HALLOWEEN OF HORROR REVIEW: CONSTANTINE – RAGE OF CALIBAN

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CAST

Matt Ryan (Layer Cake)
Charles Halford (Agents of SHIELD)
Harold Perrineau (Lost)

960You can tell “Rage Of Caliban” is gonna be a good one from the last-minute excuse for Angélica Celaya’s absence: “Zed’s in art class.” All week? Apparently, because John and Chas spend the run-up to Halloween in Birmingham, Alabama figuring out how to exorcise a young boy safely after What Happened In Newcastle. Creator Daniel Cerone writes and Neil Marshall directs, in case you needed any more proof that this was originally the second episode of Constantine. Why sit on it? Just to get the ball rolling on the post-Liv version of the show? Yes, “Rage Of Caliban” sounds like a lost third-season Star Trek about some neglected godlike alien, but it’s actually a demon seed story that’s about as good as a network demon seed story can be.See, there just isn’t that much life left in evil children. Nothing short of a Claire Denis rethink is going to revive childlike drawings of scary things or kids smiling with black eyes. True enough, “Rage Of Caliban” isn’t that scary, but its scary scenes are vivid. Constantine is trying its damnedest with the look, sound, and mood of those scenes. The cold open is an establishing shot of a house and then a fluid pan—like Marshall’s demon shots in the pilot—through a house and up to the ceiling where a bloody man is being held, and then we follow him to the floor where he lands in front of a cowering girl. For some reason the demon moves on from her to the next child along the psychic railroad—another pilot callback, and this time we get to see what that railroad effectively means for a certain kind of spirit—a bullied boy named Henry. With Henry we get a couple of long suspense scenes that immerse us in that house, a standoff with a dog that struggles against his leather collar so mightily the sound is still haunting my ears, and a carving knife mishap that never really feels threatening but still effectively tightens the screws. The playground fight is silly, and the telekinetic explosions are too harmless to bother a mouse, but so what? Cerone and Marshall give evil children a fighting chance.The real reason I suspect producers sat on “Rage Of Caliban” so long is they wanted to get into a groove with the new face of Constantine—John, Zed, Chas, and Manny—since they threw out the old one at the end of the pilot. Unfortunately that means we’ve gone five episodes without really finding out The Deal With Manny, which is that he can only help through guidance. “When humanity was granted free will, angels lost the power to directly influence events on earth.” John takes that to mean Manny’s just here to shoot the shit. He’s not wrong. But Manny is allowed to offer guidance, which I guess means cryptic counsel and which I don’t think actually has any bearing on John’s ability to solve the case. Manny tells him to think about when he was a child in order to appeal to Henry, or rather Marcello, the possessing spirit who was once a boy who got revenge on his abusive father by introducing him to an axe. Now Marcello’s catatonic in a psychiatric hospital. His animating spirit is off killing more parents.That’s the core of this evil children story, violent dads and helpless kids who suddenly get to be not so helpless. Marcello’s dad used to chop his fingers off on a bloody stump. John’s used to beat him so much he considered suicide. And Henry’s is a macho tough guy who wants Henry to stand up for himself. When John first arrives in the guise of the new school counselor, shirt tucked in and tie too short, Henry’s dad knocks John out while he’s leaving. He’s not abusive to Henry, although he does mock him for crying wolf about someone in his room at night. Henry’s just very sensitive to not living up to his father’s vision of masculinity and the strain that’s putting on his parents’ relationship. He can’t handle the discord in his house. Luckily his new friend and cohabitant Marcello is quite talented at dealing with anger toward parents. “Danse Vaudou” ultimately spun itself into a metaphor for survivor’s guilt. “Rage Of Caliban” is more deliberate, but it lays out a motif and mostly leaves it at at that. A child can react like Marcello and continue a cycle of violence, or he can react like John and endure? The episode never really resolves Henry’s story—what happens next time he’s bullied at school? Is it okay for him to fight back?—but at least his happy family is restored.constantine-recap-episode-6The emotion comes from John’s story. First of all it’s actually a little funny. For instance, back at the home base, Chas starts playing with a sword. He asks what it does and then segues into a story about how he drove Renee away and how John never listens. John takes the sword from him. “This is the Sword Of Night. Compels the holder to speak the truth.” Not only do we finally get some specifics on Manny but the John-Chas relationship has never been clearer. The school counselor get-up is a good sight gag on its own, but the throwaway “I told Chas this wouldn’t work” is so evocative I can picture them bickering about it. And as for the heart of the story, all it takes is a quick flashback to What Happened In Newcastle to explain why John’s so afraid of exorcising the boy. Last time he sent a girl to Hell, and what with The Engorging Evil, who knows what it might take to pry Marcello’s grasp from Henry’s body. As usual, getting rid of the spirit ultimately looks so easy Zed could do it, but there’s a healthy serving of catharsis in the moment Henry comes to in the haunted house from The Guest. John did it! There’s never any real threat of him not saving the day, but the episode imbues this exorcism with all of John’s self-doubt. Saving Henry is an act of faith. And it’s rewarded.

