REVIEW: TUSK

CAST

Michael Parks (Red State)
Justin Long (Jeepers Creepers)
Génesis Rodríguez (Hours)
Haley Joel Osment (A.I.)
Johnny Depp (Into The Woods)
Harley Morenstein (Holidays)
Ralph Garman (Ted)
Jennifer Schwalbach Smith (Now You Know)
Harley Quinn Smith (Supergirl)
Lily-Rose Depp (The Dancer)
Zak Knutson (Clerks II)
Best friends Wallace Bryton and Teddy Craft host the popular podcast The Not-See Party, where they find and mock humiliating viral videos. Wallace announces plans to fly to Canada to interview the “Kill Bill” Kid, an Internet celebrity famous for severing his leg with a samurai sword. In flashbacks spread throughout the film, it is revealed that Wallace was originally a failed stand-up comic who became popular with his increasingly vicious podcasts, and that he frequently cheats on his girlfriend, Ally.
Upon arriving in Manitoba, Wallace is surprised to learn that the Kill Bill Kid committed suicide. Upset that he flew to Canada for nothing, Wallace decides to stay an extra day and find another person to interview. He finds a handbill from someone offering a room in his home for free and the guarantee of hearing a lifetime of interesting stories. His interest piqued, Wallace arrives at the mansion of Howard Howe, a retired seaman in a wheelchair. Howard tells the story of how a walrus, whom he named Mr. Tusk, rescued him after a shipwreck. Wallace then passes out from the secobarbital laced in his tea that Howard made for him.
The next morning, Wallace wakes up to find himself strapped into a wheelchair and his left leg amputated. Howard tells him he was bitten by a brown recluse spider and a local doctor had to amputate it to save Wallace’s life. Howard not only reveals that he can still walk, but lays out his plans for Wallace: he plans to fit Wallace into a perfectly constructed walrus costume. Wallace’s attempts to contact Teddy and Ally fail when neither answer their phone. It is then revealed that Ally and Teddy are in fact lovers. Wallace leaves Ally a voicemail apologizing for how he treated her, and Howard knocks him unconscious.
Now aware that Wallace is in danger, Ally and Teddy fly to Canada to look for him. Back at the mansion, Howard continues to mutilate and alter Wallace, to whom he tells his backstory: a Duplessis orphan, he was sexually abused for years by the clergy who fostered him, and as a result is very misanthropic. He sews Wallace into a walrus costume made of human skin, complete with tusks made of the tibia bones from Wallace’s severed legs.
A local detective puts Ally and Teddy in touch with Guy LaPointe, a former Sûreté du Québec inspector who has been hunting Howard for years. LaPointe reveals that Howard, nicknamed “The First Wife”, has been kidnapping and murdering people for years; he says he believes Wallace may still be alive, but not as they remember him. They eventually find Howard’s address through two convenience store clerks, whom Wallace had annoyed earlier.
By now, Wallace’s psyche has been completely broken and has been conditioned to think and behave like a walrus. Howard reveals that his obsession with walruses comes from killing and eating Mr. Tusk six months after living on the island, although a rescue boat arrived soon after. For the past 15 years, he has attempted to turn his victims into his beloved savior in order to relive their last day and give Mr. Tusk another chance at survival. Dressed in his own homemade pelt, Howard engages in a fight with Wallace that ends with Wallace angrily impaling Howard’s chest with his tusks while Howard becomes satisfied with what Wallace has become. Ally and Teddy enter the enclave as Wallace bellows victoriously and viciously as a walrus does, much to their horror. LaPointe later enters the room and reluctantly aims a shotgun at Wallace.
One year later, Wallace, still sewn into the pelt, lives in a wildlife sanctuary. Ally and Teddy visit him and feed him a mackerel. Ally remembers a discussion she had with Wallace the day before he left for Canada about how crying separates humans from animals, because crying shows that you have a soul. Ally tells Wallace she still loves him before walking off crying. Tears run down Wallace’s face as he bellows, implying that the human part of Wallace may not be completely gone.Yes, it’s a weird film but it’s trying to be different and is a nice change of pace from most horror films these days. If you want a film that will make you genuinely say ‘WTF’ at the end, tusk is for you. I

