REVIEW: LEGO MARVEL SUPER HEROES: MAXIMUM OVERLOAD

CAST

Adrian Pasdar (Heroes)
Laura Bailey (Justice League vs Teen Titans)
Barry Dennen (Titanic)
Steve Blum (Wolverine & The X-Men)
Greg Cipes (Teen Titans)
Bumper Robinson (Sabrina: TTW)
Troy Baker (Justice League Action)
Drake Bell (Superhero Movie)
Fred Tatasciore (Hulk Vs)
Dee Bradley Baker (American Dad)
Chi McBride (Human Target)
Robin Atkins Downes (Babylon 5)
Grey DeLisle (The Replacements)
Tom Kenny (Superhero Squad)
J.K. Simmons (Whiplash)
Roger Craig Smith (Batman Unlimited)
Travis Willingham (Sonic Boom)
Stan Lee (Avengers Assemble)

lego-marvel-super-heroes-maximum-overload-post-6The mischievous Loki challenges the Marvel Super Heroes yet again. But this time, he’s cast a snowball-themed spell that has Norn Frost in it to “Overload” various villains. At a secret S.H.I.E.L.D. base in New Jersey, Doctor Octopus raids it in order to obtain the Beta Burst Missile. Using the Norn Frost obtained by his Chitauri minion, Loki “overloads” Doctor Octopus. In Manhattan, Nick Fury calls upon Spider-Man to help defeat Doctor Octopus. Before Doctor Octopus can use the Beta Burst Missile on the trapped S.H.I.E.L.D. Agents, Spider-Man arrives and tricks Doctor Octopus into shocking himself on a nearby power generator. The next morning, Spider-Man brings a bound Doctor Octopus back to Manhattan in a truck upon running out of web fluid on the Garden State Parkway. Nick Fury takes Doctor Octopus to be locked up as Spider-Man is left walking back to Queens, New York. Loki is not pleased that his Doctor Octopus “Overload” was defeated and vows that it’s not over.
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Some time later, news articles are shown about the “Overloads” like the rise of the Red Skull “Overload,” the Wizard “Overload” forming the Frightful Sixteen which outnumbers the Fantastic Four, and the Green Goblin “Overload.” J. Jonah Jameson reports on the “Overloads” and claims that Spider-Man is behind this. Loki then uses the Norn Frost on Venom since he is a creature worth overloading. Appearing near the stand of the Hot Dog Vendor, Venom is overloaded as Loki commands Venom to attack Spider-Man. Their fight takes them through the Daily Bugle much to the dismay of J. Jonah Jameson. Spider-Man manages to defeat Venom by getting one of Venom’s tendrils into the Linotype machine where Venom ends up flattened onto a bunch of newspapers. Venom’s body is taken away by Nick Fury, Captain America, and Wolverine. As Spider-Man swings away from the Daily Bugle, J. Jonah Jameson rants about his newsroom getting trashed as he vows to get Spider-Man for this. Spider-Man runs out of web fluid and falls into a dumpster leaving him to walk back to Queens again.
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While reprimanding his Chitauri henchman for sitting in his chair, Loki sees a helicopter carrying Mandarin flying to Tony Stark’s Malibu mansion to attack it. Loki then throws the Norn Frost at Mandarin who then prepares to attack. Iron Man saves Pepper Potts by getting her into an Iron Man armor. Iron Man then begins to fight Mandarin. As Loki plans to overload Mandarin further, his Chitauri minion slips and causes the Norn Frosts to fall into the nearby crevices. Iron Man uses his left glove to knock Mandarin out of his helicopter as he is grabbed by Falcon who takes Mandarin to the Helicarrier. Iron Man is then helped out of the rubble by his left glove before leaving with Pepper to eat out somewhere. Spider-Man suddenly finds himself at an offshore oil platform wondering how he got there. While his Scrying Mirror is getting fixed, Loki reaches out with his mind where he finds Iron Man and Iron Fist looking for Abomination. Loki finds Abomination on top of a passing airplane as he overloads Abomination. Upon Abomination breaking the airplane, Iron Man and Iron Fist rescue the passengers and land them safely on the offshore oil platform while Hulk arrives to fight Abomination. With help from Iron Fist, Hulk knocks Abomination into the ocean. When Loki plans to overload Hulk to serve him, Hulk notices his floating eyes and punches it as Loki feels the pain while getting a black eye.