HALLOWEEN OF HORROR REVIEW: 30 DAYS OF NIGHT: DARK DAYS

CAST

Kiele Sanchez (The Purge: Anarchy)
Rhys Coiro (The Unborn)
Diora Baird (Transit)
Mia Kirshner (The Vampire Diaries)
Monique Ganderton (Smallville)
Harold Perrineau (Constantine)
Katharine Isabelle (Ginger Snaps)
Ben Cotton (Stargate: Atlantis)
John DeSantis (Arrow)
Jody Thompson (The 4400)
Sarah-Jane Redmond (Smallville)

Photography by Chris LargeA year after the Alaskan town of Barrow’s population was decimated by vampires during its annual month-long polar night, Stella Oleson (Kiele Sanchez) travels the world trying to convince others that vampires exist. She is fully aware of the risk to her life that her work could bring, but does not care due to her grief over the death of her husband, Eben.30-days-of-night-dark-days-01

Following instructions from a mysterious individual named Dane, she travels to Los Angeles to give a lecture on the existence of vampires. Aware that vampires are in attendance when she speaks, she activates overhead ultraviolet lamps that incinerate several of the vampires in the audience, in front of the humans. She is quickly arrested and harassed by Agent Norris, who she learns is one of the human followers of the vampires, charged with keeping their activities covered up. After her release from custody, she returns to her hotel to find Paul (Rhys Coiro), Amber (Diora Baird) and Todd (Harold Perrineau), sent by Dane to recruit her to hunt the vampire queen, Lilith. As Lilith is responsible for the vampires’ every move and for keeping them hidden, the hunters are convinced that once she is eliminated, the vampires will fall into dormancy. When Stella learns that Lilith was responsible for the slaughter at Barrow, she agrees to meet Dane (Ben Cotton), and is shocked to discover that he too is a vampire. Due to a superficially inflicted wound, he has maintained a grasp of humanity, only drinking blood from packaged hospital stocks he keeps. Stella hesitates to join a plan to attack a vampire nest, but Paul eventually convinces her, revealing that vampires were responsible for his daughter’s death and the resulting divorce from his wife.30-days-of-night-dark-days-ending-stella-oleson-blood-bath-kiele-sanchez

