REVIEW: MY BLOODY VALENTINE (2009)

CAST

Jensen Ackles (Supernatural)
Jaime King (Sin City)
Kerr Smith (Final Destination)
Betsy Rue (Halloween II)
Ed Gathegi (X-Men: First Class)
Tom Atkins (Halloween III)
Kevin Tighe (Lost)
Megan Boone (The Blacklist)
Marc Macaulay (Swamp Thing: The Series)

On the Valentine’s Day of 1997, in a small town, a cave-in on the north side of a Hanninger mine trapped six miners. Six days later, rescue teams found five dead miners and the comatose Harry Warden (Richard John Walters), who survived by killing the other miners with a pickaxe, allowing himself to breathe. Tom Hanniger (Jensen Ackles) the owner’s son, was blamed for the mine disaster because he forgot to vent the methane lines and caused a cave-in, but also Harry Warden for killing the miners.
A year later, Valentine’s Day, Warden wakes from his coma in the hospital, and goes on a murderous rampage. Soon after, Sheriff Burke (Tom Atkins) arrives, finding multiple mutilated bodies many of which have been severed in half and the heart of a nurse inside a candy box. Burke and his partner come to the conclusion that Warden had awoken from his coma and, realizing they don’t have much time left, they try to figure out where he’s headed. Meanwhile, at the abandoned mine shaft that was the site of the disaster, a party is in full swing, attended by many teens, including Axel Palmer (Kerr Smith), his girlfriend, Irene (Betsy Rue), Tom Hanniger and his girlfriend, Sarah (Jaime King). Tom was initially reluctant to go, but he goes anyway. He leaves Sarah and goes back to his car to pick up some beers before going inside.

Sarah goes alone and gets lost looking for Axel and Irene. She runs across a teen and a few seconds later, he is stabbed through his eye. She is confronted by Warden in full miner’s garb, carrying a bloody pickaxe, and she flees, finding several dead bodies. Axel grabs her and they, along with Irene, hide from the killer. Warden eventually sees the trio, and they run out of the mine, meeting Tom as he comes in. Warden hits Tom with the pickaxe, injuring him, while the other three run for the car. Sarah tries to go back for Tom but Warden throws a pickaxe into the windshield of Axel’s truck, just an inch away from stabbing Sarah in the eye. Axel, realizing he has no other choice starts up his truck and leaves Tom behind. Warden turns his attention towards Tom, who runs back into the mine in an attempt to escape from him. Before Tom can be killed, Burke and his partner arrive and shoot Warden, who makes his getaway back into the mine. Tom also appears shocked by the events.  Ten years later, in 2008, Tom’s father, from whom Tom has been estranged, dies and Tom inherits the mine. Tom returns to town after his father’s funeral to sell the mine, having vanished since the incident; it was unknown where he was, since he was devastated by the events and unable to see Axel and Sarah after they had abandoned him in the mine to die. Axel is now sheriff and married to Sarah and they have a son, but he is cheating on her with Megan (Megan Boone), who works with Sarah at Sarah’s grocery store.

After Megan and Axel have sex at his family’s old house in the woods, Megan gives Axel a Valentine’s Day card and a box of candy and tells him that she is pregnant with his child. Meanwhile, at the motel where Tom is staying, Irene is having sex with a local trucker named Frank (Todd Farmer). After they finish, Frank reveals that he has been filming her. Irene goes out completely naked and angry about the events, drawing a gun on him. After he reveals that the gun is empty, she throws it and hits him, but he ignores her. Just as he enters the truck, he is impaled with a pickaxe through the head by a man in full miner garb, face completely covered by his mask. The killer chases Irene through the motel, but she hides under the bed. The noise draws Selene (Selene Luna), the midget motel owner, into the room, and the miner kills her by impaling her whole body through the head on the lights above. Irene makes a noise and is discovered by the killer, who removes the bed mattress and stabs her to death. Axel is called to the scene of the crime, and finds Irene cut open, her heart missing; he also discovers Tom’s name on the register of people staying at the motel.

