REVIEW: GAME OF THRONES – SEASON 6

MAIN CAST

Peter Dinklage (The Boss)
Nikolaj Coster-Waldau (Headhunters)
Lena Headey (The Purge)
Emilia Clarke (Terminator: Genisys)
Kit Harington (Pompeii)
Aidan Gillen (The Dark Knight Rises)
Liam Cunningham (Dog Soldiers)
Carice van Houten (Black Book)
Natalie Dormer (The Forest)
Indira Varma (Human Target)
Sophie Turner (X-Men: Apocalypse)
Nathalie Emmanuel (Fast & Furious 7)
Rory McCann (Hot Fuzz)
Maisie Williams (Cyberbully)
Conleth Hill (Serena)
Alfie Allen (The Other Boleyn Girl)
John Bradley (Patient Zero)
Tom Wlaschiha (Valkyrie)
Gwendoline Christie (Star Wars: The Force Awakens)
Hannah Murray (Dark Shadows)
Jonathan Pryce (Stigmata)
Kristofer Hivju (After Earth)
Michiel Huisman (The Young Victoria)
Michael McElhatton (Blow Dry)
Iwan Rheon (Misfits)
Dean-Charles Chapman (Will)
Isaac Hempstead Wright (The Boxtrolls)
Jerome Flynn (Ripper Street)
Iain Glen (Tomb Raider)

RECURRING / NOTABLE GUEST CAST

Daniel Portman (Outcast)
Natalia Tena (Harry Potter)
Max Von Sydow (Conan The Barbarian)
Ellie Kendrick (An Education)
Alexander Siddig (Star Trek: DS9)
Ian McShane (Hercules)
Keisha Castle-Hughes (Star Wars – Episode III)
Kristian Nairn (Ripper Street)
Gemma Whelan (Gulliver’s Travels)
Joseph Mawle (Abrham Lincoln: Vampire Hunter)
Diana Rigg (The Avengers)
Julian Glover (Troy)
Finn Jones (Iron Fist)
Art Parkinson (Dracula Untold)
Owen Teale (King Arthur)
Patrick Malahide (Fortress 2)
Joe Naufahu (Power Rangers RPM)
Ben Crompton (All or Nothing)
Brenock O’Connor (Dickensian)
Charlotte Hope (The Musketeers)
Elizabeth Webster (Cockneys vs Zombies)
Tim McInnerny (Notting Hill)
Bella Ramsey (The Worst Witch 2017)
Michael Condron (High-Rise)
David Bradley (Harry Potter)
Tamer Hassan (Sucker Punch)
James Faulkner  (Underworld: Blood Wars)
Toby Sebastian (The Hollow Crown)
Clive Russell (The 13th Warrior)
Brian Fortune (The Inside)
Jacob Anderson (Adulthood)
Jessica Henwick (Iron Fist)
Ian Whyte (Prometheus)
Luke Roberts (300: Rise of an Empire)
Murray McArthur (The Last Legion)
Anton Lesser (Wolf Hall)
Roger Ashton-Griffiths (The Brothers Grimm)
Eugene Simon (Casanova)

