REVIEW: MACHETE

CAST

Danny Trejo (Bullet)
Robert De Niro (Joy)
Jessica Alba (Sin City)
Steven Segal (Marked For Death)
Michelle Rodriguez (Resident Evil)
Jeff Fahey (Planet Terror)
Cheech Marin (Cars)
Don Johnson (Born Yesterday)
Lindsay Lohan (Mean Girls)
Shea Whigham (Agent Carter)
Daryl Sabara (John Carter)
Ara Celi (All My children)
Electra and Elise Avellan (Death Proof)

Mexico: Machete Cortez (Danny Trejo), a former Mexican Federal and his younger partner are on a mission to rescue a kidnapped girl (Mayra J. Leal). During the operation, his partner is killed, the kidnapped girl stabs him before being killed herself, and Machete is betrayed by his corrupt Chief to the powerful drug lord, Rogelio Torrez (Steven Seagal), who kills Machete’s wife and implies that he will kill his daughter before leaving him for dead.Three years later, a down-and-out Machete roams Texas, scraping by on yard work. Michael Booth (Jeff Fahey), a local businessman and spin doctor, explains to Machete that corrupt Texas State Senator John McLaughlin (Robert De Niro) is sending hundreds of illegal immigrants out of the country. In order to stop this, Booth offers Machete $150,000 to kill McLaughlin. Machete accepts the murder contract after Booth threatens to kill him if he does not.Machete trains a rifle on McLaughlin from a rooftop during a rally, but before he fires he sees one of Booth’s henchmen aiming at him. The henchman shoots Machete in the shoulder, the latter then shoots McLaughlin in the leg. It is revealed that Booth orchestrated the attempted assassination as part of a false flag operation to gain public support for McLaughlin’s secure border campaign. By setting up Machete as the gunman, the conspirators make it appear that an outlaw illegal Mexican immigrant has tried to assassinate the senator, who is known for his tough stance on illegal immigration.An injured Machete escapes capture by Booth and is taken to a hospital to be treated for wounds, escaping once again from Booth’s henchmen at the hospital. Agent Sartana Rivera (Jessica Alba), a persistent U.S. Immigration and Customs Enforcement agent, is sent by her superior to find and capture the injured Machete. Machete, with the help of Luz (Michelle Rodriguez), aka Shé, the leader of an illegal immigrant aid movement known as the Network, recruits Padre (Cheech Marin), his “holy” brother. To take revenge on Booth, Machete kidnaps Booth’s wife and his daughter, April (Lindsay Lohan), after “starring” in an amateur adult film with them. He also collects evidence from Booth’s house linking McLaughlin and the Mexican drug lord in a major drug trafficking deal. After encountering Machete, Sartana begins to develop an interest in him. Elsewhere, Booth, who is revealed to be working for Torrez, hires a hitman, Osiris Amanpour (Tom Savini), to assist in the hunt for Machete.Booth and Osiris kill Padre in his church by nailing him to a cross, but do not find his own wife and daughter. Unbeknownst to Booth, the church has cameras. Through the CCTV recordings, the news of McLaughlin’s corruption and faked assassination is eventually aired on national television. Infuriated, McLaughlin kills Booth and heads back to join Torrez to kill Machete. In order to eliminate the people who double-crossed him, Machete gathers the Mexican Network and leads them to the base of the border vigilantes, led by Von Jackson (Don Johnson). During this confrontation, the Mexican illegals triumph over the border vigilantes. Jackson tries to escape, but Luz shoots him in the back of the head. Machete fights Torrez and stabs him. April shows up wearing a nun’s habit after escaping from the church and shoots McLaughlin after figuring out that he has killed her father.McLaughlin, injured, manages to escape, but he is later killed by the last remnants of his own border vigilante group, who mistake him for a Mexican. Ultimately, Machete meets with Sartana, who gives him a green card. They kiss and ride off into the night. The closing credits announce further adventures for Machete.Machete is a funny action movie and a film that Danny Trejo perfectly fits into. The story follows the style of B- movies, with exploitation and ultra-violence, but has a cast that is a constellation of stars. A must see.