The following day, the four hunters enter a vampire nest, only to be ambushed by a group of them. During their attempt to flee, Todd is bitten. After the four lock themselves in a cellar, Todd turns into a vampire. When Paul hesitates to act against his friend, Stella kills him by smashing in his head with a cinder block. The trio decide to wait for nightfall, when the vampires leave to feed, in order to make their escape. After night falls, Dane comes and frees them. On their way out, they capture a vampire and interrogate him with the ultraviolet lamps, eventually following him back to another nest. They invade the nest and rescue Jennifer, a captive being used as a feeding station. Jennifer’s knowledge of Lilith’s lair being aboard a ship in the bay allows the hunters to plan an attack on Lilith directly. Returning to Dane’s place, Stella and Paul become intimate. Meanwhile, Lilith (Mia Kirshner) decides that Agent Norris should prove his worth to become a vampire (in order to cure the cancer he has been suffering from). He bites the neck of a captive girl, Stacey (Katharine Isabelle), drinking her blood until dead. Satisfied, Lilith turns him to hunt Stella and the others.maxresdefaultNorris kills Dane and the others flee with Jennifer to a boat yard where Jennifer points out the boat that the vampires are set to sail to Alaska in for another 30-day feeding period. After telling Jennifer to leave, the three hunters stow away on the ship where they discover that they can be resurrected after death if they are fed human blood. At gunpoint, they confront the human captain who says he is cooperating because the vampires had threatened his family. Amber is suddenly pulled away from behind, causing her gun to fire and kill the captain. Stella and Paul are too late to save her from being eaten and are quickly captured by Norris and Lilith who orders that they be bled dry. Stella manages to free herself when they are alone with Norris and kills him, but they are subsequently attacked by Lilith when attempting to sabotage the ship and Paul is killed. After being outmatched in hand-to-hand combat, Stella hides from Lilith and when the queen comes looking for her, Stella emerges from her tub of blood and manages to decapitate her. The other vampires appear, but seeing that she killed Lilith, they quietly stand aside and let her pass without a fight, and she returns to Barrow.VIwWP7lHvrIjAz_2_hd

Stella digs up Eben’s grave and recovers his body to feed him her own blood. It appears not to work and she lies down slowly dying from blood loss. After a time, she sees Eben has returned to his former health and she stands to greet him with a hug. As they embrace, Eben pulls back her shoulder and his sharp teeth come down on her neck before the screen goes dark.2826

Once the film moves past exposition and into bat country, “Dark Days” ramps up the fear factor, kicking off a series of encounters that take advantage of all the low-budget  Heavily armed and ready for a fight, our heroes proceed to blast their way into the vampire hive, creating a few hearty sequences of splattery chaos. Criminally, Ketai elects to mimic original director David Slade’s infuriating obsession with shaky-cam, slamming the camera and lights around to create a blizzard of violence.

HALLOWEEN OF HORROR: 28 WEEKS LATER

CAST

Robert Carlyle (Stargate Universe)
Rose Byrne (Damages)
Jeremy Renner (Avengers Assemble)
Harold Perrineau (Justice)
Catherine McCormack (Spy Game)
Imogen Poots (Fright Night)
Idris Elba (Prometheus)