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Loki declares that his plans are almost complete as his Chitauri minions sweep the floor. On the S.H.I.E.L.D. Helicarrier, Wolverine, Captain America, and Black Widow do a roll-call on the captive supervillains Doctor Octopus, Venom, Abomination, Mandarin, Red Skull, and Wizard. Loki then commands the supervillains to arise as they all end up overloaded again while being ordered to hop. The constant hopping causes the Helicarrier to fall onto Tony Stark’s rebuilt mansion. The supervillains then go on a rampage as Iron Man, Nick Fury, Black Widow, Captain America, Wolverine, and Hulk fight them. Thor arrives with Spider-Man upon finding him whining outside Avengers Tower. Spider-Man claims that he was angsting. Upon taking down Doctor Octopus, Thor traces the Norn Frost back to Loki. Thor brings Iron Man and Spider-Man to Asgard to confront Loki while the others fight the supervillains.
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Upon the Chitauri minions fixing the Scrying Mirror, Loki views it and sees Thor, Iron Man, and Spider-Man approaching his lair. Upon the arrival of Thor, Iron Man, and Spider-Man, Loki eats all the Norn Frost in the possession of one of his Chitauri minions and fights them. After throwing Spider-Man into a wall, Loki states to Iron Man and Thor that he is meddling in the affairs of Earth and take the throne of Asgard (Loki whispered that part which the Chitauri minion said out loud). Upon Loki slipping, Thor throws Mjolnir at Loki as he hangs over the crevasse. Thor then demands that Loki removes his enchantment and vow to never disturb the peace of Midgard under the threat of the hammer noogie. Loki surrenders where the Norn Frost’s enchantment wears off enabling the supervillains to be defeated. Thor then plans to tell Odin what Loki was doing. Loki begs for Thor not to tell their father or to tell him that he was watching the Scrying Mirror since Odin took away his scrying privelages 3 centuries ago. After Thor, Iron Man, and Spider-Man leave, Loki changes the channel on the Scrying Mirror before Hulk can do another attack on him.
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On the S.H.I.E.L.D. Helicarrier, the supervillains are locked up as they plan their revenge. On the deck of the Helicarrier, it was mentioned that Iron Man’s mansion has been repaired and the Helicarrier is back on the air. To get the angst out of Spider-Man, Nick Fury gives Spider-Man a S.H.I.E.L.D. Security Card and a Spider-Bike. As Spider-Man rides the web line off the Helicarrier, the superheroes celebrate their victory. As the Helicarrier takes off, the web line breaks causing Spider-Man and the Spider-Bike to fall. In the post-credits, J. Jonah Jameson is visiting the Hot Dog Vendor’s cart ordering a hot dog from him. Spider-Man lands safely on the nearby streets as his Spider-Bike falls on the Hot Dog Vendor’s cart. Getting mustard on him from the resulting incident, J. Jonah Jameson states that Spider-Man must be responsible as Spider-Man sneaks away.image_39e1ade4The animation is pretty amazing and one of the best Lego films I have seen with great attention to detail the effects are pretty good as well it just nice that they took the time to make the animation work and it’s better when you watch it in High Definition to better enjoy the attention of the art work It just a good film that I think the family would enjoy and fans of Lego and Marvel

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REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

REVIEW: SPIDER-MAN: THE NEW ANIMATED SERIES (2003)

