REVIEW: X-MEN: DAYS OF FUTURE PAST -THE ROGUE CUT

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CAST
Hugh Jackman (Chappie)
James McAvoy (wanted)
Michael Fassbender (Prometheus)
Jennifer Lawrence (The Hunger Games)
Halle Berry (Catwoman)
Nicholas Hoult (About a Boy)
Anna Paquin (She’s All That)
Ellen Page (Juno)
Ian Mckellan (Lord of The Rings)
Patrick Stewart (American Dad)
Peter Dinklage (Game of Thrones)
Shawn Ashmore (Earthsea)
Omar Sy (Jurassic world)
Evan Peters (Kick-Ass)
Josh Helman (Mad Max: Road Fury)
Daniel Curdmore (Warcraft)
Bingbing Fan (Iron Man 3)
Famke Janssen (The Faculty)
Jason Marsden (Hop)
Lucas Til (Walk The Line)
Michael Lerner (Barton Fink)
Kelsey Grammer (Transformers 4)

Yes, this is even better than what we saw in the cinema. The theatrical version was very good, though we already knew that Rogue had been cut completely from the movie to make a more streamlined narrative (and possibly to meet studio demands over running time). Now the missing 17 minutes have been reinstated. We get a longer section in the future before the time travel takes place, a mission to rescue Rogue so she can take over from an injured and flagging Kitty, and a new section with Mystique visiting the mansion.

The extended future section gives additional dialogue to Bishop and also Storm – many viewers wanted more from the dystopian future and this goes a good way to satisfying that. And although Anna Paquin’s Rogue is reduced once again to a damsel in distress, the rescue mission is good and Paquin has a strong presence that’s very promising if we ever get to see any more of her version of Rogue. It also indicates that, like Magneto, her powers did return after she elected to be cured in X-Men: The Last Stand. The scene with Mystique at the mansion doesn’t feel so compelling, though it does continue the discussion with Beast over embracing one’s true self. Both versions of the film are very good, but for me the Rogue Cut feels a little more rounded. The mission to rescue Rogue fits in fine amid the film’s last act when everything becomes desperate and tense and the action really steps up, with parallels between past and future.This is a two disc set and it does also contain the original cinema version of the film. Disc 1 also contains a commentary by director Bryan Singer and writer/producer Simon Kinberg for the original cinema version, and a commentary by Bryan Singer and composer/editor John Ottman on the Rogue Cut. Disc 2 has special features including Mutant vs Machine (a 9-part making of documentary), X-Men Unguarded (informal conversations with the cast, it takes them a while to relax and get going but it’s quite nice to watch and hear what they think), a sneak peak of the new Fantastic Four and some image galleries.A great new cut for a great film.

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REVIEW: X-MEN: DAYS OF FUTURE PAST