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REVIEW: AMERICAN DAD – VOLUME 10

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MAIN CAST (VOICES)

Seth MacFarlane (Family Guy)
Wendy Schaal (Small Soldiers)
Scott Grimes (Robin Hood)
Rachael MacFarlane (The Batman)
Dee Bradley Baker (Star Wars: The Clone Wars)

RECURRING / NOTABLE GUEST CAST

Curtis Armstrong (New Girl)
John Cho (Sleepy Hollow)
Chloe Grace Moretz (Kick-Ass)
Larisa Oleynik (100 Girls)
Kevin Michael Richardson (The Cleveland Show)
Daisuke Suzuki (I Am Gangster)
Eddie Kaye Thomas (American Pie)
T.J. Miller (Deadpool)
David Koechner (Anchorman)
Patrick Stewart (X-Men)
Mariah Carey (Glitter)
Zooey Deschanel (New Girl)
Reggie Lee (Grimm)
Nancy Cartwright (The Simpsons)
Kevin Durand (Dark Angel)
Haley Joel Osment (A.I.)
Azura Skyke (28 Days)
Mae Whitman (Teenage Mutant Ninja Turltes 2012)
Danny Glover (Earthsea)
Daran Norris (Veronica Mars)
Joey King (The Dark Knight Rises)
Jonathan Kite (2 broke Girls)
Kyle Chandler (Super 8)
Megalyn Echikunwoke (Vixen)
Echo Kellum (Arrow)
Ellie Kemper (21 Jump Street)
Becki Newton (Ugly Betty)
Mike Henry (The Cleveland Show)
Thomas Brodie-Sangster (Game of Thrones)
Phil LaMarr (Free Enterprise)
Terry Crews (White Chicks)
Dean Winters (Terminator: TSCC)
Andrea Savage (Izombie)
Laura Bell Bundy (Scream queens)
Sinbad (Jingle All The Way)

Belly-laugh up to the bar, folks and satisfy your thirst for hilarity with the all-new collection of uncensored American Dad! episodes from the spirited minds of Mike Barker, Matt Weitzman and Family Guy creator Seth MacFarlane. Loaded with celebrity guest voices, including Mariah Carey, Terry Crews, Mark Cuban, Zooey Deschanel, Danny Glover and Olivia Wilde, This volumes intoxicating highlights are.

STEVE AND SNOT’S TEST-TUBULAR ADVENTURE:  After failing to get dates for the high school prom, Steve and Snot try using the CIA’s cloning machine to make dates, but the machine produces two fast-growing newborn babies, forcing the boys to father them in time for the prom. Meanwhile, Stan takes home the CIA’s cloned pet dodo with disastrous consequences.

POLTERGASM: In a spoof of the movie Poltergeist, the Smith home is haunted by Francine’s unsatisfied sexual drive every time she is left having to fake it, so it is up to Roger – as medium Ruby Zeldastein – to eliminate the ghost. Meanwhile, Hayley dates a young, Hispanic man named Mauricio, and Klaus goes to Atlantic City for a self-help seminar, but ends up breaking his back and forced to watch the hotel guide channel in his room.

CROTCHWALKERS:Just to show Steve she is still a “cool” mom, Francine teaches him various shoplifting techniques at the local mall “The Gash”. However, their efforts to pull off the ultimate heist result in Steve getting captured and sent to a Venezuelan sweatshop. Meanwhile, Roger, Hayley and Klaus become Langley Falls’ first Russian balalaika trio and Stan injures his groin and must use a whiteboard to communicate.

FAKING BAD: In this parody of Breaking Bad, Hayley tries to fit in with her old high school friends and discovers Steve’s talent for creating fake IDs that can easily be passed for real ones. Seeing this as a business opportunity, Hayley builds out Steve’s operation, but find themselves up against another fake ID kingpin in Langley Falls: Kevin Ramage (another of Roger’s disguises).

