REVIEW: WET HOT AMERICAN SUMMER: 10 YEARS LATER

CAST

Elizabeth Banks (Power Rangers)
H. Jon Benjamin (22 Jump Street)
Michael Ian Black (Wedding Daze)
Janeane Garofalo (Dogma)
Joe Lo Truglio (Superbad)
Ken Marino (Agent Carter)
Christopher Meloni (Man of Steel)
A. D. Miles (Role Models)
Marguerite Moreau (Easy)
David Hyde Pierce (Hellboy)
Amy Poehler (Free Birds)
Paul Rudd (Ant-Man)
Marisa Ryan (Cold Hearts)
Molly Shannon (Bad Teacher)
Michael Showalter (The Ten)
Adam Scott (Krmapus)

RECURRING / NOTABLE GUEST CAST

Samm Levine (Inglourious Basterds)
David Wain (Wanderlust)
Lake Bell (No Strings Attached)
Paul Scheer (Piranha)
Josh Charles (The Ex)
Kristen Wiig (Ghostbusters)
Rich Sommer (Grilfriend’s Day)
Eric Nenninger (Jeepers Creepers II)
John Early (Bad Neighbors 2)
Chris Pine (star Trek)
Jason Schwartzman (Scott Pilgrim vs The World)
Mark Feuerstein (Once and Again)
Sarah Burns (Married)
Alyssa Milano (Charmed)
Melanie Lynskey (Two and a Half Men)
Jai Courtney (Divergent)
Skyler Gisondo (Santa Clarita Diet)
Joey Bragg (Fred 3)
Anne-Marie Johnson (Suicide Dolls)
Chris Redd (empire)
Joshua Malina (The Big Bang Theory)
Maya Erskine (Betas)
Marlo Thomas (LOL)
Dax Shepard (Hit and Run)

wet-hot-american-summer-ten-years-later-paul-rudd-marguerite-moreau“Andy, you are 26 years old. What is wrong with you! When are you going to grow up? We can’t be teenagers forever.” That above quote is said to Paul Rudd’s Andy Fleckner as a simple gag. It pokes fun at the actual age of the actors that are playing these characters, but therein also lies the central “flaw” of Wet Hot American Summer: Ten Years Later. As fun as all of these camp shenanigans may be, these people can’t just continue doing this forever. However, this is at least something that the series is well aware of and embraces wholeheartedly. It’s bonkers that Ten Years Later even happened at all. One prequel season was a surprising gift in itself. This is the extra marshmallow in the s’more. If last season was the unexpected reunion tour, then this is the sloppy, drunken after party that follows. Sure, it’s less polished, but it’s all dessert anyway.wet-hot-american-summer-ten-years-later-episode-4-lunch-knife-renata-alyssa-milano-michael-ian-black-review-guide-listMuch like First Day of Camp, this season takes this eclectic group of campers and puts them back into Camp Firewood, only now it’s ten years later as opposed to the beginning of their adventure. First Day of Camp does some glorious dot connecting to David Wain’s 2001 cult classic film, while also pulling off deep inside baseball jokes, like the introduction of Jim Stansel or seeing the birth of the anthem, “Higher and Higher.” Obviously with this new season taking place after everything, there’s little to few dots that need to be connected now, which as a result does lead to the trivial feeling that’s sometimes present through this season. Make no mistake, this is all undeniably a great time, but there’s not the same sort of satisfaction to be derived from the material this time around.ajh6scyuze0gpcrgcjueWhile the last installment was about building connections, this one is very much about breaking them to pieces and starting anew, which is only fitting considering this season revolves around Camp Firewood being literally torn down. The fun is in seeing the radical places that everyone has ended up rather than marveling at their clever origin stories. In that sense, the first episode spends the majority of its time simply introducing everyone and catching up the audience.untitledIn an eight-episode season this might feel like a bit of a waste, but with dozens of characters, what are they supposed to do here? The only real answer it to have a longer season, but with First Day of Camp also being a mere eight episodes, that seems to be the pattern that these guys are following. The season certainly could have used a few more episodes this time though. Similarly, this season—more than last season—really feels like it should be watched in one sitting like a long movie. Doing so would even help some of the material flow a little better, too. None of the many storylines feel rushed and everything is given enough time to breathe. It’s a real delicate balancing act that never shows its hand. The characters deal with the insecurity over who they’ve turned into through the years, however everyone is going through this same problem. At their core, they’re still those ridiculous teenagers from summer camp, and so are these actors, no matter how old they are. That’s sort of the point here.wethotmamericansummer-10yearslater-adamscottTen Years Later also gleefully wallows in glorious ‘90s jokes to make sure that the audience never forgets exactly when this season is taking place. It’s also probably the only place you’re going to hear Laura San Giacomo get brought up any time soon. First Day of Camp had this same sort of fun with the ‘80s, but this season is much more meta than the material’s ever been before. There’s also supernatural weirdness afoot too because of course there is. Elements like hidden nuclear fallout shelters entering the mix are so crazy, yet oddly fitting. This universe slowly stretching its boundaries has allowed for insane developments to seem plausible.1498150156458Wet Hot American Summer: Ten Years Later might spend a little too much time roasting on the campfire, but it’s still an immensely enjoyable endeavor that showcases a bunch of exemplary comedians who have now been laughing together for decades.