CAST
Hugh Jackman (Chappie)
James McAvoy (wanted)
Michael Fassbender (Prometheus)
Jennifer Lawrence (The Hunger Games)
Halle Berry (Catwoman)
Nicholas Hoult (About a Boy)
Anna Paquin (She’s All That)
Ellen Page (Juno)
Ian McKellan (Lord of The Rings)
Patrick Stewart (American Dad)
Peter Dinklage (Game of Thrones)
Shawn Ashmore (Earthsea)
Omar Sy (Jurassic world)
Evan Peters (Kick-Ass)
Josh Helman (Mad Max: Road Fury)
Daniel Curdmore (Warcraft)
Bingbing Fan (Iron Man 3)
Famke Janssen (The Faculty)
Jason Marsden (Hop)
Lucas Til (Walk The Line)
Michael Lerner (Barton Fink)
Kelsey Grammer (Transformers 4)
In the future, robots known as Sentinels are exterminating mutants and their human allies. A band of mutants, including Kitty Pryde, Colossus, Iceman, Bishop, Warpath, Blink and Sunspot, evade the Sentinels due to Pryde’s ability to send a person’s consciousness to the past. Pryde’s group convenes with Logan, Storm, Professor Charles Xavier, and Erik Lehnsherr at a monastery in China. Pryde sends Logan’s consciousness 50 years back in time to 1973 to prevent Mystique from assassinating Dr. Bolivar Trask, creator of the Sentinels. Following the assassination, Mystique was captured, and her DNA was used by Trask’s company to improve the Sentinels, whose ability to adapt to any mutant power makes them almost invincible. Xavier and Lehnsherr advise Logan to find both of their younger selves for help.
 At the X-Mansion in 1973, Logan encounters Xavier and Hank McCoy. Xavier’s Institute for Gifted Youngsters has closed after most of the teachers and students were drafted to the Vietnam War. Xavier, a broken man, has been overusing a serum that allows him to walk, but suppresses his telepathy. Logan explains his mission and persuades Xavier to help free Lehnsherr from a prison cell beneath The Pentagon, where he is being held for allegedly assassinating President John F. Kennedy. They rescue Lehnsherr with the help of Peter Maximoff, a mutant with super speed.
In Washington, D.C., Trask unsuccessfully tries to sway Congress to gain support for his Sentinel program. Meanwhile, in Saigon, Mystique prevents William Stryker from appropriating a group of mutant G.I.s for Trask’s research. Mystique investigates Trask’s office and discovers he has been capturing mutants to use for his experiments. Xavier, Lehnsherr, McCoy, and Logan fly to Paris to intercept Mystique, who is impersonating a North Vietnamese general to infiltrate the Paris Peace Accords. There, Trask attempts to sell his Sentinel technology to Communist nations. Xavier’s group arrives as Mystique is about to kill Trask. Lehnsherr tries to kill Mystique to ensure her DNA cannot be used for the Sentinels, but she jumps from a window. The fight spills onto the street in view of the public, allowing Lehnsherr and Mystique to escape.
Trask is saved, but the world is horrified by the existence of mutants. President Richard Nixon approves Trask’s Sentinel program and arranges an unveiling ceremony. Trask’s scientists recover Mystique’s blood from the street. Meanwhile, Lehnsherr—who has recovered his telepathy-blocking helmet—intercepts the prototype Sentinels in transit and laces their polymer-based frames with steel, allowing him to control them. At the mansion, Xavier stops taking his serum and slowly regains his telepathic powers, while losing the ability to walk. Through Logan, Xavier speaks to his future self and is inspired to work for peace between humans and mutants once again. He uses Cerebro to track Mystique, who is heading to Washington, D.C.
As Xavier, Logan, and McCoy search for Mystique, Nixon unveils the Sentinel prototypes at the White House. Lehnsherr commandeers the Sentinels and attacks the crowd, then sets the Robert F. Kennedy Memorial Stadium around the White House as a barricade. Nixon and Trask, accompanied by the Cabinet, Secret Service officers, and Mystique (disguised as a Secret Service member), are taken to a safe room. Logan and McCoy try to stop Lehnsherr, but he pits a Sentinel against them and then throws Logan into the Potomac River. In the future, the X-Men make their final stand as a large army of Sentinels attack the monastery. In 1973, Lehnsherr pulls the safe room from the White House and prepares to kill Nixon and his Cabinet. Mystique, who is disguised as Nixon, incapacitates Lehnsherr with a plastic gun. Xavier persuades Mystique to spare Trask and allows her and Lehnsherr to flee. Mystique’s actions are seen as a mutant saving the President, leading to the cancellation of the Sentinel program. Trask is arrested for trying to sell American military secrets.
Logan wakes up in the future to find Iceman, Rogue, Colossus, Pryde, McCoy, Storm, Jean Grey, Scott Summers, and Xavier are all alive. In 1973, Mystique, impersonating Stryker, takes custody of Logan. In a post-credits scene, a crowd chants to En Sabah Nur, who is using telekinesis to build pyramids as four horsemen watch from nearby.
The latest addition to the x-men series works well, using many of the original cast with those introduced in X-Men First Class. And it it does it very well. Patrick Stewart and Ian McKellan, with their stage and theatre backgrounds set the bar very high when the first film came out in 2000. Bringing them back through the use of time travel and the sentinels story makes for a terrifically entertaining film.