MINSTREL KRAMPUS: A notorious Christmas demon known as Minstrel Krampus kidnaps a bratty Steve, so Stan and Roger must travel to the North Pole to save him with the help of Stan’s estranged father. Meanwhile, Hayley takes a job at the airport to get her family Christmas presents.

VISION: IMPOSSIBLE:  A car accident gives Roger the power to foresee the future, causing the Smiths to pester him with questions of what will happen.

FAMILYLAND: At Francine’s insistence, the Smiths go on vacation at a Disneyland-esque theme park called Familyland. Unfortunately, the visit turns disastrous when Roger, Hayley, Stan and Steve all separate to go to different regions of the park. Francine, disappointed in how the park broke up her family, complains in front of a statue of the park’s founder Roy Family. As Francine walks off with Klaus, the statue begins to cry and eventually crack revealing the original Roy Family inside. Roy, angry at how his park has failed to be a good influence over families decides to shut down the park and lock in all visitors. After one week, each member of the Smith family carves out their own personal “kingdom” out of the park while Francine struggles to find a way to end the chaos.

COCK OF THE SLEEPWALK: After Stan completes his 100th kill, he accidentally releases a benevolent persona of himself while sleeping, and this new incarnation goes on a spree of doing good deeds that the real Stan would never undertake.

Image result for american dad introducing the naughty stewardessesINTRODUCING THE NAUGHTY STEWARDESSES: In a parody of Face/Off, Roger switches faces with Steve to help him win over the hot girl at school, but soon decides he wants her for himself – until the girl reveals that she is pregnant with her jock ex-boyfriend’s baby. Meanwhile, in a parody of Charlie’s Angels, Stan and Francine’s vacation to Sacramento gets sidetracked when they befriend a quartet of sexy stewardesses and go undercover to help them thwart Mark Cuban’s plan to blow up the sun.

I AIN’T NO HOLODECK BOY: Against Francine’s wishes, Stan takes Steve and his friends into the woods for some outdoor playtime, where they wind up on the CIA’s holodeck. Meanwhile, Hayley claims she is Roger’s queen after purchasing his home star on an international star registry.

STAN GOES ON THE PILL: Unable to listen to Francine’s constant chatting, Stan takes an experimental estrogen pill which allows him to be able to listen to women without zoning out. Things get complicated, however, when Stan’s dosage turns him into a woman and Avery Bullock begins making romantic advances towards the now-female Stan. Meanwhile, Roger and Klaus start their own business selling the suits Stan wore as a male, which doesn’t go according to plan.

HONEY, I’M HOMELAND: Stan infiltrates an Occupy Wall Street protest and ends up being kidnapped and brainwashed. Meanwhile, Roger buys thousands of candles and is unable to sell them, resulting in him and Steve getting carried away while giving each other massages in the attic in an attempt to use them all up.

RUBBERNECKERS: CIA budget cuts leave Stan out in the cold, and since his company work record is classified, his only employment opportunity is at a local grocery store that is managed by Steve. Meanwhile, Roger and an annoying coffee-shop musician engage in a wager that leads Roger into a Faustian pact with an infomercial guitar instructor.

THE LONGEST DISTANCE RELATIONSHIP: is still heartbroken and trying to get over Jeff’s abduction, and meets a millionaire named Matt, who helps her deal with the tragedy. However, Steve and Snot discover that Jeff is alive and, along with the ghost of Sinbad, is trying to make his way back to her. Ultimately, Jeff learns that by the time he can make it back to Earth, Haley will be sixty and would have spent her entire life waiting for him. He goes back in time through the wormhole that he used to enter into Earth, and tells Hayley that he isn’t sure if he can make it back to Earth after all, and that he wants her to move on. She accepts, saying she will never forget him, and goes to begin life with Matt, only for him to be killed by Roger upon finding out he is an alien.

This has to be one of the best adult cartoons ever created. A great season fo episodes that keeps you wanting more… role on volume 11.

REVIEW: THE SIXTH SENSE

CAST

Bruce Willis (Sin City)
Haley Joel Osment (A.I.)
Toni Collette (Tammy)
Olivia Williams (Dollhouse)
Trevor Morgan (Jurassic park 3)
Donnie Wahlberg (Saw II)
Mischa Barton (The O.C.)