MAIN CAST (VOICES)
Neil Patrick Harris (How I Met Your Mother)
Lisa Loeb (Legally Blonde)
Ian Ziering (Beverly Hills, 90210)
NOTABLE / RECURRING GUEST CAST
Ethan Embry (Eagle Eye)
Jeff Fischer (American Dad)
Jennifer Hale (Batman: Assault on Arkham)
Julie Nathanson (The Zeta Project)
Rino Romano (The Batman)
Cree Summer (Batman Beyond)
Edward Asner (Elf)
Eve (4.3.2.1.)
Keith David (Pitch Black)
Michael Clarke Duncan (The Finder)
Gina Gershon (The Batman)
John C. McGinley (Highlander 2)
Xander Berkeley (Poison Ivy 2)
Virginia Madsen (Sideways)
Susan Blu (Transformers)
Keith Carradine (The Big Bang Theory)
James Marsters (Buffy)
Keith Szarabajka (Angel)
Clancy Brown (Sleepy Hollow)
Jane Lynch (Paul)
Harold Perrineau (Constantine)
Tara Strong (Teen Titans)
Jeffrey Combs (Teenage Mutant Ninja Turtles 2012)
David DeLuise (3rd Rock From The Sun)
Devon Sawa (Final Destination)
Stan Lee (Agent Carter)
Michael Dorn (Ted 2)
Truly one of the best ever incarnation of Spiderman and the best animated show ever Compared to previous animated Spidey’s this was bold move, taking it in new, more mature and realistic directions.
Taking place after the Spider-Man movie this show revolves around the college adventures of Peter, Mary-Jane and Harry who have much better chemistry, character and dialogue than the movie ever offered. Each episode provides more drama and development and creativity. The stories are very imaginative and are obviously written by people who are passionate about Spiderman rather than a studio hashing a product together.
 The computer animation is superb and resembles The Ultimate Spiderman comic book (my fave) more than anything. And I know Mary-Jane is only a CGI character but she is so beautiful, and she’s voiced by the equally gorgeous Lisa Loeb. Neil Patrick Harris is the voice of Peter Parker and even in this performance he is a hundred times better than Tobey Maguire.
 The show also offers some new, interesting characters like Indy, Cheyenne and Silver Sable and gives us alternate takes on Electro and Kraven. Though I was curious as to why Aunt May was not involved.
There is plenty of action and excitement to be had in every episode, all backed up to great music.

REVIEW: SPIDER-MAN UNLIMITED

MAIN CAST

Rino Romano (The Batman)

RECURRING / NOTABLE GUEST CAST

RECURRING / NOTABLE GUEST CAST

Michael Donovan (ReBoot)
Brian Drummond (Dragon Ball Z)
Mark Gibbon (The 6th Day)
Jennifer Hale (Cinderella II)
Ron Halder (Stargate SG.1)
Richard Newman (Beast Wars)
Garry Chalk (Arrow)
Kim Hawthrone (Lucky Louie)
Jim Byrnes (Highlander: The Series)
Scott McNeil (Beast Wars)

This is such a brilliant innovation in the Spiderman story and characterisation it really is a shame that it only ran for a total of thirteen episodes. This complete series is featured on two discs and an inlay card is included which folds out to be about the size of the box itself, clips from each episode are featured alongside comics caption/dialogue boxes which provide a synopsis of the action in this episode.

What struck me watching this was the extent to which for what is pretty much a simple saturday morning kids cartoon the episodes are cerebral, there is as much serious philosophizing as wise cracking. There are not just the normal heroics, standing up to bullies and being your best content which you may associate with cartoons of this kind but morally complex dilemmas too.

Spiderman himself has been rebooted but I think the detractors of the series who suggested it was essentially Spiderman reborn go too far. In addition to the powers imparted to him by being mutated by a spider bite Peter Parker has a costume now which can be deployed from a wrist watch like device comprised of nano technology. In addition to web slinging he can fire small darts, use a kind of sonic emitting blast to repell enemies, provides a stealth camoflage and be protected against fumes and gas canisters.