Following their escape from Winterfell, Sansa Stark journeys to the Wall, while Theon Greyjoy returns to the Iron Islands. In Winterfell, Ramsay Bolton secures his claim on the North by killing Roose and Walda Bolton and his new-born half-brother. At the Wall, Melisandre resurrects Jon Snow, who is reunited with Sansa; they gather loyalists and a battle ensues. Aided by the Knights of the Vale, the Starks defeat the Bolton forces. Sansa feeds Ramsay to his hounds and Jon is proclaimed the King in the North. At King’s Landing, Jaime Lannister and the Tyrell army attempt to liberate Margaery and Loras, but Margaery capitulates to the High Sparrow and Tommen forges an alliance with the Faith. During Loras and Cersei’s trial, Cersei uses wildfire to burn the Great Sept, killing the High Sparrow, Margarey, Loras, Mace, Kevan, and Lancel, while Tommen kills himself after witnessing the events. Unopposed, Cersei is crowned Queen of Westeros. Ellaria Sand and three of Oberyn Martell’s daughters kill Doran and Trystane Martell and seize control of Dorne, and Olenna meets with Ellaria to discuss an alliance. In Braavos, Arya continues her training with the Faceless Men, and soon regains her eyesight. When she refuses to accomplish a mission, the Waif is ordered to kill Arya, who kills her instead. Arya reasserts her identity as a Stark and returns to Westeros. In the Riverlands, the Hound pursues the Brotherhood Without Banners for massacring the people who saved him. He finds Lord Beric Dondarrion executing his quarry, and is asked to join the Brotherhood traveling north. Jaime Lannister besieges Riverrun and takes the castle, killing the Blackfish after forcing Edmure Tully to order a surrender. Walder Frey celebrates the victory before being killed by Arya. Beyond the Wall, Bran Stark trains with the Three-Eyed Raven but alerts the Night King, who launches an attack of White Walkers. Bran and Meera escape and are rescued by Benjen Stark. Sam Tarly, Gilly, and Little Sam travel to the Citadel at Oldtown, stopping to visit Sam’s family. In Essos, Daenerys Targaryen is captured by Khal Moro who takes her before the khals; she burns them alive and takes command of the Dothraki. Tyrion Lannister brings a short-lived peace to Meereen, which is reinforced when Daenerys returns and flies her dragons into battle against the slavers. Yara and Theon arrive and pledge allegiance to Daenerys after Euron Greyjoy kills their father and usurps leadership of the Iron Islands. Jorah Mormont departs to find a cure for greyscale and Daario is left in command of Meereen, while Daenerys sails for Westeros. Game of thrones is without a doubt the best show on tv ever! Hooked from the very beginning. Season 6 is packed full of beautifully shot battle scenes and exquisite smaller moments, all of which showcase the immense talent of the entire cast and crew.

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REVIEW: EXODUS: GODS AND KINGS