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REVIEW: THE LAWNMOWER MAN

CAST

Pierce Brosnan (Mars Attacks)
Jeff Fahey (Lost)
Jenny Wright (Near Dark)
Geoffrey Lewis (The Devil’s Rejects)
Jeremy Slate (The Dead Pit)
Dean Norris (Breaking Bad)
Austin O’Brien (Last Action Hero)

Dr. Lawrence Angelo works for Virtual Space Industries, running experiments in increasing the intelligence of chimpanzees using drugs and virtual reality. One of the chimps escapes using the warfare tactics he was being trained for. Dr. Angelo is generally a pacifist, who would rather explore the intelligence-enhancing potential of his research without applying it for military purposes. His wife Caroline is unhappy with the way he is ignoring her to focus on this project.

Jobe Smith, a local greenskeeper with an intellectual disability, lives in the garden shed owned by the local priest, Father Francis McKeen. McKeen’s brother, Terry, is a local landscape gardener and employs Jobe to help him with odd jobs. Father McKeen punishes the challenged Jobe with a belt whenever he fails to complete his chores.
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Dr. Angelo realizes he needs a human subject to work with, and he spots Jobe mowing his lawn. Peter Parkette, Dr. Angelo’s young neighbor, is friends with Jobe. Dr. Angelo invites both of them over to play some virtual reality games. Learning more about Jobe, Angelo persuades him to participate in his experiments, letting him know it will make him smarter. Jobe agrees and begins the program. Dr. Angelo makes it a point to redesign all the intelligence-boosting treatments without the “aggression factors” used in the chimpanzee experiments. Jobe soon becomes smarter, for example, learning Latin in only two hours. Meanwhile, Jobe also begins a sexual relationship with a young rich widow, Marnie. However, Jobe begins to display telepathic abilities and has hallucinations. He continues training at the lab, until an accident makes Dr. Angelo shut the program down. The project director, Sebastian Timms, employed by a mysterious agency known as The Shop, keeps tabs on the progress of the experiment, and discreetly swaps Dr. Angelo’s new medications with the old Project 5 supply (reintroducing the “aggression factors” into the treatment). Jobe develops telekinetic and pyrokinetic powers and takes Marnie to the lab to make love to her while in virtual reality. Something goes wrong in the simulation when Jobe’s virtual avatar becomes violent, attacking her mind directly; Marnie is driven insane, laughing endlessly at nothing.
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Jobe’s powers continue to grow, but the treatments are also affecting his mental stability, and he decides to exact revenge on those who abused him when he was “dumb”: Father McKeen is engulfed in flames, a bully named Jake is put into a catatonic state by a mental “lawnmower man” continually mowing his brain, and a lawnmower invention of Jobe’s runs down Harold, Peter’s abusive father. Jobe uses his telepathic abilities to make the investigating police attribute it all to “bizarre accidents” in front of Dr. Angelo. Jobe believes his final stage of evolution is to become “pure energy” in the VSI computer mainframe, and from there reach into all the systems of the world. He promises his “birth” will be signaled by every telephone on the planet ringing simultaneously. The Shop sends a team to capture Jobe, but they are ineffective against his abilities and he scatters their molecules. Jobe mentally possesses Caroline and has her shoot the police. Caroline winds up getting killed herself. Jobe uses the lab equipment to enter the mainframe computer, abandoning his body to become a wholly virtual being, leaving his body behind like a husk.
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Dr. Angelo remotely infects the VSI computer, encrypting all of the links to the outside world, trapping Jobe in the mainframe. As Jobe searches for an unencrypted network connection, Dr. Angelo primes bombs to destroy the building. Feeling responsible for what has happened to Jobe, Angelo then joins him in virtual reality to try to reason with him. Jobe overpowers and crucifies him, then continues to search for a network connection. Peter runs into the building; Jobe still cares for him and allows Dr. Angelo to go free in order to rescue Peter. Jobe forces a computer-connected lock to open, allowing Peter and Dr. Angelo to escape. Jobe escapes through a back door before the building is destroyed in multiple explosions. Back at home with Peter, Dr. Angelo and Peter’s mother Carla (who has become a romantic interest) are about to leave when their telephone rings, followed by the noise of a second, and then hundreds of telephones ring, all around the globe.006-1-mStories about a simple person getting turned into something more seem pretty common in movies, but none are like “The Lawnmower Man”. Portraying scientist Pierce Brosnan turning retarded Jeff Fahey into a super-genius (with unintended consequences), this is one movie destined to blow your mind. The visual effects were beyond impressive even for 1992, but they never dominate the movie. We might say that the movie deals with the dangers of people relying too much on technology, and also the dangers of militarism, but even aside from that, this is a movie worth seeing.