These are major changes and Spiderman has become much more sophisticated but given that his major antagonists from the start of this series are Venom and Carnage I really think this is necessary because these are two of the most formidable adversaries in the Marvel universe and I always thought some of the battles in the comics when Spiderman did not have the enhanced capabilities featured here where unconvincing.While the initial conflict is with Carnage and Venom the action quickly moves to an alternate universe in which humankind are the bottom of the heap in a caste system created by a sort of Dr Moreau Nemesis, there are now humans, servitor machines and bestial masters. Enter reflections upon class struggle, insurrection, subversion, terrorism, oppression and totalitarianism. None of this is played down or presented in a simplistic fashion. For instance Peter Parker’s initial objective of simply finding a way home to MJ becomes untenable as he discovers the pilot from an earlier mission to the alternate reality is a leader of the human resistance. Peter does not wish to join the insurgents but initially fufils the role of mediator between the factions, assisted in some way by lack of assurance on the part of the bestials that he is a human at all. The villain/nemesis himself in his back story is not unambiguously evil but rather is a plausibly disillusioned utopian genuis turned bitter, like Captain Nemo. There are possibly other more down played comments on animal testing, vivisection and vigilantism too.

However, all this said, is also possible to treat it as simple entertainment. There are appearences by alternate versions of Green Goblin and Vulture, heroes rather than villains, and The Hunter.

REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

REVIEW: SPIDER-MAN AND HIS AMAZING FRIENDS – SEASON 1-3

 

CAST (VOICES)

Dan Gilvezan (Transformers)
Kathy Garver (Family Affair)
Frank Welker (The Simpsons)
Stan Lee (Avengers Assemble)
Dick Tufeld (Lost In Space)
June Foray (Mulan)
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RECURRING / NOTABLE GUEST CAST

Rino Roamno (The Batman)
Alan Young (The Time Machine)
Michael Ansara (Batman: TAS)
Michael Bell (Rugrats)
Peter Cullen (Transformers)

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Spider-Man, Iceman, and Firestar are fighting crime and protecting the world from villains. As Peter Parker, Bobby Drake, and Angelica Jones, the three heroes are not only teammates, but roommates and friends. As they try to keep Aunt May and Angelica’s dog Ms. Lion in the dark, the Spider-Friends battle enemies from Doctor Octopus and Doctor Doom to Green Goblin and the Red Skull. Fortunately, the Spider-Man, Firestar, and Iceman have allies in Captain America, the X-Men, and other heroes…saving the world is a hard job!

Image result for SPIDER-MAN AND HIS AMAZING FRIENDSSpider-Man and His Amazing Friends ran for three seasons on NBC from September 12, 1981 to September 10, 1983. The series was produced by Marvel Productions and aired with The Incredible Hulk cartoon starting with the second season. Saturday mornings was ruled by the Super Friends. DC Comics had gotten the jump on the super team show and Batman, Superman, Wonder Woman, and the Wonder Twins were already well established when Spider-Man and His Amazing Friends premiered. Despite that,

The series was cheap. There are episodes where there are out and out mistakes (my favorite is “The Origin of Iceman” where a flashback of Iceman’s time with the original X-Men accidentally features two Cyclops in a group shot). You get lots of coloring errors and animation that changes. In addition to that, there are inconsistencies and things like just unknowns about the series…like Wolverine having an Australian accent instead of a Canadian (which would have been a lot easier for Hugh Jackman). It even stole character designs like for Cyberiad in “The X-Men Adventure” who was a complete copy of Legion of Super-Heroes’ Fatal Five enemy Tharok. Surprisingly, the show is loaded with cameos. Characters like  Matt Murdock, Captain America, Iron Man, and others make cameos throughout the series and the series helped introduce the X-Men to a larger audience.

I would say that the best addition to the Marvel Universe from Spider-Man and His Amazing Friends is easily Firestar. Firestar was meant to be the Human Torch who was tied up in legal tape. Firestar was created for the show to look like Mary Jane Watson, but ended up being retconned into the Marvel Universe in Uncanny X-Men #193 (May 1985). I love Firestar and she’s one of the few characters who really transitioned well from “made-for-TV” to comic. pider-Man and His Amazing Friends is a fun series…if you grew up with it. The cheapness of the series probably won’t impress younger viewers, but as a fan from childhood, it is great to revisit the show.