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CAST
Christian Bale (The Dark Knight)
Joel Edgerton (The Gift)
Ben Kingsley (Iron Man 3)
John Turturro (Transformers)
Ben Mendelsohn (The Dark Knight Rises)
Maria Valverde (Cracks)
Sigourney Weaver (Alien)
Indira Varma (Game of Thrones)
Ewen Bremner (Snatch)
In 1300 BC, Moses, a general and member of the royal family, prepares to attack the Hittite army with Prince Ramesses. A High Priestess of Sekhmet (the war goddess) divines a prophecy from animal intestines, which she relates to Ramesses’ father, Seti I. He tells the two men of the prophecy, in which one (of Moses and Ramesses) will save the other and become a leader. During the attack on the Hittites, Moses saves Ramesses’ life, leaving both men troubled. Later, Moses is sent to the city of Pithom to meet with the Viceroy Hegep, who oversees the Hebrew slaves. Upon his arrival, he encounters the slave Joshua, who is the descendant of Joseph, and Moses is appalled by the horrific conditions of the slaves. Shortly afterwards, Moses meets Nun, who informs him of his true lineage; he is the child of Hebrew parents who was sent by his sister Miriam to be raised by Pharaoh’s daughter. Moses is stunned at the revelation and leaves angrily. However, two Hebrews also overhear Nun’s story and report their discovery to Hegep.
Seti dies soon after Moses’ return to Memphis, and Ramesses becomes the new Pharaoh (Ramesses II). Hegep arrives to reveal Moses’ true identity, but Ramesses is conflicted about whether to believe the story. At the urging of Queen Tuya, he interrogates the servant Miriam, who denies being Moses’ sister. When Ramesses threatens to cut off Miriam’s arm, Moses comes to her defense, revealing he is a Hebrew. Although Tuya wants Moses to be put to death, Ramesses decides to send him into exile. Before leaving Egypt, Moses meets with his adopted mother and Miriam, who refer to him by his birth name of Moishe. Following a journey into the desert, Moses comes to Midian where he meets Zipporah and her father, Jethro. Moses becomes a shepherd, marries Zipporah and has a son Gershom.
Nine years later, Moses gets injured during a rockslide. He comes face to face with a burning bush and a boy called Malak, who serves as a representative of the God of Abraham. While recovering, Moses confesses his past to Zipporah and reveals what God has asked him to do. This drives a wedge between the couple, because Zipporah fears he will leave their family. After he arrives in Egypt, Moses reunites with Nun and Joshua, as well as meeting his brother Aaron for the first time. Moses returns to confront Ramesses, demanding the Hebrews be released from servitude. Ramesses refuses to listen, insisting that to free the slaves would be economically impossible. Upon Moses threatening Ramesses’ life, Ramesses orders the death of Moses, executing random Hebrew families until he is found.
Using his military skills, Moses trains the slaves in the art of war. The Hebrews start attacking the Egyptians, prompting Ramesses to raid slave villages. Malak appears to Moses and explains that ten plagues will affect Egypt. All the water in the land turns to blood, and the Egyptians are further afflicted by the arrival of frogs, lice, and flies. The plagues of the death of livestock, boils, hail and thunder, locusts, and darkness continue to affect the Egyptians. While conversing with Malak, Moses is horrified at learning the tenth plague will be the death of all firstborn children. The Hebrews protect themselves by covering their doors with the blood of lambs, as instructed by Moses. Ramesses is devastated over his son’s death and relents, telling Moses and the Hebrews to leave.
During the exodus from Egypt, the Hebrews follow Moses’ original path through the desert and towards the Red Sea. Still grieving for his son, Ramesses decides to go after the Hebrews with his army. After making their way through a dangerous mountain pass, Moses and the Hebrews arrive at the edge of the sea, uncertain about what to do. Moses flings his sword into the water, which begins to recede. Ramesses and his army pursue the Hebrews, but Moses stays behind to confront them. The Red Sea reverts to its normal state, drowning the majority of the Egyptians (crossing the Red Sea). Moses survives and makes his way back to the Hebrews. Ramesses is revealed to have survived, but he is distraught over the destruction of his army. Moses leads the Hebrews back to Midian, where he reunites with Zipporah and Gershom. At Mount Sinai, after seeing Malak’s displeasure at the Hebrews’ construction of the Golden Calf, Moses transcribes the Ten Commandments. Years later, an elderly Moses riding with the Ark of the Covenant sees Malak walking with the Hebrews through the desert.
For those worried about the much-hyped portrayal of God as a young ‘brat’, I think this is in the most part a misunderstanding of what Scott was trying to do here. Yes, God is shown to ‘appear’ to Moses as a young child, but is it mere coincidence that the child is of roughly the same age as Moses’s son at the time? It can be argued that, in Scott’s depiction, God merely appears to Moses in a form he knows he will relate to. I think it also gives realism and a more human face to Moses that means we can relate to him – after all, it’s clear from the Biblical account that he has imperfections.
Exodus makes an interesting attempt to show his inner battles, frustrations and complexity of his relationship with God, those he grew up with and those he then leads. This includes the struggles of his family to accept God’s will for him (which is an interesting addition by Scott) and another interesting focus on Moses’s struggle to accept that God is in control and be humbled.

For me, Exodus harks back to the true Biblical epic in a way I’d not expected would be possible in this age. Unlike all the recent output and even going back to the Passion of the Christ, The Last Temptation… and others, there is no agenda here. It is a fair account done with impressive visual flair.