12 DAYS OF CHRISTMAS REVIEW: LOST – THE CONSTANT

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MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Jeremy Davies (Hannibal)
Rebecca Mader (Iron Man 3)

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RECURRING / NOTABLE GUEST CAST

Anthony Azizi (Eagle Eye)
Alan Dale (Ugly Betty)
Kevin Durand (X-Men Origins)
Jeff Fahey (Planet Terror)
Fisher Stevens (HAckers)
Sonya Walger (Flashforward)
Graham McTavish (The Hobbit)

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Desmond, Sayid and Lapidus experience turbulence while flying the 130 kilometers (about 80 miles) distance from the island where they were stranded to Lapidus’ team’s freighter, the Kahana. Desmond’s consciousness travels back eight years to 1996, when he is serving with the British Army’s Royal Scots Regiment. Moments later, when his consciousness returns to the present day, he neither knows where he is nor recognizes his companions, and has no memory of his life since 1996. After the helicopter lands, Desmond continues to jump between 1996 and 2004. He is taken to the sick bay, where a man named Minkowski is strapped to a bed because he is experiencing similar problems. Minkowski explains that someone sabotaged the radio room two days earlier and that Desmond’s ex-girlfriend Penny Widmore (Sonya Walger) has been trying to contact the freighter. Sayid uses the satellite phone to contact Jack Shephard (Matthew Fox) on the island and explains that Desmond appears to have amnesia. Daniel Faraday (Jeremy Davies), a physicist from the freighter, asks Jack whether Desmond has recently been exposed to a high level of radiation or electromagnetism. Jack is unsure, and so Daniel speaks to Desmond and asks him about his situation. Desmond responds that he believes that he is in 1996 and is serving with the Royal Scots. Faraday understands and tells Desmond that when he returns to 1996, he needs to go to the physics department of The Queen’s College, Oxford University in England to meet with Daniel’s past self, and gives Desmond some mechanical settings to relay, along with an extra phrase that Daniel assures him will convince Daniel’s past self that the story is legitimate.lost-constantDesmond’s flashbacks become more frequent and longer. In 1996, Desmond tracks down a younger Faraday at Oxford, who takes Desmond into his laboratory where he is experimenting with a time machine. Setting his electromagnetic device with the settings that Desmond has given him, Daniel places his laboratory rat, Eloise, in a maze and exposes her to electromagnetic energy. The rat appears to become comatose, then awakens and runs the maze. Daniel becomes excited because he had just built the maze and had not yet taught Eloise how to run it. Desmond realizes that, like the rat, he is caught in a time warp that is moving his consciousness between two different bodies at two different points in time and space. Eloise dies of a suspected brain aneurysm brought on by the exposure to the time lapse. Desmond becomes worried that he will die like Eloise, and Daniel instructs him to find something or someone—a constant—who is present in both times and can serve as an anchor for Desmond’s mental stability. Desmond decides that Penny can be the constant; however, he must make contact with her in 2004. To find out where she lives, Desmond gets her address from her father Charles (Alan Dale), who is at an auction buying a journal owned by Tovard Hanso written by a crew member of the 19th century ship called the Black Rock. hqdefaultIn 1996, Desmond finds Penny, who is still distraught over their break-up and is not willing to see him. However, he gets her telephone number and tells her not to change it because he will call her on Christmas Eve 2004. In 2004, Sayid, Desmond, and Minkowski escape the sick bay and begin to repair the broken communications equipment. Meanwhile, Minkowski enters into another flashback, and dies. Showing signs of suffering the same fate as Minkowski, Desmond telephones Penny, who tells Desmond that she has been searching for him for the past three years and they reconcile before the power is cut off. Having made contact with his “constant”, Desmond stops alternating between 1996 and 2004. Back on the island, Daniel flips through his journal and discovers a note that he had written, “If anything goes wrong, Desmond Hume will be my constant.”676

No other episode since the beginning has touched on this many of the themes of Lost. Rather than the showing the present with the flash-forward/backward tying in symbolically, which is the shows usual template, this episode ties the present to the flash in a very real and deadly way, also revealing a big, nay, gigantic clue as to the island’s origins. Or at least lets us in on a part of the big secret.

