacking her closest friends.— Another of the seasons better episodes, and a clever look an always pertinent issue, showing yet another sympathetic foe, those fringe kids who are always ignored, sometimes until it is too late.

Episode 12: Prophecy Girl:

As the Spring Fling dance approaches, Giles discovers an ancient book foretelling the Slayers death at the hands of The Master.— While a tad abrupt, this finale serves up everything one wants, tension, conflict, and turns you don’t quite see coming. Pivotal in the series for all players, but mainly Buffy, showing that she isn’t just an invulnerable buttkicker able to save the day alone, but through banding together her and the Scoobies will take on many a Big Bad to come.

Season 2 of Buffy the Vampire Slayer is quite possibly the best season of the bunch. Season 2 is by definition, where things get darker and more complex, this was the season that really made Buffy an unpredictably smart series.

The season opens with ‘When She Was Bad’ which deals with the fallout of Buffy’s momentary death in the previous year one finale; this episode is appropriately handled and sees Buffy acting rather out of character after returning from her summer away from Sunnydale. The preceding episodes are a fun affair and help the viewer to settle back into the rhythm of the series with various episodes focusing upon certain characters.

The ‘Big Bads’ of the season appear early on and come in the form of Drusilla and Spike, the former being a rather off-her-rocker vampire and the latter a bleached, leather wearing, cocky undead Englishman! As villains they are a lot of fun and help to shape season 2 as something unique and well constructed. However, come the end of the year things are considerably shaken up in terms of ‘the Big Bads’, with the appearance of Angelus.

Willow, Xander and Giles all find themselves venturing into new territory: dating! Cordelia continues to redeem herself and becomes a fully fledged scoobygang member, whilst Buffy and Angel undergo many changes to their relationship which is mostly the driving force of the season. By the middle of the season the episodes gradually become darker and a more coherent storyarc begins to emerge, starting with the events of ‘Surprise (Part 1)’ which culminate in the emotional and incredibly shocking ‘Innocence’ (Part 2). Said episodes are some of the best in the history of the series and set in motion events that help to lead to the end of the season. The circumstances surrounding this two parter does literally change everything once established between Buffy and Angel; and brings into question their future. The continuity, witty one liners, oblique use of language does continue into this season and helps to boost the chemistry between the actors as they discuss, for example the oddness of some TV movies and sore thumbs. These subtle touches give the season a vibrancy and kooky edge; what makes Buffy such an enjoyable show is the warmth and heart it retains, mostly provided by the actors but also by the wonderfully consistent writing.

The two part finale ‘Becoming’ is well set up as a consequence of the episode ‘I Only Have Eyes For You’, which happens to be beautifully moving and tragic respectively. The complexity of the Angelus arc presented here really sets up and supports the actions that lead to the occurrences of the finale. ‘Becoming’ part 1 & 2 with all it’s flashback goodness brings about tumultuous change and throws one through the emotional wringer all the while its still surprising, sad and gut wrenching upon each rewatch. The issues dealt with this season are far more adult and dark than is the usual, and in turn it delivers a wonderfully realized arc which never fails to amaze.


This third season of Buffy the Vampire Slayer contains some of my favourite episodes from the entire run of the show and also has the fewest offbeat episodes. This year Buffy and the gang are in their final year of high school but living on the Hellmouth is never easy and in addition to the usual demons and vampires they must deal with the schemes of the Watchers Council, a new slayer and a politician after even more power.

Buffy has really found its feet with this season and I would say that it is this year that the show reaches its peak. All the regular cast members give their usual brilliant performances but the season is really stolen by the new cast members, specifically Eliza Dushku as Faith the new Slayer and Harry Groener as the eccentrically evil Mayor Wilkins, who is probably my favourite of all the Buffy villains.

It is difficult to choose favorite episodes from this season as it includes so many great ones. `Bad Candy’, `Amends’, `Earshot’ and the two part season finally `Graduation’ are all excellent episodes being both funny and enthralling but my favorite episode has to be `Lover’s Walk’ where a lovesick Spike returns to Sunnydale after breaking up with Drusilla in order to find a way to get her back. James Marsters is truly excellent in this episode and livens up the series brilliantly. Another couple of episodes of note are `The Wish’ and `Doppelgangland’ both of which involve a parallel universe where vampires have taken over and feature a vamped up Willow, brilliantly portrayed by Alyson Hannigan who seems to enjoy the role immensely. Although none of the episodes could truly be considered awful, `Gingerbread’ and `The Zeppo’ are the weakest episodes of this season and are slightly painful to watch in places.