REVIEW: GAME OF THRONES – SEASON 5

MAIN CAST
Peter Dinklage (Threshold)
Nikolaj Coster-Waldau (Kingdom of Heaven)
Lena Headey (Dredd)
Emilia Clarke (Termiantor: Genysis)
Kit Harington (Pompeii)
Aidan Gillen (The Dark Knight Rises)
Charles Dance (Last Action Hero)
Natalie Dormer (The Hunger Games: Mockingjay – Part 1 & 2)
Stephen Dillane (The Hours)
Liam Cunningham (Clash of The Titans)
Carice van Houten (Black Book)
Indira Varma (Human Target)
Conleth Hill (Serena)
John Bradley-West (Borgia)
Sophie Turner (X-Men: Apocalypse)
Maisie Williams (Cyberbully)
Hannah Murray (Dark Shadows)
Jerome Flynn (Ripper Street)
Alfie Allen (Agent Cody Banks 2)
Michiel Huisman (The Young Victoria)
Nathalie Emmanuel (Fast & Furious 7)
Gwendoline Christie (Star Wars – Episode VIII)
Kristofer Hivju (After Earth)
Tom Wlaschiha (16 Blocks)
Dean-Charles Chapman (Before I Go To Sleep)
Michael McElhatton (Blow Dry)
Iwan Rheon (Misfits)
Iain Glen (Tomb Raider)
RECURRING / NOTABLE GUEST CAST
Alexander Siddig (Star Trek: DS9)
DeObia Oparei (Doom)
Keisha Castle-Hughes (The Almighty Johnsons)
Rosabell Laurenti Sellers (Mia and Me)
Jessica Henwick (Silk)
Toby Sebastian (Barley Lethal)
Nell Tiger Free (Mr Stink)
Diana Rigg (The Avengers)
Jonathan Pryce (Stigmata)
Julian Glover (Troy)
Anton Lesser(Charlotte Gray)
Roger Ashton-Griffiths (A Knight’s Tale)
Ian Beattie (Alexander)
Finn Jones (Iron Fist)
Will Tudor (Humans)
Eugene Simon (Casanova)
Daniel Portman (River City)
Lino Facioli (Get Him To The Greek)
Ian McElhinney (Hornblower)
Jacob Anderson (4.3.2.1.)
Joel Fry (10,000 BC)
Adewale Akinnuoye-Agbaje (Lost)
Charlotte Hope (les Miserables)
Elizabeth Webster (Call The Widwife)
Tara Fitzgerald (I Capture The Castle)
Kerry Ingram (Wolf Hall)
Ciarán Hinds (The Woman In Black)
Peter Vaughan (Chancer)
Owen Teale (Stella)
In Meereen, the insurgent “Sons of the Harpy” have started to revolt against Daenerys Targaryen’s regime by murdering citizens and Unsullied, also taking the life of Barristan Selmy. In order to regain peace and control, Daenerys complies with the request of re-opening the fighting pits. Tyrion Lannister arrives in Pentos along with Varys, and they begin their journey to Meereen together. They pass through Volantis, where Tyrion is abducted by Jorah Mormont, who takes him to Meereen as a way to redeem himself to Daenerys. Daenerys takes Tyrion as her advisor, but orders Jorah exiled once more. After the Sons of the Harpy mount an attack on Daenerys and her retinue at the fighting pits, Jorah saves her life. Drogon reappears and Daenerys flies away on his back. Drogon flies far away from Meereen and Daenerys quickly finds herself surrounded by Dothraki horsemen. Jorah and Daario Naharis leave to search for Daenerys, while Tyrion, Varys, Missandei, and Grey Worm remain to rule Meereen.
At the Wall, Stannis Baratheon has Mance Rayder burned alive for treason. Stannis promises Jon Snow legitimacy and rule of Winterfell should he ride with him against the Boltons, but Jon declines the offer and stays at the Wall. As newly elected Lord Commander of the Night’s Watch, Jon forms an alliance with the Wildlings, much to the dismay of the rest of the Night’s Watch. They begin evacuating Wildlings at Hardhome, when the settlement suddenly comes under attack from White Walkers and their wight armies. Though many die and are revived as wights, the brothers still manage to rescue a large number of Wildlings and Jon leads them through the tunnel to Castle Black, south of the Wall. After Samwell Tarly and Gilly leave for Oldtown and Maester Aemon passes away, the majority of the Night’s Watch become disillusioned with Jon’s leadership and see him as a traitor. They lure Jon into a trap and stab him, leaving him to die.