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REVIEW: CHUCK – SEASON 5

CAST
Zachary Levi (Heroes Reborn)
Yvonne Strahovski (Batman: Bad Blood)
Adam Baldwin (Firefly)
Joshua Gomez (Invasion)
Sarah Lancaster (Saved By The Bell: The New Class)
Ryan McPartlin (J.Edgar)
Mark Christopher Lawrence (Halloween II)
Scott Krinsky (The O.C.)
Vik Sahay (Bones)
NOTABLE GUEST/RECURRING CAST
Bonita Friedericy (Veronica Mars)
Mekenna Melvin (Lie To Me)
Carrie-Anne Moss (Jessica Jones)
Angus Macfadyen (Alias)
Richard Burgi (Starship Troopers 2)
Brandon Routh (Legends of Tomorrow)
Linda Hamilton (The Terminator)
Bo Derek (Sharknado 3)
Mark Hamill (Star Wars)
Ethan Phillips (Star Trek: Voyager)
Justin Hartley (Smallville)
Jeff Fahey (Lost)
Danny Pudi (Powerless)
Stan Lee (Spider-Man)
Tony Todd (Candyman)
Cheryl Ladd (Poison Ivy)
Ben Browder (Arrow)
Erin Cahill (Power Rangers Time Force)
Robert Duncan McNeill (Masters of The Universe)
Mark Pellegrino (The Number 23)

Chuck Bartowski no longer possesses the Intersect, but has matured into a confident and capable secret agent. As he mentors the new Intersect, he also has to deal with the fact he and his team are now independent contractors with bills to pay and rival companies to compete with. When a dangerous agent comes after the Intersect, Chuck has to call upon his resources and training to stop them.

Chuck has always been a curious show, a geek comedy with dramatic and romantic overtones whose tone has often spun on a dime. The show has always done a good job of managing these different tones and styles, keeping everything grounded though Zachary Levi’s earnest-but-sympathetic performance as the title character. In the fifth season, the show experiences several additional such tonal shifts, as Chuck is betrayed by his best friend (but it turns out not to be his fault) and, most surprisingly, has his life almost ruined in the final few episodes of the series. For a show that’s always been quite warm-hearted and entertainingly cheesy, the surprisingly bleak tone of the final few episodes comes as a bit of a shock.

The season  only consists of thirteen episodes. Given the tone of the show, I was confidently expecting some last-minute solution or cure would be found. Instead, we get a highly inconclusive ending. It’s not quite The Sopranos, but the series ending without ever answering the central question poised by the last couple of episodes is an unexpected and possibly even brave choice. Whether it’s the right choice is one that fans will be arguing about for years to come. For myself, Chuck has always been first and foremost an escapist and fun show, not a gritty drama like the new BSG or something from HBO. Ending the show in this manner feels out of character for the series, and a little bit of pointless torture for our main characters who really deserved more of a happy ending.

That aside, the final season of Chuck is entertaining, well-acted and often quite funny.  the ending will be divisive, but certainly the season is worth watching for established fans. In particular, the way Chuck’s character develops across the five seasons, going from nerd to an intelligent, resourceful agent  does pay off very well here.