Overall this season is truly great, with brilliant writing and a plot that never ceases to be in turns exciting, funny and touching.

With the loss of David Boreanaz and Charisma Carpenter to the spin-off show, “Angel”, there were voids to be filled in this, the first season out of high school, and Marc Blucas and Emma Caulfield suitably obliged. The fragmentation of the Scooby Gang was for many the core reason why Season Four didn’t match the heights of the previous three: nobody seemed to care enough about each other any more. With Giles out of work, Xander flitting from one deadbeat job to another, and Buffy and Willow settling in to life on campus, there was concern that the old gang would never get back together.


A big risk was taken in introducing a more sci-fi element with the arrival of a secret government demon-hunting operation. But there’s a big difference from other genre shows: the Initiative was never in control of its actions. And that’s the gist of the season: that Buffy and her traditional methods will always be superior, and that it’s through her skills and her friends that evil is defeated, not bureaucracy. Which is why there’s no big finish in episode 22 (the grand climax happens in episode 21), because the most important storyline is about the reaffirmation of friendships, demonstrated in the most bizarre way imaginable in an episode composed almost entirely of dream sequences.


There are some classics (the Emmy-nominated “Hush” was possibly the boldest piece of television attempted before “The Body” the following year). And in the final scene of the season, we get a great setting-up of what’s to come, without knowing any specific details. All in all, a season that left a few minor gripes, but which in the overall scheme of things, has continued the journey of life into adulthood. Now they’re all supposed to be grown up, but the future still holds a great deal of uncertainty, and that can only be good for the show.

Although Season 5  still has comedic moments, it also has many more serious moments. Not to spoil it for those who have not seen the series yet, two major deaths rock the Sunnydale Slayage Crew. These are excellently handled, and in no way seem like they are tying off loose ends.

The episodes are excellent. From fighting Dracula, to multiple Xanders. From a new sister, to an old foe swapping sides. This season is excellent. the first disc houses such gems as the introduction of Dawn, without any back story or any clues into why she is there. These facts are revealed slowly through the next disc, with amusing storylines for Spike, clearly an excellent addition to the principal cast. Anya also comes into her own, and becomes revels in the joys of capitalism.

Through the next disc a departure of a relatively new character, Riley, hurts Buffy tremendously, whilst the appearance of a troll lightens the mood considerably. The fourth disc includes the fun episode where the Watcher’s Council return to Sunnydale, and reveal a shocking secret about the main enemy of this series. Spike also has a choice to make, whether to fall back into the arms of his old flame, Drusilla, or to move on and persue his newest conquest, a source of exasperation for Buffy.

The fifth disc is a solemn affair, with the death of a principal cast member, who had been with Buffy from the beginning. As Buffy and her ‘Scoobies’ attempt to cope, the attacks on them by the villain of the series grow more violent and frequent, leaving a dissuaded Buffy sure that she cannot beat the villain. When his new enemy learns of an importance in the Scooby gang, and this member of the gang get captured, Buffy goes into meltdown. With the help of Willow, Buffy recovers and faces the most terrifying villain ever in the history of Buffy The Vampire Slayer, with a conclusion that is heart wrenching.


“The Gift”, the season five finale, ended with Buffy dead and buried after battling deranged fallen goddess Glory. Dying is kind of old hat for Buffy, and I don’t think I’m giving too much away by revealing that the show’s title character quickly gets over the whole death thing. Although the ensuing gang of biker demons is corny, I thought her return from the grave in the feature-length “Bargaining” hit all the right notes. Her reappearance is heartbreaking and almost horrifying, and it avoids undermining the events that concluded the previous season.

Rather than just toss her back in this mortal coil as if she’d never left, Buffy is distant and depressed, not quite the elated response her friends were expecting to see. The opening of the season offers an evenhanded blend of humor and drama, particularly the early escapades of the Troika. The all-nerd supersquad — robotics whiz Warren (Adam Busch), clumsy sorceror-lite Jonathan (Danny Strong), and summoner Andrew (Tom Lenk). They added a well-needed dose of geeky comedy to the season, which made the bitter pill of the agony Buffy and friends endure later on easier to swallow.