In the Vale, Littlefinger puts Robin Arryn in the care of House Royce and leaves for Winterfell with Sansa Stark. Brienne, still loyal to the oath she swore to Catelyn Stark, and her squire Podrick follow them. In Winterfell, Sansa is reunited with Reek and marries Ramsay Bolton to form an alliance between the Vale and the Boltons. Ramsay subjects Sansa to physical and psychological abuse, including raping her on their wedding night while forcing Reek to watch. After Reek reveals to Sansa that he did not kill her brothers Bran and Rickon, the two escape together, jumping off the castle walls.
At his camp in the North, Stannis reluctantly acquiesces to Melisandre’s demands to burn Shireen alive as a sacrifice to the Lord of Light. As a result, his wife Selyse is found hanging from a noose and half of his forces desert him. The remaining Baratheon forces ride for Winterfell, but are soon defeated by the Boltons. In the aftermath of the battle, Stannis is apparently killed by Brienne of Tarth. Melisandre flees for Castle Black.
In King’s Landing, Lancel Lannister returns, now a member of the devoutly religious “Sparrows”. Following the wedding of Margaery Tyrell and Tommen Baratheon, Cersei Lannister begins losing control of Tommen, and with him her power source. She tries to regain her status by authorizing the revival of the Faith Militant, the military wing of the Faith of the Seven. The Sparrows quickly begin imposing their puritanical views upon King’s Landing by ridding it of all “sins”, in the process also seizing Loras Tyrell for being homosexual. They proceed to imprison him, as well as Margaery and Cersei herself for committing various sins. Cersei is released after confessing to adultery with Lancel and being forced to march naked through King’s Landing.
In Dorne, the Sand Snakes, the bastard daughters of Oberyn Martell, seek vengeance against the Lannisters for the death of their father. After a threatening message arrives, Bronn and Jaime Lannister travel to Dorne, planning to rescue Myrcella Baratheon. Oberyn’s brother Doran Martell discovers that Ellaria Sand had sent the message and allows Jaime and Myrcella to leave for King’s Landing, provided Myrcella’s betrothed Trystane Martell joins them and obtains a seat on the Small Council. En route to King’s Landing, Myrcella dies, having been poisoned by Ellaria.
Arya Stark arrives in Braavos and starts training with the Faceless Men, guided by Jaqen H’ghar and another young woman. She disguises herself as an oyster seller and is told to kill a dishonest insurance agent at the harbor. But after Meryn Trant’s arrival, Arya steals a false face from the temple and assassinates him instead. Doing so causes her to go blind.
The adaptation continues to hit its sweet spot of getting complex stories from the novels across on screen in a simpler form, but one that is also clearer, more concise and retaining the thematic essentials whilst paring away unnecessary  supporting material and characters. King’s Landing particularly benefits from this, with lots of minor politics involving new or vanishingly minor characters swept aside in favour of a more ruthless focus on Cersei’s growing hatred of the Tyrells and the arrival of the High Sparrow, played with flawless passion by Jonathan Pryce. This culminates in the excellent, distressing “Walk of Shame” sequence, in which Lena Headey knocks it out of the park as Cersei is humiliated to the point where even the most hardened viewer may feel sorry for her, despite her many crimes.