REVIEW: X-MEN: THE LAST STAND

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CAST

Patrick Stewart (American Dad)
Hugh Jackman (Swordfish)
Ian McKellen (The Hobbit)
Halle Berry (Catwoman)
Famke Janssen (The Faculty)
James Marsden (Westworld)
Rebecca Romijn (Ugly Betty)
Anna Paquin (true Blood)
Shawn Ashmore (Earthsea)
Aaron Stanford (The Hills Have Eyes)
Kelly Hu (Arrow)
Daniel Cudmore (Twilight: New Moon)
Kea Wong (Snow Day)
Kelsey Grammer (Frasier)
Vinnie Jones (Mean Machine)
Ellen Page (Juno)
Ben Foster (The Punisher)
Olivia Williams (Dollhouse)
R. Lee Emey (Full Metal Jacket)
Anthony Heald (The Silence of The Lambs)
Dania Ramierez (Heroes)
Michael Murphy (Batman Returns)
Shohreh Aghdashloo (The Adjustment Bureau)
Bill Duke (Bird on a Wire)
Eric Dane (Grey’s Anatomy)
Meiling Melançon (Rush Hour 2)
Ken Leung (Lost)
Cameron Bright (Godsend)
Stan Lee (Avengers Assemble)
Bryce Hodgson (Izombie)

Twenty years in the past, Professor Charles Xavier and Erik Lehnsherr meet young Jean Grey at her parents’ house to invite her to join their school, the X-Mansion. Ten years later, the industrialist father of Warren Worthington III discovers his son is a mutant as Warren tries to cut off his wings.In the present, Worthington Labs announces it has developed an inoculation to suppress the X-gene that gives mutants their abilities, and offer the “cure” to any mutant who wants it. The cure is created from the genome of a young mutant named Jimmy, who lives at the Worthington facility on Alcatraz Island. While some mutants are interested in the cure, including the X-Men’s Rogue, many others are horrified by the announcement. Lehnsherr re-establishes his Brotherhood of Mutants with those who oppose the cure, warning his followers that the cure will be forcefully used to exterminate the mutant race.With help from Pyro, Lehnsherr recruits Callisto and several other mutants. They attack the mobile prison holding Mystique to free her, also freeing Juggernaut and Multiple Man. Mystique saves Lehnsherr by taking a shot of the mutant cure aimed at him, rendering her human. Hateful of humans, Lehnsherr abandons Mystique, much to her shock. Meanwhile, Scott Summers, still distraught over the loss of his fiancée, Jean Grey, drives to her resting location at Alkali Lake. Jean appears to Summers but, as the two kiss, Jean kills him. Sensing trouble, Xavier sends Logan and Storm to investigate. When they arrive, they find only telekinetically floating rocks, Summers’ glasses, and an unconscious Jean.When they return to the X-Mansion, Xavier explains to Logan that when Jean sacrificed herself, she also freed the “Phoenix”, a dark and powerful alternate personality which Xavier had telepathically repressed, fearing the Phoenix’s destructive potential. Logan is disgusted to learn of this psychic tampering with Jean’s mind but, once she awakens, he discovers that she killed Summers and is not the Jean Grey he once knew. The Phoenix emerges, knocks out Logan, and escapes to her childhood home.Lehnsherr learns of Jean’s resurrection through Callisto, and the X-Men arrive at the Grey home at the same time as the Brotherhood. Lehnsherr and Xavier go in alone, and both vie for Jean’s loyalty until the Phoenix resurfaces. She destroys the house and disintegrates Xavier before leaving with Lehnsherr. The Brotherhood decides to strike Worthington Labs, and the government sends multiple teams to attack the Brotherhood’s base in the forest, with information gained from Mystique, furious over Lehnsherr’s betrayal. However, the life forms in the camp are all copies of Multiple Man, and Lehnsherr uses his powers to move the Golden Gate Bridge so he and his army can get to Alcatraz and facilitate the attack on Worthington Labs. The remaining X-Men confront the Brotherhood, despite being significantly outnumbered, and arrive just as the military troops who thus far have been neutralizing the attacking mutants are overwhelmed by the Brotherhood.During the fight, Kitty Pryde saves Jimmy from Juggernaut, who had been sent to kill him. Logan has Colossus throw him at Lehnsherr and distract him long enough for Hank McCoy to inject Lehnsherr with the “cure” and thus nullify his powers. Army reinforcements arrive and shoot at Jean just as Logan had calmed her down. The Phoenix is awakened by the attack and disintegrates the troops in retaliation. The Phoenix then begins to destroy Alcatraz and anyone within range of her powers. Logan realizes that only he can stop the Phoenix due to his healing factor. When Logan approaches her, Jean momentarily gains control and begs him to save her. Logan fatally stabs Jean, destroying the Phoenix, but mourns for her death.Sometime later, mutant rights are finally obtained and Xavier’s school is still operating with Storm as headmistress. The President of the United States appoints McCoy as ambassador to the United Nations. Rogue reveals to Bobby Drake that she has taken the cure, much to his disappointment. Meanwhile, Lehnsherr sits alone at a chessboard in a San Francisco park. As he gestures toward a metal chess piece, it wobbles slightly, indicating his powers to be returning and the “cure” to be temporary. In a post-credits scene, Moira MacTaggert checks on a comatose patient who greets her with Xavier’s voice, leaving her startled.Not the greatest of the X-Men films, but not too bad nonetheless. I enjoyed it, some of the action set pieces are very impressive.

