25 DAYS OF CHRISTMAS REVIEW: HE-MAN & SHE-RA: A CHRISTMAS SPECIAL

CAST

John Erwin (Babe)
Alan Oppenheimer (The Neverending Story)
Linda Gary (Spider-man 90s)
Melendy Britt (The Incredible Hulk 70s)
George DiCenzo (Close Encounters of The Third Kind)
Erika Scheimer (Bravestar)
R.D. Robb (Matilda)
Lou Scheimer (Blackstar)

While everybody else is preparing for Adam’s and Adora’s birthday, Adam is helping Man-At-Arms finish up the Sky Spy, a space shuttle intended to spy on Skeletor. The moment they head back to the palace, though, Orko gets inside the ship and messes around with the controls, causing the ship to blast off into the sky with him in it. Skeletor catches sight of the aircraft and, despite not knowing what it is or who is flying it, he gives chase after it in the Collector. Before he can take it down, He-Man and She-Ra, who are also unaware that Orko is in the Sky Spy, show up and punch a hole in the Collector, throwing it off course. Orko, meanwhile, tries to get the Sky Spy to land by way of a magic spell, which causes the shuttle to disappear from Eternia’s atmosphere and crash-land somewhere on Earth. Immediately following this, he meets two children named Miguel and Alisha, who had gone out to get their family’s Christmas tree and become lost in doing so. Orko brings them into the crashed Sky Spy, where they explain Christmas to him.
Back on Eternia, everyone discovers that Orko is missing when they find his magic spellbook, which he supposedly is never without. Man-At-Arms manages to pull up the coordinates for the Sky Spy’s location, which Queen Marlena recognizes as Earth’s coordinates. Unfortunately, Man-At-Arms’ Transport Beam needs a Carium Water Crystal, of which there are none on Eternia, in order to gain enough power to bring Orko back. Adora suggests that there might be one on Etheria, and, after secretly transforming into She-Ra, rides off on Swift Wind.
Once on Etheria, She-Ra enlists the help of Mermista to attain the crystal, which is guarded by a fierce creature known as the Beast Monster. They manage to secure the crystal in their possession, but just as She-Ra and Swift Wind prepare to leave, they are halted by a group of huge android menaces who trap them in a plastic bubble. She-Ra recognizes these robots as the Monstroids, having been told about them by some friends of hers known as the Manchines. The Monstroids then leave for their headquarters, leaving She-Ra and Swift Wind to escape.
Upon Adora’s return with the crystal, Man-At-Arms gets the Transport Beam working, and sure enough, Orko and the Sky Spy are transported back in, but Orko has brought Miguel, Alisha and their Christmas tree with them. After explanations of where they came from, the children are told that it may take a few days for the crystal to recharge before they can return to Earth, and they are quite distressed that they might miss Christmas. Queen Marlena, sympathizing with these children from her own planet, decides to combine Adam and Adora’s birthday party into a Christmas party. Meanwhile, Skeletor and Hordak are summoned by their supreme master, Horde Prime, who believes that the Christmas spirit that is now being brought to Eternia is the only thing that could stop his rise to power. He orders them to go capture the two Earth children, saying that whoever brings them to him will be well-rewarded.
Soon, just as Bow finishes writing a song he wrote about Christmas, Hordak shows up and uses a tractor beam to capture Miguel and Alisha, taking Orko with them. He and his minions do not get far, though, before their ship is brought down by the Monstroids, who take the children hostage themselves, they plan on dealing with Horde Prime themselves when he comes for the children, and force Hordak and his men to retreat. Luckily, the Manchines show up to rescue Orko and the children. The Monstroids try to stop them from escaping, but He-Man and She-Ra, having been told of the children’s location by Peekablue, show up just in time to handle them, with help from the other Manchines. But while that’s going on, Skeletor comes in and captures Miguel and Alisha, taking with them a Manchine puppy named Relay.
But then Hordak reappears and shoots down Skeletor’s sky-scooter, crash-landing him in some snowy mountains; because of this, Skeletor is now forced to bring his prisoners to Horde Prime on foot. During the trek, he finds a sudden urge of kindness that results in him fitting the children with winter jackets to protect them from the cold, bringing Relay along so he doesn’t freeze to death, and even protecting the children from a snowbeast. He also inquires the children about Christmas, all the while trying to reassure them, and himself, that he is still a bad guy. Just as Horde Prime arrives in his ship, He-Man and She-Ra finally catch up, but Hordak arrives as well; he knocks Skeletor out by deflecting a laser blast and distracts He-Man and She-Ra by sending out numerous Horde Troopers. But just in the nick of time, Relay licks Skeletor’s face; he wakes up and saves his would-be captives by shooting down Horde Prime’s ship. Obviously angry at this, Horde Prime attempts to shoot Skeletor, but He-Man and She-Ra lift his ship up and throw it into space before he has a chance to. The children thank Skeletor for saving them, a fact that He-Man is surprised at, which he reluctantly admits is true, and Skeletor is relieved to learn that he will only be overtaken by Christmas spirit once a year.
Xmas-HM
Back at the palace, as the good guys celebrate their Christmas party, Adam, dressed as Santa Claus, gives the children flying belts. Man-At-Arms then uses the Transporter to send Miguel and Alisha back to their home on Earth, where they are welcomed back by their parents.At the end of the special, Prince Adam and Orko give us a very special Christmas moral. Adam states that “Though we celebrate it and get presents, Christmas is about caring, sharing and goodwill and its spirit is within all of us”. And in fun fashion, Orko states that what make him happy on Christmas is Presents.
 This is a good famly film any famly wood love it i wood say i loved this when i was seeing it in the 80s. Its great seeing He-man and She-ra in the same film. A must see
 