The darker spin the three of them eventually take also resonates more having seen several episodes worth of their giddiness at being supervillains. I also thought the aftermath of Buffy’s return, seen in “After Life”, “Flooded”, and “Life Serial”, worked well as she tried to find her place in the world (and her friend’s worlds) after being plucked from the afterlife. These episodes also manage to strike that perfect balance between humor and drama.

Another early highlight is “Tabula Rasa”, where a spell gone awry robs the Scoobies of their memories.  Of special mention from this chunk of the season, of course, is the musical episode “Once More with Feeling”. The version presented here is the original broadcast, a few minutes lengthier than your average Buffy installment. Although the concept of characters in an established drama singing and dancing for an hour screams ‘gimmick’, it’s not a standalone episode, tying in heavily to the previous episodes of the season and setting up some of what would soon follow. The songs are surprisingly good, particularly impressive considering that they were written by someone without much of a musical background.Image result for buffy once more with feeling

The season closes out with a series of strong episodes. “Hell’s Bells” features the chaos of a wedding between a human raised in a dysfunctional family and his millennia-old former vengeance demon fiancee, the aftermath of which is explored in “Entropy”.

One of the season’s best is “Normal Again”, which questions the reality of what we’ve seen for the past six seasons, and Buffy’s assault on her possibly-delusional friends and family is as chilling as anything seen up to that point on the series. The darkness pervasive throughout much of the season culminates in “Seeing Red”, which has two monstrous turning points. Its fatal closing events lead into the three-episode arc that rounds out the season. Similar to Angelus’ appearances on both Buffy and Angel, the immeasurably powerful antagonist in these final episodes tear down the main characters.

In its final season, Buffy the Vampire Slayer issued a mission statement you might not expect from a series that’s been on the air for seven years: go back to the beginning. After a foray at college and a year spent toiling away in the working world, Buffy’s going back to high school. Several years after its destruction at the hands…or giant coiled tail, whatever…of the ascended Mayor Wilkins, Sunnydale High has been rebuilt from the ground up. The Hellmouth beneath the school happens to lurk directly below the office of Principal Robin Wood (D.B. Woodside), who’s harboring some sort of dark secret that may or may not work to Buffy’s favor. Anyway, Wood continually stumbles upon Buffy as she spirits Dawn off to her first day of school as a freshman and ensuring both Summers girls make the most of the lovingly-crafted Sunnydale High set, Wood offers Buffy a job as a part-time counselor. Holed up in the bowels of Sunnydale High is Spike, who’s been driven mad by a combination of his newly-acquired soul and an entity that’s been haunting him, one that’s soon going to expand its grasp to the rest of the Scooby Gang and the world at large.

These early episodes really do capture the feel of the first few seasons of the series, a very welcome change after the grim year that came before it. This is one of the stronger opening salvos of Buffy. “Him” is played pretty much for laughs, revolving around a football player whose letter jacket makes him irresistible to the fairer sex, compelling Dawn, Buffy, Willow, and Anya to take drastic and wholly over-the-top measures to win his complete adoration.

 

Three of the season’s best episodes run back-to-back. “Same Time, Same Place” follows Willow’s return to the group, still reeling from the near-apocalyptic events of the previous year and further disheartened when she’s apparently abandoned by her friends. Buffy and company really are there for Willow, but the problem is that there are kind of two separate and distinct “there”s. The cannibalistic Gnarl is one of the most effectively creepy creatures of the show’s entire run, and his confrontation with Willow is unsettling and horrifying…and I mean that in the best possible way. “Help” quickly follows, chronicling Buffy’s quest to save the life of an awkward, introverted poet who foretells her own death.

Although I really like all of the first batch of episodes, this season has two particularly strong stand-outs. Following the excellent “Same Time, Same Place” and “Help” is “Selfless”, which features Anya returning to form as a mass-murdering vengeance demon, a decision that awes her demonic coworkers and conflicts her former friends as Buffy must make a difficult decision. The episode makes use of flashbacks from several vastly different time periods and juggles drastically different tones. We see what led young Aud to become the vengeful Anyanka in a hysterical glimpse back at her life with her wench-drenched, troll-hating brute of a husband, Olaf. There’s also a flashback to “Once More, With Feeling”, complete with a new musical number, followed by a brutal, brilliant cut to the present.