REVIEW: X-MEN 2

 

CAST

Patrick Stewart (American Dad)
Hugh Jackman (Swordfish)
Ian McKellen (The Hobbit)
Halle Berry (Catwoman)
Famke Janssen (The Faculty)
James Marsden (Westworld)
Bruce Davison (High Crimes)
Rebecca Romijn (Ugly Betty)
Anna Paquin (true Blood)
Shawn Ashmore (Earthsea)
Brian Cox (Troy)
Alan Cumming (Tin Man)
Aaron Stanford (The Hills Have Eyes)
Kelly Hu (Arrow)
Daniel Cudmore (Twilight: New Moon)
Peter Wingfield (Highlander: The Series)
Steve Bacic (Androemda)
Bryce Hodgson (Izombie)
Roger Cross (Arrow)
Kea Wong (Snow Day)

At the White House, brainwashed teleporting mutant Nightcrawler attempts to assassinate the President of the United States but fails and escapes. Meanwhile, Wolverine explores an abandoned military installation at Alkali Lake in Alberta for clues to his past, but finds nothing. He returns to Professor Xavier’s school for mutants, and Xavier tracks Nightcrawler using Cerebro. Xavier and Cyclops go to question the imprisoned Magneto about the attack, while X-Men Storm and Jean Grey retrieve Nightcrawler. Meanwhile, military scientist Colonel William Stryker approaches the president and receives approval to investigate Xavier’s mansion for their ties to mutants. Stryker’s forces invade the school and abduct some of the students. Colossus leads the remaining students to safety while Wolverine, Rogue, Iceman, and Pyro escape, and Stryker’s assistant Yuriko Oyama captures Cyclops and Xavier. During the attack Wolverine confronts Stryker, who knows him by name.untitledThe shape-shifting Mystique gains information about Magneto’s prison and helps him escape while also discovering schematics for a second Cerebro. Wolverine, Rogue, Iceman, and Pyro visit Iceman’s parents in Boston and meet up with Storm, Jean, and Nightcrawler. The X-Jet is attacked by fighter jets en route back to the mansion and is shot down, but Magneto saves them from crashing. Magneto explains to the group that Stryker has built the second Cerebro to use it, and Xavier, to telepathically kill every mutant on the planet. Stryker’s son, Jason, is a mutant with mind-controlling powers, which Stryker will use to force Xavier to do this. Stryker had also previously used Jason’s powers to orchestrate Nightcrawler’s attack as a pretense to gain approval to invade Xavier’s mansion. Magneto also tells Wolverine that Stryker was the man who grafted his adamantium skeleton onto his bones. Jean reads Nightcrawler’s mind and determines that Stryker’s base is underground in a dam at Alkali Lake.vlcsnap-2011-10-19-18h17m54s214The mutants infiltrate Stryker’s base and Magneto and Mystique go to disable Cerebro before the brainwashed Xavier can activate it. Storm and Nightcrawler rescue the captured students, and Jean fights a mind-controlled Cyclops; their battle frees Cyclops but damages the dam, which begins to rupture. Wolverine finds Stryker in an adamantium smelting lab and remembers it as where he received his adamantium skeleton. Wolverine fights and kills Yuriko, then chases Stryker to a helicopter pad and chains him to the helicopter’s wheel. Magneto stops Cerebro and, using Mystique impersonating Stryker to command Jason, has Xavier redirect its powers on normal humans. The two subsequently use Stryker’s helicopter to escape, accompanied by Pyro who has been swayed to Magneto’s views. Nightcrawler teleports Storm inside Cerebro, where she creates a snowstorm to break Jason’s concentration and free Xavier from his control.jjojoljljmThe X-Men flee the dam as water engulfs it, but the damaged X-Jet struggles to take flight. Stryker is killed in the deluge and Jean sacrifices herself to hold back the flood of water while getting the jet into the air, and is then consumed by the flood and presumed dead. The X-Men give the president Stryker’s files, and Xavier warns him that humans and mutants must work together to build peace. Back at the school, Xavier, Cyclops, and Wolverine remember Jean, and Xavier begins to hold a class. The film ends with a voice-over narration from Jean accompanied by the flooded Alkali Lake, a fiery Phoenix-like shape rising from the water.X Men 2 was very much as good, if not better, as the first. Bryan Singer seemed much more comfortable with the original characters who’s background were developed in the first film and the addition of Nightcrawler was a particular hit who allied with the good guys made a formidable team.

REVIEW: X-MEN

 

CAST

Patrick Stewart (American Dad)
Hugh Jackman (Swordfish)
Ian McKellen (The Hobbit)
Halle Berry (Catwoman)
Famke Janssen (The Faculty)
James Marsden (Westworld)
Bruce Davison (High Crimes)
Rebecca Romijn (Ugly Betty)
Ray Park (Star Wars – Episode I)
Tyler Mane (halloween)
Anna Paquin (true Blood)
Shawn Ashmore (Earthsea)
Stan Lee (Avengers Assemble)
George Buza (Mutant X)
Shawn Roberts (Resident Evil: The FInal Chapter)