Rose Byrne and Imogen Poots in 28 Weeks Later (2007)During the original outbreak of the Rage Virus, Don, his wife Alice and four more survivors hide in a barricaded cottage on the outskirts of London. They hear a terrified boy pounding at their door and let him in. A few minutes later, they discover that the infected have followed the boy. The infected attack and kill most of the survivors, while Don, Alice and the boy are chased upstairs. Don pleads with Alice to leave the boy but she refuses. He is forced to abandon them as the infected break into their room by busting out of the window. Don sprints to a nearby motorboat, narrowly escaping after a tussle with a recently turned survivor.Robert Carlyle in 28 Weeks Later (2007)After the infected begin to die of starvation, NATO forces take control of Britain. Twenty-eight weeks after the outbreak, an American commanded force, under the command of Brigadier General Stone, brings in settlers. Among the new arrivals are Don and Alice’s children, Tammy and Andy, who were out of the country during the outbreak. They are admitted to District One, a safe zone on the Isle of Dogs, guarded by the US Army. Sergeant Doyle, a Delta Force sniper and his friend, Chief Flynn, a helicopter pilot, are amongst the troops guarding the district. Tammy and Andy are reunited with their father, who was found by the US Army and has become the district’s caretaker. In their new flat, Don fabricates a lie about the circumstances surrounding their mother’s death.Rose Byrne, Jeremy Renner, Raymond Waring, Imogen Poots, and Mackintosh Muggleton in 28 Weeks Later (2007)That night, Andy dreams about forgetting his mother’s face, so Tammy and Andy sneak out of the safe zone and return to their former home, where they collect family photographs and other mementos. To his shock, Andy finds Alice alive and uninfected in a semi-conscious, delirious state. The three are soon discovered by soldiers and taken back to District One. Alice is taken to a quarantine room, where she is tested and found to be an asymptomatic carrier of the rage virus. Don makes an unauthorized visit to Alice in her isolation cell, begging her to forgive him. She accepts his apology and tells him she loves him; when they kiss, Don is infected, savagely kills her and goes on a rampage.Rose Byrne, Jeremy Renner, Imogen Poots, and Mackintosh Muggleton in 28 Weeks Later (2007)General Stone orders the building to be quarantined and orders a Code Red alert in District One. Civilians are herded into safe rooms but despite the precautions, Don breaks into a room full of people and starts a domino effect of rapid infection. The crowd, with half its members infected, breaks out of the safe room and into the streets. Scarlet, a US Army medical officer, rescues Tammy and Andy as the soldiers in District One are ordered to shoot indiscriminately. Doyle, unable to bring himself to comply with the order, abandons his post and escapes with Scarlet, Tammy, Andy and several others through the Greenwich Foot Tunnel. Stone orders District One to be firebombed but large numbers of the infected, including Don, escape the bombardment. Scarlet informs Doyle that the children might hold the key to a cure and must be protected.Imogen Poots in 28 Weeks Later (2007)Flynn arrives by helicopter to pick up Doyle but refuses to take anyone else, as they would be shot down for carrying people who might be infected. Flynn contacts Doyle by radio and tells him to leave the civilians and head to Wembley Stadium. Doyle ignores his instructions and escorts Andy, Tammy and Scarlet to Wembley. They break into an abandoned Volvo V70 to escape nerve gas released to kill the infected but are unable to start the car while soldiers with flamethrowers draw near. Doyle exits the car and sacrifices himself by push starting the car and is burned alive. Scarlet escapes an Apache gunship and drives Tammy and Andy into the London Underground, where the trio continues on foot. Don ambushes and kills Scarlet, then bites Andy.Tammy shoots Don before he can kill Andy, who remains symptom-free but an unknown carrier of the Rage virus. They continue to the stadium and are picked up by a reluctant Flynn, who flies them across the English Channel to France, as instructed by Doyle. Twenty-eight days later, a French-accented voice requesting help is heard from the radio in Flynn’s abandoned helicopter. A group of the infected are then seen running through a tunnel which, as they emerge into the open, is revealed to be the exit of the Paris Métro Trocadéro Station with a view across the Seine to the nearby Eiffel Tower.The film starts off at an odd pace but soon settles into a familiar terror-stricken rush. The cast was well selected, nothing out of the ordinary but no obvious weak links either. The Americanisation was not as severe as I had previously dreaded, and I actually quite welcomed Rose Byrne and Jeremy Renner leading the plot. The shots of post-apocalyptic London may have been done already but they’re still as effective as ever, and John Murphy’s score is brilliant as always.

REVIEW: LOST – SEASON 6

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Evangeline Lilly (Ant-Man and The Wasp)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Emilie de Ravin (Roswell)
Jeff Fahey (Texas Rising)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

Josh Holloway and Elizabeth Mitchell in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Brad William Henke (Bright)
Kimberly Joseph (Hercules: TLJ)
Fredric Lehne (Amityville 4)
Elizabeth Mitchell (V)
Dominic Monaghan (Flashforward)
Mark Pellegrino (13 Reasons Why)
Daniel Roebuck (Final Destination)
Ian Somerhalder (The Vampire Diaries)
Sean Whalen (Twister)
Greg Grunberg (Alias)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heores)
Hiroyuki Sanada (Westworld)
William Mapother (Anotehr Earth)
Jeff Kober (New Girl)
Katey Sagal (Futurama)
Veronica Hamel (Cannonball)
Dylan Minnette (13 Reasons Why)
Andrea Gabriel (2 Broke Girls)
Kevin Durand (Swamp Thing)
Anthony Azizi (Eagle Eye)
William Atherton (Ghostbusters)
Alan Dale (Ugly Betty)
Jon Gries(Taken)
Tania Raymonde (Texas Chainsaw)
Neil Hopkins (The Net 2.0)
Rebecca Mader (Iron Man 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Titus Welliver (The Town)
Andrew Divoff (Wishmaster)
Chad Donella (Smallville)
Jeremy Davies (Hannibal)
Fionnula Flanagan (The Others)
Sonya Walger (Flashforward)
Fisher Stevens (Hackers)
Harold Perrineau (Constantine)
Cynthia Watros (Titus)
François Chau (The Tick)
Kevin Tighe (My Bloody Valentine)
Allison Janney (Mom)
Mira Furlan (Babylon 5)
Michelle Rodriguez (The Fast and The Furious)
Maggie Grace (The Fog)
John Terry (Full Metal Jacket)
John Pyper-Ferguson (Caprica)