He returns to his office, where he sees a video of the miner following Irene. Axel and his partner Martin talk about how it can’t be Warden, despite the rumors. Then Axel receives a candy box with Irene’s heart inside, just like Warden had done with the nurse ten years ago. Meanwhile, Tom is visiting his newly inherited mine. In the mine, the killer traps Tom in a cage while William “Red” Kirkpatrick (Jeff Hochendoner) is calling for Ben, who is an old friend of the Hannigers. ‘Warden’ proceeds to murder Red and a group of miners show up seconds later. Suspicion falls on Tom, despite the fact that he was locked in a cage the entire time. At the hospital afterwards, Axel asks Burke what happened to the killer. Burke says that he and Ben Foley (Kevin Tighe), the mine manager, killed and buried Warden. But when Axel, Tom, and Sarah accompany them to the burial spot, Warden’s body is no longer there. Later on, Foley is at his house when he hears a noise. He goes outside with a shotgun to find nobody there, but when he goes back inside he is attacked by ‘Warden’, who knocks him down and impales his head with the pickaxe. The police find his body at the burial spot with his chest cut open. Axel, angry about the events, orders a police guard on his home to protect his son.Meanwhile, Sarah is with Megan at the store when ‘Warden’ arrives. He chases them through the store, but they lock themselves in the office. The window is locked, but Megan finds the key while Sarah is blocking the door with a table. Just as ‘Warden’ breaks a hole in the door and unlocks it, Megan goes through the window and Sarah, who is right behind her, turns around and notices that ‘Warden’ has disappeared from the office door. She quickly tries to pull Megan back into the office, knowing that ‘Warden’ is going to the outside window but she’s too late, as ‘Warden’ arrives outside and grabs Megan. Sarah runs back through the store and encounters Axel outside. They find Megan’s mutilated body in the alley with the message “Be Mine 4 Ever” scrawled in blood on the wall above. Sarah ponders why Megan was killed when she had no relation to the mine. Sarah comes to the conclusion that the killer was trying to get at Axel, and she admits she knew about their affair. Axel then sends her to the hospital. Meanwhile, at Axel and Sarah’s home, their son Noah is watching TV with his babysitter Rosa (Joy de la Paz), while Deputy Ferris (Karen Baum) is in the squad car watching the premises. Suddenly, ‘Warden’ arrives and impales Rosa with the pickaxe and throws her into the washing machine, scalding her. Burke arrives and warns Ferris about ‘Warden’s’ presence.

Ferris goes to check the house, while Burke is at the porch. Ferris finds Noah and warns him to hide, and she finds Rosa’s mutilated body in the washing machine. She warns Burke, but he is killed by ‘Warden’. Meanwhile, Sarah is in the hospital and Tom calls her and convinces her that Warden is not the killer. He tells her that he needs her to trust him as he has found something he needs to show her. On the road Tom tries to convince Sarah that Axel is the killer. Axel calls Sarah while she and Tom are in the car; Axel tells her that Tom has been in a mental hospital for the last seven years since Harry Warden’s rampage and that he is the killer.