In Nazi-occupied Poland, 14-year-old Erik Lehnsherr is separated from his parents upon entering the Auschwitz concentration camp. While trying to reach them, he causes a set of metal gates to bend towards him before being knocked out by guards. In 2002, U.S. Senator Robert Kelly attempts to pass a “Mutant Registration Act” in Congress, which would force mutants to publicly reveal their identities and abilities. Present are a middle-aged Lehnsherr, now going by the name “Magneto”, and an old friend of his, the telepathic Professor Charles Xavier. Seeing Lehnsherr in attendance, Xavier becomes concerned with how he will respond to the Registration Act.Meanwhile, in Meridian, Mississippi, 17-year-old Marie D’Ancanto accidentally puts her boyfriend into a coma upon kissing him, her mutant ability to absorb the powers and life force of others manifesting. She runs away from home and adopts the name Rogue. In Alberta she meets a mutant named Logan, also known as Wolverine, who possesses superhuman healing abilities and metal claws that protrude from his knuckles. While on the road together, they are attacked by a minion of Magneto’s, Sabretooth, until two of Xavier’s students, Cyclops and Storm, arrive to successfully save them. Wolverine and Rogue are brought to Xavier’s mansion and school for mutants in Westchester County, New York. Xavier tells Logan that Magneto appears to have taken an interest in Wolverine, and he asks him to stay while Xavier’s mutants, the X-Men, investigate why. Rogue meanwhile enrolls in the school.Senator Kelly is abducted by two more of Magneto’s minions, Toad and Mystique, and is brought to their hideout on the uncharted island of Genosha. There, Magneto uses Kelly as a test subject for a machine powered by his magnetic abilities that generates a field of radiation, inducing mutation in normal humans. Kelly later escapes by taking advantage of his newfound mutation. When Rogue uses her power on Wolverine in view of her classmates, she is convinced by Mystique, disguised as classmate Bobby Drake, that Xavier is angry with her and she should leave the school. Xavier uses his mutant-locating machine Cerebro to find Rogue at a train station, and the X-Men go to retrieve her. Meanwhile, Mystique enters Cerebro and sabotages it.Having left ahead of Storm and Cyclops, Wolverine finds Rogue on a train and convinces her to return to the school. Before they can leave however, Magneto arrives and reveals that he is after Rogue rather than Wolverine. Although Xavier attempts to stop Magneto by metally controlling Sabretooth, he is forced to release his hold on Sabretooth when Magneto threatens the police who have converged on the train station, allowing Magneto’s Brotherhood to escape with Rogue. Kelly arrives at Xavier’s school and Xavier reads his mind to learn about Magneto’s machine. Realizing the strain of