REVIEW: PLANET TERROR

CAST
Bruce Willis (Armageddon)
Rose McGowan (Jawbreaker)
Freddy Rodriguez (Ugly Betty)
Josh Brolin (Gangster Squad)
Naveen Andrews (Lost)
Marley Shelton (Pleasantville)
Jeff Fahey (The Lawnmower Man)
Michael Biehn (The Terminator)
Rebel Rodriguez (Angels Sing)
Fergie (Nine)
Michael Parks (Red State)
Danny Trejo (Machete)
Cheech Marin (Cars)
Zoe Bell (Oblivion)
In rural Texas, go-go dancer Cherry Darling (Rose McGowan) decides to quit her low-paying job and find another occupation. She runs into her mysterious ex-boyfriend El Wray (Freddy Rodriguez) at the Bone Shack, a BBQ restaurant owned by J.T. Hague (Jeff Fahey) and his sheriff brother (Michael Biehn). Meanwhile, a group of officials at a nearby US military base, led by the demented Lt. Muldoon (Bruce Willis), are making a business transaction with a chemical engineer named Abby (Naveen Andrews) for mass quantities of a deadly biochemical agent known as DC2 (codename “Project Terror”). When Muldoon learns that Abby has an extra supply on hand, he attempts to take Abby hostage, and Abby intentionally releases the gas into the air. The gas reaches the town and turns most of its residents into deformed bloodthirsty psychopaths, referred to as “sickos” by the surviving humans. The infected townspeople are treated by the sinister Dr. William Block (Josh Brolin) and his unhappy, unfaithful bisexual anesthesiologist wife Dakota (Marley Shelton) at a local hospital.
Random zombie attacks begin along the highway, causing El Wray, with Cherry as his passenger, to crash his truck. In the aftermath, several zombies tear off Cherry’s right leg. Also falling victim, fatally, is Tammy (Stacy “Fergie” Ferguson), who was on her way to into town to reunite with her former lover Dakota. When Tammy’s body arrives at the hospital, Dr. Block recognizes her and by comparing text messages on the cellular phones of Tammy and his wife, realizes Dakota was about to leave him. He then attacks Dakota with her own anesthetic syringe needles, stabbing her repeatedly in the hands, rendering them useless, before locking her in a closet to tend to other patients, including Cherry, who is still alive.
El Wray is detained by Sheriff Hague based on past encounters between the two men. As the patients transform into zombies, El Wray leaves the police station and arrives at the hospital, attaching a wooden table leg to Cherry’s stump. As El Wray and Cherry fight their way out of the zombie-infested hospital, Dakota escapes to her car, but in struggling to open its door with her numbed hands, accidentally breaks her left wrist. She eventually manages to drive away. Meanwhile, Block becomes infected along with others, while Cherry and El Wray take refuge at the Bone Shack.
Dakota retrieves her son Tony (Rebel Rodriguez) and takes him to her father, Earl McGraw (Michael Parks), a Texas Ranger. Tony, who was given a revolver by his mother, accidentally shoots himself in the face after being told not to point it at himself. Cherry and El Wray make love in J.T.’s bedroom. Due to a “missing reel”, what happens immediately following this is not known, but when the film returns, Sheriff Hague has been shot in the neck by one of his own officers, zombies are massing outside the Bone Shack, which is set on fire, and Wray has evidently told Hague who he really is, with both men hinting at some important backstory dialogue that probably happened during the “missing reel”. Dakota, Earl, and Tony’s crazed babysitter twins (Electra and Elise Avellan) arrive at the Bone Shack. With Sheriff Hague badly injured, the group decides to flee to the Mexican border, before being stopped by a large mob of zombies. Muldoon’s men arrive, and kill the zombies before arresting the group. They learn from Abby that the soldiers are stealing Abby’s supply of the gas because they are infected with it and the only treatment is by constant inhalation of the gas, which delays mutation. They also learn that a small percentage of population is immune to the gas, suggesting a possible treatment, which is why Muldoon quarantined the survivors. As Cherry and Dakota are taken away by two soldiers (Quentin Tarantino credited as “Rapist #1” and Greg Kelly credited as “Rapist #2”), the others defeat the security guards. J.T. sustains a gunshot wound in the process, and the group searches for Muldoon. Discovered by El Wray and Abby, Muldoon explains that he killed Osama bin Laden before he and his men were infected with DC2 and were ordered to protect the area. El Wray offers a respectful recognition of Muldoon’s military service before he and Abby shoot the mutating Muldoon.
Meanwhile, Cherry is forced to dance by Rapist #1 while being held at gunpoint. Cherry attacks by breaking her wooden leg across the rapist’s face and stabbing him in his eye with the stump. Dakota, after realizing she has regained feeling in her hands, quick-draws her syringe launcher and stuns Rapist #2. El Wray and Abby arrive to rescue Cherry and Dakota, and El Wray replaces Cherry’s broken wooden leg with a modified M4 Carbine with a M203 grenade launcher attachment. She promptly kills Rapist #1 and several zombies with it.
J.T., wounded and lying beside his dying brother, stays behind to detonate explosives to eliminate the zombies still in the complex while the others flee. The survivors make plans to escape by stealing helicopters but must fight past the remaining zombies. Abby dies (and hope for a cure with him) when a ballistic projectile blows his head up. An infected Block then arrives and is killed by Earl, shortly before the survivors use the blade tips of their transport helicopter to kill all the remaining zombies. However, while saving Cherry from a zombie, El Wray is fatally wounded. In the epilogue, Cherry (now sporting a minigun prosthetic leg) leads the group and many more survivors to the Caribbean beach at Tulum, Mexico, where they start a peaceful new society during a world-wide zombie outbreak. In the final moments of the film, it is revealed that Cherry Darling has given birth to El Wray’s daughter (alluded to earlier during El Wray’s final scene when he puts his hand on her stomach and restates his motto “I never miss”). In a post-credits scene, Dakota’s son Tony is sitting on the beach at the survivor’s “base” playing with his turtle, scorpion, and tarantula.
Rodriguez has always handled the cinematography, editing, and music for his pictures– he coined the phrase “shot, chopped, and scored” for his Renaissance man approach to his pictures. The film is a visual extravaganza, not only for the gore and make-up artistry , but for Rodriguez’s keen eye for photography on films of this ilk as well as the artificial flaws he implants in the movie to lend authenticity to the idea that this film was meant for another era. Scratches on film, color errors, skipping frames, burn outs on reels as well as a missing reel give “Planet Terror” an atmosphere of cool.