REVIEW: THE TOYS THAT MADE US – SEASON 1

 

The Toys That Made Us (2017)

Featuring

Dolph Lundgren (Masters of The Universe)

Few days ago I was checking the new additions on Netflix when I saw these series. I added them to my viewing queue, but it was just last night as I started watching. Honestly, these are of the most exciting documentaries ever. Why – because it’s all about our childhood! And we’ve all been kids!The Toys That Made Us (2017)Aside of it, the series are really well done. I just have nothing to comment on – as a documentary, they have a very well defined structure and topic following. Sure, they miss some details, but for a 50 minute format it is very well done. So far the first 4 have dropped on Netflix (The next 4 in May). These were  Star Wars, Barbie, He-Man and G.I. Joe. They are all so exciting. I loved Star Wars and I still do, just never had SW toys, however as a kid I did have He-Man toys and I loved them. I totally relate to the series and honestly can’t wait to see the other episodes.The Toys That Made Us (2017)As for Barbie – I am a male, never been into Barbie, but these series are pretty much like VH1 Behind the Music series – so well done, that you really don’t care what the episode is about – you just watch it, as you know it will be interesting and there would be something to learn. And indeed, the Barbie episode was absolutely interesting to watch!So, I would totally recommend these series to anyone, young or old, boy or girl, who used to have at least one toy in their life. Probably the most exciting series on Netlix in the last 6 months. In May we will get episodes about Lego, Transformers, Hello Kitty and Star Trek.

REVIEW: MASTERS OF THE UNIVERSE

CAST

Dolph Lundgren (Kindergarten Cop 2)
Frank Langella (The Box)
Meg Foster (Hercules: TLJ)
Billy Barty (Legend)
Courteney Cox (Scream)
Robert Duncan McNeill (Star Trek: Voyager)
Jon Cypher (Batman Beyond)
Chelsea Field (Commando)
James Tolkan (Top Gun)
Christina Pickles (The Wedding singer)
Anthony De Longis (Highlander: The Series)