Shocked, Sarah attempts to get Tom to drive her home and, when he refuses, she grabs the wheel and crashes Tom’s car. Tom is knocked out momentarily and Sarah escapes. She calls Axel and he instructs her to go to his father’s old house. When she enters she finds hundreds of candy heart boxes and her old picture with Tom. The killer, confirming that he is not Warden, appears. Sarah distracts him and runs into the mine shaft where the original murders took place. She runs into Axel and steals his gun. Pointing the gun at Axel she asks him about the hundreds of candy boxes. He seems confused and blames Tom. Tom then appears and Sarah points the gun at him too. Both men accuse the other of being the killer.
Tom gives himself away when he points out that the message over Megan’s dead body (“Be Mine 4 Ever”) was the same as what Megan wrote to Axel in the Valentine card, revealing that he knows Megan is dead which is information that only Axel and Sarah knew. Tom begins to hallucinate when what seems to be Warden appears in the mine with them. Tom tries to warn Sarah but Axel points his flashlight into the area that Tom is pointing to and shakes his head no, she tells him that nothing is there. Warden walks right up to Tom then disappears. A montage then plays out all the murders in the film again, revealing Tom to be the true killer. Sarah tells Tom that Harry isn’t there with them, to which Axel replies “Oh, he’s here, aren’t you Harry? You living inside Tom?” Tom turns to him, smirks, and says, “Oh, I’m right here”. This also reveals that Tom has developed a split personality: as himself and as Harry Warden. Axel is infuriated and grabs the pickaxe, rushing at Tom. The two fight, Axel gains the upper hand and knocks Tom onto the ground, but Tom injures him with the pickaxe. Tom runs off and Sarah and Axel try to hide. Tom comes and finds them, smashing out lights with the pickaxe as he goes. As each light goes out, Tom flashes between being him, and being the miner. Sarah shoots Tom through his side and the bullet hits a gas tank, causing an explosion that causes the mine to collapse.

Rescue teams enter the mine, searching for the survivors. One lone rescuer finds Tom, barely conscious and covered in debris and planks of wood. He tells Tom not to worry, help is coming, when Tom suddenly grabs his pickaxe and impales the rescuer through his mask. Sarah and Axel get out, and Axel is taken away in an ambulance while Sarah is taken by Martin. Then a miner holding his injured side is seen leaving the mine. It is revealed to be Tom as he takes off the mask and walks away.Overall My Bloody Valentine, delivers an entertaining ride through dark alleys, mine shafts and the evil minds of writers Todd Farmer and Zane Smith. Slightly on the lighter side of the horror genre this film develops enough jump scares, with the help of three dimensional effects to deliver a fun and fast 101 minutes. See this one with a friend and laugh out loud when a 20′ branch comes screaming at your head (and try not to duck)!

 

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REVIEW: SMALLVILLE – SPELL

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MAIN CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Jensen Ackles (Supernatural)
Allison Mack (The Ant Bully)
Annette O’ Toole (Superman 3)
John Schneider (Nip/Tuck)
Erica Durance (The Butterfly Effect 2)