REVIEW: GUNS, GIRLS & GAMBLING

CAST

Christian Slater (Interview With The Vmapire)
Powers Booth (Agents of SHIELD)
Dane Cook (Good Luck Chuck)
Jeff Fahey (Lost)
Chris Kattan (Undercover Brother)
Helena Mattsson (Iron Man 2)
Gary Oldman (The Dark Knight rises)
Sam Trammell (True Blood)
Tony Cox (Bad Santa)
Megan Park (What If)
Anthony Brandon Wong (The Matrix Reloaded)
Anthony Azizi (Priest)

John Smith (Christian Slater) is down on his luck. His girlfriend left him for a doctor. He headed to an Indian Reservation casino only to have his wallet stolen by a hooker. His money was in a security wallet though, so he enters an Elvis Impersonation contest and loses but then proceeds to plays cards with four other Elvis impersonators: The Winner Elvis (Gary Oldman), Gay Elvis (Chris Kattan), Little Person Elvis (Tony Cox), and Asian Elvis (Anthony Brandon Wong). They beat him at cards enough times to bankrupt him and then he dozes off. He gets woken up by casino security guards who think he stole a priceless ancient Indian mask.

It turns out that the owner of the casino “The Chief” had the ancient Indian Mask in a saferoom and now it’s gone and witnesses saw an Elvis impersonator steal it, so John becomes the prime suspect. The two Indian security guards figure John didn’t take it but they still decide to kill him while they hunt for the real culprit, presumably Winner Elvis. The Chief says he will pay 1 million dollars for its return. The last thing John sees is them opening the trunk of his car, then writing down Elvis’s address, then they knock him out.
Meanwhile, we get introduced to a hitwoman known as “The Blonde” who quotes Edgar Allan Poe before killing her victims. She confronts Gay Elvis and asks where the mask is. He tells her he doesn’t have it. She kills him and leaves one of John Smith’s credit cards on his corpse (apparently she is allied with John’s wallet thief).
John regains consciousness and is still in the trunk of the car. He busts out and finds the Indian security guards shot dead. He gets Winner Elvis’s address and goes to his house. When he gets home, he meets Elvis’s neighbor Cindy (Megan Park). They realize the mask isn’t there, but they find Asian Elvis’s address and go to his house. On the way there, they are almost shot to death by another hitman “The Cowboy” (Jeff Fahey) and his sidekick Mo. They also encounter “The Rancher” (Powers Boothe). He explains that he hired the Elvises to steal the mask because he used to have it. It is revealed through a flashback that back in the 1960s, a family consisting of a father, mother, and son were working for the rancher and transporting the mask. They reached a train station only to get ambushed by Indians who killed the family and took back the mask. Now he wants it back and will pay 1 million dollars to whoever gets it.
They leave and go to Asian Elvis’s house. He tries to kill them before getting tomahawked to death by another hitman “The Indian”. They escape and head back to Elvis’s house only to have Little Man Elvis show up with a gun asking them where the mask is. Before he can shoot them, The Blonde shows up and kills Little Man Elvis. John suggests calling the sheriff only to have Cindy explain that there are two sheriffs and both are corrupt. One is on The Chief’s payroll and the other is on The Rancher’s payroll. As they are leaving, they run into The Sheriffs who arrest John for Little Man Elvis’s murder. However, Cindy posts bail and they are released. But the Sheriffs know that John knows more than he’s letting on so they follow him.