powering it nearly killed Magneto, the group deduces he intends to transfer his powers to Rogue and use her to power it at the cost of her life. Kelly’s body rejects his mutation and his body dissolves into liquid. Xavier attempts to locate Rogue using Cerebro, but Mystique’s sabotage incapacitates him and he falls into a coma. Fellow telekinetic/telepath Jean Grey fixes Cerebro and uses it, learning that Magneto plans to place his mutation-inducing machine on Liberty Island and use it to “mutate” the world leaders meeting at a summit on nearby Ellis Island. The X-Men scale the Statue of Liberty battling the Brotherhood while Magneto transfers his powers to Rogue and activates the mutating machine. As Wolverine confronts and distracts Magneto, Cyclops blasts him away, allowing Wolverine to destroy the machine. He transfers his powers to Rogue and his healing abilities rejuvenate her, while incapacitating himself.Professor Xavier and Wolverine recover from their comas. The group also learn that Mystique escaped the island battle and is impersonating Senator Kelly. Xavier gives Wolverine a lead to his past at an abandoned military installation in Canada. Magneto is imprisoned in a complex constructed of plastic and is visited by Xavier, and warns him he intends to escape one day and continue the fight.This is an extremely intelligent and well thought out movie. If you are a fan of the X-Men, there is no way you can miss out on this

REVIEW: WESTWORLD – SEASON 1

MAIN CAST

Evan Rachel Wood (Thirteen)
Thandie Newton (Crash)
Jeffrey Wright (The Hunger Games: Catching Fire)
James Marsden (X-Men)
Ingrid Bolsø Berdal (Hercules)
Luke Hemsworth (Neighbours)
Sidse Babett Knudsen (Borgen)
Simon Quarterman (the Scorpion King 2)
Rodrigo Santoro (Lost)
Shannon Woodward (Raising Hope)
Ed Harris (The Abyss)
Jimmi Simpson (Date Night)
Angela Sarafyan (The Promise)
Anthony Hopkins (The Silence of Tue Lambs)
Ben Barnes (Dorian Gray)
Clifton Collins Jr. (Pacific Rim)
Tessa Thompson (Thor: Ragnarok)

RECURRING / NOTABLE GUEST CAST

Louis Herthum (Longmire)
Leonardo Nam (He’s Just Not That Into You)
Talulah Riley (St. Trinians)
Oliver Bell (Salem)
Currie Graham (Agent Carter)
Steven Ogg (The Escort)
Michael Wincott (The Doors)
Eddie Rouse (I’m Still Here)
Brian Howe (Catch Me If You Can)
Demetrius Grosse (Saving Mr. Banks)
Kyle Bornheimer (The D Train)
Gina Torres (Firefly)
Bojana Novakovic (Drag Me To Hell)
Eddie Shin (That 80s Show)
Ptolemy Slocum  (Hitch)

As many sci-fi fans will know, the show ‘Westworld’ is based on the 1973 feature film of the same name (written and directed by the late, great Michael Crichton), and the premise is basically the same as it was then: In a future where technological possibilities are seemingly endless, a highly sophisticated theme park offers rich clients the chance to visit the long gone era of the Old West .