Image result for SMALLVILLE SPELLIn France in 1604, three women, Countess Margaret Isobel Thoreaux, Madelyn Hibbins, and Brianna Withridge, are about to be burned at the stake, after having been convicted of practicing witchcraft. The leader, Isobel, is approached by Magistrate Wilkins, and she asks him if he has come to enjoy his handiwork. He then strikes her across the face and tells her she may yet escape the pyre’s flames if she tells him of the three stones of power. When she asks for her spellbook, she spits blood onto the marked page, directly onto an illustration that is identical to the tattoo on Lana Lang’s back. She casts a Latin spell and a tattoo identical to Lana’s appears on her back. As the three witches are burned, Isobel curses the crowd and vows to rise again, stating that the stones and vengeance will be hers.
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In Smallville, Lana and Jason are sitting by the fire in her Talon apartment. She shows him a spellbook belonging to the Countess Thoreaux, saying she maxed out her credit card to buy it on eBay. When Lana touches the page stained with Isobel’s blood, the fire roars up and her eyes shine violet as Isobel possesses her body. When Jason asks if Lana is all right, she says she’s never been better. Lois pulls up outside the Kent barn carrying boxes of party decorations. She informs Clark that the barn is the new venue for Chloe’s upcoming surprise birthday party the next day. Clark objects, saying his parents are out of town and he has a representative from Princeton University coming to visit. Lois doesn’t care and begins to unload the party goods.
Image result for SMALLVILLE SPELLLois and Chloe show up at Lana’s apartment, where they find her doing a strange chemistry experiment, making some sort of potion. Lois notices Lana’s behavior and reminds her that it’s her job to keep Chloe busy until the party. Lana/Isobel, preoccupied with her ingredient list, waves Lois off. The next ingredient on the list is “hair of two virgins.” She takes a hair out of her own head, then one from Lois. Lois’ turns out to be unacceptable, so when they leave, Lana heads out to find another virginal hair. She walks into the Kent home to find Clark wrapping a large present. She offers to help him with it, then proceeds to try and kiss Clark. Confused, he backs away. Lana sidles up to him and, using the gift-wrapping shears, tries to cut a lock of his hair off. The scissors break and Clark asks what she’s doing. She sputters that she needs a lock of his hair for a scrapbook she’s making. Annoyed, Clark gives her some of his hair and she promptly leaves to get the next ingredient on her list.
Image result for SMALLVILLE SPELLAt the Luthor mansion, Lana/Isobel observes Lex practicing his piano-playing. She asks Lex if he has any vintage wine, “for the party”. Lex produces a bottle, but then Isobel notices the manuscript displayed in Lex’s study. Angry, she casts a spell that makes it disappear, then freezes Lex in place. Explaining that the map wasn’t meant for Lex, she releases him and casts a spell, bewitching Lex to play the piano forever. Chloe and Lois find Lana/Isobel in the woods assembling her potion. Isobel convinces them to drink a toast. When they do, they are possessed by Isobel’s fellow witches, Madelyn (Chloe) and Brianna (Lois). She explains that they will continue their quest to find the Stones of Power, but Madelyn and Brianna point out that this is the quest that got them killed in the first place. They convince Isobel to let them attend Chloe’s party first. At the Kent barn, a worried Clark tries to keep the wild party under control. When the three witches show up, they decide to liven up the party. They cast a spell and all the party goers, including Clark, are suddenly dancing in various states of undress. As scheduled, the Princeton representative comes to interview Clark and Clark makes a “great” first impression.  The day after, Clark awakens in the barn to the aftermath of the wild party. He realizes he blew his interview and goes to talk to Lex for help. He finds Lex, his fingers bloody, still playing the piano.
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He breaks the spell by physically removing him from it. Lex tells him that Lana is the one who cast the spell, so Clark leaves to try and stop the three. He finds Lana/Isobel at her apartment, where he arrives just in time to catch Jason, whom Isobel has thrown out the window after he attempted to burn her spellbook upon realizing that she was now in possession of Lana’s body. Isobel leaves Clark a message to meet him at the barn. He meets the three witches, but at first had no clue that they were in fact witches. Mistaking Clark as being like everyone else despite his speed, Brianna strikes Clark with a large wheel using magical telekinesis; but quickly realized that his invulnerability made it so it had no effect on him. Isobel, surprised, but not frightened, notes that Clark is more than just quick. Using her own magical telekinesis, Madelyn tossed several tools at Clark, but he destroyed them with his heat vision. The witches then become disgruntled; now seeing Clark as a threat to their plans (though they see him as a sorcerer rather than an alien). Isobel tries to kill Clark with a death-based spell, but only succeeding in seriously wounding and stunning him. To ensure that he stays out of their way, the witches remove Clark’s shirt and drain his abilities.
Image result for SMALLVILLE SPELLThe three chain Clark to a post in the barn and try to pry more information of the stones out of him after realizing that he is connected to them and knows where one is hidden. After magically seducing the answer out of him, Isobel and her cohorts leave Clark chained up and depart for the Kawatche Caves. Jason finds and helps Clark escape and he goes after them. In the caves, Isobel tries to obtain the relic, but it glows and burns her hand. Clark shows up and catches the relic before it hits the ground, restoring his powers. Before the witches can take his powers away once again, Clark burns the spellbook with his heat vision and all four teens are knocked unconscious from the explosion. Upon waking, everybody has been restored to normal. Lana, Chloe, and Lois are confused, but alright.  Clark has to explain the raucous barn party to his parents. He also remarks that magic is real and can truly hurt him. Lex goes to see Lana at her apartment at the Talon and explains to Lana that he was the one to get Jason fired, not Clark, saying he had only her best interest in mind. Lana comes to apologize to Clark as he is cleaning up the barn. She tells him the whole story of the Countess and shows him the tattoo. She asks Clark what it means and he lies that he doesn’t know. In the caves, Lex studies the cave drawing identical to Lana’s tattoo.4x08-Spell-137An intresting episode of Smallville showing the ladies of Smallville in different light, the episode is an important one as it shows that magic can harm the future man of steel.