he-man-gwildor-04272017The battle between good and evil stretches across the galaxy in Masters of the Universe, starting on the planet Eternia in the height of a siege on Castle Grayskull by the sorcerer Skeletor (Frank Langella). He’s obtained a way of traveling across long distances, even time, with a “cosmic key” that gave him the advantage in taking Castle Grayskull, leaving its defenders in disarray across the land’s outskirts. In an attempt to reclaim the area with the help of Gwildor (Billy Barty), the scientist who designed the key, He-Man and his compadres, Man-at-Arms (Jon Cypher) and Teela (Chelsea Field), make an attempt to reclaim the castle; but, in a fit of desperation, are transported to 1980s Earth, and lose the key in the process. Masters of the Universe transforms into a fish-out-of-water action-comedy at this point — think Star Trek IV: The Voyage Home meets Conan the Barbarian — where He-Man and his team scramble to hunt down the cosmic key with the help of two kids formerly in love: Julie (Courtney Cox in her first film role) and Kevin (Robert Duncan McNeill). Skeletor’s minions, led by the piercing gazes of Evil-Lyn (Meg Foster), aren’t far behind, and they’ll make sure He-Man’s trip back won’t be an easy one.I Masters of the Universe throws together some fairly cool-looking sword-‘n-sorcery set pieces that blur from Eternia over to Earth, which still possess a certain draw through their practical application. Director Gary Goddard and his production/art crew concentrated their efforts to achieving a full-bodied visual style that’d enthrall a wide range of audiences; the throne room at Castle Gayskull is a grand, handmade mythical space that’s given depth through cleverly-placed matte paintings, while intricate costume work achieves a blend of cinematic curio and “toy-ready” appeal. Playing into that, Frank Langella disappears into the prosthetics and make-up of Skeletor, while the angles and contours created with his stark-white facial moldings still capture the stone-faced force of his performance. Also, the practical Star Wars-esque effects built within certain scenes — lightning from Skeletor’s hands, the crack of an electric whip, and the movement of air gliders — give it a familiar whimsy, while wearing influences clearly on its sleeve.Grandeur can’t hide the perfunctory, unimaginative plotting at its core though, overflowing with moustache-twirling villains and goofy keep-it-rolling storytelling that’s more of a chore than charismatic. While Gary Goddard and The Dark Crystal screenwriter David Odell (among other uncredited writers) draw influence from Jack Kirby’s “Fourth World” comic series for its grand essence, basic contrivances are what flimsily glue the chapters together; secret passages conveniently lead to locations where He-Man and his crew need to be, grappling hooks grab things in the nick of time, and they always have the materials they need on-hand to repair elaborate tech. Perhaps that’s a part of making the film accessible to other audiences, almost like a darker version of one of the cartoons, but there’s a missing layer that prevents it from bottling the adventuresome magic needed. A few well-written “stranger in a strange land” moments add to the experience, such as how the Eternians react to eating a bowl of fried chicken, but they’re eclipsed by nagging goofball things like how Gwildor makes his cosmic space-travel device work by just sporadically banging on the keys for varying lengths of time.Still, Dolph Lundgren throws Masters of the Universe over his burly shoulders and stoically lugs it through active laser-pistol duels and frantic searches for the key to get back to Eternia, piecing together into a bearable journey that’s not without its own mindless fun. In his sparse warrior garb and shoulder armor that bare almost every muscle he’s got, Lundgren fits the bill of the sword-wielding hero really well — a visually-comparable, noble PG answer to Arnie’s Conan. His rapport with Skeletor is an overt black-and-white conflict, full of gallant speeches and calls of superiority in the cosmos, yet there’s an admirable quality in the straight-faced, scenery-chewing pomposity that Frank Langella evokes in the arch-nemesis. Clunky battles and higher-than-high stakes shove Gary Goddard’s film towards an unsurprising climax, but at least it stays consistent all the way up to that odd-defying moment everyone’s expecting: where the hero confidently stands and insist that he does, indeed, have the power.