Dr. Malcolm Crowe, a child psychologist in Philadelphia, returns home one night with his wife, Anna, after having been honored for his work. Anna tells Malcolm that everything is second to his work, and that she believes he is truly gifted. Just then, a young man appears in their bathroom, and accuses Malcolm of failing him. Malcolm recognizes him as Vincent Grey, a former patient whom he treated as a child for hallucinations. After Malcolm realizes he did fail him, Vincent shoots his former doctor before killing himself.

The next fall, Malcolm begins working with another patient, 9-year-old Cole Sear, whose case is similar to Vincent’s. Malcolm becomes dedicated to the boy, though he is haunted by doubts over his ability to help him after his failure with Vincent. Meanwhile, he and his wife seldom, if ever, speak or do anything together. Malcolm feels he must help Cole in order to rectify his failure to Vincent and reconcile with his wife. Cole’s mother, Lynn, who truly loves him, worries about his social stamina, especially after seeing signs of physical abuse. Cole eventually confides his secret to Malcolm: he sees dead people, who walk around like the living unaware they are dead.

At first, Malcolm thinks Cole is delusional and considers dropping him. Remembering Vincent, the psychologist listens to an audiotape from a session with Vincent in 1987, then a child. On the tape, when Malcolm leaves the room, and then returns, Vincent was crying. Turning up the volume, Malcolm hears a weeping man begging for help in Spanish, and now believes that Cole is telling the truth and that Vincent may have had the same ability. He suggests to Cole that he should try to find a purpose for his gift by communicating with the ghosts and perhaps aid them with their unfinished business. At first, Cole is unwilling since the ghosts terrify and sometimes even threaten him, but he finally decides to do it. Cole talks to one of the ghosts, Kyra Collins, a young chronically ill girl who recently died. He goes with Malcolm to her funeral reception at her home, where Kyra directs him to a box holding a videotape, which he then gives to her father. The tape shows Kyra’s stepmother putting a cleaning fluid in her soup. By proving she was a victim of Munchausen syndrome by proxy, Cole has saved Kyra’s younger sister, the mother’s next victim.
Learning to live with the ghosts he sees, Cole starts to fit in at school and gets the lead in the school play, which Malcolm attends. The doctor and patient depart on positive terms and Cole suggests to Malcolm that he should try speaking to Anna while she is asleep. Later, while stuck in a traffic jam, Cole confesses his secret to Lynn, saying that someone died in an accident up ahead and he knows because the person is right next to him. Lynn does not see the recently deceased, but Cole sees a woman cyclist with blood dripping down her face. Although his mother at first does not believe him, Cole proves his ability to her by talking about how his grandmother visits him. He describes how his grandmother saw his mother in a dance performance, even though Lynn thought her mother was not there. He further relays the answer to a question his mother privately asked at her mother’s grave. When Cole says that his grandmother feels proud of Lynn, his mother tearfully accepts the truth and they hug each other. 
Malcolm returns home, where he finds his wife asleep with their wedding video playing. While still asleep, Anna asks her husband why he left her, and drops Malcolm’s wedding ring, which he suddenly discovers he has not been wearing. He remembers what Cole said about ghosts and realizes that he was actually killed by Vincent that night, and was unknowingly dead the entire time he was working with Cole. Because of Cole’s efforts, Malcolm’s unfinished business – rectifying his failure to understand and help Vincent – is finally complete. Malcolm fulfills the second reason he returned: to tell his wife she was never second, and that he loves her. His goal complete, he is free to leave the world of the living.The Sixth Sense really makes you think after watching it, it moves you in more ways than one. Plus, there are some interesting extras on the second disc which definately makes it worth buying this edition. A truely brilliant film.