The show does a great job pulling the viewer immediately into Westworld. Within 10 minutes of the first episode, the basic rules of the theme park are established: paying guests called “newcomers” get to interact with androids called “hosts” (which to the naked eye are indiscernible from the guests) in a world dressed up like the Old West – and in this world, the guest truly is king. The rules are brutally simple: the visitors get to do whatever they like with – or to – the androids. They can have a friendly chat with them, flirt with them or embark on a spontaneous (or scripted) adventure with them – but they can also shoot them, rape them, torture them and kill them at will.

The androids, on the other hand, are constructed and programmed in a way that is supposed to inhibit them from physically harming “living” creatures. At the beginning of the show – thanks to an interesting choice of storytelling – we get to experience Westworld from the perspective of the androids, which reveals a cruel detail about their nature: they apparently experience emotions. Artificial or not, they do feel pain and fear – as well as affection and anger, and they have no idea that they don’t count as “real” people (at least not to those who call themselves real people). And while that detail certainly makes the “game” even more thrilling and more realistic for the visitors, it means that the shocking abuse some of the androids have to suffer is harrowingly real to them.

The way the show is constructed  it immediately confronts the viewer with very uncomfortable questions. How do we as humans behave towards creatures we consider non-human? How excessive do we become and how thin does our layer of morality turn out to be if we’re allowed to live out all our fantasies without having to fear any consequences for our actions? And at what point should a creature have rights similar to those we demand for ourselves? How do we define “sentient”? How do we define “human”? And how well do we actually understand – and how well are we able to control – the amazing technology our species seems to have acquired so suddenly?

As an avid film fan, I found ‘Westworld’ immediately intriguing; not only because it dares to challenge the viewer with fascinating philosophical questions and scientific concepts, but also because its premise offers the chance to explore a wide range of film genres: sci- fi, western, drama, horror – to name but a few.As for the non plot related aspects of the show: production design, music and effects are fantastic – as we’ve come to expect from HBO’s high concept productions  and with the impressive ensemble of high caliber actors do a great job at bringing their respective characters to life (artificial and otherwise).

A special mention needs to go to Ed Harris and Anthony Hopkins: their charismatic screen presence is once more just impossible to ignore and they simply own every scene they’re in.  Given the amount of talent involved, anything else actually would have been surprising. Produced by J.J. Abrams, created by Jonathan Nolan and Lisa Joy Nolan based on a concept by the late – great – Michael Crichton; directed by Neil Marshall and Vincenzo Natali (among others), and with a cast most shows would kill for, the stars really seem to have aligned for ‘Westworld’.

My overall verdict so far: ‘Westworld’ is intelligent science fiction for adults (some scenes are very graphic) which offers more than just eye candy and is full of mysteries for the patient viewer to uncover. It provides a powerful metaphor for oppression and exploitation of other beings – and it shows how quickly we tend to lose our “humanity” when given ultimate power over those we somehow consider less “human”.  With a great cliffhanger season keeps you salivating for the second season which wont air till 2018.

REVIEW: ENCHANTED

CAST

Amy Adams (Man of Steel)
Patrick Dempsey (Transformers 3)
James Marsden (Westworld)
Timothy Spall (Harry Potter)
Idina Menzel (Frozen)
Susan Sarandon (Tammy)
Julie Andrews (The Princess Diaries)
Rachel Covey (Duane Hopwood)
Fred Tatasciore (Hulk Vs)
Tonya Pinkins (Gotham)
Michaela Conlin (Bones)