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REVIEW: S1M0NE

CAST

Al Pacino (Scarface)
Catherine Keener (Captain Phillips)
Rachel Roberts (In Time)
Winona Ryder (Black Swan)
Jay Mohr (Cherry Falls)
Evan Rachel Wood (Westworld)
Jim Rash (Community)
Jeffrey Pierce (Bosch)
Pruitt Taylor Vince (Heroes Reborn)
Jason Schwartzman (Saving Mr. Banks)

When Nicola Anders (Winona Ryder), the star of out-of-favor director Viktor Taransky’s (Al Pacino) new film, refuses to finish it, Taransky is forced to find a replacement. Contractual requirements totally prevent using her image in the film, so he must re-shoot. Instead, Viktor experiments with a new computer program he inherits from late acquaintance Hank Aleno (Elias Koteas) which allows creation of a computer-generated woman which he can easily animate to play the film’s central character. Viktor names his virtual actor “Simone”, a name derived from the computer program’s title, Simulation One. Seamlessly incorporated into the film, Simone (Rachel Roberts) gives a fantastic performance, exactly controlled by Viktor. The film is immediately a huge success. The studio, and soon the world, ask “who is Simone?”Viktor initially claims that Simone is a recluse and requests her privacy be respected, but that only intensifies media demands for her to appear. Viktor intends to reveal the secret of her non-existence after the second picture. To satisfy demand, he executes a number of progressively ambitious stunts relying on misdirection and cinematic special effects technology. Eventually it escalates to simulated remote location video live interviews.In one instance, two determined tabloid reporters discover Viktor used out-of-date stock photography as a background during an interview instead of being on that site as claimed and blackmail him into getting Simone to make a live appearance. He arranges her to perform a song at a stadium event appearing in a cloud of smoke and then using flawless holographic technology. The perception of being in person is reinforced with realtime visualization on the stadium’s monitors. Simone becomes even more famous, simultaneously becoming a double winner for the Academy Award for Best Actress, tying with herself in the process.Once the pressure of serving his creation reaches a breaking point for Viktor, he decides to ruin Simone’s career as an act of vengeance. Simone’s next film, I Am Pig, is her directorial debut and a tasteless treatment about zoophilia intended to disgust audiences, which not only fails to achieve the desired effect of audience alienation, but also serves to foster her credibility as a risk-taking, fearless and avant-garde artist. Taransky’s subsequent attempts to discredit Simone by having her drink, smoke and curse at public appearances and use politically incorrect statements similarly backfire, when the press instead begins to see her as refreshingly honest. As a last resort, Taransky decides to dispose of Simone completely by using a computer virus to erase her and dumps the hard drive and floppy disks into a steamer trunk and buries it at sea, then announces to the press she has died of a rare virus contracted on her Goodwill Tour of the Third World. During the funeral, the police interrupt, open the coffin, and find only Simone’s cardboard cutout. He is arrested and shown a security camera video where he loads a large trunk on his yacht.After being charged with her murder, he admits that Simone is not a person, but a computer program. The chest containing the computer data is brought up empty. Viktor’s daughter Lainey and ex-wife Elaine enter his studio to try to help. They find Viktor’s forgotten virus source disk (Plague) and apply an anti-virus program to eradicate the computer virus. They revive Simone and have her appear on national television laughing while holding up a newspaper headline with her obituary. They pick up a confused Viktor who realizes that his connection with Simone is a life sentence. At the end, Simone and Viktor are remotely interviewed at home about their new (virtual) baby. Simone is concerned about her child’s future and decides to enter politics. The film shows how the fake is produced using the chroma key technique. A post-credits sequence shows Viktor creating fake footage of Simone in a supermarket, which one of her pursuers sees, believing it real.