 

REVIEW: FAMILY GUY – DVD SEASONS 1-5

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MAIN CAST (VOICES)

Seth MacFarlane (Flashforward)
Alex Borstein (Power Rangers Zeo)
Seth Green (IT)
Mila Kunis (Black Swan)
Mike Henry (Ted)
Jennifer Tilly (Curse of Chucky)
Patrick Warburton (Scream 3)
Adam West (60s Batman)
Lacey Chabert (Mean Girls)

RECURRING / NOTABLE GUEST CAST (VOICES)

Lori Alan (Wall-E)
Fred Tatasciore (Hulk Vs)
Phil LaMarr (Free Enterprise)
Billy West (Futurama)
Joey Slotnick (Nip/Tuck)
Frank Welker (Transformers)
Rachael MacFarlane (American Dad)
Alex Rocco (The Simpsons)
Kevin Michael Richardson (The Cleveland Show)
Dick Van Patten (Spaceballs)
Fairuza Balk (Almost Famous)
Charles Durning (The Sting)
Dwight Schultz (The A-Team)
Patrick Duffy (Dallas)
Victoria Principal (Blind Witness)
Will Sasso (Movie 43)
Sam Waterson (Law & Order)
Tara Strong (Batman: TAS)
Norm MacDonald (Billy Madison)
Candice Bergman (Gandhi)
Martin Mull (Sabrina: TTW)
Lee Majors (Ash vs Evil Dead)
Faith Ford (Hope & Faith)
Will Ferrell (The Lego Movie)
Jay Mohr (Cherry Falls)
Brian Doyle-Murray (Groundhog Day)
Robert Costanzo (Batman: TAS)
Michael Chiklis (Gotham)
Jon Cryer (Two and a Half Men)
Gary Cole (One Hour Photo)
Luke Perry (The Fifth Element)
Adam Carolla (Wreck-It Ralph)
Michael McKean (This Is Spinal Tap)
Thomas Dekker (Terminator: TSCC)
Haley Joel Osment (A.I.)
Leif Garrett (The Outsiders)
June Foray (Mulan)
Ray Liotta (Killing Them Softly)
Ron Jeremy (Orgazmo)
Alyssa Milano (Charmed)
Edward Asner (Elf)
Hugh Laurie (House)
Estelle Harris (3rd Rock From The Sun)
R. Lee Ermey (Full Metal Jacet)
Majel Barrett (Star Trek)
Carol Kane (Gotham)
Dakota Fanning (Taken)
Jane Lynch (Glee)
Meredith Scott Lynn (Legally Blonde)
Valerie Bertinelli (Hot In Cleveland)
Tony Danza (Who’s The Boss?)
Fred Willard (Anchorman)
Jennifer Love Hewitt (Ghost Whisperer)
Andy Dick (2 Broke Girls)
Jon Favreau (Iron Man)
Lauren Graham (Bad Santa)
Judy Greer (Jurassic World)
Mark Hamill (Star Wars)
Peter Riegert (The Mask)
Drew Barrymore (Poison Ivy)
Jonathan Lipnicki (Jerry Maguire)
Gina Gershon (Bound)
Judd Hirsch (The Big Bang Theory)
Indigo (Weeds)
Stacey Scowley (Dollhouse)
Jane Carr (Treasure Planet)
Cloris Leachman (The Iron Giant)
LeVar Burton (Star Trek: TNG)
Jessica Biel (Stealth)
Nancy Cartwright (The Simpsons)
Alexandra Breckenridge (The Walking Dead)
Michael Dorn (Ted 2)
Jonathan Frakes (Star Trek: TNG)
Marina Sirtis (The Grudge 3)
Patrick Stewart (X-Men)
Gabrielle Union (Flashforward)
James Woods (Another Day In Paradise)
Carrie Fisher (Star Wars)
Mia Maestro (Alias)
Maurice LaMarche (Futurama)
Robert Downey Jr. (Iron Man)
Sherman Hemsley (Lois & Clark)
Marion Ross (Happy Days)
Carol Channing (The Love Boat)
Jay Leno (The Simpsons)
Alexander Siddig (Game of Thrones)
Bryan Cranston (Argo)
Wallace Shawn (The Princess Bride)
Kate Jackson (Charlies Angels)
Betty White (The Golden Girls)
Chad Morgan (Pearl Harbor)
Judith Light (Ugly Betty)