 

REVIEW: BATMAN: UNDER THE RED HOOD

CAST
Bruce Greenwood (Star Trek)
Jensen Ackles (Supernatural)
John DiMaggio (Futurama)
Neil Patrick Harris (The Smurfs)
Jason Isaacs (Peter Pan)
Wade Williams (Gangster Squad)
Carlos Alazraqui (Happy Feet)
Gary Cole (Chuck)
Brian George (The Big Bang Theory)
Kelly Hu (The Scorpion King)
Phil LaMarr (Free Enterprise)
Kevin Michael Richardson (The Cleveland Show)
Dwight Schultz (The A-Team)
Fred Tatasciore (Hulk Vs)

For several years now, the sticky underbelly of Gotham has been reigned over by a disfigured crimelord known only as Black Mask. There’s a new player in town, though…someone who’s seizing hold of Gotham’s drug trade. This masked man — the latest in a long series to have taken the mantle of The Red Hood — institutes his own set of rules. He demands a massive cut of the profits, and anyone caught selling to kids will be gunned down, no questions asked. It’s still a better deal than the competition is offering…enough to throttle Black Mask’s plans to claw his way up to the big leagues as an international arms smuggler. None of this escapes Batman, but strangely, even though the Red Hood has a strangehold on the distribution of drugs in Gotham City, crime as a whole has dropped. It’s as if Red Hood has established himself as the new Dark Knight, but rather than stamping out every trace of crime he comes across, he’s allowing it to exist on his own terms. He has the razor-sharp intellect, startlingly fast reflexes, and impressive arsenal of Batman but without a moral compass to stand in the way. Whoever’s underneath the hood has some connection to that night five years ago…to the murder of Jason Todd, but who…? Is it the Joker, the first man to torment Gotham as the Red Hood? International terrorist Ra’s al Ghul? A nameless flunky who happened to be in the right place at the right time and has only now decided to dethrone Black Mask? Whoever it is, he’s out for blood, and many will die before it’s all over…

Under the Red Hood shouldn’t be shrugged off as a kids’ movie, wholly earning its PG-13 rating. Literally a minute into the film, a teenage boy is savagely beaten with a crowbar. Later, an assassin’s masked head explodes. One thug is wholly engulfed in flames, and another has his eyes gouged out. The Red Hood makes his first entrance by throwing down a duffle bag filled with severed heads. Blood is caked across the ground and walls. The body count is massive. Nothing in the DC animated universe has approached this sort of brutality since Return of the Joker ten full years ago. With its emphasis so intensely oriented around action, the pacing throughout Under the Red Hood screams from the first frame to the last. The movie doesn’t have the same sort of rich emotional core that makes Mask of the Phantasm and Return of the Joker such exceptional stories, no, but its approach to action is second to none. Bolstered by its impressively fluid animation, the fights showcased throughout Under the Red Hood are spectacularly well-choreographed.

Under the Red Hood doesn’t get too distracted by the whodunnit angle. Anyone who’s been reading any of the Batman books over the past few years already knows whose face it is under the mask, and considering the way the movie opens, there’s really only one person it could be. The identity of the current Red Hood is essentially revealed a half-hour in and is definitively confirmed ten minutes later. That’s a wise move, allowing the movie to better focus on developing strengths elsewhere rather than hinging too heavily on a last-minute twist. There’s a lot going on here — a fairly large cast…a story that spans quite a number of years — and the writing’s sharp enough to juggle it all without ever feeling excessively

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: DARK ANGEL – SEASON 1 & 2

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CAST

Jessica Alba (Machete)
Michael Weatherly (NCIS)
Richard Gunn (Hemlock Grove)
J.C. MacKenzie (The Departed)
Valarie Rae Miller (Crank)
Jennifer Blanc (The Victim)
John Savage (The Deer Hunter)
Jensen Ackles (Supernatural)
Alimi Ballard (Sabrina: TTW)
Kevin Durand (X-Men Origins)
Ashley Scott (Birds of Prey)
Martin Cummins (Bates Motel)