S1m0ne is a highly entertaining satire about obsession with celebrity movie stars, and although not in the same league as Robert Altman’s magnificent The Player still holds its own as an enjoyable gentle farce.

 

REVIEW: BIG EYES

CAST

Amy Adams (batman V Sueprman)
Christoph Waltz (The Green Hornet)
Danny Huston (30 Days of Night)
Jon Polito (Burning Palms)
Krysten Ritter (Jessica Jones)
Jason Schwartzman (Funny People)
Terence Stamp (Superman 1 & 2)
Madeleine Arthur (The Killing)
Vincent Gale (Van Helsing)
Heather Doerksen (Pacific Rim)
Leela Savasta (Black Xmas)
Britt Irvin (Smallville)


In 1958, Margaret leaves her husband and takes her young daughter Jane to North Beach, San Francisco. Supporting her daughter alone, Margaret gets a job painting illustrations at a furniture factory. While creating portraits at an outdoor art show, Margaret meets Walter Keane, who is selling his Parisian street scene paintings. Soon, Walter proposes to her and they marry.

Walter goes to a popular jazz club and tries to convince the club’s owner, Enrico Banducci, to purchase the couple’s paintings. He only agrees to rent out the walls to Walter. A drunk woman is touched by one of Margaret’s paintings and buys it. Walter fights with Banducci and ends up on the front page of the local newspaper. When Walter goes to the club again it is packed with curious people. Dick Nolan, a celebrity gossip columnist (who serves as the film’s narrator), wants to know more about Walter’s art, but is only interested in Margaret’s paintings. Afterward, Walter shows Margaret all the money they have made from the sales. He tells her they are a great team, she can stay at home painting and he will sell her works.

Walter opens up his own Keane gallery, promoting the art as his own work, and sells reproductions. Margaret becomes more upset about Walter taking credit for her art and lying to Jane about who is the real artist. Margaret decides to paint in a different style with elongated features and small eyes, so that she can honestly tell people she is also a painter. Margaret and Walter move into a mansion. While going through a crate Margaret finds a stack of paintings of Parisian street scenes, but they are all signed by S. CENIC. She realizes Walter paints over the name of the original artist and claims the paintings as his own. Margaret confronts Walter, he confesses saying he always wanted to be an artist, but never had the talent. Walter learns of the New York World’s Fair and demands Margaret paint something to put on display; she refuses and Walter threatens to have her killed. Jane discovers her mother working on the World’s Fair painting “Tomorrow Forever”. Jane tells her mother she always knew that she was the real artist.