Meanwhile, Winner Elvis is on the way to delivering the mask only to have his car break down. He hikes a long way and gets to a bus stop. As he boards the bus, The Blonde enters and shoots him. As he is dying he whispers something to The Blonde and she smiles real big. The bus driver is on the phone with someone and The Blonde deduces that he is in cahoots with The Rancher and The Chief playing both sides. She kills him as well.
Later, John, Cindy, and The Sheriffs make it to the bus. They see Elvis and the bus driver’s bodies inside the bus and written on them is “Bring the mask and John Smith to Station 12”. Station 12 is the same station where the family was killed in the 60s. As they’re leaving, The Cowboy and Mo show up and reveal that The Cowboy is a fast sharpshooter who killed the two Indian security guards earlier in the film. As The Sheriffs are drawing their guns, The Cowboy kills them both. Then The Indian shows up and tomahawks The Cowboy and Mo before they can get a shot off. The Indian accompanies them to Station 12.
As they show up, The Rancher and The Chief also show up each holding a briefcase with 1 million dollars. At this point, Cindy reveals that she is The Rancher’s daughter and was following John to make sure he would find the mask for her father. The Blonde comes out and instructs them to hand their briefcases to John and he enters the station alone. The Indian has a better idea and runs in with his tomahawk to kill The Blonde. The Indian then tries to attack The Blonde, but she blocks all of his attacks. She then kicks him several times, knocking him out. Then The Blonde shoots The Indian and kills him. She re-emerges and repeats her instructions promising more deaths if they don’t comply. John takes the briefcases and enters the station. As he enters, he and The Blonde embrace. They are scamming everybody. It turns out that the family that was killed in the 60s was John Smith’s parents. They had an Indian servant who hid John in the floorboard of the station and told them Indians that he was dead too. The servant was part of a rival Indian tribe “The Hobi”. The mask really belonged to her tribe and The Chief stole it from her. The Blonde is the girlfriend who left John Smith at the beginning of the movie because she realized she liked women. However, she knew what happened to John’s family so she stuck around long enough to assist him. Also, when John told her she would get one of the briefcases, that enticed her further. John and The Blonde emerge from the station and tell The Rancher and The Chief why they are doing this. Also, she tells them that Elvis destroyed the mask when he realized he wouldn’t be able to sell it. That was what he said to her before dying.
John tells The Rancher and The Chief that he’s keeping one briefcase because of what they did to his family. The Blonde tells them she will return and kill them if they try to retaliate. Then she leaves with the other briefcase on a motorcycle driven by the woman who stole John’s wallet. She is actually the doctor that The Blonde left him for posing as a hooker. At this point, he finds Elvis’s car and repairs it and drives it. It only broke down before because he sabotaged it in a way that could be repaired. Also, he actually tried to steal the mask earlier in the film, but Elvis caught him doing it and knocked him out and took it for himself. It turns out the Indian servant was in on the scam too. The mask wasn’t really destroyed. John returns it to her since her tribe rightfully owns it. Elvis actually told The Blonde “Elvis has left the building” before dying. She just lied about his last words.And finally, it is revealed that his name isn’t even John Smith. Someone he bumped into at the beginning of the movie is really John Smith and he pickpocketed him.