REVIEW: GAME OF THRONES – SEASON 4

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MAIN CAST
Peter Dinklage (Threshold)
Nikolaj Coster-Waldau (Kingdom of Heaven)
Lena Headey (Dredd)
Emilia Clarke (Terminator:L Genysis)
Kit Harington (Pompeii)
Aidan Gillen (The Dark Knight Rises)
Charles Dance (Last Action Hero)
Natalie Dormer (The Hunger Games: Mockingjay)
Liam Cunningham (Wrath of The Titans)
Stephen Dillane (The Hours)
Carice van Houten (Black Book)
Jack Gleeson (Batman Begins)
Alfie Allen (Elizabeth)
Isaac Hempstead-Wright (The Box Trolls)
Sophie Turner (X-Men: Apocalypse)
Maisie Williams (Cyberbully)
John Bradley (Borgia)
Rose Leslie (honeymoon)
Kristofer Hivju (The Thing)
Hannah Murray (Skins)
Rory McCann (Hot Fuzz)
Gwendoline Christie (Star Wars – Episode VII)
Iwan Rheon (Misfits)
Conleth Hill (Serena)
Jerome Flynn (Ripper Street)
Sibel Kekilli (Tatort)
Iain Glen (Kick-Ass 2)
GUEST / RECURRING CAST
Diana Rigg (The Avengers)
Pedro Pascal (The Mentalist)
Indira Varma (Human Target)
Daniel Portman (River City)
Julian Glover (Troy)
Roger Ashton-Griffiths (A Knight’s Tale)
Anton Lesser (Charlotte gray)
Finn Jones (Wrong Turn 5)
Dean-Charles Chapman (Ripper Street)
Ian Beattie (Alexander)
Michiel Huisman (The Young Victoria)
Ian McElhinney (Hornblower)
Nathalie Emmanuel (Fast & Furious 7)
Jacob Anderson (4.3.2.1.)
Ciarán Hinds(the Woman In Black)
Thomas Sangster(Love Actually)
Ellie Kendrick (Being Human)
Kristian Nairn (Ripper Street)
Burn Gorman(The Dark Knight Rises)
Michael McElhatton (Intermission)
Peter Vaughan (Silk)
Owen Teale (Stella)
Noah Taylor (Powers)
Mark Stanley (Dickensian)
Ben Crompton (Doctor Who)
Josef Altin (The Young Victoria)
Charlotte Hope (Les Miserables)
Elizabeth Webster (Call The midwife)
Gemma Whelan (The Wolfman)
Kate Dickie (Tinsel Town)
Lino Facioli (Get Him to The Greek)
Whilst nothing in Series 4 comes quite as close to the sheer jaw dropping drama of Series 3 classic episode “The Red Wedding” the Series 4 finale has a quality about it that can only be found in great films like “The Godfather II”. The drama unfolds in almost a Shakespearian fashion and whilst loose ends are tied up a myriad of questions evolve out of the pulsating script. The acting throughout deserves Grammys by the shedload not least one of the most unlikely “buddy” pairings in TV history namely Ayra Stark (the brilliant Maisie Williams) and the strangely loveable uber thug “The Hound”. The scriptwriters have also played a huge role in this series with more deviations from George R R Martins books which makes the plot and storyline sharper and more dynamic. For example that gigantic Brienne and the Hound fight never happened in the novels, but it was stellar television. The other key dimension of the series is that the multiplicity of individual story lines are now merging ever closer so the overall plot line is much clearer and the context more powerful. Despite the ritual disposal of numerous major characters in Series 4 the deep fascination of the future of existing characters like the mystic Bran, the heroic Jon Snow, the Machiavellian “Littlefinger” and the worlds most popular dwarf (Peter Dinklage) is utterly engrossing. We also have nagging doubts emerging not least is Daenerys Targaryen’s unstoppable rise now threatened by her errant dragons, and whilst the key figure of Stannis Baratheon looms large was that also an alluring smile from the sinister but sexy Melisandre, the priestess of the Lord of Light to Jon Snow? Meanwhile beyond the Wall in the frozen north the Whitewalkers are massing.

Game of Thrones has been renewed for a further two seasons and we are informed that the day after the premiere of season 4, filming started in Belfast on the next instalment.The new season is scheduled to start on TV between the end of March and mid-April 2015. Can however the programmes show runners, David Benioff and D.B. Weiss, be asked nicely by all Amazon readers to get a move on and bring this true wonder back to our screens. Indeed this reviewer could be reduced to begging. Game of Thrones – Series 4 is absolutely essential television and the best current drama on the small screen.

 