At a party, Walter is angered after reading John Canaday’s scathing review of the “Tomorrow Forever” exhibit and confronts Canaday. Back at home Walter is still enraged and starts throwing lit matches at Margaret and Jane. They run into the studio and lock the door. Margaret runs away with Jane. One year later, Margaret and Jane have settled in Honolulu, Hawaii. Walter will not agree to a divorce unless Margaret signs over the rights to every painting, and produces 100 more. Margaret agrees and continues sending paintings to California. Margaret is visited by two Jehovah’s Witnesses who convince her that honesty is important. The next time Walter receives the paintings, they are signed “MDH Keane”. On a Hawaiian radio show, Margaret reveals she is the real artist behind the paintings attributed to Walter, making national news. Dick Nolan publishes Walter’s claims that Margaret has “gone nuts”. Margaret sues both Walter and the newspapers that printed his version of the story for libel and slander.

At the trial, reporters swarm the courthouse in Honolulu. The court quickly dismisses the libel lawsuit against the newspapers. Without a lawyer, Walter defends himself against slander. Margaret testifies that she felt she had no choice. Walter asks himself questions as a witness. The judge directs both Margaret and Walter to create a painting in one hour as proof of the real artist. Margaret paints steadily, but Walter is hesitant, claiming his arm hurts too much to hold a paintbrush. Margaret completes her painting and wins the lawsuit. Outside the courthouse, Margaret says she doesn’t care about money and just wants credit for her paintings. A fan asks her to sign a copy of “Tomorrow’s Masters” and she does, finally autographing her own work.Excellent story based on the lives of Walter and Margaret Keane. Margaret ‘s work was plagiarised by her second husband Walter soon after they married in the mid fifties until their divorce in the mid sixties taking a high profile court case to determine who the real artist was. The film deals with quite a few topics from Walter’s domination of Margaret to his paranoia and mental delusion. Watch out for a cameo appearance of the real Margaret as an elderly lady sitting on a bench.

12 DAYS OF CHRISTMAS REVIEW: A VERY MURRAY CHRISTMAS

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CAST

Bill Murray (Ghostbusters)
Michael Cera (Youth In Revolt)
George Clooney (The Monuments men)
Miley Cyrus (Two and a Half Men)
Rashida Jones (Cop Out)
Amy Poehler (Vlades of Glory)
Chris Rock (Dogma)
Maya Rudolph (Grown Ups)
Jason Schwartzman (Funny People)
Julie White (Transformers)

4x17-a-very-crappy-christmas-south-park-21651796-500-375On December 24, Bill Murray waits in his hotel suite at the Carlyle gradually realizing that a massive snowstorm has caused most of the guests for his live Christmas special to cancel. As time runs out his two producers, Liz (Amy Poehler), and Bev (Julie White), coerce him into going on with the show as he is financially on the hook if he cancels. With minimal crew Murray goes live but in the middle of singing a song he begins to weep and then flees the studio. While trying to leave the hotel he sees Chris Rock whom he forces into performing “Do You Hear What I Hear?” with him. During a power outage Rock flees and the producers inform Murray that as the power outage is considered an Act of God the special can now be cancelled.
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Filled with relief Murray goes to the Carlyle bar where he sings a song with an anonymous waitress (Jenny Lewis). After they hear the chefs shouting they go to investigate and realize that the French chefs (Phoenix) are overwhelmed as the fridges have stopped working and the food is about to go bad. Murray encourages them to bring the food to the bar so that the few patrons can eat it all. On his way back to the bar he passes a weeping bride (Rashida Jones) who informs him that her wedding was called off due to the cold and who is also upset because she has fought with her fiancé, Elliot.
A Very Murray Christmas
The French chefs sing “Alone on Christmas Day”, followed by the lounge singer (Maya Rudolph) performing “Christmas (Baby Please Come Home)”. Afterwards the bride comes out wheeling a cake and asks Bill Murray about his theory of love. He asks Elliot and the bride to look at one another and think of the moment when they fell in love with each other. The couple sing “I Saw the Light” and become re-engaged. At 12:01 the remaining guests at the hotel wish each other a merry Christmas and then sing “Fairytale of New York” together. At the end of the song, Murray, who had been drinking heavily, passes out.
nedvmzemhebahl_1_bWhile unconscious Murray dreams that he awakens on a beautiful set in the middle of his Christmas special. In his dream he is joined by George Clooney and Miley Cyrus. As Clooney prepares martinis, Cyrus and Murray sing “Sleigh Ride” together. After a few more musical numbers between himself, Cyrus and Clooney, Murray reawakens in his suite at the Carlyle where he realizes it is still Christmas.A Very Murray ChristmasA Very Murray Christmas is a slight chore to get into, but once it relaxes, it’s actually an enjoyably somber affair. Murray never quite overcomes the “Christmas Blues” he feels at the outset, but that’s all part of the sad sack selling point.