The other standout is “Conversations with Dead People”, an inventively structured episode penned by four different writers. The title is a decent enough synopsis, as a number of characters communicate in varying forms with the dearly departed. Buffy allows herself to be psychoanalyzed by a recently-risen Psych major, Dawn is haunted by a poltergeist that takes on a shockingly familiar image, Willow is delivered a message from a lost love one, Spike goes out on the town, and the remnants of last year’s nerdy Troika return to Sunnydale.

In general, season seven feels like Joss Whedon and company had a clear beginning and a clear ending. The Finale does give the show a nice ending, but is left open should the show ever return in any format.

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

RECURRING / NOTABLE GUEST CAST

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Jimmi Simpson (Date Night)
Daisy McCrackin (Halloween: Resurrection)
Lacey Beeman (Power Rangers Time Force)
Summer Glau (Firefly)
Vincent Ventresca (Dollhouse)
Brandon Routh (Legends of Tomorrow)
Barbara Tarbuck (American Horror Story)
Laura Regan (Minorty Report TV)
Christina Cox (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Fredric Lehne (Lost)
Jeffrey Nording (Flight 93)
Josh Hopkins (The Perfect Storm)
Robert LaSardo (Nip/Tuck)
Blake Shields (Heroes)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Geoffrey Lewis (The Devil’s Rejects)
Leslie Silva (Odyssey 5)
Garrett M. Brown (Kick-Ass)
Molly Cheek (American Pie)
Autumn Reeser (The OC)
Amanda Wyss (Highlander: The Series)
Robin Riker (Big Love)
Nichole Hiltz (Bones)
Amber Benson (Buffy)
Maggie Grace (Lost)
Katee Sackhoff (Battlestar Galactica)
Marisol Nichols (Felon)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Flashforward)
Michael Pare (Bloodrayne 3)
T.J. Thyne (Bones)
John Kassir (Pete’s Dragon)
Patty McCormack (The Bad Seed)
Barbara Niven (The Rat Pack)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
Sam Witwer (Smallville)
Mae Whitman (The Duff)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Hercules: TLJ)
Jenna Fischer (The Office)
Chadwick Boseman (Captain America: Civil War)
Rance Howard (A Beautiful Mind)
Nicholas D’Agasto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (Teh Fast and The Furious)
Daveigh Chase (S. Darko)
Virginia Williams (Fairly Legal)
Chad Donella (Smallville)
Nicki Aycox (Roadkill 2)
Bob Papenbrook (Jeepers Creepers 2)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Free Enterprise)
Johnny Whitwroth (Empire Records)
Danielle Harris (Halloween 2007)
Michael O’Neil (Roswell)
Amy Sloan (The Aviator)
Brigid Brannagh (Angel)
Andrea Savage (Izombie)
Meredith Salenger (Lake Placid)
Clare Carey (Hercules: TLJ)
Dana Davis (Heroes)
Dee Wallace (ET)
Jay Acovone (Stargate SG.1)
Bradley Stryker (The Lizzie Borden Chronicles)
Piper Laurie (Carrie)
Tessa Thompson (Veronica Mars)
Karina Logue (Bates Motel)
Sarah Brown (VR Troopers)
Brooke Anne Smith (Misschief Night)
Kristin Richardson (Lost)
Lindsay Hollister (Bluberella)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Christina Hendricks (Mad Men)
Thomas Kopache (Stigmata)
April Grace (Lost)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Deborah Van Valkenburgh (Mean Guns)
Robin Weigert (Deadwood)
James Handy (Alias)
Megan Follows (Reign)
Zachary Ty Bryan (Fast and Furious 3)
Alona Tal (Cult)
Meagen Fay (The Big Banng Theory)
Priscilla Pointer (The Flash 90s)
Tina Holmes (Taken)
Jeremy Davidson (Roswell)
Brennan Elliott (Paul Blart: Mall Cop)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Red Riding Hood)
George Coe (Smallville)
Laura Bell Bundy (Scream Queens)
John Rubenstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & CLark)
Michelle Harrison (The Flash)
Peter Graves (Airplane 2)
Stacy Haiduk (Superboy)
Dale Dickey (Iron Man 3)
Mageina Tovah (Spider-Man 2 & 3)
Kenny Johnson (Bates Motel)