In the animated fairy tale kingdom of Andalasia, the evil Queen Narissa schemes to protect her claim to the throne, which she will lose once her stepson, Prince Edward, finds his true love and marries her. She enlists her loyal henchman Nathaniel to keep Edward distracted. Giselle, a young woman, dreams of meeting a prince and experiencing a “happy ever after”. Edward hears Giselle singing and sets off to find her. Nathaniel sets free a captured troll to kill Giselle, but Edward rescues her in time. When they meet, they instantly fall in love and plan to get married the following day.
Narissa, disguised as an old hag, intercepts Giselle on her way to the wedding and pushes her into a well, and she is magically transformed into a 3D live version of herself and transported to a manhole in New York City’s Times Square. Giselle quickly becomes lost. Meanwhile, Robert, a divorce lawyer, prepares to propose to his longtime girlfriend Nancy, much to the dismay of his daughter Morgan. Robert and Morgan encounter Giselle on their way home, and Robert begrudgingly allows Giselle to stay the night at their apartment at the insistence of Morgan, who instantly trusts Giselle.
Pip, Giselle’s best chipmunk friend from Andalasia, had witnessed Giselle’s exile and alerted Edward thereafter, and both embark on a rescue mission to the city, where they too are turned into 3D versions, but Pip is instead in the form of a real chipmunk – therefore losing the ability to speak. Narissa sends Nathaniel to follow and impede Edward. In a restaurant, Narissa appears to Nathaniel in a soup pot and gives him three poisoned apples to murder Giselle. Pip eavesdrops but is unable to communicate with Edward, as animals cannot speak outside of Andalasia. Nathaniel keeps Pip silenced by imprisoning him in various containers. Meanwhile, after Giselle summons vermin to clean Robert’s apartment, Nancy arrives to take Morgan to school. She meets Giselle and then angrily leaves assuming Robert was unfaithful. Robert is initially upset but spends the day with Giselle, knowing she is vulnerable in the city. Giselle questions Robert about his relationship with Nancy and helps the pair reconcile by sending Nancy an invitation to the “King and Queen’s Costume Ball” at the Woolworth Building. She also begins to win Robert over with her sunny disposition and optimism, even inadvertently helping one of his clients reconcile with his wife.
After searching throughout the city, Edward finally locates Giselle at Robert’s apartment. While Edward is eager to take Giselle home to Andalasia and marry, she insists that they should first go on a date to get to know each other, still conflicted about her feelings. Giselle promises to return to Andalasia after ending their date at the ball, which Robert and Nancy also attend. Narissa, who has been spying from Andalasia, decides to follow and kill Giselle herself after Nathaniel failed to poison her twice. Robert and Giselle share a dance with each other, with both Edward and Nancy noticing their obvious attraction to each other. Giselle and Edward then prepare to leave, but Giselle feels sorrow at leaving Robert behind. Narissa appears as the old hag and offers the last poisoned apple to Giselle, promising “sweet dreams and happy endings.” Giselle takes a bite and falls to the floor unconscious.
Narissa attempts to escape with Giselle’s body but is stopped by Edward. Nathaniel, realizing Narissa was using him and never loved him, reveals her plot. Robert realizes that true love’s kiss (something Giselle often discussed) is the only force powerful enough to break the apple’s spell. After Edward’s kiss fails to wake Giselle, he prompts Robert to do so instead. Robert kisses her just as the clock strikes twelve, Giselle awakens and the whole crowd cheers, with everyone else believing that the situation is a staged event for the ball. Narissa, however, furiously transforms into a giant blue dragon and takes Robert hostage, prompting much panic throughout the crowd. Giselle takes Edward’s sword and pursues Narissa to the top of the building. Pip, who was freed by Edward, helps Giselle successfully defeat Narissa, who falls off of the building to the ground and explodes into magic glitter on impact.
A happy new life unfolds for everyone, showing Edward and Nancy – now animated – marrying in Andalasia; Giselle running a successful fashion business and forming a happy family with Robert and Morgan; while Nathaniel and Pip each become successful authors about their personal experiences in the real world, leaving everyone with their own “happily ever after”.There was also enough humor to keep the older viewers entertained from hilarious allusions to popular fairy tales and even some “adult” themes insinuated, while still keeping the film Disney clean. Overall I completely enjoyed this movie and recommend it to all families.