HALLOWEEN OF HORROR REVIEW: MOTHER!

CAST

Jennifer Lawrence (American Hustle)
Javier Bardem (Vicky Cristina Barcelona)
Ed Harris (Westworld)
Michelle Pfeiffer (Batman Returns)
Domhnall Gleeson (Star Wars: The Force Awakens)
Brian Gleeson (Assassin’s Creed)
Kristen Wiig (Girl Most Likely)
Stephen McHattie (300)

Javier Bardem and Jennifer Lawrence in Mother! (2017)In a house recently burned by fire, Him, an acclaimed poet struggling with severe writer’s block, places a crystal object on a pedestal. The house then suddenly morphs to look newly renovated. In bed, Mother wakes up, wondering aloud where Him is. She starts seeing things around the house that unsettle her, including visualizing a beating heart within the walls.Jennifer Lawrence in Mother! (2017)One day, Man turns up at the house, asking for a room. Him readily agrees, and Mother reluctantly follows suit. During his stay, Man is seen with an open wound in his side. The next day, Man’s wife, Woman, also arrives to stay. Mother is increasingly frustrated with her guests, while Him begs her to let them stay, telling Mother that the guests are fans of his work and that the male guest is dying, and wanted to meet Him. However, when Man and Woman accidentally break and shatter the crystallized object, Mother decides to kick them out.Jennifer Lawrence in Mother! (2017)The couple’s two sons arrive and start to fight over the will left by their father. The Oldest Son, who is willed nothing, mortally injures his Younger Brother and apparently flees, while Him, Man, and Woman take the injured son to get help. Mother is left alone in the house, where she discovers the furnace’s oil tank hidden behind the basement walls. Upon returning, Him informs Mother that the son has died. Dozens of people begin arriving at the house following the death of the son. More people arrive, and behave in a way that bothers Mother; she becomes angrier and eventually snaps when they flood the house. She kicks everyone out. Angry with Him for allowing into the house so many people for his pleasure and ignoring her, she berates him before the two engage in sex.Jennifer Lawrence in Mother! (2017)The next morning, Mother announces that she is pregnant. The news leaves Him elated and inspires him to finish his work. A few months later, Mother prepares for the arrival of their child and reads Him’s beautiful new poem. Upon publication, the edition immediately sells out. In celebration, Mother prepares dinner. Meanwhile, a group of fans arrives at the house. As she barricades herself, more fans arrive and begin to enter the house to use the bathroom. Their behavior devolves into disrupting the environment and stealing their belongings as keepsakes. An increasingly disoriented Mother makes her way around the house as each room devolves into chaos. Him’s publisher, the Herald, takes part in the madness. Military men with guns arrive to help Mother, but a cult of devoted fans forms around Him; they start to engage in rituals.Javier Bardem and Jennifer Lawrence in Mother! (2017)Mother goes into labor and finds her husband. Him takes her to his study, where she gives birth. The havoc outside subsides as he tells Mother that the massive crowd wants to see the baby. Refusing, she holds on tight to her son. When she falls asleep, however, he takes the baby outside to the crowd. The crowd proceeds to pass the baby around recklessly, breaking his neck. Devastated, Mother makes her way to the front of the crowd where she sees the hacked corpse of her baby and witnesses the crowd eating his flesh. Furious, she begins stabbing at them with a shard of glass. They turn on her, beginning to strip and beat her until Him intervenes and stops it. Calling Him and the crowd murderers, Mother escapes their hold and makes her way to the cellar and the furnace oil tank. Her husband pleads but Mother alights the oil, destroying the crowd, the house, and the surrounding garden and trees.Jennifer Lawrence in Mother! (2017)Both Mother and Him survive. However, Mother suffers horrific burns while Him remains unscathed. He asks her for the love she has left for him, and she allows Him to take it. He tears open her chest, and removes her heart. As his hands open the heart, a new crystal object is revealed. He places the object on a pedestal. Once again, the house changes from a burnt-out shell to being renovated. In a bed, a new Mother forms and wakes up, wondering aloud where Him is.Jennifer Lawrence in Mother! (2017)I find the film to be amazing in scope, like Cloud Atlas or A’s The Fountain. Like I said earlier, if you don’t appreciate films like these, or even Black Swan don’t bother. It’s simply not your brand. I feel the film is an amazing encapsulation of our existence performed in very unique fashion. The message here is strong. I prefer the avant-garde probably because I’ve seen so many films. I need to view films that present something new, and this one certainly does. For me, it is a masterpiece. Aren’t artists allowed to target their audience? They all can’t have happy endings.

 

 

 

REVIEW: COLLATERAL

 

CAST

Tom Cruise (Mission Impossible)
Jamie Foxx (Django Unchained)
Jada Pinkett Smith (Gotham)
Mark Ruffalo (Avengers Assemble)
Peter Berg (Alias)
Bruce McGill (Lincoln)
Barry Shabaka Henley (Heroes)
Debi Mazar (Batman Forever)
Javier Bardem (Skyfall)
Richard T. Jones (Terminator: TSCC)
Jason Statham (Fast & Furious 7)
Emilio Rivera (Venom)
Wade Williams (Gangster Squad)
JoNell Kennedy (Dreamgirls)

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On a random night in Los Angeles, a cabbie named Max (Jamie Foxx) is parked in front of a building, studying the business card he’s just been given by Annie (Jada Pinkett-Smith). Max and Annie had a brief but intimate conversation about stress and relaxation while he drove her into the city, and even though he didn’t open his mouth in time to get her number, she came back and gave it to him anyway. Max is so distracted, he almost ignores the guy who walks up to his cab and asks to know if he’s on duty, but Max snaps out of it, sticks the card in his window shade where his photograph of the Maldives used to be — the business card might as well be his new mental vacation spot — and calls the guy back before he gets in a different cab.

The man in question is sharply-dressed in a silver suit that matches his hair, carrying a slick, expensive briefcase. His name is Vincent (Tom Cruise), he offers to buy the services of Max’s cab for the rest of the evening, for five stops plus an early-morning drop-off at the airport. Max hesitates, but lets Vincent talk him into it anyway, and doesn’t seem to regret it for fifteen whole minutes before a dead body drops from a window onto the hood of the cab, and it becomes clear almost immediately that Vincent was the cause of death, although he claims otherwise. “You killed him?” Max asks. “No, I shot him,” Vincent replies. “Bullets and the fall killed him.”

Made just over a year before Tom Cruise’s public fall from grace, and back before Jamie Foxx was an acclaimed, Academy Award-winning actor and bona fide movie star. Anyone who missed out on the movie initially will probably go in with an entirely different set of expectations than viewers in 2004, but both then and now it was clear that both of them are at the top of their game, and the sparks that fly between these two performers makes the movie work.