REVIEW: FUNNY PEOPLE

CAST

Adam Sandler (Mr. Deeds)
Seth Rogen (Bad Neighbours 1 & 2)
Leslie Mann (17 Again)
Eric Bana (Hulk)
Jason Schwartzman (Scott Pilgrim vs The World)
Jonah Hill (21 Jump Street)
Aubrey Plaza (Life After Beth)
RZA (G.I. Retaliation)
Aziz Ansari (30 Minutes or Less)
Sarah Silverman (School for Scoundrels)
Norm Macdonald (Dr. Dolittle)
Paul Reiser (Aliens)
Andy Dick (Dude, Where’s My Car?)
Ray Romano (Eulogy)
Justin Long (New Girl)
Ken Jeong (The Hangover)
Carla Gallo (Bones)

George Simmons (Adam Sandler) is a middle-aged former stand-up comedian turned movie star. Despite his millions he is sad and lonely and most of his recent film work is low-brow and dumb. He is diagnosed with acute myeloid leukemia and offered an experimental treatment that has only an eight-percent chance of therapeutic response. Believing he is about to die, he returns to his roots to do stand-up comedy.
Ira Wright (Seth Rogen) is an aspiring stand-up comedian in his twenties who shares an apartment with his two best friends, Mark and Leo (Jason Schwartzman and Jonah Hill). Mark is a lead in his own TV comedy series and makes good money. Leo is a rising comedy star and guest star or a recurring role on Mark’s TV show. George meets Ira at a small comedy club and hires him as his assistant. Ira becomes one of George’s only close relationships. The two travel around the country, George hires Ira as his personal assistant and joke writer and opens for him in the big comedy clubs, often meeting with real life comedians who play themselves and talk about the business of comedy.
George reconnects with his ex-fiancée, Laura (Leslie Mann) who is currently married to Clarke (Eric Bana). George′s physician tells him that the leukemia is in remission. George decides he wants Laura back. Laura invites George and Ira to her house in Marin County while her husband is away on business. George and Ira spend quality time with Laura and her two young daughters. George and Laura sneak off to have sex, but Clarke returns home and there is a huge argument.
The plot of the movie now concerns who Laura will choose, her current husband Clarke whom she suspects has cheated on her (he later confirms he received a happy ending at a massage parlor), or her former boyfriend George (who also cheated on her many times). Ira is not always on George’s side in the love triangle, so when it doesn’t go George’s way in the end, he fires Ira, who then calls George out on having learned nothing from his near-death experience.
Ira returns to his old food-service job. After some time has passed, George attends Ira’s stand-up act and sees that his old assistant has become a far more confident performer. The next day, George finds Ira at work and they reconnect as friends, telling each other jokes as equals.Not your average comedy, but certainly funny enough to get a fair few laughs in. Then, once you’ve stopped laughing, there’s enough human emotion to finish it off with to make it so you actually care about the characters.