REVIEW: SPIDER-MAN (1981)

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CAST (VOICES)

Ted Schwartz (Transformers)
William Woodson (The Naked Gun 2 1/2)
Mona Marshall (South Park)
Linda Gary (He-Man)
Stan Jones (Little Shop of Horrors)

UntitledWhen I sat down to watch Spider-Man 5000 I was expecting some futuristic Batman Of The Future-type deal, with Spidey zooming into space decked out in weblined silver, led by a computerised spider-sense. In fact, the 5000 refers to an episode numbering system, not a time period. This 1981 animated series is set straight after the ‘60s Spider-Man show, with Peter Parker now attending Empire State University. The villains are contemporary and familiar – The Lizard, Sandman, Dr. Octopus.

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The series does a great job of capturing the ethos of the comic book. Peter Parker is a teenager juggling his love life with work and webswinging. Aunt May fusses over him and there’s a running gag about him slipping into the house without her noticing. Peter’s impatient date Betty Brant gets stood up on a regular basis. Spider-Man’s quips and interior monologues ring true. For example, he calls Magneto “Bucket Head” and “Turret Top”.The series adds its own quirks as well. Peter acts clumsy and cowardly a la Clark Kent. We learn that he prefers The Beatles to disco music, can make armpit web wings to glide from buildings, and isn’t above taking money to guard a million dollar artifact. These all come across more as plot devices than attempts to develop character or build continuity.

Spider-Man 5000 retains the child-friendly, uncluttered look of the ‘60s show but adds texture to its art and storytelling. There are detailed touches like the underwater ripples when Spidey treads water, and sight gags such as a billboard for Spritz Bug Spray. In each 20 minute tale, the hero has time to discover the villain’s plan, get knocked down and get back up again for a rousing finale. The villains come across as greedy, bellowing buffoons who thrive on thievery rather than any grand master plans. Even the Black Cat is a plain burglar here, more Catwoman than Felicia Hardy. This being the early ‘80s, Spider-Man relies on the miracle power of microwaves on more than one occasion to battle the bad guys. Who knew that those reheating waves could turn sand to dust and amplify magnetic power, bouncing it back to its source?  Spidey isn’t the only character who harnesses technology in unusual ways. In the first episode Bubble, Bubble, Oil And Trouble, classic villain Doctor Octopus modifies his terrible tentacles, adding a diamond sawblade and a vibrator. That’s a sonic quartz vibrator, which zaps walls to rubble around Spider-Man. Ock wants to get his protuberances on the world’s oil supply, but before he can thwart the tanker snatcher Peter has to do his homework and compete with rival photographer Mortimer (J. Jonah Jameson’s wonderfully sniveling nephew).16174889_1836004673347908_6687458020023952722_nIn Dr. Doom, Master Of The World, the Latverian dictator forgoes a typical destructive scheme for something more polite. He brainwashes UN representatives so they’ll vote him into absolute power. Questionable tactics aside, this is the Doom we all want to see – creepy and menacing with a Darth Vader voice. Sadly, he’s defeated too easily and he just runs away at the end. Above all, 5000 has some great visual ideas even if they’re not always executed effectively. They’re the kind of ideas that get kids talking in the playground, looking forward to their next Saturday morning episode. We get Doc Ock striding over the skyline with his tentacles extended, The Lizard breeding giant monitors and other zoo lizards in the subway, blocking off the exits with crashed trains, the Black Cat tightrope walking across power lines, and Spidey wrestling a gator in the Everglades, getting magnetized to a satellite and finding himself in other imaginative scrapes.

On the downside, true believers have been up in all eight arms about the transfer quality of these discs. Clear Vision blames it on the age of the material, but the color isn’t so much faded as flickering, as if an old digital generation has been used as the source footage. Cleaning up video frames can be painstaking, but if Clear Vision wants a loyal fan base then it’s going to have to put more work into the other volumes in this series. If you don’t mind the bad flicker and odd black and white frames, this early Marvel Production will surprise you with its joie de vivre, if not its sophistication. As the missing link between the original cartoon and Spider-Man And His Amazing Friends, this is a rare gem.