12 DAYS OF CHRISTMAS REVIEW: HUMAN TARGET: THE OTHER SIDE OF THE MALL

CAST
Mark Valley (The Siege)
Chi McBride (Pushing Daises)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montgomery (Black Swan)
GUEST CAST
John Michael Higgins (Bad Teacher)
Rebecca McFarland (Two and a Half Men)
Taylor Boggan (Safelight)
David Orth (The Lost World)
Marie Avgeropoulos (Cult)
This Christmas-themed episode opened with a family being driven off the road by a 4×4 and a slightly creepy man telling the driver to kill the family. Luckily, the cops show up. Back at the office the family show up asking for help, interrupting a Christmas argument. As the team takes the case, Ilsa tells Chance that she’s going to Uganda for the holiday. To protect the family, Chance starts work as a temp beside the father, Richard Applebaum (John Michael Higgins) with Guerrero working in the office as a janitor. Winston watches after Richard’s wife, Rachel (Rebecca McFarland), while Ames watches their son, Joel (Taylor Boggan), while he works at the mall.
Richard is convinced his boss, Nick Meachem (Chad Willet), is behind the attack, so when he is asked to go down to the file room, he expects the worst. Thankfully, Chance stops him attacking his boss. While this is going on, however, the men behind the attack are at Richard’s house giving Winston a little bit of trouble. Later that night, after a little coercion from Ames, Joel sneaks out to a party down the street. At this point, Guerrero finds out that the guy behind the attacks is named Klemah Severenson and he’s actually after Joel and his laptop. Severenson’s men then turn up at the party, leading to a pretty good fight once Chance has gotten there. With the novel use of a stapler, Guerrero helps Chance arrange an exchange so that Severenson can get the laptop and then leave the family alone. The exchange is to take place at the mall where Joel works. The team take their strategic posts around the meeting place, the best of which is Winston dressed as Santa. Once the meeting goes wrong, of course, a chase ensues during which Chance borrows Santa’s sleigh to catch Severenson. Back at the office, the team have a little Christmas moment before they all have to leave and Ilsa comes back. Then we get a little sentimental scene between Ilsa and Chance.
 The Christmas episode of Human Target was a very light-hearted affair with some very good action in it. The team dynamic seemed much more balanced without Ilsa being involved. Ames really seems to have fit in and the writers aren’t just using her as comic relief. A lot of the humour in this episode comes from Chance’s hatred of Christmas and how, on this job, he’s in ‘hell’.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: HUMAN TARGET – SEASON 1 & 2

Image result for human target logo

MAIN CAST

Mark Valley (Zeo Dark Thirty)
Chi McBride (Pushing Daisies)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montogomery (Black Swan)

RECURRING / NOTABLE GUEST CAST

Tricia Helfer (Powers)
Donnelly Rhodes (Battlestar Galactica)
Adrian Hough (Underworld: Evolution)
Danny Glover (Lethal Weapon)
Ali Liebert (Legends of Tomorrow)
Courtney Ford (The Big Bang Theory)
Alessandro juliani (Smallville)
David Nykl (Arrow)
Aleks Paunovic (Mortal Kombat: Legacy)
Sean Maher (Firefly)
William Mapother (Powers)
Peter Bryant (Dark Angel)
Emmanuelle Vaugier (Two and a Half Men)
Sam Huntington (Superman Returns)
Kristin Lehman (Andromeda)
William B. Davis (The X-Files)
Chris Mulkey (Whiplash)
Dylan Neal (Arrow)
Brandon Jay McLaren (Power Rangers SPD)
Ted Whittall (Beauty and The Beast)
Mitch Pileggi (Stargate: Atlantis)
Leonor Varela (Blade II)
Kim Coates (Silent Hill)
Autumn Reeser (Sully)
Samantha Ferris (Along Came A Spider)
Lennie James (The Walking Dead)
Grace Park (Battlestar Galactica)
Peter Wingfield (Caprica)
Moon Bloodgood (Terminator Salvation)
Kavan Smith (Stargate: Atlantis)
Christopher Heyerdahl (Sanctuary)
Mackernzie Gray (Man of Steel)
Armand Assante (The Odyssey)
Christina Cole (Hex)
Robert Lawrenson (Underworld: Awakening)
Amy Acker (Angel)
Timothy Omundson (Xena)
Lee Majors (Ash vs Evil Dead)
Tahmoh Penikett (Dollhouse)
M.C. Gainey (Lost)
Cameron Daddo (Andromeda)
Tracie Thoms (Cold Case)
John Michael Higgins (Still Waiting)
David Orth (The Lost World)
Marie Avgeropoulos (The 100)
Tony Hale (Chuck)
Carlo Rota (Stargate Universe)
James Remar (Flashforward)
Nicole Bilderback (Buffy)
Steven Brand (The Scorpion King)

Christopher Chance (Mark Valley, Boston Legal), is a bodyguard for hire. His clients come to him as a last resort because their lives are in serious danger and they have no other alternatives. Chance’s mysterious past is only partially revealed as the season progresses–much of it in the season finale. What is known about him is that he’s probably a genius, he can hold his own in a fight, he’s a super-thief, he’s a crackshot with a gun, and the ladies love him.