 

REVIEW: I ♥ HUCKABEES

CAST

Dustin Hoffman (Rain Man)
Jason Schwartzman (Scott Pilgram vs. The World)
Naomi watts (Insurgent)
Isabelle Huppert (Amour)
Jude Law (Spy)
Lily Tomin (Orange County)
Mark Wahlberg (Transformers 4)
Kevin Dunn (Small Soldiers)
Tippi Hedren (The Birds)
Said Taghmaoui (American Hustle)
Jean Smart (Garden State))
Jonah Hill (Cyrus)
Isla Fisher (Grimsby)
Talia Shire (Rocky)
Kamala Lopez (Total Recall)
Richard Jenkins (The Cabin In The Woods)

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Albert Markovski (Jason Schwartzman) is a young man who heads the local chapter of an environmental group, the “Open Spaces Coalition”. One of their current projects is an attempt to stop the building of a new Huckabees store, a chain of “big-box” department stores. Albert is a rival of Brad Stand (Jude Law), a shallow power executive at Huckabees. Brad infiltrates Open Spaces and charismatically displaces Albert as the leader. Dawn Campbell (Naomi Watts) is Brad’s live-in girlfriend and the face and voice of Huckabees; she appears in all of the store’s commercials.

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After seeing the same conspicuous stranger three times, Albert contacts two existential detectives, Bernard (Dustin Hoffman) and Vivian Jaffe (Lily Tomlin). The detectives offer Albert their optimistic brand of existentialism—they name it universal interconnectivity (which has some tenets of romantic and transcendentalist philosophies)—and spy on him, ostensibly to help him solve the coincidence. Bernard and Vivian introduce Albert to Tommy Corn (Mark Wahlberg), an obsessively anti-petroleum firefighter. Tommy is assigned to Albert as his ‘other’.

Tommy grows dissatisfied with the Jaffes, feeling that they are not helping him. Seeking out other possibilities, Tommy ends up abandoning and undermining the Jaffes by introducing Albert to Caterine Vauban (Isabelle Huppert), a former student of the Jaffes who espouses a seemingly opposing nihilistic/absurdist philosophy. She teaches them to disconnect their inner beings from their daily lives and their problems, to synthesize a non-thinking state of “pure being.” Being lifted from their troubles, they wish to keep that feeling forever, yet she tells them that it is inevitable to be drawn back to the human drama, and to understand that the core truth of that drama is misery and meaninglessness. In order to prove her point, Caterine takes Albert to go and have sex in the woods, leaving Tommy behind. Tommy finds out about the two of them being together and feels hurt. Caterine tells him that they found each other through all of the human suffering and drama. Tommy rejects this idea and leaves them furious and lost. Meanwhile, in Brad’s further attempts to undercut Albert, he and Dawn meet with and are influenced by Bernard and Vivian. In the following days, Brad and Dawn rethink their entire lives: Dawn rejects the modeling world and looks for deeper meaning, and Brad realizes that his whole ascent on the corporate ladder is meaningless, as he has lived his whole life just trying to please others and not himself.

All the storylines collide when Brad’s house catches fire. While the fire trucks get stuck in a traffic jam, Tommy comes on his bicycle to put out the fire, which incidentally trapped Dawn inside. As he saves her life, the two fall in love. Meanwhile, Brad despairs at the destruction of his house, the symbol of his material success. Albert attains a sort of enlightenment when he synthesizes the two opposing outlooks of the Jaffes and Vauban to realize the cosmic truth of everything. Brad, meanwhile, is fired from Huckabees, leaving him rudderless. Albert reveals to Brad that he burned Brad’s jet skis, and the fire spread to the house. Albert understands that he and Brad are no different, that everything really is inextricably connected, but that these connections necessarily arise from the often senselessly painful reality of human existence. Having realized this, he refers Brad to Caterine, hoping she will help him as she did Albert and Tommy. Albert and Tommy talk later about everything that has happened. As the two talk, Caterine and the Jaffes watch them, concluding that they can close both of their cases.

This film manages the delicate balance of being thought provoking while simultaneously quite funny, as our protagonist navigates the different philosophies that other characters come up with. Aided by a cast of stars, it is really a great film and a must see for all those who like to think outside the box.