Nestor Carbonell and Terry O'Quinn in Lost (2004)Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners DamonLindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective.Josh Holloway in Lost (2004)The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.Jeff Fahey, Michael Emerson, Yunjin Kim, and Zuleikha Robinson in Lost (2004)Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.Josh Holloway and Elizabeth Mitchell in Lost (2004)“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale.Matthew Fox and Jorge Garcia in Lost (2004)He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale.Terry O'Quinn in Lost (2004)Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.Josh Holloway in Lost (2004)The Man in Black tests the survivors like never before. Offering them freedom, survival and even answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season. )Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series.Naveen Andrews and Hiroyuki Sanada in Lost (2004)All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: LOST – SEASON 4

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Elizabeth Mitchell (V)
Evangeline Lilly (Ant-Man and The Wasp)
Jeremy Davies (Hannibal)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Michael Emerson (Arrow)
Rebecca Mader (Iron Man 3)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Harold Perrineau (Sabotage)

Jorge Garcia and Dominic Monaghan in Lost (2004)

Recurring / Notable Guest Cast

Dominic Monaghan (Flashforward)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Michael Cudlitz (The Walking Dead)
Mira Furlan (Babylon 5)
Tania Raymonde (Texas Chainsaw)
Lance Reddick (John Wick)
Fisher Stevens (Hackers)
John Terry (Full Metal Jacket)
Marsha Thomason (White Collar)
Zoë Bell (The Hateful Eight)
Jeff Fahey (Texas Rising)
Thekla Reuten (Highlander 5)
Beth Broderick (Sabrina: TTW)
Shawn Doyle (Impulse)
Anthony Azizi (Eagle Eye)
Alan Dale (Ugly Betty)
Kevin Durand (Swamp Thing)
Sonya Walger (Flashforward)
Graham McTavish (The Hobbit)
Andrea Roth (Cloak & Dagger)
M.C. Gainey (Breakdown)
Grant Bowler (Harrow)
George Cheung (Rush Hour)
Cynthia Watros (Titus)
Galyn Görg (Robocop 2)
Malcolm David Kelley (Detroit)
Faran Tahir (Iron Man)
Andrea Gabriel (2 Broke Girls)
April Parker Jones (Supergirl)
Nestor Carbonell (Bates Motel)
Doug Hutchison (Punisher: War Zone)
Amanda Carlin (Friends)
Michelle Forbes (True Blood)
Veronica Hamel (Cannonball)
Cheech Marin (Coco)

Jeff Fahey in Lost (2004)After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.Mira Furlan, Michael Emerson, Josh Holloway, Terry O'Quinn, and Rebecca Mader in Lost (2004)The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings.Michael Emerson in Lost (2004)Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.Michael Emerson in Lost (2004)Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Henry Ian Cusick in Lost (2004)Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.Elizabeth Mitchell in Lost (2004)Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

 

REVIEW: LOST – SEASON 2

Starring

Matthew Fox (Alex Cross)
Terry O’Quinn (The Rocketeer)
Jorge Garcia (How I Met Your Mother)
Josh Holloway (Colony)
Evangeline Lilly (Ant-Man and The Wasp)
Michelle Rodriguez (The Fast and The Furious)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Naveen Andrews (The Brave One)
Dominic Monaghan (Flashforward)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Emilie de Ravin (Operation: Endgame)
Harold Perrineau (Constantine)
Maggie Grace (Taken)
Malcolm David Kelley (Deriot)

Matthew Fox in Lost (2004)