RECURRING / NOTABLE GUEST STARS

Stanley Kamel (Monk)
Paul Popowitch (Mutant X)
Douglas O’Keeffe (Sanctuary)
Lauren Lee Smith (Lie With Me)
Sarah-Jane Redmond (Smallville)
Stephen Lee (Quantum Leap)
Hiro Kanagawa (Heroes Reborn)
Garry Chalk (Stargate SG.1)
Fulvio Cecere (Watchmen)
Natassia Malthe (Elektra)
Tyler Labine (Rise of The Planet of The Apes)
Peter Bryant (Sanctuary)
Christine Chatelain (Final Destination)
Abraham Benrubi (BuffY)
Byron Mann (Arrow)
Tony Perez (Once Upon A Time)
Lisa Rodriguez (Next Friday)
William Gregory Lee (Xena)
Rodney Rowland (Veronica Mars)
George Cheung (Rush Hour)
Robert Gossett (The Net)
Brian Markinson (IZombie)
James Kidnie (Robocop: The Series)
Alex Zahara (The Stickup)
Jodelle Ferland (Kingdom Hospital)
Ryan Robbins (Caprica)
Emily Holmes (Stargate SG.1)
Craig Veroni (Two For The Money)
Rekha Sharma (Smallville)
Ashley Crow (Heroes)
Ian Tracey (Bates Motel)
Rainn Wilson (House of 1000 Corpses)
Nana Vistor (Star Trek: DS9)
Lisa Ann Cabasa (Lies of The Twins)
Sebastian Spence (First Wave)
Steve Bacic (Andromeda)
Nicole Bilderback (Buffy)
Grace Park (Hawaii Five-O)
Nicki Clyne (Saved)
Colin Cunningham (Elektra)
Rob LaBelle (Jack Frost)
Sarah Carter (Smallville)
Todd Stashwick (The Originals)
Meghan Ory (The Memory Book)
Peter Williams (Catwoman)
Sam Witwer (Being Human)
Tracy Ryan (Firefly)
Gabrielle Rose (If I Stay)
Kandyse McClure (Seventh Son)
Jorge Vargas (Power Rangers Ninja Storm)
Rick Worthy (The Vampire Diaries)

The story is set in Seattle, Wasington, in the year 2019, which is afer “The Pulse,” an electromagnetic bomb that basically pushed reset on the United States. However, that is only the setting, because the star is Jessica Alba as Max Guevera, who at first glance has a day job as a bike courier, and at second glance works as a cat burglar at night, bit at third glance and closer examination turns out to be a genetically enhanced superhuman created by the government who escaped from a military training school ten years earlier.


“Dark Angel: The Complete First Season” has a couple of plot lines that make Max both the hunter and the hunted. Max is always on the lookout for her “siblings,” the other kids who escaped from Manticore, while Lydecker (John Savage), the head of the secret program is trying to find both them and Max to return them to government service. Meanwhile, Max’s days as a cat burglar are over when she tries to rob Logan Cale (Michael Weatherly), a rich kid who is the secret cyber-journalist known as “Eyes Only,” who enlists her into his idealistic crusade to clean up corruption in Seattle. Of course, the two are made for each other, but we have to wait for them to catch out to this rather obvious fact. What really makes “Dark Angel” work is the extent to which this futuristic dystopia has been worked out.

This is not so much a series where the mythology emerges over time as it is one where the premises are so strong that they sustain multiple episodes and provide compelling sub-text for the rest. Compare this to similar series that take a while to find themselves, and you can see why these solid premises allowed this one to be able to have so many solid episodes early on.