REVIEW: BEWITCHED (2005)

CAST

Nicole Kidman (Batman Forever)
Will Ferrell (Elf)
Shirley MacLaine (Terms of Endearment)
Michael Caine (Batman Begins)
Jason Schwartzman (Scott Pilgram vs. The World)
Kristin Chenoweth (Pushing Daisies)
Heather Burns (Miss Congeniality)
Stephen Colbert (Strangers With Candy)
David Alan Grier (Jumanji)
Steve Carell (Anchorman)
Katie Finneran (Wonderfalls)
Amy Sedaris (Puss In Boots)
Alison MacInnis (Power Rangers Lightspeed Rescue)
Valerie Azlynn (Julia X)

Jack Wyatt is a narcissistic actor who is approached to play the role of Darrin in a remake of the 1960s sitcom Bewitched, but insists that an unknown play Samantha. Isabel Bigelow is an actual witch who decides she wants to be normal and moves to Los Angeles to start a new life and becomes friends with her neighbor Maria. She goes to a bookstore to learn how to get a job after seeing an advertisement of Ed McMahon on TV. Jack happens to be at the same bookstore after attending some failed Samantha auditions. Jack spots Isabel and persuades her to audition. At the same time, while she’s trying to settle into her new life, Isabel’s intrusive father Nigel keeps appearing to convince her to return home, despite several rejections from Isabel.

After Isabel impresses the show’s producers and writers, Jack finally convinces Isabel to join the show. Also joining the show is legendary actress Iris Smythson as Endora. After a successful taping of the pilot, Isabel happens to overhear a conversation Jack is having with his agent Ritchie. They are talking about how they tricked Isabel to appear without having any lines. Furious, Isabel storms off with Maria and new friend Nina close behind. She decides she only has three choices: quit, get mad, or live with it. Instead, Isabel’s Aunt Clara visits and aids Isabel in casting a spell on Jack in order to make him fall in love with her. At the same time, Nigel is introduced to Iris and becomes infatuated with her.

The hex works and Jack becomes love struck by Isabel, insisting on several script changes to give her some dialogue and jokes, ignoring statements from test groups preferring Isabel over him. Jack’s affection for Isabel grows and he asks her out on a date, making Isabel forget about the hex. But when he brings her home, she remembers and reverses it back to when she and Aunt Clara cast it. The next day, rather than the events the hex presented, Jack is outraged by the scores he received and takes his anger out on Isabel, who lashes back at him. Ritchie fires her, and she storms off. Rather than be angry at her, Jack is fascinated with Isabel and chases after her, taking all her comments into thought. So, after another great taping (with Isabel getting dialogue), a romance blossoms between the two. But the next day, Jack’s ex-wife Sheila arrives, determined to woo Jack back. Isabel sees this and casts a spell on her making her sign the divorce papers and have her decide to move to Iceland. Jack, thrilled, announces he will be throwing a party at his house celebrating the divorce.

Nigel attends the party with Iris and when Nigel begins flirting with much younger guests, Iris reveals that she is also a witch and casts a spell on each girl. When Jack makes a toast stating truth will be revealed with everyone, Isabel decides to tell Jack she’s a witch. At first thinking she’s simply an amateur magician, Jack officially believes her when she levitates him with her broom. Jack becomes frightened and shoos her away with a stick. Offended, Isabel flies off.

Jack takes this hard, being brought to the studios by the police and becoming disenchanted with the project. Isabel decides to return home as she no longer wishes to stay. Jack, imagining himself on the Conan O’Brien Show, is visited by Uncle Arthur. Arthur convinces Jack not to let Isabel leave, because Jack still loves her and wouldn’t be able to return for 100 years (which is later proven to be a lie Arthur made up to inspire Jack). Arthur drives him to the studio where he finds Isabel at the set. Jack apologizes to her and tells her he wants to marry her. They do and move into their new neighborhood (which resembles the neighborhood in the series).The beginning is slow, I have to admit, and at times the storyline does drag a little but if you stick with it I think you’ll be pleased and amused towards the end. But if you are expecting a movie remake of the Bewitched television series, this, sadly, isn’t.