Out of the small animation boom that happened several years ago came “Family Guy”, one of the most hilarious and controversial shows that Fox has aired

For those unfamiliar with the show, it focuses on the Griffin family, residents of Quahog, Rhode Island. Peter (creator Seth MacFarlane) is the heavy-drinking father who works in a toy factory, Lois (Alex Borstein of “Mad TV”) is the calm leader, Meg (Mila Kunis of “That 70’s Show” and Lacey Chabert for the earlier episodes) is the insecure daughter, Chris (Seth Green) the chubby and dim-witted son, Brian (MacFarlane) is the alcoholic dog who talks and Stewie (creator Seth MacFarlane earned an Emmy for his voice work on the character) is the diabolical baby who is bent on world domination.The first two volumes of the show on DVD offers both the first season and half of the second seasons of the show and gives viewers who missed it another chance to witness some of “Family Guy”‘s most brilliant moments. “E. Peterbus Unum” has Peter breaking off from Quahog to form his own country when he finds out that his house is a blank spot on the map. When confronted after breaking the law, he gets out of it due to diplomatic immunity (“like that guy in ‘Lethal Weapon 2′”, says Peter). “The Son Also Draws” has Peter and Chris going on a Vision Quest when they lose their car at an Indian casino. When the trees start chatting with Peter, he asks, “If one of you falls, and no one’s around, does it make a noise?” The tree responds, “Are you kidding? Scott fell last week, and he hasn’t shut up about it since.” In “Death Is a Bitch”, Death (voiced by Norm MacDonald) comes after Peter after he fakes death to get out of paying his hospital bill. When Death sprains his ankle, Peter has to take over. “Da Boom” has the family searching for food (they dismiss a potential house after they find out Randy Newman is there, singing about everything he sees) after information hears about the world nearly coming to an end after Y2K turns out to be true.

“Family Guy” remained remarkably politically incorrect throughout its original run, but most of the jokes were rolling-on-the-floor funny because they were throwaway, including one exchange between Peter and Brian: “Brian, there’s a message in my Alpha Bits. It says “OOOOOO”!”. “Peter, those are Cheerios.” Every episode of the show was packed with such minor gags, most of which were successful and unexpected. The show’s voice talent, especially MacFarlane, Kunis and Green, handled the material with perfect comedic timing.

This second DVD volume of the series includes second half of season two and all of third season of the series, along with the controversial episode, “Wish Upon a Weinstein”, where Peter tries to get Chris to become Jewish because he believes he’ll be successful if he does. The plots of season three still get laughs fairly often, although I don’t think they reach the inspired heights of earlier episodes, such as the one where Peter’s house became its own country or lead his family towards a twinkie factory after the apocalypse.

Still, there are certainly some highlights throughout many of the episodes. In “Peter Griffin: Husband, Father…Brother?” Peter takes Chris to an Irish Heritage Museum to learn more about his heritage, where both find out that, before alcohol, Ireland was a futuristic utopia. “Mr. Saturday Knight” has Peter working at Quahog’s Renaissance Faire as a jouster when his boss accidentally dies at dinner. His competition is the Black Knight, brilliantly voiced by Will Farrell. “Thin White Line” and “Brian Does Hollywood” have Brian overdoing his new job as drug sniffing police dog, then running off to Hollywood and ending up with a job directing porn (at the adult awards in the episode, John Williams is one of the composers nominated for Best Original Score). In “Lethal Weapons”, Peter uses Lois’s newfound fighting skills to drive out New Yorkers who come up to Rhode Island just to stare at the leaves changing color.

Rude, crude and often hilarious, “Family Guy” saw fit to offend just about every group, but did so in a way that was sharp, funny and wonderfully absurd.Often brilliant, extremely witty and darkly hilarious, “Family Guy” was unfortunately cancelled after season three Fox bumped it around six or seven different time slots. Although this third season wasn’t as consistent as the first two, it’s still hilarious and fans of the show should definitely pick up this terrific set. thankfully a few years later the show would return for a fourth and become a constant.