Recurring / Notable Guest Cast

Henry Ian Cusick (Hitman)
John Terry (Full Metal Jacket)
Julie Bowen (Modern Family)
Anson Mount (Star Trek: Discovery)
Tamara Taylor (Bones)
Saul Rubinek (Warehouse 13)
Kevin Tighe (My Bloody Valentine)
Katey Sagal (Futurama)
François Chau (The Tick)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Sam Anderson (Angel)
Marguerite Moreau (Wet Hot American Summer)
DJ Qualls (Road Trip)
Kimberley Joseph (Hercules: TLJ)
Brittany Perrineau (Felon)
Ian Somerhalder (The Vampire Diaries)
Brett Cullen (Ghost Rider)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Rick Overton (Willow)
Fredric Lehne (Men In Black)
Beth Broderick (Sabrina: TTW)
Lindsey Ginter (Argo)
Adetokumboh M’Cormack (Gods & Heroes)
M.C. Gainey (Breakdown)
Neil Hopkins (D-Sides)
Robin Atkin Downes (Babylon 5)
Kim Dickens (Gone Girl)
Kevin Dunn (Transformers)
Clancy Brown (Highlander)
Mira Furlan (Babylon 5)
Michael Emerson (Arrow)
Theo Rossi (Luke Cage)
William Mapother (THe Mentalist)
Tania Raymonde (Texas Chainsaw)
Andrea Gabriel (2 Broke Girls)
Evan Handler (Californication)
Bruce Davison (X-Men)
Wayne Pygram (Farscape)
Gabrielle Fitzpatrick (MMPR: The Movie)
Nick Jameson (Frozen)
Oliver Muirhead (The Social Network)
Michael Bowen (Kill Bill)
April Grace (A.I.)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)

Daniel Dae Kim, Josh Holloway, and Harold Perrineau in Lost (2004)

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.Harold Perrineau in Lost (2004)As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband.Daniel Dae Kim and Josh Holloway in Lost (2004)Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.Michelle Rodriguez and Cynthia Watros in Lost (2004)I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale.Naveen Andrews in Lost (2004)He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

REVIEW: LOST – SEASON 1

Starring

Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Maggie Grace (Taken)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Evangeline Lilly (Ant-Man and The Wasp)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Deriot)
Ian Somerhalder (The Vampire Diaries)
Terry O’Quinn (The Rocketeer)

Naveen Andrews, Daniel Dae Kim, Emilie de Ravin, Matthew Fox, Jorge Garcia, Josh Holloway, Yunjin Kim, Dominic Monaghan, Terry O'Quinn, Harold Perrineau, Ian Somerhalder, Maggie Grace, Malcolm David Kelley, and Evangeline Lilly in Lost (2004)

Recurring / Notable Guest Cast

Fredric Lehne (Men In Black)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Kimberley Joseph (Hercules: TLJ)
Michelle Arthur (Mission: Impossible III)
Greg Grunberg (Heroes)
John Terry (Full Metal Jacket)
Veronica Hamel (Cannonball)
Neil Hopkins (D-Sides)
Michael DeLuise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (THe Mentalist)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Navid Negahban (Legion)
Nick Jameson (Frozen)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
David Starzyk (Veronica Mars)
Jim Piddock (Mascots)
Robert Patrick (Termiantor 2)
Brittany Perrineau (Felon)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (My Bloody Valentine)
Zack Ward (Transformers)
Julie Bowen (Modern Family)
Mackenzie Astin (The Orville)
Beth Broderick (Sabrina: TTW)
Daniel Roebuck (Final Destination)
Skye McCole Bartusiak (Don’t Say A Word)
Michelle Rodriguez (The Fast and The Furious)
M.C. Gainey (Breakdown)

 

Dominic Monaghan and Evangeline Lilly in Lost (2004)Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.Jorge Garcia and Harold Perrineau in Lost (2004)

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything.Josh Holloway in Lost (2004)The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.Of course, there are a plethora of individual character stories that thrive over the course of the season.Naveen Andrews in Lost (2004)Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors.Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it.Yunjin Kim and Evangeline Lilly in Lost (2004)Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.