Similar to Smokin Aces but with more humour enjoyable movie I wasn’t expecting too much but was surprised plenty of twists and turns, recommended as a good watch

REVIEW: LOST – SEASON 1-6

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MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Emilie de Ravin (Roswell)
Maggie Grace (The Fog)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Saving Grace)
Ian Sommerhalder (The Vampire Diaries)
Terry O’Quinn (Alias)
Michelle Rodriguez (The Fast and The Furious)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Rodrigo Santoro (Westworld)
Kiele Sanchez (30 Days of Night: Dark Days)
Jeremy Davies (Hannibal)
Michael Emerson (Saw)
Rebecca Mader (Iron Man 3)
Ken Leung (X-Men: The Last Stand)
Jeff Fahey (The Lawnmower Man)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

RECURRING / NOTABLE GUEST CAST

Fredric Lehne (Zero Dark Thirty)
L. Scott Caldwell (The Net)
Kimberley Joseph (Xena)
Greg Grunberg (Heroes)
Billy Ray Gallion (Castle)
John Terry (Zodiac)
Veronica Hamel (The Last Leprchaun)
Neil Hopkins (The Net 2.0)
Michael Deluise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (Powers)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Nick Jameson (24)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
Robert Patrick (Terminator 2)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (K-9)
Zack Ward  (Postal)
Julie Bowen (Modern Family)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Anson Mount (CDollhouse)
Saul Rubinek (Warehouse 13)
Katey Sagal (8 Simple Rules)
Sam Anderson (Angel)
Marguerite Moreau (Easy)
DJ Qualls (Road Trip)
Brett Cullen (Injustice)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Lindsey Ginter (Hercules: TLJ)
Francois Chau (Stargate SG.1)
Adetokumboh M’Cormack (Blood Diamond)
M.C. Gainey (Django Unchained)
Kim Dickens (Hallow Man)
Kevin Dunn (Samantha Who?)
Theo Rossi (Luke Cage)
Tania Raymonde (Texas Chainsaw 3D)
Evan Handler (Californication)
Gabrielle Fitzpatrick (MMPR: The Movie)
Michael Bowen (KIller x)
April Grace (A.I)
Alan Dale (Ugly Betty)
Paula Malcolmson (Caprica)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
Nathan Fillion (Firefly)
Fionnula Flanagan (The Others)
Diana Scarwid (Wonderfalls)
Cheech Marin (Machete)
Sung Hi Lee (Nurse Betty)
Shaun Toub (Iron Man)
Clancy Brown (Highlander)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Sonya Walger (Flashforward)
Marsha Thomason (White Collar)
Carrie Preston (True Blood)
Tracy Middendorf(Scream: The Series)
Lance Reddick (Fringe)
Fisher Stevens (Hackers)
Thekla Reuten (Highlander 5)
Anthony Azizi (Eagle Eye)
Graham McTavish (The Hobbit)
Andrea Roth (Ringer)
Grant Bowler (Ugly Betty)
George Cheung (Dark Angel)
Kevin Durand (X-Men Origins)
Faran Tahir (Supergirl)
Michelle Forbes (Powers)
Raymond J. Barry (Cold Case)
Said Taghmaoui (American Hustle)
Reiko Aylesworth (24)
Eric Lange (Cult)
Alice Evans (The Originals)
Mark Pellegrino (Chuck)
Titus Welliver (Agents of SHIELD)
Brad William Henke (Fury)
Hiroyuki Sanada (The Wolverine)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heroes)
Dylan Minnette (Goosebumps)
William Atherton (Ghostbusters)
Jodi Lyn O’Keefe (Halloween: H20)

Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.

With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything. The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.

Of course, there are a plethora of individual character stories that thrive over the course of the season. Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors and

Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it. I wouldn’t call him the villain of the show — for the first season I would say “the unknown” is the nemesis — but Locke definitely has his own agenda. Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.

As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.

As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.

Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband. Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.

Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.

I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.

Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.

The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale. He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others. T

The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s  flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).

Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season. Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.

If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine  it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.

At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke. Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.

The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings. Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.


Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.

Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.

With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.

The first half of the season is comprised of two very distinct storylines. One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.

The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island. The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.

Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character. Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season.

On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition, but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.

Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners Damon Lindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective. The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.

Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.

“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale. He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale. Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.The Man in Black tests the survivors like never before. Offering them freedom, survival and even  answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season.Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series. All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.