Back on the air after an unprecedented un-cancellation, “Family Guy” had a slight bit of leeway in its return. Fans were rabid for some new episodes, while the network that had cancelled it once wasn’t likely to do so again and risk being considered foolish twice-over. As a result, there was a chance to experiment and try something new, and expand the horizons of the show. Or, they could choose to keep doing the same thing they did before, which is exactly the choice they made.

In a way, it was the smart choice. Why mess with a good thing, when you could keep making the kind of show the fans fell in love with and bought rapidly on DVD. The un-PC content is still in place, along with the pop-culture references, cut-aways and nonsensical characters. Call-backs to old favorites, like Herbert the old molester and the evil monkey were good, but the shows tended to settle into ruts. A love of musicals is appreciated, but is it funny every time a character breaks into song, as in “Jungle Love”

This set has some very good episodes in this set, starting with “Petarded,” which sees Peter declared mentally retarded. The ways he takes advantage of this status is classic “Family Guy” material, while the musical montage here, involving phone calls all over town, is actually quite funny. Plus, the appearance of the Greased-Up Deaf Guy gave hope that the creators still had that sense of the bizarre in them.

But if any moment stands out among this run, it’s the supermarket scene in “Breaking Out is Hard to Do.” When Chris is pulled into the “Take On Me” video by A-Ha, it’s a perfect blend of what this show does best, combining nonsense, the ’80s and some neat animation. The lead-in, the punchline and the execution of the whole scene is handled so well that it might be one of the show’s most memorable ever.If there’s a real reason for fans of the show to own this set, it’s provided in the extras. According to the commentaries, there are scenes included that were produced for the show that the creators knew would be cut, but did them with the intent of including them on DVD. I’m not certain what scenes were added, but there are several lines that would have been questionable for network TV. Also included are uncensored audio tracks that were bleeped on TV. It’s certainly a welcome change having the series presented as they were intended, instead of chopped up as so many shows are on DVD.

Among the 14 episodes in this set is a number of funny moments, normally involving either Lois or Chris, though neither enjoys a spotlight episode. Instead, Peter powers a couple of inspired shows, starting with “PTV,” a sharp rebuttal of the FCC’s assault on broadcast standards. As a fan of entertainment for adults, the crippling of language by the government certainly needs to be skewered. Peter’s revolutionary instincts crop up again in “The Father, the Son and the Holy Fonz.” It delivers an entertaining parody of religion, as Peter forms a faith based around Henry Winkler’s “Happy Days” character, with about as valid a basis as most religions.
comedy. There’s some good stuff in here, culled from the 14 episodes, including some subplots that were cut. They are joined by three featurettes that look behind the scenes of the show. The first is a simple one, as supervising director Peter Shin shows how to draw Stewie. Straightforward, but a bit interesting. “A Director’s Life: Debunking the Myth” spends almost 15 minutes looking at the job of the directors on the show, explaining in detail what they do to make the series go. It’s rather good and shows how much goes into making animation.

I enjoy sitting down with a set of “Family Guy” episodes, thanks to the voices and rather lush animation, another great set thou some fans might be confused with the season box sets not watching the actual seasons but once you figure out the numbering its

REVIEW: A.I.: ARTIFICIAL INTELLIGENCE

CAST

Haley Joel Osment (The Sixth Sense)
Jude Law (Sherlock Holmes)
Frances O’Connor (Bedazzled)
Sam Roberds (American Beauty)
Jake Thomas (The Cell)
William Hurt (Captain America: Civil War)
Brendan Gleeson (The Smurfs 2)
Ashley Scott (Birds of Prey)
Jack Angel (Transformers)
Ben Kingsley (Iron Man 3)
Robin Williams (Hook)
Meryl Streep (Into The Woods)
Chris Rock (Rush Hour)
Ken Leung (Lost)
Clark Gregg (Agents of SHIELD)
Kevin Sussman (The Big Bang theory)
April Grace (Whiplash)
John Prosky (The Devil Inside)
Kathryn Morris (Cold Case)
Daveigh Chase (S.Darko)
Justina Machado (Final Destination 2)
Adrian Grenier (Drive Me crazy)
Paula Malcolmson (Capria)
Enrico Colantoni (Veronica Mars)