Kyle Gallner (Veronica Mars)
Nestor Carbonell (The Dark Knight)
L. Scott Caldwell (Lost)
Neil Jackson (Alexander)
Greg Cipes (Teen Titans)
Rutanya Alda (Amityville 2)
George Newbern (Justice League)
Annie Wersching (The Vampire Diaries)
Eugene Robert Glazer (La Femme Nikita)
John Aylward (Alias)
Bobby Hosea (Xena)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (The Originals)
Thomas Ian Girffiths (XXX)
Polly Shannon (Lie With Me)
Michael Trevino (The Vampire Diaries)
Jake McDorman (Limitless TV)
Robert Picardo (Stargate: Atlantis)
Ernie Hudson (Ghostbusters)
Lucinda Jenney (Rain Man)
Jamie Bamber (Battlestar Galactica)
Bruce Boxleitner (Babylon 5)
Greg Finley (Izombie)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Jennifer Lawrence (The Hunger Games)
Mitch Pileggi (The X-Files)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Erin Cahill (Power Rangers Time Force)
Carolyn McCormick (Enemy Mine)
Michael Massee (Flashforward)
Helena Mattsson (Iron Man 2)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Thirteen)
Bonnie Root (Home Invasion)
Melissa Leo (The Fighter)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Blow)
Justin Bruening (Knight Rider 2008)
Daphne Ashbrook (The Love Letter)
Rodney Rowland (Veronica Mars)
James Black (Anger Management)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Jamil Walker Smith (Stargate Universe)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creeprs 2)
Nikki Deloach (The Net 2.0)
Deirdre Lovejoy (Bones)
Keone Young (Crank)
Kim Coates (The Amityville Curse)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Kathleen Munroe (Stargate Universe)
John Pyper-Ferguson (Caprica)
Paul Wesley (The Vampire Diaries)
Brea Grant (Heroes)
Ronny Cox (Robocop)
Nichole Tom (Gotham)
M.C. Gainey (LosT)
James Karen (Hercules In New York)
Justin Leak (Powers)
Sean O’ Bryan (The Princess Diaries)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Jenna Leigh Green (Sabrina: TTW)
Vernee Watson (The Big Bang Theory)
Carl Lumbly (Alias)
Charles Napier (The Silence of The Lambs)
Joel Murray (Two and a Half Men)
Elena Satine (Revenge)
Nicole Bilderback (Buffy)
Erin Cummings (Spartacus)
Tania Raymonde (Lost)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Lee Majors (Ash vs Evil Dead)
Lindy Booth (Cry Wolf)
Adrienne Barbeau (Swamp Thing)
Raymond J. Barry (Lost)
Ttaylor Cole (Heroes)
Jeff Kober (New Girl)
Courtney Ford (True Blood)
David Starzyk (Veronica mars)
Bailey Chase (Buffy)
Wynn Everett (Agent Carter)
Brad Greenquist (Heroes)
Katherine LaNasa (Lie To Me)
Jeff Fahey (Planet Terror)
Clayne Crawford (Roswell)
Brit Morgan (Supergirl)
Jonathan Banks (The Lizzie Borden Chronciles)
Victoria Pratt (Mutant X)
Ryan Wynott (The Cape)
Jonathan Schaech (Legends of Tomorrow)
Valerie Azlynn (Julia X)
Muse Watson (I Know What You did Last Summer)
Michael Ironside (Total Recall)
Daniel Baldwin (Vampires)
Ashley Johsnon (Dollhouse)
Erin Chambers (Finding Carter)
Tracey Walter (Batman)
Loren Lester (Batman: TAS)
Chris Browning (Supergirl)
Dawn Olivieri (The Vampire Diaries)
Steven Culp (Jason Goes To Hell)
Meagan Good (D.E.B.S)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Yara Shahidi (Ugly Betty)
Nelson Lee (Blade: The Series)
Steven Krueger (The Originals)
Lolita Davidovich (Santa Fe)
Alan Blumenfeld (Heroes)
Chandra West (White Noise)
Carel Struycken (The Addams Family)
Justina Vail (Highlander: The Series)
Rachel Miner (the Butterfly Effect )
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (They Live)
Susanna Thompson (Arrow)
John D’Aquino (Seaquest)
Azura Skype (28 Days)
Johnny Messner (Anacondas)
Rob Benedict (Birds of Prey)
JR Bourne (Stargate SG.1)

I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.The fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.The cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.

The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.