In each episode, Chance typically assumes a cover to stay close and protect the client. He uses the client as bait to uncover the killer’s identity. In these episodes, Chance assumes a multitude of identities ranging from a prize fighter to a monk. Beyond Batman-like fighting skills, Chance’s best tools are his intelligence and charismatic personality; he holds his own in a conversation on any topic and masterfully fits in with any group of people. Joining Chance are Winston (Chi McBride, Boston Public, Pushing Daisies), his straight-laced handler, and Guerrero (Jackie Earle Haley, Watchmen), a computer hacker with questionable methods, but indisputable loyalty.Human Target is a throwback to the action series of the 80’s. While an intriguing backstory develops across the entire show, each episode is self-contained and follows a specific case from beginning to end. Viewers can practically jump in on any episode and not miss a beat. This is due in part to the swashbuckling, tongue-in-cheek script that never takes itself too seriously. It is also partly due to the brilliant performances by the main actors, Mark Valley, Chi McBride, and Jackie Earle Haley. The three play off each other extremely well. You can’t help but watch this show with a smile on your face as straight-man and former detective, Winston cringes at yet another action by Christopher Chance or Guerrero that gets the job accomplished, but is probably not entirely legal. Guerrero, especially, has morally ambiguous moments that cause those around him to be hysterically uncomfortable. When he makes his appearance on-screen, you know that hilarity and awesomeness are about to ensue. It’s similar to the height of Kramer’s heyday in Seinfeld where the studio audience would erupt when he appeared and he’d completely steal the scene. Laughs are guaranteed with Guerrero and his antics are accentuated into priceless gems by Winston’s reactions.The over-the-top action in each episode is wonderfully shot and rivals the quality of some Hollywood films. The outlandishness of the action is offset by the fact that the actors revel in the absurdity and take all the events in stride. No matter how desperate the situation, Christopher Chance always flashes a wry grin. His antics and expressions are reminiscent of Harrison Ford’s performances as Han Solo or Indiana Jones. The action is intense, but Christopher Chance can handle it and make you laugh while he does.Another testament to the excellent writing is that not a single episode is wasted. Obviously, some episodes are better than others, but all are highly watchable and re-watchable, action-packed, mysteries. Even the product placements are great and fit in with the spirit of the show. In the Tanarak episode, one of the most blatant product placements of all time occurs with a Camaro. It’s done with such blithe satire, instead of feeling the need to bathe after watching more advertisers nauseatingly snake their way into television, you just laugh at the silliness.In every episode, without requiring any background information, you are brought into the characters’ circle and get an immediate feel for their relationships. However, more information could have been provided earlier about Christopher Chance and his cohorts’ origins. Some of the information that was dumped in the final episode of this set could have been dispersed throughout the previous episodes. Instead you are left to fill in massive blanks with assumptions about the characters’ pasts. This is not a huge misstep by the writers because the characters’ mysterious origins are a large part of what makes the show so accessible.  This show is just pure fun to watch unfold and will appeal to practically anyone. Pop a bag of microwave popcorn, kick back, relax, and enjoy the ride.In season 2, with Matt Miller (Chuck) taking on executive producer-writer-show runner duties, he promised to flesh things out a bit without changing much of the original allure, which was good news. Mostly, he brought in Indira Varma  (Luther, Rome) as Ilsa Pucci, a widowed billionaire who takes a liking to the boys. And Janet Montgomery (Entourage) as a thief who also gets reluctantly entangled with the trio. So you can see the note Fox put on the show: Let’s leaven the testosterone a bit.And yet, nothing’s really changed. The escapism is sky high. Valley remains as charismatic as ever, with McBride’s disdainful asides and Haley’s chilly creepiness intact. It would be unfortunate if Human Target somehow got soapy or dumber, because good popcorn is rare.