A.I. began life as a short story by Brian Aldiss, but it blossomed into something more sprawling under Kubrick. It is the story of the first-ever robot boy. Set in a future where climate change has left multiple major cities underwater, a refocused society has made many technological advancements since the cataclysm–including synthesized life. Robots have different functions in society, but largely act as servants, be it of the more traditional kind (maids, chauffeurs) or less domestic (sexbots). At the start of the movie, a scientist (William Hurt) proposes a new function: true love. What if they could create a simulacrum of a real child, one that could be programmed to love its adoptive parents unconditionally? Could then the humans love it in return?The prototype is David (Haley Joel Osment), a specially built android that looks real in every way. He is given to a married couple (Sam Robards and Frances O’Connor) whose own child is currently in cryogenic stasis until a fatal health problem can be solved by medical science. Stuck in her grief, the mother, Monica, takes to her new “son,” developing a strong attachment to him. Only, when her actual child (Jake Thomas) is healed and returned to her, the human boy’s jealousy makes it impossible to keep David. Monica is unwilling to send David back to the factory for destruction and so lets the robot boy go instead. Devastated by this rejection, David takes his animated toy teddy bear (voiced by Jack Angel) and goes looking for the Blue Fairy, the angel who turned Pinocchio into a real boy at the end of the story Monica read to him. If he can become real, she can love him as much as her flesh-and-blood offspring.What follows is David’s fairy-tale journey. Like Pinocchio, he will run into many hazards, including a destructive carnival where robot-hating humans dismantle artificial life as a form of entertainment. There David meets Gigolo Joe (Jude Law), a pleasure robot who is on the run, as well. He agrees to help David find the Blue Fairy, detouring to a dazzling futuristic city where all manner of carnal delights can be found before finally heading to Manhattan and, supposedly, the edge of the world.The philosophical question at the core of A.I. Artificial Intelligence is the difference between authenticity and artifice. Are they mutually exclusive, or is that just a matter of perception? Kubrick famously put off making the movie for over a decade in hopes that an actual robot could be built to play the part of David. Spielberg came into the mix after Kubrick had seen Jurassic Park. It apparently made Stanley realize that if an approximation of a dinosaur was good enough, fake robots would be, as well. Extending the metaphor into the creative process, he embraced the idea that artifice could stand in for the authentic. One could even take it further to say this necessary balance was also the difference between the two directors, why it took both of them to make this extraordinary picture: the authenticity of Stanley Kubrick lent credibility to the artifice of Steven Spielberg, and vice-versa.

Spielberg doesn’t so much repress his style for A.I. as he tries on another man’s clothes and walks around in them for a while. The final movie has the chilly rigor of a Kubrick movie, but with touches of Spielberg’s slick storytelling. The teddy bear that serves as David’s Jiminy Cricket is perfectly integrated into the live action, and the fully imaginary Rouge City, inspired as it was by European comics, is just as believable–and indeed, indistinguishable in terms of craft–as the version of New York City that Spielberg sinks into the Atlantic. One is created from whole cloth, the other uses reality as its starting point–and neither is more real or unreal than its counterpart.

In terms of acting, it’s easy to see why Osment was viewed as the leading actor of a new generation. His performance as David is remarkably subtle. He uses carefully choreographed body language to convey the character’s “otherness.” He carries himself awkwardly, maintaining a blank naïveté that is essential to illustrating David’s lack of experience. It’s a far more complex construction than it might appear. Also good are O’Connor as the grieving mother (she has the widest range of emotions of anyone in the movie) and Jude Law as the charming hustler. He brings a touch of classic Hollywood style to the role–a gigolo is just another type of actor, after all.

There is nothing else quite like A.I. Artificial Intelligence, and given that once upon a time Stanley Kubrick showed us the dawn of humanity, it seems fitting that his career should end by showing us what the world would be like once humanity was gone.