Creator James Cameron’s imprint is clearly on this production, but mention should be made of the show’s Vancouver crew, which obviously includes a lot of “X-Files” veterans. The production values on “Dark Angel” are pretty striking in creating the seedy world of post-pulse Seattle and its icon Space Needle where Max likes to go and contemplate existence. But the sense of style comes as much from the characters as the setting. Alba is truly stunning as Max, able to play hard, soft, or whatever the scene demands. Weatherly has one of the squarest jaws in television history, and Savage has fun milking everything out of the bad guy (he really does care for his children, but duty never gets in the way of such emotions). The supporting cast has some compelling texture types, from Normal (J.C. MacKenzie), the overbearing dispatcher at Jam Pony (“Bip! Bip! Bip!”), to urban philosopher Herbal Thought (Alimi Bllard), and everybody’s favorite, Original Cindy (Valarie Rae Miller), Max’s roommate and co-worker, who basically has the right attitude for every occasion.

51RT33G37CLWatching the second season of “Dark Angel” knowing that the show would be cancelled it becomes easier to see that there the fundamental dynamic of the series was just changed way too much. After all, gone is John Savage’s villainous Lydeker, who had at least a proprietary interest in the transgenics. In his place is a Snidley Whiplash type, Agent White (Martin Cummins), who wants to kill all the transgenics, not so much because of orders from the government but because of a much larger ancient conspiracy (e.g, “Exposure”) having to do with the whole eugenics vs. transgenics argument (pretend there is one).

Instead of the super-soliders from the X-5 series trying to blend in with humanity and avoid being killed by their creators, we know have transgenics of every description, which far too often becomes a “freak” of the week. While in the case of Joshua (Kevin Durand), the first transgenic, this has some nice payoffs, the rest of it is just becomes a bit much and you need a program to keep all the transgenic clear in your mind. Then there is the whole romantic relationship between Max (Jessica Alba) and Logan (Michael Weatherly), which starts off the second season with him thinking she is dead. Then he gets the good news, she is alive, but the bad news: she has been given a virus that is genetically programmed to kill Eyes Only. You have to admit, it terms of keeping apart two people who seriously want to get together, this is a rather creative way, and there are a couple of very good episodes dealing with their romantic problems (e.g., “Borrowed Time,” “Hello, Goodbye”). We are supposed to then throw X-5 Alex (Jensen Ackles) into the mix as a love triangle, but I can never believe Sam would be unfaithful to Logan, let along want to go the kissing cousin route. I prefer the problems with the X-6s (“Bag ‘Em”) and the X-7s (“Designate This”).  Perhaps the best proof of how the show was matching steps forwards with step backwards is in the supporting cast. With Alex and Joshua becoming the third and fourth most important characters in the show after Max and Logan, that meant reduced roles for Original Cindy (Valarie Rae Miller) and Norman (J.C. MacKenzie). The latter is reduced to on-going homoerotic shtick with Alex, especially in the Manty Coro bits, and the former is reduced to popping in to episodes for brief moments of clear thinking and moral support. This is underscore by their return to prominence in the series finale, “Freak Nation”

Perhaps the problems with Season 2 of “Dark Angel” is that making things bigger and going the whole “X-Men” route with the public outcry to get the wicked mutants, is just pretty much a complete flip on the more intimate and secretive world of post-Pulse Seattle we got in Season 1. It seems strange to fault a show for moving in new directions, given how often they become stagnant, but all these changes might just have been too much too soon. Then again, the fault might be audiences were not particularly open to so many changes. You certainly cannot say that watching Alba as Max got tiresome

Ironically, FOX’s reasoning for cancelling “Dark Angel” was that they did not want to do two futuristic science-fiction shows (i.e., costly sets and special effects), and decided to go with the highly anticipated sci-fi western “Firefly” from “Buffy the Vampire Slayer” creator Joss Whedon. Of course, “Firefly” never had the ratings of “Dark Angel” and never made it to double figures on episodes. If you missed “Dark Angel,” then it is certainly worthwhile checking it out on DVD. The second season is not as good as the first, but still way above average in terms of science fiction shows. And the biggest highlight is the James Cameron directed the finales.